Showing posts with label children's book. Show all posts
Showing posts with label children's book. Show all posts

Saturday, April 21, 2012

Meet a Local Children's Book Creator: K. Michael Crawford


K. Michael Crawford is another illustrator who regularly sets up at the Capicons show in Tysons Corner / Dunn Loring. She answered my usual questions last fall.

Mike Rhode: What type of comic work or cartooning do you do?

K. Michael Crawford: I create first-of-their-kind Adventure Drawing Books to get kids to use their imaginations in hopes of creating future comic book artists. In the Bazel Lark Series, “The Mystery of Journey Crowne” and “The Island of Zadu,” the reader/artist has to answer clues to know what to draw on the page. The reader/artist decides what the answer will be for half the clues in the book, which gets them to make choices. This is a five-book series and I need to create the remaining three books. It takes me 2 years to create one book to make sure all the clues work and to complete all the drawing work so that everything comes together. I will be starting the next book soon.

With “Batty Malgoony’s Mystic Carnivale” Drawing Book, the reader/artist has to draw in all the carnivale characters. This book gets kids to use their imagination and make choices of what they want the characters to look like on each page.

In “Professor Horton Hogwash’s Museum of Ridiculous” Book, the reader/artist has to draw in all the Museum collection for each themed room or not, because, after all, it is the Museum of Ridiculous. A long as the child is using their imagination they can draw in anything driving the alien spaceships. They can even have dinosaurs driving the ships. I think there is a story there somewhere. Past meets the future. There are also true interesting facts on each page, but be warned, some of them are gross. Not for the faint hearted.
How do you do it? Traditional pen and ink, computer or a combination?

I still do all my art by hand. I pull out the paintbrush, load it with paint and slap it all over the paper, which sometimes it lands on me. I have a good day creating when I look down and see that I am covered in paint from head to toe. I also throw in the kitchen sink when I do my art, so to speak. To get the look I want, I start with the watercolor painting layers of it. Then I add color pencil for texture and definition. After that, I throw in some acrylic and pastels for special effects.

In some of my paintings, I have even used sea salt, plastic wrap and tissue paper to create some cool effects in my art.

When (within a decade is fine) and where were you born?

I was born in Pennsylvania in a time when we where taught how to use our imaginations. My parents thought I might have trouble spelling the state name, so they moved us to Maryland when I was three with the cows and the chickens. Not much cows and chickens left any more, but we do have lots of deer, groundhogs, squirrels, birds and raccoons that stop by my place to tell good tail or I should say tale.

We had no computer games, video games or microwave ovens when I grew up, (Oh, the horror of it all!) so if you wanted to make a concoction, you had to build it from scratch or the ground up. You had to think up an idea, let it brew, run around the house finding the parts and throw in some elbow grease to get the job done. Some of the creations scared my mother so out in the trash they went. That also explained the funny looks we got from the garbage collectors on trash day. We had to create our own entertainment and we did that by using our imaginations. We didn’t wait to be entertained, we made our own.

Why are you in Washington now? What neighborhood or area do you live in?

I moved from Los Angeles to D.C. for a new adventure. I live my life by adventures. I have lived in a number of different places and look forward to living in a few more. There are just too many good places to live in the world. I also wouldn’t mind trying out a few planets in other universes as well. I am just waiting for them to build that spaceship that will get me there at the speed of light. It would be very cool If they found a “Stargate” on this planet so that we could travel to other worlds.

What is your training and/or education in cartooning?

The funny thing is that I graduated from the University of Maryland in Advertising Design, but my college paper was on writing and illustrating children’s books. I only lasted 8 years in Advertising Design and then I switched to Children’s Book illustration and I have been on quite a fairy tale journey since I switched. Four years ago, I noticed that kids weren’t using their imagination so that’s when I created my drawing books. I realized and experienced that if kids don’t use their imaginations they have trouble making good choices and I want them to pick a good nursing home for me.

What makes all this so funny is that I needed that training as a graphic designer, so that I could start my own publishing company, years later, to publish my drawing books. That early career taught how to promoted and market my books and as well as give me the knowledge of printing and publishing them. You always get what you need in life if you just allow yourself to be open-minded about what comes down the road. Sometimes I get things and I scratch my head wondering why I got this at this time, and sure enough some time later or another I will need what I got. It can happen in a few weeks or even take years to see that I got what I needed.

Who are your influences?

I take in everything and then discard the stuff that doesn’t work for my art. I never know when I will get a great idea for my work from some of the things I see and experience.

I always make sure that I have lots of adventures and experiences in my life and all of that goes into my art. It makes my art have layers to it. You can always look at my art and know where I have been lately or what things have had a great influence on me.

Once a famous artist told me that to order to create 3-D art (art with lots of depth to it) you must live a 3-D life, which means fill your life with lots of experiences. The more experiences you have the better your art will be.

If you could, what in your career would you do-over or change?

I wouldn’t change a thing. Everything I have done or experienced in my career and life has lead me to something else great and to a very magical life. Has it all been a wonderful fairy tale? Very much so, yes! For everyone knows, you can’t have good without the evil and visa versa. So just when it looks like the villain will win, happily ever after comes along.

What work are you best-known for?

I have always wanted to put something good into the world, make it a little more colorful, silly, ridiculous, quirky, whimsical, waggish, absurd then when I found it. So far so good with my drawing books. I do want to be best known for doing that and I am working towards that goal. I am not the type of artist who measures where they are at any given time. I just keep moving forward to see what I can do. People will walk towards my booth at comic cons with a stern look on their faces and as soon as they see my art a big smile pops up on their face. That makes me happy.

What work are you most proud of?

I am proud that I can still laugh at my work when I do something totally outrageous and other people get it. I am proud that I have the mind of a five year old and never plan to grow up, so that I can keep creating magical art and books.

What would you like to do or work on in the future?

I believe that creating these drawing books has opened the door to what I can create in the future. I have only begun to see what I can create. (Cue the mad scientist laugh in the background. “It’s alive.”) I try to push myself to get new perspectives all the time to see what I can come up with in my art and books. They say we only use 10% of our brain, but I plan to use 110% if I can figure out how to do it. No telling what I can create if given the chance. The brain weighs 3.5 pounds, the skull another 3.5 pounds and I am going to put it to work. No dead weight on my shoulders.

What do you do when you're in a rut or have writer's block?

I play and act silly. I create art that I throw away, because it doesn’t make sense. I also build something that has nothing to do with what I am working on at the time. For example, I got this idea last winter for a musical instrument and the idea drove me crazy until I started building it. I am still working on it and will be for a while because the idea is very complicated with moving parts and such. This musical contraption gives me a new perspective on creating. No idea what I will do with it when I am done, but it will make a great conversation piece.

What do you think will be the future of your field?

My crystal ball won’t tell me the answer to that, but I keep producing my books and art because I think they are very much needed in the world. Besides, doing my work keeps me out of trouble. I would be out tipping cows otherwise.

What local cons do you attend ? The Small Press Expo, Intervention, or others? Any comments about attending them?

I exhibit at Comic Cons all over the country. Every year, I apply for Comic Con International in San Diego. I have been in that Con for two years. That’s a fun Comic Con, even though it’s more Pop Cultural. I also do Baltimore Comic Con and next year, because it moved to Los Angeles, I am exhibiting at Wonder Con. Each Comic Con has it’s own favor to it. Some cons are more traditional; like Baltimore, MegaCon, Allentown, Then there are some that are more pop cultural like Comic Con International, Garden State, and Steel City Con. There is one thing they all have in common; comic book artists are some of the best people you can ever meet. I have made some really good friends along the way.

What's your favorite thing about DC?

The Art Cultural Places and Museums are my favorite things. I loved the Spy Museum and if I ever need to change careers and I can’t rule England, I found out that I would make a great spy. Talk about a great adventure. Where do I sign up?

Least favorite?

Traffic, but lucky for me I only have to commute to my studio in my house. A few foot steps away.

What monument or museum do like to take visitors to?

The Museums on the Mall. Most people want to go to the Air and Space Museum when they visit.

How about a favorite local restaurant?

Too many good ones to have a favorite.

Do you have a website or blog?

www.happilyeverart.com
http://www.facebook.com/happilyeverart

Tuesday, September 20, 2011

Sept 26: A Lecture on COMICS IN RUSSIA at Howard University

A comics friend of mine is in town giving a free lecture next Monday (which I won't be able to make it to unfortunately).


A Lecture on COMICS IN RUSSIA

How to Read Post-Soviet Children's Comics: Snegirov's Keshka

Prof. José Alaniz  (University of Washington, Seattle), author of Komiks: Comic Art in Russia (2010), will present an illustrated talk on the history of comic books in Russia, with an emphasis on the politics behind  the post-Soviet children's series Keshka by Andrei Snegirov.

WHERE: Howard University,
             Douglass 240
WHEN: Mon, Sept. 26
 10:10 a.m.

Wednesday, May 04, 2011

Jeffrey Thompson's travel sketchbooks

Big Planet Comics' staff (and children's book artist) Jeffrey Thompson happened to mention that he was planning on traveling to Peru this summer and would then be posting his sketchbook online to me today. I was surprised to find out that he's been doing travel sketch books since this one from Belize in 1996. Links to his others are here: Italy & Amsterdam, Iceland & Ireland, France & Verdun, Mexico & Belize.

I love these types of books.

Thursday, April 30, 2009

Kate Feiffer interview

She was at Politics and Prose today with her father Jules Feiffer, and will be in Old Town Alexandria tomorrow. See "Big Woof: Kate Feiffer's 'Which Puppy?'," by Express contributor Stephen M. Deusner, Express April 30, 2009.

Also as we've noted, they'll be appearing tomorrow:

We’d be thrilled if you would mention that Jules & Kate Feiffer will be appearing at Hooray For Books! 1555 King St., Alexandria, VA on Friday, May 1 at 7 p.m. We’ll have copies of “The Explainers” and “Great Comic Book Heroes” on hand.

Thursday, April 23, 2009

May 1: Jules & Kate Feiffer

Trish Brown writes in:

We’d be thrilled if you would mention that Jules & Kate Feiffer will be appearing at Hooray For Books! 1555 King St., Alexandria, VA on Friday, May 1 at 7 p.m. We’ll have copies of “The Explainers” and “Great Comic Book Heroes” on hand.

Monday, October 06, 2008

VisArts call for children's book art

And another from Casey Shaw about an upcoming exhibit that's issued a call for children's book illustration:

"TURNING THE PAGE," A unique exhibit featuring original artwork from illustrators of children's books.
The artwork will be displayed next to a copy of the book in which it appeared, and both will be offered for sale.

NOTE: Original art (or if digital, a high-quality signed print) must be available for sale.
There is no entry or hanging fee, but the Gallery will retain a portion of the proceeds.

WHERE: The new VisArts Center Gallery in downtown Rockville, MD
WHEN: Thursday December 4, 2008 - February 21, 2009
GALLERY HOURS: Monday - Friday: 10:00am - 5:00pm. Closed Saturday.
The Gallery is open two Sundays per month from 1:00 pm to 5:00 pm for openings and coffee talks.

JUROR: Harriet Lesser, Director of Exhibitions.
http://www.visartscenter.org

CALENDAR:
Tuesday, October 14, 2008 - Deadline for entry - receipt (no later than 5:00pm)
Friday, October 17, 2008 - Notification of decision and agreement
Monday, December 1, 2008 - Deliver accepted artwork to VisArts: 155 Gibbs Street, Rockville, MD 20850
Thursday December 4, 2008 - Opening Reception: 6:30pm - 8:30pm

Harriet Lesser
Director of Exhibitions
VisArts at Rockville
155 Gibbs Street, #300
Rockville, MD 20850

Thursday, August 14, 2008

Helen Thomas and Chip Bok do children's book

Editorial cartoonist Chip Bok's actually based in Ohio, I think, but here's the article: "A Capital Caper from Two D.C. Insiders," By Sally Lodge, Children's Bookshelf -- Publishers Weekly, 8/14/2008.

Sunday, June 01, 2008

Jeffrey Thompson's Hiawatha originals

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Jeff Thompson who works at Big Planet Bethesda on Wednesdays is a Baltimore artist who's done children's books. He gave me a couple of pieces of artwork. Here you can see his Hiawatha children's book - scratchboard originals mounted with the finished book cover.

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Jeff can be found online at

deviant art page
http://xochicalco.deviantart.com/

web site
http://mysite.verizon.net/jeffrey71o/

flickr
http://www.flickr.com/photos/9440125@N07/

Thursday, April 24, 2008

OT: April 27: Meet Author & Illustrator Tedd Arnold

Meet Author & Illustrator Tedd Arnold

Sunday, April 27 at 1:30 p.m.

Attention early readers! Tedd Arnold, author and illustrator of the humorous, award-winning and easy-to-read Fly Guy series, will read and talk about his newest book, Fly Guy #5: Fly High, Fly Guy! Other titles in the series include There Was an Old Lady Who Swallowed Fly Guy; Shoo, Fly Guy!; Super Fly Guy; and Hi! Fly Guy. Mr. Arnold also is author of Parts; More Parts; Even More Parts; Five Ugly Monsters; No Jumping On the Bed!; and No More Water in the Tub!

Ages 4-7. Please call to register.


Alina Gawlik
Aladdin's Lamp Children's Books and Other Treasures
2499 N. Harrison St.
Arlington, VA 22207
Tel 703-241-8281
Fax 703-241-8283
Email: aladlamp@speakeasy.net

STORE HOURS: Monday, Wednesday, Friday, & Saturday 10 am to 6 pm, Tuesday & Thursday 10 am to 8 pm, Sunday 11 am to 5 pm

Saturday, September 15, 2007

Wish You Were There #3 - A couple of book reviews

The following reviews are ones I wrote for the International Journal of Comic Art 3:1 (Spring 2001).

Raggedy Ann and More: Johnny Gruelle's Dolls and Merchandise. Patricia Hall. Gretna: Pelican Publishing Company, 2000. ISBN 1-56554-102-2. $35.


Cartoonists, children's books, and merchandise have been linked since the late nineteenth century. While Charles Schulz, Jim Davis, Berke Breathed, and especially Walt Disney are well known to the contemporary reader, Johnny Gruelle has largely been forgotten. Patricia Hall has been working to reintroduce Gruelle, and this book is the second in a planned trilogy. The first was a biography, Johnny Gruelle, Creator of Raggedy Ann and Andy (1993) and the third planned for spring 2001 will be a bibliography. Gruelle was an artist who moved easily between the worlds of comic strips, political cartoons, and children's books, eventually creating a family business that lasted until the 1960s.

Gruelle's life is recounted briefly by Hall, but readers interested in detail are referred to her previous book. This extremely well-illustrated book concentrates on the physical products derived from Gruelle's imagination. As a cartoonist for the New York Herald, Gruelle created the "Mr. Twee Deedle" comic strip which was merchandized as a doll by the newspaper immediately. While doing the comic strip, he also illustrated children's magazines and books. In 1915, he submitted a design for a patent on Raggedy Ann, a doll that was apparently partially based on characters from his comic strip.

The patent was granted and Gruelle began making his own dolls. Raggedy Ann was not based on a familiar character and initial sales were slow. Gruelle generated interest in the doll by contracting with publisher P. F. Volland for a children's book based on the doll. Other characters he developed, such as the duck Quacky Doodles, proved more popular and merchandising included a cartoon series. By late 1918, Gruelle had completed his book on Raggedy Ann and dolls were produced to be sold with it. The book and doll combination was a success and Gruelle continued producing merchandizable ideas until he died in 1938. His family took over the company and continued licensing Gruelle's characters until they sold the company to a book publisher.

Probably because of marketing concerns, the book is a curious mixture of a business history attractively designed as a full-color coffee table book that includes a price guide. Hall writes to appeal to historians as well as collectors of children's books, dolls, toys, and cartoons. Many sidebar pieces detail specific parts of Gruelle's business efforts, such as books, sheet music, and copyright infringements. Anyone interested in Gruelle, cartoon merchandising, book or doll collecting, or popular culture of the first half of the twentieth century should find something of interest in this book.


Evil Geniuses in a Nutshell. J. D. "Illiad" Frazer. Sebastopol, CA: O'Reilly & Associates, 2000.


A collection of User Friendly, a free online comic strip, raises some interesting questions about the future of comic art. Frazer's strip is written for a specialized audience of advanced computer users and is published by a company specializing in computer manuals. The strip is done on a computer and lacks backgrounds in the simplified art style that Dilbert made acceptable. Illiad has stated that Breathed's Bloom County was an inspiration, but the humor of User Friendly is extremely dependent on knowledge of computers. A niche market product, reminiscent of earlier specialized work such as Jake's military cartoons, User Friendly is not syndicated, but it still appears in more than 150 college papers and several magazines. In the introduction to this second collection, Frazer said, "But today, with the Web, the distribution infrastructure the syndicates possess is becoming less valuable, and is no longer necessary." One of the strip's webpages claims, "The site, UserFriendly.org, attracts more than 2 million visits each month, including more than a half million unique visitors and 15 million page views ...and is now by far the largest web-based comic strip... Compared to more traditional syndicated comics, User Friendly the Comic Strip is catching up very quickly. For example, Dilbert, around since 1986, is syndicated in over 2,000 newspapers. UserFriendly.org boasts an audience equal to 42% of Dilbert’s online audience."

User Friendly can thus be seen as supporting part of McCloud's argument about the transition of comics to the web, but Frazer, O'Reilly, and McCloud decided to publish and charge for a paper version. The ability of both electronic and paper versions to succeed seems to bode well for the future of comic art. The strip and additional information about it can be seen at http://www.userfriendly.org/ and http://www.ufmedia.com.

Wednesday, August 08, 2007

Jeffery Thompson, children's book illustrator and Big Planet employee

Jeff Thompson's worked in the Bethesda store for years, and has been doing art for childen's books too. He mentioned to me that he had a new book out today. I just ordered all the ones I was missing, as he didn't mention some of the recent ones to me until I started quizzing him today. Book signing next Wednesday - at least for me!

Jeff's books with ordering info from Amazon -

The new one:

Cesar Chavez: Champion and Voice of Farmworkers (Biographies) by Suzanne Slade and Jeffrey Thompson

Two favorites of his (and mine). He did all the work on these except the original poem:

The Midnight Ride Of Paul Revere (Hardcover) by Henry W. Longfellow - note on the paperback version of this, Amazon has conflated Jeff and Christopher Bing's two different books. Bing's an excellent artist too, who used to do regular editorial illustrations for the Washington Post. I really like his work as well. Buy both books.

Hiawatha And Megissogwon (Hardcover) by Henry W. Longfellow (Author

Thomas Edison: Inventor, Scientist, and Genius by Lori Mortensen and Jeffrey Thompson

The Camping Scare (Read-It! Readers) by Terri Dougherty (Author), Jeffrey Thompson (Illustrator)

Brazil Abcs: A Book About the People and Places of Brazil (Country Abcs) (Hardcover) by David Seidman (Author), Jeffrey Thompson (Author)

Wednesday, May 23, 2007

Berkeley Breathed pictures - special edition!!!!

Cartoonist Berkeley Breathed reads from and signs his children's book, Mars Needs Moms in Alameda, CA on May 11, 2007. Photos courtesy of ComicsDC stringer Miron Murcury.






And look at this excellent scrapbook:

At Miron's request, the original cd of photos is being donated to Michigan State University's Comic Art Collection. The link is over there on the right.

Here's a few recent articles on and interviews with Breathed, as they wait to go into my Comics Research Bibliography (link also over there on the right):

Now that he's a parent, a cartoonist ponders the ultimate sacrifice
Regan McMahon, San Francisco Chronicle Deputy Book Editor
Wednesday, May 9, 2007

Interview: Berkeley Breathed
by Ken Plume
Quick Stop Entertainment May 22, 2007

Just asking: A conversation with cartoonist/author Berkeley Breathed
– Eric Schelkopf
Northwest Herald (May 18, 2007)

Rehm, Diane. 2007.
Berkeley Breathed: "Mars Needs Moms".
National Public Radio's Diane Rehm Show (May 8).

Cartoonist knows kid lit
BY SARA PEARCE
Cincinnati Enquirer (May 6, 2007)

Exclusive: Berkeley Breathed Speaks!
Berkeley Breathed, celebrated creator of the "Bloom County" comic strip, writes a book for the grammar school set.
WEB EXCLUSIVE
By Jamie Reno
Newsweek May 3, 2007

Random Rules: Berkeley Breathed
by Tasha Robinson
Onion April 26th, 2007

Saturday, November 25, 2006

Sean Delonas booksigning



Sean Delonas and his son Ryan signed their new children's book, Scuttle's Big Wish today at Aladinn's Lamp bookstore in Arlington. Sean is the New York Post's cartoonist for Page Six. Ryan's a ten-year old who tells stories. The two collaborated on Scuttle, a retelling of King Midas, which was picked up by HarperCollins. Sean painted each page in oil (see the photo of two of the paintings) and each took about 100 hours to complete. With revisions, the whole book took about four years, but they've got two more in the pipeline now. Sean told me that he got started in cartoons when his friend Bay Rigby at the NY Post took a break and recommended him as a replacement. Sean's website, linked above, has plenty of examples of his cartoons.

The bookstore had them sign some extra copies which should be available. (They also had signed copies of Mo Willems' You Can Never Find a Rickshaw When It Monsoons: The World on One Cartoon a Day.)



Ryan (seated with cheese hat) and Sean Delonas (standing with cheese tie)


Sean Delonas



Ryan Delonas



Two original oils for the book.