Showing posts with label Jules Feiffer. Show all posts
Showing posts with label Jules Feiffer. Show all posts

Friday, January 31, 2025

Jules Ruled: Paul Merklein remembers Jules Feiffer

Jules Ruled

By Paul Merklein

Jules Feiffer would not stop talking.

He stood in front of a packed audience seated on folding chairs at Schwartz Bookshop in Wisconsin, answering questions, telling stories, and charming the crowd.  Feiffer was a legend, an icon, a rebel with many causes. He was a cartoonist, playwright and novelist who looked and sounded like one of his cartoon characters. He was a Fifties Lefty who rubbed elbows with Jack Nicholson and Robin Williams.  He was fired by The Village Voice after contributing his cartoons every week for 40 years, then bounced back to write and illustrate books for children, young adults, and old adults.  He was unstoppable.

He would not stop talking, just like he would not stop drawing cartoons, writing books and screenplays, complaining, kvetching and griping about men, women, sex, politics, religion, pop culture, current events, the media, America and anything else that enraged him.  Almost everything enraged him.  He didn't own a computer.  He didn't need a cellphone.  He had paper and a pen, and an ambition that would not let him rest.  Not until this January, when died at his home in upstate New York at the productive age of 95.

I was seated in one of those folding chairs at Schwartz Bookshop in Shorewood.  I could barely stay in my seat.  Feiffer was one of my heroes, and here he was right in front of me, answering questions and smirking at his own stories.  I had several of his books that he was going to autograph.  I couldn't wait.  He was going to sign my books.  I was going to shake his hand.  And then my head would explode.

 

Feiffer inspired me to draw cartoons.  He opened my eyes.  Before I discovered his drawings, cartoons were just snarky kids with big heads, super heroes and sexy dames.  Feiffer broke all the rules.  No more restricting little boxes or borders.  No more speech balloons or thought bubbles.  No more backgrounds!  His pen knew no boundaries.  It was all words, words and more words, cascading around a cartoon face and commanding your attention.

Feiffer was the edge.  He was a hip mix of George Carlin, Bob Dylan and Picasso.  His style and range of topics whiplashed from one cartoon to the next, keeping readers on their toes.  He made you think.  He made you pause. He made you question everything.  He drew himself.  He drew Presidents.  He drew everyday people.  And he gave them all a voice.  His voice. His characters never stopped talking.  And his audience never stopped listening.  We couldn't get enough.

Many years later, I met Feiffer again at a Comic-Con in Baltimore.  I was freelancing cartoons to newspapers and magazines, and teaching cartooning at a community center in Arlington VA.  He was drawing graphic novels and writing his autobiography.  He was on stage, still answering questions, telling stories, and smirking. 

His advice to artists was simple.  Don't be afraid to fail.  Failure inspired him.  Failure made him keep drawing.  Failure made him keep writing.  Read his cartoons.  Read his books.   Hear his voice.  He is still talking.

Paul Merklein is a former resident of Silver Spring MD.  His Guess Who cartoon appears in Riverwest Currents newspaper in Milwaukee WI.  You can see his cartoons at…  https://www.instagram.com/guesswhocartoons

Tuesday, January 21, 2025

Some candid photos of Jules Feiffer in DC

 Here's some pictures I took at times he was visiting DC.

Thursday, Oct 12, 2006 - Library of Congress





 
Wednesday, November 1, 2006  - Library of Congress


 
Thursday, March 18, 2010 - Politics and Prose Bookstore





 
  Friday, September 12, 2014 - Politics and Prose Bookstore 




 
I'm sure I have more, but this is what Google Photos found tonight.

Jules Feiffer dead, says WaPo

Jules Feiffer, cartoonist of acerbic wit and satire, dies at 95

The Pulitzer-winning writer found his voice in comics that provided a sardonic and sarcastic takedown of authority and conventional wisdom. He was also a playwright and screenwriter.

By

 IJOCA ran this interview in print in Fall 2008, and it appears online for the first time now.

An Evening with Jules Feiffer at the Cosmos Club in 2007
By Alan Fern
International Journal of Comic Art blog January 21, 2025



Saturday, January 01, 2022

Herblock in the Cold War academic article

 

Laughter Louder Than Bombs? Apocalyptic Graphic Satire in Cold War Cartooning, 1946–1959

American Quarterly, Volume 70, Number 2, June 2018, pp. 235-266


In the postwar American media landscape, “the bomb” symbolized both security and insecurity. Two of the nation’s leading syndicated cartoonists—the Washington Post’s Herbert Block and the Village Voice’s Jules Feiffer—played on this paradox by parodying the arms race, civil defense, nuclear testing and deterrence. But the schisms within progressive politics in this period distinguished Block and Feiffer as social critics. At the height of anticommunist hysteria, Block’s single-panel editorial cartoons often featured the anthropomorphized Mr. Atom, who became a spectral figure within the Cold War imaginary. In the post-McCarthy era, Feiffer’s narrative-driven strips spoofed military Keynesianism by critiquing the role capitalism played in fueling the nuclear crisis. While Block and Feiffer both recognized the existential threat posed by nuclear weapons, they were representative of a left-liberal divide at a point when humor was undergoing transformations in the wider culture and a political struggle over the bomb’s future was being fiercely waged. By foregrounding these cleavages, this essay argues that satirizing the full slate of contradictions of the nuclear era meant questioning the basic assumptions of the Cold War rivalry and breaking from the consensus framework altogether. Only by critiquing the ideology of the American Cold War commitment could the absurdities of the arms race be laid bare.

Friday, February 07, 2014

Sneak Peek at SPX guests

The Small Press Expo has an ad in the new issue of the D.C. Conspiracy's semi-annual comics newspaper Magic Bullet (#8), which hits the streets today. SPX notes a few of the special guests for its Sept. 13-14 show, including Jules Feiffer, Michael DeForge, Renee French, Tom Tomorrow, James Sturm, Lynda Barry and Box Brown (who did the art for the ad).

Thursday, January 12, 2012

Feiffer play onstage in Arlington

A revival of Jules Feiffer's dark play Little Murders opens tomorrow Friday January 13th (hmmm) and runs to Feb. 11 at Gunston Theatre Two, 2700 S. Lang St., Arlington, 703-998-4555,
http://americancentury.org .
 
and here's the Post's favorable preview:
 
Death and mayhem: Gadzooks! In 'Little Murders,' making dark comedy of exaggerated violence [online title: "Backstage: Death and mayhem in 'Little Murders'"
By Jessica Goldstein
Washington Post (January 11 2012)
online at http://www.washingtonpost.com/lifestyle/style/backstage-death-and-mayhem-in-little-murders/2012/01/10/gIQAaMnMpP_story.html


 

Saturday, July 03, 2010

Washington Times reviews Feiffer autobio

BOOK REVIEW: 'Backing into Forward'
By Marion Elizabeth Rodgers
Washington Times July 2, 2010

It's been out for months, so I'm not quite sure why it took so long, but the Post just got to Clowes' Wilson a couple of days ago too...

Saturday, April 17, 2010

April 17: Jules Feiffer at Portrait Gallery

Saturday April 17, 2010
4:30 PM
McEvoy Auditorium, Lower Level
American Art Museum, National Portrait Gallery
The American Pictures series offers a highly original approach to art and portraiture, pairing great works of art with leading figures of contemporary American culture. Each American Pictures event features an eminent writer, thinker, historian, or artist who speaks about a single, powerful image and explores its meaning. The series director is historian and essayist Adam
Goodheart, who is director of the C. V. Starr Center for the Study of the American Experience at Washington College.

Lectures begin at 4:30 p.m.
Free tickets available in the G Street lobby one hour prior.


Saturday, April 17, 4:30 p.m.
Cartoonist Jules Feiffer on Bob Landry's Fred Astaire in "Puttin' on the Ritz"

Wednesday, March 17, 2010

Feiffer at Politics and Prose on Thursday at 4 pm

Tomorrow - I'm there. I've heard him read part of this before, and it's good. See one of the great cartoonists and read his memoir.

Friday, March 05, 2010

April 17: Jules Feiffer at American Art

Saturday April 17, 2010
4:30 PM
McEvoy Auditorium, Lower Level
American Art Museum, National Portrait Gallery
The American Pictures series offers a highly original approach to art and portraiture, pairing great works of art with leading figures of contemporary American culture. Each American Pictures event features an eminent writer, thinker, historian, or artist who speaks about a single, powerful image and explores its meaning. The series director is historian and essayist Adam
Goodheart, who is director of the C. V. Starr Center for the Study of the American Experience at Washington College.

Lectures begin at 4:30 p.m.
Free tickets available in the G Street lobby one hour prior.


Saturday, April 17, 4:30 p.m.
Cartoonist Jules Feiffer on Bob Landry's Fred Astaire in "Puttin' on the Ritz"

Tuesday, August 04, 2009

Feiffer exhibit closes this weekend

If you haven't seen it, the Feiffer exhibit at American University closes this weekend. Here's our earlier post with the information. I'm not going to make the show, but if there's a brochure, I'd appreciate getting one.

Sunday, June 28, 2009

Feiffer exhibit at American University

Here's the description from their website:


My Fellow Americans: 40 Years of Political Cartoons by Jules Feiffer

June 27–August 16

Pulitzer Prize–winning New York cartoonist, author, playwright, and artist, Jules Feiffer's political cartoons are sharp in their wit and piercing in their criticism. His cartoons ran for more than forty years in the Village Voice, and were syndicated nationally, and are a testament to his unique insight into the social and political upheavals around him. Their messages maintain their relevancy in contemporary society. In form, his cartoons are distinguished in their simplicity. His often text-heavy panels are balanced by simple, but whimsically drawn figures. While his punch lines are often caustic, he still frequently manages to imbue political figures with humanity.

Feiffer has received critical acclaim for his work in various media. He won an Academy Award in 1961 for his animated short Monroe and the Pulitzer Prize in 1986 for editorial cartooning. He has also received Lifetime Achievement awards from both the Writer's Guild of America East and the National Cartoonist Society, as well as the Harold Washington Literary Award (2004) for his creative uses of the written word to address issues of contemporary life.

Visiting

Hours (Admission is free):
11:00 a.m. to 4:00 p.m., Tue–Sun
And 1 hour before Katzen Events
Closed July 3–4

Location/Parking: See Katzen Visiting
Contact Us

Ph: 202-885-1300
Fax: 202-885-1140
E-mail: museum@american.edu

Thursday, April 30, 2009

Kate Feiffer interview

She was at Politics and Prose today with her father Jules Feiffer, and will be in Old Town Alexandria tomorrow. See "Big Woof: Kate Feiffer's 'Which Puppy?'," by Express contributor Stephen M. Deusner, Express April 30, 2009.

Also as we've noted, they'll be appearing tomorrow:

We’d be thrilled if you would mention that Jules & Kate Feiffer will be appearing at Hooray For Books! 1555 King St., Alexandria, VA on Friday, May 1 at 7 p.m. We’ll have copies of “The Explainers” and “Great Comic Book Heroes” on hand.