Showing posts sorted by date for query al goodwyn. Sort by relevance Show all posts
Showing posts sorted by date for query al goodwyn. Sort by relevance Show all posts

Thursday, June 11, 2020

Al Goodwyn wins DC Society of Professional Journalists' Dateline Awards for editorial cartooning

While being excoriated in South Carolina for his cartoons, Al Goodwyn was winning a Washington, D.C., Pro Chapter of the Society of Professional Journalists's Dateline Award for journalism excellence.

Editorial Cartoon
Winner: Al Goodwyn,The Free Lance-Star of Fredericksburg, Goodwyn editorial cartoons
Finalist: Alexander Hunter, The Washington Times, Hunter editorial cartoons

Fredericksburg's Free Lance-Star is one of his clients that published the three cartoons in his submission in 2019.

Cavna on this week's Missouri editorial cartoon upset

'Horrified' Missouri newspaper owners resign over 'racist' police cartoon — published by their dad

Washington Post June 10, 2020

The cartoon, by Tom Stiglich of Creators Syndicate, came out shortly before Al Goodwyn's cartoon which also ran in a Southern newspaper.

Al Goodwyn becomes the latest editorial cartoonist to upset a newspaper

Al's a personal friend of ComicsDC, and while I personally may not agree with his politics and cartoons,* he's a good guy, not a troll, and was doing a cartoonist's job in raising issues via a comic. I think the newspaper should have had the courage of its convictions to stand by him since the editors knew they hired a conservative cartoonist, and this cartoon isn't any more extreme than others they've run from Al.

I've included the note that he sent to the Daily Cartoonist too.

Newspaper Apologizes For Divisive Cartoon

Monday, March 16, 2020

Catching up with editorial cartoonist Al Goodwyn

by Mike Rhode

You're one of the few rare conservative political cartoonists...

And getting rarer, along with political cartoonists in general.  It's tough to see great cartoonists being let go by their home newspapers.  But it's happening more and more frequently. 

We last did an interview in 2011. The field has been shrinking for everyone, but you've been keeping busy since then.

At that time I wasn't doing much in the way of political cartoons, mostly gag cartoons.  I blame it on my day job for keeping me so busy.  Commuting into and out of DC every day was also cutting into my available time.  As I got near retirement age, I decided to give the political cartooning a new push to see if it would keep me occupied in retirement.  That happened to work out better than I thought, so I hit the virtual retirement button last June. 

You started a political newsletter/blog Confederacy of Drones in 2017, retired from your full-time job in 2019, been hired as an editorial cartoonist by SC's Aiken Standard, provided an illustration for an anti-Trump book, and now you've done the illustrations for the polemical children's book "Help! Mom! The Swamp is in my School".

The blog was something I always wanted to do but just kept putting off.  As they say, starting's the hardest part.  Over a couple of beers, a friend of mine provided encouragement for a collaborative effort and Confederacy of Drones was born.  Beer is amazing. The blog let me exercise my editorial satire, political cartooning and general snarkiness.  On a whim, I approached the Washington Examiner.  They were very open to discussing my political cartoons and ended up using a few and even gave me an opportunity to do several covers for the magazine.  From there I did work for The Hill, local Virginia newspapers, the Aiken Standard, online political sites and the books.  I even managed getting cartoons recently in the Washington Post and Politico. 

So how's retirement treating you? 

My worry prior to retirement was that I wouldn't have enough activities to occupy my time.  I don't know how it's possible but I feel busier now than when I was working full time and cartooning.  

How did you get the "Help! Mom! The Swamp is in my School" book job with Katharine DeBrecht? It appears the three previous books in the series are illustrated by Jim Hummel.

Katharine had seen some of my work and reached out to gauge my interest.  Her book would involve around 20 illustrations, plus be needed in a condensed time frame.  This schedule didn't work out for Hummel so she reached out to me.  Katharine had already written the book and knew what she wanted in the illustrations, so it was clear from the start what was needed.  

Is this book a work-for-hire job, or something closer to a partnership?

Strictly work-for-hire but I still considered it a partnership.  We spoke by phone or email almost daily as I put together roughs, offered suggestions for each illustration's layout and got feedback from her.   She was phenomenal to work with and it turned into a great collaboration.   

How did you do the art? Did the author provide any guidance, or leave it up to you? Are you digital at all yet?

She provided the illustration's message, identified the setting, and who she wanted in it.  I'd generally sketch something out really rough if I wanted her to consider changes and what those might look like, otherwise, I'd provide a more final product for her review.  I drew them on Bristol board by hand, scanned them and then did all color and clean up digitally.  That's typical of how I do all cartoons. 

Does the book match with your personal politics? We don't often get into politics on this blog, but I'm curious. Do you support the current turn the Republican Party has taken?

I wouldn't do an illustration that I couldn't get behind, so yes the book was a good match.  The author of the anti-Trump book I supported a couple of years ago had asked me to do many of the cartoons but I knew those wouldn't have hit the mark he wanted.  The one cartoon I provided was on Trump's rash of firings at the time.  As far as the Republican Party, I support many of their efforts as a conservative but they've failed when it comes to fiscal responsibility.  I do like that Trump's helped them find a collective spine.  Unfortunately, his spine-development efforts also come at a price that includes dumb tweets, name-calling, and a new standard for narcissism.  

What other conservative cartoonists do you follow regularly?  

Michael Ramirez, Lisa Benson, Gary Varvel,  Rick McKee, Steve Kelley, David Hitch, plus others.
 
Are there any liberal cartoonists you keep up with? 

Quite a few actually.  Walt Handelsman, David Horsey, Signe Wilkinson, Jimmy Margulies, Rob Rogers, Joe Heller, and more.  There are several sites that provide a great cross-section of cartoonists such as Arcamax.com.  You can find my cartoons there as well. 

How about other types of cartooning? We most recently saw each other at a Pixar movie talk. Anything or any one you'd like to recommend?

I really appreciate anyone who pours out their creativity via cartooning and animation.  There's something about the drive to create that keeps people engaged regardless of the obstacles they face.  My recommendation is to support all of those creative types, buy their books, see their movies and recognize the creative passion that goes into their work.

Here's a recent Virginia Press Association interview with Al.

Thursday, March 05, 2020

New children's book illustrated by Al Goodwyn

From the Confederacy of Drones newsletter:

This full-color illustrated book, "Help! Mom! The Swamp is in my School" is a hilarious and fun way to teach children the dangers of socialism. You'll find all of your favorite liberal characters applying their own brand of socialism as the kids attempt a bake sale.

It's written by Katharine DeBrecht and illustrated by our own Al Goodwyn. Readers can follow brothers Tommy and Lou and other kids from Bradford Plymouth School as they try to earn money for their school supplies.

The book is available to pre-order here.

Sunday, December 22, 2019

Al Goodwyn in Philly Inquirer special cartoon section


Philadelphia 2020 in Toons
As we look toward 2020, The Inquirer turned to cartoonists around the country, including several from Philadelphia, to give readers their views on the topics we'll be talking about most in the year ahead.

Wednesday, November 20, 2019

Al Goodwyn's editorial cartoon newsletter

A new issue of Al Goodwyn's editorial cartoon newsletter has come out. It's really an email product, but you can see it here.

Tuesday, September 03, 2019

Al Goodwyn's editorial cartoon productivity is way up

Al retired from his main job this summer, and as a result, he's producing a lot more political cartoons for his shared website Confederacy of Drones at https://confederacyofdrones.com/author/confederacyofdrones/

Monday, April 08, 2019

Al Goodwyn wins award for Aiken Standard cartoons

Standard, Star win 18 awards from South Carolina Press Association


Also winning first place is Aiken Standard cartoonist, Al Goodwyn, in the Cartoon category. Among the winning entries by Goodwyn was his cartoon on overcrowding at the Aiken County Animal Shelter, which he donated to the shelter following publication.

Tuesday, January 08, 2019

Al Goodwyn available on ArcaMax

ArcaMax, an email service for cartooning (among other things) picked up local cartoonist Al Goodwyn at the start of the year: https://www.arcamax.com/politics/editorialcartoons/algoodwyn/s-2163520

Tuesday, December 11, 2018

Pat Oliphant at WHHA Holiday Book Fair yesterday

by Bruce Guthrie

I went to the White House Historical Association's Holiday Book Fair. 

I was there for two people -- Pat Oliphant and Peter Waddell -- and both were there.  (Another artist who was there, John Hutton, was also drawing Presidents so it was interesting to have three different artists with three totally different approaches to drawing presidents.)
 
He wasn't drawing anything other than his Punk character.  I asked him how he felt not doing much drawing in the age of Donald Trump and he said that he didn't enjoy drawing Trump.  He said that it was hard to draw a caricature of someone who was already a caricature. Living in New Mexico now, he noted he was afraid the event was going to be cancelled due to the predicted snow storm. 

During the 3-ish hours I was there, [local cartoonists] Al Goodwyn and Joe Sutliff came by.


Pat Oliphant and Susan Conway

Pat Oliphant and Al Goodwyn

Pat Oliphant and Joe Sutliff




 
__,_._,___

Monday, November 05, 2018

Meet John Darrin: A Chat About His Anti-Trump Cartoon Book

by Mike Rhode

Early this fall, some of my friends among local political cartoonists started telling me that they had a piece in a new book. Author John Darrin commissioned over a score of cartoonists to illustrate Who's That Man with Mr. Lincoln, Mommy? A Parent's Guide to the Trump Presidency. Darrin himself is from Frederick, MD, and local cartoonists in the book are Steve Artley, Barbara Dale, Al Goodwyn, Clay Jones and Joe Sutliff (see the bottom of this post for his list of all the contributors).

Darrin's website describes his book thusly:

Who’s That Man With Mr. Lincoln, Mommy? is a political parody intended to discredit the Trump Administration in a simple, compelling, and entertaining way. Set as a walking tour of the Mall in Washington, DC, two young parents and their children play the alphabet game to explain why President Trump is the greatest. The children unwittingly expose their parent’s absurd explanations with common sense. Interlaced with penetrating editorial cartoons from award-winning artists, this no-holds-barred tale takes us on a journey through the deception and hypocrisy of the Trump White House.

The slim volume (there are only 24 letters in the alphabet after all) features a page of text with an illustration and his imaginary family discussing a word that has gained prominence (or notoriety) due to the Trump administration. The facing page reproduces a political cartoon and a brief biography of the cartoonist.

Darrin was kind enough to send me a copy to preview and answer some questions for ComicsDC.

You're normally a novelist? Why did you decide to write a children's book parody?

Yes, I am a novelist, and also some business-based non-fiction. A parody of a children's book allowed me to present the pro-Trump arguments in the shortest and simplest form and have them rebutted not by partisanship and ideology, but by simple common sense and honest questions.

And why have it illustrated by cartoonists?

Steve Artley's drawing from the Lincoln Memorial
I believe editorial cartoons are the most compelling way to instantly communicate complex ideas. And the weakness of a children's book format for an adult is the monotony of the presentation. Letting different cartoonists not only do their cartoons, but also illustrate the story meant that each page brought fresh and interesting imagery. A surprise with each page turn.

How did you find them?

 Lots of research and queries. Lists like Pulitzer and Herblock prize winners, the Association of American Editorial Cartoonists, and different cartoon syndicators. Then lots of correspondence to sell the concept.

Did anyone turn you down?
Yes, lots of rejections. It turns out these guys are not sitting around waiting for someone like me to contact them, but actually have jobs and commitments. Who knew? The ones who accepted generally were excited by the concept and the chance to work with the other cartoonists.

You selected various terms for the cartoonists to choose from - how did you come up with them? 

I made a comprehensive list of words that would apply to Trump's administration (page 62 of the book) and picked the ones that I felt were most important. For example. using pussy or Putin as the "P" word was an obvious choice. But I wanted this to be a catalog of Trump's failings and Puerto Rico was no longer on people's minds. With the daily barrage of lunacy, it is easy to forget earlier offenses to the American legacy. Several of my choices were changed by the cartoonist to fit their interests, such as Ingrid Rice, a Canadian cartoonist, choosing NAFTA over narcissism.

Did you write the script first, and give each appropriate page to the cartoonist after they selected a term?

Yes, the story was drafted and then the cartoonists drew to the subject and narrative.

Unlike many cartoon books about DC, the scenery among the monuments is largely accurate even though not everyone is a local cartoonist. Did you provide pictures or art direction?

I mapped out the walking tour of the family and used Google street view to get screenshots of each location and gave them to the cartoonists. That way the story followed a consistent path.

How are you selling and/or distributing this?
Joe Sutliff's drawing of the Trump Hotel (aka the Old Post Office)

The book is available on our website and on Amazon. We have been trying to get it placed in retail stores, but we don't have a wholesaler so we'll continue to work on that.


There are two sequels planned: Who's That Man Scolding Mr. Trump, Mommy?, and Who's That Man Looking So Sad, Mommy?, about the Mueller investigation and the mid-term results, respectively.


Nick Anderson, Pat Bagley, Darrin Bell, Randy Bish, Stuart Carlson, Jeff Danziger, Ed Hall, Phil Hands, Joe Heller, Clay Jones, Keith Knight, Jimmy  Margulies, Robert Matson, Rick McKee, Joel Pett, Ted Rall, Igrid Rice, Jen Sorenson, Rob Tornoe and Monte Wolverton appear in addition to local cartoonists Steve Artley, Barbara Dale, Al Goodwyn, Clay Jones and Joe Sutliff.




Thursday, October 04, 2018

Bruce Guthrie's photos of Rob Rogers and Ann Telnaes

DC -- Corcoran School of the Arts and Design -- Event: "Spiked": A Conversation with Rob Rogers & Ann Telnaes:
  • Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.
  • Description of Pictures: "Spiked": A Conversation with Rob Rogers & Other Editorial Cartoonists
    by The Corcoran School of the Arts and Design @ GW
    Join us on the evening of October 3 to hear Rob Rogers and Ann Telnaes in an intimate panel talk at the Corcoran School of the Arts & Design on the issues of censorship, freedom of the press, journalistic integrity and the consequences of nationalism to a democracy. Audience members will have a chance to ask questions. Tickets are limited! This event is put on in partnership with the Association of American Editorial Cartoonists (AAEC) and GW's School for Media and Public Affairs (SMPA), and is part of a larger series of conversations with students and faculty as part of the "Spiked" exhibition.
    Ann Telnaes (speaker) creates editorial cartoons in various mediums — animation, visual essays, live sketches and traditional print — for The Washington Post. She won the Pulitzer Prize in 2001 for her print cartoons and the National Cartoonists Society's Reuben for Outstanding Cartoonist of the Year for 2016. Telnaes is the current president of the Association of American Editorial Cartoonists and is a member of the National Cartoonists Society.
    Folks in the audience included: Sara Duke, Michael Cavna, Mike Rhode, Steve Artley, Warren Bernard, Al Goodwyn, Joe Sutliff, and Art Hondros.

Thursday, July 19, 2018

Rob Roger's political cartoon exhibit opens at GW's Corcoran

Rob Rogers
by Mike Rhode


I was able to briefly stop by last night as Rob Rogers made a few short remarks about an exhibit of his cartoons, including 10 original pen and ink drawings and the companion colored prints critical of Trump that a Pittsburgh newspaper refused to print before they fired him. Also included are prints of sketches that they turned down before they became completed cartoons. Rogers' contentious relationship with the papers new editor has been written about extensively and soon after he was fired, GW announced they would exhibit his cartoonist directly across the street from the White House complex (information from their press release follows the images). The exhibit is sponsored by GWU and the American Association of Editorial Cartoonists. AAEC president Pat Bagley and Washington Post cartoonist Ann Telnaes contributed to the text of the exhibit.

The sold-out event drew local cartoonists Mike Jenkins, Joe Sutliff, Carolyn Belefski, Politico's Matt Wuerker, and Al Goodwyn a freelance cartoonists who appears locally in the Washington Examiner, in addition to Library of Congress curator Martha Kennedy (whose exhibit on women cartoonists is on display at the Library), and the Washington Post's Michael Cavna.

More photos can be seen here.
 





Incomplete sketch rejected by newspaper

Cavna, Goodwyn, Jenkins, Belefski

Belefski, Sutliff and Wuerker

Sutliff, Wuerker and Kennedy

 
Bagley's statement




 'Spiked: The Unpublished Political Cartoons of Rob Rogers' Opens at the GW Corcoran School of the Arts and Design

Editorial cartoonist was dismissed from the Pittsburgh Post-Gazette after facing censorship of his cartoons


WASHINGTON (July 18, 2018)-The Corcoran School of the Arts and Design at the George
Washington University opened "Spiked: The Unpublished Political Cartoons of Rob Rogers"
today. This pop-up exhibition in the atrium gallery of the Corcoran School's historic Flagg
Building features 10 finished cartoons and eight sketches that went unpublished by Rob Rogers'
employer, the Pittsburgh Post-Gazette, between March 6 and June 3, 2018.

Mr. Rogers served as the editorial cartoonist for the Post-Gazette for 25 years, until his firing in
June 2018. Prior to his dismissal, the newspaper refused to publish a series of cartoons
produced over three months.

"I believe the role of a newspaper is to be a watchdog, keeping democracy safe from tyrants. I
hope that visitors to the exhibit get a sense of the important role satire plays in a democracy and
how dangerous it is when the government launches attacks on a free press," Mr. Rogers said. "I
am excited to have my original cartoons on display at the Corcoran. The fact that these are
cartoons about the president and now they will be on shown a few blocks from the White House,
that is pretty incredible!"

The Corcoran strives to promote diversity of thought and experience, address critical social
issues and educate the next generation of creative cultural leaders.

"Mr. Rogers' work has tremendous educational value to our students by speaking to the skills of
technical virtuosity, iteration, perseverance and creative methodologies on how to critique
power," Sanjit Sethi, the director of the Corcoran said. "His work also becomes a powerful point
of departure for this community to speak with each other about issues around censorship,
freedom of the press, journalistic and creative integrity and the consequences of hypernationalism to a democracy."

The Corcoran organized "Spiked" in conjunction with University of Pittsburgh's University Art
Gallery and in collaboration with the Association of American Editorial Cartoonists.
"Freedom of speech is more than words. It's pictures, too," Pat Bagley, president of the
association, said. "This exhibit draws attention to Rob Rogers, a popular voice at the Post Gazette
for 25 years. It points to what people in power do to people who draw funny pictures of
the powerful and why that is an important measure of a free and open society."

In addition to the exhibition this summer, the Corcoran will host a series of conversations this fall
regarding issues around censorship, freedom of the press, journalistic integrity and the consequences of nationalism to a democracy, in collaboration with both the Association of
American Editorial Cartoonists and GW's School for Media and Public Affairs.

Monday, September 25, 2017

Catching up with conservative cartoonist Al Goodwyn

by Mike Rhode
It's been 6 years since I interviewed you for the Washington City Paper - The world's changed a bit since then - have you?
Other than grayer hair and higher cholesterol, I haven't changed much.  Still enjoying life in DC.  And you're right, the world has certainly changed, some for the good and some for the bizarre.  What's also bizarre is that the good and bizarre labels seem to flip depending on individual political perspectives.
About six months ago you started a cartoon blog with Jeff Newman where you provide conservative political cartoons and he does humorous commentary on public events.  Can you tell us how that started, and why you're doing it? How is the reaction?
I had been wanting to try my hand at blogging for some time.  Given that the first steps at blogging aren't really part of the creative process, but include figuring out the mechanics of blogging, the layout, and all of the key strokes needed just to get started, it stayed on the back burner for years.  Jeff's a good friend of mine back in South Carolina and we chat often about politics.  He was actually the push to make the blog finally happen. 
It was over a few beers with Jeff that the topic of blogging resurfaced.  We convinced ourselves we could manage a blog.  Isn't beer amazing?  We wanted the theme to somehow counter the growing number of people who get their news from Comedy Central and memes.  We were both a fan of the book Confederacy of Dunces by John Kennedy Toole where people seemingly amassed in a confederacy to stymie the protagonist's every move.  From our prospective those who simply latch on to whatever fits their world view without validation from other sources were acting like drones, hence Confederacy ofDrones was launched. 
With lots of snarkiness, satire and sarcasm, we've been posting on a fairly routine basis since then.  Part for fun and part for sanity.  We've loaded over 150 posts so far. We even appreciate other perspectives and disagreement especially when opinions are backed up by facts. The blog can be found here: https://confederacyofdrones.com/.  The reaction has been positive and we've enjoyed engaging with other bloggers on politics.
You've been picked up to do print cartoons for the Washington Examiner, which was Nate Beeler's home when it was a daily. What is the story behind that? Is it all new material for them?
Nate is a phenomenal editorial cartoonist.  His work was a part of my metro commute when the Washington Examiner was a daily newspaper.  I was sorry to see that daily paper go away, partly because it changed my commute routine but mostly because it was another step in the fading of political cartoonists.  Nate has been, and I'm sure he'll continue to be, used by the Washington Examiner through syndication. 
My involvement with the Washington Examiner came about because my cartooning outlet of 28 years, the HealthPhysics News, was cutting back on costs and no longer wanted cartoons.  My start at cartooning began with them back in 1989 when they were called the Health Physics Society Newsletter and ever since then I had been a regular contributor … until this summer when they let me know that they would no longer be running cartoons.  I think they felt worse about it than I did.  It's a business decision that I completely understood.  They had been great to me over those many years and without them, it's possible I may never have tried my hand at cartooning.   
Since one door closed, I was in search of another.  The Washington Examiner, now a weekly news magazine, has its offices near mine in downtown DC.  I made contact with several people there and after they looked at some of my work, we met in person.  They were encouraging during that meeting and indicated that they'd like to occasionally use my work.  The first was in the September 18th issue. 
How does it feel to have a 'reinvigorated' political cartoon career as a conservative in 2017? 

It's great to have an outlet whether it's the blog or in print.  There's so much going on and so many opportunities to identify contrary opinions to what's happening in politics and society, that there's plenty of motivating material for cartoons. 

Even though I lean to the right and most of my cartoons have a conservative tilt, I still poke at Republicans and President Trump.  Of course many would say, and I'd agree, that those are easy targets based on recent missteps and gaffs.  Fortunately as far as US presidents are concerned, we don't elect them for life.  Unfortunately, in the absence of term limits for congress, the country has moved too far away from the citizen politician and more toward entrenched career politicians.  You'd think with the level of political fodder available today for lampooning that the world of political cartoons would be a thriving industry.  Maybe, again, some day.