Join the conversation about Hey, KiddoHey, Kiddo is a profoundly important memoir about growing up in a family grappling with addiction, and finding the art that helps you survive. Hear the story behind the story as told by bestselling author-illustrator Jarrett J. Krosoczka when he visits Riverside High School in Leesburg this Saturday. Arrive early for a book signing from 1-2 p.m.
1book 1community finaleWHAT: Presentation and Q&A with Jarrett J. KrosoczkaADMISSION: This event is free and open to the public. Admission is first-come, first-served.
"I use my imagination as my full-time job. But well before my imagination became a vocation, my imagination saved my life."
About the author: New York Times bestselling author-illustrator Jarrett J. Krosoczka creates books with humor, heart and a deep respect for his young readers — qualities that have made his titles perennial favorites on the bookshelves of homes, libraries and bookstores. Titles include several picture books, his wildly popular Lunch Lady graphic novels, and the Platypus Police Squad middle-grade novels. He also recently launched a new story arc in the Jedi Academy series with Star Wars: Jedi Academy: A New Class. His most recent book, Hey, Kiddo, was a finalist for the 2018 National Book Award for Young People's Literature.
1book 1community is a countywide reading program organized by Loudoun County Public Library that promotes community dialogue and understanding through the shared experience of reading and discussing the same book. Free copies of Hey, Kiddo were distributed this fall through Loudoun County Public Library branches and Loudoun County Public Schools, where they were incorporated into book club discussions and curriculum.
Loudoun County Public Library | 102 North St. NW, Leesburg, VA 20176
Tuesday, November 19, 2019
Nov 23: Jared Krosoczka in Leesbburg for 1book 1community finale this Saturday
On the passing of longtime Baltimore Sun cartoonist Mike Lane
Dan Rodricks writes about his editorial cartoonist colleague.
https://danrodricks.com/2019/11/18/on-the-passing-of-cartoonist-mike-lane/
Monday, November 18, 2019
Disney streaming warns against its own animation
Disney Plus warns of 'outdated cultural depictions' in some films. That's not enough, experts say. [in print as Disney Plus warnings of bias, bigotry: Sufficient?]
Washington Post November 18, 2019: C1-2
The Post talks to Watchmen's Looking Glass
'Watchmen' actor Tim Blake Nelson reflects on the 'unspeakable trauma' of Looking Glass's youth
Washington Post November 18, 2019
11/21-24: Gareth Hinds at NCTE in Baltimore
from his newsletter: ALSO next weekend, in Baltimore, is the fabulous National Council of Teachers of English annual conference -- my favorite show of the year! Alison and I will be there all weekend, and I hope some of you will too. Here's where and when to find me: Thursday 11/21 at 9:30am - panel on re-imagining the classics with Madeline Miller (Circe) and David Elliott (Bull) - get there bright and early for this one, it's going to be great! Session # A.38, Room 347. Fri 11/22 - Sun 11/24 - Exhibit Hall, Booth 734, pretty much all weekend, except for lunch breaks. |
Sunday, November 17, 2019
Flugennock's Latest'n'Greatest: "The Bible Returns to the Palace"
From DC's anarchist cartoonist, Mike Flugennock -
"The Bible Returns To The Palace"
http://sinkers.org/stage/?p=2868
Judging from the torrent of racist, religious fundamentalist howling coming from Bolivia's new imaginary president, it looks as if the US-backed fascist junta in Bolivia are using the same standard procedure as when the Spanish first showed up — steal the land, plunder the resources, slaughter the indigenous people and claim that god is on your side.
-------------------
"'The Bible returns to the Palace,' says the new self-declared president of Bolivia, Jeanine Áñez, in a shot against indigenous communities." Waleed Shahid @_waleedshahid on Twitter 11.13.19
https://twitter.com/_waleedshahid/status/1194658741054050305
"What do we know about Jeanine Áñez Chávez?" Buenos Aires Times, 11.16.19
https://www.batimes.com.ar/news/latin-america/what-do-we-know-about-jeanine-anez-chavez.phtml
"The Bible Returns To The Palace"
http://sinkers.org/stage/?p=2868
Judging from the torrent of racist, religious fundamentalist howling coming from Bolivia's new imaginary president, it looks as if the US-backed fascist junta in Bolivia are using the same standard procedure as when the Spanish first showed up — steal the land, plunder the resources, slaughter the indigenous people and claim that god is on your side.
-------------------
"'The Bible returns to the Palace,' says the new self-declared president of Bolivia, Jeanine Áñez, in a shot against indigenous communities." Waleed Shahid @_waleedshahid on Twitter 11.13.19
https://twitter.com/_waleedshahid/status/1194658741054050305
"What do we know about Jeanine Áñez Chávez?" Buenos Aires Times, 11.16.19
https://www.batimes.com.ar/news/latin-america/what-do-we-know-about-jeanine-anez-chavez.phtml
Cavna reflecting on Peanuts reflections
Examining the many facets of 'Peanuts,' a comic-strip gem [in print as Examining the many facets of a comic-strip gem].
By
Washington Post November 17, 2019 : B8
Republicans stealing from the Simpsons... again
First the candidate... now his defense....
One of the defenses of Trump is — literally — a TV-cartoon joke [in print as One GOP impeachment talking point is - literally - a cartoon joke I wrote]
By Bill Oakley
Washington Post November 17, 2019 p. B4
That darn Mark Trail, Mutts, and Beetle Bailey
The abominable dragon
Johannah Barry, Falls Church
Washington Post November 16 2019
Good breeding in 'Mutts'
Lydia Maggiora Walter, Alexandria
Washington Post November 16 2019
An entrenched problem
Robert Baylor, Fairfax
Saturday, November 16, 2019
Tamba, Child Soldier
by RM Rhodes
One of the appeals of the French comics industry is the sheer variety of genres that are available on offer. English-speaking comics publishers like NBM have been translating comics originally printed in French for decades for exactly this reason. For its part, the English-speaking audience has responded well what the French call Reportage - comics based on real events that straddle the line between non and fiction. Books like Tamba, Child Soldier by Marion Achard and Yann Degruel.
The creators deliberately chose to not identify a single nation in this book because the practice of using children as soldiers is so widespread that people could identify it pretty much everywhere. To that end, the story's visuals rely on the cultural similarities across the continent, presenting an anonymized landscape filled with generic people for the main characters to wander through. This is a good thing.
The story that the main characters tell is horrific - the book's title lets you know exactly what you're going to get. The art does a great job servicing a harrowing story, which starts with the main character telling his story to a tribunal of some kind. It's easy to tell the flashbacks from the interrogation because the flashbacks use a full color palate, while the interrogation panels have a muted, monochrome color.
Given the weight of the subject matter, having such clear, non-challenging art that communicates scene transitions so subtlety really allows the experience of the main characters take center stage and just exist. The life of a child soldier is heavy enough that it needs no extraneous embellishment, which might have been a temptation in more commercial-minded hands. Fortunately, the French language comics industry is robust enough that not everything has to meet a hypothetical set of arbitrary requirements merely to be considered by the marketplace.
Both the writer and artist are white, which is interesting because they managed to produce a book with almost no white characters. In fact, the only white people in the entire story are silent, unnamed Non-Government Organization (NGO) workers, who are referenced as the bellwether for how dangerous things really are. They show up on half a page near the end of the book, barely have faces and, if you blink, you might miss them.
Marion Achard was a circus performer and wrote several novels before writing this graphic novel. Yann Degruel, the artist, is well known for his children's books, which makes him an interesting choice to illustrate a book about child soldiers.
If you have a deep and abiding interest in the issue of child soldiers, this is absolutely the book for you. There are a trio of short essays in the back of the book about the topic, with URLs for sites that will give you more information. If you are even marginally interested in the issue, this book will absolutely convince you it should be addressed.
Tamba, Child Soldier by Marion Achard and Yann Degruel will be published by NBM in December 2019. https://nbmpub.com/
__________________________________________________________
ComicsDC received a free review copy of this book from NBM.
One of the appeals of the French comics industry is the sheer variety of genres that are available on offer. English-speaking comics publishers like NBM have been translating comics originally printed in French for decades for exactly this reason. For its part, the English-speaking audience has responded well what the French call Reportage - comics based on real events that straddle the line between non and fiction. Books like Tamba, Child Soldier by Marion Achard and Yann Degruel.
The creators deliberately chose to not identify a single nation in this book because the practice of using children as soldiers is so widespread that people could identify it pretty much everywhere. To that end, the story's visuals rely on the cultural similarities across the continent, presenting an anonymized landscape filled with generic people for the main characters to wander through. This is a good thing.
The story that the main characters tell is horrific - the book's title lets you know exactly what you're going to get. The art does a great job servicing a harrowing story, which starts with the main character telling his story to a tribunal of some kind. It's easy to tell the flashbacks from the interrogation because the flashbacks use a full color palate, while the interrogation panels have a muted, monochrome color.
Given the weight of the subject matter, having such clear, non-challenging art that communicates scene transitions so subtlety really allows the experience of the main characters take center stage and just exist. The life of a child soldier is heavy enough that it needs no extraneous embellishment, which might have been a temptation in more commercial-minded hands. Fortunately, the French language comics industry is robust enough that not everything has to meet a hypothetical set of arbitrary requirements merely to be considered by the marketplace.
Both the writer and artist are white, which is interesting because they managed to produce a book with almost no white characters. In fact, the only white people in the entire story are silent, unnamed Non-Government Organization (NGO) workers, who are referenced as the bellwether for how dangerous things really are. They show up on half a page near the end of the book, barely have faces and, if you blink, you might miss them.
Marion Achard was a circus performer and wrote several novels before writing this graphic novel. Yann Degruel, the artist, is well known for his children's books, which makes him an interesting choice to illustrate a book about child soldiers.
If you have a deep and abiding interest in the issue of child soldiers, this is absolutely the book for you. There are a trio of short essays in the back of the book about the topic, with URLs for sites that will give you more information. If you are even marginally interested in the issue, this book will absolutely convince you it should be addressed.
Tamba, Child Soldier by Marion Achard and Yann Degruel will be published by NBM in December 2019. https://nbmpub.com/
__________________________________________________________
ComicsDC received a free review copy of this book from NBM.
Friday, November 15, 2019
PR: Tomorrow! Metal writer Scott Snyder & Darth Vader writer Charles Soule sign at Third Eye Annapolis!
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