Rufus Dayglo writes in again:
Cliff Meth's started auctioning stuff to help Gene Colan, our friend and fellow Artist!
Check out his blog for amazing signed stuff and original art!
Link...
http://thecliffordmethod.blogspot.com/
Also on Ebay, more items will be added soon! Bid and help Gene! User name on EBAY is genecolanbenefitauction
Link...
http://search.ebay.com/_W0QQsassZgenecolanbenefitauction
I'm donating Tank Girl and Metal Gear Solid Art and signed books, if any artists or writers are reading this please contact Cliff Meth through his blog and donate.
Also, if you can make a cash donation contact Cliff Meth through his blog..
Time for us to give back, and help one of the greats of the Comic Book Industry!
Thanks everyone, every little bit helps!
Rufus Dayglo (Team Tank Girl)
Friday, May 23, 2008
Thompson chat on Post
Richard 'Cul de Sac' Thompson and Scott 'Argyle Sweater' Hilburn successfully navigated the Washington Post chat software today at 1 pm with Suzanne Tobin, even though Hilburn said he didn't make it to the NCS con in New Orleans. To read what they said, see "Meet the Comics Pages: Scott Hilburn and Richard Thompson, Cartoonists, "Argyle Sweater" and "Cul de Sac", Friday, May 23, 2008.
Herblock exhibit sort of covered by Wash Times
Actually, although the exhibit is about three miles from their main building, they ran an AP article yesterday. See "Herblock lampoons the presidents again" By Brett Zongker - ASSOCIATED PRESS, Washington Times May 22, 2008.
Thursday, May 22, 2008
OT: Ed Stein and Denver Square
Ed Stein pulled the plug on his strip Denver Square this week. The strip was a hyper-local one, set in Denver and by a Denver area cartoonist. Mark Wolf interviewed Stein this week. The reason I link to this is that Stein's first collection of the strip was an early book review I did for IJOCA -- so early that I can't even find it on my computer. But if you see a Denver Square collection, pick it up - you'll enjoy it.
Wednesday, May 21, 2008
May 23: Our Man Thompson on Post chat
So, Richard leaves town on a 26-hour (hahahahahaha!) train ride... just to be interviewed by the Washington Post! Man, he apparently just lives Richard's Poor Almanack. The damn thing must write itself...
Scott Hilburn who does Argyle Sweater will also be fighting for keyboard space.
Friday, May 23 at 1 p.m. ET
Meet the Comics Pages
Scott Hilburn and Richard Thompson
Cartoonists, "Argyle Sweater" and "Cul de Sac"
Friday, May 23, 2008; 1:00 PM
Join Washington Post Comics page editor Suzanne Tobin on Friday, May 23 at 1 p.m. ET at the National Cartoonists Society convention in New Orleans for a discussion with Scott Hilburn, creator of "The Argyle Sweater," and Richard Thompson, creator of creator of "Cul de Sac."
I guess the Ms. Tobin wanted to justify that travel budget, and rather than take a $10 cab ride to Arlington got this through the Post's accountants. I think I need to meet her - take notes, that sort of thing...
Scott Hilburn who does Argyle Sweater will also be fighting for keyboard space.
Friday, May 23 at 1 p.m. ET
Meet the Comics Pages
Scott Hilburn and Richard Thompson
Cartoonists, "Argyle Sweater" and "Cul de Sac"
Friday, May 23, 2008; 1:00 PM
Join Washington Post Comics page editor Suzanne Tobin on Friday, May 23 at 1 p.m. ET at the National Cartoonists Society convention in New Orleans for a discussion with Scott Hilburn, creator of "The Argyle Sweater," and Richard Thompson, creator of creator of "Cul de Sac."
I guess the Ms. Tobin wanted to justify that travel budget, and rather than take a $10 cab ride to Arlington got this through the Post's accountants. I think I need to meet her - take notes, that sort of thing...
Our Man Thompson in New Orleans for NCS award showdown
Richard's up for a best strip award - see his blog for details - and says he will also be chatting on the Post's website on Friday.
Toles goes MAD
Tom Toles' editorial cartoon today is based on the fold-in by famed MAD cartoonist Al Jaffee. Here's a good article on Jaffee from the NY Times, and some online fold-ins.
Jaffee is nominated for the National Cartoonists Society's Reuben award this weekend (and Richard Thompson's up for best strip) and I believe he will win it. I don't know if Toles was making a prediction, or just was reminded of Jaffee's work, but according to Dave Astor, Wiley's made a bet who'll win by doing an early Sunday strip - check the Post on Sunday and see if either of us was right.
And for those reading it online, with less fold-in experience than us long-time Mad readers, here's what it looks like folded:
Jaffee is nominated for the National Cartoonists Society's Reuben award this weekend (and Richard Thompson's up for best strip) and I believe he will win it. I don't know if Toles was making a prediction, or just was reminded of Jaffee's work, but according to Dave Astor, Wiley's made a bet who'll win by doing an early Sunday strip - check the Post on Sunday and see if either of us was right.
And for those reading it online, with less fold-in experience than us long-time Mad readers, here's what it looks like folded:
May 21: Death Note anime showing
Tuesday, May 20, 2008
Weingarten corrupted three comic strips for Post Hunt
Gene Weingarten's May 20th chat had some comments about a 'comics' clue to the Post Hunt.
Arlington: G-Dub. How in THE hell can anyone claim that the "Comics" clue was hard? The comedians made it obvious what the topic was, Liz and Ginger walking around with the comics pages made it obvious where to look (not to mention that everyone was reading the Comics section) and the numbers weren't terribly hard to find. What was hard about it?
(Every other clue was @#$! impossible, btw.)
washingtonpost.com: And yet there were people who -- when offered a Comics section -- declined, saying "I have one at home."
Gene Weingarten: Heh heh.
As Tom said yesterday, the monitors at the fortune cookie site watched several times as small children were tugging at parents' clothing saying, "It tastes like coconut!" and the parents said, "Ssh. We're trying to solve the puzzle."
and later...
Consiracy Theories: It's bad enough that clueless Post readers may be misled by the clues planted in the magazine and comics, but what about the rest of the country? Is there an army of folks coming up with diabolical explanations for the numbers appearing in the three comics? Or do they get an explanation somewhere somehow (without stumbling on the Post)?
Gene Weingarten: Yeah, I owe a great thank you to Stephan Pastis, Jef Mallett, and Berkeley Breathed. They were great sports about it. I'm sure they're getting dozens of letters from elsewhere in the country asking, yknow, what that "nine" was about.
and...
Opus Hunt: Gene,
A friend was telling me about Hunt (she went, I couldn't) and when I looked at the Opus strip, the first thing I thought of when she pointed it out was Al Hirschfeld. Did Breathed do that on purpose? And were the other numbers in the strip used as decoys?
Gene Weingarten: Yep, it was an homage to Hirschfeld, I believe. "Nine" was done exactly the way Hirschfeld did "Nina."
The other numbers were coincidence! He wasn't trying to be deceptive.
...with some debate over that...
Washington, D.C.: Did you notice that both Breathed and Mallet hid other numerals in their strips? The s in the title "OPUS" was a 5. In Frazz, the word "school" had both a 5 instead of an s, and an 8 instead of the two o's. The second occurrence of that word didn't have the 5, but it did have the 8. So we weren't sure which hidden numbers to use, until we finally noticed the "nine" on the doctor's coat, and decided to use the spelled-out numbers "six," "eight," and "nine," and ignore the hidden numerals 5, 8, 8 and 5.
Gene Weingarten: I disagree about the S being a 5.
But we noticed the "oo" looking like an eight. We noticed this at the very last minute. It turns out that is simply how Patty Mallett (who inks Jef's art) makes a double o! If the hidden number had been anything but eight, we'd a been scrood!
This is all nonsensical, until you go to the Post website. This video explains that Weingarten's friends Stephan (Pearls Before Swine), Berkeley (Opus) Breathed and Jeff (Frazz) Mallett snuck in clues for the Post Hunt.
Arlington: G-Dub. How in THE hell can anyone claim that the "Comics" clue was hard? The comedians made it obvious what the topic was, Liz and Ginger walking around with the comics pages made it obvious where to look (not to mention that everyone was reading the Comics section) and the numbers weren't terribly hard to find. What was hard about it?
(Every other clue was @#$! impossible, btw.)
washingtonpost.com: And yet there were people who -- when offered a Comics section -- declined, saying "I have one at home."
Gene Weingarten: Heh heh.
As Tom said yesterday, the monitors at the fortune cookie site watched several times as small children were tugging at parents' clothing saying, "It tastes like coconut!" and the parents said, "Ssh. We're trying to solve the puzzle."
and later...
Consiracy Theories: It's bad enough that clueless Post readers may be misled by the clues planted in the magazine and comics, but what about the rest of the country? Is there an army of folks coming up with diabolical explanations for the numbers appearing in the three comics? Or do they get an explanation somewhere somehow (without stumbling on the Post)?
Gene Weingarten: Yeah, I owe a great thank you to Stephan Pastis, Jef Mallett, and Berkeley Breathed. They were great sports about it. I'm sure they're getting dozens of letters from elsewhere in the country asking, yknow, what that "nine" was about.
and...
Opus Hunt: Gene,
A friend was telling me about Hunt (she went, I couldn't) and when I looked at the Opus strip, the first thing I thought of when she pointed it out was Al Hirschfeld. Did Breathed do that on purpose? And were the other numbers in the strip used as decoys?
Gene Weingarten: Yep, it was an homage to Hirschfeld, I believe. "Nine" was done exactly the way Hirschfeld did "Nina."
The other numbers were coincidence! He wasn't trying to be deceptive.
...with some debate over that...
Washington, D.C.: Did you notice that both Breathed and Mallet hid other numerals in their strips? The s in the title "OPUS" was a 5. In Frazz, the word "school" had both a 5 instead of an s, and an 8 instead of the two o's. The second occurrence of that word didn't have the 5, but it did have the 8. So we weren't sure which hidden numbers to use, until we finally noticed the "nine" on the doctor's coat, and decided to use the spelled-out numbers "six," "eight," and "nine," and ignore the hidden numerals 5, 8, 8 and 5.
Gene Weingarten: I disagree about the S being a 5.
But we noticed the "oo" looking like an eight. We noticed this at the very last minute. It turns out that is simply how Patty Mallett (who inks Jef's art) makes a double o! If the hidden number had been anything but eight, we'd a been scrood!
This is all nonsensical, until you go to the Post website. This video explains that Weingarten's friends Stephan (Pearls Before Swine), Berkeley (Opus) Breathed and Jeff (Frazz) Mallett snuck in clues for the Post Hunt.
Monday, May 19, 2008
Who donated Spider-Man to the Library of Congress?
It's a new parlor game! One blogger guesses Stan Lee although he was going by memory rather than rereading my original post. I don't think he's right as the art probably sat around for years after it was first published, and as one of his commenters also noted, Sara Duke says it was given to the donor as a gift that he's now passing on. Blake Bell for example has demonstrated that the artwork was reshot again years later for reprints in Marvel Tales, for instance. Also it wouldn't have to be one of the original bullpen members as it wouldn't have been considered that important until the Marvel offices had grown a lot.
Wow, Sara Duke is the new version of Woodward and Bernstein. Who is DEEP POCKETS?
Wow, Sara Duke is the new version of Woodward and Bernstein. Who is DEEP POCKETS?
Cul de Sac marches into Maryville
Our Man Thompson's picked up a paper with a space vacated by Preteena's cessation - "Cul De Sac comic debuts today," Maryville TN Daily Times May 19 2008. Today Maryville... tomorrow Knoxville!
Gene Colan charity benefit book
I was sent the following email today from Rufus Dayglo. Gene Colan's one of the greats of Marvel Comics. I just sent in my $23.00 via Paypal -
Gene Colan, the legendary Marvel Comics artist is ill in hospital with a failing liver, and his family need financial help.
My good friend, the writer Cliff Meth has done a book with Gene Colan, and Cliff sent me the following info.
PLEASE buy this book. The money will immediately help with Gene's medical bills.
From Cliff...
"Gene and I are doing for Aardwolf Publishing.
It is called METH, COLAN & OTHER THEOLOGIANS and will include everything that was in our PERVERTS, PEDOPHILES & OTHER THEORLOGIANS (a Barnes & Noble "Horror Pick of the Week" from 1997 that saw multiple printings) as well as new stories by Gene and I, along with introductions by several of the comic industry's noted luminaries.
People can order the signed/numbered limited edition now by sending $20 + $3 shipping to sales@aardwolfpublishing.com [via Paypal] -- proceeds directly and immediately benefit Gene."
Again... buy this book. help Gene.
Thank you!
Rufus Dayglo (IDW Artist)
QUICK REVIEWS FOR COMICS DUE 05-21-08
QUICK REVIEWS FOR COMICS DUE 05-21-08
By John Judy
AMAZING SPIDER-MAN #560 by Dan Slott and Marcos Martin. Starring Peter Parker: Paparazzi! Fun stuff!
AVENGERS INITIATIVE #13 by Christos Gage and Steve Uy. Following in the large footsteps of Dan Slott/ the new creative team hands in a worthy first effort. Recommended.
BLACK PANTHER #36 by Reginald Hudlin and Francis Portela. The Panther’s back in his kingdom of Wakanda to clean house!
BRAVE AND BOLD #13 by Mark Waid and Jerry Ordway. Batman and the Golden-Age Flash fight a samurai. This could be a really short comic…
CAPTAIN AMERICA #38 by Ed Brubaker and Steve Epting. In which we learn the identity of “Steve Rogers.”
CASEY BLUE: BEYOND TOMORROW #1 of 6 by B. Clay Moore and Carlo Barberi. Typical teenager discovers she’s humanity’s salvation after killing a stranger with her bare hands. How many times has this happened to you?
DEAD SHE SAID #1 by Steve Niles and Bernie Wrightson. The noir-horror tale of a dead detective who has to figure out who killed him. It’s Wrightson so you’d need it even if it didn’t sound this cool. Recommended.
FANTASTIC FOUR #557 by Mark Millar and Brian Hitch. Big robot fights and romance!
GHOST RIDER #23 by Jason Aaron and Roland Boschi. The author of SCALPED, WOLVERINE (the one that doesn’t suck), and THE OTHER SIDE is writing this book so you know you got to have it! Find out who gets the burning chain this issue! Recommended!
GRENDEL: BEHOLD THE DEVIL #7 of 8 written and drawn by Matt Wagner. The penultimate issue in this untold tale of crimelord/novelist Hunter Rose. A great week for Wagner fans since we’re also getting the DEVIL CHILD HC and DEVIL QUEST HC. Nice!
HELLBLAZER #244 by Andy Diggle and Giuseppe Camuncoli. Constantine’s in the Vatican. Hijinks ensue. Recommended!
INCREDIBLE HULK OMNIBUS VOL.1 HC by Stan Lee, Jack Kirby, and a Who’s Who of Sixties Marvel Bullpen Greatness. Collecting every Hulk story up through Hulk #102, plus extras! Highly recommended!
JUSTICE LEAGUE OF AMERICA #21 by Dwayne McDuffie and Carlos Pacheco. Introducing Libra and the Human Flame from FINAL CRISIS. They will be on the test.
JUSTICE SOCIETY OF AMERICA #15 by Geoff Johns, Alex Ross, and Dale Eaglesham. The guy behind all the hero-killings is revealed.
MARVEL MASTERWORKS: MIGHTY THOR VOL.7 HC by Stan Lee and Jack Kirby. Collecting THOR #153-162, featuring Loki, Galactus, Ego the Living Planet and lots more from the Silver Age of Comics!
MIGHTY AVENGERS #14 by Brian Michael Bendis and Alex Maleev. Nick Fury’s ramping up to stomp some Skrull patootie! Avengers appear also!
SCALPED #17 by Jason Aaron and R.M. Guera. Bad Horse versus Diesel, Round Two as “Dead Mothers” wraps up. Highly recommended, too rough for kids.
WAR IS HELL: FIRST FLIGHT OF THE PHANTOM EAGLE #3 by Garth Ennis and Howard Chaykin. The P.E. continues to discover that World War I is not all it’s cracked up to be. Recommended.
WOLVERINE: ORIGINS #25 by Daniel Way and Steve Dillon. The final chapter of the big Deadpool fight. Plus a bonus reprint of the first appearance of Deadpool, just to remind us how completely comics can suck.
X-FACTOR #31 by Peter David and Pablo Raimondi. Mutant-Town is burning. On the plus-side a comedy club is destroyed.
www.johnjudy.net
By John Judy
AMAZING SPIDER-MAN #560 by Dan Slott and Marcos Martin. Starring Peter Parker: Paparazzi! Fun stuff!
AVENGERS INITIATIVE #13 by Christos Gage and Steve Uy. Following in the large footsteps of Dan Slott/ the new creative team hands in a worthy first effort. Recommended.
BLACK PANTHER #36 by Reginald Hudlin and Francis Portela. The Panther’s back in his kingdom of Wakanda to clean house!
BRAVE AND BOLD #13 by Mark Waid and Jerry Ordway. Batman and the Golden-Age Flash fight a samurai. This could be a really short comic…
CAPTAIN AMERICA #38 by Ed Brubaker and Steve Epting. In which we learn the identity of “Steve Rogers.”
CASEY BLUE: BEYOND TOMORROW #1 of 6 by B. Clay Moore and Carlo Barberi. Typical teenager discovers she’s humanity’s salvation after killing a stranger with her bare hands. How many times has this happened to you?
DEAD SHE SAID #1 by Steve Niles and Bernie Wrightson. The noir-horror tale of a dead detective who has to figure out who killed him. It’s Wrightson so you’d need it even if it didn’t sound this cool. Recommended.
FANTASTIC FOUR #557 by Mark Millar and Brian Hitch. Big robot fights and romance!
GHOST RIDER #23 by Jason Aaron and Roland Boschi. The author of SCALPED, WOLVERINE (the one that doesn’t suck), and THE OTHER SIDE is writing this book so you know you got to have it! Find out who gets the burning chain this issue! Recommended!
GRENDEL: BEHOLD THE DEVIL #7 of 8 written and drawn by Matt Wagner. The penultimate issue in this untold tale of crimelord/novelist Hunter Rose. A great week for Wagner fans since we’re also getting the DEVIL CHILD HC and DEVIL QUEST HC. Nice!
HELLBLAZER #244 by Andy Diggle and Giuseppe Camuncoli. Constantine’s in the Vatican. Hijinks ensue. Recommended!
INCREDIBLE HULK OMNIBUS VOL.1 HC by Stan Lee, Jack Kirby, and a Who’s Who of Sixties Marvel Bullpen Greatness. Collecting every Hulk story up through Hulk #102, plus extras! Highly recommended!
JUSTICE LEAGUE OF AMERICA #21 by Dwayne McDuffie and Carlos Pacheco. Introducing Libra and the Human Flame from FINAL CRISIS. They will be on the test.
JUSTICE SOCIETY OF AMERICA #15 by Geoff Johns, Alex Ross, and Dale Eaglesham. The guy behind all the hero-killings is revealed.
MARVEL MASTERWORKS: MIGHTY THOR VOL.7 HC by Stan Lee and Jack Kirby. Collecting THOR #153-162, featuring Loki, Galactus, Ego the Living Planet and lots more from the Silver Age of Comics!
MIGHTY AVENGERS #14 by Brian Michael Bendis and Alex Maleev. Nick Fury’s ramping up to stomp some Skrull patootie! Avengers appear also!
SCALPED #17 by Jason Aaron and R.M. Guera. Bad Horse versus Diesel, Round Two as “Dead Mothers” wraps up. Highly recommended, too rough for kids.
WAR IS HELL: FIRST FLIGHT OF THE PHANTOM EAGLE #3 by Garth Ennis and Howard Chaykin. The P.E. continues to discover that World War I is not all it’s cracked up to be. Recommended.
WOLVERINE: ORIGINS #25 by Daniel Way and Steve Dillon. The final chapter of the big Deadpool fight. Plus a bonus reprint of the first appearance of Deadpool, just to remind us how completely comics can suck.
X-FACTOR #31 by Peter David and Pablo Raimondi. Mutant-Town is burning. On the plus-side a comedy club is destroyed.
www.johnjudy.net
Sunday, May 18, 2008
Otis Sweat cartoon artwork in Post mag
Today's Post Hunt contest was started in the Post Magazine which had a ton of artwork by Otis Sweat and it's online too. Sweat's done cartoons for the early Florida-based hunts.
Elder obituary in NY Times
Will Elder, Cartoonist of Satiric Gifts and Overpopulated Scenes, Dies at 86
By WILLIAM GRIMES
New York Times May 18, 2008
Mr. Elder, whose frantic, gag-filled illustrations helped to define the comic identity of Mad magazine, was also a creator of the Playboy cartoon serial “Little Annie Fanny.”
Usually the Times beats the Post on national obits, especially ones from their area...
By WILLIAM GRIMES
New York Times May 18, 2008
Mr. Elder, whose frantic, gag-filled illustrations helped to define the comic identity of Mad magazine, was also a creator of the Playboy cartoon serial “Little Annie Fanny.”
Usually the Times beats the Post on national obits, especially ones from their area...
Saturday, May 17, 2008
Zadzooks on Indiana Jones UPDATED
"Bonanza of Indy toys and adventure games," By Joseph Szadkowski, Washington Times May 17, 2008. Back in the day, I bought the Marvel Comics series, which had art by one of my favorite teams, John Byrne with one of comics greatest inkers every, Terry Austin.
Sunday's Post had an article about Indiana Jones, the character, which was interesting even if not comics-focussed: "Indiana Jones and the Meaningless Void: If You Really Want a Quest for The Holy Grail, Try Looking for Significance in an Indy Adventure," By Hank Stuever, Washington Post Staff Writer, Sunday, May 18, 2008; M01.
Image from Grand Comics Database.
Keith Knight starts in Post on Sunday
Keith's new strip appears as third of the trial ones in the Sunday comics section on May 18th. Write into the Post to support it! He's got a child on the way! And he's funny! And, apropos of the controversy over the number of cartoonists of color earlier in the year, he's of color! But the important thing is that Keith's funny and an excellent cartoonist. I've bought every one of his collections at SPX and will keep buying them as long as he keeps doing them. And I've got his coffee mug with a (Th)Ink panel of Bush's Shadow(y) Government showing Bush with a shadow of Darth Vader displayed prominently on one of my comics shelves.
Keith (or Keef as he prefers, but I don't know him that well) must be reading this as he just emailed the following information:
*KEEF AT THE CHARLES SCHULZ MUSEUM/INTERSECTION FOR THE ARTS
I'll be up in the Bay Area in late May for a couple of events. On Sunday, May 18th, I'll be the guest cartoonist at the Schulz Museum in Santa Rosa, from 1-3pm. I'll be signing copies of "I Left My Arse in San Francisco". If you've never been there, go!! It's a really swanky place.
http://www.schulzmuseum.org
On Tuesday, May 20th, I'll be sharing the stage with co-horts Miriam Libicki, Ariel Schrag and Jaime Cortez for a panel discussion about graphic storytelling as part of a month-long series of comic strip and cartoon based events put on by the Jewish Community Center of San Francisco. It takes place from 7-9 pm at the Intersection for the Arts, 446 Valencia St. (between 15th and 16th) San Francisco.
http://www.jccsf.org/content_main.aspx?catid=448
Show up to both events and I'll give you something nice.
*THE COMPLETE K CHRONICLES: NOW AVAILABLE FOR PRE-ORDER!!
You can now go to my website and pre-order the upcoming 500-page K Chronicles Omnibus Collection (being published by Dark Horse this summer). It collects the first four books (including the out-of-print "Dances with Sheep", "Fear of a Black Marker", and "Passion of the Keef"), sketches, notes and a foreword by Kyle Baker!! Click on the link below to got to the pre-order:
http://www.kchronicles.com/store/index.shtml
Keith (or Keef as he prefers, but I don't know him that well) must be reading this as he just emailed the following information:
*KEEF AT THE CHARLES SCHULZ MUSEUM/INTERSECTION FOR THE ARTS
I'll be up in the Bay Area in late May for a couple of events. On Sunday, May 18th, I'll be the guest cartoonist at the Schulz Museum in Santa Rosa, from 1-3pm. I'll be signing copies of "I Left My Arse in San Francisco". If you've never been there, go!! It's a really swanky place.
http://www.schulzmuseum.org
On Tuesday, May 20th, I'll be sharing the stage with co-horts Miriam Libicki, Ariel Schrag and Jaime Cortez for a panel discussion about graphic storytelling as part of a month-long series of comic strip and cartoon based events put on by the Jewish Community Center of San Francisco. It takes place from 7-9 pm at the Intersection for the Arts, 446 Valencia St. (between 15th and 16th) San Francisco.
http://www.jccsf.org/content_main.aspx?catid=448
Show up to both events and I'll give you something nice.
*THE COMPLETE K CHRONICLES: NOW AVAILABLE FOR PRE-ORDER!!
You can now go to my website and pre-order the upcoming 500-page K Chronicles Omnibus Collection (being published by Dark Horse this summer). It collects the first four books (including the out-of-print "Dances with Sheep", "Fear of a Black Marker", and "Passion of the Keef"), sketches, notes and a foreword by Kyle Baker!! Click on the link below to got to the pre-order:
http://www.kchronicles.com/store/index.shtml
Corcoran graduate Roy Delgado publishes cartoon collection
Corcoran School of Arts graduate Roy Delgado has published a gag cartoon collection. See "Petersburg artist publishes cartoon collection," Cumberland Times-News May 16 2008.
Toles video on Post site
See "Timelapse: From Sketch to Cartoon," by Whitney Shefte, Washingtonpost.com May 15 2008. Watch as today's cartoon by Tom Toles, the Post's Pulitzer Prize-winning cartoonist, takes shape.
This is of the May 16th cartoon.
Will Elder obituary in Post
A truly great cartoonist is gone - "Will Elder, 86; Zany Cartoonist for Mad and Playboy", By Adam Bernstein, Washington Post Staff Writer, Saturday, May 17, 2008; B06.
Friday, May 16, 2008
Marvel business story in Wash Post? Nah.
Dirk Deppey over at Journalista had linked to what he said was a Washington Post story, which made me wonder how I missed it. Actually, it's a wire story on the Post's site - "Marvel Entertainment: Super Hero Stock?" Anne Kates Smith, Senior Associate Editor, Kiplinger.com, Thursday, May 15, 2008. We'll note it here for posterity.
Also this story was in the paper today, although I can't decide if it's comics or not: "Kid e-Land: Disney's DGamer Enters the Crowded Virtual World," By Mike Musgrove, Washington Post Staff Writer, Friday, May 16, 2008; D01.
Also this story was in the paper today, although I can't decide if it's comics or not: "Kid e-Land: Disney's DGamer Enters the Crowded Virtual World," By Mike Musgrove, Washington Post Staff Writer, Friday, May 16, 2008; D01.
RFK Journalism Award to Signe Wilkinson
Alan Gardner broke the story, but here's the citation from the Robert F. Kennedy Memorial's press release:
Cartoon Winner: Signe Wilkinson’s editorial cartoons from The Daily News were instrumental in moving the issue of violence in disadvantaged neighborhoods and schools to the top of the city’s agenda. Her cartoons offer a “steady drumbeat of funny, moving and shocking images”. The RFK Cartoon Judges write, “Her series attacking gun violence in Philadelphia spared no one and drew complaints from everyone- the hallmark of any good cartoonist”.
Some DC-area cartoonists are usually on the awards panel - perhaps they'll chime in.
Also note, "All recipients of the 40th Annual Robert F. Kennedy Journalism Awards will be honored at a ceremony on Tuesday, May 27, 2008 at 6:30 PM at the Newseum in Washington, DC."
Cartoon Winner: Signe Wilkinson’s editorial cartoons from The Daily News were instrumental in moving the issue of violence in disadvantaged neighborhoods and schools to the top of the city’s agenda. Her cartoons offer a “steady drumbeat of funny, moving and shocking images”. The RFK Cartoon Judges write, “Her series attacking gun violence in Philadelphia spared no one and drew complaints from everyone- the hallmark of any good cartoonist”.
Some DC-area cartoonists are usually on the awards panel - perhaps they'll chime in.
Also note, "All recipients of the 40th Annual Robert F. Kennedy Journalism Awards will be honored at a ceremony on Tuesday, May 27, 2008 at 6:30 PM at the Newseum in Washington, DC."
Mauldin's Willie and Joe
Longtime readers may recall that last summer I was trying to help out Todd DePastino and Gary Groth with scanning images for Fantagraphics' reprint project on Mauldin's Willie & Joe: The WWII Years. In the end I didn't accomplish much, although I did find a picture of a meeting between Mauldin and Sad Sack's Baker that Todd had missed. Fantagraphics kindly gave me an acknowledgement (another 15 seconds of fame!) and sent me a comp copy of the book - which is just lovely. Raise a glass to Gary and Kim Thompson and Eric Reynolds and the rest of the Fantagraphics crew - the books they're doing with Peanuts money are astounding. And Todd's work on this and the biography of Mauldin that came out earlier is fantastic as well.
For a good review of the book, see "'Willie & Joe': Bill Mauldin's Wartime Classic: Ken Tucker cracks open this newly released two-volume compilation of landmark cartoons about WWII grunts," EW.com May 13 2008.
Thursday, May 15, 2008
Feiffer interview at Cosmos Club coming to IJOCA
I just finished transcribing Alan Fern's interview of Jules Feiffer at the Cosmos Club in Washington last year, on the occasion of the McGovern award. It will appear in the Fall 2008 issue of the International Journal of Comic Art. Subscribe now!
Here's a sample, with Feiffer talking about bringing his portfolio to show to Will Eisner and being told his art was no good:
...But I had long ago established a habit of responding to unpleasant truths by not hearing them, or changing the subject, and I sure as hell was not going to walk out of this meeting with Will Eisner, my hero, with my tail between my legs, being told I had no talent. This was not the way this was going to end, so I started improvising and the only thing I could think of talking about was him and his work. Now here was a guy who had revolutionized comic book art and he had three highly crafted professionals in the other room who didn’t give a damn about his work. Who thought he was kind of out of date, and didn’t know anything about his career, and then he met me and I had a whole dossier. I knew everything he ever had done. I could talk about it not just as a little boy, but as a knowledgeable fan. He had no choice but to hire me as a groupie.
[audience laughs]
Here's a sample, with Feiffer talking about bringing his portfolio to show to Will Eisner and being told his art was no good:
...But I had long ago established a habit of responding to unpleasant truths by not hearing them, or changing the subject, and I sure as hell was not going to walk out of this meeting with Will Eisner, my hero, with my tail between my legs, being told I had no talent. This was not the way this was going to end, so I started improvising and the only thing I could think of talking about was him and his work. Now here was a guy who had revolutionized comic book art and he had three highly crafted professionals in the other room who didn’t give a damn about his work. Who thought he was kind of out of date, and didn’t know anything about his career, and then he met me and I had a whole dossier. I knew everything he ever had done. I could talk about it not just as a little boy, but as a knowledgeable fan. He had no choice but to hire me as a groupie.
[audience laughs]
That darn Toles
Another letter to the editor...
Deserving of Impeachment
Washington Post Thursday, May 15, 2008; Page A14
I applaud Tom Toles for his May 9 cartoon on the Bush White House's illegal destruction of e-mail records. This makes Mr. Toles the first of The Post's editorial commentators to take seriously the array of impeachable offenses with which President Bush could be charged.
Impeachment has been attempted at the presidential level three times in the nation's history. Two -- of Andrew Johnson and Bill Clinton -- were patently political. The attempt to impeach Richard M. Nixon was appropriate, to protect us from an out-of-control presidency, and it would have gone further had it not been for his resignation and pardon.
Mr. Bush's tenure has been marked by high crimes and misdemeanors far more extreme even than President Nixon's. The Post has taken note of many of them, but never, until now, has one of its commentators seen the matter to its appropriate conclusion.
WARREN KORNBERG
Garrett Park
Deserving of Impeachment
Washington Post Thursday, May 15, 2008; Page A14
I applaud Tom Toles for his May 9 cartoon on the Bush White House's illegal destruction of e-mail records. This makes Mr. Toles the first of The Post's editorial commentators to take seriously the array of impeachable offenses with which President Bush could be charged.
Impeachment has been attempted at the presidential level three times in the nation's history. Two -- of Andrew Johnson and Bill Clinton -- were patently political. The attempt to impeach Richard M. Nixon was appropriate, to protect us from an out-of-control presidency, and it would have gone further had it not been for his resignation and pardon.
Mr. Bush's tenure has been marked by high crimes and misdemeanors far more extreme even than President Nixon's. The Post has taken note of many of them, but never, until now, has one of its commentators seen the matter to its appropriate conclusion.
WARREN KORNBERG
Garrett Park
Wednesday, May 14, 2008
Weingarten on Argyle Sweater, Ted Key and best strip cartoonists
From the May 6th chat:
Comi, KS: The current Doonsbury replacement strip, despite the fact that I can't remember its name, has been pretty good. I thought this week's strip was hillarious -- but I'm 39 and I'm barely barely old enough to remember the "Hey, Kool-aid!" ad campaign. Was there a later resurgeance that I missed out on? Or does nobody under 35 stand a prayer of understanding that joke? Seems like the punch line--so to speak--would have worked a lot better in 1978 than 2008.
Gene Weingarten: Yeah, I barely remembered it. I like this strip, though it is one of the more blatant Far Side ripoffs around.
----------------------
and later in the chat,
The Four To, PS: OK, how about the Mount Rushmore of cartoonists?
I think Walt Kelly and Charles Schultz have to be there, but then it gets harder. I have to go with Watterson next, but then that last spot is very, very tough -- my list of possibles includes Feiffer, Trudeau, Breathed, Larson, Hollander, Adams, and MacGruder, all of whom were groundbreaking in different ways.
Who goes on your mountain?
Gene Weingarten: I take Schulz off the list and put Larson and Trudeau up there, but you won't get that many to agree. I don't think you can take Kelly off the list, but both Larson and Trudeau belong there. I am in the minority in my views on Schulz.
Re: Mount Rushmore of Cartoonists: Which weighs more heavily in your decision on this: artistic or writing talent?
Gene Weingarten: Writing. Though Kelly may have been the best cartoon artist ever.
Larson couldn't draw. He still needs to be there.
--------------------
Palookaville: Hey, Gene, can we have a moment of silence for Ted Key, who died recently at 95? Key created Hazel (the Saturday Evening Post cartoons from which the TV show was spun), Diz and Liz and -- which I hadn't realized -- Sherman and Mr. Peabody. An American giant.
Gene Weingarten: I didn't know he did Sherm and Peabody! And Hazel was good, too. Very dry humor. Hazel, as I recall, was a maid with a dry, cynical sense of humor, who basically controlled the household.
Comi, KS: The current Doonsbury replacement strip, despite the fact that I can't remember its name, has been pretty good. I thought this week's strip was hillarious -- but I'm 39 and I'm barely barely old enough to remember the "Hey, Kool-aid!" ad campaign. Was there a later resurgeance that I missed out on? Or does nobody under 35 stand a prayer of understanding that joke? Seems like the punch line--so to speak--would have worked a lot better in 1978 than 2008.
Gene Weingarten: Yeah, I barely remembered it. I like this strip, though it is one of the more blatant Far Side ripoffs around.
----------------------
and later in the chat,
The Four To, PS: OK, how about the Mount Rushmore of cartoonists?
I think Walt Kelly and Charles Schultz have to be there, but then it gets harder. I have to go with Watterson next, but then that last spot is very, very tough -- my list of possibles includes Feiffer, Trudeau, Breathed, Larson, Hollander, Adams, and MacGruder, all of whom were groundbreaking in different ways.
Who goes on your mountain?
Gene Weingarten: I take Schulz off the list and put Larson and Trudeau up there, but you won't get that many to agree. I don't think you can take Kelly off the list, but both Larson and Trudeau belong there. I am in the minority in my views on Schulz.
Re: Mount Rushmore of Cartoonists: Which weighs more heavily in your decision on this: artistic or writing talent?
Gene Weingarten: Writing. Though Kelly may have been the best cartoon artist ever.
Larson couldn't draw. He still needs to be there.
--------------------
Palookaville: Hey, Gene, can we have a moment of silence for Ted Key, who died recently at 95? Key created Hazel (the Saturday Evening Post cartoons from which the TV show was spun), Diz and Liz and -- which I hadn't realized -- Sherman and Mr. Peabody. An American giant.
Gene Weingarten: I didn't know he did Sherm and Peabody! And Hazel was good, too. Very dry humor. Hazel, as I recall, was a maid with a dry, cynical sense of humor, who basically controlled the household.
Post Hunt cartoonist revealed
In Gene Weingarten's May 13th chat, the question was raised and answered:
Bethesda, Md.: So who drew that Post Hunt logo, with the ruddy-cheeked Metro train and all the D.C. landmarks pointing in different directions? It's really good.
Gene Weingarten: The artist for this and all previous Hunts is a talented man named (I swear) Otis Sweat.
Tom Shroder: And his beautiful wife Barbara. I haven't seen her in years, but I know she's beautiful because Otis is constantly drawing her.
Gene Weingarten: Okay, I am probably going to get in trouble for this, but Otis also does some excellent, hilarious x-rated cartoons, and I once asked him if he used any particular, like, models, for his superior reproduction of various types of human genitalia, and he very specifically refused to say, so really, when you think about it, I am not imparting any useful or titillating information here. At all.
Dave Barry: For the record, Otis has never seen me naked.
OT: New book of interest
My friend Comics-Dr. Gene Kannenberg's new book with Tim Pilcher is out - Erotic Comics: A Graphic History, vol. 1. I bought my copy today at Big Planet Comics, but you can get one by ordering through Gene's website which has more details on it. It's a lovely book, although not for everyone, and I contributed one of the McGill postcards; that was $1 well spent!
International Museum of Cartoon Art (IMCA) Moving to Ohio State University Cartoon Research Library
Here's a press release from OSU Cartoon Research Librarian Jenny Robb with interesting news. I covered the closing of the IMCA in Florida for the Comics Journal and more recently had heard hints from Brian Walker that something like this might happen, so I'm glad it's come to fruition. OSU takes good care of their massive collections, but they'll be expanding their mission with the IMCA's three-dimensional artifacts. I hope that OSU will be able to provide space for regular exhibits beyond their reference room -- Mike
The collection of the International Museum of Cartoon Art (IMCA) is moving to The Ohio State University Cartoon Research Library. The union of these two institutions will create the largest collection of original cartoon art in the world.
IMCA was established in 1973 by Mort Walker, the creative force behind Beetle Bailey, as the first museum dedicated to collecting and exhibiting cartoons. The museum opened in 1974 in a converted mansion in Greenwich, Connecticut. Two years later, the museum relocated to a renovated castle in Rye Brook, New York, where the collection was displayed until 1992. At that time the city of Boca Raton, Florida invited the museum to construct a 52,000 square foot facility as part of an effort to attract cultural institutions to Palm Beach County. The museum was a very popular attraction with highly acclaimed exhibits, events, and functions for the public. It was still paying off the cost of its construction when two of its financial backers went bankrupt creating a $5 million loss and causing the museum to close.
IMCA's collection consists of approximately 200,000 works, including original drawings from all genres of cartoon art (comic strips, comic books, animation, editorial, advertising, sport, caricature, greeting cards, graphic novels, and illustrations), display figures, toys and collectibles, and works on film and tape, CDs, and DVDs.
Lucy Shelton Caswell, professor and curator of the Cartoon Research Library, said, "We are honored that the IMCA's board has placed its treasures in our care." Efforts are underway to provide increased space for the Cartoon Research Library that will include museum-quality galleries. "It is critical that we have state-of-the-art gallery space to display IMCA's collection appropriately," notes Caswell. A gallery in the new facility will be named in honor of IMCA founder Mort Walker.
Joe Branin, Director of The Ohio State University Libraries, issued the following statement: "Special Collections, original manuscripts, photographs, and other rare or unique items so necessary for scholarship, are one of the critical identifiers of any research library. Universities point to their special collections as distinctive points of pride, those things that make their libraries unique. In receiving the collection of the International Museum of Cartoon Art, the Cartoon Research Library has substantially enhanced its standing as one of the premier research libraries. We are excited to make this outstanding collection available for scholarly study and for general appreciation in exhibits and other public programs."
Contact the Cartoon Research Library for an image to accompany this release.
About the Cartoon Research Library: The Cartoon Research Library's primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to these collections. The library is open Monday-Friday 9 a.m. to 5 p.m. See http://cartoons.osu.edu/ for further information.
The collection of the International Museum of Cartoon Art (IMCA) is moving to The Ohio State University Cartoon Research Library. The union of these two institutions will create the largest collection of original cartoon art in the world.
IMCA was established in 1973 by Mort Walker, the creative force behind Beetle Bailey, as the first museum dedicated to collecting and exhibiting cartoons. The museum opened in 1974 in a converted mansion in Greenwich, Connecticut. Two years later, the museum relocated to a renovated castle in Rye Brook, New York, where the collection was displayed until 1992. At that time the city of Boca Raton, Florida invited the museum to construct a 52,000 square foot facility as part of an effort to attract cultural institutions to Palm Beach County. The museum was a very popular attraction with highly acclaimed exhibits, events, and functions for the public. It was still paying off the cost of its construction when two of its financial backers went bankrupt creating a $5 million loss and causing the museum to close.
IMCA's collection consists of approximately 200,000 works, including original drawings from all genres of cartoon art (comic strips, comic books, animation, editorial, advertising, sport, caricature, greeting cards, graphic novels, and illustrations), display figures, toys and collectibles, and works on film and tape, CDs, and DVDs.
Lucy Shelton Caswell, professor and curator of the Cartoon Research Library, said, "We are honored that the IMCA's board has placed its treasures in our care." Efforts are underway to provide increased space for the Cartoon Research Library that will include museum-quality galleries. "It is critical that we have state-of-the-art gallery space to display IMCA's collection appropriately," notes Caswell. A gallery in the new facility will be named in honor of IMCA founder Mort Walker.
Joe Branin, Director of The Ohio State University Libraries, issued the following statement: "Special Collections, original manuscripts, photographs, and other rare or unique items so necessary for scholarship, are one of the critical identifiers of any research library. Universities point to their special collections as distinctive points of pride, those things that make their libraries unique. In receiving the collection of the International Museum of Cartoon Art, the Cartoon Research Library has substantially enhanced its standing as one of the premier research libraries. We are excited to make this outstanding collection available for scholarly study and for general appreciation in exhibits and other public programs."
Contact the Cartoon Research Library for an image to accompany this release.
About the Cartoon Research Library: The Cartoon Research Library's primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to these collections. The library is open Monday-Friday 9 a.m. to 5 p.m. See http://cartoons.osu.edu/ for further information.
Graphic Novel Primer at Takoma Park, MD Library
A press release passed along to us reads:
The Takoma Park Maryland Library has a great upcoming program -- an introduction to graphic novels, with an emphasis on those for kids and teens -- on Tuesday, May 20th at 7:30pm. The library is located at 101 Philadelphia Ave. in Takoma Park, MD.
At the program, Dave Burbank, their library assistant and graphic novel expert, and Karen MacPherson, children's/teen librarian, will offer a primer on this literary form, illustrating their talk with examples of graphic novels for kids, teens, and adults. They will give a brief overview of the history of graphic novels, discuss why they are so popular with children and teens, and show how they can inspire an interest in reading among reluctant readers as well as help develop key literacy skills among all kinds of readers. Participants will take home a reading list of suggested graphic novels for various ages.
Although this program is aimed at parents and other interested adults, school-age kids also are welcome to attend. You can now sign up on-line at their website (www.takomapark.info/library -- click on the word "events," just under the logo) or call 301-891-7259.
The Takoma Park Maryland Library has a great upcoming program -- an introduction to graphic novels, with an emphasis on those for kids and teens -- on Tuesday, May 20th at 7:30pm. The library is located at 101 Philadelphia Ave. in Takoma Park, MD.
At the program, Dave Burbank, their library assistant and graphic novel expert, and Karen MacPherson, children's/teen librarian, will offer a primer on this literary form, illustrating their talk with examples of graphic novels for kids, teens, and adults. They will give a brief overview of the history of graphic novels, discuss why they are so popular with children and teens, and show how they can inspire an interest in reading among reluctant readers as well as help develop key literacy skills among all kinds of readers. Participants will take home a reading list of suggested graphic novels for various ages.
Although this program is aimed at parents and other interested adults, school-age kids also are welcome to attend. You can now sign up on-line at their website (www.takomapark.info/library -- click on the word "events," just under the logo) or call 301-891-7259.
Tuesday, May 13, 2008
OT: Rusty Witek's Spiegelman book
My buddy Rusty Witek could help me out with my Pekar book because he was doing his Art Spiegelman: Conversations which appeared last fall. Here's a review of it: "Books about Comics #2: Spiegelman and Spandex," by Peter Sanderson, PW Comics Week May 13, 2008. I don't think Rusty's the one in the spandex though...
OT: New York Times cartoon journalism wrap-up
Campbell Robertson ended up doing three pieces that the Times chopped up and put on their website as slideshows:
"Primary Pen & Ink: Asheville, N.C.," April 30 2008
"Primary Pen & Ink: Whiteville, N.C.," May 2 2008
"Primary Pen & Ink: Raleigh, N.C.," May 5 2008
These weren't too big and were nice pieces of cartoon journalism - it's too bad the Times couldn't squeeze them into print. Oddly enough, at this point I think the Times has the most mainstream coverage of comic art. Including their animation reviews, it's almost daily.
And thanks to PW Comics Week, here's an interview with him:
"Campbell Robertson, Sometimes Cartoonist; The New York Times does non-fiction, political, comics," by Clint Hendler, Columbia Journalism Review Fri 9 May 2008. And serendipity strikes! Robertson went to school in DC! "I did some cartooning in college. I did some stuff for the college paper, the Georgetown Hoya, but very little. I was an English major, and my thesis—and maybe this reflects badly on Georgetown—was a fiction comic book. But I hear they’re still accredited."
It's ComicsDC territory after all...
Here's the earlier article referenced in the CJR: "Yes, But Where's the Nut Graf? The New York Times does comics -- for a day, at least," By Robin Sloan, November 19 2003 and the first NYT piece on a paparazzo from November 2003.
"Primary Pen & Ink: Asheville, N.C.," April 30 2008
"Primary Pen & Ink: Whiteville, N.C.," May 2 2008
"Primary Pen & Ink: Raleigh, N.C.," May 5 2008
These weren't too big and were nice pieces of cartoon journalism - it's too bad the Times couldn't squeeze them into print. Oddly enough, at this point I think the Times has the most mainstream coverage of comic art. Including their animation reviews, it's almost daily.
And thanks to PW Comics Week, here's an interview with him:
"Campbell Robertson, Sometimes Cartoonist; The New York Times does non-fiction, political, comics," by Clint Hendler, Columbia Journalism Review Fri 9 May 2008. And serendipity strikes! Robertson went to school in DC! "I did some cartooning in college. I did some stuff for the college paper, the Georgetown Hoya, but very little. I was an English major, and my thesis—and maybe this reflects badly on Georgetown—was a fiction comic book. But I hear they’re still accredited."
It's ComicsDC territory after all...
Here's the earlier article referenced in the CJR: "Yes, But Where's the Nut Graf? The New York Times does comics -- for a day, at least," By Robin Sloan, November 19 2003 and the first NYT piece on a paparazzo from November 2003.
Philadelphia's Mike's World
Ok, we're into Mission Creep here, just as Our Man Thompson foretold, yet asked for, but I couldn't pass this one up.
"An Artist’s Concocted World, Starring Himself, Is Too True to Be Real," By KEN JOHNSON, New York Times May 13, 2008.
“Mike’s World: Michael Smith & Joshua White (and other collaborators)” is a terrifically entertaining and philosophically compelling survey, at the Institute of Contemporary Art in Philadelphia, of Mr. Smith’s 30-year career.
And why bring it up, beyond the bond of Mike-ness? "In [Mike Smith's] inventive engagement with diverse forms, including drawing, comic books, sculpture, photography, musical theater and puppet shows as well as installations and video, he has followed a determinedly unpredictable, exploratory course." So there you have it - somewhere in this exhibit, are faux fine art comic books, presumably one of a kind - on display in Philadelphia, through August 3rd.
"An Artist’s Concocted World, Starring Himself, Is Too True to Be Real," By KEN JOHNSON, New York Times May 13, 2008.
“Mike’s World: Michael Smith & Joshua White (and other collaborators)” is a terrifically entertaining and philosophically compelling survey, at the Institute of Contemporary Art in Philadelphia, of Mr. Smith’s 30-year career.
And why bring it up, beyond the bond of Mike-ness? "In [Mike Smith's] inventive engagement with diverse forms, including drawing, comic books, sculpture, photography, musical theater and puppet shows as well as installations and video, he has followed a determinedly unpredictable, exploratory course." So there you have it - somewhere in this exhibit, are faux fine art comic books, presumably one of a kind - on display in Philadelphia, through August 3rd.
OT: Free Moebius history of the Red Cross comic
Moebius' The story of an idea is available on the Red Cross' website as either a pdf download, or you can request a copy (which is sent express from Switzerland!)
Their website describes it as: The story of an idea, is an exciting new publication which brings to life the story of the birth of the Red Cross, Red Crescent Movement and its history to date. This comic strip was created by the world renowned artist Jean Giraud, alias Moebius.
ICRC/International Federation of the Red Cross, 2008, A4, comic strip, 10 pp., English, French, Spanish / Free of charge / ref. 0939
It includes the history and meaning of the Geneva Conventions - always a useful thing to have in Washington!
Politico cartoonist Wuerker on Oliphant exhibit
The Politico's editorial cartoonist Matt Wuerker has got an excellent review of the Pat Oliphant show in Woodley Park in today's paper. It runs two pages with color photographs. Those not in DC can see it on the web at "Political Ink: Oliphant shares cartoons," by Matt Wuerker, Politico May 12, 2008.
OT: Where in the world is Dean Haspiel?
My New York buddy Dean Haspiel, who suggested me for the Harvey Pekar SPX panel interview that led to the Conversations book, is keeping busy. Here's a note from him listing his projects:
1] my webcomic, BILLY DOGMA in "Immortal," got nominated for an Eisner award for 'best digital comic'. Link to IMMORTAL: http://www.act-i-vate.com/21.comic [Mike's note - this is available in print now as well]
2] I finished THE ALCOHOLIC, the original graphic novel I illustrated in collaboration with writer, Jonathan Ames, for Vertigo/DC Comics, which is slated to come out in September. I'll be doing lots of press for that book soon. Here's a recent article from PWCW: http://www.publishersweekly.com/article/CA6557737.html?nid=2789
3] MO & JO: FIGHTING TOGETHER FOREVER, my kids book collaboration with underground comix legend/writer Jay Lynch, will also be coming out in September from Francoise Mouly's Toon Books [Raw Jr.]: http://www.toon-books.com/book_mojo_about.php
4] DC Comics' webcomix wing, Zuda, just announced STREET CODE, the new series I'm writing/drawing for them come early summer: http://www.zudacomics.com/street_code
5] ACT-I-VATE, the webcomix collective I founded [and where I do BILLY DOGMA], finally launched an official website after two years utilizing Live Journal: http://www.act-i-vate.com/. Check out, FEAR, MY DEAR: http://www.act-i-vate.com/22.comic
6] I launched a webcomix anthology that I'm also editing called NEXT-DOOR NEIGHBOR at Smith Magazine: http://www.smithmag.net/nextdoorneighbor/
7] I just finished drawing some more AMERICAN SPLENDOR stories for Harvey Pekar [at Vertigo].
8] BEFORE I DIE I WANT TO... http://man-size.livejournal.com/333109.html
As always, interested folks should regularly check my blog: http://man-size.livejournal.com/ for alerts and news and occasional, actual real-life blogging!
OT: Would you pay a half of a million dollars for Green Lantern?
The New York Times had an ad last week for an auction at Bonhams for Mel Ramos' 1962 painting The Green Lantern with a pre-sale estimate of $600-800K. Obviously influenced by Gil Kane, the painting sold today for $500,000. Bonhams site has more details including the painting's history.
Washington Examiner starts Sunday edition
The Examiner sent out an email today saying "is launching a new home-delivered Sunday edition. The Examiner is also doubling the newspapers we distribute weekdays through our street agents and our news racks to upwards of 100,000 copies. I hope you are as excited as we are! Look for your home-delivered Sunday edition to start arriving July 13." The Washington Times had mentioned the Sunday edition last week, but also said that fewer copies would be delivered during the week, and the Saturday edition was being dropped.
Apropos of our purposes, I have no idea if they will have a Sunday comics section. They dropped all of their daily comic strips months ago, although editorial cartoonist Nate Beeler is doing nice work for them when he's not busy having babies.
Apropos of our purposes, I have no idea if they will have a Sunday comics section. They dropped all of their daily comic strips months ago, although editorial cartoonist Nate Beeler is doing nice work for them when he's not busy having babies.
Monday, May 12, 2008
Vexille review apropos of May 29th DC showing
Here's the information on the DC Anime Club-sponsored showing again, and here's a review: "Robotic future", By ELIZABETH TAI, Malaysia Star Sunday May 11, 2008. A Japan that turns reclusive after a technological ban by the world sets the background for this futuristic tale.
KAL photos from Archives
Bruce Guthrie, amateur paparazzi extraodinaire, has put a ton of shots of Kal's talk at the National Archives online.
Sunday, May 11, 2008
Former DC resident Brad Meltzer writing for DC
See Matt Brady's "BACK TO COMICS: BRAD MELTZER," Newsarama 05-09-2008.
And since Brady mentioned Brad's loss of his mother as being public knowledge, we send our condolences as well.
And since Brady mentioned Brad's loss of his mother as being public knowledge, we send our condolences as well.
3 other cartoonists in Sunday's NYTimes
David Chelsea illustrated the Modern Love column as he's been doing for several years.
Emily Flake illustrated an editorial.
A book review shows how comics are seeping into children's books - "Cracking the Comics Code," By LARRY DOYLE, New York Times Book Review May 11, 2008 on SIMON’S DREAM: The Fog Mound, Book 3, By Susan Schade, Illustrated by Jon Buller. 198 pp., Simon & Schuster Books for Young Readers.
And best of all is "Remembering Nana on Mother’s Day," by Jillian Tamaki and Mariko Tamaki.
Zadzooks - more on Iron Man merchandise
"Iron Man gamely plays against Stark weaponry," By Joseph Szadkowski, Washington Times May 10, 2008.
Lynda Barry in NY Times
Lynda Barry's got a new book out, What It Is. I've just called Big Planet to have set aside for me as Rick Banning just told me it was out. I met her last year at the PEN event and she was absolutely fascinating to talk to about her working style and subject matter. Here's a NY Times story on her: "How to Think Like a Surreal Cartoonist," By CAROL KINO, New York Times May 11, 2008.
May 29: Vexille anime screening
FOR IMMEDIATE RELEASE
CONTACT: Chris Wanamaker, (202) 262 2083 president@dcanimeclub.org
Vexille to be screened at the Japan Information and Culture Center, Embassy of Japan.
The Japan Information and Culture Center, Embassy of Japan in collaboration with the DC Anime Club Present screen Vexille Thursday May 29,2008 6:30 pm as part of inaugural showing for a new film series based on both Anime (Japanese Animation) and Manga ( Japanese Comics).
About Vexille: 2067: Isolation - Japan seals herself off from the eyes of the world in the face of unilateral international policy setting strict limits on the use of robotic technology. The island nation exists only behind a veil of seclusion. No soul shall enter. No soul shall leave.
2077: Revelation - The veil is breached. Japan is infiltrated by agents of the organization S.W.O.R.D., a fighting force operating outside of the protection of the United States and her allies. Their mission: Determine if the Japanese are developing banned robotic bio-technology, forbidden due to its threat to humankind.
In the battle between machine and man, humanity stands to suffer most.
Directed by Fumihiko Sori (PING PONG, Producer - APPLESEED
In Japanese with English Subtitles 90 minutes.
This event is free and open to the public. Reservations are required.
RSVP to jiccrsvpspring08@embjapan.org.
Seating is limited and granted on a first come, first served basis.
For more information please visit the Japanese Information and Culture Center website at http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at
http://dcanimeclub.org.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of
information, educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.
Saturday, May 10, 2008
It's not DC, but any interest in NYT stories?
I read a lot of newspapers each day. The physical ones. In addition to the Washington Post, I read the Express and the Examiner every day, the Washington Blade and the City Paper once a week, the Politico when I can pick one up and whatever else I find in the city. However I also get the New York Times every day. Any interest in stories from that? They've gotten to the point where they've been running something on comics and cartoons about every day. Let me know in the comments section.
Today's example:
New York Times May 10, 2008
Return Laps for the First Voice of Speed Racer
By GEORGE GENE GUSTINES
Today's example:
New York Times May 10, 2008
Return Laps for the First Voice of Speed Racer
By GEORGE GENE GUSTINES
Telnaes animation continues on Post website
Just a reminder that other cartoonists in the area besides KAL are doing regular animation.
That darn Toles
Another letter to the editor...
Bush Was Right
Washington Post May 10 2008, p. A13
Does Tom Toles know what a recession is? His May 1 cartoon depicted President Bush denying the existence of a recession.
The president is correct. Economists' definition of recession is two consecutive quarters of negative growth. Our economy has not even come close to that.
It would behoove Toles and the media to stop using terms irresponsibly.
-- David Sherer
Bush Was Right
Washington Post May 10 2008, p. A13
Does Tom Toles know what a recession is? His May 1 cartoon depicted President Bush denying the existence of a recession.
The president is correct. Economists' definition of recession is two consecutive quarters of negative growth. Our economy has not even come close to that.
It would behoove Toles and the media to stop using terms irresponsibly.
-- David Sherer
QUICK REVIEWS FOR COMICS DUE 05-14-08
Click here for sweet cover art:
http://www.johnjudy.net/blog/
QUICK REVIEWS FOR COMICS DUE 05-14-08
By John Judy
ALL-NEW IRON MANUAL #1 by Eliot Brown and Various Writers. Everything you ever wanted to know about Tony Stark and his suits of armor, right down to the schematics! Kids, don’t try this at home!
AMAZING SPIDER-MAN #559 by Dan Slott and Marcos Martin. The always-readable Mr. Slott is back in the spider-rotation so this issue is filled with action and jokes that actually work. Add to that an artist who appears to have studied his Darwyn Cooke and you’ve got a very respectable issue, despite the whole Spidey re-boot being more aggravation than renovation. Recommended anyway.
BATMAN #676 by Grant Morrison and Tony Daniel. “Batman R.I.P.” begins here. I believe it stands for “Rolling In Profit.”
BOOSTER GOLD #9 by Geoff Johns, Jeff Katz, and Dan Jurgens. The return of the Justice League International! Too bad Kevin Maguire couldn’t guest-pencil. So awesome you almost don’t mind the OMACs. Stupid OMACs…
CAPTAIN BRITAIN AND MI: 13 #1 by Paul Cornell and Leonard Kirk. How do Limeys fight the Skrulls? With a stiff upper lip, boiled food, and bad dentistry! “Surrender, you rotters or we’ll thrash you with pictures of Princess Diana!” Pip-pip!
FINAL CRISIS SKETCHBOOK by Grant Morrison and J.G. Jones. A peek into what’s coming. Potentially very cool. Worth a look.
GOON #24 written and drawn by Eric Powell. In which we learn how Horse Eater’s Woods got its name. Amazing stuff. Recommended.
NEWUNIVERSAL: SHOCKFRONT #1 of 6 by Warren Ellis and Steve Kurth. Admit it, you forgot Warren Ellis was still working on the New Universe, didn’t you? It’s okay. So did he. Anyway, it’s coming out again and Ellis is writing it. Recommended.
PROJECT SUPERPOWERS #3 of 7 by Alex Ross, Jim Kreuger, and Carlos Paul. Like Straczynski and Weston’s “The Twelve” without all that pesky story and character development.
PUNISHER #57 by Garth Ennis and Goran Parlov. As of last issue the Punisher knew he was up against U.S. Special Forces. Now we find out if they know what they’re up against. Recommended. Not for kids.
SERENITY: BETTER DAYS #3 of 3 by Joss Whedon, Bret Matthews, and Will Conrad. Mal’s getting’ tortured. Again. Stupid Fox TV.
SUPERMAN #676 by Vito Delsante and Julian Lopez. The first encounter/fight between Supes and the original Green Lantern, Alan Scott. Features an Alex Ross cover. A gotta-look for geeks like me.
THUNDERBOLTS #120 by Warren Ellis and Mike Deodato. The Green Goblin works out some of his frustrations with the help, courtesy of that nice Mr. Ellis. Recommended for older teens and up.
THE TWELVE #5 of 12 by J. Michael Straczynski and Chris Weston. (See “Project Superpowers” above. On second thought, don’t.) “The Origin of The Witness.” Highly recommended.
WACKY PACKAGES HC by Topps. A tribute to the product parody stickers that outsold baseball cards for a while back in the seventies. Featuring an interview with artist/fan/legend Art Spiegelman. Recommended.
WALKING DEAD #49 by Robert Kirkman and Charles Adlard. In the aftermath of the prison massacre “everything is different now.” Great, devastating stuff. Recommended. NEVER for kids.
WOLVERINE #65 by Jason Aaron and Ron Garney. The conclusion to the best Wolverine story in many a moon as Logan finally catches up to Mystique. Hijinks ensue. Highly recommended.
WOLVERINE: THE AMAZING IMMORTAL MAN & OTHER BLOODY TALES #1 by David Lapham, Kelly Goodine, and Johnny Timmons. Three stories of Marvel’s most ubiquitous mutant, featuring occasional gouts of dialogue!
WONDER WOMAN #20 by Gail Simone and Aaron Lopresti. Wonder Woman meets an ancient hero and it ain’t John McCain!
X-MEN LEGACY #211 by Mike Carey and Scot Eaton. Professor X delves into his own past in an effort to reconstruct his memory. Think “Memento” without all the ink.
YOUNG LIARS #3 written and drawn by David Lapham. Out of control Laphamesque mayhem. For all of us who miss “Stray Bullets!” Recommended.
www.johnjudy.net
http://www.johnjudy.net/blog/
QUICK REVIEWS FOR COMICS DUE 05-14-08
By John Judy
ALL-NEW IRON MANUAL #1 by Eliot Brown and Various Writers. Everything you ever wanted to know about Tony Stark and his suits of armor, right down to the schematics! Kids, don’t try this at home!
AMAZING SPIDER-MAN #559 by Dan Slott and Marcos Martin. The always-readable Mr. Slott is back in the spider-rotation so this issue is filled with action and jokes that actually work. Add to that an artist who appears to have studied his Darwyn Cooke and you’ve got a very respectable issue, despite the whole Spidey re-boot being more aggravation than renovation. Recommended anyway.
BATMAN #676 by Grant Morrison and Tony Daniel. “Batman R.I.P.” begins here. I believe it stands for “Rolling In Profit.”
BOOSTER GOLD #9 by Geoff Johns, Jeff Katz, and Dan Jurgens. The return of the Justice League International! Too bad Kevin Maguire couldn’t guest-pencil. So awesome you almost don’t mind the OMACs. Stupid OMACs…
CAPTAIN BRITAIN AND MI: 13 #1 by Paul Cornell and Leonard Kirk. How do Limeys fight the Skrulls? With a stiff upper lip, boiled food, and bad dentistry! “Surrender, you rotters or we’ll thrash you with pictures of Princess Diana!” Pip-pip!
FINAL CRISIS SKETCHBOOK by Grant Morrison and J.G. Jones. A peek into what’s coming. Potentially very cool. Worth a look.
GOON #24 written and drawn by Eric Powell. In which we learn how Horse Eater’s Woods got its name. Amazing stuff. Recommended.
NEWUNIVERSAL: SHOCKFRONT #1 of 6 by Warren Ellis and Steve Kurth. Admit it, you forgot Warren Ellis was still working on the New Universe, didn’t you? It’s okay. So did he. Anyway, it’s coming out again and Ellis is writing it. Recommended.
PROJECT SUPERPOWERS #3 of 7 by Alex Ross, Jim Kreuger, and Carlos Paul. Like Straczynski and Weston’s “The Twelve” without all that pesky story and character development.
PUNISHER #57 by Garth Ennis and Goran Parlov. As of last issue the Punisher knew he was up against U.S. Special Forces. Now we find out if they know what they’re up against. Recommended. Not for kids.
SERENITY: BETTER DAYS #3 of 3 by Joss Whedon, Bret Matthews, and Will Conrad. Mal’s getting’ tortured. Again. Stupid Fox TV.
SUPERMAN #676 by Vito Delsante and Julian Lopez. The first encounter/fight between Supes and the original Green Lantern, Alan Scott. Features an Alex Ross cover. A gotta-look for geeks like me.
THUNDERBOLTS #120 by Warren Ellis and Mike Deodato. The Green Goblin works out some of his frustrations with the help, courtesy of that nice Mr. Ellis. Recommended for older teens and up.
THE TWELVE #5 of 12 by J. Michael Straczynski and Chris Weston. (See “Project Superpowers” above. On second thought, don’t.) “The Origin of The Witness.” Highly recommended.
WACKY PACKAGES HC by Topps. A tribute to the product parody stickers that outsold baseball cards for a while back in the seventies. Featuring an interview with artist/fan/legend Art Spiegelman. Recommended.
WALKING DEAD #49 by Robert Kirkman and Charles Adlard. In the aftermath of the prison massacre “everything is different now.” Great, devastating stuff. Recommended. NEVER for kids.
WOLVERINE #65 by Jason Aaron and Ron Garney. The conclusion to the best Wolverine story in many a moon as Logan finally catches up to Mystique. Hijinks ensue. Highly recommended.
WOLVERINE: THE AMAZING IMMORTAL MAN & OTHER BLOODY TALES #1 by David Lapham, Kelly Goodine, and Johnny Timmons. Three stories of Marvel’s most ubiquitous mutant, featuring occasional gouts of dialogue!
WONDER WOMAN #20 by Gail Simone and Aaron Lopresti. Wonder Woman meets an ancient hero and it ain’t John McCain!
X-MEN LEGACY #211 by Mike Carey and Scot Eaton. Professor X delves into his own past in an effort to reconstruct his memory. Think “Memento” without all the ink.
YOUNG LIARS #3 written and drawn by David Lapham. Out of control Laphamesque mayhem. For all of us who miss “Stray Bullets!” Recommended.
www.johnjudy.net
Tara McPherson Coming to Town
Tara McPherson (Fables: 1001 Nights of Snowfall) will be in DC with her band, New York Times, on Saturday, May 10th at The Velvet Lounge with Koko and Nerd Parade. Doors 9pm/Show 10pm/21+/$8.
Not exactly a comics event, but kindasorta...
Not exactly a comics event, but kindasorta...
Friday, May 09, 2008
Jason Rodriguez interviewed by The Pulse
Arlington's own comic writer and editor Jason Rodriguez is featured in a new online interview - "For Your Consideration: Postcards: True Stories that Never Happened," By Chris Beckett, Comicon's The Pulse May 8 2008.
...my life would be easier if you guys would just email me about these things... really, not all self-promotion is a bad thing...
...my life would be easier if you guys would just email me about these things... really, not all self-promotion is a bad thing...
Wash Post on Met's superhero costume exhibit
See "Do the Clothes Make the (Super)Man?," By Robin Givhan, Washington Post Staff Writer, Sunday, May 11, 2008; Page M08.
Wash Post doesn't like Speed Racer...
...although to be fair, so far none of the reviews I've seen have liked it. Here's the Post's - "'Speed Racer' Is Stuck on A Fast Track To Nowhere," By Ann Hornaday, Washington Post Staff Writer, Friday, May 9, 2008; Page C01.
America's first political cartoon appeared today
According to the Associated Press's Today in History, Ben Franklin's 1754 cartoon of the thirteen colonies as a cut-apart snake appeared with the caption "Join or Die" appeared today in his newspaper, the Pennsylvania Gazette. Why are mention it here? There's an original on display in Baltimore in Geppi's Entertainment Museum. It's tiny, but cool. If you don't live around here, an easy place to see it was in the intro credits to HBO's John Adams miniseries. Special update: Also Richard Thompson redrew it and posted it on his blog.
Speaking of Geppi's, curator Arnold Blumberg and Geppi both appeared in the Free Comic Book Day Jughead issue from Archie. The whole comic is set in the museum.
Speaking of Geppi's, curator Arnold Blumberg and Geppi both appeared in the Free Comic Book Day Jughead issue from Archie. The whole comic is set in the museum.
Cartoonists Join Third Annual "Science Idol"
The following press release was received in the opulent ComicsDC offices at the suggestion of KAL...
May 9, 2008
UCS MEDIA ALERT
CONTACT: Meghan Crosby, 202-331-6943
UNION OF CONCERNED SCIENTISTS ANNOUNCES THIRD ANNUAL "SCIENCE IDOL" CARTOON CONTEST
WASHINGTON (May 9, 2008) - Six of America's top cartoonists arejoining the Union of Concerned Scientists (UCS) to kick off theorganization's third annual "Science Idol" scientific integrity cartoon contest to draw humorous attention to a very serious issue: political interference in science.
The judges for this year's contest include cartoonists featured in someof the nation's leading news publications including "Speed Bump"creator Dave Coverly, Kevin Kallaugher of The Economist, "Non-Sequitur"creator Wiley Miller, Mike Keefe of the Denver Post, Signe Wilkinson of the Philadelphia Daily News, and graphic designer Jesse Springer, winner of last year's contest.
Amateur and professional artists are welcome to submit cartoons that address the abuse of science in general or highlight one or more of the ways in which science has been misused; the consequences of political interference in science; or solutions to restore scientific integrity to federal policy making. The deadline for submissions is June 11. For contest rules and submission guidelines, go to: www.ucsusa.org/scienceidol.
"The absurdity of political interference in science is fertile ground for satire," said Michael Halpern, program manager of the UCS Scientific Integrity Program. "We're sure the creativity of cartoonists can match the wiliness of those politicizing science and help us tell this story."
The judges along with UCS staff will narrow the pool to 12 finalists and post the cartoons on the UCS Web site July 10. Over the following four weeks, the public will be able to vote for the grand prize winner, who will receive $500 and an all-expenses-paid trip to Washington, D.C. The 12 finalists' cartoons will also appear in a 2009 calendar, with the grand prize winner's cartoon featured on the cover.
For information on political interference in science, go to www.ucsusa.org/scientific_integrity/.
###
The Union of Concerned Scientists is the leading science-based nonprofit organization working for a healthy environment and a safer world. Founded in 1969, UCS is headquartered in Cambridge, Massachusetts, and has offices in Berkeley, California, and Washington, D.C. For more information, go to http://www.ucsusa.org/.
May 9, 2008
UCS MEDIA ALERT
CONTACT: Meghan Crosby, 202-331-6943
UNION OF CONCERNED SCIENTISTS ANNOUNCES THIRD ANNUAL "SCIENCE IDOL" CARTOON CONTEST
WASHINGTON (May 9, 2008) - Six of America's top cartoonists arejoining the Union of Concerned Scientists (UCS) to kick off theorganization's third annual "Science Idol" scientific integrity cartoon contest to draw humorous attention to a very serious issue: political interference in science.
The judges for this year's contest include cartoonists featured in someof the nation's leading news publications including "Speed Bump"creator Dave Coverly, Kevin Kallaugher of The Economist, "Non-Sequitur"creator Wiley Miller, Mike Keefe of the Denver Post, Signe Wilkinson of the Philadelphia Daily News, and graphic designer Jesse Springer, winner of last year's contest.
Amateur and professional artists are welcome to submit cartoons that address the abuse of science in general or highlight one or more of the ways in which science has been misused; the consequences of political interference in science; or solutions to restore scientific integrity to federal policy making. The deadline for submissions is June 11. For contest rules and submission guidelines, go to: www.ucsusa.org/scienceidol.
"The absurdity of political interference in science is fertile ground for satire," said Michael Halpern, program manager of the UCS Scientific Integrity Program. "We're sure the creativity of cartoonists can match the wiliness of those politicizing science and help us tell this story."
The judges along with UCS staff will narrow the pool to 12 finalists and post the cartoons on the UCS Web site July 10. Over the following four weeks, the public will be able to vote for the grand prize winner, who will receive $500 and an all-expenses-paid trip to Washington, D.C. The 12 finalists' cartoons will also appear in a 2009 calendar, with the grand prize winner's cartoon featured on the cover.
For information on political interference in science, go to www.ucsusa.org/scientific_integrity/.
###
The Union of Concerned Scientists is the leading science-based nonprofit organization working for a healthy environment and a safer world. Founded in 1969, UCS is headquartered in Cambridge, Massachusetts, and has offices in Berkeley, California, and Washington, D.C. For more information, go to http://www.ucsusa.org/.
Thursday, May 08, 2008
KAL at NARA
Kevin "KAL" Kallaugher spoke at the National Archives tonight for an hour and a half. Kal's always a great entertainer. While I've seen him before, I always enjoy watching him. Tonight he began with his singing nun drawing (see below), went through a selection of Baltimore Sun and Economist cartoons, showed an animated video he did for a UK newspaper over twenty years ago and then went on to talk about his new animation work. He does animation by sculpting a politician's caricature, scanning that and then animating it with motion capture technology. He showed us his newest video animation of Obama, Clinton and GW Bush and I'll try to figure out how to embed it here. In the meantime, here's some photos.
KAL reproducing his very first childhood drawing of the singing nun for the audience at the National Archives. Look how fast he draws! His arm's a blur!
Off to sign books for the crowd.
KAL reproducing his very first childhood drawing of the singing nun for the audience at the National Archives. Look how fast he draws! His arm's a blur!
Off to sign books for the crowd.
Blood Type for Manga Creators?
Mike and I were IMing tonight, and I asked him if he knew why manga creators published their blood type. He didn't know and suggested I post to the blog, so here it is.
Just peruse any of the manga creators on animenewsnetwork.com for example (i.e. http://www.animenewsnetwork.com/encyclopedia/people.php?id=32616 which I just picked at random). This site is full of this type of detail. I mean, I know it's a valuable piece of information to know about oneself (I should find out my own), but why do these creators post this data? It's on some of their personal web pages as well.
Anyone?
Just peruse any of the manga creators on animenewsnetwork.com for example (i.e. http://www.animenewsnetwork.com/encyclopedia/people.php?id=32616 which I just picked at random). This site is full of this type of detail. I mean, I know it's a valuable piece of information to know about oneself (I should find out my own), but why do these creators post this data? It's on some of their personal web pages as well.
Anyone?
Cul de Sac: The BOOK
Richard, having run his own blog for months now, no longer feeds me tidbits so I have to read about Cul de Sac: The BOOK on the Comics Reporter. I'm not bitter though, no sirree bob. I saw KAL tonight while Our Man Thompson was working. HAH!
And you can preorder it at Amazon. You can't do that for Harvey Pekar: Conversations, but they tell me it will be out in October.
And you can preorder it at Amazon. You can't do that for Harvey Pekar: Conversations, but they tell me it will be out in October.
Wednesday, May 07, 2008
Quick bits from Express and Examiner
It's probably getting late to track one down, but the Express ran a wire story on the new Batman movie today, and a short excerpt of some of the better questions from the Post.com Quesada chat from yesterday.
Nate Beeler had a nice cartoon in the Examiner - the baby's not keeping him completely away from the drawing board apparently.
Nate Beeler had a nice cartoon in the Examiner - the baby's not keeping him completely away from the drawing board apparently.
Illustrators Club exhibit opens
I've been remiss in not posting about the Illustrators Club which includes cartoonists among its members. A new exhibit from the Club opens tomorrow. Check out their website - lots of neat people are members. I'd especially recommend the tour of the Kelly Collection on May 15th too.
May 8: KAL at National Archives REPOST
I'm going to try to be there... feel free say hello.
Thursday, May 8, at 7 p.m.
William G. McGowan Theater, National Archives, 9th and Pennsylvania Ave, NW
An Evening with Kevin "KAL" Kallaugher: Moving Political Cartoons from Page to Screen
Tonight, Berryman Award–winning editorial cartoonist Kevin "KAL" Kallaugher will present an illustrated lecture tracing the evolution of political cartoons from two-dimensional print to 3D animation. Kallaugher's work for the Baltimore Sun and the Economist has appeared in more than 100 publications worldwide. In 2007 he launched Kaltoons LLC, which pioneered the development of animated, 3D digital caricatures. Kaltoons' first video, Dancin' Dubya, was released on the web in August 2007. A signing of his latest collection of cartoons, KAL Draws Criticism, published in June 2006, will follow the program.
Thursday, May 8, at 7 p.m.
William G. McGowan Theater, National Archives, 9th and Pennsylvania Ave, NW
An Evening with Kevin "KAL" Kallaugher: Moving Political Cartoons from Page to Screen
Tonight, Berryman Award–winning editorial cartoonist Kevin "KAL" Kallaugher will present an illustrated lecture tracing the evolution of political cartoons from two-dimensional print to 3D animation. Kallaugher's work for the Baltimore Sun and the Economist has appeared in more than 100 publications worldwide. In 2007 he launched Kaltoons LLC, which pioneered the development of animated, 3D digital caricatures. Kaltoons' first video, Dancin' Dubya, was released on the web in August 2007. A signing of his latest collection of cartoons, KAL Draws Criticism, published in June 2006, will follow the program.
Pat McGeehan's Crummy Cakes
Pat McGeehan used to work at National Geographic and stopped by there earlier this week, mentioning his comic strip, Crummy Cakes and its website. Another DC cartoonist comes out of the woodwork...
Honorary Washingtonian Von Allan has a show
One of this blog's earliest posts was information from Von Allan about samples of his graphic novel that he planned on having at the Small Press Expo. Here's a press release about a new show of his art in Canada... almost DC if you squint at the little maps in the lower right corner of this blog...
The Art of Von Allan at Ottawa's Ristorante La Dolce Vita
NewswireToday - /newswire/ - Ottawa, Ontario, Canada, 05/06/2008 - Von Allan, an Ottawa-based artist and graphic novelist, will have an art show at La Dolce Vita.
Art, in all of its myriad forms, fires our imagination. By presenting ideas to the viewer in the form of line, tone and colour, the artist can become a dream-maker. These often take the form of stories, either told in a single, breathtaking image or shown sequentially over a number of drawings or paintings. Triptychs are one example of the latter. Another example, long dismissed as either juvenile or pop art, is the graphic novel – comic books that have grown up. Von Allan, an Ottawa-based artist and graphic novelist, will show why this form of art speaks to him with an art show at La Dolce Vita beginning on May 19, 2008.
“Graphic novels, with their ability to express a broad range of thoughts and ideas, are an art form that stimulates the imagination by their very nature,” says Allan. “For me, personally, the combination of words and images is a delight. Seeing a figure materialize on a piece of Bristol board just with a pencil and brush is magic. Seeing a reader then interact with that figure, proving the reality of their twodimensional world, makes that figure something more. It is exactly in that space, that ‘something more,’ where dreams come alive. It is amazing what a little line of ink on a small piece of paper can do.”
The Art of Von Allan will feature a number of illustrations and paintings that Allan has completed over the past few months. In addition, a number of pages from "the road to god knows..," an original graphic novel, will also be featured. The graphic novel tells the story of Marie, a young teenage girl coming to grips with her Mom’s schizophrenia. As a result, she’s struggling to grow up fast; wrestling with poverty, loneliness, and her Mom’s illness every step of the way. Betty, Marie’s Mom, can’t help; she’s living with an illness that’s slowly getting worse and increasingly frightening. With her Mom absorbed in her own problems, Marie is essentially alone while she learns to deal with the chaos in her young life.
"The road to god knows…" is expected to be printed in 2008 and has an ISBN of 978-0-9781237-0-3. It is currently being serialized online at webcomics collective GirlAMatic.com
About Von Allan
Von Allan (vonallan.com) was born red-headed and freckled in Arnprior, Ontario, just in time for "Star Wars: A New Hope." He managed Perfect Books, an independent bookstore in Ottawa, for many years while working on story ideas in his spare time; eventually, he decided to make the leap to a creative life, and "the road to god knows…" was the result. Additional information about the graphic novel can be found online.
About La Dolce Vita
Visit the Mediterranean and you'll quickly become a fan of the great food, great wine and joie de vivre of the people there. La Dolce Vita staff make it their business to bring that joy - that appreciation of fine food and conversation - to the Capital. The restaurant's gourmet pizzas are justly famous, combining decadent ingredients to tempt the palate and the eye.
The Art of Von Allan at Ottawa's Ristorante La Dolce Vita
NewswireToday - /newswire/ - Ottawa, Ontario, Canada, 05/06/2008 - Von Allan, an Ottawa-based artist and graphic novelist, will have an art show at La Dolce Vita.
Art, in all of its myriad forms, fires our imagination. By presenting ideas to the viewer in the form of line, tone and colour, the artist can become a dream-maker. These often take the form of stories, either told in a single, breathtaking image or shown sequentially over a number of drawings or paintings. Triptychs are one example of the latter. Another example, long dismissed as either juvenile or pop art, is the graphic novel – comic books that have grown up. Von Allan, an Ottawa-based artist and graphic novelist, will show why this form of art speaks to him with an art show at La Dolce Vita beginning on May 19, 2008.
“Graphic novels, with their ability to express a broad range of thoughts and ideas, are an art form that stimulates the imagination by their very nature,” says Allan. “For me, personally, the combination of words and images is a delight. Seeing a figure materialize on a piece of Bristol board just with a pencil and brush is magic. Seeing a reader then interact with that figure, proving the reality of their twodimensional world, makes that figure something more. It is exactly in that space, that ‘something more,’ where dreams come alive. It is amazing what a little line of ink on a small piece of paper can do.”
The Art of Von Allan will feature a number of illustrations and paintings that Allan has completed over the past few months. In addition, a number of pages from "the road to god knows..," an original graphic novel, will also be featured. The graphic novel tells the story of Marie, a young teenage girl coming to grips with her Mom’s schizophrenia. As a result, she’s struggling to grow up fast; wrestling with poverty, loneliness, and her Mom’s illness every step of the way. Betty, Marie’s Mom, can’t help; she’s living with an illness that’s slowly getting worse and increasingly frightening. With her Mom absorbed in her own problems, Marie is essentially alone while she learns to deal with the chaos in her young life.
"The road to god knows…" is expected to be printed in 2008 and has an ISBN of 978-0-9781237-0-3. It is currently being serialized online at webcomics collective GirlAMatic.com
About Von Allan
Von Allan (vonallan.com) was born red-headed and freckled in Arnprior, Ontario, just in time for "Star Wars: A New Hope." He managed Perfect Books, an independent bookstore in Ottawa, for many years while working on story ideas in his spare time; eventually, he decided to make the leap to a creative life, and "the road to god knows…" was the result. Additional information about the graphic novel can be found online.
About La Dolce Vita
Visit the Mediterranean and you'll quickly become a fan of the great food, great wine and joie de vivre of the people there. La Dolce Vita staff make it their business to bring that joy - that appreciation of fine food and conversation - to the Capital. The restaurant's gourmet pizzas are justly famous, combining decadent ingredients to tempt the palate and the eye.
Tuesday, May 06, 2008
Poe catalogue for Richmond exhibit is out
Tom Inge's got another very interesting museum catalogue out to go with his show on Edgar Allan Poe in the comics which just opened at the Poe Museum in Richmond. Click here and go halfway down the page to order The Incredible Mr. Poe: Comic Book Adaptations of the Works of Edgar Allan Poe 1943-2007.
Rob Ullman interview from a few months ago
Just ran across this interview with Rob by Paul Lukas from February. Presumably things haven't changed much. Savage Love is still less interesting without the illos.
Quesada appearance on Post chat wildly uninteresting
I guess I should have thought of some question, any question, that didn't have to do with Marvel's forthcoming movie slate. This wasn't Joe Quesada's fault - the participant's questions had nothing to do with running (and perhaps resurrecting - one can argue the point) a comic book company, and everything to do with one new hit movie. Here's the chat so you can judge for yourself:
Talking With Joe Quesada, Editor in Chief, Marvel Comics, Tuesday, May 6, 2008; 12:00 PM
Talking With Joe Quesada, Editor in Chief, Marvel Comics, Tuesday, May 6, 2008; 12:00 PM
Obituary for Arlington caricaturist
See "Scott A. Fertig, 41; Arlington Artist," By Yvonne Shinhoster Lamb, Washington Post Staff Writer, Tuesday, May 6, 2008; B08.
Marvel e-giveaway based on LoC's Spider-Man gift
This press release came out from Marvel:
Spider-Man's First Appearance Free On Marvel Digital Comics Unlimited
It's the story of a nerdy teenager bitten by a radioactive spider, gaining the proportionate strength and powers of a spider to become...the Amazing Spider-Man! Now, you can read this history-making story as the first appearance and origin of Spider-Man from Amazing Fantasy #15 is available for free for one week over at Marvel Digital Comics Unlimited.
It was reported this week that the original artwork by Steve Ditko from Amazing Fantasy #15, the 1962 comic that introduced Spider-Man to the world, was anonymously donated to the Library of Congress. And now everyone can read this historic and heralded story for free for one week at Marvel Digital Comics Unlimited.
For those fans who want to own the entire Stan Lee and Steve Ditko Spider-Man run in one gorgeous hardcover, be sure to pick up the Amazing Spider-Man Omnibus, now available at your local comic retailer
Subscribers to Marvel Digital Comics Unlimited can read through the first 100 issues of Amazing Spider-Man as well as other long runs of Marvel's greatest titles including the Uncanny X-Men and Fantastic Four, as well as current favorites including New Avengers and Astonishing X-Men to name just two of the countless titles subscribers can read.
Now offering over 3,500 titles to enjoy, Marvel Digital Comics Unlimited is the greatest collection of Marvel comics ever assembled online and the collection only gets bigger as over 25 new digital comics are added every week from Monday through Friday.
Be sure to head on over to Marvel.com and get into the action at Marvel Digital Comics Unlimited.
Spider-Man's First Appearance Free On Marvel Digital Comics Unlimited
It's the story of a nerdy teenager bitten by a radioactive spider, gaining the proportionate strength and powers of a spider to become...the Amazing Spider-Man! Now, you can read this history-making story as the first appearance and origin of Spider-Man from Amazing Fantasy #15 is available for free for one week over at Marvel Digital Comics Unlimited.
It was reported this week that the original artwork by Steve Ditko from Amazing Fantasy #15, the 1962 comic that introduced Spider-Man to the world, was anonymously donated to the Library of Congress. And now everyone can read this historic and heralded story for free for one week at Marvel Digital Comics Unlimited.
For those fans who want to own the entire Stan Lee and Steve Ditko Spider-Man run in one gorgeous hardcover, be sure to pick up the Amazing Spider-Man Omnibus, now available at your local comic retailer
Subscribers to Marvel Digital Comics Unlimited can read through the first 100 issues of Amazing Spider-Man as well as other long runs of Marvel's greatest titles including the Uncanny X-Men and Fantastic Four, as well as current favorites including New Avengers and Astonishing X-Men to name just two of the countless titles subscribers can read.
Now offering over 3,500 titles to enjoy, Marvel Digital Comics Unlimited is the greatest collection of Marvel comics ever assembled online and the collection only gets bigger as over 25 new digital comics are added every week from Monday through Friday.
Be sure to head on over to Marvel.com and get into the action at Marvel Digital Comics Unlimited.
Monday, May 05, 2008
Washington Times liked Iron Man too
See "Downey shows mettle in 'Man'", By Christian Toto Washington Times May 2, 2008, where they gave it 3 out of 4 stars.
NPG Herblock exhibit website
The extensive site was recommended by the Journalista today. It reproduces the art in the exhibit, but not the content of the computer kiosk. It's a good look at the exhibit for those who can't make it to DC as it's arranged like the exhibit is.
QUICK REVIEWS FOR COMICS DUE 05-07-08
QUICK REVIEWS FOR COMICS DUE 05-07-08
By John Judy
AMAZING SPIDER-MAN #558 by Bob Gale and Barry Kitson. I really miss J. Michael Straczynski….
AMERICAN SPLENDOR SEASON TWO #2 of 4 by Harvey Pekar and Associates. It’s an all-personal growth issue starring the Elvis of autobiographical comics!
AVENGERS/INVADERS #1 of 12 by Alex Ross, Jim Krueger, and Steve Sadowski. What Roy Thomas did in the seventies in four or five pages The Ross Machine’s going to do in 12 issues. Positive points: 1. The cover ink will not give you a rash. 2. By the time issue 12 comes out we’ll have a new President. 3….. Let me get back to you.
BOYS #18 by Garth Ennis and Darick Robertson. Wee Hughie vs. Blarney Cock, dead or alive! Not for kids. Recommended.
BUFFY THE VAMPIRE SLAYER #14 by Drew Goddard and Georges Jeanty. It starts with a dead slayer and ramps up from there. Cool.
HOUSE OF MYSTERY #1 by Matthew Sturges, Bill Willingham, Luca Rossi, and Lotsa Guest Artists. You like stories? We got stories! Recommended!
INVINCIBLE IRON MAN #1 by Matt Fraction and Salvador Larroca. Just in time for the most awesome movie ever, the Golden Avenger gets a title that’s readable again. Really quite good on its own merits and maybe my favorite work by Matt Fraction yet. And that Larroca fella can scribble! Recommended! PS- Lotsa variant covers and related merchandise this week.
IRON MAN: VIVA LAS VEGAS #1 of 4 by Jon Favreau and Adi Granov. Written by the guy who directed the Greatest Movie of All Time! Hoo-hah!
LOGAN #3 of 3 by Brian K. Vaughan and Eduardo Risso. The final issue of this rarity: A Wolverine series that does not suck. Smart script plus beautiful art equals “Recommended.”
MAN WITH NO NAME #1 by Christos Gage and Wellington Dias. The iconic Clint Eastwood spaghetti-western character has his own comic. Hear that whistling…?
MIGHTY AVENGERS #13 by Brian Michael Bendis and Alex Maleev. Watch out Skrulls! Nick Fury’s back and he’s got a new bunch of Howling Commandos! Some Avengers appear also.
QUESTION VOL. 2: POISONED GROUND SC by Dennis O’Neill and Denys Cowan. Collecting issues #7-12 of the adventures of the late Vic Sage. Great 80s comics. Recommended.
SECRET INVASION #2 of 8 by Brian Michael Bendis and Leinil Francis Yu. Not so secret anymore! Big fights! De-Skrullification! Six more to go!
TOR #1 of 6 written and illustrated by Joe Kubert. Comics legend Kubert takes a fresh pass at his Silver-Age creation, a prehistoric man on a quest for answers. Gotta look!
X-FACTOR: QUICK AND THE DEAD #1 by Peter David and Pablo Raimondi. Separate from the main title this one focuses on how Quicksilver went bad/crazy. Or did he?
YOUNG X-MEN #2 by Marc Guggenheim and Yanick Paquette. If half these characters don’t turn out to be Skrulls I’m going to be very disappointed.
www.johnjudy.net
By John Judy
AMAZING SPIDER-MAN #558 by Bob Gale and Barry Kitson. I really miss J. Michael Straczynski….
AMERICAN SPLENDOR SEASON TWO #2 of 4 by Harvey Pekar and Associates. It’s an all-personal growth issue starring the Elvis of autobiographical comics!
AVENGERS/INVADERS #1 of 12 by Alex Ross, Jim Krueger, and Steve Sadowski. What Roy Thomas did in the seventies in four or five pages The Ross Machine’s going to do in 12 issues. Positive points: 1. The cover ink will not give you a rash. 2. By the time issue 12 comes out we’ll have a new President. 3….. Let me get back to you.
BOYS #18 by Garth Ennis and Darick Robertson. Wee Hughie vs. Blarney Cock, dead or alive! Not for kids. Recommended.
BUFFY THE VAMPIRE SLAYER #14 by Drew Goddard and Georges Jeanty. It starts with a dead slayer and ramps up from there. Cool.
HOUSE OF MYSTERY #1 by Matthew Sturges, Bill Willingham, Luca Rossi, and Lotsa Guest Artists. You like stories? We got stories! Recommended!
INVINCIBLE IRON MAN #1 by Matt Fraction and Salvador Larroca. Just in time for the most awesome movie ever, the Golden Avenger gets a title that’s readable again. Really quite good on its own merits and maybe my favorite work by Matt Fraction yet. And that Larroca fella can scribble! Recommended! PS- Lotsa variant covers and related merchandise this week.
IRON MAN: VIVA LAS VEGAS #1 of 4 by Jon Favreau and Adi Granov. Written by the guy who directed the Greatest Movie of All Time! Hoo-hah!
LOGAN #3 of 3 by Brian K. Vaughan and Eduardo Risso. The final issue of this rarity: A Wolverine series that does not suck. Smart script plus beautiful art equals “Recommended.”
MAN WITH NO NAME #1 by Christos Gage and Wellington Dias. The iconic Clint Eastwood spaghetti-western character has his own comic. Hear that whistling…?
MIGHTY AVENGERS #13 by Brian Michael Bendis and Alex Maleev. Watch out Skrulls! Nick Fury’s back and he’s got a new bunch of Howling Commandos! Some Avengers appear also.
QUESTION VOL. 2: POISONED GROUND SC by Dennis O’Neill and Denys Cowan. Collecting issues #7-12 of the adventures of the late Vic Sage. Great 80s comics. Recommended.
SECRET INVASION #2 of 8 by Brian Michael Bendis and Leinil Francis Yu. Not so secret anymore! Big fights! De-Skrullification! Six more to go!
TOR #1 of 6 written and illustrated by Joe Kubert. Comics legend Kubert takes a fresh pass at his Silver-Age creation, a prehistoric man on a quest for answers. Gotta look!
X-FACTOR: QUICK AND THE DEAD #1 by Peter David and Pablo Raimondi. Separate from the main title this one focuses on how Quicksilver went bad/crazy. Or did he?
YOUNG X-MEN #2 by Marc Guggenheim and Yanick Paquette. If half these characters don’t turn out to be Skrulls I’m going to be very disappointed.
www.johnjudy.net
May 6: Marvel EiC Joe Quesada on Post chat
Oddly enough, I really can't think of anything I want to ask him...
Tuesday, May 6 at Noon ET
Talking With Joe Quesada
Editor in Chief, Marvel Comics
Tuesday, May 6, 2008; 12:00 PM
It was a good weekend for Joe Quesada. The editor in chief of Marvel Comics saw the movie "Iron Man," an adaptation of one of his company's comics, soar to the top of the box office. Next month, a new version of "The Incredible Hulk" also arrives in theaters.
Quesada will be online Tuesday, May 6 at noon ET to discuss both of those projects, Marvel's venture into producing its own films and anything else related to the comic book world.
Submit questions before or during the discussion.
Tuesday, May 6 at Noon ET
Talking With Joe Quesada
Editor in Chief, Marvel Comics
Tuesday, May 6, 2008; 12:00 PM
It was a good weekend for Joe Quesada. The editor in chief of Marvel Comics saw the movie "Iron Man," an adaptation of one of his company's comics, soar to the top of the box office. Next month, a new version of "The Incredible Hulk" also arrives in theaters.
Quesada will be online Tuesday, May 6 at noon ET to discuss both of those projects, Marvel's venture into producing its own films and anything else related to the comic book world.
Submit questions before or during the discussion.
Murakami exhibit reviewed in Post
The Murakami exhibit's in NYC, but here's the Post's excellent critic Blake Gopnik on it - "Toying With Catastrophe: Takashi Murakami Coats the Toxic Fruit of Consumer Culture With Bold, Playful Imagery," Washington Post Monday, May 5, 2008; C01.
Sunday, May 04, 2008
Post's Style and Arts section goes to the cartoons
Three! articles in one section on comics:
1. Reggie Hudlin and BET with glances at Boondocks and Black Panther - "Channel Changer: Three Years Ago, Reggie Hudlin Came To Save a Troubled BET. But Has He?" By Teresa Wiltz, Washington Post Staff Writer, Sunday, May 4, 2008; M01.
2. A glance at Oliphant's sculpture of Rumsfeld on display in Woodley Park - "Capturing a Hero for Posterity," by John Pancake, Washington Post May 4, 2008
3. Quesada on Marvel - "Now here we are. We're going to be producing our own stuff.": There's Nothing Mild-Mannered About Joe Quesada's Marvel Comics," by David Betancourt, Washington Post Sunday, May 4, 2008; M02.
and not on comics, but on visual art is this fascinating piece on the true colors of ancient statuary - "Correcting a Colorblind View of the Treasures of Antiquity," By Blake Gopnik, Washington Post Staff Writer, Sunday, May 4, 2008; Page M01.
1. Reggie Hudlin and BET with glances at Boondocks and Black Panther - "Channel Changer: Three Years Ago, Reggie Hudlin Came To Save a Troubled BET. But Has He?" By Teresa Wiltz, Washington Post Staff Writer, Sunday, May 4, 2008; M01.
2. A glance at Oliphant's sculpture of Rumsfeld on display in Woodley Park - "Capturing a Hero for Posterity," by John Pancake, Washington Post May 4, 2008
3. Quesada on Marvel - "Now here we are. We're going to be producing our own stuff.": There's Nothing Mild-Mannered About Joe Quesada's Marvel Comics," by David Betancourt, Washington Post Sunday, May 4, 2008; M02.
and not on comics, but on visual art is this fascinating piece on the true colors of ancient statuary - "Correcting a Colorblind View of the Treasures of Antiquity," By Blake Gopnik, Washington Post Staff Writer, Sunday, May 4, 2008; Page M01.
Zadzooks on Iron Man toys
See "Iron Man toys show evolution of his armor," By Joseph Szadkowski, Washington Times May 3, 2008. Also, I believe Burger King is offering toys as well.
Saturday, May 03, 2008
Richard's Poor Almanack annual Free Comic Book Day cartoon
See it on his blog.
I was at Hole in the Wall books in Vienna, VA and they had it posted. I mentioned it and they started wondering how he could get the life of a comic book store owner so accurate in the last bit of the cartoon.
I was at Hole in the Wall books in Vienna, VA and they had it posted. I mentioned it and they started wondering how he could get the life of a comic book store owner so accurate in the last bit of the cartoon.
Friday, May 02, 2008
TwoMorrows Free Comic Book Day includes free downloads
Not exactly Washington DC-centric, but a fine offer nonetheless...
This weekend, we're celebrating Free Comic Book Day by offering FREE publications, both in comic book stores worldwide, and online at www.twomorrows.com.
On Saturday, May 3, 2008, our new COMICS GO HOLLYWOOD publication will be available free of charge at comic book shops. This 32-page comic-size book was assembled exclusively for Free Comic Book Day by our regular magazine editors, and reveals secrets behind your favorite on-screen heroes, and what's involved in taking a character from the comics page to the big screen. It includes storyboards from DC's animated hit "The New Frontier" (courtesy of DRAW! magazine), JEPH LOEB on writing for both Marvel Comics and the Heroes TV show (courtesy of WRITE NOW! magazine), details of an unseen X-Men movie (courtesy of ALTER EGO magazine), a history of the Joker from his 1940s origins to his upcoming appearance in the Dark Knight film (courtesy of BACK ISSUE magazine), and a look at Marvel Universe co-creator Jack Kirby's Hollywood career, with extensive Kirby art (courtesy of my own JACK KIRBY COLLECTOR magazine).
This one-shot sampler of our magazine line is also available in print form free from our website (a shipping charge applies), or as a free downloadable Digital Edition just by logging in and adding it to your shopping cart, and checking out. Also, last year's FCBD publication, COMICS 101 (featuring how-to and history lessons from top comicsprofessionals) is also available for free in print or digital form at
www.twomorrows.com.
To give readers a chance to sample complete issues of our publications, we're again offering free downloadable Digital Editions of these recent issues of our magazines, only from May 3-4:
Alter Ego #65
Back Issue #21
Jack Kirby Collector #47
Write Now #14
Draw #12
Rough Stuff #3
BrickJournal Vol. 1, #9
We've also added several new Digital Editions of past issues of our magazines (each available for $2.95 per download), just in time for the FCBD event, and the newest episode of the TwoMorrows Tune-In podcast (hosted by Chris Marshall) has just debuted, featuring behind-the-scenes info on our upcoming publications.
So be sure to go to your local comics shop, and stop by our website and load up on free stuff!
Best regards,
John Morrow
TwoMorrows
10407 Bedfordtown Dr.
Raleigh, NC 27614
919-449-0344
fax 919-449-0327
This weekend, we're celebrating Free Comic Book Day by offering FREE publications, both in comic book stores worldwide, and online at www.twomorrows.com.
On Saturday, May 3, 2008, our new COMICS GO HOLLYWOOD publication will be available free of charge at comic book shops. This 32-page comic-size book was assembled exclusively for Free Comic Book Day by our regular magazine editors, and reveals secrets behind your favorite on-screen heroes, and what's involved in taking a character from the comics page to the big screen. It includes storyboards from DC's animated hit "The New Frontier" (courtesy of DRAW! magazine), JEPH LOEB on writing for both Marvel Comics and the Heroes TV show (courtesy of WRITE NOW! magazine), details of an unseen X-Men movie (courtesy of ALTER EGO magazine), a history of the Joker from his 1940s origins to his upcoming appearance in the Dark Knight film (courtesy of BACK ISSUE magazine), and a look at Marvel Universe co-creator Jack Kirby's Hollywood career, with extensive Kirby art (courtesy of my own JACK KIRBY COLLECTOR magazine).
This one-shot sampler of our magazine line is also available in print form free from our website (a shipping charge applies), or as a free downloadable Digital Edition just by logging in and adding it to your shopping cart, and checking out. Also, last year's FCBD publication, COMICS 101 (featuring how-to and history lessons from top comicsprofessionals) is also available for free in print or digital form at
www.twomorrows.com.
To give readers a chance to sample complete issues of our publications, we're again offering free downloadable Digital Editions of these recent issues of our magazines, only from May 3-4:
Alter Ego #65
Back Issue #21
Jack Kirby Collector #47
Write Now #14
Draw #12
Rough Stuff #3
BrickJournal Vol. 1, #9
We've also added several new Digital Editions of past issues of our magazines (each available for $2.95 per download), just in time for the FCBD event, and the newest episode of the TwoMorrows Tune-In podcast (hosted by Chris Marshall) has just debuted, featuring behind-the-scenes info on our upcoming publications.
So be sure to go to your local comics shop, and stop by our website and load up on free stuff!
Best regards,
John Morrow
TwoMorrows
10407 Bedfordtown Dr.
Raleigh, NC 27614
919-449-0344
fax 919-449-0327
Saw Iron Man tonight...
...and it was good. Fanboy city as I went with friends from work. It's a mish-mash of the Stane takeover of Stark International and Armor Wars and a lot of the Michelenie - Layton years which is when I really liked the comic. Robert Downie Jr. makes the movie though - with a less-talented actor, this would have been a snooze.
For the Post's take, see "'Iron Man' Shows Strength of Character," By Ann Hornaday, Washington Post Staff Writer, Friday, May 2, 2008; C01.
For the Post's take, see "'Iron Man' Shows Strength of Character," By Ann Hornaday, Washington Post Staff Writer, Friday, May 2, 2008; C01.
Legalize Free Comics!
http://www.wtopnews.com/?nid=25&sid=1397009
As much as I suppose I should, as a DC-area resident, be more in tune to what a Congressional Resolution supporting Free Comic Book Day would mean in real life, it's pretty cool to see our pasttime/hobby/obsession getting that level of attention...
As much as I suppose I should, as a DC-area resident, be more in tune to what a Congressional Resolution supporting Free Comic Book Day would mean in real life, it's pretty cool to see our pasttime/hobby/obsession getting that level of attention...
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