Baldo gag by Arlington's John Dawson

 I just read December 19th's Washington Post today, and saw that the anecdote / gag is by a local man named John Dawson.

Jon's Joint, a restaurant in Arlington, has comics history

On furlough, I've got to get out of the house at times. Today I went to Jon's Joint https://www.jonsjoint.us/ on North Glebe Road in Arlington. The decor reflects the childhood of the owners, Safa Farighi and his partner Jan Amaan. There's a decent amount of comics content which immediately caught my eye. I chatted with Safa to get the story about the restaurant's look,

Also the comics I grew up on including Keith Pollard's Thor

  Oh yes, since it's a restaurant, I'll say the burgers are good, and the ice cream is great  (and to be transparent, he comped my friends and me ice cream when I said I wanted to write this blog post.). And the owners are super friendly.  I'm embarrassed to say that they've been open for a year as of yesterday. Sometimes you miss what's right in front of you.

 

Safa Farighi

Original painting of gangsters by Safa's brother Wali Farighi

Original painting of the Capitol by Safa's brother Wali Farighi

the ice cream is really good. I recommend the chocolate shake

@arlingtonaf at Columbia Pike Farmer's Market

 

Wilson R. set up today at Columbia Pike Farmer's Market. Arlnow just ran a good profile of him at https://www.arlnow.com/2025/07/31/local-artist-launches-satirical-zine-and-street-studio-pop-up-in-clarendon/ so read that for background. I'd note that his take on Trump and the Virginia flag is classic political cartooning. Local cartoonist Christiann MacAuley contributed a Sticky Comics strip to the zine he's doing. He's selling zines, prints, and stickers. Note his mobile art studio is a bicycle.

Note the sticker version of the Virginia flag cartoon, which was originally a poster.

Meet a Local Zinester: A Chat with Johnerick Lawson

by Mike Rhode

A local zine creator recently reached out to me to ask about an interview I did years ago with Bebe Williams.  Johnerick Lawson and I met up later that week at Deandra Tan's signing event and I got a copy of his zine from him (and one for the Library of Congress). Upon learning that he'd published a comics newspaper in California, I asked him to do our usual interview.

What type of comic work or cartooning do you do?

Sincerely and by that I mean however I can get the cartoon out whatever style, medium or genre hopefully at its core is sincerity. Mostly the comic work I have done has been in support of some thought exercise.

How do you do it? Traditional pen and ink, computer or a combination?

Okay, let's look at a comic strip I am working on right now. It starts in a sketchbook and I usually use a Sharpie or something permanent so that I can just focus on things like the shape and movement without getting bogged down with details. This comic strip has been throwing me for a loop when I need to fail drawing it a bunch before it is right and maybe it will never come out the way I see it, but with a deadline something will. 

When (within a decade is fine) and where were you born?

1977.

Why are you in Washington now?  What neighborhood or area do you live in?

I would say for family. I live in Arlington Va, 

What is your training and/or education in cartooning?

My true training came from publishing an all-comics newspaper in SF called the Madhappys. I self-published comics before, but once I started publishing other's art, I learned from the fire of production. The speed of printing a newspaper monthly for 15 months was madness. I worked with two other comic artists - Jeff Walker and Nate Orman. My education in cartooning was, and still is,  from the comic artist I work with and read. That's one thing I love about cartooning or comics or art, it really is the work you love that trains you. 

Who are your influences?

I am influenced by my friends, and I humbly learn as much as I can from all that put their heart into what they do. Names i would say that are unquestionably influences are Jim Woodring, Sammy Harkham, Mobius, Bald eagles, Adam Air, Gabriel Fowler, Crumb, Katsuhiro Otomo

If you could, what in your career would you do-over or change? Or rather, how are you hoping your career will develop?

Every mistake made me who I am so I think I'll leave it as is. I would love to know and understand what my career is and how it will develop but really I think just jumping off the edge of inactivity and doing something is my greatest effort. Just don't give up. 

What work are you best-known for?

Secretly I hope not to be known for any one thing, and honestly I don't think most people really know me LOL. I like to make work that is sometimes hard to understand and I usually just put it out there with little care of some sort of recognition. I was known for a while in the early 2000 for selling my art on the streets in Williamsburg Brooklyn, but I think that too was probably just the locals, at the time I felt famous LOL 

What work are you most proud of?

Right now the zine I'm making is called “Who Cares lol” It is an effort to celebrate the art in Arlington, VA. It's hard because I come equipped with a bunch of biases and opinions and I'm trying to just be observational and optimistic avoiding the authority part of sight. Both super hard in the climate of information we live in today. But I feel like I am doing something that I want to see and that makes me proud. 

What would you like to do or work on in the future?

I am working on a sculptural project called “Patience.” I completed one of 11 life size sculptures of the little green army men but with the guns removed. I am doing 11 for the 11 states that have any form of waiting period before you are able to buy firearms. The figures will be decorated in children's drawings and hopefully placed together in a way that they can be climbed on and enjoyed not just for the message but also as fun objects to play with. Kind of like a cartoon come to life.

What do you do when you're in a rut or have writer's block?

Oh this happens to me all the time. I usually get crushed under it and lay in bed for a bit or on the couch. I like video games or really anything that can take your mind away from what you are working on. I find it to be the most important part of any creative process is to not be mean to yourself if you need a break. I also am working on so many things at once I usually just jump onto something else that I can feel some sort of flow in. other than that just work on tech like still life or perspective studies.  

What do you think will be the future of your field?

Hopefully everyone will be an artist but idk I think that we will always need some sort of weirdo to show us a different way of looking at things that we have come accustomed to ignoring. I think print will continue though digital does seem to dominate the comics sphere at the moment. I see that continuing as well. 

What local cons do you attend? The Small Press Expo, Awesome Con, or others? Any comments about attending them?

I love cons; when I was producing the Madhappys, we attended APE in SF. I feel like my vibe is more towards the Small Press Expo. I'm kind of a hermit though. 

 

What comic books do you read regularly or recommend? Do you have a local store?

Kramers Ergot

Black Hammer

Shaolin Cowboy

Back cover of Who Cares LOL #1

What's your favorite thing about DC?

The people

Least favorite?

The people.

What monument or museum do you like to take visitors to?

Hirschhorn, it was a saving grace for me in high school.

How about a favorite local restaurant?

Rossana mobile coffee truck is for sure my favorite.

Do you have a website or blog?

johnerick.com

whocareslolva.com

@trustrobot

 

How has the COVID-19 outbreak affected you, personally and professionally?

I worked in a doctor's office as the office manager/receptionist. It was a small practice, but I definitely got a front line look at how Covid swept through, not just as an idea, but as an illness that took a lot of life. I can say this though. I loved how little traffic there was.

Arlington cartoonist Jake McGuire profiled

Cartoonist's work comes with out-of-this-world perspective [Jake McGuire]

Arlington Sun-Gazette  August 12, 2022

https://sungazette.news/cartoonists-work-comes-with-out-of-this-world-perspective/

Arlington has a new political cartoonist platform for Mike Mount

Mike Mount is doing them weekly since at least July 25th and as of Oct 22nd, they can be seen at https://www.arlnow.com/tag/cartoon/

"Each week we've been bringing ARLnow Press Club members a new editorial cartoon by Arlington resident Mike Mount.

Starting this week we're going to start publishing the toons here on a regular basis, after hearing from members that they prefer that Press Club content be seen by the entire ARLnow community.

Members will still get an early look at the cartoons, much like they get the Morning Notes four hours early each day, as well as a a preview of the stories we're planning to cover later in the day."

Jim Scancarelli, Arlington high school cartoonist

Yesterday, we reprinted a piece about Gasoline Alley cartoonist Jim Scancarelli being selected for Arlington's Wakefield High School's Hall of Fame. Today we present some of the cartoons he did for the school newspaper, again courtesy of the Alumni group which also sponsors scholarships.

The Signal, November 10, 1955

The Signal, November 21, 1955

The Signal, December 7, 1955

The Signal, February 9, 1956

The Signal, March 28, 1956

The Signal, May 17, 1956

 

The exhibit at Wakefield High School featuring the original art for Gus Todian's return to comics in Gasoline Alley.

Jim Scancarelli, Class of 1959 in Wakefield High School's Hall of Fame

Reprinted with permission from Warrior News, Fall 2017. For information on alumni from Wakefield High School (Arlington,VA) and the scholarship program, click here.

2017 Inductees into the Hall of Fame

Jim Scancarelli, Class of 1959

Provided by David Mitchell '65,
Hall of Fame Committee, Chair
 

Jim is a cartoonist who writes and draws the syndicated comic strip "Gasoline Alley". He is also a well-known and prize-winning bluegrass fiddler.

Jim's cartoon career started at Wakefield. The student newspaper and literary magazine of his era are filled with his drawings. The student newspaper featured a cartoon "Gus Todian", about a Wakefield custodian. Fifty years later, Jim revived Gus, the custodian at Wakefield, in "Gasoline Alley". During his time at Wakefield, Jim says "Comics were my escape ... The characters became my friends." He says he wasn't a good student and it was the work of several teachers who channeled his desire to draw and taught him the skills he needed to be successful.

From the November 10, 1955 Signal, Wakefield's Student Newspaper

Jim has been a freelance magazine illustrator, wrote and acted in radio programs, and was even the Art Director for "The Johnny Cash Show" in the early 1960s. Jim began his work on Gasoline Alley in 1986, and has collaborated on the Mutt and Jeff comic strip, as well.

From the December 7, 1955 Signal, Wakefield's Student Newspaper

His comic strip often has social and community meanings. Through his comic strip, he brought attention to the construction of the World War II Memorial and the National Museum of the United States Army. In 1988, he received the National Cartoonists Society's Story Comic Strip Award. As a bluegrass fiddler, he founded the Kilocycle Kowboys and was a prizewinner at the Old Fiddlers Convention. The American Folklife Center at the Library of Congress has his fiddle recordings. He jokingly says "I've been playing the fiddle too long to be bad at it."

Jim donated the original boards for the Gasoline Alley Gus Todian strips he did in 2015 and they are on display at school.  Photo courtesy of  Conchita.

More on the new Cul de Sac play by Amy Thompson and Encore Stage

by Mike Rhode

Yesterday, the Washington City Paper posted my interview with Amy Thompson and Sara Duke on the new Cul de Sac play coming to Encore Stage and Studio next month. They didn't use all of the photographs that Amy provided, or a couple of little bits from the interview, so we present them here for the world's rabid Cul de Sac fans.

Mike Rhode: Richard’s characters are children, but sometimes they are Peanuts-like children, wise beyond their years, as opposed to actual children. Having met people in his family, I can definitely see some of the sources for the strip. Amy, you neglected to mention that you’re often the model for the mom.

Amy Thompson: [laughing] Sometimes…

MR: Did you take inspiration from any previous strip adaptations like the Peanuts cartoon shows or Annie the musical?

AT: I don’t think they’re comparable in the same way. There’s You’re a Good Man, Charlie Brown, but that’s a musical and I knew I didn’t want to do this as a musical for children’s theater. If I was doing this for professionals who could sing and dance, I think it would make a great musical. This has a couple of random songs, but isn’t a musical. One thing that I did think about is a stage adaptation of Maurice Sendak called Really Rosie. It was based on The Sign on Rosie’s Door and The Nutshell Library. They took the words from Nutshell Library and had ready-made songs. He did it with Carole King and that was a Broadway show. They also did it as an animated special, and I researched it more and read the script and heard the cast recording. That had the same kind of resonance because the main character Rosie is a drama queen. It’s all about “me and you’re going to be part of my little show.” That was something that I thought about.

Sara Duke: I love the detail she put into this. The plates look right. Everything on their kitchen table is perfect.

MR: Could you see using older people in it?

AT: It could be played by people of any age. The main drawback would be that it is for a very large cast the way it’s written right now. You couldn’t do it with a professional theater because it would cost way too much money. It would have to be reworked.

MR: What are you plans for the play in the future?

AT: There are no plans. I hope to publish it. If everything goes well, I would like to approach somebody about publishing it so it could be done anywhere.

SD: The production team discussion about the toad zombies was really amusing and included: how do they move, what do their costumes look like, can they crawl on top of each other, how do they interact…?

MR: Did Richard ever draw them?

AT: He drew one. There was one picture of a toad zombie, and there was one picture later that his artist collaborator Stacy Curtis drew of a bunch of them. You don’t really know what happens with the toad zombies, so I got to make that up.

Comic Strip Hate in Arlington (contains morally-offensive images)

Randy Scott of Michigan State University's Comic Art Collection posts a list of material he's catalogued each week and I usually browse it on Friday evening.

This description caught my eye recently:

Buy Aryan : Boycott Jew Stores. -- Arlington, Va. : National Socialist White People's Party, 1973. -- 1 leaf : ill. ; 28 cm. -- A white supremacy leaflet describing the program of the political party, in comic strip format on one side and text on the verso. -- Call no.: HS2330.N39B8 1973

Yes, Virginia, Arlington had a headquarters for George Lincoln Rockwell's American Nazi party. Thanks to MSU, we can see this comic strip abuse of Uncle Sam in favor of ridiculous anti-Semitism. Thankfully, these days - 40 years later - Rockwell would be run out of Arlington on a rail. His former headquarters is now a coffee shop. As a corrective to these images, ComicsDC recommends a visit downtown to the US Holocaust Memorial Museum, where one can see the consequences of rhetoric such as this. (We do of course recognize and support the First Amendment and Rockwell's right to speech like this, even as we despise his views).