Showing posts with label Superman. Show all posts
Showing posts with label Superman. Show all posts

Monday, August 18, 2025

WaPo obit for Superman's General Zod

Terence Stamp, English actor known for 'Superman' and 'The Limey,' dies at 87 [in print as Actor was a superb Superman villain]


Sunday, July 20, 2025

WaPo on comics, comics, comics

Why the Silver Surfer is the superhero for our cosmically fraught times [in print as The Silver Age]

Column by
Washington Post (July 20, 2025): E1, 8-9.

A surrogate dad. America's guardian. What Superman means to us. [letters]

Tina Rhea et. al.

Aggressive instructions, impossible locks: When vacation rentals go wrong [in print as Vacation rentals gone wrong]

By
Washington Post (July 20, 2025): F6.

'Donkey Kong Bananza' is a smashing grab bag of classic Nintendo ideas [in print as 'Donkey Kong Bananza' rises to the moment]

Review by
Washington Post (July 20, 2025): E1, 11.
 

Steve Benson, provocative Pulitzer-winning cartoonist, dies at 71 [in print as Provocative Pulitzer-winning cartoonist known for skewering politicians].

While shifting from the political right to the left, he skewered politicians including Arizona Gov. Evan Mecham and President Donald Trump.

 

and missed this.

Season 2 of 'The Sandman' sits in the dark shadow of Neil Gaiman [in print as 'Sandman' sits in the dark shadow of Gaiman].

Review by
Washington Post (July 4, 2025): C1-2.

Thursday, July 17, 2025

Superman - the Movie Merch

 I saw Superman (2025) at Ballston last night. I thought the movie was a standard superhero movie and I consider them all B movies by definition. It was fine by me, but not great and I don't need to see it again. I was hoping for more though.


There were way too many uninteresting fights. My buddy who went with me and isn't a superhero movie fan was really bored by these and turned off by the lack of the development of the characters.

Supes costume looked curiously clunky to me. Anyone else?

Mr. Terrific was cool though. 

I really, really could have done w/o the Ultraman twist.

The dimensional rift as shown, was really stupid and unnecessary.

Here's the comic book creators that were credited. Rich Johnston always covers this at Bleeding Cool, so I'd recommend checking out his column. 

 
OK, enough of that. Let's get down to the merch, and other ephemera (ie the FF poster). I don't go to the movies very often anymore so I was surprised to see a mini-mart opened in front of the concessions.

  

 
Nice Fantastic Four poster in the lobby; I'm sure these will be collectible, but I miss the giant displays of cardboard that the theaters used to have.

 

I'm not sure what this table in the lobby was for...

    
the now-common overdone popcorn bucket...  
 
Pillows and blankets in case you need to sleep in those darn recliners that you can't get away from...

 


...and what appears to be a popcorn maker with Superman powering it with his heat vision


and the Smurfs were not ignored as their next movie opens this week...
 
 
 


Wednesday, August 17, 2022

Tom King on his Dark Crisis Superman story

Dark Crisis: Tom King and Chris Burnham offer a spoilerly peek into Superman's prison

As the truth behind the Justice League's twisted imprisonment in Dark Crisis is revealed, Tom King and Chris Burnham detail Superman's twisted role in the crossover.

Tuesday, February 01, 2022

Bruce Guthrie on "Icons of American Animation" in Westminster, Maryland

 by Bruce Guthrie

I went to Westminster, Maryland to visit the new "Icons of American Animation" exhibit which is spread over two different venues there.  The exhibit opened on January 3rd and runs until March 12th.

The main portion, about 60% of the 150+ pieces, are at the Carroll County Arts Council’s Tevis Gallery.  This gallery's largest chunk are Disney pieces (although, like the other sections, there are Disney pieces in both galleries).

The other portion is at the Esther Prangley Rice Gallery at McDaniel College.

The two galleries are 0.4 miles apart and you can easily walk between them.  I parked for free at the college, visited the gallery there, and then walked to the Council's gallery.  Both exhibits are free.

Both venues offer the free 32-page color exhibition pamphlet which includes images of all of the pieces in the exhibit as well as some of the wall text.

The exhibit includes original sketches and animation cels dating back to 1914.  That earliest piece is a sketch from Winsor McCay's "Gertie the Dinosaur" which most of us keep thinking is America's first animated cartoon.  In actuality, McCay himself had earlier made "Little Nemo" (1911) and "How a Mosquito Operates" (1912) and there were some earlier animation experiments done earlier by others. Wikipedia bills the cartoon as "the earliest animated film to feature a dinosaur."

Another McCay piece, a panel from his "The Sinking of the Titanic" (1918) is also included.



There is an amazing array of pieces here.  When I was walking between the venues, I was promoting the exhibit to strangers on the street and a Westminsterite lit up and asked if there were any pieces by Ralph Bakshi in the show -- he especially loved "Fritz the Cat".  Well, yes.  There is a cell from that as well as from Bakshi's "Wizards".

To give you an idea of some of the pieces you'll see by decade:

  • 1910s: The two Winsor McCay pieces.
    Curator Robert Lemieux
  • 1920s: Oswald the Rabbit, Steamboat Willie, Out of the Inkwell
  • 1930s: Three Little Pigs, Snow White and the Seven Dwarfs, Betty Boop, Gulliver's Travels, Flowers and Trees (Disney), The Band Concert (Disney), Porky's Duck Hunt
  • 1940s: Fantasia, Pinocchio, Dumbo, Adventures of Ichabod & Mr. Toad, Bambi, Superman (Fleisher), Bambi, Lady and the Tramp, Sleeping Beauty, Red Hot Riding Hood (Tex Avery), Mighty Mouse
  • 1950s: Gerald McBoing-Boing, Rooty Toot Toot, Mr. Magoo, Cinderella, Peter Pan, Alice in Wonderland, Huckleberry Hound, Crusader Rabbit, Rocky & Bullwinkle, 101 Dalmatians, Tom and Jerry, What's Opera Doc, Road Runner Show
  • 1960s: The Jungle Book, The Jetsons, The Flintstones, Jonny Quest, Space Ghost, The Pink Panther, Charlie Brown, George of the Jungle, Droopy
  • 1970s: The Aristocats, Scooby Doo, Yogi Bear, Wizards, Fritz the Cat, Horton Hears a Who, The Phantom Tollbooth
  • 1980s: Who Framed Roger Rabbit, The Little Mermaid, The Smurfs, Secret of NIMH, An American Tail, The Land Before Time, The Simpsons
  • 1990s: Aladdin, The Lion King, Tarzan, Mulan, Rugrats, Toy Story 2, Nightmare Before Christmas, The Ren & Stimpy Show
  • 2000s: Shrek

Obviously, as cartoons increasingly became computer-generated, you're not going to see original cels so the latter years are mostly represented by concept art or storyboards.  The latest piece, for example, was a city design painting from "Shrek" (2001).  One of the pieces (a model sheet) was a lithograph but everything else was original.

Since there are two venues, you'll want to time your visit so you can see both of them in the same trip.  Of course the venues have different hours but here's a combined schedule -- don't go on Wednesday or Sunday!:

  • Monday: Rice 10-4pm, Council 10-4pm
  • Tuesday: Rice 10-4pm, Council noon-7pm
  • Wednesday: Rice 10-4pm, Council ---
  • Thursday: Rice 10-4pm, Council noon-7pm
  • Friday: Rice 10-4pm, Council 10-4pm
  • Saturday: Rice noon-5pm, Council 10-4pm
  • Sunday: Rice ---, Council ---

The exhibit's official home page is https://iconsofanimation.com/  The news release about the exhibit: https://www.mcdaniel.edu/news/major-exhibition-curated-communication-professor-highlights-artistic-and-cultural-significance

I of course did my normal photo obsessive thing, spending about 90 minutes at each venue and some of my photos are below.  My pages for the exhibit:

Both venues require masks but not proof of vaccination.  During my visit, there were two other people seeing the Rice exhibit and three at the Council gallery (two of them being the same two from the Rice exhibit) so social distancing was easy. 





























Friday, November 23, 2018

Exhibit review: Superheroes at the National Museum of American History

by Mike Rhode


Superheroes. Washington, DC: National Museum of American History. November 20, 2018 to September 2, 2019. http://americanhistory.si.edu/exhibitions/super-heroes
The Smithsonian museum has mounted a small, but choice, exhibit made up of some extremely surprising pieces. The terse description on their website only hints at it:
This showcase presents artifacts from the museum's collections that relate to Superheroes, including comic books, original comic art, movie and television costumes and props, and memorabilia. The display includes George Reeves's Superman costume from the Adventures of Superman TV program, which ran from 1951-1958, as well as Halle Berry's Storm costume from the 2014 film X-Men: Days of Future Past.
Of the five exhibit cases, two concentrate on comic books and original art, while the other three contain props from movies and pop culture ephemera. Surprisingly, the Black Panther costume from the Marvel movies which the African-American History museum collected this summer is not included, but as noted above they have displayed George Reeve's Superman costume (since it is in color rather than grey shades, it came from the later seasons of the television show), Halle Berry's Storm uniform, along with Captain America's shield, Wolverine's claws and Batman's cowl and a batarang. Those three cases are rounded out with the first issue of Ms. Magazine which had a Wonder Woman cover, two lunchboxes (Wonder Woman and Marvel heroes), and a Superman telephone.













courtesy of Grand Comics Database
 Surprisingly, the two cases of comic books and original art include a very wide variety of comic books including some that just recently came out such as America (Marvel) along with older issues such as Leading Comics from 1943 which featured Green Arrow among other heroes such as the Crimson Avenger and the Star-Spangled Kid. The existence of an apparently extensive comic book collection in the Smithsonian comes as a surprise to this reviewer and will need to be researched more in depth. Even more of a surprise were the four pieces of original art on display – the cover of Sensation Comics 18 (1943) with Wonder Woman drawn by H.G. Peter, a Superman comic strip (1943) signed by Siegel and Shuster, a Captain Midnight cover that the curators did not bother to track the source of (it appears to be an unused version of #7 from April 1943), and a April 27, 1945 Batman comic strip. Actually, none of the creators of any of the works are credited, although the donors are.
The small exhibit lines two sides of a hallway off the busy Constitution Avenue entrance of the Museum, but the location has the advantage of being around the corner from a Batmobile from the 1989 Batman movie that was installed earlier this year. The car may be tied into the nearby installation and branding of a Warner Bros. theater showing the latest Harry Potter spin-off movie which seems like a true waste of space in the perennially over-crowded and under –exhibited (i.e. they have literally hundreds of thousands of items worthy of display in storage), but one assumes that besides the Batmobile, the theater came with a cash donation or promise of shared revenues.

Notwithstanding that cynicism, the Batmobile and the superheroes exhibit are fun to see, although most people quickly passed them by during this reviewer's visit. Also of interest may be a bound volume of Wonder Woman comics and a reproduction of an unused idea for her original costume, around the other corner from the Batmobile in the Smithsonian Libraries exhibit gallery. The museum has recently acquired some Marston family papers.

Bruce Guthrie has an extensive series of photographs including the individual comic books at http://www.bguthriephotos.com/graphlib.nsf/keys/2018_11_22D2_SIAH_Superheroes


 












(This review was written for the International Journal of Comic Art 20:2, but this version appears on both the IJOCA and ComicsDC websites on November 23, 2018, while the exhibit is still open for viewing.)