Sunday, October 11, 2020

That darn Philip Guston

National Gallery director defends postponement of show with Klan images but will rethink opening date [in print as Gallery chief: Delaying show was right call].

That darn Walt Carr, Tom Toles and Doonesbury

Washington Post October 10 2020

Listen to the something they said [Walt Carr letter]

Dan Melchior


Thanks, 'Doonesbury' [letter]

Amy Schaffer


Franklin, my dear . . . [Tom Toles letter]

K.N. Rauch,

The Post interviews Merrill Markoe

Comedian and writer Merrill Markoe dug deep into her childhood musings to explore memory [in print as Exploring the monster her mother created]

The Post interviews Brosh

'Solutions and Other Problems' author Allie Brosh talks cats, depressions and the joys of Zoom book tours [in print as A memoirist's long-awaited - and emotional - follow-up]

Kennicott on Daumier and government corruption

I returned to the National Gallery seeking comfort. But art no longer feels like an escape. [Daumier; in print as When art no longer feels like an escape.]

Thursday, October 08, 2020

October 8th - coincidence, cartoonists, and mortality - reflections on Pekar and Thompson

 by Mike Rhode

October 8th is the birthday of the two cartoonists I'm most closely professionally associated with... and they've both passed away. Bah.

But I'm glad to have known both Richard Thompson (1957-2016) and Harvey Pekar (1939-2010), even if it was for too short a time.

I was reminded of this odd coincidence today when Amy Thompson returned Richard's copy of the book I'd edited about Pekar to me. Talk about regifting...

I met Harvey in 2005 when I was called in to substitute as an interviewer for him when he was the guest of honor at the Small Press Expo. We did 2 panels together (including Ed Piskor's first con appearance!). I offered up the interviews to Tom Inge for his Conversations with cartoonists series at University Press of Mississippi. Instead of passing them along to someone else, he had me do the book which appeared as Harvey Pekar: Conversations. I'm sure it's their lowest seller in the series, which would probably give Harvey some type of odd satisfaction, while also pissing him off. (By the way, Harvey picked that cover photo.)
 
Joel Pollack introduced me to Richard Thompson at the opening of the Cartoon America exhibit at the Library of Congress in November 2007. Richard lived in Arlington like I do, and we hit it off and began going to museum shows and book talks together. Eventually I got roped into driving him to comics cons as Cul de Sac became a fledgling hit. The driving was fine, but the leaving wasn't. Richard never met a deadline he couldn't run up against, so we were always leaving late for whatever con we were heading towards. As Richard got sicker from Parkinson's disease, a group of his friends including Chris Sparks, Bill Watterson, David Apatoff and Nick Galifianakis were working on a book tribute about him. I was eventually brought in as production editor as deadlines were blown as though Richard was doing the book himself. The Art of Richard Thompson, now sadly out of print, is a beautiful tribute to a master cartoonist by other masters and well worth bidding up high on e-bay.

One lesson to draw from this might be to not let me do a book about you. I can't argue with that. But rather I'd like you to think about these two cartoonists and their works. In some ways, they couldn't be more different. 
 
Richard was a cartoonist- word and pictures always went together for him, and he struggled to do one without the other, which is why Cul de Sac didn't survive him, even with Stacy Curtis doing excellent art, and it's why a strip written by Richard and drawn by Bill Watterson never made it past gestation.

Harvey, on the other hand, was a writer. He worked with whomever he could afford, beginning at the top with Robert Crumb due to their friendship. Harvey was a self-publisher of American Splendor for a long, long time, before some of the major publishers picked it up for a few issues before passing it back to him. Richard, as far as I can tell, always worked for a publisher, even if it was his high school yearbook, or a science fiction fanzine, until he settled into long time freelance relationships with the Washington Post and US News & World Report among others.

But what both Richard and Harvey had in common was stubbornness and a belief in their own work. Both kept plugging away, until a brass ring appeared - like Andrews McMeel's syndicating Cul de Sac, or the excellent American Splendor movie. Sometimes that stubbornness worked against them though - I saw New Yorker cover editor Francoise Mouly practically begging Richard to do a piece for her, but he never did. And he didn't start his strip when he was first asked by the Post, but waited about a decade before beginning it. Similarly, Harvey had a regular appearance on David Letterman, but he burned up that lifeline by criticizing Letterman's corporate owners that actually aired the show.

So ... they were artists and had what is sometimes offhandedly described as an artistic temperament. They could drive me crazy at time, but Harvey always would get in the phrase, "Let me know if I can do something for you... within reason," when we chatted, and Richard was always willing to hang out, or pass along a recommendation or gift a piece of art he'd drawn. I miss them both, even moreso as the days get shorter.
 
People say that as long as you're remembered, part of you is still alive (or something like that), but that's a bit of cold comfort. Still, reading either of them will warm you up and bring a bit of spark and joie de vivre into your life. And who doesn't need that in 2020?

PS - today another friend of mine recommends Richard's work via his Who's Out There? blog




Quarantine Q&A with TJ Kirsch

 I missed this yesterday, but the video is available at Facebook.
 
Quarantine Q&A with TJ Kirsch
Leah Ly
Fantom Comics October 7 2020

We're doing another comic creator event for your enjoyment. We'll be talking to cartoonist TJ Kirsch about his work; in particular about his newest project Willie Nelson: A Graphic History, in which he teams up with several other artists to tell the story of this country music icon from Hill County, Texas.

Mike Jenkins has outdone himself - this year's Trump pumpkin caricature

by Mike Rhode

In 2015, Arlington cartoonist Mike Jenkins carved a pumpkin into Donald Trump's likeness; it went viral. 

This year, Mike has returned to the same theme. But bigger. And badder.


Look at those little orange hands!

 
Mike's available to caricature anyone you choose, too. In fact, I've asked him to draw me this Trump caricature in ink when he has time. Here's our coronavirus interview with him.
 

Just to be clear, Mike's on the right (but really to the left)

Look at the size of this monster!


Even the number means something

 

I've asked Mike to make postcards and Halloween cards via a print-on-demand service of this great caricature, and I'll let you know if he does.



Tom Toles retiring?!


News is leaking out of the Washington Post that Tom Toles, Washington Post cartoonist since 2002 has put in his retirement notice, effective in November.

Toles, although he doesn't look it, is 68 years old, born on October 22, 1951. More information on his career is at Wikipedia - https://en.wikipedia.org/wiki/Tom_Toles
 
UPDATED: 
 
The Washingtonian has more details:
 

Tom Toles Will Leave the Washington Post

 

Editorial Cartoon by Steve Artley

 

Recent Cartoon (click on Image for larger view)

"Lord of the Fly"

©2020 Steven G Artley • artleytoons • ALL RIGHTS RESERVED


Monday, October 05, 2020

Flugennock's Latest'n'Greatest: "Instant Karma!"

From DC's anarchist cartoonist, Mike Flugennock -

"Instant Karma!"
http://sinkers.org/stage/?p=3076

So, aaaanyway... everybody and their cat have been speculating for months about what they think the "October Surprise" will be in this campaign, and wot'tha FUUUUU—

Welp... you were looking for an October Surprise and October says "hold my beer". Clown Emperor Bleach Trump and First Lady Melania hydroxychloroquine Trump have tested positive, with the Donster being taken to Walter Reed for treatment, following hot on the heels of one his senior advisors, and a big face-to-face, mask-off event for GOP donors, and the president of Notre Dame University who attended the Supreme Court nomination ceremony for Amy Coney Barrett, and... oh, FUUUUUU—

Christ, that's what — three or four potential "super-spreader" events with that gang in the past two weeks or so? For that matter, everywhere that sonofabitch goes is a super-spreader event. Dude's a super-duper-spreader.

Meanwhile, Rachel Maddow is asking those of us who can't afford the kind of healthcare Trump is getting to pray for the guy who's supposed to be an Existential Threat™ and a Russian Asset™ and an Enemy Of Democracy™ and The Worst President Ever™, and getting her snippy little ass shredded.

The U.S. Left — Lord love 'em — have been throwing everything they had
at that bunch and couldn't make a dent, and the bastards end up being  brought down by a friggin' virus... y'know, kinda like the end of War Of The Worlds.

I'm not gonna lie to y'all. I can't pretend I'm not enjoying this.

Batman: The Animated Series' Artbook Creator on Being an Artist During COVID-19



Batman: The Animated Series' Artbook Creator on Being an Artist During COVID-19

Alexandra Bowman

We sat down with Justin Erickson, the creative director behind the anticipated "Batman: The Animated Series: The Phantom City Creative Collection," to talk about how he creates art and works with other artists during this unprecedented time. "Batman: The Animated Series: The Phantom City Creative Collection" will be released on October 6th. Preorder your copy here: https://www.amazon.com/Batman-Animate... Learn about Phantom City Creative here: https://phantomcitycreative.bigcartel... Follow @PhantomCityCreative here: https://www.instagram.com/phantomcity...

Protest, Plague, and Politics: 2020 in Comics

Protest, Plague, and Politics: 2020 in Comics

Moderator: Matt Lubchansky Panelists: Malaka Gharib, Ben Passmore, Bianca Xunise

 
CXC + MICE crossover special event: We've almost made it! As the Month of MICE takes place, the infamous year 2020 is entering its final phase. This panel takes a look at how the tumult of 2020 has been processed by three comics creators, very much in the thick of the year's controversies and conflicts: the pandemic, Black Lives Matter protests, and the national politics overhanging it all. How have the crises been reflected in their work? What is the relationship between creativity, career, and political engagement? What role can comics play in such crucial public debates and movements? Moderator: Matt Lubchansky Panelists: Malaka Gharib, Ben Passmore, Bianca Xunise This panel is presented by the Massachusetts Independent Comics Expo

Mo Willems: National Book Festival 2020

Mo Willems: National Book Festival 2020
Carla Hayden
September 25, 2020
https://www.loc.gov/item/webcast-9401/
https://tile.loc.gov/storage-services/media/webcasts/2020/s089_a118_Willems_Final/data/s089_a118_Willems_Final_1280x720_2000.mp4
https://tile.loc.gov/storage-services/media/webcasts/captions/2020/s089_a118_Willems_Final.txt



Summary
The bestselling author and illustrator Mo Willems, winner of three Caldecott Awards and creator of the Pigeon series as well as Elephant & Piggie, talks to Librarian of Congress Carla Hayden about his creative process and the "garden" that inspires his stories and his art. He launches "An Elephant & Piggie Biggie! Volume 3" (Hyperion) and "Unlimited Squirrels: I Want to Sleep Under the Stars" (Hyperion) at the Festival.

Gene Luen Yang: National Book Festival 2020

Gene Luen Yang: National Book Festival 2020
September 25, 2020
https://www.loc.gov/item/webcast-9395/
https://tile.loc.gov/storage-services/media/webcasts/2020/s014_a015_Yang_Final/data/s014_a015_Yang_Final_1280x720_2000.mp4
https://tile.loc.gov/storage-services/media/webcasts/captions/2020/s014_a015_Yang_Final.txt

Summary
In "Dragon Hoops" (First Second),bestselling graphic novelist Gene Luen Yang turns the spotlight on his life, his family, basketball and the high school where he teaches. In "Superman Smashes the Klan" (DC Comics), a Chinese-American teenager awakens to find his house surrounded by the Klan of the Fiery Kross. Naturally, Superman leaps to the family's help, but a mysterious green rock has left him weak. Can the teen and his best friend help Superman smash the Klan?

Jerry Craft: National Book Festival 2020

Jerry Craft: National Book Festival 2020
September 25, 2020
https://www.loc.gov/item/webcast-9379/
https://tile.loc.gov/storage-services/media/webcasts/2020/s026_a027_Craft_Final/data/s026_a027_Craft_Final_1280x720_2000.mp4

Summary
Winner of the 2019 Newbery Medal, Coretta Scott King Author Award and Kirkus Prize for Young Readers' Literature, Jerry Craft's "New Kid" (Quill Tree) is a timely, honest graphic novel about starting over at a new school where diversity is low and the struggle to fit in is real.
Running Time
20 minutes 6 seconds
Language

English
Online Format
video
image
Original Format
film, video

Sunday, October 04, 2020

Oct 27: Roxane Gay, Tracy Lynne Oliver & Rebecca Kirby at Powell's Books


The Sacrifice of Darkness
Tuesday, October 27 @ 6pm (PT)
In The Sacrifice of Darkness (Archaia), Roxane Gay, Tracy Lynne Oliver, and Rebecca Kirby adapt Gay's New York Times bestselling short story, "We Are the Sacrifice of Darkness," as a full-length graphic novel, expanding and further developing the unforgettable world where the sun no longer shines. "When I was a young girl, my husband's father flew an air machine into the sun. Since then, the days have been dark, the nights bright." Follow one woman's powerful journey through this new landscape as she discovers love, family, and the true light in a world seemingly robbed of any. As she challenges notions of identity, guilt, and survival, she'll find that no matter the darkness, there remains sources of hope that can pierce the veil.

Please note: This is a ticketed event. Purchasing a preorder copy of The Sacrifice of Darkness ($24.99) entitles you to attend our virtual event with Gay, Oliver, and Kirby on Tuesday, October 27, at 6pm (PT). After you've purchased the book, we will automatically register you for the Zoom event, and will send you an email two days prior to the event containing a link to the event and instructions on how to access it. Your copy of The Sacrifice of Darkness will ship on the day of the event.

Oct 15: Merrill Markoe at Powell's Books


We Saw Scenery
Thursday, October 15 @ 6pm (PT)
In her first-ever graphic memoir, four-time Emmy-winning comedy writer Merrill Markoe unearths her treasured diaries, long kept under lock and key, to illustrate the hilarious story of her preteen and teen years and how she came to realize that her secret power was her humor. Wielding her layered and comically absurd style, Markoe takes readers back through her time as a Girl Scout, where she learned that "scouting" was really more about learning housewifery skills, to her earliest crushes on uniquely awful boys and her growing obsession with television. Much has changed in our world since Markoe wrote in her diaries, or has it? Climate change wasn't yet a rallying call, but the growing hole in the ozone preoccupied Markoe's young mind. No one was flocking to the desert for Burning Man, but Markoe readily partook in the Ken Kesey Acid Test. As she charts the divide between her adolescence and adulthood, Markoe questions and berates her younger self, revealing how much is opaque to us in those young years. Perfect for fans of Roz Chast, Allie Brosh, and Lynda Barry, We Saw Scenery (Algonquin) is a laugh-out-loud story of a girl growing up, told from the perspective of the woman she became, and it will speak to all who wanted to understand themselves in the midst of their own maturing.
 

New from Sarah Boxer - Lynda Barry reviewed and President Poo

Back to the Drawing Board

Making Comics

by Lynda Barry
Drawn and Quarterly, 199 pp., $22.95 (paper)

and for her new scatalogical political cartoon visit her Instagram page at https://www.instagram.com/boxer.sarah/