Fun times with Bob Mankoff

Bob Mankoff gave a very interesting talk today at the Smithsonian American Art Museum as part of their Steinberg exhibit. The talk was held in the lovely new auditorium apparently buried under the former courtyard. Mr. Mankoff talked about Steinberg's early cartoons for the New Yorker (which can be seen on the Complete New Yorker Cartoons cd), Steinberg's influence on his early work, and the nature of gag cartoons and humor. Mankoff said that the Caption Contest gets about 10,000 entries per week and showed a slide of how he and his assistants break up the entries to make sense of them. He had a lot of interesting points to make, and the working cartoonists I was sitting with, AAEC head Rob Rogers, Matt Wuerker, Nick Galifianakis and Richard Thompson all seemed engaged. I certainly was, but I'm not a professional cartoonist.

Crawford cartoon to illustrate the nature of humor.

Some of the 10,000 entries to the New Yorker Cartoon Contest sorted into categories.

Sample page of Cartoon Bank database.

Afterwards Mr. Mankoff signed books including the New Yorker Book of Art Cartoons. In the accompanying pictures (below), Warren Bernard gets confirmation that four books is the complete set of Mankoff books, and gets them all signed at one fell swoop. Mankoff said that he didn't even have copies of them all anymore.




The rain started in earnest so Rob Rogers invited Mr. Mankoff to the museum's cafe with us and we had a fun hour hearing stories of the New Yorker, and talking shop. Matt stood us all to drinks, and Rob picked up the chips - thanks guys! One point Mankoff did make was that by animating cartoons, the Cartoon Bank could pick up new sponsors like Lexus - here's an example that Richard found.

Rob Rogers, Matt Wuerker, Bob Mankoff, Richard Thompson and Nick Galifianakis talking in the museum lobby after the booksigning.

Rob Rogers forcibly suggests that Bob Mankoff might not want to go out in that rain.

The last two photos are everyone in the cafe. Richard's in the blue denim shirt, Nick's in blue shirt with long hair, Matt's in the brown jacket, Rob's in the dark blue jacket and Bob Mankoff's in the suit. This was a thoroughly enjoyable Sunday. Matt wrote down the best epigraphs from the talk, and hopefully one of the others will flesh out this entry a bit.

June 2: Comics librarian Randy Scott's birthday

Saturday is ace comics librarian Randy Scott's 60th birthday. Randy has built the Michigan State University Comic Art Collection into a world-class institution, while putting up one of the most helpful websites for in-depth scholarly comics research. Let's raise a glass to Randy! (and send him some comics. Obscure ones, not in English. I do it all the time.)

Shrek videogame review in Post

John Gaudiosi reviews the game in "You'll Get Ogre It All Too Quickly", Washington Post Friday, June , 2007; WE60.

June 2, 9: Improvs on Steinberg at American Art

On the next 2 Saturdays at 3 pm, Now This! will be presenting Sketchy Sketches improvs based on Steinberg's cartoons at American Art. It's free. And Bob Mankoff is appearing at 3 pm this Sunday.

LUNA BROTHERS ON THE END OF GIRLS

The Luna Brothers live somewhere between DC and Baltimore. An interview with them, "LUNA BROTHERS ON THE END OF GIRLS" by Vaneta Rogers, Newsrama (April 6, 2007) ran recently and might be of interest. I think they usually attend the Baltimore Comic-Con if wishes to meet them.

Comics: 'Avril Lavigne's Make 5 Wishes'

Scott Rosenberg has an online interview with artist Camilla d'Errico in "Comics: 'Avril Lavigne's Make 5 Wishes'". It came out on the 30th, but I would have missed it without Tom Spurgeon's Comic Reporter. I read the Express every day too...

June 3: Bob Mankoff at American Art

New Yorker cartoonist and comics editor Bob Mankoff will be at the Saul Steinberg exhibit at the Smithsonian American Art Museum. The free program is at 3 pm on Sunday

Post dropping B.C. and Wizard of Id after cartoonists' deaths

A NOTE TO READERS
Washington Post Monday, May 28, 2007; Page C10

Beginning June 4, we will be adding two of our Sunday only comic strips to our daily lineup. "Sherman's Lagoon" and "Lio" will now run every day. The same day, we will drop "B.C." and "The Wizard of Id" from our daily pages. "Wizard of Id" will still run on Sundays. Johnny Hart, who created "B.C.," and Brant Parker, who co-created "The Wizard of Id" with Hart, died in April. Both "B.C." and "The Wizard of Id," now being done by family members, will still be available on our Web site, http://www.washingtonpost.com. As always, we welcome your comments. See our "Comics Feedback" contact information above "Garfield" on Page C11.

Bits from the papers

Remember, the City Paper that's on the racks until Thursday has Brian Ralph illustrations exactly like these in it.

I was traveling and haven't read the weekend's papers yet, but Friday's Post had a videogame review - "Now Spider-Man Needs Rescuing" by John Gaudiosi, Washington Post Friday, May 25, 2007; Page WE36.

The Onion had a Shrek videogame review, "Shrek The Third" by Chris Dahlen, Onion May 24st, 2007.

And of most interest to me, a review of the reissue of Jules Feiffer's novel from 1963, "Harry, The Rat With Women" by Jules Feiffer (Fantagraphics), Reviewed by Tasha Robinson, Onion May 24th, 2007.

Today's Post has a wire story on the Teletubbies, "Pursed Lips in Poland over Image of Purple Teletubby", Reuters, Washington Post May 29, 2007.

Tom Toles profiled by Dave Astor

"Tom Toles Reviews Five Years At 'Wash Post'" by Dave Astor, E and P Online May 25, 2007. Nothing surprising, unsurprisingly, as Mr. Toles has pretty straightforward views in his cartoons, but a good general interview.

Stuff in today's DC papers

Quick hits - I'll try to get links later...

The City Paper is covered and illustrated by Baltimore cartoonist Brian Ralph. Step away from the computer and go get one now.

The Express has 3 bits on comics:

Ennio Marchetto dresses in paper clothes as 'living cartoon' caricatures. There's a pic of him as Marilyn Monroe. Comics? I don't know.

Glenn Dixon reviews the Steinberg exhibit at American Art.

The Library of Congress has an exhibit of Radoslav's Times which appears to be a Serbian comic book. I'll follow up on that.

Also, the Express notes that the Arena Stage's excellent posters are on display at the Museum of American Illustration in NYC.

In the Examiner, Allison Hatfield has a page on all the goofy Spider-Man 3 merchandising available including the Mr. Potato Head which is sitting on my kitchen table right now.

I haven't read the Post yet - hopefully updates and links to follow.

Berkeley Breathed pictures - special edition!!!!

Cartoonist Berkeley Breathed reads from and signs his children's book, Mars Needs Moms in Alameda, CA on May 11, 2007. Photos courtesy of ComicsDC stringer Miron Murcury.






And look at this excellent scrapbook:

At Miron's request, the original cd of photos is being donated to Michigan State University's Comic Art Collection. The link is over there on the right.

Here's a few recent articles on and interviews with Breathed, as they wait to go into my Comics Research Bibliography (link also over there on the right):

Now that he's a parent, a cartoonist ponders the ultimate sacrifice
Regan McMahon, San Francisco Chronicle Deputy Book Editor
Wednesday, May 9, 2007

Interview: Berkeley Breathed
by Ken Plume
Quick Stop Entertainment May 22, 2007

Just asking: A conversation with cartoonist/author Berkeley Breathed
– Eric Schelkopf
Northwest Herald (May 18, 2007)

Rehm, Diane. 2007.
Berkeley Breathed: "Mars Needs Moms".
National Public Radio's Diane Rehm Show (May 8).

Cartoonist knows kid lit
BY SARA PEARCE
Cincinnati Enquirer (May 6, 2007)

Exclusive: Berkeley Breathed Speaks!
Berkeley Breathed, celebrated creator of the "Bloom County" comic strip, writes a book for the grammar school set.
WEB EXCLUSIVE
By Jamie Reno
Newsweek May 3, 2007

Random Rules: Berkeley Breathed
by Tasha Robinson
Onion April 26th, 2007

Bob McLeod visits Hagerstown

See "'Spidey' Comic Book Artist Inspires Local Students" by Jennifer Von Reuter. I always liked McLeod's work - he has a nice smooth fluid style. Now... why Hagerstown?

INTERPLANETARY JOURNAL OF COMIC ART repost

April 5, 2007 – INTERPLANETARY JOURNAL OF COMIC ART: A Festschrift in Honor of John Lent is now available.

Editor's note - The first issue of the new InterPlanetary Journal of Comic Art (or IPJOCA as we call it around the virtual office) is now available. We are proud to invite you to the 43rd indispensable academic organ published by JOHN LENT MULTIMEDIA ENTERPRISES. All are personally hand-edited by our founder and publisher JOHN LENT, and we remind you that any suggestions of forced labor or involuntary servitude were completely dismissed in Temple University grad students v. JOHN LENT FAMILY CONGLOMERATE. This issue is slightly late, and we apologize for that. Editor JOHN LENT was traveling widely with stops on Pluto, Venus, Charon, Deimos and Phobos, Antarctica, Cyprus, Monte Carlo and the French Riviera, interviewing aging cartoonists and presenting learned discourses on the history of comic art. LENT's presentation on Pluto, "Which came first? The planet or the dog?" was particularly well-received and will appear in a future issue of IPJOCA. IPJOCA is a proud successor to the Colonial Journal of Comic Art, the Union Journal of Comic Art, the Confederate Journal of Comic Art, and the Imperial Journal of Comic Art, as well as the continuing flagship International Journal of Comic Art.

Actually, IPJOCA is a work of satire and parody, published on the occasion of John's seventieth birthday in 2006, give or take a few months. Since 1960, John has published, taught, and lectured widely on comic art, and since 1999 has been the publisher and editor-in-chief of the academic International Journal of Comic Art. In March of this year, John served on the Pulitzer Prize Nominating Juries in Journalism. John has published over 70 books and 800 articles on comic art, mass communication and Asian studies.

John's colleagues in the comic world have come together to create a tribute book, and to present it to him on April 6th at the Popular Culture Association meeting in Boston. The fully-illustrated book features a front cover by cartoonist Nick Thorkelson, and a back cover by Ralph Steadman as well as 100 pages of witty articles.

To order your copy for $10, go to http://www.lulu.com/content/679026; to subscribe to the International Journal of Comic Art, go to
http://www.ijoca.com and follow the instructions.

Table of Contents

Lent Knows – cover by Nick Thorkelson

Seqart Scholarship across the United Planets: A Brief Survey - Josty Ketew (Randy Duncan)

ICAF Times – comic strip by Roger Sabin & C. Hill

"Domus inferna Sancti Guthlaci": A Rediscovery of the twelfth-century narrative of "The Saint and the Money Pit" - K. A. Laity

ICAF Round-table: 'The Contribution of John Lent' - Rogerius Sabinis

Give It Up For Lent! – cartoons by E.C. Lockett, from ideas by Sabin & Rhode

The Exegesis of John Lent's Exegesis: A Postmodest Explalicinalysis of John Lent's Comicological Scholarship - Dr. Solomon Davidoff

Cartooning on Venus: A Problematic Field - Michael Rhode

Cheroots of the Gods: Ancient Contact with Talking Animals from the Stars - Er'q Vondan Iken (Steve Thompson)

Letters - Fusami Ogi

From the X-JOCA Family Archives - K.A. Laity

Men's Comics are from Mars, Women's Comics are from Venus: A Visual Exploration - M.O.D.O.C.A. (Barbara Postema)

A Dozen True Facts about Fredric Wertham That I Will Only Reveal For John Lent - Bart Beaty

Japanese Comic Art History's Mystery Bearded Figure - Ronarudo Suchuwaato (Ron Stewart)

Battle of the Titans: The Great National Geographic - New Yorker Cartoon Rivalry - Cathy Hunter and Michael Rhode

Out of this World (…and back again…) – autobiographical comix by Craig Fischer

Animated Yoga - Cathy Hunter

News - Fantagraphics Books Searches for Saints - Ana Merino

Obituaries - Therian Blackenshort, Theban political cartoonist - Mark C. Rogers

Faded Star Column - Rad Signal by Weary'in Ellis -Michael Rhode

Book Reviews
Leonardo da Vinci, The da Vinci Codex - Trina Robbins

Purty Pitchers All In A Row: A Review of The Interplanetary Comic Art Bibliographies of JOHN LENT Comprehensive Companion Series - Dr. Solomon Davidoff

Martianorum Mangorum Universalis Historia - Marcus Titus Pellitterius (Marco Pellitteri)

Exhibition and Media Reviews
The McDuck Collection: World's Greatest Collection of Rarities, Duckburg Museum - Michael Rhode

Disney Planet Amusement Facility, the dwarf planet formerly known as Pluto, Sol system - Gene Kannenberg, Jr.

Corrections - Leonard Rifas

Anticipatory Errata - Charles Hatfield

Comic Art Bibliography - New Resources in the Field - Michael Rhode

So Who is JOHN LENT really? - Xu Ying

Contributors' Self-Serving Biographic Blurbs

The Serious Art of Laughter – back cover by Ralph Steadman

Cartoonists in Washington, DC area newspapers as of late May 2007

Thanks to "Hackwork hacked: The "Kelly" cartoons bring back a golden age of parody" by Tim Cavanaugh, Los Angeles Times March 29, 2007, I now know that the Onion political cartoon is actually by Ward Sutton, and is meant to be a right-wing satire.

Cartoonists in Washington, DC area newspapers
as of late May 2007
compiled by Mike Rhode

Washington Post
Tom Toles - editorial cartoonist (semi-daily)
Richard Thompson - Richard’s Poor Almanac (Saturdays); Cul de Sac strip (Sunday’s Magazine), illustrations for Joel Achenbach’s Rough Draft column (Sunday’s Magazine)
Rob Shepperson, Tim Grajek - illustrations for Sunday's Business section
Nick Galifianakis - cartoons for ex-wife Carolyn Hax's Tell Me About It advice column.
Bob Staake - cartoons for Style Invitational contest (Sunday)
Patrick M. Reynolds - Flashback comic strip; unique Washington version (Sunday comics)
Eric Shansby - illustrations for Gene Weingarten’s Below the Beltway column (Sunday’s Magazine)
Christopher Gash; Christopher Neimen - spot illos especially on Sunday
Michael Cavna - editorial cartoons in Arts section, extremely irregularly
Julie Zhu - Montgomery Blair High School student cartoonist for Extra Credit column in local Extra sections
Saturday box of syndicated editorial cartoons
Turkish cartoonist Selcuk Demirel illustrations in Book World, semi-regularly

Washington Times
Garner - editorial cartoonist
Joseph Szadkowski - Zadzooks column on comic books (Saturday)
Large array of editorial cartoons and illustrations every day.

Washington Examiner (daily, except Sundays)
Nate Beeler - editorial cartoonist (semi-daily); alternates with syndicated cartoonists

Washington City Paper (Friday-only paper)
Shawn Belschwender - News of the Weird column illustrator, unique to WCP
Ben Claasen III - Dirtfarm comic strip, unique to WCP; advertising illustrations
Joe Sayers - thingpart comic strip, started in 2006, unique to WCP?
Slug Signorino - The Straight Dope column illustrator
Robert Ullman - Savage Love column illustrator, unique to WCP
Max Kornell, Josh Neufeld - article illustrations
Syndicated comic strips - The City by Derf, Red Meat by Max Cannon, Ernie Pook’s Comeek by Lynda Barry, and Lulu Eightball by Emily Flake. (Ted Rall was dropped earlier this year).

Express
Eric Reece - illustration for Baggage Check advice column (Tuesday)

Washington Blade
No regular cartoonist - runs one syndicated editorial cartoon and six syndicated strips - Dykes to Watch Out For by Alison Bechdel, Jane’s World by Paige Braddock (2002 strips), Chelsea Boys by Glen Hanson and Allan Neuwirth (still running?), Troy by Michael Derry, Kyle’s Bed & Breakfast by Greg Fox and Adam & Andy by James Asal

The Hill
Weyant - editorial cartoonist for “Weyant’s World”

The Politico
Matt Wuerker - editorial cartoons, column-heading caricatures, maps

The Onion (national, not local content)
Kelly - fictional editorial cartoonist, actually done by Ward Sutton
Syndicated strips - Postage Stamp Funnies by Shannon Wheeler, The Leftersons by Colin T. Hayes, Wondermark by David Maiki, The Spats, Cathy by Cathy Guisewhite (in Spanish) and Red Meat by Max Cannon.

Additions, corrections and comments welcome.

AAEC auction report includes DC cartoonists

Alan Gardner's got the story on the ebay auction to raise money for the American Association of Editorial Cartoonists at his Daily Cartoonist blog. Local cartoonists Telnaes, Toles and KAL participated.

Matt Wuerker Maps the Political Universe

Richard Thompson, fledgling ComicsDC scout reports, "Matt Wuerker, resident cartoon genius at Politico.com, created this vast interactive image of the political heavens."

Richard also regularly makes up new constellations in his Richard's Poor Almanack panel in the Post.

Reuben cartoonists in Post chat at 1 pm

Dave Astor at E&P Online reported that the Daily Cartoonist blog reported that the Post will have another comics chat - the first in a while.

Friday, May 18, 1 p.m. ET
Meet the Comics Pages

Bill Amend, Dave Coverly and Dan Piraro
Cartoonists -- "Fox Trot," "Speed Bump" and "Bizarro"
Friday, May 18, 2007; 1:00 PM

Join Washington Post Comics page editor Suzanne Tobin on Friday, May 18 at 1 p.m. ET for a discussion with this year's Reuben nominees -- "Fox Trot's" Bill Amend, "Speed Bump's" Dave Coverly and "Bizarro's" Dan Piraro to discuss their National Cartoonist Society nominations and the art of cartooning.

You can submit questions in advance.

Animation and Cartooning summer classes UPDATED

Leila Cabib is teaching 4 classes at Glen Echo Park on MacArthur Blvd in MD - 1 for animation ($200; July 23-27; Aug 13-17) and 1 for cartooning ($175; July 9-13; July 30-Aug 3). The classes are in the mornings, 9:30-11:30, and the minimum age is 11 - no maximum age is listed. One can theoretically register online or try calling 301-634-2226. Ms. Cabib's number for class information is 301-299-2659, and her website is http://www.leilacabib.com.

By the way, Ms. Carib reports, "By the way, I don't set a maximum age for students. Most of my students are between the ages of 11 and 14, but on many occasions I've had adult students as well. A few years ago, I even had a 91-year old student! So there are no limits, and I think the adult students tend to be inspired by the way the kids plunge into their work without the self-consciousness that seems to creep up on us as we grow older."

June 25: Alison Bechdel in Washington; we're not invited

Because it's an... American Library Association Event, for the GLBTRT Stonewall Book Awards Brunch, 10:30 am - 1:00 pm. Buy the book anyway when she's on her paperback tour - it was one of the best I read last year. This year I'm pushing Bertozzi's The Salon.

Comic art articles in Express and Examiner

The Express had 3 articles in the paper - one on Jonathan Lethem writing Omega the Unknown, one on a new Pokemon game and the third on Shrek the Third. These were all wire stories. More interestingly, DC's new line for girls and the resulting first book by Cecil Castellucci is discussed, online only, at "Total Minx: 'The Plain Janes'" by Scott Rosenberg.

Meanwhile in the Examiner, Comedy Central's new animated sitcom Li'l Bush is profiled "Yeas & Nays: Comedy Central’s ‘Lil’ Bush’ coming soon" by Jeff Dufour and Patrick Gavin.

May 15: IMAGES OF IRISH-AMERICAN IMMIGRANTS Lecture repost

At this exact moment in time, I'm planning on attending this.

LIBRARY OF CONGRESS
101 Independence Avenue SE
Washington DC 20540
Phone: (202) 707-2905
Fax: (202) 707-9199
Email: pao@loc.gov
April 26, 2007

Public contact: Martha Kennedy (202) 707-9115

IMAGES OF IRISH-AMERICAN IMMIGRANTS
FEATURED IN LECTURE BY SWANN FELLOW ON MAY 15

Swann Foundation Fellow Sharrona Pearl will discuss depictions of Irish-American immigrants in mid-19th century prints and analyze the ambiguous nature of the graphic imagery, on May 15 at the Library of Congress.

Pearl will present the lecture, titled “Black and White: Drawing the Irish-American Immigrant in Shades of Grey,” at noon on Tuesday, May 15, in West Dining Room on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, DC.

Pearl’s illustrated presentation is based on research conducted at the Library of Congress during her fellowship awarded by the Swann Foundation for Caricature and Cartoon. The Library administers the foundation. Sponsored by the Library’s Prints and Photographs Division and the Swann Foundation, the lecture is free and open to the public; no reservations are required.

At mid-19th century, Irish-Americans held rights of citizenship and voting and quickly became the most important political force on the East Coast. Many prints show politicians and others seeking support from the Irish, even as the imagery also suggests that they were racially and religiously different. Pearl will argue that close examination of selected prints from the 1830s through the 1860s demonstrates that Irishness was depicted more noticeably through linguistic and external symbols, such as clothing and weaponry, than through distinct racial and facial markers. Pearl will observe that the poor Irish were often depicted as more easily identifiable than their wealthier counterparts.

Pearl completed a Ph.D. in the history of science at Harvard University in 2005. She is currently working on a book tentatively titled “Facing the Victorians: Physiognomy in Nineteenth-Century Britain,” under contract with Harvard University Press. Pearl has published articles on a number of related topics, including her new research on science and theater. She is a lecturer with the Committee on Degrees in History and Literature at Harvard University, which is a three-year, post-doctoral fellowship.

Pearl’s presentation is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The Swann Foundation awards one fellowship annually (with a stipend of $15,000) to assist scholarly research and writing projects in the field of caricature and cartoon. For more information, visit www.loc.gov/rr/print/swann/swannhome or by e-mailing swann@loc.gov.

# # #

PR07-90
4/26/07
ISSN: 0731-3527

Irish cartoonist in DC

Irish cartoonist David Campbell should be in DC now for a Celtic Mythology project in a school program I've never heard of. See "Artist is a knockout with comic strip Ulster: US mission will help children develop special skills," By Victoria O'Hara, Belfast Telegraph (Monday, May 14, 2007).

Political caricaturist Krystyna Edmondson

Political caricaturist Krystyna Edmondson is profiled by her daughter in "Word for Word, Images of My Mother" by Anna Edmondson, Washington Post, Monday, May 14, 2007; C08.

Also in Style, Mike Peters' Mother Goose and Grimm is a tribute to Johnny Hart and B.C.

First in Space article on Express website

"Chimp in Orbit: 'First in Space'" by Scott Rosenberg (May 14, 2007) is online only. The story of Ham, the first chimp in space in 1961, looks good to me. As an aside, Ham's skeleton resides in the National Museum of Health and Medicine, but isn't currently on display.

Random Berryman

I was experimenting with a hand scanner today, so here's a couple of Clifford Berryman cartoons from Cook, Frederick A and Robert E Peary. 1909. Discovery of the North Pole. Philadelphia, Pa: American Book and Bible House.

If there's any interest I can scan more. Berryman was the dean of Washington editorial cartoonists for decades.

Completely off-topic

but an ego-boo for me. I'm quoted in my professional life in "What's Inside Box No. 1997.0015 OHA 293.23? Long-forgotten photographs document life in St. Elizabeths" by Angela Valdez; Curated by Darrow Montgomery, Washington City Paper, May 10, 2007.

Yardley on Thurber

Today's Post has "James Thurber's Humorous Heart" by JONATHAN YARDLEY, Washington Post Saturday, May 12, 2007; C01. For us the key sentence is "One does indeed turn to Thurber for the drawings, but the great glory is his prose." Thus is cartooning dispatched although Yardley writes a good appreciation of Thurber's prose.

Right by Yardley, humorist (the word cartoonist may be verboten in Yardley's neighborhood) Richard Thompson has a good sendup of the Jamestown celebration madness.

In the letters to the editor section, a reader took a swipe at Ohio's Bok:

Bending Reid's Word
Washington Post (May 12, 2007)
The May 5 Drawing Board cartoon by Bok of the Akron Beacon Journal was a disgusting example of just how low the right-wing press will go in painting Democrats as troop haters. The cartoon shows Senate Majority Leader Harry M. Reid (D-Nev.) passing a U.S. soldier in an airport and yelling: "LOSER." I assume this cartoon was drawn because Reid recently said the war in Iraq was "lost." However, Reid never said the troops themselves were losers.

-- Eric Crossley

Tomorrow is an interview with a bunch of the women who do voices of Princesses in Shrek the Third. A preview ran in yesterday's Express and it should be a funny article.

May 12: Matt Diffee at American Art

Matt Diffee, New Yorker cartoonist and author of The Rejection Collection is speaking at the Smithsonian American Art Museum's Saul Steinberg exhibit at 3 pm on Saturday, May 12th and signing his book afterwards. I saw him at Politics and Prose last year, and he's a fun speaker. The Museum's at Gallery Place at 8th and F Sts, NW.

Betty and Veronica go realistic

Archie's experimenting with a new, more realistic style for Betty and Veronica. Big Planet Comics in Bethesda is betting this will be popular and stocked a lot of copies of the new digest in case you'd care to meet that bet.

Clay Bennet wins RFK award to be presented in DC

"Clay Wins RFK" in AAEC Editorial Cartoon News May 8, 2007 reports

Clay Bennett of the Christian Science Monitor was named the 2007 winner of the RFK Journalism Award for Editorial Cartooning... Winners will be honored in a ceremony Wednesday, May 23rd from 6-8pm at the Jack Morton Auditorium at the George Washington University in Washington, DC.

Anybody want to confess to being a judge this year like Gene Weingarten did a few years ago?

Cartoonists exposed at Smithsonian American Art Museum

Haven't you always wondered what cartoonists really look like? Well, I'm here to help. I got a few candid shots in the Steinberg exhibit in the Smithsonian American Art Museum*

Left to right - that's Richard Thompson, Nick Galifianakis and Kevin Rechin.


And here I am.


*sorry about the typo last night crediting the National Portrait Gallery

May 10: Association of American Editorial Cartoonists online auction

The AAEC is auctioning off works including local cartoonists Tom Toles and Ann Telnaes to raise money for their Cartoons for the Classroom site and programs. Every two weeks, you can download an editorial cartoon and lesson plan - very neat.

Don't bid on everything so I can get something. I'd suggest leaving the Telnaes for me. I once stopped her husband from backing into a candle and lighting his suit on fire.

Free Comic Book Day at Big Monkey Comics, Washington DC

On FCBD, a neighbor and I loaded up his minivan with kids - my 9-year-old daughter, a friend of hers, and his 7 and 4-year old daughters. We cruised into the city on 14th St, and drove right past Big Monkey Comics' new home. They had formerly been in Georgetown, but moved in March to 1722-B 14th St, NW (202-333-8650). The store has a couple of signs, and a monkey on the 2nd floor window. After going up a narrow stairway, we got into the store which was fairly crowded with a twenty-something average customer. The free comics were set up in the back room where the new comics racks are - the kids (and adults) each got to pick 3 comics and they also were giving away sets of bagged back issues. The kids all went out into the small hallway and started reading their comics while I took a quick look around. I'd say the store has less stock than it did on Wisconsin Avenue, but it has a little more space, some of which was being used for a table for a Heroclix game. The staff was friendly, and all wore FCBD shirts that made them easily identifiable.

The kids continued reading in the van and we cruised over to Georgetown to visit Big Planet's Dumbarton Street store. Store owner Peter's known me for years, and let the kids pick up some more comics while not holding me to the store's limit of 10 freebies. However I dropped a hundred on sale books and toys, so I think he came out ahead. The store continues to have a good range of collections and indy material - perhaps the best selection of the three stores. There was a good crowd here too and Peter was happy with the turnout.

The girls continued reading in the car. My daughter's friend was most taken with Fantagraphics' Peanuts - she reads the comics in the newspaper when she can. My daughter gets comics regularly so was a bit more jaded, and I'm not sure what the neighbors daughters were reading, although the 4-year-old passed out on the ride anyway. Both stores carried the DC Conspiracy's mini-comic as well and I picked up one for Michigan State University's Comic Art Collection which I'd encourage all 17 of my readers to donate to.

Some things stay mysteries

I couldn't add this to my collection, but it was parked on Walter Reed Army Medical Center today. Must be owned by a real Powerpuff Girls fan, I guess. Oddly enough, those are German license plates.

Kevin Rechin, local freelance cartoonist

I had the good fortune to meet some cartoonists this weekend at the Saul Steinberg exhibit at the Smithsonian American Art Museum. ComicsDC regular Richard Thompson, the Washington Post's advice cartoonist Nick Galifianakis and his artist dad Peter, and Kevin Rechin. I wasn't familiar with Kevin's work, but a google search tossed up this site and later Kevin sent me his agent's site. Kevin's totally a freelance cartoonist, and I'm glad to make his acquaintance and discover his enjoyable good-natured cartoons. Hopefully we can suckeXXXX encourage Kevin to post a bit on his work and where to find it.

That's a happy bio-fuel farmer! Kevin makes it all look so appealing.

I'm continually amazed at the rich comic art resources in the DC area.

Adding to ye olde comic art collection

One of my scouts (thanks Liz!) picked up the following items for me this weekend at some kind of sheep festival (no, I don't know why either). Anyone recognize them?

They're a dead technology - printing blocks from when type, and everything else being printed, was carved in wood or metal. These are two cartoons recreated in metal and attached to wood block for printing. Unfortunately I can only read the signature on the Hal Money one which has lost its caption.

These must have been wildly common at one point, but I've only seen one other example - a Yellow Kid ad at Geppi's Entertainment Museum (which I still plan a post on. Great place).

Free Comic Book Day at Big Planet Comics, Bethesda

Reports from the field are coming in:

FCBD '07 was a rousing success. We saw over 400 people, and no one got fewer than 10 comics apiece. In previous years, we always had plenty of comics left over for the Taste of Bethesda, but this year, we were out by 4 PM. The 501st Battalion volunteered to chaperon us, and attracted the attentions of shoppers at the nearby farmer's market. We made a lot of folks happy sharing the joy of comics, and our sales increased by 15% for the best non-sale day in our history.

--Joel
--

Joel Pollack
-=--=-=--=--
BIG PLANET COMICS
4908 Fairmont Ave. Bethesda, MD 20814
301-654-6856

Also affiliated with:
BIG PLANET COMICS
3145 Dumbarton St. NW
Washington, DC 20007

BIG PLANET COMICS
426 Maple Ave. East
Vienna, VA 22180

cIndyCenter podcasts

Since we last checked in, cIndyCenter's added seven new cartoonist interviews - see the link over there on the right in the permanent bit or http://www.cindycenter.com/

Chris, how about hitting up some local cartoonists like Toles, Thompson, Galifianakis, Garner, or Fluggennock for interviews? And let us know when new interviews are up!

Washington Times reviews Steinberg exhibit

"Illuminating images, words, wit and genius" By Joanna Shaw-Eagle, Washington Times May 5, 2007. There's also an amusing article on Spider-Man 3 tchotkes -
"Spider-Man battles foes on many toy land fronts" By Joseph Szadkowski, Washington Times May 5, 2007. I've got my Spider-Spud!

You're A Good Man, Charlie Brown play

Montgomery Playhouse puts on the Peanuts musical on the weekends this month. The Post says it's updated with more dialogue and more musical numbers.

Gaithersburg Art Barn
311 Kent Square Road
301-258-6394.

$16, or $14 for Gaithersburg residents. 8 pm on Friday and Saturday, 2 pm on Sunday until May 20th.

Today's comics weren't all comic

Richard Thompson has a hilarious sendup of Free Comic Book Day that about 37 readers of the Post will get and appreciate. In their continuing effort to combat e-piracy, the Post hasn't put it online yet, although you can see last week's panel.

Meanwhile a few other strips in the Post are worth noting today (that's the May 5th strips).

Bud Grace goes for a dose of reality in the Piranha Club.

Bill Griffith's History of the washing machine in Zippy was just lovely.

Pearls before Swine breaks the 4th wall in a graphically-amusing way.

Speaking of graphic, what's the deal with yesterday's Baldo? First his aunt walks in on him naked in the bathroom and seems to suggest a Red Hot Chili Peppers fashion, and then we get this strip. Am I reading too much into this or is there a "size of his dick" joke here? For Better or For Worse had a PMS joke today, and Brewster Rockit had a fart joke with spiderwebs coming out of a character's ass (a Spider-Man 3 tip of the hat).

Finally on Monday, two diametrically-opposed cartoonists ran similar strips on the Virginia Tech murders right next to each other: Prickly City vs Candorville.

Saturday May 5 - Free Comic Book Day

Ok, there's 28 comics in all - see http://www.freecomicbookday.com and good luck.

Things to look out for in my opinion - Gumby, the new Eddie Campbell from 01:02, Image's Wolfman, the Unseen Peanuts from Fantagraphics, Lynda Barry from D&Q; Oni's Whiteout and especially Top Shelf's Owly and Korgi.

Big Planet, at least in Bethesda, is giving out a nice prepared package of kid's comics.

Big Planet in Vienna is rumored to be visited by storm troopers.

TwoMorrows is not local, but they are uploading some of their excellent magazines for free:

Who says you can't get something for nothing? On Free Comic Book Day (this Saturday, May 5), stop in your local comic book shop and ask for a free copy of Comics 101, our new primer created just for the event. If they don't have any, then order yours at our webstore (http://www.twomorrows.com) by Sunday, and it'll only cost you enough to cover our printing and postage costs. After Sunday, we're going to start charging more for it, to help recoup our expenses (but it'll still be a bargain!).Also, this weekend only, you can download FREE PDF COMPLETE ISSUES of the following mags, just by logging in and putting them in your shopping cart:
Alter Ego #65
Back Issue #21
Jack Kirby Collector #47
Write Now #14
Draw #12
Rough Stuff #3
Because of contractual obligations, we can only give these away this Saturday and Sunday, and then we've got to take them down. So if you're never sampled all of our mags, here's your chance to try an ENTIRE ISSUE, absolutely FREE! Go get 'em, and
enjoy!

Best regards,
John Morrow
TwoMorrows
10407 Bedfordtown Dr.
Raleigh, NC
27614919-449-0344
fax 919-449-0327

Cartoonists in Washington, DC area newspapers as of May 2007

Cartoonists in Washington, DC area newspapers as of May 2007
compiled by Mike Rhode

Washington Post
Tom Toles - editorial cartoonist (semi-daily)
Richard Thompson - Richard’s Poor Almanac (Saturdays); Cul de Sac strip (Sunday’s Magazine), illustrations for Joel Achenbach’s Rough Draft column (Sunday’s Magazine)
Rob Shepperson, Tim Grajek - illustrations for Sunday's Business section
Nick Galifianakis - cartoons for ex-wife Carolyn Hax's Tell Me About It advice column.
Bob Staake - cartoons for Style Invitational contest (Sunday)
Patrick M. Reynolds - Flashback comic strip; unique Washington version (Sunday comics)
Eric Shansby - illustrations for Gene Weingarten’s Below the Beltway column (Sunday’s Magazine)
Christopher Gash; Christopher Neimen - spot illos especially on Sunday
Michael Cavna - editorial cartoons in Arts section, extremely irregularly
Julie Zhu - Montgomery Blair High School student cartoonist for Extra Credit column in local Extra sections
Saturday box of syndicated editorial cartoons
Turkish cartoonist Selcuk Demirel illustrations in Book World, semi-regularly

Washington Times
Garner - editorial cartoonist
Joseph Szadkowski - Zadzooks column on comic books (Saturday)
Large array of editorial cartoons and illustrations every day.

Washington Examiner (daily, except Sundays)
Nate Beeler - editorial cartoonist (semi-daily); alternates with syndicated cartoonists

Washington City Paper (Friday-only paper)
Shawn Belschwender - News of the Weird column illustrator, unique to WCP
Ben Claasen III - Dirtfarm comic strip, unique to WCP; advertising illustrations
Joe Sayers - thingpart comic strip, started in 2006, unique to WCP?
Slug Signorino - The Straight Dope column illustrator
Robert Ullman - Savage Love column illustrator, unique to WCP
Max Kornell, Josh Neufeld - article illustrations
Syndicated comic strips - The City by Derf, Red Meat by Max Cannon, Ernie Pook’s Comeek by Lynda Barry, and Lulu Eightball by Emily Flake. (Ted Rall was dropped earlier this year).

Express
Eric Reece - illustration for Baggage Check advice column (Tuesday)

Washington Blade
No regular cartoonist - runs one syndicated editorial cartoon and six syndicated strips - Dykes to Watch Out For by Alison Bechdel, Jane’s World by Paige Braddock (2002 strips), Chelsea Boys by Glen Hanson and Allan Neuwirth (still running?), Troy by Michael Derry, Kyle’s Bed & Breakfast by Greg Fox and Adam & Andy by James Asal

The Hill
Weyant - editorial cartoonist for “Weyant’s World”

The Politico
Matt Wuerker - editorial cartoons, column-heading caricatures, maps

The Onion (national, not local content)
Kelly - editorial cartoonist
Syndicated strips - Postage Stamp Funnies by Shannon Wheeler, The Leftersons by Colin T. Hayes, Wondermark by David Maiki, The Spats, Cathy by Cathy Guisewhite (in Spanish) and Red Meat by Max Cannon.

Additions, corrections and comments welcome.

An editorial

The Purity of Vision vs The Rich Tapestry of History

There’s long been a significant school of thought in comic book criticism that a single author, or perhaps a collaboration between a writer or artist on a single title or character for a set period of time, produces the only stories worth reading. Fine examples of this abound such as Neil Gaiman’s Sandman, Jeff Smith’s Bone or Stan Lee and Steve Ditko’s Spider-Man. These men made up their main characters and told their stories, and the stories stand alone and hold up well for years. Some critics like my friend Bart Beaty will even go so far as to say that these are the only stories that matter and anything else that comes later doesn’t count. I’m not as extreme as Bart, but this is generally an approach I hold with, and I still speak fondly of Starlin’s original run on Warlock. The fact that I can even use a shorthand phrase such as Segar’s Popeye and have that understood to be the early years of the strip and not Bobby London’s 1990s work shows how intertwined the author and character are.

But Spider-Man 3's debut crystallized a few questions with this approach that I have had. Certainly this “auteur” approach is a recent one. Oral storytelling meant that stories were changed and embroidered every time they were passed along. The long, tangled story of King Arthur and Camelot is a good example. Even in other art forms, Rembrandt didn’t differentiate between work that his pupils assisted on and probably charged the buyer the same, but now today a School of Rembrandt painting is worth considerably less.

So would Spider-Man somehow be a better story, if one can even say that, if the comic book ceased after Ditko left? The new Spider-Man movie would have no material at all in it, except for Sandman, whom promo stills show looking very close to Ditko’s vision. Gwen Stacy came into her own as a character after Ditko’s departure, and her death, a defining moment in later Spider-Man comic books, was much later. Similarly, Venom is a creation of the 1980s when Jim Shooter gave Spider-Man a live costume in the excesses of the Secret Wars miniseries, and then later writers turned it into a vengeful, rejected suitor. Sam Raimi has wholeheartedly reinterpreted the Spider-Man mythos, moving characters in time, and changing storylines, but I think he’s stayed remarkably true to the essential nature of both the character of those first Lee-Ditko books as well as the accretions of forty years of stories. On reflection, some of the best cartoonists have done similar work - from the 1970s reinterpretation of Green Arrow and Green Lantern as relevant heroes by writer Denny O’Neill and artist Neal Adams, and Jim Starlin’s reworking of Adam Warlock as a self-reflective wanderer in the stars to Frank Miller’s recreation of both Daredevil (essentially as a ninja) and Batman in The Dark Knight Returns. Even Alan Moore, one of the best writers of comics rarely invents out of whole cloth. His Swamp Thing took the existing elements of the story and recombined them wonderfully as did his Superman story ending the Silver Age, “Whatever Happened to the Man of Tomorrow?” Even Watchman, his book most likely to be cited by fans as a story to give to non-comic book readers is a reworking of Charleton’s minor heroes like Blue Beetle and Captain Atom, and is a richer read with an awareness of the earlier characters. A revisionist interpretation needs something to revise against after all.

So while I prefer stories that stand on their own, I appreciate the rich elements that new creators can pull from forty years of Spider-Man’s tales.

Post on Argentine book fair mentions comics

In "At Annual Fete, A Nocturnal Tribute To the Printed Word" By Monte Reel, Washington Post Foreign Service, Wednesday, May 2, 2007; A10, he notes "There are publishers of Arabic books, medical texts, legal tracts, military manuals and comic books." But "Those who like to read Japanese manga graphic novels don't get enough sleep, which must explain why they get so testy when gently questioned by reporters." I can't really see Washington hosting an overnight book fair.

The State of Editorial Cartooning

Washington's American Political Science Association (APSA) has put online the April issue of PS: Political Science and Politics containing "The State of the Editorial Cartoon April 2007 PS Symposium" edited by Kent Worcester.

Elk's Run comic interview not in today's Express

But you can read Scott Rosenberg's interview "Daddy Dearest: 'Elk's Run'" with author Joshua Hale Fialkov online at Read Express.com (May 2): http://www.readexpress.com/read_freeride/2007/05/daddy_dearest_elks_run.php.

May 5: Free Comic Book Day

Besides Big Planet, other stores in DC advertising participating in Free Comic Book Day include Big Monkey Comics, Fantom Comics and Beyond Comics. They ran an ad in this week's City Paper.

Feiffer accepts McGovern award from Cosmos Club

As you can see from the above scans of the program, Jules Feiffer was awarded the Cosmos Club's McGovern award last night. Mr. Feiffer gave a short overview of his career in comics strips, read a few pages from a memoir that he's working on which sounds very interesting to me, had a short interview with moderator Alan Fern and then took a few questions. I'll post in more detail when I have a chance to decipher my notes, but it was a great pleasure to see him get this award for the humanities. I had the opportunity to sit with him and discuss old comic strips too as he finished his scotch and he talked about his old friends like Bill Mauldin and Milton Caniff. I'll update this post soon!

"Flood" in Library of Congress

This week's Dark Horse newsletter reported, "The Library of Congress has recently acquired Eric Drooker's original Flood! artwork to rest in their public prints collection." Perhaps one of the curators will give us more details.

May 15: IMAGES OF IRISH-AMERICAN IMMIGRANTS lecture

LIBRARY OF CONGRESS
101 Independence Avenue SE
Washington DC 20540
Phone: (202) 707-2905
Fax: (202) 707-9199
Email: pao@loc.gov
April 26, 2007

Public contact: Martha Kennedy (202) 707-9115

IMAGES OF IRISH-AMERICAN IMMIGRANTS
FEATURED IN LECTURE BY SWANN FELLOW ON MAY 15

Swann Foundation Fellow Sharrona Pearl will discuss depictions of Irish-American immigrants in mid-19th century prints and analyze the ambiguous nature of the graphic imagery, on May 15 at the Library of Congress.

Pearl will present the lecture, titled “Black and White: Drawing the Irish-American Immigrant in Shades of Grey,” at noon on Tuesday, May 15, in West Dining Room on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, DC.

Pearl’s illustrated presentation is based on research conducted at the Library of Congress during her fellowship awarded by the Swann Foundation for Caricature and Cartoon. The Library administers the foundation. Sponsored by the Library’s Prints and Photographs Division and the Swann Foundation, the lecture is free and open to the public; no reservations are required.

At mid-19th century, Irish-Americans held rights of citizenship and voting and quickly became the most important political force on the East Coast. Many prints show politicians and others seeking support from the Irish, even as the imagery also suggests that they were racially and religiously different. Pearl will argue that close examination of selected prints from the 1830s through the 1860s demonstrates that Irishness was depicted more noticeably through linguistic and external symbols, such as clothing and weaponry, than through distinct racial and facial markers. Pearl will observe that the poor Irish were often depicted as more easily identifiable than their wealthier counterparts.

Pearl completed a Ph.D. in the history of science at Harvard University in 2005. She is currently working on a book tentatively titled “Facing the Victorians: Physiognomy in Nineteenth-Century Britain,” under contract with Harvard University Press. Pearl has published articles on a number of related topics, including her new research on science and theater. She is a lecturer with the Committee on Degrees in History and Literature at Harvard University, which is a three-year, post-doctoral fellowship.

Pearl’s presentation is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The Swann Foundation awards one fellowship annually (with a stipend of $15,000) to assist scholarly research and writing projects in the field of caricature and cartoon. For more information, visit www.loc.gov/rr/print/swann/swannhome or by e-mailing swann@loc.gov.

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PR07-90
4/26/07
ISSN: 0731-3527