Did you get your Death of Superman watch at Hecht's in 1993?

Exhibit review: Superheroes at the National Museum of American History

by Mike Rhode


Superheroes. Washington, DC: National Museum of American History. November 20, 2018 to September 2, 2019. http://americanhistory.si.edu/exhibitions/super-heroes

The Smithsonian museum has mounted a small, but choice, exhibit made up of some extremely surprising pieces. The terse description on their website only hints at it:

This showcase presents artifacts from the museum's collections that relate to Superheroes, including comic books, original comic art, movie and television costumes and props, and memorabilia. The display includes George Reeves's Superman costume from the Adventures of Superman TV program, which ran from 1951-1958, as well as Halle Berry's Storm costume from the 2014 film X-Men: Days of Future Past.

Of the five exhibit cases, two concentrate on comic books and original art, while the other three contain props from movies and pop culture ephemera. Surprisingly, the Black Panther costume from the Marvel movies which the African-American History museum collected this summer is not included, but as noted above they have displayed George Reeve's Superman costume (since it is in color rather than grey shades, it came from the later seasons of the television show), Halle Berry's Storm uniform, along with Captain America's shield, Wolverine's claws and Batman's cowl and a batarang. Those three cases are rounded out with the first issue of Ms. Magazine which had a Wonder Woman cover, two lunchboxes (Wonder Woman and Marvel heroes), and a Superman telephone.

courtesy of Grand Comics Database

 Surprisingly, the two cases of comic books and original art include a very wide variety of comic books including some that just recently came out such as America (Marvel) along with older issues such as Leading Comics from 1943 which featured Green Arrow among other heroes such as the Crimson Avenger and the Star-Spangled Kid. The existence of an apparently extensive comic book collection in the Smithsonian comes as a surprise to this reviewer and will need to be researched more in depth. Even more of a surprise were the four pieces of original art on display – the cover of Sensation Comics 18 (1943) with Wonder Woman drawn by H.G. Peter, a Superman comic strip (1943) signed by Siegel and Shuster, a Captain Midnight cover that the curators did not bother to track the source of (it appears to be an unused version of #7 from April 1943), and a April 27, 1945 Batman comic strip. Actually, none of the creators of any of the works are credited, although the donors are.

The small exhibit lines two sides of a hallway off the busy Constitution Avenue entrance of the Museum, but the location has the advantage of being around the corner from a Batmobile from the 1989 Batman movie that was installed earlier this year. The car may be tied into the nearby installation and branding of a Warner Bros. theater showing the latest Harry Potter spin-off movie which seems like a true waste of space in the perennially over-crowded and under –exhibited (i.e. they have literally hundreds of thousands of items worthy of display in storage), but one assumes that besides the Batmobile, the theater came with a cash donation or promise of shared revenues.

Notwithstanding that cynicism, the Batmobile and the superheroes exhibit are fun to see, although most people quickly passed them by during this reviewer's visit. Also of interest may be a bound volume of Wonder Woman comics and a reproduction of an unused idea for her original costume, around the other corner from the Batmobile in the Smithsonian Libraries exhibit gallery. The museum has recently acquired some Marston family papers.

Bruce Guthrie has an extensive series of photographs including the individual comic books at http://www.bguthriephotos.com/graphlib.nsf/keys/2018_11_22D2_SIAH_Superheroes

 

(This review was written for the International Journal of Comic Art 20:2, but this version appears on both the IJOCA and ComicsDC websites on November 23, 2018, while the exhibit is still open for viewing.)

Book Review: DC: Anatomy of a Metahuman

by Mike Rhode

DC Comics collects a lot of the comic books they've published, but they also have quite a few publications aimed at an adult audience looking for a gift or willing to spend larger amounts on material that interests them. The fact that these books even exist can be amazing especially for someone who grew up in the 1970s when there was one (or less!) collection of comics published per year (The Dark Knight Returns in 1986 started the modern trend of collecting a story arc in a book or "waiting for the trade"). Over the next week or so, I'll look at three of these I've been provided with recently.

DC: Anatomy of a Metahuman by S.D. Perry and Matthew K. Manning and illustrated by Ming Doyle (San Raphael, CA: Insight Editions, 2018; $50, ISBN 978-1-60887-501-6) comes out this week and is an in-depth look at twelve mostly major DC characters through the longstanding conceit of Batman researching the strengths and weaknesses of other heroes and villains (which on reflection also dates back to 1986's The Dark Knight Returns). The press release reads:

Concerned about the threat that so-called "metahumans" may pose to the world, Batman has begun compiling a detailed dossier on their incredible physiology and abilities. From villains like Killer Croc, Bane, and Brainiac to Batman's own comrades, including Superman and Cyborg, the file brings together the Dark Knight's fascinating personal theories on the unique anatomical composition of these formidable individuals. 

 

This stunning and unique book delves into the incredible abilities of DC Comics characters like never before. Using beautifully illustrated anatomical cross sections depicting twelve different DC characters, the book, told from Batman's unique perspective, will explore how these metahumans' physical makeup differs significantly from that of the average person. From detailed theories on how Superman's eyes shoot heat rays to an in-depth exploration of how Aquaman is able to breathe underwater, the book delves into the deepest secrets of these classic characters. Also featuring chapters on the anatomy and abilities of Doomsday, Aquaman, Swamp Thing, Darkseid, Martian Manhunter, and more, this one-of-a-kind book will change the way you look at metahumans forever. 

The authors Perry (a sf/fantasy novelization writer) and Manning (a comic book historian) do a good job at summarizing the powers and features of the characters in the book (Superman, Cheetah, Aquaman, Cyborg, Martian Manhunter, Swamp Thing, Darkseid, Bane, Doomsday, Killer Croc, Bizarro and Killer Frost), but run quickly into the major problem of the fact that these powers are impossible by our understanding of physics, chemistry and other sciences, so how can they be explained? On page 9, the second page of his dossier, Batman writes, "Much of my research has been focused on the composition of Superman's bones and muscles. What combination of organic structures could possible generate his immense strength? I have many theories but all are at odds with conventional scientific thinking." This difficulty with the human scientist Batman trying to understand impossible phenomena continues throughout the book. How can a woman become a were-cheetah?

Of course, the suspension of disbelief is a major requirement in enjoying superhero comic books (and television and movies, fans of which the characters of this book seem to have been selected for). Once one decides to accept the internal logic of the book, the writing is concise and seems to reflect the current DC Universe of the comics (they've had so many reboots recently that I can't tell). Ming Doyle's semi-scientific illustration is a good match and very well done. Her illustration of Superman as Leonardo da Vinci's Vitruvian man has an underlying layer of amusement since on the same page Batman specifically notes that Superman is not and never will be human.

 

If I had come across this book when I was sixteen, I would have been thrilled, and I think it will appeal to more introspective fans of the various versions of the DC Universe, especially the movie fans. I imagine this might be a gift book for most people, and the high-quality of the printing makes the price very reasonable.

1942 photo of child reading Superman comics found in Library of Congress.

New York, N.Y. Children's Colony, a school for refugee children administered by a Viennese. German refugee child, a devotee of Superman

• Title: New York, N.Y. Children's Colony, a school for refugee children administered by a Viennese. German refugee child, a devotee of Superman
• Creator(s): Collins, Marjory, 1912-1985, photographer
• Date Created/Published: 1942 October.
• Medium: 1 photographic print.
• Summary: Photograph shows a boy reading a Superman comic book.
• Reproduction Number: LC-DIG-ds-04108 (digital file from original)
• Rights Advisory: No known restrictions on publication.
• Call Number: FSA/OWI COLL - D 364 [item] [P&P]
• Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print

Thanks to Sara Duke for the tip. Craig Yoe identified it as Superman #19.

Weldon discusses Superman on the Kojo Nnamdi show

I've just about finished Glen Weldon's new book Superman: An Unauthorized Biography, and can recommend it. You can listen to him on NPR last week -

Bellantoni, Christina.  2013.
How Superman Explains America.
National Public Radio and WAMU's Kojo Nnamdi Show (July 9).
online at
http://thekojonnamdishow.org/shows/2013-07-09/how-superman-explains-america
http://thekojonnamdishow.org/audio-player?nid=23650
http://thekojonnamdishow.org/shows/2013-07-09/how-superman-explains-america/transcript

and the pictures are from his talk at Politics and Prose yesterday, which was fun. When the bookstore posts the video they shot, I'll add link to it.

Today: Weldon on Superman at Politics and Prose

Glen Weldon - Superman: The Unauthorized Biography

Start: Jul 14 2013 5:00 pm

End: Jul 14 2013 6:00 pm

As Superman turns 75, what better time to look back over his life? Weldon, NPR blogger, critic, and comics expert, considers not only the Man of Steel's adventures and achievements, but also his place in the culture as the first, and still most popular, superhero.

Superman: The Unauthorized Biography (Hardcover)

By Glen Weldon

$25.95

ISBN-13: 9781118341841
Availability: On Our Shelves Now
Published: John Wiley & Sons, 4/2013

Other Editions of this Title

---

Street:

5015 Connecticut Ave NW

City:

Washington

,

Province:

District Of Columbia

Postal Code:

20008

Country:

United States

Superman posters in Crystal City

Tom Spurgeon caught an article in Mother Jones about the use of the Man of Steel Superman movie in National Guard recruitment ads. I should have done something earlier, because I saw one of these posters in Crystal City over a week ago.



Honestly, the themes don't seem to match up.

Weingarten supports boycotting Card's Superman in today's Chat

http://live.washingtonpost.com/chatological-humor-130226.html#My-opinion will take you right to his arguement, which seems reasonable to me.

Exhibiting the gold in the Golden Age at the Jewish Museum of MD

This past weekend I was able to attend the members' preview for the exhibit "ZAP! POW! BAM! The Superhero: The Golden Age of Comic Books, 1938-1950." The exhibit has arrived at the Jewish Museum of Maryland in downtown Baltimore and it's well-worth visiting.Curated by the late Jerry Robinson, this exhibit was put together in 2004 by the William Breman Jewish Heritage Museum in Atlanta, which published a catalogue of the same name.

 Robinson had multiple careers in cartooning including writing a history of comics, being an editorial cartoonist, and starting a syndicate, but he began as a young man in comic books. As a seventeen-year old he began working on Batman as a letterer and inker in 1939. Eventually he became a penciller for the character, and as an employee of what became DC Comics, he met a lot of artists. And thankfully he saved examples of their work, at a time when that behavior wasn't very common.

Simon & Kirby cover to Adventure Comics #78

The exhibit is full of original golden age artwork. It contains art by Mort Meskin, Lou Fine, Robinson, Will Eisner, Marc Swayze, Simon & Kirby, Charles Biro, Fred Ray, CC Beck, Fred Ray, Will Eisner, HG Peter, Sheldon Modoff, Bob Fujitani, Lee Elias, Irwin Hasen, Arthur Peddy and Bernard Sachs, Dick Sprang and Charles Paris, Joe Kubert, Reed Crandall, Al Alvison, Carmine Infantino and Frank Frazetta. Many of these are prime pieces.

And many of the writers and artists were Jewish. As comics historian Arnold Blumberg noted in his remarks at the preview, "...it's a joy to see the exhibit come to a facility like this and to take a look at it from our unique perspective of what our culture, what our heritage, has given not just to itself, but to the world. The world owns Superman and Batman and all these characters now. Many of them may not have a clue where they came from, who were the kind of people who sat down and created them, but they are now owned by the entire world. They're heroes for everybody and they came from us."

Siegel & Shuster drawing dedicated to Robinson

The exhibit gives a basic history of comic books and characters and biographies of the creators, interspersed with now-priceless art and comic books. Particular attention is paid to World War II of course. Pages of an original Batman script by Bill Finger can be seen - Robinson's estate donated other examples of these to Columbia University this month. Historic highlights include Robinson's artwork for early Batman covers, his original Joker playing card sketch, and a Siegel & Shuster drawing of Superman dedicated to Robinson. A few cases examine the merchandising of Captain Marvel (aka Shazam) and Superman.

This version of the exhibit does have a tricky dichotomy to it. The uncolored, unfinished single pages of comic book artwork will appeal to a mature (elderly, if they bought the titles originally) viewer, while the idea of a superhero largely is aimed at male teens and younger children. This version of the exhibit caters to the very youngest viewers, with a set of tables, chairs and supplies for making cartoons, a replica of Superman's telephone booth with costumes set alongside it, a Batmobile kiddy ride, a newsstand with comics to read on it, and a piece of "Kryptonite"with a recording that warns one not to get to close.

 I was fortunate to be able to visit the exhibit with local cartoonists. Barbara Dale (of Baltimore), known for her humorous cartoons, fixated on the original Spirit page by Will Eisner and the Frank Frazetta that was next to it, and thought those two pieces made the entire exhibit worthwhile.

The Eisner Spirit page that impressed Barbara Dale...

...and the Frazetta cover that Dale also admired.

Note Wrightson's debt to Lou Fine.

Rafer Roberts (of Fredericksburg) pointed out several things to me - Moldoff's use of gouache to give white highlights on the legs of a monster on Moon Girl #4's cover for EC Comics, Bernie Wrightson's debt to Lou Fine (look at the skeletonized figure on the Hit Comics cover, and Bob Fujitane's use of the traditional iconography of Japanese monsters.

Bob Fujitane uses Japanese iconography.

I had seen a previous version of this exhibit in New York at the Jewish Museum there, but it was reworked as an addition to the massive "Masters of American Comics" show. Any fan of comic book history should take the opportunity to see this version of the show at the Jewish Museum of Maryland. The catalogue can be bought in the gift shop, along with Superman toothbrushes, Batman lunchboxes and hand-painted superhero yarmelkes. The Museum has produced two curriculum guides for schools and plans lectures throughout the exhibit which runs from January 27 - August 28, 2013, and costs $8 or less. More of my pictures can be seen here.

PR: THE HISTORY OF INVULNERABILITY superhero play

THE MAN BEHIND SUPERMAN COMES TO LIFE IN DAVID BAR KATZ'S THE HISTORY OF INVULNERABILITY AT THEATER J

(Washington, DC) – The History of Invulnerability, David Bar Katz's provocative new drama, brings the origin story of the Superman comic to life, in all its political complexity. Behind every great superhero is a determined creator. In 1930s America, that creator was usually a young Jewish man with an active imagination. Batman, Spiderman, The Incredible Hulk and other iconic cartoon characters were all products of young American Jews.  Bar Katz's play illuminates the story of Jerry Siegel—the brains behind Superman's brawn—and the imagined struggle between the creative father and his uber-mensch son.

The History of Invulnerability runs June 6–July 8, 2012 at Theater J in the Washington DCJCC's Aaron & Cecile Goldman Theater. Press night is Monday, June 11 at 7:30 pm. Performances on Saturday, June 9 at 8:00 pm and Sunday, June 10 at 3:00 pm are $30 previews. Performances on Wednesday, June  6 and Thursday, June 7 at 7:30 pm are pay-what-you-can previews. Performances on June 17 and 24 and July 1 and 8 at 7:30 pm are $35 Sunday night specials. On Thursday, June 21 at 7:30 pm the show will have open-captioning for the hearing impaired. There will be special matinee performances at noon on Friday, June 22.  Tickets are available starting at $30 at theaterj.org  or (800) 494-TIXS.

With a new Superman blockbuster film opening in 2013 and the re-release of the Superman comic as "The New 52" by DC Universal in September 2011, The Man of Steel remains an enduring American phenomenon.  As Bar Katz traces the iconic character back to his conception in the mid 1930s, the audience views the action from the inner landscape of creator Jerry Siegel (David Deblinger) who begins his journey in his mother's basement in Clevelend. Frustrated with feelings of powerlessness in the face of the mounting horrors of Nazi Germany, Siegel and illustrator Joe Shuster (David Raphaely) create a being capable of overpowering all enemies. After their Superman comic catches on, the duo's desire to depict Superman slaughtering Nazis is curbed by Harry Donenfeld (Conrad Feininger), the head of DC Comics who purchased the rights to Superman for a mere $130. As Jerry wrestles to retain control of his comic book sensation and his life, America is drawn into WWII.  Interspersed with scenes from Siegel's life is the story of inmates of Birkenau. Audacious Benjamin (David Raphaely) dreams of rebellion, elderly Saul (Conrad Feininger) struggles to keep faith in God, and young Joel (Noah Chiet) waits expectantly for the day when Superman will come to their rescue.  The History of Invulnerability was a finalist for the 2011 ACTA Steinberg New Play Award and the Acclaim Award for "Outstanding Play World Premiere" at Cincinnati Playhouse in the Park.  Theater J's production marks The History of Invulnerability's East Coast premiere and second production overall.

 

Artistic Director Ari Roth welcomes The History of Invulnerability to the Theater J stage, remarking "In the tradition of David Mamet, David Bar Katz is a writer of muscular Jews with a wild, robust writing style to match. He's got a number of interesting plays: Philip Roth in Khartoum, [staged at the Public Theatre in 2008] Burning Burning Burning [surrounding Shabbetai Tzvi, the false messiah] and The Atmosphere of Memory [Featuring Ellen Burstyn]. He's a great writer for a new generation, and we're glad to start an ongoing relationship with him."  Bar Katz is a company member of the prestigious LAByrinth Theatre in New York, which includes artists like Philip Seymour Hoffman, who directed the Emmy-nominated HBO presentation of Bar Katz's Oh The Power. Bar Katz also earned two Tony Award nominations for the Broadway production of his play Freak. In an article in CityBeat, Cincinnati, Bar Katz describes himself as a writer who understands the "desire to fight battles in the real world using your fiction."

Director Shirley Serotsky understands this impulse as well, commenting "The desire to will into existence a better place, a better solution, a better being, is a fascinating piece of the Jewish and of the human story." Initially coming from a musical theatre background, Serotsky was struck by the parallels between musical theater and comic books: "Both are uniquely American art forms…dominated by Jews, often first–generation Jews who needed an escape both from the tragedies going on in Europe, and from their own often harsh circumstances in America." As the Director of Literary and Public Programming, and frequent director at Theater J, Serotsky has an extensive background staging stories from the Jewish experience.  Ms. Serotsky's Theater J credits include The Rise and Fall of Annie Hall, The Moscows of Nantucket, Mikveh and next season's The Hampton Years.  Recently, she garnered praise with her production of Birds of a Feather at The Hub Theatre, Blood Wedding at Constellation Theatre Company, and Working at Keegan Theatre.

Serotsky describes her cast as "a gutsy group of actors who are able to embrace both the stylistic world of a comic book and the deeply honest emotions and desires of the characters in this world." They are led by David Deblinger, who garnered rave reviews for his portrayal of Jerry Siegel in Cincinnati Playhouse's world premiere of The History of Invulnerability. Deblinger is one of the founding members of the LAByrinth Theater Company, where he has performed in over 15 productions. He recently appeared in the world premiere of The Killings Room at Teatro Circulo and Animals Out Of Paper at The San Francisco Playhouse. In addition to being a talented actor, Deblinger is also a prolific playwright and solo performer. On June 25, Deblinger will share his work-in-progress Abe's Lucky Penny, which deals with the themes of fathers and sons also raised in The History of Invulnerability.

Playing the brash Harry Donenfeld is Conrad Feininger. Mr. Feininger recently appeared at Theater J in Benedictus, Either/Or and String Fever. A frequent performer at The Shakespeare Theatre, he recently appeared in their productions of King Lear, Richard II, Henry V and All's Well That Ends Well. Other recent credits include Hysteria at Rep Stage and Charming Billy at RoundHouse Theatre. Playing the Man of Steel himself is Tim Getman, fresh from his appearance in After The Fall earlier in the Theater J season.  Getman has also appeared in the Theater J productions Photograph 51, Passing the Love of Women, The Last Seder and as Danny Saunders in Theater J's original production of The Chosen. He recently starred in Gruesome Playground Injuries at Woolly Mammoth Theatre Company, where he also appeared in The Unmentionables and The Distance from Here.

Also making a second appearance in the Theater J season is Brandon McCoy,  who just reprised his role as Simon in Theater J's encore presentation of New Jerusalem: The Interrogation of Baruch de Spinoza.  Playing both Joe Shuster, the illustrator of Superman, and Benjamin, the revolutionary concentration camp inmate is David Raphaely.  One of Philadelphia's most popular young actors, Mr. Raphaely has appeared in productions at The Wilma Theatre, The Arden Theatre Company, The Walnut Street Theatre, PlayPenn, and the Philadelphia Theatre Company.  In the summer of 2010, he was a guest artist in the Theater J/TheatreLab staged readings of Ari Roth's Born Guilty cycle. Jjana Valentiner, who recently gained acclaim playing barmaid Patsy in Sideman at 1^st Stage, will play Jerry's mother and other roles. Valentiner's other recent credits include Pride and Prejudice at Round House Theatre; Birds of a Feather at The Hub Theatre;  Fucking A at The Studio Theatre 2ndStage and Tartuffe at the Journeymen Theater Ensemble. She is joined by James Whalen, returning to Theater J after appearing in last season's Voices from a Changing Middle East festival. Mr. Whalen was recently seen in The Shakespeare Theatre Company's production of Cymbeline. He is also a frequent player at Everyman Theatre, where he has appeared in The Exonerated, Betrayal and The Cripple of Inishmaan. Alyssa  Wilmoth, a graduate of the Shakespeare Theatre Company Academy for Classical Acting who recently earned accolades  in No Rules Theatre Company's production of StopKiss will play Superman's paramour, Lois Lane.  Noah Chiet completes

the ensemble as the young boy imprisoned in a concentration camp, dreaming of Superman.  By the age of 12, Mr. Chiet has already gained rave reviews for his turn in Ganeymede Arts' Falsettos and in Liberty Smith at Ford's Theatre. He has participated in two readings at Theater J, and this is his first production.

An all-star design team of Theater J veterans reunite to create the vibrant world of comic books and the equally atmospheric concentration camps. In addition to designing the set for The Rise and Fall of Annie Hall and The Moscows of Nantucket, scenic designer Robbie Hayes has worked on Theater J's Sholom Aleichem: Laughter Through Tears. Lighting will be designed by Dan Covey, who also designed lights for Mikveh at Theater J. Debra Kim Sivigny, a veteran Theater J designer (Rise and Fall of Annie Hall, The Moscows of Nantucket and Mikveh) and company member of Rorschach Theatre, will be designing costumes. Returning to Theater J after several seasons is Dre Moore, as Properties Designer. Matthew Nielson (The Whipping Man, New Jerusalem) will create the sound design.

The History of Invulnerability is presented as the annual Arthur Tracy "The Street Singer" Endowment Production honoring the memory and musical legacy of Arthur Tracy, the renowned radio, stage and screen singer and entertainer whose talent delighted millions around the world. Additional funding has been provided by Ann and Don Brown and Judy and Leo Zickler.

Complimenting The History of Invulnerability in the DCJCC Ann Loeb Bronfman Gallery will be the exhibit "Graphic Details: Confessional Comics by Jewish Women" opening on June 7. See washingtondcjcc.org/gallery for more information.

THE HISTORY OF INVULNERABILITY FACT SHEET

WRITTEN BY: David Bar Katz

DIRECTED BY: Shirley Serotsky

SCENIC DESIGNER: Robbie Hayes

LIGHTING DESIGNER:  Dan Covey

COSTUME DESIGNER: Debra Kim Sivigny

PROPERTIES DESIGNER: Dre Moore

SOUND DESIGNER: Matthew Nielson

DRAMATURG: Stephen Spotswood

PRODUCTION STAGE MANAGER: Roy A. Gross

FEATURING: David Deblinger, Conrad Feininger, Tim Getman, Brandon McCoy, David Raphaely, Jjana Valentiner,
James Whalen, Alyssa Wilmoth and Noah Chiet

PRESS NIGHT:  Monday, June 11

PERFORMANCE SCHEDULE: June 6-July 8, 2012

Regular Schedule:  Wednesdays and Thursdays at 7:30 pm, Saturdays at 8:00 pm, Sundays at 3:00 and 7:30 pm

$30 Previews:  Saturday, June 9 at 8:00 pm and Sunday, June 10 at 3:00 pm

Pay-What-You-Can Previews: Wednesday, June 6  and Thursday, June 7 at 7:30 pm

Special Matinees: Friday, June 22 at 12:00 pm
Please note: Thursday, June 21 at 7:30 pm the show will have open captioning for the hearing impaired.

THEATER J INFORMATION:

LOCATION: The Washington DC Jewish Community Center's Aaron & Cecile Goldman Theater at 1529 16^th Street NW in Washington, DC, 4 blocks east of Dupont Circle.

PARKING & METRO:  Limited parking in the Washington DCJCC lot; additional parking available at Colonial Parking, 1616 P Street NW; limited street parking. Dupont Circle Station RED line.

TICKETS:  Starting at $30. Box Office Tickets (800) 494-TIXS or boxofficetickets.com.

For discounts for groups of 10+ call (202) 777-3214 or email becky@theaterj.org

Theater J is handicapped accessible and offers assisted listening devices for interested patrons.   

High resolution digital images are available upon request. More information about this production is available at (202) 777-3230 or theaterj.org.

Theater J, a program of the Washington DCJCC, produces thought-provoking, publicly engaged, personal, passionate and entertaining plays and musicals that celebrate the distinctive urban voice and social vision that are part of the Jewish cultural legacy. Acclaimed as one of the nation's premiere playwrights theaters, Theater J presents cutting edge contemporary work alongside spirited revivals and is a nurturing home for the development and production of new work by major writers and emerging artists exploring many of the pressing moral and political issues of our time. Dedicated first to a pursuit of artistic excellence, Theater J takes its dialogues beyond the stage, offering an array of innovative public discussion forums and outreach programs which explore the theatrical, psychological and social elements of our art. We frequently partner with those of other faiths and communities, stressing the importance of interchange among a great variety of people wishing to take part in frank, humane conversations about conflict and culture.

NPR's Weldon also has an opinion on 'Superman vs. Muhammad Ali'

Float Like a Snagriff, Sting Like a Fish-Snake: 'Superman vs. Muhammad Ali'
by Glen Weldon
National Public Radio's Monkey See blog (November 17, 2010)

Brad Meltzer geeks out

Brad Meltzer, the formerly local comics writer, forever outs himself in "Why ‘Superman vs Muhammad Ali’ is still the greatest"

Weldon on yet another Superman reboot

On 'Hipster Superman' And Other Wildly, Weirdly Successful Press Releases
by Glen Weldon
National Public Radio's Monkey See blog October 27, 2010

Nostalgia rears its head in Baltimore

The tabloid comic book is being reprinted and fans are getting ready.

Superman! Vs. Muhammad Ali!
By Vincent Williams
Baltimore City Paper October 20, 2010

NPR's Monkey See blog's podcast on Superman

Pop Culture Happy Hour: Superman, Tim Gunn, And Other Everyday Heroes
by Linda Holmes
National Public Radio's Monkey See blog's Pop Culture Happy Hour (October 8 2010)

With Glen Weldon of course. And I'm now guessing that Linda Holmes must be in the area too?

Superheroes Who Are Super at the Capital Fring Festival beginning tonight

 

 

Save the Day Productions is presenting its live readings of comic books, "Superheroes Who Are Super" at the Capital Fringe Festival beginning tonight

 

Times

Friday, July 9 @ 8pm
Superman vs. the Amazing Spider-Man and Wonder Woman #1
Saturday, July 10 @ 10pm
Superman vs. the Amazing Spider-Man and Wonder Woman #1
Wednesday, July 14 @ 9:45pm
Batman Adventures: Mad Love
Friday, July 16 @ 10:15pm
The Uncanny X-Men #127-128
Sunday, July 18 @ 3:30pm
The Uncanny X-Men #127-128

 

Location

The Apothecary
1013 7th Street, NW
Washington, DC
Tickets: $15

Zadzooks reviews comic books, including Captain America's return to life

Zadzooks: Captain America, The Crazies and Sparta U.S.A.
Joseph Szadkowski
Washington Times March 20, 2010

Meanwhile at Bennett's Best, Greg has a couple of recommendations, neither of which I can get behind.

Weldon on the silliness of a million bucks for a comic book

I Found A Million-Dollar Comic (In A 5 and 10 Cent Store) says Glen Weldon, at National Public Radio's Monkey See blog (February 24 2010).

Cavna looks into Superman million dollar comic a bit more closely

Call the Daily Planet! Superman comic book sells for record $1M [UPDATED]
Michael Cavna
Washington Post Comic Riffs blog February 22, 2010

Million dollar action

Both the Express and the Examiner ran stories about somebody paying a million dollars for a comic book with the first appearance of Superman. Here's the wire story they used: Superman's debut comic book issue sells for $1M By JAKE COYLE, The Associated Press, Monday, February 22, 2010.