Showing posts with label R.C. Harvey. Show all posts
Showing posts with label R.C. Harvey. Show all posts

Tuesday, March 09, 2010

R.C. Harvey on the Reuben, syndication, and by extension, Cul de Sac

Bob Harvey talks about what it takes to win the National Cartoonist Society's Rueben Award, which Our Man Thompson is up for this year. Harvey gets his opinion of the strip in too - "Thompson’s quirky stylistic mannerism is a good part of his strip’s charm, which is considerable. I like his work, both art and comedy, a great deal; some say his strip is the new Calvin and Hobbes, and while it embodies an active imagination as a vital part of childhood, I wouldn’t go so far as to say Thompson is the new Watterson. Thompson’s comedy is different; ditto his take on childhood."

Monday, February 22, 2010

R.C. Harvey on Matt Wuerker

It's pile-on the Wuerker gravy PR train, as R.C. Harvey writes on Matt Wuerker too. Remember, we'll be doing the same at the City Paper next week! Don't miss it as Matt reveals his favorite monument!

Monday, July 14, 2008

R.C. Harvey's Rabbit Habit still available for trial read

Earlier today Bob Harvey sent this out to his email list:

After a brief solstician interlude, we hop right back, bringing you a continuation of our Open Access Month. In our hare-brained installment this week, we report, at great length, on the recently concluded annual convention of the Association of American Editorial Cartoonists, which brought its struggle against overwhelming odds to the Alamo, whereupon we unearth a rare artifact, Texas History Movies, and explain its name. We also review Betsy and Me, a book reprinting Jack Cole's last work of genius, and we ponder the inexplicable Nancy on a billboard and Samuel Beckett's fascination with the Bushmiller strip. All that and the usual round-up of some news and minor reviews. Beam up by clicking below. And when you get there, to gain access to all these intellectual riches, use Hogan as your ID; Alley as your password. The device is case sensitive, so be sure to capitalize Hogan and Alley. The ID and Password come to us courtesy Hogan's Alley magazine, an annual visitation to comic strips and cartooning that's worth your attention at msnbc.cagle.com/hogan . Try it, you'll like it.

http://www.rcharvey.com/rantsraves.html

Stay Tooned,
R.C. Harvey

Wait! Read on!! We're featuring a special Open Access month at Rants & Raves until July 31. A once-in-a-lifetime opportunity to visit the Happy Harv's nefarious bolt hole and read the current issue of "Rancid Raves," plus any (or all) archived R&Rs since May 1999, when it began, and all of Harv's Hindsights, articles of cartooning history and lore---all without paying the usual admittance pittance, a mere $3.95/quarter subscription. To open the Sesame, when you are asked for your ID and Password, use Hogan as your ID; Alley as your Password at www.RCHarvey.com . (And if you don't know that the ID/Password refers to a dandy annual magazine about comics and cartooning, then visit Hogan's Alley online at www.cagle.com/hogan .) Hogan and Alley are case sensitive, so capitalize the first letter of each.

Tuesday, June 17, 2008

RC Harvey opens his columns to all, in a limited time offer

I enjoy the biweekly column and you should check them out now and then subscribe and send Bob some money for the next quarter.

Open Access for Seasonal Beach Reading!!!

As a special summer swimsuit offer, Rants & Raves and Harv's Hindsight, normally accessible only to those who have paid the ridiculously low subscription fee of $3.95/quarter, will be open to all comers from June 14, Flag Day, through July 31, 2008, without charge. During that time, non-paying visitors will be able to read in their entirety the regular postings of Rants & Raves, a nearly bi-weekly round-up of cartooning news and reviews of comic books, graphic novels, and comic strips. Visitors will also have unfettered access to the archives of Rancid Raves (going back to May 1999) plus Harv's Hindsight, a on-going collection of cartoonist biographies and deep-thinking critical analyses of Great Works of the Cartooning Arts. Recent R&R articles include an examination of how trivial news coverage breeds trivial editorial cartoons, how David Hajdu's Ten-cent Plague short-changes comics history, and how the Tenth of February protest against racial tokenism in the funnies failed—and succeeded—plus reviews of Wordless Books: The Original Graphic Novels, Mark Evanier's Jack Kirby, and a biography of Jackie Ormes, the first African-American woman cartoonist. And in Harv's Hindsights lately, we've examined the history of Howard the Duck and offered appreciations of Gus Arriola's Gordo, Marty Links' Emmy Lou (Bobby Sox), and T.K. Ryan's Tumbleweeds. All amply illustrated. Oh—no swimsuits; sorry, that allusion is merely our cheap shot attempt at conjuring a fool-proof come-on. We apologize: it won't happen again. To gain access to all these intellectual riches, use Hogan as your ID; Alley as your password. The device is case sensitive, so be sure to capitalize Hogan and Alley. The ID and Password come to us courtesy Hogan's Alley magazine, an annual visitation to comic strips and cartooning that's worth your attention at msnbc.cagle.com/hogan . Try it, you'll like it.

In the current (today) posting of R&R, the last dance this time goes to a review of Frederik Peeters' graphic novel Blue Pills, but before we get there, we take a look at some of the book projects on the immediate horizon, consider the achievement represented by the completed runs of Lobster Johnson and Loveless, ponder again—this time with examples—what motion should contribute to the political commentary in an editorial cartoon, and report on the reputed financial status of the funnybook industry, particularly with regard to graphic novels and manga. And more, much more. Beam up by clicking below.

http://www.rcharvey.com/rantsraves.html