OT: Ellen Lindner's new book

My friend Stephen Betts married a cartoonist - Ellen Lindner - and her new book Undertow is out.

You can buy a copy at Lulu.com for less than $12. Ellen describes it as:

Undertow by Ellen Lindner gives us a close-up view through the back door of Brooklyn in the sixties—with all the delinquency, drugs, and trips to Coney Island that implies. Beautifully drawn in sinuous, sharp style, Lindner's characters, and their fight to do more than survive, are unforgettable.

Although she's too young to remember Brooklyn in the 1960s. Actually, so am I. I just ordered mine to see what I missed.

April 30: Jules & Kate Feiffer at Politics and Prose

10:30 am for Which Puppy?, a children's book.

March 30: Kal on Maryland public television

Kal's sent a note in...

On March 30, Maryland Public television will air the terrific documentary "Citizen Schaefer". The show follows the formidable career of the colorful Maryland politician William Donald Schaefer. For 50 years Schaefer reigned as a larger than life character in Maryland politics serving as Baltimore city councilman, President of the city Council, Baltimore city Mayor, state Governor and Comptroller.

Schaefer's flamboyant style and paper thin skin also made him a gift for cartoonists and caricaturists. During the course of my 17 year stint as editorial cartoonist for the Baltimore Sun, I had ample opportunity to lampoon Hizzoner in pen and ink... much to his chagrin.

For the MPT documentary, I was approached to share some cartoons and stories about the Schaefer years. I was also commissioned to create a selection of short animations to act as chapter headings for the documentary. The clips were designed to look as if they were my black and white cartoons on the page of the newspaper coming alive.

The animations are assembled together in the short film that you can view here: http://www.youtube.com/politicalcartoons

Hagen exhibit

I went last night and met David and his family including his wife and inlaws who were all from England and fun to talk with. The exhibit is in 2 rooms of a real-estate firm, but that works surprisingly well. There's a variety of works including paintings of robots, odd animals and baseball players from a 1966 card set as well as some prints. I bought a cartoony portrait of S*p*rm*n. Go check it out!

David Hagen visits his exhibit tomorrow night...

...and you can too!

The show will be from the beginning of March through the end of April with a reception on Friday, March 27 from 6pm to 9pm. All invited. Refreshments served! Century21 gallery space, 1711 Wilson Blvd., Arlington, VA 22209.

I'll be there tomorrow, fairly close to 6. And I hear a cartoonist known as RT will be making an appearance.

Express recommends Cherry Blossom Festival Anime tomorrow

Manga Manga Manga! Cherry Blossom Festival Anime Marathon

Vexille SATURDAY: Washington is so weird. We welcome in spring with a kite festival and an anime marathon. Next you'll be telling us about some giant rabbit that lays eggs and might have pastel-colored fur.

The Freer Gallery will show four anime films on Saturday, including "Vexille," about a futuristic Japan that has cut itself off from the world. Tickets are free, and the films are short, fun and lovely. If you can get over the guilt of spending a beautiful spring Saturday inside.

» Freer Gallery of Art, Jefferson Drive and 12th St. NW; Sat., March 28, 11 a.m., free; 202-633-1000. (Smithsonian)
Posted By Fiona Zublin at 7:00 AM on March 27, 2009

Kal at Walters in Baltimore

Cub reporter Rick Banning tells us about a Walters exhibit, "In the 3rd floor of the old building, a map of Word history, 12 feet wide x 6 feet high, has 8 cartoon features by Kal such as the inventions of printing and paper."

Groening and Simpsons in the Onion

Groening and Simpsons are in the paper Onion, but the online versions are longer - see "In a way, they're all winners: 10 Simpsons episodes from the past 5 seasons that stand among the series' best." by Genevieve Koski, Kyle Ryan, and Steve Heisler, Onion AV Club March 23, 2009 and an excellent interview, "Matt Groening," by Kyle Ryan, Onion AV Club March 25, 2009.

In the Examiner, Comic Art Indigene was selected as the Best Gallery Show of the weekend.

City Paper Best of DC 2009 out; Comics News fails to place

The City Paper Best of DC 2009 is out, but Comics News failed to place this year. However, they didn't have a Best (Comic) Art Blogger, and Wonkette won the best blogger, so I guess I'll survive. So much for the hat trick though...

Waltz with Bashir animator at Hirshhorn Museum tonight!

Hirshhorn Films: An evening with David Polonsky

8 pm, March 26 in the Ring Auditorium. Free

Craig Yoe Appearance at Politics & Prose

Craig Yoe, author of Secret Identity: The Fetish Art of Superman's Co-Creator Joe Shuster, will be doing a discussion and book signing at Politics and Prose on April 24, 2009 at 7pm.

Kal cartoons in Maryland Public TV documentary

They appear in Citizen Schaefer , a film about the former governor, according to this article.

Another award for Nate Beeler

Examiner cartoonist Nate Beeler apparently won first place for editorial cartooning in the Virginia Press Association awards - if this is the proper citation:

D3: Editorial cartoons
Place: 1
Name: Nate Beeler
Publication: The Washington Examiner
City: Washington
Subject: 20/20 Insight
Comments: Beautiful artwork, humor and message. Nate's cartoons are among the best in the nation.

May 4: Art Spiegelman at the Corcoran

I've seen him give this talk before and it's good.

May 4, Monday 7 p.m. at the Corcoran

Art Spiegelman: Comix 101

Members $20; Public $25

Art Spiegelman has almost single-handedly brought comic books out of the toy closet and onto the literature shelves. His comics are best known for their shifting graphic style, their formal complexity, and controversial content. In 1992, his masterful Holocaust narrative Maus won the Pulitzer Prize, and Maus II continued the remarkable story of his parents' survival of the Nazi regime. The New York Times Book
Review listed Spiegelman's In the Shadow of No Towers among the most Notable Books of 2004. On this evening, Spiegelman takes the audience on a chronological tour of the evolution of comics all the while explaining the value of this medium and why it should not be ignored.

The Argentina Copello Dudley Memorial Lecture, established in 1984, supported by the Dudley Endowment Fund, presents distinguished speakers who have contributed significantly to our understanding of the arts.

OT: Call for Papers--Graphic Novels in Libraries and Archives: Ideas and Issues.

Posted at Rob's request.

Call for Papers--Graphic Novels in Libraries and Archives: Ideas and Issues.

Graphic Novel publishing has exploded in the last decade. While, during the mid-1990s, it might have been possible for even a modestly budgeted library to acquire much of the published Graphic Novel output, now it is almost impossible even for libraries with big budgets to afford EVERYTHING published in this format. What was once considered a “cult” of devoted Graphic Novel readers and fans is now a part of the mainstream of readers. Graphic Novels is the one area of publishing that continues to grow year by year.

I am looking for essays that deal specifically with how libraries and archives have dealt with and are dealing with Graphic Novels in their collections. What are the various issues that have come up in regard to carrying Graphic Novels? What solutions, if any, did your library find?

Some of the topics that could be addressed in this book might include:

· Comics in Archives

· Real world issues in censorship of Graphic Novels - a case study on how a particular library or libraries dealt with challenged books

· How are academic libraries dealing with Graphic Novels?

· Promoting Graphic Novels collections in public libraries - Graphic Novel book clubs

· Problems collecting floppy comics in libraries and archives

· History of collecting comics and Graphic Novels in libraries

· Reaching out to Young Adults with Graphic Novels

· Senior library patrons and Graphic Novels - nobody has ever addressed this issue

· Graphic Novel - the term itself - problems with semantics for librarians?????

· Faculty who teach comics/Graphic Novels in other departments (say English/Sociology) and their relationship to their liaison librarian

· Graphic Novels in Libraries: Philosophical Issues

· Problems related to shelving Graphic Novels! Young Adult – Teen - Non Fiction - All Together?

· Manga/Anime vs. Superhero books in Libraries - Which is most popular?

· How to preserve Graphic Novels and comics in archives?

· Extending the shelve life of Graphic Novels in public libraries?

· How the boom of Hollywood movies, based upon graphic literature, affected library use.

· Metadata and Graphic Novels

· Web comics: implications for the library.

· History of comics in libraries

· The story of those Mexican/Spanish Photo novellas in libraries

· Any other topic related to Graphic Novels and libraries will be considered.

· META-DATA and Graphic Novels



Please send a 200 word abstract by April 31, 2009. Final due date for essays is June 31, 2009.

Final essays should be between 3,000-9,000 words long, including endnotes and bibliography, and should be done in Chicago Manuel of Style parenthetical with endnotes. Please keep in mind that these essays will be Peer Reviewed, and any essay that is not up to standard may not see final publication.

Please email me if you have any questions.

Rob Weiner
Humanities Librarian
Texas Tech University
Lubbock, Texas

Rob.Weiner@ttu.edu

Rweiner5@sbcglobal.net

April 25: Library Workshop: Creating Graphic Novels

Aaarghh! Within blocks of me and I'll be at the History of Medicine meetings in Cleveland. I'll have to send the kid.

Workshop: Creating Graphic Novels
Sat Apr 25, 2009 1pm
Columbia Pike Branch Library, 816 S. Walter Reed Dr., Arlington, Va.

Learn the basic and finer points of creating graphic novels from Josh Elder, a graphic novelist and author of "Mail Order Ninja." Appropriate for students ages 10 and up. Contact mmiller@arlingtonva.us or call 703-228-5261 for more details.

And I'm missing the Library sale.

Matt Wuerker wants you to remember the Exxon Valdez oil spill 20 years later...

...and that seems reasonable to me. He says, "take two minutes to remember with John Nielsen's WWF piece, posted here on youtube - http://www.youtube.com/watch?v=MbjC9SMKClE - and pass it on...

KAL illustrations for Frontline tonight?

Today's NY Times has a KAL cartoon that they say is from the Frontline documentary "Ten Trillion and Counting" on tv tonight.

March 25: Library of Congress Swann talk on Nast

Coming up tomorrow!

Thomas Nast and French Art
The Topic of Swann Grantee’s Talk on March 25

Swann Foundation grantee Marie-Stéphanie Delamaire will present a lecture entitled, "The Artist as Translator: Thomas Nast and French Art,” Wednesday, March 25, 2009, at 12 noon, in the West Dining Room on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, DC.

In her illustrated talk, Delamaire will examine American cartoonist Thomas Nast’s appropriation of the visual language used in prints and photographs of grand manner and history paintings in his political cartoons of the Civil War and Reconstruction eras. The analysis of Nast’s cartoons suggests that they functioned much like visual, cultural, and political translations of the era’s leading issues and articulated the cartoonist’s artistic identity.

Thomas Nast (1840-1902) began his career as a newspaper illustrator in the antebellum era for the growing illustrated press of the 1850s in New York. During the Civil War years, Nast developed a new style of large-scale cartoons that made extensive use of the visual vocabulary of old masters and contemporary French academic painters, particularly those whose works were reproduced in prints then being disseminated by the American branch of Goupil & Cie in New York. Nast referenced or alluded to specific French paintings as a means of capturing and engaging his viewers’ interest in major political developments of the day as seen in such cartoons as “Democracy” or “The Tammany Tiger Loose” (published respectively in Harper’s Weekly on November 11, 1865 and November 11, 1871). In so doing, Nast not only translated “facts into black and white,” as suggested by Clarence Cook (Putnam Magazine, July 1869), but also transformed history painting into a mass medium and appropriated the significance of foreign images into the American national or local political sphere.

Delamaire contends that looking closely at Nast’s cartoons demonstrates that the artist deliberately emphasized the discontinuity between the original painting and his final image in order to construct the cartoon’s underlying meaning. Nast’s translations of history paintings into cartoons can thus be seen to question the authority and priority commonly associated with the grand tradition of European history painting. Delamaire suggests that Nast’s appropriations reveal a shift from his role as a newspaper illustrator to that of a translator of fine art’s visual language mediating the political significance of foreign works of art widely
disseminated in print form to his American audience.

Delamaire is a Ph.D. candidate in Art History at Columbia University. Her dissertation project entitled, “Art in Translation: Franco-American exchanges in the Civil War and Reconstruction Era,” has been awarded a Terra Foundation Pre-doctoral Fellowship at the Smithsonian Institution and a Swann Foundation grant. Her research interests focus on transnational exchanges in relation to the development of reproductive technology in nineteenth century visual culture, the international art market and the emerging apparatus of international exhibitions. She completed a Master’s Degree in Egyptian Archaeology. She has published several essays on the American perception of ancient Egypt, the 1867 Paris Exposition Universelle, and the 1876 Philadelphia Centennial International Exhibition.

This presentation is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The Swann Foundation’s advisory board is composed of scholars, collectors, cartoonists and Library of Congress staff members. The foundation strives to award one fellowship annually (with a stipend of up to $15,000) to assist scholarly research and writing projects in the field of caricature and cartoon. Applications for the academic year 2009-2010 are due Feb. 15, 2010. More information about the fellowship is available through the Swann Foundation’s Web site: www.loc.gov/rr/print/swann/swannhome or by emailing swann@loc.gov.

Weingarten on his comic strip, and the Post's

Gene W from the March 23rd chat:

Silver Spring, Md.: Re: Doonesbury CPOW - that's one thing that has always impressed me about that strip - he always seems to have a character already in place for any news event or trend or whatever that comes up. He can pick up a character and put he or she in the event without any problem or stretch. He has Joannie working on the hill, BD was set for any "hostilities", Bernie was perfectly positioned to be a high-tech mogul, Boopsie ended up in the movie industry. I loved it when Mike's youngish techie-wife turned out to be the Vietnamese orphan who had been adopted into the US years before.

Gene Weingarten: Obviously, this is not coincidence. Garry has more active characters than any strip ever, probably by a factor of five.

The strip my son and I are working on -- look for it soon, I hope -- is going to start with about 16. Absurdly high for a new strip, nowhere near Dbury.

_______________________

New strip: When your new strip debuts, can it replace Peanuts?

If you were able to, say, accidentally slip the email address of the comics editor, perhaps it may result that he or she is bombarded with enough requests to get rid of Peanuts repeats that his or her loins will be girded sufficiently to withstand the few complaint letters that will be mailed (from people who I don't think would folow through on their threat to cancel their subscriptions).

Gene Weingarten: I am beginning to think that no one will ever have the courage to replace Peanuts.

_______________________

Washington, D.C.: AAAAAHHHHH! According to the notice on today's Style section, they're schwacking both "Pooche Cafe" and "Brevity" from the comics section. What's wrong with these people? They'll keep stale stuff like "Blondie," "Peanuts," "Mark Trail," "Family Circus," and "Dennis the Menace" but kill two of the comics that are actually, you know, funny? Isn't there anything we can do to stop this? AAAAAHHHHHH!!!

Gene Weingarten: They are also keeping Hagar the Horrible.

_______________________

Alex., VA: Do readers actually write in and support Peanuts?

Gene Weingarten: I don't know, but I doubt it. I think that newspaper comics deciders are loath to get rid of any strip so old that old loyal readers would miss it.

Very, very bad decisionmaking.