Awesome Con Goes Online To Offer Some Comic Relief
Colleen Grablick
DCist April 28 2020
Tuesday, April 28, 2020
Re: 3 pm today: Satire Can Save Us All webcast: The virus has struck!
Satire Can Save Us All webcast: The virus has struck!KALApril 28 2020This episode Interviews Australian cartoonist Jason Chatfield who has published a diary about his brutal battle with Coronavirus. Very much worth a watch.
3 pm today: Satire Can Save Us All webcast: The virus has struck!
Satire Can Save Us All webcast: The virus has struck!
KAL
April 28 2020
This episode Interviews Australian cartoonist Jason Chatfield who has published a diary about his brutal battle with Coronavirus. Very much worth a watch.
Monday, April 27, 2020
April 30: P&P Live! Christopher Eliopoulos - The Yawns Are Coming
P&P Live! Christopher Eliopoulos - The Yawns Are Coming
Thursday, April 30, 2020 - 10 a.m.
It's sleepover night, and two best friends have a lot on their to-do list. They can't wait to stay up all night to accomplish it all. But everywhere they turn, the dastardly Yawns threaten to overtake them. Those Yawns might even bring Dozes, Snores, and Sleepies! Will two pajama-clad heroes be able to outrun them? This witty, adorable picture book succinctly captures the magic of best-friendship and childhood sleepovers. Ages 4-8.
Click here to join the event.
Politics and Prose Live! 5015 Connecticut Ave NW Washington DC 20008
$17.99
9781984816306
Coming Soon—Pre-Order Now
Dial Books - April 28th, 2020
PR: With Garth Ennis and PJ Holden’s The Stringbags, Dead Reckoning Maintains May 20th On-Sale Date and Establishes Comic Store Terms
FOR IMMEDIATE RELEASE
With Garth Ennis and PJ Holden’s
The Stringbags,
Dead Reckoning Maintains May 20th On-Sale Date and Establishes
Comic Store Terms
Dead Reckoning, the graphic novel imprint of Naval Institute Press, will maintain the on-sale date of May 20, 2020 for The Stringbags by Garth Ennis, PJ Holden, and Kelly Fitzpatrick. Considering the current upheaval in the comics distribution pipeline, Dead Reckoning has established comic store terms for those shops that may wish to order direct and advises thatThe Stringbags is also available from Ingram Content Group.
Based on the Royal Navy’s combat squadrons who flew the Fairey Swordfish aircraft during World War II, The Stringbags is a subject Ennis has wanted to write about for years. Because of an extensive partnership effort during May and June 2020 with Wargaming.net and its hit game, World of Warships (whose combined reach is one half billion users worldwide), Dead Reckoning believes that those comic stores operating on an online or curbside basis will receive requests for this book. Robin Noonan, director of sales and marketing, and Jack Russell, sales and marketing manager, are reaching out to comic retailers to inform them of the newly created terms. Shops interested in purchasing The Stringbags or any other Dead Reckoning titles direct are encouraged to contact sales@deadreckoning.org.
“We believe that if ever there was a time when books and the stores who sell them are considered ‘essential services,’ it is now,” says Noonan. She adds, “In their pre-publication reviews, comic and book critics agree The Stringbags story and art are stellar. We think those retailers who want new titles should be able to order this book from us or from Ingram in the timeframe originally promised.”
Dead
Reckoning’s warehouse, Books International, remains open. It operates
under guidelines set forth by Department of Health and Human Services
(HHS), the Centers for Disease Control and
Prevention (CDC), the State of Virginia, and local authorities.
Aftertime Comics closes; SPX is on
Aftertime Comics Folds Up, Waits for Pandemic to End Before Reopening in New Space
James Cullum
April 27 2020
James Cullum
April 27 2020
SPX 2020 Is Still On — For Now
Sunday, April 26, 2020
Steve Brodner's Portraits of the victims [in print as The Lives Ended by COVID-19]
Portraits of the victims [in print as The Lives Ended by COVID-19]
Zoom wallpaper from Ann Telnaes
Just right-click 'Save As' for the image at the top of this story - https://www.washingtonpost.com/opinions/2020/04/24/rats-are-coming-heres-how-we-can-keep-them-away/
Saturday, April 25, 2020
That darn Lio
'Lio' blows it [letter, coronavirus].
Christine Stelloh-Garner, Huntingtown
Washington Post April 25 2020
Cavna on cartoonist Chatfield's coronarivus
A New Yorker cartoonist got covid-19. So he drew this public warning.
Washington Post April 25, 2020
Cavna tells me he talked to Chatfield just yesterday, so he must be feeling better. Because Michael does a grueling interview...
Friday, April 24, 2020
PR: David Miller's The Comics Prisoner
David Miller writes in,
I'm announcing my new YouTube show: The Comics Prisoner! It's a review and commentary show about comic art and artists. It will be filled with OpEd pieces by yours truly and I hope you'll check it out and share feedback. Here's the link to the inaugural episode. Please watch, comment, hit like and subscribe. That's it for now! More news to come!
David Miller
 | In the inaugural episode of the Comics Prisoner, he finds himself both incarcerated and enraptured by the epic pairing of penciler Bob Brown and inker extrao... |
NPR comics on coronavirus
COMIC: Looking For A 'Helper' In The Age Of Coronavirus
Comic: Fake News Can Be Deadly. Here's How To Spot It
Third Eye Comics interviewed
Comic Retailers on the State of Comics and How They're Adjusting to the New World Order
Matt Wuerker's first Punchline: Cartooning through coronavirus
Cartooning through coronavirus with Matt Wuerker
Matt Wuerker's 2nd Punchlines: Cartoonists against Covid
Punchlines: Cartoonists against Covid
Matt Wuerker
Matt noted on Facebook - "Had a lot of fun chatting with the always charming and terribly erudite Wes Tyrell about the Canadian Cartoonist's gallery of Covid cartoons on our second installment of "Punchlines" @politico"
Thursday, April 23, 2020
Petra Mayer of NPR talks to Tom Gauld
Scientists Are Human, Too: Questions For Cartoonist Tom Gauld
Latest Liz at Large in the City Paper
Liz At Large: "Rest"
And relaxation.
Liz Montague
Apr 23, 2020
Wednesday, April 22, 2020
Meet a Local Cartoonist: A Chat with Dick Wright
by Mike Rhode
Dick Wright of The Providence Journal-Bulletin was the 1983
Pulitzer Prize Finalist in Editorial Cartooning. As Dave Astor has written, “Wright
worked for the [San Diego] Union-Tribune
… (starting in 1976) and later joined The
Providence (R.I.) Journal, the Nashville
(Tenn.) Banner, and The Columbus
(Ohio) Dispatch. Currently [2005], he’s affiliated with the Gwinnett Daily Post of Lawrenceville,
Ga. He was syndicated by Tribune Media Services, then Copley News Service, and
finally for several years in the early 2000s by Daryl Cagle. His work was
collected in the book If He Only Had a
Brain... in 1998. The Cartoon
Art Museum in San Francisco “houses over 300 political cartoons illustrated
by famed cartoonist Dick Wright in the mid-1990s.” He
retired from editorial cartooning in 2005, around the same time he was
profiled by the Washington
Times. Wright has recently returned to editorial cartooning.
What type of comic work or
cartooning do you do?
I draw editorial cartoons.
How do you do it? Traditional
pen and ink, computer or a combination?
I use a brush, pen and India ink.
When (within a decade is fine)
and where were you born?
I was born in 1944.
Why are you in the Washington area
now? What neighborhood or area do you
live in?
I live in Warrenton, Virginia.
What is your training and/or education
in cartooning?
I am self-taught. I went to Long Beach State University and I majored
in finance.
Who are your influences?
Mad magazine, and especially Mort Drucker. Also, Walt Disney.
If you could, what in your career
would you do-over or change?
I think I would do more local cartoons.
What work are you best-known
for?
I can't think of a single piece of work. In general probably my
caricatures.
What work are you most proud of?
Well, when I started I was pretty rough. I guess that given where I
started I am most proud of what I developed into. My work is a far cry from
when I started. I had some help along the way. Mort Drucker was a great
encouragement to me as well as Karl Hubenthal in Los Angeles.
What would you like to do or
work on in the future?
I am content to do cartoons about Virginia at this point in my career.
What do you do when you're in a
rut or have writer's block?
I used to keep a file of "ideas" that I used to trigger new
ideas. If you worked at it long enough something would come.
What do you think will be the
future of your field?
I think that the future in cartooning is in online venues.
What local cons do you attend?
I don't attend any.
What's your favorite thing about
DC?
I worked in DC for Scripps-Howard Newspapers. I got to know DC a bit. I
guess being in the middle of the action was my favorite thing. I ran into many
people that were real players. I enjoyed that
Least favorite?
Traffic.
What monument or museum do you
like to take visitors to?
The Smithsonian.
How about a favorite local
restaurant?
I love Mexican food just about anywhere.
Do you have a website or blog?
I have a website for a book I wrote called "Growing Big In God". I
wrote short messages about many topics about life. I was a pastor of two
churches and used my experience and knowledge to help others deal with the
tough side of life. Dick Wright Cartoons is my Facebook page with new cartoons.
How has the COVID-19 outbreak
affected you, personally and professionally?
I work from home anyway so it really hasn't impacted me much.
Can you tell us a bit about being a church
pastor and your faith?
I grew up in church. I had a very powerful experience with God at about
the age of thirteen. From that time forward, I was deeply engaged in church and
was very focused on spiritual things. On my own I began to read the Bible every
evening before going to sleep. In reading the Bible, I learned a lot about God
and it changed me. Even as a young teen, I became very interested in someday
serving the Lord as a pastor. My parents were middle class. We struggled
financially even as my dad worked two and three jobs as far back as I can
remember. When it came time for me to go to college, I did not have you the
heart to ask for help in going to college. I was interested in going to a bible
college to become a pastor. Instead, I attended Junior College with no
particular direction. I dropped out and got a job as a draftsman because I
could draw. In those days we actually drew by hand the things we were building.
I advanced quickly and moved up to a junior designer at the Jet Propulsion Lab
in Pasadena, California. I became interested in engineering.
By then I was married with two little girls. I wanted to become a
senior designer, but you had to be degreed. So I went to Long Beach State
studying engineering and worked full time. While I was at Long Beach State I
began to draw cartoons for the university newspaper, the 49'er. I did this a couple of years and finally I went to some
local newspaper editors and asked them what they thought of my work. They were
very encouraging and began to print a few. This changed my whole direction. I
began to consider changing my career goal from engineering to cartooning. I
spent about two years contacting newspapers looking for a job. Finally, I was
hired at the San Diego Union as their
back-up cartoonist and illustrator and I was on my way. It didn't take long for
my editorial cartoons to be used more and more and I became the lead
cartoonist. I was in San Diego for about eighteen months and then moved to the Providence Journal and that is where my
career took off. I was focused on being as good as I could be. I would get up
at about four in the morning and read the paper cover to cover. My intent was
to know what was going on so my cartoons had substance. I worked at it. I
became syndicated and my list of papers grew to about 420. This was a lot,
since at that time there were only about 1700 dailies in the country.
This went on for years, but I never forgot the early experience I had
with God and my very distinct call to be a pastor. As my list of papers grew I
reached my limit. I began to struggle to keep the numbers up and had to work
harder just to stay even. I began to realize that there was no way I could
sustain what I had been doing for years and I became discouraged. I began to
question what I was doing, and for what? At this time I began to think about
becoming a pastor and fulfill that early calling. I was 52 at the time. I began
to seek out what was necessary to become a pastor. I had a friend who was a
pastor who told me that in Virginia all you needed to become a pastor was to be
ordained by a church and I could become a pastor. His church ordained me as I
had 30 years’ experience leading and teaching the Word. Within a month I had
gathered together a group of 21 people and we started a church and I was the
pastor. In 12 weeks the church grew to 100 attenders. Three years later we
completed a new church building. In five years, my church had grown to more
than 400. I retired and then came out of retirement to help another small
church get established. I am currently the assistant pastor at that church now.
You mentioned Mort Drucker who just passed
away this month, after a long life. Do you have any specific stories or
anecdotes about knowing him?
When I was trying to get into
cartooning, I wrote Mort a letter with some of my work to Mad magazine. I received a letter back from him. He was gracious and
encouraging. He offered advice about cartooning that was very helpful. One of
the things he told me was that every assignment I get and send off should be
better than the last job I did. He said this was the way to get better. He said
that when you plateau and level off, keep working at doing better than your
last job. He said this is how he improved. Mort was a very kind and gracious
man. Many years later, when I was the cartoonist at the Providence Journal, I was involved is getting the program set for
an editorial cartooning convention. I contacted Mad and talked to the editor and invited all the cartoonist to the convention
in Newport. Mort and Jack Davis showed up along with some others. What a
thrill! I have a photo of Mort and myself taken at the mansion where we were
hosting the convention. He was so gracious and kind to me. What a great
cartoonist, a great man. I miss him.
4/23/2020: Updated with links to Wright's Facebook page, thanks to DD Degg of the Daily Cartoonist.
4/23/2020: Updated with links to Wright's Facebook page, thanks to DD Degg of the Daily Cartoonist.
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