Nov 14: Doraemon The Movie

DC Anime Club and Japan Information and Culture Center, Embassy of Japan Present: Doraemon The Movie

The DC Anime Club and the Japan Information and Culture Center (JICC), Embassy of Japan present Doraemon on Friday November 14, 2008 at 6:30pm as part of the Anime/Live Action Series based upon Manga (Japanese Comics).

The adorable blue robo-cat from the future and beloved Japanese icon Doraemon is back and better than ever in this 2006 remake of his first feature length film. Doreamon's human friend Nobita discovers an egg that hatches into a cute little dinosaur. However as the baby dino grows bigger and bigger the entire town is thrown into chaos. With both the town and the dinosaur in danger, Nobita realizes that he must return the creature to its own time. With Doraemon's help, the gang sets out on a prehistoric adventure full of obstacles and danger.

The screening will be held at the Japanese Information and Culture Center, Embassy of Japan located at Lafayette Center III 1155 21st Street, NW Washington, DC 20036-3308.

Seating for the screening of Doraemon is limited and attendees are encouraged to rsvp by sending an e-mail to jiccrsvpfall08@embjapan.org.

This program is free and open to the public. For more information please visit the Japanese Information and Culture Center website at http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at http://dcanimeclub.org.

About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.

The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.

In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.

About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of
information, educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.

--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org

Big Planet Comics alumni Dan Nadel in HEEB 100

Joel Pollack reports, "Hip Jewish magazine, HEEB, has picked Big Planet Comics alumni, Dan Nadel, for the HEEB 100.

Congratulations, Dan!"

Two comics articles in Express today

For some reason, the Express, which is owned by the Washington Post, ran a wire story on Trudeau calling the election in Doonesbury from the LA Times even though the story was broken by the Post’s own Michael Cavna on the Post’s Comic Riffs blog.

Also, Scott Rosenberg had an article, "Comedy Before Country: A Mad magazine man talks about poking fun at the political" interviewing John Ficarra in the Express (November 3): 18.

QUICK REVIEWS FOR COMICS DUE 11-05-08

QUICK REVIEWS FOR COMICS DUE 11-05-08
By John Judy

(NOTE: What better day to read comics, either in celebration or to escape?)

ADVENTURE COMICS SPECIAL: GUARDIAN by James Robinson and Pere Perez. The Great Kirby Character Kill-Off continues! Pretty soon they’ll be down to the Marvel romance and western characters. Still pretty good in all.

AVENGERS: INITIATIVE SPECIAL #1 by Dan Slott and Steve Uy. Two of your favorite characters have it out. Can True Love win out over secret Hydra membership? And Dan Slott’s back at the helm! Recommended.

FINAL CRISIS: RESIST #1 by Greg Rucka, Eric Trautman and Ryan Sook. Darkseid’s in the driver’s seat and it’s up to Checkmate, Snapper Carr and Mister Terrific to pull him over. I know, but it’s Rucka so it’ll actually be good.

FREAKANGELS, VOL. 1 SC by Warren Ellis and Paul Duffield. The notorious web-comic in tangible form for the first time, in full color. Featuring twelve special children with one big secret. Gotta look!

IRON MAN: THE END #1 by David Michelinie and Bernard Chang. The latest in Marvel’s continuing series of “Last” stories of iconic characters. I believe this one involves an aging and still bitter Terrence Howard.

JUSTICE SOCIETY OF AMERICA #20 by Geoff Johns, Alex Ross and Dale Eaglesham. Alternate Universe JSAs do battle and Gog the big scary guy hangs back being all cryptic and omnipotent. Come on, people! Let’s show Geoff Johns the love so he gets to write the next Superman movie instead of Mark Millar! Did you see “Wanted?” We cannot let that happen again!

POPEYE, VOL. 3: LET’S YOU AND HIM FIGHT HC by E.C. Segar. The third of six volumes from Fantagraphics collecting Segar’s complete run of Popeye strips. This one covers the years 1932-34 and includes a two-week extra large sequence done specially for the Chicago World’s Fair. It has never been reprinted anywhere until now. Also includes the only appearance of Popeye’s arch-rival Bluto by Segar. Highly recommended.

SANDMAN: DREAM HUNTERS #1 of 4 by Neil Gaiman and P. Craig Russell. Yes, it’s a re-telling of an illustrated story released ten years ago, but it’s Neil and P. Craig so we are all compelled to buy it and sleep with it tucked under our pillows next to our guns. Highly recommended.

SECRET SIX #3 by Gail Simone and Nicola Scott. It’s the Six versus everyone they used to drink with. As usual. Also a new member joins the team. Who? Well, that’s the “secret” part, isn’t it? Good stuff.

TOP TEN SEASON TWO #2 of 4 by Zander Cannon and Gene Ha. Among the best news in comics is that this police procedural set in the world of capes and tights holds up fine even without co-creator Alan Moore scripting. Recommended for fans of both genres.

ULTIMATUM #1 of 5 by Jeph Loeb and David Finch. The great powers of the Ultimate Universe band together against… bad weather? Will this mark the debut of Ultimate Al Roker?

WOLVERINE: CHOP SHOP #1 by Mike Benson and Roland Boschi. Some dope thinks he’s gonna harvest Wolverine’s organs. That’s why this is a one-shot.

www.johnjudy.net

That darn Agnes

Pope Trashed
Washington Post Saturday, November 1, 2008; Page A13

At first I thought I must have misread the "Agnes" comic strip you published Oct. 29. How do you justify publishing such a vitriolic attack on the beloved Pope John XXIII? The comic frivolously associated him with a 12th-century mass murderer.

Anti-Catholic slants seem to be acceptable in The Post. Would you have allowed such a mention of a figure from another religion?

-- Jean Shema
Gaithersburg

Good stuff in today's papers

"Godzilla's Older, Creepier Cousins: Beings Such as Filth Licker Haunt Japanese Culture," By Blaine Harden, Washington Post Foreign Service, Friday, October 31, 2008; A01. This is about creatures called yokai, who are apparently roughly equivalent to goblins and boggarts. Hiroko Yoda and Matt Alt are a married couple have written a book about them, when not translating manga.

The animated movie Fear(s) of the Dark was also reviewed in "Gripped (at Times Loosely) by Fear," By Neely Tucker, Washington Post Staff Writer, Friday, October 31, 2008; Page C06.

Meanwhile in the Post's Comic Riffs, Michael Cavna's interviewed a bunch of cartoonists about the election including locals Telnaes, Sorenson, and Wuerker in "Who'll Win the White House? Cartoonists Issue Their Predictions" as well as decidedly non-local Garry Trudeau in "Obama Wins? Yes, 'Doonesbury' Calls the Election!"

And on Disney's direct to video movie and Fairies product line is "Disney Hoping 'Tinker Bell' Spreads Fairy Dust on Sales" By BROOKS BARNES, New York Times October 31, 2008.

Comics articles in Thursday's papers

The Washington City Paper has reviewed the film Fear(s) of the Dark - it's animated, and based on the works of famous cartoonists Blutch, Charles Burns, Marie Caillou, Pierre di Sciullo, Lorenzo Mattotti, and Richard McGuire.

Steve Niles' Cal McDonald and Criminal Macabre artist is interviewed in "ZADZOOKS: Nick Stakal's lifelong love of art," Joseph Szadkowski, Washington Times Thursday October 30, 2008.

New Ware and the Joker are "Bennett's Best for the week of October 26," Zadzooks Blog October 30 2008.

The Onion has a hilarious article on Bazooka Joe which is now online, and an interview with comic book store owner, writer and filmmaker Kevin Smith which is.

OT: Phil Jupitus' latest BBC interview with Zippy

Since I've linked to the others, here's Phil Jupitus' October 28th interview with Zippy's Bill Griffith.

Eiserike on Ultimate Spider-Man

I owe Josh a review of his comic book that I picked up at SPX but haven't had a chance to read yet. In my defense, I haven't read anything I picked up at SPX yet, including athe minicomics. So instead of the review, read "Column: For the love of Spider-Man and Mary Jane," By Josh Eiserike, October 30, 2008.

Someday soon I hope to get around to reading and reviewing some of the books from SPX including Josh's and some manga from Fanfare that I both bought and was kindly given by Deb Aoki who writes about manga for About.com.

Chance visit in DC causes lifetime of collecting

See "Political cartoons inspired alumnus; Michael Kahn, a UCLA graduate of 1970, boasts an extensive collection of more than 75,000 images," by Max Schneider, Daily Bruin Tuesday, October 28, 2008.

The article begins, "Michael Kahn remembers the moment he fell in love with political cartoons... The UCLA alumnus, who graduated in 1970, was studying in Washington D.C. and while visiting his professor’s apartment with his class, he saw something that struck a chord."

OT: Ask Bob Mankoff, the New Yorker cartoon editor a question

The New Yorker cartoon issue is shipping now, although I haven't looked at mine yet. They've got some online features including a selection of Luckovich cartoons and a Bob Mankoff Q&A. I had a drink with Mankoff once, along with some other cartoonists. He's got a keen appreciation of humor and cartooning as well as a very good grasp of the economics of cartooning.

Questions for Bob Mankoff

Bob Mankoff, The New Yorker’s cartoon editor, takes questions about the November 3, 2008, Cartoon Issue, the Cartoon Caption Contest, and drawing for the magazine.

Submit questions for Mankoff here; he will post his answers later in the week. Your questions may be edited for length and clarity, and
will be answered at The New Yorker’s discretion.

Gaiman's The Graveyard Book - Politics and Prose book of the week.

Politics and Prose's BOOKS OF THE WEEK
(20% off through 11/5)

“It is going to take more than just a couple of good-hearted souls to raise this child. It will…take a graveyard.” And so the living baby, Nobody (Bod) Owens, is adopted and raised by the folk of the graveyard. They grant Bod “Freedom of the Graveyard,” teaching him to pass through walls and see in the dark, just like the dead do. Bod encounters adventures and dangers in the graveyard, but the greatest danger lurks just outside its gates: the man, Jack, who murdered Bod’s family and intends to finish the job. Beloved master storyteller Neil Gaiman weaves a creepy tale for all ages and any time of year in THE GRAVEYARD BOOK (HarperCollins, $17.99). Ages 9 and up. • Heidi Powell

Nov 23: David Rees at Busboys and Poets

Here's the slightly edited (to take out a review copy offer and modify an F-word that a filter might choke on) - I plan on going to this. Rees has been in DC a lot, but I've never been able to make it to see him. Busboys and Poets is a cool place too. And note that bit about Rees putting his profits into land mine removal - wow.

Are you planning your post-election elegies for the Bush regime yet?

David Rees, creator of the infamous Get Your War On cartoon, will be making people laugh at Busboys and Poets (1025 5th Street, NW (5th and K), Washington DC) on Sunday, November 23, at 6pm.

Check out the latest animated strip at the Huffington Post blog:
http://www.236.com/video/2008/get_your_war_on_jump_off_the_r_9773.php

In the aftermath of 9/11, when experts and citizens rallied behind President George W. Bush and his worldwide "War on Terror," a scrappy internet comic called "bullshit" on the whole undertaking and never looked back.

It's taken years for conventional wisdom to catch up to Get Your War On.

David Rees's infamous cartoon—which went on to be serialized in Rolling Stone, adapted for the stage, and animated—isn't just a caustic analysis of American foreign policy. It's also an emotional kaleidoscope of American life and absurdity, from October 9th, 2001, when American bombs first fell in the poverty-stricken, terrorist safe haven of Afghanistan, to 2008, when bombs continue to fall in the poverty-stricken, terrorist safe haven of Afghanistan. (There's some stuff about Iraq in the middle, too.)

Get Your War On: The Definitive Account of the War on Terror, 2001-2008 illustrates better than any artist, politician, or pundit the true state of America's soul--its violence and its compassion.

And it's f*cking hilarious.

"Riotous and principled."--Washington Post

"Brilliant."--USA Today

"[T]he Thomas Nast of the internet."--Comedy Central

"[H]ilariously deadpan fatalism . . . a surprisingly articulate expression of our anxieties."--Newsweek

"Rees [is] a phenomenal cult hero."--Variety

"A glorious excoriation of our post-9/11 loony bin."--New York Times

"The most original cartoon to emerge since . . . well ever. Raw, enraged, sardonic, hilarious, despairing, and impossible to pigeonhole."--Rolling Stone

About the Author:
David Rees was working a crummy magazine job when Operation: Enduring Freedom inspired him to make his cartoon Get Your War On. The satire about the war on terrorism became an Internet phenomenon—sales of the two GYWO books have raised almost $100,000 for land mine removal in western Afghanistan, it has been published in British, French, Spanish, and Italian editions, and it has been adapted for the stage by the Austin theater company the Rude Mechs. His comics have appeared in Rolling Stone, GQ, the Guardian, the Village Voice, and the Nation. He currently lives in Beacon, NY.


-------------------------------------------------
Listing:
Sun, Nov 23, 6:00pm – 7:30pm
Busboys and Poets
1025 5th Street, NW (5th and K), Washington DC
Come Get Your War On with David Rees at the 5th and K location of Busboys and Poets (DC). David Rees will presumably be reading from his newly released book, Get Your War On, or he could also be talking to us about... whatever he wants. You'll never know unless you check it out! It's at Busboys and Poets @ 5th & K 1025 5th Street NW Washington, DC 20001 for more info, the Busboys' website: http://www.busboysandpoets.com/about_5th.php

Dec 6: Grave of the Fireflies anime at Freer

Gorgeous Entertainment Presents New Anime Masterpieces Film
"Grave of the Fireflies" at the Freer's Meyer Auditorium

Washington, DC-Anime Masterpieces, a new series highlighting the best in Japanese animated feature films, presents "Grave of the Fireflies," Saturday, Dec. 6, 2 p.m., in the Freer Gallery of Art's Meyer Auditorium. The film is followed by a panel discussion with leading authorities on the subject of Japanese animation, or anime.

Produced by New York-based company Gorgeous Entertainment, the series is aimed at enhancing the understanding and appreciation of the Japanese art of anime. At each screening, audience members are given study guides containing essays by eminent scholars of Japanese pop culture and animation, which are supplemented by numerous images from the film.

Major support for the series is provided by the Japan External Trade Organization. Arrangements for the screening are also made possible by Central Park Media, the U.S.-based distributor for the film.

The winner of several international film awards, "Grave of the Fireflies," written and directed by Isao Takahata, chronicles the experiences of two children as they valiantly struggle to survive amidst the ravaged landscape of Japan during World War II. It is considered by many critics as one of the most moving anti-war films ever made. Chicago Sun-Times critic Roger Ebert calls the film "an emotional experience so powerful it forces a rethinking of animation."

The panel discussion features Pulitzer prize-winning historian John W. Dower, author of "Embracing Defeat: Japan in the Wake of World War II"; Japanese literary authority Susan J. Napier, author of "Anime from Akira to Howl's Moving Castle"; and manga and anime historian Frederick L. Schodt, author of "Manga! Manga! The World of Japanese Comics."

The next scheduled screening of "Grave of the Fireflies" is Feb. 11, 2009, at the Museum of Fine Arts in Boston.

The next film in the Anime Masterpieces series is "Tekkonkinkreet" and is available for screenings courtesy of Sony Home Entertainment beginning January 2009. For more information, visit www.AnimeMasterpieces.com or contact Kenji Kono at (212) 398-7145 or e-mail at kenji@gorgeousentertainment.com.

Up to two free tickets per person to the "Grave of the Fireflies" screening at the Meyer Auditorium will be distributed one hour before show time. For a listing of all featured films, please visit www.asia.si.edu/events/films.asp.

The Arthur M. Sackler Gallery, located at 1050 Independence Avenue S.W., and the adjacent Freer Gallery of Art, located at 12th Street and Independence Avenue S.W., are on the National Mall in Washington, D.C. Hours are 10 a.m. to 5:30 p.m. every day, except Dec. 25, and admission is free. The galleries are located near the Smithsonian Metrorail station on the National Mall. For more information about the Freer and Sackler galleries, the public is welcome to visit www.asia.si.edu. For general Smithsonian information, the public may call (202) 633-1000.

# # #

1050 Independence Avenue SW
Washington, DC 20013
202.633.1000
Metro: Smithsonian
www.asia.si.edu

Editor and Publisher on what a great guy Dave Astor is...

...isn't it a shame they had to lay him off? Here's the article - "Astor Hailed on Departure from 'E&P' After 25 Years," By Greg Mitchell, October 29, 2008. No word yet on whether or not they gave him a gold watch along with the push.

Washington after a new young President, almost 50 years ago

Ger Apeldoorn has posted Washington Frontier Sketches by Ed Fisher reporting on DC after Kennedy's election from Help #10... ...the more things change...

NY Times article suggests cutting newspaper content may not help circulation

Those who aren't just downloading the Joker pumpkin pattern may recall that in reporting on Dave Astor's firing I suggested that reducing the content of a publication wasn't a good way to keep readers. Here's a NY Times article in which that point is made by people paid to know these things:

Analysts have warned in recent years that by offering steadily less in print, newspapers were inviting readers to stop buying. Most papers have sharply reduced their physical size — fewer and smaller pages, with fewer articles — and the newsroom staffs that produce them.

“It just seems impossible to me that you’re cutting costs dramatically without having some impact on the editorial quality of your product,” said Peter Appert, a newspaper analyst at Goldman Sachs. “I can’t prove that this is driving circulation, but it’s certainly something that if I were a newspaper publisher would keep me up at night.”

Knight Life hits the Sunday Post

Comic Riffs has the story of how it's replacing Opus.

The incredible shrinking Examiner cartoon

The Washington Examiner, Nate Beeler's home paper, has cut the size of its editorial cartoons in half again to about 3" x 4" - tiny in other words. They've got Nate doing a full cover color caricature for the front of the Sunday tabloid (and two other editons), but inside you can barely see the cartoon. When the paper started a few years ago, Nate's cartoon ran at about 1/3 of a page and they had two pages of comic strips which are now gone. I'm sensing a trend...

KAL illos in Washington Post Health section

Our Man Thompson may be gone from the Post's Health section, but today they've got two illustrations by the incomparable KAL. One is online.