Baby Blues (Rick Kirkman and Jerry Scott)
Baby Blues (USA 2000; 8 episode animated tv series)
Bakuretsu Hunter -CHECK IF MANGA
Bakuretsu Hunter (Japan 1996; 26 episode animated tv series)
[USA: The Sorcerer Hunters (1996)]
Bande des Pieds Nickelés
CHECK CRAFTON p.192
Bannou Bunka Neko-Musume - SEE Nuku Nuku
Baô [Baoh] (Hirohiko Araki)
Baô raihôsha (Japan 1989; animated DTV)
[USA: Baoh the Visitor]
Barb Wire (Chris Warner / DARK HORSE)
Barb Wire (USA 1996, David Hogan. Geoff Darrow acted as visual consultant.)
Barbarella (Jean-Claude Forest)
Barbarella (F/I 1967, Roger Vadim)
Barefoot Gen aka Hadashi no Gen (Keiji Nakazawa)
Barefoot Gen (Japan 1983; animated movie)
*Barefoot Gen (Japan 2007; tv movie)
Barnaby (Crockett Johnson)
Barnaby (USA; CBS: ca. 1960; Playhouse 90 tv show starring Bert Lahr as Mr. O'Malley and Ron Howard as Barnaby)
Barnaby (1967; won first prize at Venice Film Festival)
Barney Google and Snuffy Smith (Billy DeBeck) vide Castelli.
Barney Google (USA 1928-1929; 8 or 12 shorts)
Barney Google (USA 1935-1936; 4 animated shorts)
Private Snuffy Smith (USA 1941/2)
Hillbilly Blitzkrieg (USA 1942)
Spree for All (USA 1946; animated short by Famous Studios for Noveltoons series)
Snuffy Smith (USA 1962; 4 animated shorts for television)
Snuffy Smith (USA 1962-1963; 50 animated tv shorts in King Features Trilogy Tv aka Beetle and his Friends)
Barry McKenzie (Barry Humphries & Nicholas Garland)
The Adventures of Barry McKenzie (Australia/Great Britain 1973)
Barry McKenzie holds his own (Australia/Great Britain 1975)
Batman (Bob Kane / DC)
The Batman (USA 1943) (15 episode film serial)
Batman and Robin (USA 1949, Spencer Gordon Bennett; 15 episode film serial)
Batman (USA 1966-68) (120 episode tv series)
Batman (USA 1966; movie with tv series cast)
[grm: Batman haelt die Welt in Atem]
*Batman Dracula (USA 1964, Andy Warhol; unauthorized art film, apparently lost)
*Batman Fights Dracula (Philippines 1967; unauthorized movie)
The Batman/Superman Hour (USA 1968-1969; animated tv series?)
The Adventures of Batman (USA 1969; animated tv series?)
The New Scooby Doo Movies (USA 1972; Batman & Robin guest-star in two episodes)
The New Adventures of Batman (USA 1977-1978; animated tv series)
continues as The Batman/Tarzan Adventure Hour (USA 1977-78; animated tv series reruns of New Adventures)
continues as Tarzan & the Super 7 (USA 1978-80; animated tv series reruns of New Adventures)
continues as Batman and the Super 7 (USA 1980-81; animated tv series reruns of New Adventures)
Batman (USA 1989, Tim Burton)
Batmania From Comics To Screen (USA 1989; DTV documentary)
Batman Returns (USA 1992, Tim Burton)
The Bat, The Cat And The Penguin (USA 1992; tv documentary on Batman Returns)
Batman: The Animated Series (USA 1992, Paul Dini; animated tv series)
continues as Batman & Robin Adventures (1993), then concurrently as The New Batman / Superman Adventures (1997-; animated tv series) and as Batman: Gotham Knights (1997-) No new episodes were made after 1998.
The Batman/Superman Movie (USA 1998; compilation of episodes of tv series aired as "World's Finest")
Batman: Mask of the Phantasm (USA 1993, Paul Dini; animated)
Batman Forever (USA 1995, Joel Schuhmacher)
Batman and Robin (USA 1997, Joel Schuhmacher)
Batman & Mr. Freeze: Subzero (USA 1998; direct to video animated movie)
Batman Beyond (USA 1998-, Paul Dini; animated tv series)
Batman Beyond: The Movie (USA 1999; compilation of tv episodes aired as "Rebirth")
Batman Beyond: Disappearing Inque (USA 1999; compilation of tv episodes)
Batman Beyond: School Dayz (USA 1999; compilation of tv episodes)
Batman Beyond: Tech Wars (USA 1999; compilation of tv episodes)
The Zeta Project, (USA 2001-; a spin-off series from Batman Beyond)
[Batman OnStar advertisements; USA 2000; 3 shorts "Batcave," "Minor Setbacks,"]
Batman Beyond: The Return of the Joker (USA 2000; direct to video animated movie)
Gotham Girls (USA 2000-; animated internet short at Warner Bros. website, http://www.gothamgirls.com)
The Vault (1st episode)
More Than One Way
Pave Paradise
Back to the Batcave (USA 2003; fictionalized documentary about the 1960s tv show)
A&E Biography: Batman (USA 2003; documentary about tv series)
*Batman: Dark Justice (USA 2003; amateur short)
Batman: Deadend (USA 2003; internet short at http://www.theforce.net/theater/shortfilms/batman_deadend/)
Batman: Mystery of the Batwoman (USA 2003, direct to video animated movie)
*Superman/Batman (USA 2004; internet short at http://www.ifilm.com/ifilmdetail/2645491?htv=12)
*Grayson (USA 2004; internet short at http://www.ifilm.com/ifilmdetail/2645516)
*Batman: New Times (USA 2004; internet cgi-animated LEGO short at http://www.daveschool.com/MoviePages/Batman/Screen_Batman.html)
*Batman Begins (USA 2005)
*The Batman (USA 2004-; animated tv series)
*The Batman Versus Dracula (USA 2005; dtv animated movie)
Battle Angel Alita SEE Gunnm
B.C. (Johnny Hart)
B.C.? (USA 196?/7?; 2 animated tv movies)
The Bear (Raymond Briggs)
The Bear (GB 1998; silent animated movie)
Bébé Cyanure [Baby Cyandie] (Jean-Claude Forest as "Jean Valherbe")
Bébé Cyanure (France 197?; tv show)
Bécassine (Maurice Languereau & Jean-Pierre Pinchon, 1905-?)
Bécassine? (France 1939, Pierre Caron)
Beetle Bailey (Mort Walker)
Home Sweet Swampy (USA: Famous Studios 1962; animated short)
Popeye Meets the Man Who Hated Laughter (USA 1972; animated tv movie. "Guest-stars" Bringing Up Father, The Katzenjammer Kids, Beetle Bailey, Blondie, The Little King, Steve Canyon, Flash Gordon, Tim Tyler)
Berserk (Kentaro Miura / HAKUSENSHA)
Berserk (Japan 1998; animated rv series)
Berusaiyo no Bara [The Rose of Versailles] (Riyoko Ikeda)
Berusaiyo no Bara (Japan 19??; animated)
Der bewegte Mann (Ralf Koenig)
Der bewegte Mann (GER 1994, Soenke Wortmann)
[USA: Maybe, Maybe Not]
[Most Desired Man]
[The Turbulent Man]
Bibi Fricotin (Forton) CHECK
Bibi Fricotin (France: Ocean Films, 1950)
Big Bang Comics
Knights of Justice (USA 1999; dtv)
Big Guy and Rusty the Boy Robot (Frank Miller & Geoff Darrow / DARK HORSE)
Big Guy and Rusty the Boy Robot (USA 1999- ; animated tv series)
Billy Bunter (Frank Richards) CHECK
Billie Turf: het dikste studentje ter wereld (Netherlands 1978)
Billie Turf kontra Kwel (Netherlands 1980)
Billie Turf: haantje de voorste (Netherlands 1982)
Billy Pack (Mitsuhiro Kawashima, 1954-1962)
? [Japan 19??; live action tv series?)
Billy the Fish (Viz Comics)
(UK; tv series)
Bio-Booster Armor Guyver SEE The Guyver
Birds of Prey (DC)
Birds of Prey (USA 2002-2003; live action tv show starring Batgirl/Oracle, Huntress and Black Canary)
Bishoujo Senshi Sailor Moon (Naoko Takeuchi)
Bishoujo Senshi Sailor Moon [Pretty Soldier Sailor Moon] (Japan 1992-1993; animated 46 epsiode tv series)
[Sailor Moon (1995- USA tv showing of all four Japanese series)]
Bishoujo Senshi Sailor Moon R (Japan 1993-1994, epis. 47-89)
Bishoujo Senshi Sailor Moon S (Japan 1994-1995, epis. 90-131)
Bishoujo Senshi Sailor Moon SS (Japan 1995-)
Bitchy Bitch (Roberta Gregory)
Bitchy Bits (Canada 2000; 15 animated shorts in tv anthology series X-Chromosome)
becomes Bitchy Bitch (Canada 2001)
Black Jack SEE Burakku jakku
Black Magic M-66 (Masamune Shirow)
Black Magic M-66 (Japan 1987, Masamune Shirow; animated DTV)
Blackhawk
Blackhawk (USA 1952; 15 episode film serial)
Blade, the Vampire Hunter (Marv Wolfman & Gene Colan / MARVEL)
Blade (USA 1998)
Blade 2 (USA 2002)
Blade: Trinity (USA 2004)
*Blade: The Series (USA 2006-
Blake & Mortimer (E.P. Jacobs / DARGAUD)
Blake & Mortimer (France?; animated tv show)
Bleach (Tito Kubo)
Bleach (Japan 2004-; anime tv series)
Blondie (Chic Young)
Blondie (USA 1938)
Blondie Meets the Boss (USA 1939)
Blondie Takes a Vacation (USA 1939)
Blondie Brings up Baby (USA 1939)
Blondie on a Budget (USA 1940)
Blondie has Servant Trouble (USA 1940)
Blondie Plays Cupid (USA 1940)
Blondie Goes Latin (USA 1941)
Blondie in Society (USA 1941)
Blondie Goes to College (USA 1942)
Blondie's Blessed Event (USA 1942)
Blondie for Victory (USA 1942)
It's a Great Life (USA 1943)
Footlight Glamour (USA 1943)
Leave it to Blondie (USA 1945)
Blondie Knows Best (USA 1946)
Life with Blondie (USA 1946)
Blondie's Lucky Day (USA 1946)
Blondie's Big Moment (USA 1947)
Blondie's Holiday (USA 1947)
Blondie in the Dough (USA 1947)
Blondie's Anniversary (USA 1947)
Blondie's Reward (USA 1948)
Blondie's Secret (USA 1949)
Blondie's Big Deal (USA 1949)
Blondie Hits the Jackpot (USA 1949)
Blondie's Hero (USA 1950)
Beware of Blondie (USA 1950)
Blondie (USA 1957; 26 episode tv series)
Blondie (USA 1968-69; 26 episode tv series)
Popeye Meets the Man Who Hated Laughter (USA 1972; animated tv movie. "Guest-stars" Bringing Up Father, The Katzenjammer Kids, Beetle Bailey, Blondie, The Little King, Steve Canyon, Flash Gordon, Tim Tyler)
The Bloody Olive (?) (Lewis Trondheim)
The Bloody Olive (BEL 1996, Vincent Bal; short movie)
Bloom County (Berkeley Breathed)
A Wish for Wings That Work (USA 1991; animated tv movie)
*Blueberry (Moebius)
Blueberry (France 2004, Jan Kounen)
Bob Morane (Dino Attanasio) [Like Buck Rogers, the original series of novels was eclipsed by the comic strip]
Bob Morane? (France 1970; tv series)
The Boob Weekly (Rube Goldberg) [based on comic?]
The Book Weekly (USA 1916; animated movie shorts)
Bogie Man (Wagner/Grant)
Bogie Man (UK 1994?; tv movie)
Bonaventura (Sergio "Sto" Tofano, 1917)
Cenerentola e il signor Bonaventura [Cinderella and Mr Goodluck] (Italy; Arno Film, 1942)
*Boondocks (Aaron McGruder)
The Boondocks (USA 2005; animated in Cartoon Network's Adult Swim block)
Brenda Starr (Dale Messick)
? (USA: Republic, 1945; serial)
Brenda Starr (USA 1976; tv pilot. Jill St. John as Brenda.)
Brenda Starr, Reporter (USA 1979; tv pilot)
Brenda Starr (USA 1986, Robert Ellis Miller. Brooke Shields as Brenda)
Brick Bradford (William Ritt & Clarence Gray / KING FEATURES SYNDICATE)
Brick Bradford (USA: Columbia, 1947 ; serial)
Bringing Up Father (George McManus)
Father Gets Into the Movies (USA: International Film Service / W. R. Hearst 1916; animated short movie)
Just Like a Woman (USA: International Film Service / W. R. Hearst 1916; animated short movie)
Hot Time In the Gym, A (USA: International Film Service / W. R. Hearst 1917; animated short movie)
Great Hansom Cab Mystery, The (USA: International Film Service / W. R. Hearst 1917; animated short)
Music Hath Charms (USA: International Film Service / W. R. Hearst 1917; animated short movie)
He Tries His Hand at Hypnotism (USA: International Film Service / W. R. Hearst 1917; animated short)
Second, the Stimulating Mrs. Barton (USA: International Film Service / W. R. Hearst 1918; animated short)
Second, Father's Close Shave (USA: International Film Service / W. R. Hearst 1918; animated short movie)
Third, Jiggs and the Social Lion (USA: International Film Service / W. R. Hearst 1918; animated short)
Bringing Up Father (USA: John Colman Terry Studi, 1918-1920; animated shorts series?) vide Castelli.
Jiggs in Society (USA 1921?)
Bringing Up Father (USA: MGM 1928; silent movie)
Bringing Up Father (USA: Mongoram 1946)
Jiggs and Maggie in Society (USA: Mongoram 1947)
Jiggs and Maggie in Court (USA: Mongoram 1948)
Jiggs and Maggie in Jackpot Jitters (USA: Mongoram 1949)
Jiggs and Maggie Out West (USA: Mongoram 1950)
Bringing Up Father (USA 1954; animated shorts) vide Castelli.
Popeye Meets the Man Who Hated Laughter (USA 1972; animated tv movie. "Guest-stars" Bringing Up Father, The Katzenjammer Kids, Beetle Bailey, Blondie, The Little King, Steve Canyon, Flash Gordon, Tim Tyler)
Broom Hilda vide Castelli.
Archie TV Funnies TV (USA 1971; animated tv series including Moon Mullins, Smokey Stover, Alley Oop, Broom Hilda, Emmy Lou, The Captain and the Kids, and Nancy)
rereleased as The Fabulous Funnies TV (USA 1978)
Buck Rogers [While based on a novel, the comic strip eclipsed the original story.]
Buck Rogers (USA 1939; 12 episode film serial)
Buck Rogers: Destination Saturn (1939) Ford Beebe, Saul Goodkind
(compilation of film serial? episode of serial?)
Buck Rogers (USA 1979-81) (tv series: 36 episodes)
Buck Rogers In The 25th Century (USA 1978, Daniel Haller)
Bucky O'Hare (Michael Golden & Larry Hama / CONTINUITY)
Bucky O'Hare (USA; animated tv series)
Burakku jakku [Black Jack] (Osamu Tezuka)
Burakku jakku (Japan 19??; animated tv series)
Black Jack (1993; DTV animated movie)
[USA: Black Jack: Clinical Chart 1-4 (Japan 19??; DTV animated movies)]
Burakku jakku (Japan 1996; animated DTV?)
Black Jack (Japan 200?; live action tv series)
Black Jack (Japan 2001?; animated internet series)
*Black Jack (Japan 2004-; animated tv series)
*Black Jack: Futari no Kuroi Isha (Japan 2005; animated movie)
Burglar Bill (Frink & Charlew William Kahles) vide Castelli.
Burglar Bill (USA: Vitagraph 1905; lost)
Buster Brown (Richard Felton Outcault) vide Castelli.
Buster Brown (USA: Edison 1902-1904; 7 movie shorts)
Buster Brown and Tige with Their Creator R. F. Outcault (USA 1913)
Buster Brown (USA: R. F. Outcault/Edison 1914; 8 movie shorts)
Buster Brown (USA: Century Comedies 1925-1929; 49 movies)
The Buster Brown TV Show, with Smilin’Ed McConnell and the Buster Brown Gang (USA: NBC 1950-1951; tv series)
continues as Smilin’Ed McConnell and the Buster Brown Gang (USA: CBS 1951-1955)
continues as Smilin’ Ed McConnell and his Gang
Candy Candy (1975-?)
Candy Candy (Japan 1975; animated tv series)
Captain America (Jack Kirby & Joe Simon / MARVEL)
Captain America (USA 1944, John English/Elmer Clifton) (film
serial: 15 episodes, re-released as The Return of Captain America)
Captain America (USA 1979, Rod Holcomb; tv movie)
Captain America 2: Death Too Soon (USA 1979, Ivan Nagy; tv movie)
Captain America (USA 1990, Albert Pyun; DTV)
Heroes (USA 2002; flash animation parody; online at http://www.moviepoopshoot.com/news/july02/heroes.html)
The Captain and the Kids (Rudolph Dirks / PULITZER) v ide Castelli. SEE ALSO The Katzenjammer Kids
Hans and Fritz (USA: Celebrated Film Corporation/Mutt and Jeff, Inc./Bud Fisher 1916; 1 animated short)
Captain and the Kids (USA: Metro Goldwin Mayer / Fred Quimby 1938-1939; 14 animated shorts)
rereleased as MGM Cartoons (1960; tv series))
Archie TV Funnies TV (USA 1971; animated tv series including Moon Mullins, Smokey Stover, Alley Oop, Broom Hilda, Emmy Lou, The Captain and the Kids, and Nancy)
rereleased as The Fabulous Funnies TV (USA 1978)
Captain Marvel (DC)
The Adventures Of Captain Marvel (USA 1944; 15 episode film serial, re-released as The Return of Captain Marvel)
Shazam! (USA 1974-75; tv series)
continues as The Shazam!/Isis Power Hour (USA 1975-77; tv series)
The Kid Super Power Hour With Shazam (USA: NBC 1981-82; animated tv series)
Captain Starr (Steven Appleby)
Captain Starr (UK 199?; animated tv series)
*Cardcaptor Sakura (CLAMP)
Cardcaptor Sakura (Japan 1998-2000; 70-episode animated tv series)
[Cardcaptors (USA / Canada 2000; animated tv series)]
Cardcaptor Sakura:The Sealed Card (Japan 2000; animated movie)
*Cardinal, The (Kurt J. Kolka / Sunday Comics Ministry)
The Cardinal - A Hero With A Heart (USA 2004; dtv movie; available at www.tracts.com/newparablefilms.html)
Cathy (Cathy Guisewite)
Cathy's Valentine (USA 1989; 3rd animated tv special)
Clarence the Cop (C.W. Kahles)
Clarence the Cop (USA 1903)
Clarence the Cop, On the Feed Store Beat (USA 1904)
? (USA 1905; lost?)
Click (Milo Manara) SEE Gioco
Colonel Blimp (David Low)
The Life and Death of Colonel Blimp (UK 1943)
Colonel Heeza Liar (J.R. Bray) [based on his magazine cartoons character] vide Lenburg for title list
Colonel Heeza Liar (USA 1913-17, 1922-24; animated movie shorts)
Comandante Mark (Italy)
Capitan Swing (Turkey 197?, Tunc Basaran)
Combustion (Chris Lanier/FANTAGRAPHICS)
Combustion (USA 1998, Chris Lanier; short animated film. The comic book it is based on was postponed and is rescheduled for 1999)
Come On Steve (Roland Davies)
Come On Steve (UK 1936, Roland Davies; animated short film)
Committed (Michael Fry)
Committed (Canda: Nelvana, 2001-; animated tv series)
Congo Bill (DC)
Congo Bill (USA 1948; 15 episode film serial)
Corrector Yui (Keiko Okamoto and Kia Asamiya)
Corrector Yui (Japan: NHKEP, 1999-2001; 52-episode anime series)
Corto Maltese (Hugo Pratt)
*Corto Maltese, la cour secrète des arcanes (France 2001)
*Cromartie High School, SEE Sakigake, Kuromati Koko
The Crow (James O'Barr)
The Crow (USA 1994, Alex Proyas)
The Crow: City Of Angels (USA 1996, Tim Pope)
[grm: The Crow - Die Rache der Kraehe]
The Crow: Stairway to Heaven (USA 1998-; tv series)
The Crow: Salvation (USA 2000)
*The Crow: Wicked Prayer (USA 2005; DTV)
Crying Freeman (Kazuo Koike & Ryoichi Ikegami)
Crying furîman (Japan 1988; animated)
[USA: Crying Freeman vol 1-5 (; DTV)]
Crying Freeman (USA 1996, Christophe Gans)
Cubitus (Luc "Dupa" Dupanloup, 1968-?)
Cubitus? (France 19??; animated tv series or movie?)
Cutey Honey (Go Ngai)
Cutey Honey (Japan 1970s; animated tv show)
Cutey Honey (Japan 1994; DTV)
[Cutey Honey Vol 1-3 ( ; DTV from AD Vision. Adapted from ?)]
*Cutie Honey (Japan 2004)
Cybersix (Carlos Trillo/Carlos Meglia)
Cybersix (ARG 1996; tv series: 8 episodes)
Cyborg 009 (Shotarō Ishimori, 1964-1970)
Cyborg 009? (Japan 19??; animated tv series)
Cyborg 009? (Japan 19??; animated movie)
Friday, August 17, 2007
OT: Film & TV Adaptations of Comics - Intro-A
Along with my Comics Research Bibliography (link on the right side), I've joined a few other groups trying to codify the history of comics over the years; this one was done for the APA-I, a group devoted to indexing comics that's been largely superseded by the Grand Comics Database, but still exists and puts out a quarterly fanzine. There's a new book out - Film and Comic Books (edited by Ian Gordon, Mark Jancovich and Matthew P. McAllister) from the University Press of Mississippi, 2007 - and some discussion of comics adaptations to film that's prompted me to post this checklist. The last version floating around the web is seriously outdated. I'd appreciate hearing from anyone with comments
Film & TV Adaptations of Comics
(Comics Stuff #9 DRAFT)
by Michael Rhode & Manfred Vogel
This list and its format originated with Manfred Vogel. After his August 1997 version, he turned it over to Rhode to continue. Shortly after that Manfred died. I would like this list to be a continuing memorial to him.
Manfred's list was live-action only and I decided to add animated versions of print originals. The list includes any type of comic strip, panel or book that originated on paper, but not original animation even if it later resulted in a printed series. The adaption of comics into the movies has been going on since the creation of motion pictures. British comics historian Paul Gravett told me, "The Lumieres' "Watering the Gardener" from 1895 was based on a comic strip. According to Yves Fremion in 'CinemAction Summer 1990 there were so many versions of this slapstick gag strip that it is difficult to confirm the true inventor but the most famous one is by Christophe alias Marie-Louis-Georges Colomb (as in 'Christopher Columbus'), 1856-1945 - they show the last three panels." On the Grand Comics Database internet mailing list (June 11, 1998), Steve Rowe noted that the Happy Hooligan series of 1900 is generally accepted as the first US comic strip adaptation (or at least legally so). In 1946, Paul S. Nathan observed, "[A]t least fourteen movies last year were based on characters out of the "funnies," and it looks as though there are going to be even more in 1947." Some Japanese animation (anime) is listed but the creation process may be confused; still as Ledoux & Ranney note, "In Japan, most anime videos are based on manga..." Information on Filippino films is also needed; John Lent in his 1997 International Comics and Animation Festival (ICAF) presentation said that 50% of the Filipino movies made are based on comics. When possible, titles are under their original language with cross-references added as necessary.
A second section has been started to list movies with comics creators associated with them, but I would recommend also using Jerry Bails' Who's Who of American Comic Books, 1928-1999 as it is more complete for many creators. The third section lists documentaries and promotional pieces and the fourth is a bibliography. Several books on comics and their live-action adaptations to film and television exist and are cited in the bibliography. Wizard magazine also has a regular column on the topic. Large movie series, such as Mutt and Jeff's over 300 animated films, are listed in alphabetical order while less frequent movies or television shows are listed in date order. DTV stands for direct-to-video, a movie without a theatrical or television release; this is the equivalent to anime's original animation video (OAV) and is used instead. I am deeply indebted to Alfredo Castelli for sharing his knowledge of early-twentieth century adaptations. Entries marked vide Castelli are from his book Here we are again, the first 25 years of American Comics. For current information and rumors about movies in production, I recommend Rob Worley's Comics 2 Film webpage. Additions and corrections are very welcome. Comics Stuff is an occasional publication showcasing aspects of comics collecting and indexing beyond the comic book and toy price guides. * marks new additions since the last version was released.
I. ADAPTATIONS:
(Some documentaries have been cited in this section for ease of use)
Format:
Comic book/strip [English title] (Creator/PUBLISHER)
Title/series (Country: studio, date, director; notes)
rereleases under different titles/individual titles in series
[Other translated titles]
2000AD Annual/Future Shock episode "Mark 13" ca. 1981 (Steve MacManus & Kevin O'Neill)
Hardware (UK 1990, R. Stanley)
[grm: M.A.R.K. 13]
3x3 Eyes (Yuzo Takada)
[USA: 3x3 Eyes: Altered State (Japan 1991; animated DTV)]
[USA: 3x3 Eyes: Who Needs Enemies (Japan 1991; animated DTV)]
[USA: 3x3 Eyes: Life and Death (Japan 1992; animated DTV)]
[USA: 3x3 Eyes: Blind Flight (Japan 1992; animated DTV)]
[USA: 3x3 Eyes: Perfect Collection: Special Collector's Edition (video collects all four DTVS)]
*300 (Frank Miller)
300 (USA 2007; Zach Snyder)
8-Man [8th Man] (Kazumasa Hirai & Jiro Kuwata, 1963-1968)
8-Man (Japan 1965-1966; 56 episode animated tv series)
[USA: 8th Man 1965-1966; 52 episodes]
[USA: Greatest Adventures of 8th Man Vol 1-4 (videos with 5 tv episodes on each)]
[8-Man After (Japan 199?; animated tv series)]
[USA: 8-Man After: City in Fear (1993; DTV?)]
[USA: 8-Man After: End Run (1993?; DTV?)]
[USA: 8-Man After: Mr. Hallowe'en (1993?; DTV?)]
[USA: 8-Man After: Sachiko's Decision (1993?; DTV?)]
[USA: 8-Man After Perfect Collection (1993?; collects all 4 DTVs)]
Aa! Megamisama! [Oh My Goddess!] (Kosuke Fujishima)
Aa! Megamisama! (Japan 199?; animated tv series?)
Oh My Goddess: Moonlight and Cherry Blossoms (Japan 1993; animated DTV)
Oh My Goddess: Midsummer's Night Dream (Japan 199?; animated DTV)
Oh My Goddess: Burning Hearts on the Road (Japan 199?; animated DTV)
Oh My Goddess: Evergreen Holy Night (Japan 199?; animated DTV)
Oh My Goddess: For the Love of Goddess (Japan 199?; animated DTV)
Abie the Agent (Harry Hershfield) vide Castelli.
Abie the Agent (USA: International Film Service / W. R. Hearst, 1917; 2 animated shorts)
Iska Worreh
Abie Kabibble Outwitting His Rival
Ace Drummond
Ace Drummond (USA 1936; 13 episode serial; edited into Squadron of Doom for television?)
Action Comics/characters in various episodes (DC)
Congo Bill (USA 1948; 15 episode film serial)
The Human Target (USA 1992; 7 episode tv series)
The Vigilante (USA 1945; film serial)
A.D. Police (Tony Takezaki) (This is a comic book spinoff series from Bubblegum Crisis DTVs. It began as manga and then was adapted into anime.)
The Phantom Woman (Japan 1990; animated DTV)
The Ripper (Japan 199?; animated DTV)
The Man Who Bites His Tongue (Japan 199?; animated DTV)
Ada
Ada Dans La Jungle (France 1988, Gerard Zingg.)
Addams Family (Charles Addams)
The Addams Family (USA 1964-1966; tv series)
The Addams Family (USA 1973-1975; animated tv series)
The Addams Family (USA 1991)
The Addams Family Values (USA 1993)
The New Addams Family (USA/CANADA? 1998- ; tv series)
The Addams Family Reunion (USA 1998; DTVmovie)
Adventure Kid (Toshio Maeda)
[2 animated DTVs; Japan 1993]
Akira (Katsuhiro Otomo)
Akira (Japan 1988; animated movie. Released in USA in 1989.)
Akira Production Report (Japan 1988; DTV documentary)
Ako Si Abraham [I Am Abraham] (Carlo J. Caparas & Danny Bulanadi)
Ako Si Abraham? (Philippines 197?)
Alan Ford (Max Bunker and Magnus)
Alan Ford E Il Gruppo T.n.t. Contro Superciuk (Italy 1988, Max Bunker. Animated movie)
*Alien vs. Predator (USA 2004; concept based on Dark Horse Comics series)
All Purpose Cultural Cat Girl Nuku Nuku - SEE Nuku Nuku
Alley Oop (V.T. Hamlin) CHECK vide Castelli.
Archie TV Funnies TV (USA 1971; animated tv series including Moon Mullins, Smokey Stover, Alley Oop, Broom Hilda, Emmy Lou, The Captain and the Kids, and Nancy)
rereleased as The Fabulous Funnies TV (USA 1978)
Ally Sloper
Ally Sloper (UK 1900)
Alma Grande (Petro Zapiain Jose and Jose Suarez Lozano)
Alma Grande El Yaqui Justiciero (Mexico 1965, Chano Urueta)
Alma Grande En El Desierto (Mexico 1966, A. Gonzales)
Alphonse and Gaston (Federick Burr Opper) vide Castelli.
Alphonse and Gaston (USA: American Mutoscope & Biograph Co., 1902/3)
Helping an Irishman (USA: American Mutoscope & Biograph Co., 1902/3)
Alphonse and Gaston No. 3 (USA: American Mutoscope & Biograph Co., 1902/3)
Alphonse and Gaston: Next (USA: American Mutoscope & Biograph Co., 1902/3)
*Amazing Screw-On Head (Mike Mignola)
The Amazing Screw-On Head (USA: Sci Fi Channel, 2006; animated tv series)
American Splendor (Harvey Pekar)
American Splendor (USA 2003; winner of Sundance Film Festival Grand Jury Prize)
Ami-chan
Ami-chan no hatsukoi (Japan 1995; animated movie)
[Ami-chan's First Love (1995)]
And Her Name Was Maud (Federick Burr Opper) vide Castelli.
Maud the Mule (USA: International Film Service / W. R. Hearst, 1916; 4 animated shorts)
Andy Capp
Andy Capp (UK 1988; tv series)
Animal Crackers (Roger Bollen)
Animal Crackers (USA 1998; animated tv series)
Anita Bomba (Cromwell and Eric Gratien)
(USA/France 2000; animated internet series at http://www.wildbrain.com)
L'annee 01 (?)
L'annee 01 (France 1972, Jacques Doillon)
Aoi haru (Taiyo Matsumoto)
Aoi haru (Japan 2001; live action)
[USA: Blue Spring (2001)]
Appleseed (Masumune Shirow)
Appleseed (Japan 1988; animated DTV. Released in USA in 1988)
*Appleseed (Japan 2004)
Aquaman (DC)
The Superman-Aquaman Hour of Adventure (CBS, 1967-68; animated tv series)
Archie
Archie (USA 1964, Harry Ackerman; un-aired tv series pilot. Available on Video Comics Present: Lost TV Pilots)
The Archie Show (USA 1968; animated tv show; included Sabrina, the teenage witch)
becomes The Archie Comedy Hour (USA 1969; animated tv show)
becomes Archie's Fun House (1970; animated tv show)
becomes Archie's TV Funnies (1971; animated tv show)
The New Archie/Sabrina Hour, (USA 1977; animated tv series)
Archie: To Riverdale and Back Again (USA 1990 tv movie)
Return to Riverdale (1995 video title)
Archie's Weird Mysteries (USA1999-; animated tv series)
Arimpara (O V Vijayan)
Arimpara (India 2003, Murali Nair; animated movie)
Asterix (René Goscinny & Uderzo / DARGAUD)
Astérix chez les Brétons (France 1986; animated)
[Asterix in Britain (1986)]
Asterix erobert Amerika (Germany 1994; animated)
[Asterix Conquers America (1994)]
Astérix et Cléopâtre (Belgium/France 1968)
Astérix et la surprise de César (France 1985)
[Asterix Versus Caesar (1985)]
Astérix et le coup du menhir (West Germany/ France 1989)
[Asterix and the Big Fight (1989)]
Astérix et Obélix (West Germany/ France 1998; live action)
[Asterix and Obelix vs. Caesar (1998)]
[Astérix et Obélix versus César (1998)]
Astérix le Gaulois (Belgium/France 1967)
Douze travaux d'Astérix, Les (France 1975)
[Twelve Tasks of Asterix, The (1975)]
Asterix & Obelix VS Caesar (France 1999; live action)
Asterix and Obelix: Mission Cleopatra (France 2002, Alain Chabat.; live action)
*Asterix and the Vikings (France 2005; animated movie)
Astro Boy - SEE Tetsuwan Atom
Avengers (Stan Lee & Jack Kirby / MARVEL)
Avengers (USA 1999-; 13 episode animated tv series)
*Ultimate Avengers:The Movie (USA 2006; animated DTV)
*Ultimate Avengers 2 (USA 2006; DTV animation)
*Azumi (Yu Koyama)
Azumi (Japan 2003)
Azumi 2: Death or Love (Japan 2005)
Film & TV Adaptations of Comics
(Comics Stuff #9 DRAFT)
by Michael Rhode & Manfred Vogel
This list and its format originated with Manfred Vogel. After his August 1997 version, he turned it over to Rhode to continue. Shortly after that Manfred died. I would like this list to be a continuing memorial to him.
Manfred's list was live-action only and I decided to add animated versions of print originals. The list includes any type of comic strip, panel or book that originated on paper, but not original animation even if it later resulted in a printed series. The adaption of comics into the movies has been going on since the creation of motion pictures. British comics historian Paul Gravett told me, "The Lumieres' "Watering the Gardener" from 1895 was based on a comic strip. According to Yves Fremion in 'CinemAction Summer 1990 there were so many versions of this slapstick gag strip that it is difficult to confirm the true inventor but the most famous one is by Christophe alias Marie-Louis-Georges Colomb (as in 'Christopher Columbus'), 1856-1945 - they show the last three panels." On the Grand Comics Database internet mailing list (June 11, 1998), Steve Rowe noted that the Happy Hooligan series of 1900 is generally accepted as the first US comic strip adaptation (or at least legally so). In 1946, Paul S. Nathan observed, "[A]t least fourteen movies last year were based on characters out of the "funnies," and it looks as though there are going to be even more in 1947." Some Japanese animation (anime) is listed but the creation process may be confused; still as Ledoux & Ranney note, "In Japan, most anime videos are based on manga..." Information on Filippino films is also needed; John Lent in his 1997 International Comics and Animation Festival (ICAF) presentation said that 50% of the Filipino movies made are based on comics. When possible, titles are under their original language with cross-references added as necessary.
A second section has been started to list movies with comics creators associated with them, but I would recommend also using Jerry Bails' Who's Who of American Comic Books, 1928-1999 as it is more complete for many creators. The third section lists documentaries and promotional pieces and the fourth is a bibliography. Several books on comics and their live-action adaptations to film and television exist and are cited in the bibliography. Wizard magazine also has a regular column on the topic. Large movie series, such as Mutt and Jeff's over 300 animated films, are listed in alphabetical order while less frequent movies or television shows are listed in date order. DTV stands for direct-to-video, a movie without a theatrical or television release; this is the equivalent to anime's original animation video (OAV) and is used instead. I am deeply indebted to Alfredo Castelli for sharing his knowledge of early-twentieth century adaptations. Entries marked vide Castelli are from his book Here we are again, the first 25 years of American Comics. For current information and rumors about movies in production, I recommend Rob Worley's Comics 2 Film webpage. Additions and corrections are very welcome. Comics Stuff is an occasional publication showcasing aspects of comics collecting and indexing beyond the comic book and toy price guides. * marks new additions since the last version was released.
I. ADAPTATIONS:
(Some documentaries have been cited in this section for ease of use)
Format:
Comic book/strip [English title] (Creator/PUBLISHER)
Title/series (Country: studio, date, director; notes)
rereleases under different titles/individual titles in series
[Other translated titles]
2000AD Annual/Future Shock episode "Mark 13" ca. 1981 (Steve MacManus & Kevin O'Neill)
Hardware (UK 1990, R. Stanley)
[grm: M.A.R.K. 13]
3x3 Eyes (Yuzo Takada)
[USA: 3x3 Eyes: Altered State (Japan 1991; animated DTV)]
[USA: 3x3 Eyes: Who Needs Enemies (Japan 1991; animated DTV)]
[USA: 3x3 Eyes: Life and Death (Japan 1992; animated DTV)]
[USA: 3x3 Eyes: Blind Flight (Japan 1992; animated DTV)]
[USA: 3x3 Eyes: Perfect Collection: Special Collector's Edition (video collects all four DTVS)]
*300 (Frank Miller)
300 (USA 2007; Zach Snyder)
8-Man [8th Man] (Kazumasa Hirai & Jiro Kuwata, 1963-1968)
8-Man (Japan 1965-1966; 56 episode animated tv series)
[USA: 8th Man 1965-1966; 52 episodes]
[USA: Greatest Adventures of 8th Man Vol 1-4 (videos with 5 tv episodes on each)]
[8-Man After (Japan 199?; animated tv series)]
[USA: 8-Man After: City in Fear (1993; DTV?)]
[USA: 8-Man After: End Run (1993?; DTV?)]
[USA: 8-Man After: Mr. Hallowe'en (1993?; DTV?)]
[USA: 8-Man After: Sachiko's Decision (1993?; DTV?)]
[USA: 8-Man After Perfect Collection (1993?; collects all 4 DTVs)]
Aa! Megamisama! [Oh My Goddess!] (Kosuke Fujishima)
Aa! Megamisama! (Japan 199?; animated tv series?)
Oh My Goddess: Moonlight and Cherry Blossoms (Japan 1993; animated DTV)
Oh My Goddess: Midsummer's Night Dream (Japan 199?; animated DTV)
Oh My Goddess: Burning Hearts on the Road (Japan 199?; animated DTV)
Oh My Goddess: Evergreen Holy Night (Japan 199?; animated DTV)
Oh My Goddess: For the Love of Goddess (Japan 199?; animated DTV)
Abie the Agent (Harry Hershfield) vide Castelli.
Abie the Agent (USA: International Film Service / W. R. Hearst, 1917; 2 animated shorts)
Iska Worreh
Abie Kabibble Outwitting His Rival
Ace Drummond
Ace Drummond (USA 1936; 13 episode serial; edited into Squadron of Doom for television?)
Action Comics/characters in various episodes (DC)
Congo Bill (USA 1948; 15 episode film serial)
The Human Target (USA 1992; 7 episode tv series)
The Vigilante (USA 1945; film serial)
A.D. Police (Tony Takezaki) (This is a comic book spinoff series from Bubblegum Crisis DTVs. It began as manga and then was adapted into anime.)
The Phantom Woman (Japan 1990; animated DTV)
The Ripper (Japan 199?; animated DTV)
The Man Who Bites His Tongue (Japan 199?; animated DTV)
Ada
Ada Dans La Jungle (France 1988, Gerard Zingg.)
Addams Family (Charles Addams)
The Addams Family (USA 1964-1966; tv series)
The Addams Family (USA 1973-1975; animated tv series)
The Addams Family (USA 1991)
The Addams Family Values (USA 1993)
The New Addams Family (USA/CANADA? 1998- ; tv series)
The Addams Family Reunion (USA 1998; DTVmovie)
Adventure Kid (Toshio Maeda)
[2 animated DTVs; Japan 1993]
Akira (Katsuhiro Otomo)
Akira (Japan 1988; animated movie. Released in USA in 1989.)
Akira Production Report (Japan 1988; DTV documentary)
Ako Si Abraham [I Am Abraham] (Carlo J. Caparas & Danny Bulanadi)
Ako Si Abraham? (Philippines 197?)
Alan Ford (Max Bunker and Magnus)
Alan Ford E Il Gruppo T.n.t. Contro Superciuk (Italy 1988, Max Bunker. Animated movie)
*Alien vs. Predator (USA 2004; concept based on Dark Horse Comics series)
All Purpose Cultural Cat Girl Nuku Nuku - SEE Nuku Nuku
Alley Oop (V.T. Hamlin) CHECK vide Castelli.
Archie TV Funnies TV (USA 1971; animated tv series including Moon Mullins, Smokey Stover, Alley Oop, Broom Hilda, Emmy Lou, The Captain and the Kids, and Nancy)
rereleased as The Fabulous Funnies TV (USA 1978)
Ally Sloper
Ally Sloper (UK 1900)
Alma Grande (Petro Zapiain Jose and Jose Suarez Lozano)
Alma Grande El Yaqui Justiciero (Mexico 1965, Chano Urueta)
Alma Grande En El Desierto (Mexico 1966, A. Gonzales)
Alphonse and Gaston (Federick Burr Opper) vide Castelli.
Alphonse and Gaston (USA: American Mutoscope & Biograph Co., 1902/3)
Helping an Irishman (USA: American Mutoscope & Biograph Co., 1902/3)
Alphonse and Gaston No. 3 (USA: American Mutoscope & Biograph Co., 1902/3)
Alphonse and Gaston: Next (USA: American Mutoscope & Biograph Co., 1902/3)
*Amazing Screw-On Head (Mike Mignola)
The Amazing Screw-On Head (USA: Sci Fi Channel, 2006; animated tv series)
American Splendor (Harvey Pekar)
American Splendor (USA 2003; winner of Sundance Film Festival Grand Jury Prize)
Ami-chan
Ami-chan no hatsukoi (Japan 1995; animated movie)
[Ami-chan's First Love (1995)]
And Her Name Was Maud (Federick Burr Opper) vide Castelli.
Maud the Mule (USA: International Film Service / W. R. Hearst, 1916; 4 animated shorts)
Andy Capp
Andy Capp (UK 1988; tv series)
Animal Crackers (Roger Bollen)
Animal Crackers (USA 1998; animated tv series)
Anita Bomba (Cromwell and Eric Gratien)
(USA/France 2000; animated internet series at http://www.wildbrain.com)
L'annee 01 (?)
L'annee 01 (France 1972, Jacques Doillon)
Aoi haru (Taiyo Matsumoto)
Aoi haru (Japan 2001; live action)
[USA: Blue Spring (2001)]
Appleseed (Masumune Shirow)
Appleseed (Japan 1988; animated DTV. Released in USA in 1988)
*Appleseed (Japan 2004)
Aquaman (DC)
The Superman-Aquaman Hour of Adventure (CBS, 1967-68; animated tv series)
Archie
Archie (USA 1964, Harry Ackerman; un-aired tv series pilot. Available on Video Comics Present: Lost TV Pilots)
The Archie Show (USA 1968; animated tv show; included Sabrina, the teenage witch)
becomes The Archie Comedy Hour (USA 1969; animated tv show)
becomes Archie's Fun House (1970; animated tv show)
becomes Archie's TV Funnies (1971; animated tv show)
The New Archie/Sabrina Hour, (USA 1977; animated tv series)
Archie: To Riverdale and Back Again (USA 1990 tv movie)
Return to Riverdale (1995 video title)
Archie's Weird Mysteries (USA1999-; animated tv series)
Arimpara (O V Vijayan)
Arimpara (India 2003, Murali Nair; animated movie)
Asterix (René Goscinny & Uderzo / DARGAUD)
Astérix chez les Brétons (France 1986; animated)
[Asterix in Britain (1986)]
Asterix erobert Amerika (Germany 1994; animated)
[Asterix Conquers America (1994)]
Astérix et Cléopâtre (Belgium/France 1968)
Astérix et la surprise de César (France 1985)
[Asterix Versus Caesar (1985)]
Astérix et le coup du menhir (West Germany/ France 1989)
[Asterix and the Big Fight (1989)]
Astérix et Obélix (West Germany/ France 1998; live action)
[Asterix and Obelix vs. Caesar (1998)]
[Astérix et Obélix versus César (1998)]
Astérix le Gaulois (Belgium/France 1967)
Douze travaux d'Astérix, Les (France 1975)
[Twelve Tasks of Asterix, The (1975)]
Asterix & Obelix VS Caesar (France 1999; live action)
Asterix and Obelix: Mission Cleopatra (France 2002, Alain Chabat.; live action)
*Asterix and the Vikings (France 2005; animated movie)
Astro Boy - SEE Tetsuwan Atom
Avengers (Stan Lee & Jack Kirby / MARVEL)
Avengers (USA 1999-; 13 episode animated tv series)
*Ultimate Avengers:The Movie (USA 2006; animated DTV)
*Ultimate Avengers 2 (USA 2006; DTV animation)
*Azumi (Yu Koyama)
Azumi (Japan 2003)
Azumi 2: Death or Love (Japan 2005)
Thursday, August 16, 2007
Wednesday, August 15, 2007
SPX announces great guests
Even though I know the publicity guy,* and the organizing gal,** and I blog about comics in DC,*** I still have to get my SPX news from Comic Book Resources. Since this is a press release, I'm going to repeat it in full. I'd also like to note that Jim Ottiviani, who just did me a big favor, will be there selling his two new books. I've bought all of the science-related comics he's put out, and recommend them to you all.
SPX ANNOUNCES BILL GRIFFITH, GILBERT HERNANDEZ AND RUTU MODON AS GUESTS
Posted: August 14, 2007 —
Official Press Release
Bethesda, Maryland - Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comic books, graphic novels and alternative political cartoons, is proud to announce Bill Griffith, Gilbert Hernandez and Rutu Modan as the first slate of guests for SPX 2007. This years SPX will be held October 12 and October 13 at The North Bethesda**** Marriott Convention Center in Bethesda, Maryland.
Bill Griffith is known world wide for his syndicated strip, Zippy The Pinhead, which runs daily in The Washington Post. He has a new Zippy collection out from Fantagraphics entitled "Zippy: Walk A Mile In MY Muu-Muu". SPX is proud to have him make one of his rare convention appearances at this years show.
Gilbert Hernandez, whose Love and Rockets is considered one of the groundbreaking works in the history of comics, will be at SPX to promote his first graphic novel in four years, "Chance in Hell" from Fantagraphics.
Rutu Modan, one of the founders of the Actus Tragicus comics collective, will be at SPX with her first full length graphic novel, the critically acclaimed "Exit Wounds", from Drawn & Quarterly.
Additional guests will be added over the next few weeks, please stay tuned for those announcements.
SPX, a non-profit organization, brings together more than 300 artists and publishers to meet their readers, booksellers and distributors each year. Graphic novels, political cartoon books and alternative comics will all be on display and for sale by their authors and illustrators. A series of panel discussions will also be held of interest to readers, academicians and creators of graphic novels and political cartoons.
SPX will be open to the public from 2 pm - 8 pm, Friday, October 12 and 10am - 7 pm Saturday, October 13. Admission is $8 for a single day and $15 for both days.
SPX culminates with the presentation of the 11th Annual Ignatz Awards for outstanding achievement in comics and cartooning. The Ignatz is the first Festival Prize in the US comic book industry, with winners chosen by balloting during the SPX.
*yes, you, Warren;
**and you Karon;
***that's here. You can page back up
****this is really Rockville, no matter what they claim
SPX ANNOUNCES BILL GRIFFITH, GILBERT HERNANDEZ AND RUTU MODON AS GUESTS
Posted: August 14, 2007 —
Official Press Release
Bethesda, Maryland - Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comic books, graphic novels and alternative political cartoons, is proud to announce Bill Griffith, Gilbert Hernandez and Rutu Modan as the first slate of guests for SPX 2007. This years SPX will be held October 12 and October 13 at The North Bethesda**** Marriott Convention Center in Bethesda, Maryland.
Bill Griffith is known world wide for his syndicated strip, Zippy The Pinhead, which runs daily in The Washington Post. He has a new Zippy collection out from Fantagraphics entitled "Zippy: Walk A Mile In MY Muu-Muu". SPX is proud to have him make one of his rare convention appearances at this years show.
Gilbert Hernandez, whose Love and Rockets is considered one of the groundbreaking works in the history of comics, will be at SPX to promote his first graphic novel in four years, "Chance in Hell" from Fantagraphics.
Rutu Modan, one of the founders of the Actus Tragicus comics collective, will be at SPX with her first full length graphic novel, the critically acclaimed "Exit Wounds", from Drawn & Quarterly.
Additional guests will be added over the next few weeks, please stay tuned for those announcements.
SPX, a non-profit organization, brings together more than 300 artists and publishers to meet their readers, booksellers and distributors each year. Graphic novels, political cartoon books and alternative comics will all be on display and for sale by their authors and illustrators. A series of panel discussions will also be held of interest to readers, academicians and creators of graphic novels and political cartoons.
SPX will be open to the public from 2 pm - 8 pm, Friday, October 12 and 10am - 7 pm Saturday, October 13. Admission is $8 for a single day and $15 for both days.
SPX culminates with the presentation of the 11th Annual Ignatz Awards for outstanding achievement in comics and cartooning. The Ignatz is the first Festival Prize in the US comic book industry, with winners chosen by balloting during the SPX.
*yes, you, Warren;
**and you Karon;
***that's here. You can page back up
****this is really Rockville, no matter what they claim
Toles wields grave new powers
"Cartoonist Toles Makes List of 'Most Powerful People in D.C.'" sayeth Dave Astor, at E&P Online (August 14). He's quoting from GQ, that bible of politics.
Book on superhero films from area author
See "Tracking Heroes: John Flynn Offers An Up To The Second Compendium Of Comic Book Superheroes Moving From Page To Screen" by Daniel Krall, Baltimore City Paper (August 15, 2007)
Saturday, August 11, 2007
Toles' 9-11-quoting cartoon draws criticism UPDATED
Two local residents wrote into the Post to complain about Toles' August 8th cartoon, in which he satirized airline's abysmal performances with lines from 9-11. See A Callous Cartoon, Washington Post Saturday, August 11, 2007; A15
Demonstrating that Alan Gardner's Daily Cartoonist blog has far more readers than this one ;^), cartoonist Mike Lester and a few others go at it in the comments section. This is what Richard mentioned in the comments, but I thought I'd put it up here so someone might see it. Thanks for the tip, Richard! And thanks for the initial link, Alan. For myself, I'd guess that the Toles cartoon generated a lot more mail, but that the Post only printed a couple of the letters.
Demonstrating that Alan Gardner's Daily Cartoonist blog has far more readers than this one ;^), cartoonist Mike Lester and a few others go at it in the comments section. This is what Richard mentioned in the comments, but I thought I'd put it up here so someone might see it. Thanks for the tip, Richard! And thanks for the initial link, Alan. For myself, I'd guess that the Toles cartoon generated a lot more mail, but that the Post only printed a couple of the letters.
Friday, August 10, 2007
OT: The 2007 Festival of Cartoon Art: GRAPHIC STORYTELLING
Off-topic, but otoh, I will be driving from DC after this year's ICAF.
The 2007 Festival of Cartoon Art: GRAPHIC STORYTELLING October 25-27, 2007 at the Columbus Renaissance Hotel
Registrations are now being accepted for the ninth triennial Festival of Cartoon Art organized by the Ohio State University Cartoon Research Library. Attendees will enjoy presentations by top cartoonists from around the country and the world focusing on the art of graphic storytelling. Registration is $150 (only $25 for students and seniors 65 and over!) and includes admission to all Festival of Cartoon Art Forum presentations, the exhibit catalogue for Milton Caniff: American Master and School of Caniff, morning refreshments and lunch at the Renaissance Hotel on both Forum days, a special exhibit reception at The Ohio State University, and a souvenir tote bag. Registration is limited to 275 participants and will be accepted in the order received.
A downloadable registration form is available at the 2007 Festival of Cartoon Art Web site: http://cartoons.osu.edu/FCA2007/site/. The site also features additional information about related events taking place in conjunction with the Festival including an academic pre-conference at the Blackwell Hotel and a special cartoon exhibition and reception at the Thurber House on Thursday, October 25 and a banquet on Saturday evening, October 27.
The year 2007 marks the centennial of the birth of master storyteller Milton Caniff, whose papers and art formed the founding collection of the Cartoon Research Library. The conference will begin with a celebration of Caniff's life and legacy. Leading contemporary cartoonists will then explore the craft of storytelling in newspapers, comic books, and graphic novels throughout the two-day festival. Speakers include:
* Jessica Abel, creator of Artbabe and La Perdida
* Nick Anderson, Pulitzer-Prize-winning editorial cartoonist for the Houston Chronicle
* Alison Bechdel, creator of Fun Home, Time Magazine’s best book of the year in 2006
* Ray Billingsley, creator of Curtis, which appears in more than 250 newspapers
* Guy Delisle, creator of Pyongyang: A Journey in North Korea
* Jules Feiffer, Pulitzer-Prize winning cartoonist, playwright, author and illustrator
* Gary Groth, co-founder of Fantagraphics Books
* R. C. Harvey, cartoonist, historian and author of Meanwhile: A Biography of Milton Caniff
* Mike Peters, creator of Mother Goose and Grimm and Pulitzer-Prize-winning editorial cartoonist for the Dayton Daily News
* Peter Poplaski, author of The Sketchbook Adventures of Peter Poplaski and co-author of the R. Crumb Handbook
* Ted Rall, alternative weekly editorial cartoonist and author of Silk Road to Ruin
* P. Craig Russell, comic book creator of over 80 titles including the Ring of Nibelung and Neil Gaiman’s Sandman: Ramadan and Murder Mysteries
* Diana Schutz, Senior Editor at Dark Horse Comics
* Mark Siegel, Editorial Director of First Second Books
* Frank Stack, underground cartoonist and illustrator of Our Cancer Year by Harvey Pekar and Joyce Brabner
* Brian Walker, comics historian and curator, and writer of Hi and Lois.
* Mort Walker, creator of Beetle Bailey, Hi and Lois, and six other comic strips
The academic pre-conference on October 25, co-sponsored by OSU's Project Narrative and Department of English, includes:
Contemporary Graphic Storytelling
* Theresa Tensuan (Haverford College), “Breaking the Frame: Reviewing Disabilities in Epileptic, Cuckoo, and The Spiral Cage”
* Rebecca Wanzo (Ohio State University), "It’s a Hero?: Black Comics and Satirizing Subjection"
* Julia Watson (Ohio State University), “Reading Pleasures in Alison Bechdel’s Fun Home: Translating Literature into “Life”
* Nicole McDaniel (Texas A&M), “Seriality and Collections of ‘Old Comic Strips’ in Art Spiegelman’s In the Shadow of No Towers”
* Chair: Jared Gardner (Ohio State University)
History & Time: Graphic Storytelling
* Sean Connors (Ohio State University), “Portrait of the Cartoonist: An Examinaton of Milton Caniff's Growth Between 1933 and 1935.”
* Daniel Yezbick (Peninsula College), “Pie-faced Panels and Arthrological Antics: Semiotic Reversals and Jingle-Jandled Narrative in George Carlson’s ‘Pie-faced Prince of Pretzelberg”
* David Olsen (St. Louis University), "Who Watches the Watch?: Keeping Time in Graphic Narratives,"
* John Jennings & Damian Duffy (University of Illinois, Chicago), “Virtual Unreality and the Shape of Time: Virtual Comics, Postmodern Self-referentiality, and the Fourth Dimension”
* Chair: Jared Gardner (Ohio State University)
Graphic Storytelling and Narrative Theory
* Kai Mikkonen (University of Tampere), “The Narrative Agent in Graphic Storytelling”
* David Herman (Ohio State University), "Multimodal Storytelling and Identity Construction in Graphic Narratives"
* Frederick Aldama (Ohio State University) “Your Brain on Latino Comics”
* David FitzSimmons (Ashland University), “Picture Books and Graphic Novels: An Undergraduate Introduction to Narrative Theory”
* Chair: James Phelan (Ohio State University)
The full schedule and additional information about the Festival is posted at http://cartoons.osu.edu/FCA2007/site/.
For further information, contact cartoons@osu.edu or telephone 614-292-0538.
The 2007 Festival of Cartoon Art: GRAPHIC STORYTELLING October 25-27, 2007 at the Columbus Renaissance Hotel
Registrations are now being accepted for the ninth triennial Festival of Cartoon Art organized by the Ohio State University Cartoon Research Library. Attendees will enjoy presentations by top cartoonists from around the country and the world focusing on the art of graphic storytelling. Registration is $150 (only $25 for students and seniors 65 and over!) and includes admission to all Festival of Cartoon Art Forum presentations, the exhibit catalogue for Milton Caniff: American Master and School of Caniff, morning refreshments and lunch at the Renaissance Hotel on both Forum days, a special exhibit reception at The Ohio State University, and a souvenir tote bag. Registration is limited to 275 participants and will be accepted in the order received.
A downloadable registration form is available at the 2007 Festival of Cartoon Art Web site: http://cartoons.osu.edu/FCA2007/site/. The site also features additional information about related events taking place in conjunction with the Festival including an academic pre-conference at the Blackwell Hotel and a special cartoon exhibition and reception at the Thurber House on Thursday, October 25 and a banquet on Saturday evening, October 27.
The year 2007 marks the centennial of the birth of master storyteller Milton Caniff, whose papers and art formed the founding collection of the Cartoon Research Library. The conference will begin with a celebration of Caniff's life and legacy. Leading contemporary cartoonists will then explore the craft of storytelling in newspapers, comic books, and graphic novels throughout the two-day festival. Speakers include:
* Jessica Abel, creator of Artbabe and La Perdida
* Nick Anderson, Pulitzer-Prize-winning editorial cartoonist for the Houston Chronicle
* Alison Bechdel, creator of Fun Home, Time Magazine’s best book of the year in 2006
* Ray Billingsley, creator of Curtis, which appears in more than 250 newspapers
* Guy Delisle, creator of Pyongyang: A Journey in North Korea
* Jules Feiffer, Pulitzer-Prize winning cartoonist, playwright, author and illustrator
* Gary Groth, co-founder of Fantagraphics Books
* R. C. Harvey, cartoonist, historian and author of Meanwhile: A Biography of Milton Caniff
* Mike Peters, creator of Mother Goose and Grimm and Pulitzer-Prize-winning editorial cartoonist for the Dayton Daily News
* Peter Poplaski, author of The Sketchbook Adventures of Peter Poplaski and co-author of the R. Crumb Handbook
* Ted Rall, alternative weekly editorial cartoonist and author of Silk Road to Ruin
* P. Craig Russell, comic book creator of over 80 titles including the Ring of Nibelung and Neil Gaiman’s Sandman: Ramadan and Murder Mysteries
* Diana Schutz, Senior Editor at Dark Horse Comics
* Mark Siegel, Editorial Director of First Second Books
* Frank Stack, underground cartoonist and illustrator of Our Cancer Year by Harvey Pekar and Joyce Brabner
* Brian Walker, comics historian and curator, and writer of Hi and Lois.
* Mort Walker, creator of Beetle Bailey, Hi and Lois, and six other comic strips
The academic pre-conference on October 25, co-sponsored by OSU's Project Narrative and Department of English, includes:
Contemporary Graphic Storytelling
* Theresa Tensuan (Haverford College), “Breaking the Frame: Reviewing Disabilities in Epileptic, Cuckoo, and The Spiral Cage”
* Rebecca Wanzo (Ohio State University), "It’s a Hero?: Black Comics and Satirizing Subjection"
* Julia Watson (Ohio State University), “Reading Pleasures in Alison Bechdel’s Fun Home: Translating Literature into “Life”
* Nicole McDaniel (Texas A&M), “Seriality and Collections of ‘Old Comic Strips’ in Art Spiegelman’s In the Shadow of No Towers”
* Chair: Jared Gardner (Ohio State University)
History & Time: Graphic Storytelling
* Sean Connors (Ohio State University), “Portrait of the Cartoonist: An Examinaton of Milton Caniff's Growth Between 1933 and 1935.”
* Daniel Yezbick (Peninsula College), “Pie-faced Panels and Arthrological Antics: Semiotic Reversals and Jingle-Jandled Narrative in George Carlson’s ‘Pie-faced Prince of Pretzelberg”
* David Olsen (St. Louis University), "Who Watches the Watch?: Keeping Time in Graphic Narratives,"
* John Jennings & Damian Duffy (University of Illinois, Chicago), “Virtual Unreality and the Shape of Time: Virtual Comics, Postmodern Self-referentiality, and the Fourth Dimension”
* Chair: Jared Gardner (Ohio State University)
Graphic Storytelling and Narrative Theory
* Kai Mikkonen (University of Tampere), “The Narrative Agent in Graphic Storytelling”
* David Herman (Ohio State University), "Multimodal Storytelling and Identity Construction in Graphic Narratives"
* Frederick Aldama (Ohio State University) “Your Brain on Latino Comics”
* David FitzSimmons (Ashland University), “Picture Books and Graphic Novels: An Undergraduate Introduction to Narrative Theory”
* Chair: James Phelan (Ohio State University)
The full schedule and additional information about the Festival is posted at http://cartoons.osu.edu/FCA2007/site/.
For further information, contact cartoons@osu.edu or telephone 614-292-0538.
Thursday, August 09, 2007
USA Today blurbs Postcards
I finally bought my copy at Big Planet this week, although I haven't even opened my (very large after 2 weeks off) bag of comics yet. In the meantime, USA Today gave Jason's book a few lines:
New graphic novels straight from the drawing board.
By Whitney Matheson and David Colton, USA TODAY (August 8, 2007)
New graphic novels straight from the drawing board.
By Whitney Matheson and David Colton, USA TODAY (August 8, 2007)
Nate Beeler's Golden Spike
Washington Examiner political cartoonist Nate Beeler won this year's AAEC Golden Spike award for a cartoon that didn't run. Daryl Cagle just posted the cartoon with Nate's comment on his blog - it's the August 9th entry. Nate's published cartoons can be seen here on his blog as well.
Interview with Paul Karasik
DC native and comics blogger John Daniels conducted this email interview with Paul Karasik and has made it available to ComicsDC. Thanks, John!
Interview with Paul Karasik:
How did it feel to give a book signing and talk in your hometown of Washington D.C. at Politics and Prose?
I received a terrific reception at Politics and Prose. It is a wonderful bookstore and Thad, the guy who runs the graphic novel department, really knows his stuff. In other words, he likes the same things I like!
What caught your interest in writing this book about Fletcher Hanks?
I first heard of Hanks over 20 years ago when I was the Associate Editor of Art’s Spiegelman and Francoise Mouly’s RAW magazine. We reprinted a Stardust story and I never forgot it.
Four years ago a friend sent me a link to a Hanks tale on-line. I began to dig around, found some more of ‘em, and eventually came upon the answer to the true life mystery, “Whatever Happened to Fletcher Hanks?”
Where you amazed, as I was, that little was known about this ingenious artisan?
I have been amazed by several aspects of Hanks’ work. Although formulaic to a degree, each story is startlingly inventive in design and feel. Readers will not be bored by the 15 stories. In fact many people are asking for Volume 2!
Another amazing fact is that nobody has “discovered” his work until now. Many fans and collectors have asked, “How is it possible that I never heard of this guy before?!”
How would you compare his drawing style too artisans of the golden age?
Hanks is unique in that he is the first auteur in the fledgling field of the comic book. Most comic book stories at the time, and up to the present, were created by a team: individual writer, penciller, inker, and colorist. Hanks was a one-man-band, an auteur with a distinct personal vision that he burned into the pages of his work.
How much did you enjoy the meeting with his son Fletcher Hanks Jr.?
It was a life-changing experience as I describe in my comics Afterword.
In the Afterword, it seems you almost had a question as to whether his son was Fletcher Hanks himself?
At first, I thought that Hanks Jr. was Hanks Sr. It soon became apparent that I was speaking with the son who had his own story to tell. A grim story.
Do you yourself collect any comic periodicals? In addition, if so what is your most memorable character or comic that you would define as piquing your interest in the medium?
My first comic book was an issue of Adventure Comics from 1966. I was seduced by the crisp four-color pantheon of the Legion of Superheroes. You got a lot for 12 cents. It took one comic book and I was hooked. I still have all those old D.C. and Marvel comics in plastic bags in my basement, but it is nothing compared to some of the collections made available to me by a few serious collectors who contributed stories for the Hanks book from the hermetically sealed comics vaults.
You are an author of other books; could you tell the readers about some of your other works?
My most famous work was a collaboration with artist, David Mazzucchelli (Batman: Year One). Together we adapted Paul Auster’s novel, City of Glass. It was listed as one of the 100 Most Important Comics of the 20th Century by the Comics Jouranl.
I collaborated with my sister, Judy, on a family memoir, The Ride Together. The ground-breaking comics/prose format tells the story of growing up with our oldest brother who is autistic.
My gag cartoons have appeared in The New Yorker and Nickelodeon magazines.
How did you feel with the response of the sales of this remarkable book?
I am floored by the reception of this book. It completely sold out within a month and we are now awaiting the second edition to arrive from Malaysia. It is a good thing that Fantagraphics put a few cartons away for my book tour. Even then, at San Diego Comic Con, we sold out by the morning of the second day. I have nine reviews at Amazon, all five star raves. After years of toiling away at this project in the studio it is really gratifying to have such a positive response.
What is your favorite story from the book?
My sentimental favorite is also really one of the strongest: the Stardust story from Fantastic #7 that we reprinted in RAW. It is a plot by Gyp Clip to remove all the gravity from Earth, thus sending all the humans spaceward and leaving the planet free for plunder. Gyp and his thugs chain themselves with huge iron chains to prevent themselves from floating away.
What is it that you would like readers too walk away with your writing and presentation of this remarkable book about Fletcher Hanks?
Things are not always as they seem. Our heroes can become villains, and regular everyday Joes can become heroes.
Are you currently working on other works that readers and fans would like to know about?
My next project is to set out to educate the world that everything that you need to know about making comics can be learned from three panels of a certain Nancy comic strip by the great Ernie Buchmiller.
I want to thank you for taking time out of your busy schedule to answer questions at ComicsDC.
I also would like to thank the staff at Politics and Prose for reserving me a signed copy of the book.
Comic books, caricature, anime, adaptions in today's freeby papers
Check out the Onion online - they've been posting expanded versions of last week's comics issue.
In today's free papers, in addition to the Tek Jansen story -
Rosenberg, Scott. 2007.
Based on a fake story: Out of a nonexistent novel comes a comic riddled with humor.
[Washington Post] Express (August 9): 19
There's a Stardust story -
Dawson, Angela / Entertainment News Wire. 2007.
She's got star power: Claire Danes has a heaven-sent role in the fantasy 'Stardust'.
[Washington Post] Express (August 9): E11
An anime singer appearance - Yoko Ishida, 'Sailor Moon' singer, singing at Jaxx on Saturday.
And in the Examiner, a rare caricature article -
Jeff Dufour and Patrick Gavin.
Yeas and Nays: Permanent Presence at The Palm - Mark Foley’s here to stay.
Washington Examiner (August 9): 6
In today's free papers, in addition to the Tek Jansen story -
Rosenberg, Scott. 2007.
Based on a fake story: Out of a nonexistent novel comes a comic riddled with humor.
[Washington Post] Express (August 9): 19
There's a Stardust story -
Dawson, Angela / Entertainment News Wire. 2007.
She's got star power: Claire Danes has a heaven-sent role in the fantasy 'Stardust'.
[Washington Post] Express (August 9): E11
An anime singer appearance - Yoko Ishida, 'Sailor Moon' singer, singing at Jaxx on Saturday.
And in the Examiner, a rare caricature article -
Jeff Dufour and Patrick Gavin.
Yeas and Nays: Permanent Presence at The Palm - Mark Foley’s here to stay.
Washington Examiner (August 9): 6
Wednesday, August 08, 2007
Insight Studio Group on Fanboy Radio
Suburban Maryland's Insight Studio Group, which is centered around Mark Wheatley and has seen Marc Hempel, Frank Cho and the late Gray Morrow as members, was interviewed today on Fanboy Radio. I haven't listened to the show yet, but I ran into Mark a few weeks ago and think that he's going to bring Frankenstein Mobster back soon. Yeah!
Jeffery Thompson, children's book illustrator and Big Planet employee
Jeff Thompson's worked in the Bethesda store for years, and has been doing art for childen's books too. He mentioned to me that he had a new book out today. I just ordered all the ones I was missing, as he didn't mention some of the recent ones to me until I started quizzing him today. Book signing next Wednesday - at least for me!
Jeff's books with ordering info from Amazon -
The new one:
Cesar Chavez: Champion and Voice of Farmworkers (Biographies) by Suzanne Slade and Jeffrey Thompson
Two favorites of his (and mine). He did all the work on these except the original poem:
The Midnight Ride Of Paul Revere (Hardcover) by Henry W. Longfellow - note on the paperback version of this, Amazon has conflated Jeff and Christopher Bing's two different books. Bing's an excellent artist too, who used to do regular editorial illustrations for the Washington Post. I really like his work as well. Buy both books.
Hiawatha And Megissogwon (Hardcover) by Henry W. Longfellow (Author
Thomas Edison: Inventor, Scientist, and Genius by Lori Mortensen and Jeffrey Thompson
The Camping Scare (Read-It! Readers) by Terri Dougherty (Author), Jeffrey Thompson (Illustrator)
Brazil Abcs: A Book About the People and Places of Brazil (Country Abcs) (Hardcover) by David Seidman (Author), Jeffrey Thompson (Author)
Jeff's books with ordering info from Amazon -
The new one:
Cesar Chavez: Champion and Voice of Farmworkers (Biographies) by Suzanne Slade and Jeffrey Thompson
Two favorites of his (and mine). He did all the work on these except the original poem:
The Midnight Ride Of Paul Revere (Hardcover) by Henry W. Longfellow - note on the paperback version of this, Amazon has conflated Jeff and Christopher Bing's two different books. Bing's an excellent artist too, who used to do regular editorial illustrations for the Washington Post. I really like his work as well. Buy both books.
Hiawatha And Megissogwon (Hardcover) by Henry W. Longfellow (Author
Thomas Edison: Inventor, Scientist, and Genius by Lori Mortensen and Jeffrey ThompsonThe Camping Scare (Read-It! Readers) by Terri Dougherty (Author), Jeffrey Thompson (Illustrator)
Brazil Abcs: A Book About the People and Places of Brazil (Country Abcs) (Hardcover) by David Seidman (Author), Jeffrey Thompson (Author)
Cul de Sac in Hogan's Alley
Tom Heintjes reported in a recent Hogan's Alley newletter:
COMING SOON: One strip we're excited about is Richard Thompson's "Cul de Sac," which debuts from Universal Press Syndicate on September 10. The strip is a daily version of the comics work he's done at the Washington Post for the past few years. We asked Thompson to share some behind-the-scenes goodies from the strip, and you can see them at http://www.cagle.com/hogan/newsletter_extras/culdesac_extras/culdesac_extras.asp
We'll also have an interview with Thompson in Hogan's Alley #16.
This isn't an obligatory mention, btw. I like Cul de Sac a lot - there's a lot of museum jokes in there.
Thursday - Tom Peyer interview on Steve Colbert comic
Scott Rosenberg will have an interview in Thursday's Express with Tom Peyer on Stephen Colbert comic book, "Tek Jansen."
Big Planet expands in College Park
Big Planet Comics has bought the former Liberty Books and Comics at 7315 Baltimore Ave, College Park, MD, 20740. 301-699-0498. There's a blurb in their August newsletter which is available in their stores now, along with a plethora of Stardust giveaways. If you haven't gotten it yet, the Gaiman / Vess story is well worth reading, but definitely get the edition with the Vess illustrations.
Tuesday, August 07, 2007
Ullman's triumphant return
Rob Ullman's bounced back from fatherhood to do the cover and illustrations for this passing week's City Paper. You've got another 2 days to get your copy.
Friday, August 03, 2007
Library of Congress to digitally preserve Trudeau's Doonesbury and Oliphant
LIBRARY OF CONGRESS
101 Independence Avenue SE
Washington DC 20540
Phone: (202) 707-2905
Fax: (202) 707-9199
Date: August 3, 2007
Contact: Guy Lamolinara (202) 707-9217, glam@loc.gov
DIGITAL PRESERVATION PROGRAM MAKES AWARDS
TO PRESERVE AMERICAN CREATIVE WORKS
Preserving Creative America Initiative to Engage Private Sector Creators of
Films, Sound Recordings, Photographs, Cartoons and Video Games in Digital Formats
The Library of Congress, through its National Digital Information Infrastructure and Preservation Program (NDIIPP), today announced eight partnerships as part of its new Preserving Creative America initiative to address the long-term preservation of creative content in digital form. These partners will target preservation issues across a broad range of creative works, including digital photographs, cartoons, motion pictures, sound recordings and even video games. The work will be conducted by a combination of industry trade associations, private sector companies and nonprofits, as well as cultural heritage institutions.
Several of the projects will involve developing standardized approaches to content formats and metadata (the information that makes electronic content discoverable by search engines), which are expected to increase greatly the chances that the digital content of today will survive to become America’s cultural patrimony tomorrow. Although many of the creative content industries have begun to look seriously at what will be needed to sustain digital content over time, the $2.15 million being awarded to the Preserving Creative America projects will provide added impetus for collaborations within and across industries, as well as with libraries and archives.
“America’s creativity is unrivaled in the world, and it is among our most important exports,” said Librarian of Congress James H. Billington. “The Library is pleased to be able to bring together creators of such diverse content for the sake of saving our nation’s heritage, which is increasingly being created only in digital formats.”
Preserving Creative America is the most recent initiative of the National Digital Information Infrastructure and Preservation Program (www.digitalpreservation.gov), authorized by Congress in December 2000. The authorizing legislation specifies that the Library should enlist the private sector to help address the long-term preservation of digital content. A cornerstone of NDIIPP has been the establishment of a broad network of partners committed to the continuing stewardship of digital content of value to Congress and the nation. With the new awards, the NDIIPP network grows to more than 90 partners, including other government agencies, educational institutions, research laboratories and organizations, both in the United States and abroad. Previous NDIIPP projects have involved primarily educational and cultural heritage institutions.
“The Library of Congress is delighted to welcome private sector participants to our growing network of NDIIPP partners,” said Associate Librarian for Strategic Initiatives Laura E. Campbell, who is leading NDIIPP for the Library of Congress. “We were very encouraged by the willingness of the content industries to work with us. Collaborations such as these are essential if we are collectively going to be able to ensure that valuable cultural content survives for the benefit of future generations.”
Following are the lead entities, their project partners and the focus areas of the projects:
Academy of Motion Picture Arts and Sciences (AMPAS): Today’s digitally created motion pictures are at risk unless suitable technologies, practices and standards are developed and adopted. AMPAS, best known for its annual Academy Awards, devotes considerable resources to a host of motion picture-related educational, scientific and cultural endeavors, including the technical aspects of filmmaking and the preservation of motion pictures. The Digital Motion Picture Archive Framework Project will build upon AMPAS’ current research on digital preservation issues from the perspective of the major motion picture studios, extending the effort to include independent filmmakers and smaller film archives. Additional key components of the project will involve developing a case study system for investigating archival strategies for digital motion pictures and recommending specifications for image data formats across the production chain.
American Society of Media Photographers: Digital photography has no accepted standard set of rules for handling digital image files and maintaining information about them. This project has two major objectives: (1) to expand an existing set of guidelines, the Universal Photographic Digital Imaging Guidelines, with recommendations for refined production workflows, archiving methods and best practices based on image use and capture methods and (2) to promote the use of the guidelines through a Web site and awareness campaigns within the professional photographer community. Partners: PhotoDistrict News, ASMP Foundation.
ARTstor: Small organizations and individuals in particular are often not equipped to create “archive-ready” images. This project aims, through training and tools, to enable photographers to submit archive-ready images to repositories such as ARTstor. Development of a tool will allow photographers to capture technical and preservation metadata early in the creation workflow and embed the metadata in their digital images, while outreach efforts at art schools and professional conferences will both generate requirements and raise awareness of the importance of metadata to the long-term usability and preservation of digital photographs. Partners: Art on File, Artesia, Josef and Anni Albers Foundation, Northwestern University.
BMS/Chace: The adoption of digital recording has virtually eliminated the vital documentation once created on paper during the recording process. At the same time it has created tremendous unrealized potential to create and maintain all key information about a recording throughout its life cycle. The project focuses on creating a standardized approach for gathering and managing metadata for recorded music and developing software models to assist creators and owners in collecting the data. A standardized metadata environment will allow content creators, record labels, individuals and cultural heritage institutions to document, archive and manage “born digital” recordings effectively. Partners: Sony BMG Music, Universal Music Group, EMI Group, Buena Vista Music Group and the Producers and Engineers Wing of the National Academy of Recording Arts and Sciences.
Stock Artists Alliance (SAA): Essential information about stock images is frequently lost as images are disseminated across multiple distributors, licensees and end users, making the archiving and repurposing of these images difficult. SAA, through online resources and educational seminars at professional trade shows and in key cities, will promote the importance of metadata for long-term usability of digital photographs.
Universal Press Syndicate: Universal Press Syndicate, a newspaper syndication company, will use a collection of Garry Trudeau’s “Doonesbury” comic strips and Pat Oliphant’s editorial cartoons to model and test the transfer of digital content to the Library of Congress. The project will constitute a case study for public-private partnerships for archiving digital content and will focus on aligning metadata practices, transfer procedures and continuing collection management in a manner consistent with the goals of digital preservation.
UCLA Film & Television Archive: The long-term sustainability of digital works has received little attention within the independent film community. This project award supports awareness and education within the independent film community through symposia and workshops at major film conferences. Partner: Sundance Institute.
University of Illinois at Urbana-Champaign: Interactive media are highly complex and at high risk for loss as technologies rapidly become obsolete. The Preserving Virtual Worlds project will explore methods for preserving digital games and interactive fiction. Major activities will include developing basic standards for metadata and content representation and conducting a series of archiving case studies for early video games, electronic literature and Second Life, an interactive multiplayer game. Second Life content participants include Life to the Second Power, Democracy Island and the International Spaceflight Museum. Partners: University of Maryland, Stanford University, Rochester Institute of Technology and Linden Lab.
# # #
PR 07-156
8-3-07
ISSN 0731-3527
101 Independence Avenue SE
Washington DC 20540
Phone: (202) 707-2905
Fax: (202) 707-9199
Date: August 3, 2007
Contact: Guy Lamolinara (202) 707-9217, glam@loc.gov
DIGITAL PRESERVATION PROGRAM MAKES AWARDS
TO PRESERVE AMERICAN CREATIVE WORKS
Preserving Creative America Initiative to Engage Private Sector Creators of
Films, Sound Recordings, Photographs, Cartoons and Video Games in Digital Formats
The Library of Congress, through its National Digital Information Infrastructure and Preservation Program (NDIIPP), today announced eight partnerships as part of its new Preserving Creative America initiative to address the long-term preservation of creative content in digital form. These partners will target preservation issues across a broad range of creative works, including digital photographs, cartoons, motion pictures, sound recordings and even video games. The work will be conducted by a combination of industry trade associations, private sector companies and nonprofits, as well as cultural heritage institutions.
Several of the projects will involve developing standardized approaches to content formats and metadata (the information that makes electronic content discoverable by search engines), which are expected to increase greatly the chances that the digital content of today will survive to become America’s cultural patrimony tomorrow. Although many of the creative content industries have begun to look seriously at what will be needed to sustain digital content over time, the $2.15 million being awarded to the Preserving Creative America projects will provide added impetus for collaborations within and across industries, as well as with libraries and archives.
“America’s creativity is unrivaled in the world, and it is among our most important exports,” said Librarian of Congress James H. Billington. “The Library is pleased to be able to bring together creators of such diverse content for the sake of saving our nation’s heritage, which is increasingly being created only in digital formats.”
Preserving Creative America is the most recent initiative of the National Digital Information Infrastructure and Preservation Program (www.digitalpreservation.gov), authorized by Congress in December 2000. The authorizing legislation specifies that the Library should enlist the private sector to help address the long-term preservation of digital content. A cornerstone of NDIIPP has been the establishment of a broad network of partners committed to the continuing stewardship of digital content of value to Congress and the nation. With the new awards, the NDIIPP network grows to more than 90 partners, including other government agencies, educational institutions, research laboratories and organizations, both in the United States and abroad. Previous NDIIPP projects have involved primarily educational and cultural heritage institutions.
“The Library of Congress is delighted to welcome private sector participants to our growing network of NDIIPP partners,” said Associate Librarian for Strategic Initiatives Laura E. Campbell, who is leading NDIIPP for the Library of Congress. “We were very encouraged by the willingness of the content industries to work with us. Collaborations such as these are essential if we are collectively going to be able to ensure that valuable cultural content survives for the benefit of future generations.”
Following are the lead entities, their project partners and the focus areas of the projects:
Academy of Motion Picture Arts and Sciences (AMPAS): Today’s digitally created motion pictures are at risk unless suitable technologies, practices and standards are developed and adopted. AMPAS, best known for its annual Academy Awards, devotes considerable resources to a host of motion picture-related educational, scientific and cultural endeavors, including the technical aspects of filmmaking and the preservation of motion pictures. The Digital Motion Picture Archive Framework Project will build upon AMPAS’ current research on digital preservation issues from the perspective of the major motion picture studios, extending the effort to include independent filmmakers and smaller film archives. Additional key components of the project will involve developing a case study system for investigating archival strategies for digital motion pictures and recommending specifications for image data formats across the production chain.
American Society of Media Photographers: Digital photography has no accepted standard set of rules for handling digital image files and maintaining information about them. This project has two major objectives: (1) to expand an existing set of guidelines, the Universal Photographic Digital Imaging Guidelines, with recommendations for refined production workflows, archiving methods and best practices based on image use and capture methods and (2) to promote the use of the guidelines through a Web site and awareness campaigns within the professional photographer community. Partners: PhotoDistrict News, ASMP Foundation.
ARTstor: Small organizations and individuals in particular are often not equipped to create “archive-ready” images. This project aims, through training and tools, to enable photographers to submit archive-ready images to repositories such as ARTstor. Development of a tool will allow photographers to capture technical and preservation metadata early in the creation workflow and embed the metadata in their digital images, while outreach efforts at art schools and professional conferences will both generate requirements and raise awareness of the importance of metadata to the long-term usability and preservation of digital photographs. Partners: Art on File, Artesia, Josef and Anni Albers Foundation, Northwestern University.
BMS/Chace: The adoption of digital recording has virtually eliminated the vital documentation once created on paper during the recording process. At the same time it has created tremendous unrealized potential to create and maintain all key information about a recording throughout its life cycle. The project focuses on creating a standardized approach for gathering and managing metadata for recorded music and developing software models to assist creators and owners in collecting the data. A standardized metadata environment will allow content creators, record labels, individuals and cultural heritage institutions to document, archive and manage “born digital” recordings effectively. Partners: Sony BMG Music, Universal Music Group, EMI Group, Buena Vista Music Group and the Producers and Engineers Wing of the National Academy of Recording Arts and Sciences.
Stock Artists Alliance (SAA): Essential information about stock images is frequently lost as images are disseminated across multiple distributors, licensees and end users, making the archiving and repurposing of these images difficult. SAA, through online resources and educational seminars at professional trade shows and in key cities, will promote the importance of metadata for long-term usability of digital photographs.
Universal Press Syndicate: Universal Press Syndicate, a newspaper syndication company, will use a collection of Garry Trudeau’s “Doonesbury” comic strips and Pat Oliphant’s editorial cartoons to model and test the transfer of digital content to the Library of Congress. The project will constitute a case study for public-private partnerships for archiving digital content and will focus on aligning metadata practices, transfer procedures and continuing collection management in a manner consistent with the goals of digital preservation.
UCLA Film & Television Archive: The long-term sustainability of digital works has received little attention within the independent film community. This project award supports awareness and education within the independent film community through symposia and workshops at major film conferences. Partner: Sundance Institute.
University of Illinois at Urbana-Champaign: Interactive media are highly complex and at high risk for loss as technologies rapidly become obsolete. The Preserving Virtual Worlds project will explore methods for preserving digital games and interactive fiction. Major activities will include developing basic standards for metadata and content representation and conducting a series of archiving case studies for early video games, electronic literature and Second Life, an interactive multiplayer game. Second Life content participants include Life to the Second Power, Democracy Island and the International Spaceflight Museum. Partners: University of Maryland, Stanford University, Rochester Institute of Technology and Linden Lab.
# # #
PR 07-156
8-3-07
ISSN 0731-3527
Thursday, August 02, 2007
KAL's new animation
Ace political cartoonist Kevin 'KAL' Kallaugher wants us to know, "I wanted to share with you my recent venture into 3D political animation. You can find a link here: http://youtube.com/watch?v=XbcNKvlDVjY
KAL showed this at the AAEC con and it's quite funny.
This tip from Richard "Obligatory Mention" Thompson.
KAL showed this at the AAEC con and it's quite funny.
This tip from Richard "Obligatory Mention" Thompson.
Trudeau, Truman and Helen Thomas
Bit of gossip in The Hill.com about a recent Doonesbury strip - "Helen Thomas: If only you got to pick the rumors about you"
Speaking of the Macaulay exhibit at the Building Museum...
...the Post reviewed it last Friday in the weekend section. As this review notes, Macaulay has a sense of humor and this is an excellent show that's well worth seeing.
Politico's Matt Wuerker video on Al-Jazeera
Mike Lynch has linked to Matt's appearance on Al-Jazeera, the Arabic tv station - the creation of which I think is a great step for the region. Hopefully this will lead to bigger and better tv appearances for Matt too. Matt appears regularly, in color, in the Politico.
Thanks to Richard (obligatory mention) Thompson for the tip.
Thanks to Richard (obligatory mention) Thompson for the tip.
Wednesday, August 01, 2007
Karasik interview in Express, on Weds
Late notice, I'm afraid, but Scott Rosenberg had an interview with Paul Karasik on Fletcher Hanks in the 8/1/07 Express. Did anyone go to the talk? I'll probably buy the cd of the audio from Politics and Prose.
9/15/07: Late update, but the talk wasn't recorded so I couldn't buy a copy.
9/15/07: Late update, but the talk wasn't recorded so I couldn't buy a copy.
Tuesday, July 31, 2007
Malkasian on Percy Gloom interview
Ok, the Express got it online today - see "Non-Animated 'Gloom': Cathy Malkasian" by Scott Rosenberg, July 31, 2007, for the interview about the Rugrats-director-turned-graphic-novelist.
Monday, July 30, 2007
Coming Onion issue on comics
This week's Onion, still in the free green boxes for two days, has three articles on the Simpsons. I hear that this coming week's issue is a special comics issue, and that means more than when the New Yorker does one. The issue out late on Weds (I think) should have interviews with Joss Whedon, James Kochalka, Brian Michael Bendis, and Chris Onstad, a story on memorable comic strip deaths, and a short DVD article on Frank Miller's 300 and Tex Avery's Droopy. So be sure to take a copy or five.
BTW, the Books-a-Million chain, of which there's stores in Shirlington and Dupont Circle at least, have a free newspaper, Book Pages, which has a cover story on Naruto anime.
BTW, the Books-a-Million chain, of which there's stores in Shirlington and Dupont Circle at least, have a free newspaper, Book Pages, which has a cover story on Naruto anime.
Lunch with Tom Toles prize won for science cartoon
Dave Astor's got the story on the cartoon contest where the prize was $500, a trip to DC and lunch with Tom Toles. A longer article ran in the Eugene, OR Register-Guard. So will the meal be at the Post Pub, which does indeed have a fine burger (and fascinating waitresses*)?
Dave also tipped his hat to this site in "Editorial Cartoonist Chan Lowe Starts Doing Animations."
*I hit the Pub with some cartoonists after the AAEC Cartoonapalooza and they kept the kitchen open late for us. The waitress spoke at least 3 languages iirc.
Dave also tipped his hat to this site in "Editorial Cartoonist Chan Lowe Starts Doing Animations."
*I hit the Pub with some cartoonists after the AAEC Cartoonapalooza and they kept the kitchen open late for us. The waitress spoke at least 3 languages iirc.
August 1: Paul Karasik at Politics & Prose REPOST
Let's see a big turnout, folks. It's not too often a truly crazed comics artist is rediscovered and has a hardcovered book published of his work.
Wednesday, August 1, 7 p.m.
PAUL KARASIK
I SHALL DESTROY ALL THE CIVILIZED PLANETS (Fantagraphics, $19.95)
With fanatic zeal, Karasik spent years tracking down and archiving the almost-forgotten comic book tales of Fletcher Hanks. They are uncanny tales from the golden age of comics, where the heroes have a penchant for poetic justice. Then Karasik gives us his powerful personal narrative of meeting Hanks’s son and hearing about why the father disappeared from cartooning.
Politics & Prose Bookstore and Coffeehouse
5015 Connecticut Avenue, NW
Washington, DC 20008
(202) 364-1919 or (800) 722-0790
Fax: (202) 966-7532
www.politics-prose.com
e-mail: books@politics-prose.com
Store Hours:
Monday-Thursday: 9 a.m.-10 p.m.
Friday & Saturday: 9 a.m.-11p.m.
Sunday: 10 a.m.-8 p.m.
Wednesday, August 1, 7 p.m.
PAUL KARASIK
I SHALL DESTROY ALL THE CIVILIZED PLANETS (Fantagraphics, $19.95)
With fanatic zeal, Karasik spent years tracking down and archiving the almost-forgotten comic book tales of Fletcher Hanks. They are uncanny tales from the golden age of comics, where the heroes have a penchant for poetic justice. Then Karasik gives us his powerful personal narrative of meeting Hanks’s son and hearing about why the father disappeared from cartooning.
Politics & Prose Bookstore and Coffeehouse
5015 Connecticut Avenue, NW
Washington, DC 20008
(202) 364-1919 or (800) 722-0790
Fax: (202) 966-7532
www.politics-prose.com
e-mail: books@politics-prose.com
Store Hours:
Monday-Thursday: 9 a.m.-10 p.m.
Friday & Saturday: 9 a.m.-11p.m.
Sunday: 10 a.m.-8 p.m.
Library of Congress exhibit American Treasures to close
For ten years, the Library of Congress has had an excellent exhibit, American Treasures, on display in the Jefferson building. Usually there's been about one case of comics-related material in it - and there is now - so go see it before the exhibit closes.
Here's the Library's press release:
“AMERICAN TREASURES OF THE LIBRARY OF CONGRESS”
TO CLOSE ON AUG. 18
Special Extended Hours Offered on Aug. 7, 10 a.m. to 8 p.m.
After 10 years on display, “American Treasures of the Library of Congress,” an unprecedented exhibition of rare and unique items in the nation’s library, will close on Aug. 18.
On view Monday through Saturday, 10 a.m. to 5 p.m. through Aug. 18 in the Thomas Jefferson Building, 10 First Street S.E., Washington, D.C., the exhibition’s hours will be extended until 8 p.m. on Tuesday, Aug. 7 to provide the public with an extra opportunity to view this historic exhibition.
During the past decade, approximately 2.5 million visitors have viewed more than 2,700 treasured historical items from the world’s largest library, which have rotated through the exhibition. These include the original rough draft of the Declaration of Independence, the contents of Abraham Lincoln’s pockets on the night of his assassination, the first motion picture and the first baseball card.
“‘American Treasures of the Library of Congress’ opened in May 1997 to mark the official reopening of the magnificently renovated and restored Thomas Jefferson Building in its 100th anniversary year,” said Librarian of Congress James H. Billington. “The exhibition will close next month to enable construction of a new interactive experience for Library visitors, which will open in 2008.”
A decade after the Jefferson Building was reopened to the public, the Library will provide visitors with a bold high-tech new way to experience the grandeur of the building and the unparalleled resources housed within. The new presentations and exhibitions will capitalize on the construction of the Capitol Visitor Center and the tunnel connecting the Capitol with the Thomas Jefferson Building. The anticipated increase in visitors—from 2 million to 3 million more annually—as a result of this passageway has prompted the Library to design what it hopes will be the top tourist attraction for those coming to the nation’s capital from around the world.
“American Treasures,” which has been made possible by generous support from the Xerox Corporation, will remain accessible on the Library’s Web site at www.loc.gov/exhibits.
Here's the Library's press release:
“AMERICAN TREASURES OF THE LIBRARY OF CONGRESS”
TO CLOSE ON AUG. 18
Special Extended Hours Offered on Aug. 7, 10 a.m. to 8 p.m.
After 10 years on display, “American Treasures of the Library of Congress,” an unprecedented exhibition of rare and unique items in the nation’s library, will close on Aug. 18.
On view Monday through Saturday, 10 a.m. to 5 p.m. through Aug. 18 in the Thomas Jefferson Building, 10 First Street S.E., Washington, D.C., the exhibition’s hours will be extended until 8 p.m. on Tuesday, Aug. 7 to provide the public with an extra opportunity to view this historic exhibition.
During the past decade, approximately 2.5 million visitors have viewed more than 2,700 treasured historical items from the world’s largest library, which have rotated through the exhibition. These include the original rough draft of the Declaration of Independence, the contents of Abraham Lincoln’s pockets on the night of his assassination, the first motion picture and the first baseball card.
“‘American Treasures of the Library of Congress’ opened in May 1997 to mark the official reopening of the magnificently renovated and restored Thomas Jefferson Building in its 100th anniversary year,” said Librarian of Congress James H. Billington. “The exhibition will close next month to enable construction of a new interactive experience for Library visitors, which will open in 2008.”
A decade after the Jefferson Building was reopened to the public, the Library will provide visitors with a bold high-tech new way to experience the grandeur of the building and the unparalleled resources housed within. The new presentations and exhibitions will capitalize on the construction of the Capitol Visitor Center and the tunnel connecting the Capitol with the Thomas Jefferson Building. The anticipated increase in visitors—from 2 million to 3 million more annually—as a result of this passageway has prompted the Library to design what it hopes will be the top tourist attraction for those coming to the nation’s capital from around the world.
“American Treasures,” which has been made possible by generous support from the Xerox Corporation, will remain accessible on the Library’s Web site at www.loc.gov/exhibits.
Cathy Malkasian interview not on Express website, no matter what the printed paper says
Although it was blurbed in today's print Express, Scott Rosenberg's interview with Cathy Malkasian, Rugrats-director-turned-graphic-novelist, wasn't posted online. As compensation, the following image is Scott's article about the local Postcards anthology. Click the tiny image to get a readable one.
Washington Examiner drops all comics
As of today, instead of comics, they have a full page of puzzles. Over the years, they went from two full pages, to one half page and now to none. They invite comments on their website.
Sunday, July 29, 2007
Macauley exhibit in Wash Times
Washington Times Jul 28, 2007, "Architecture's dying art" by Deborah K. Dietsch.
Also, Zadzooks' weekly column is on Spawn animation - "Spawn seeks salvation in world of good and bad", Washington Times July 28, 2007, by Joseph Szadkowski. In his online article on a Space 1999 DVD, he notes the comic books have been scanned and are online.
Also, Zadzooks' weekly column is on Spawn animation - "Spawn seeks salvation in world of good and bad", Washington Times July 28, 2007, by Joseph Szadkowski. In his online article on a Space 1999 DVD, he notes the comic books have been scanned and are online.
Postcards review in Las Vegas Weekly
Did anyone make it to the signing at Olssen's last week? I need to stop up there and see if I can still pick up a signed copy...
Meanwhile, here's another review - "Marriage, madmen and monsters", Las Vegas Weekly July 26, 2007, by J. Caleb Mozzocco.
Meanwhile, here's another review - "Marriage, madmen and monsters", Las Vegas Weekly July 26, 2007, by J. Caleb Mozzocco.
Sunday Post has comics articles
I think the Post picked a censored cartoon - Betty Boop showing her breasts as she shows Popeye how to hula - to illustrate this article - "Hey, Sailor! 'Popeye' Is Back in Port: DVD Release of Classic 1930s Cartoons Spotlights an Animation Studio That Packed a Punch", By Matt Hurwitz, Special to The Washington Post, Sunday, July 29, 2007; N02.
and there's a sidebar on the voices - "Utter Genius: Voices That Call Out Still", Washington Post, Sunday, July 29, 2007; Page N02.
and, of all things, an appreciation of Isis, the superheroine that started on TV and migrated to a DC comic book: "Fly Like an Egyptian (Goddess): Superheroine From Mid-'70s TV Gets an Afterlife on DVD," by Jonathan Padget, Washington Post Staff Writer, Sunday, July 29, 2007; N03.
and there's a sidebar on the voices - "Utter Genius: Voices That Call Out Still", Washington Post, Sunday, July 29, 2007; Page N02.
and, of all things, an appreciation of Isis, the superheroine that started on TV and migrated to a DC comic book: "Fly Like an Egyptian (Goddess): Superheroine From Mid-'70s TV Gets an Afterlife on DVD," by Jonathan Padget, Washington Post Staff Writer, Sunday, July 29, 2007; N03.
Saturday, July 28, 2007
Washington City Paper bought out reports NY Times
Dan Mitchell in the Times for July 28, 2007 reports that the City Paper is being bought out - hopefully, Rob Ullman will keep illustrating Savage Love.
Alternative Newspeak The Atlanta-based Creative Loafing chain of alternative newspapers is taking over the company that owns The Chicago Reader and the Washington City Paper weeklies. A statement from the Creative Loafing chief executive, Ben Eason, employs language that seems, well, less than alternative (poynter.org).
“We have built our Creative Loafing brand,” he said, “by offering valuable content to people who influence public opinion and public tastes in culturally vibrant markets. The addition of two top 10 markets — and two of the industry’s most respected alternative news products — offers us a pivotal gateway of connectivity with the young adult audience.”
It seems unlikely that the local power structures in Chicago or Washington, are quaking in fear of an insurgent underground press.
Alternative Newspeak The Atlanta-based Creative Loafing chain of alternative newspapers is taking over the company that owns The Chicago Reader and the Washington City Paper weeklies. A statement from the Creative Loafing chief executive, Ben Eason, employs language that seems, well, less than alternative (poynter.org).
“We have built our Creative Loafing brand,” he said, “by offering valuable content to people who influence public opinion and public tastes in culturally vibrant markets. The addition of two top 10 markets — and two of the industry’s most respected alternative news products — offers us a pivotal gateway of connectivity with the young adult audience.”
It seems unlikely that the local power structures in Chicago or Washington, are quaking in fear of an insurgent underground press.
Friday, July 27, 2007
Geppi's Entertainment Museum auction article
See "Superman, Tarzan up for auction at the Geppi Museum" by BEN MOOK, Maryland Daily Record July 27, 2007.
Superman lawsuit documents for sale
See "Comic-Con: Superman History Offered", Scoop, Friday, July 27, 2007 as they report A collection of documents pertaining to the initial 1947 litigation between Superman's two creators, Jerry Siegel and Joseph Shuster, and their publisher, National Periodical Publications, that is now being offered for sale by EsquireComics.com.
EsquireComics.com is run by Mark Zaid who lives outside of DC. I'm not quite sure what makes these worth anything though as they appear to be printed from microfilm -- which should be available to anyone who goes to the archives that the records are deposited in.
EsquireComics.com is run by Mark Zaid who lives outside of DC. I'm not quite sure what makes these worth anything though as they appear to be printed from microfilm -- which should be available to anyone who goes to the archives that the records are deposited in.
Clubbing review by Greg McElhatton
Greg's got his take on Clubbing of the Minx Line, which I haven't read yet. I'm usually a big fan of Andi Watson so I'm not sure I'll agree with this review, but Greg's a DC-type so here it is.
Simpsons' movie on Post chat at 2 pm EST
Talk about 'The Simpsons'
Jen Chaney
washingtonpost.com Movies Editor
Friday, July 27, 2007; 2:00 PM
In honor of the release of the new movie, "Simpsons" junkie Jen Chaney will be online Friday, July 27 at 2 p.m. ET to discuss the show's 20-year history and cultural impact. What's your favorite episode? The funniest line? Let her know what you think about the first family of Springfield.
Jen Chaney
washingtonpost.com Movies Editor
Friday, July 27, 2007; 2:00 PM
In honor of the release of the new movie, "Simpsons" junkie Jen Chaney will be online Friday, July 27 at 2 p.m. ET to discuss the show's 20-year history and cultural impact. What's your favorite episode? The funniest line? Let her know what you think about the first family of Springfield.
Matt Janz on Post chat
Meet the Comics Pages: Matt Janz, Cartoonist -- "Out of the Gene Pool"
Friday, July 27, 2007; 1:00 PM
Join Washington Post Comics page editor Suzanne Tobin on Friday, July 27 at 1 p.m. ET for a discussion with "Out of the Gene Pool" cartoonist Matt Janz.
I snuck a couple of questions in -
IJOCA, VA: Matt,
Do you draw with a pen, or do you do the strip on the computer?
Matt Janz: hi IJOCA ...
I create my strips at the drawing board in pencil, brush, pen and ink ... then I scan them into my computer and add color and graytones. I think I'll always draw my strip on paper.
_______________________
IJOCA, VA: Was this the first strip you've done? How long did it take you to get a contract?
Matt Janz: no. I created several comic strips before I received a contract from the WPWG. I submitted my first strip when I was 10 years old and got my OGP contract when I was 30.
I tried self-syndicating for several years in my 20s.
--------------------------------
BTW, "Out of the Gene Pool" becomes "Single and Looking" on Monday.
Friday, July 27, 2007; 1:00 PM
Join Washington Post Comics page editor Suzanne Tobin on Friday, July 27 at 1 p.m. ET for a discussion with "Out of the Gene Pool" cartoonist Matt Janz.
I snuck a couple of questions in -
IJOCA, VA: Matt,
Do you draw with a pen, or do you do the strip on the computer?
Matt Janz: hi IJOCA ...
I create my strips at the drawing board in pencil, brush, pen and ink ... then I scan them into my computer and add color and graytones. I think I'll always draw my strip on paper.
_______________________
IJOCA, VA: Was this the first strip you've done? How long did it take you to get a contract?
Matt Janz: no. I created several comic strips before I received a contract from the WPWG. I submitted my first strip when I was 10 years old and got my OGP contract when I was 30.
I tried self-syndicating for several years in my 20s.
--------------------------------
BTW, "Out of the Gene Pool" becomes "Single and Looking" on Monday.
Thursday, July 26, 2007
SOON I WILL BE INVINCIBLE novel reviewed in today's Post
See "It's a Super World, After All" by Mat Johnson, Washington Post Thursday, July 26, 2007; C03.
Matt Dembicki's samurai artwork
Matt wrote in to say, "The Meat and Potato Theatre (meatandpotato.org), a small, alternative theater in D.C., commissioned me to do an illustration to promote its fall presentation of 'Rashomon.' (They wanted a Frank Miller-like image with a good amount fo red stuff). I've attached the final approved image, which will appear on postcards, newspaper ads and, I hear, on the Metro, too.
I've also attached the initial illustration that landed me the gig. I kinda like it--it has a sense of apprehension about it, with the bandit lingering behind the samurai, just about to slash him."
Matt's newish blog, Three Crows press, which I just discovered, can be found here.
Also, Chris Shields just interviewed Matt and Carol, his co-cartoonist wife, at Click his cIndy site.
Wednesday, July 25, 2007
August 1: Paul Karasik at Politics & Prose
I'll be travelling, otherwise I would go to this. I've already bought the book from Big Planet Comics.
Wednesday, August 1, 7 p.m.
PAUL KARASIK
I SHALL DESTROY ALL THE CIVILIZED PLANETS (Fantagraphics, $19.95)
With fanatic zeal, Karasik spent years tracking down and archiving the almost-forgotten comic book tales of Fletcher Hanks. They are uncanny tales from the golden age of comics, where the heroes have a penchant for poetic justice. Then Karasik gives us his powerful personal narrative of meeting Hanks’s son and hearing about why the father disappeared from cartooning.
Politics & Prose Bookstore and Coffeehouse
5015 Connecticut Avenue, NW
Washington, DC 20008
(202) 364-1919 or (800) 722-0790
Fax: (202) 966-7532
www.politics-prose.com
e-mail: books@politics-prose.com
Store Hours:
Monday-Thursday: 9 a.m.-10 p.m.
Friday & Saturday: 9 a.m.-11p.m.
Sunday: 10 a.m.-8 p.m.
Wednesday, August 1, 7 p.m.
PAUL KARASIK
I SHALL DESTROY ALL THE CIVILIZED PLANETS (Fantagraphics, $19.95)
With fanatic zeal, Karasik spent years tracking down and archiving the almost-forgotten comic book tales of Fletcher Hanks. They are uncanny tales from the golden age of comics, where the heroes have a penchant for poetic justice. Then Karasik gives us his powerful personal narrative of meeting Hanks’s son and hearing about why the father disappeared from cartooning.
Politics & Prose Bookstore and Coffeehouse
5015 Connecticut Avenue, NW
Washington, DC 20008
(202) 364-1919 or (800) 722-0790
Fax: (202) 966-7532
www.politics-prose.com
e-mail: books@politics-prose.com
Store Hours:
Monday-Thursday: 9 a.m.-10 p.m.
Friday & Saturday: 9 a.m.-11p.m.
Sunday: 10 a.m.-8 p.m.
Tuesday, July 24, 2007
Bill Mauldin collection to be coming out
Dave Astor is also reporting "Bill Mauldin's WWII Cartoons to Be Collected in Two-Volume Set." I actually have been attempting to help with this - scanning pages from Stars and Stripes at the Library of Congress, but the images haven't been coming out as well as they should because the newspapers are bound together and the end of the image is in the binding gutter. Work-arounds are being investigated and I'm really looking forward to Todd's books.
October 3: Walt Handelsman at DC charity event
Dave Astor is reporting that this year's Pulitzer winner Walt Handelsman will be at the Cartoons and Cocktails fundraiser.
Peter Bagge profiled in today's Post
See "A Cartoonist Who's Quick On the Draw" By Peter Carlson, Washington Post Staff Writer, Tuesday, July 24, 2007; C01. Carlson ends by noting, "Bagge says he's coming to Washington in September to cover Congress. Perfect! For a man of his gifts, caricaturing our elected representatives will be as easy as shooting fish in a barrel with that bazooka." If anyone knows more about this, let me know.
Postcards review in Los Angeles Times
Jason's publisher obviously sent out some serious amount of review copies of the book. "'Spent' by Joe Matt and 'Postcards,' edited by Jason Rodriguez: Blurring the line between reality and illusion" by David L. Ulin, Los Angeles Times Staff Writer, July 24, 2007.
Monday, July 23, 2007
Recent cIndy Center podcasts
Local 'caster Chris Shields has kept the cartoonists coming in. Since last we checked, he's interviewed Dion Floyd of Immortal Kiss, Dean Trippe on MOCCA, Ape Entertainment's Cereal and Pajamas creators, and most relevant to us - the District's Jason Rodriguez on the new Postcards anthology. Click here to find these and other podcasts.
Sunday, July 22, 2007
September 29: DC Anime Club's Shoujo Day
CONTACT: Chris Wanamaker, 202 262 2083 president@dcanimeclub.org
DC Anime Club's Shoujo Day
The DC Anime Club, an organization whose purpose is to educate the Washington, DC community about East Asian culture through the art form known as Anime (Japanese animation) will host a Marathon of Shoujo (girls) Anime on September 29, 2007 from 2pm-5pm at the Martin Luthur King, Jr Memorial Library 901 G St NW Washington, DC 20001 in Room A9.
The Marathon will consist of screenings Girls Anime, Trivia, Prizes and More. For those unfamiliar with Shoujo, Shoujo is a specific genre of Anime and Manga that is aimed at female audience with such themes as romance and drama.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington, DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are tax deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am.
DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in Arms) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
This program is free and open to the public. For more information please visit the DC Anime Club website at http://www.dcanimeclub.org or call DC Anime Club at 202 262 2083.
# # #
--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083
DC Anime Club's Shoujo Day
The DC Anime Club, an organization whose purpose is to educate the Washington, DC community about East Asian culture through the art form known as Anime (Japanese animation) will host a Marathon of Shoujo (girls) Anime on September 29, 2007 from 2pm-5pm at the Martin Luthur King, Jr Memorial Library 901 G St NW Washington, DC 20001 in Room A9.
The Marathon will consist of screenings Girls Anime, Trivia, Prizes and More. For those unfamiliar with Shoujo, Shoujo is a specific genre of Anime and Manga that is aimed at female audience with such themes as romance and drama.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington, DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are tax deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am.
DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in Arms) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
This program is free and open to the public. For more information please visit the DC Anime Club website at http://www.dcanimeclub.org or call DC Anime Club at 202 262 2083.
# # #
--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083
Nate Beeler of Washington Examiner wins Golden Spike Award
I didn't go to the AAEC wards, but R.C. Harvey did, and in his new Rants & Raves column says it was won by Nate Beeler of the Washington Examiner for a 'cartoon [that] depicted GeeDubya saying that “artificial deadlines embolden the enemy,” accompanied by a drawing of several soldiers with artificial limbs, which also embolden the enemy.' The Golden Spike is presented for the best cartoon a newspaper refuses to run.
Nate's work can be seen every other day or so in the Examiner and there's an original cartoon of his in the Katzen exhibit, Bush Leaguers.
August 5: 50th ANNIVERSARY OF "WHAT'S OPERA, DOC?
Here's a press release I was just sent. Sounds interesting - note the book. I don't think I can make this on the 5th, but if anyone's going, stick a note in the comments. I'd be interested in going later in the month. Also, I could use an exhibit reviewer for the International Journal of Comic Art.
For Immediate release
Contact: Leslie Combemale
703-478-0778 artnsights@aol.com
ARTINSIGHTS TO HAVE NATIONAL CELEBRATION
FOR 50th ANNIVERSARY OF "WHAT'S OPERA, DOC?"
Reston, VA—ArtInsights Animation and Film Art Gallery, as part of a weekend-long celebration of the 50th anniversary of the Chuck Jones directed 1957 short film and National Film Registry inductee, “What’s Opera, Doc?”, will be premiering an exhibit of original animation and fine art by Chuck Jones, some of which is rare and from the Jones family collection, both at a remote exhibit at Wolf Trap and at ArtInsights, and will be hosting Emmy Award-winning film producer Linda Jones Clough at the gallery on Sunday, August 5, 2007 from 1-3 PM.
Mrs. Clough will be signing the first art book dedicated to the animation character oil paintings created by her father, the legendary animation film director and creator, Chuck Jones. The exhibit at Wolf Trap will be in conjunction with the presentation of a revised Bugs Bunny on Broadway, conceived, directed and produced by impresario George Daugherty, that pays homage to this significant film on Friday and Saturday, August 3rd and 4th at Wolf Trap. A portion of the larger exhibit, which will be at ArtInsights through September 3rd, will be on display at Wolf Trap's Encore Circle Lounge.
The book signing on Sunday features the new release, Stroke of Genius, A Collection of Paintings and Musings on Life, Love and Art by Chuck Jones, which brings together a selection of Jones’ original oil paintings depicting his best known characters-- including Bugs Bunny, Daffy Duck, Elmer Fudd, Marvin Martian, Road Runner, Wile E. Coyote and Pepé le Pew—with reflections by the man behind their development and creation. Jones’ thoughts on his art, his characters, his inspirations and his aspirations are laid out alongside a sampling of over 50 of his paintings.
ArtInsights is located just outside of Washington, D.C. at 11921 Freedom Drive, Reston, Virginia, in Reston Town Center. The gallery presents the works of art from the 20th century film art genre, including original art from the masters of film and moving entertainment. From film campaign artists to matte painters, from concept and layout artists to animators, ArtInsights represents the most influential artists of film art history. Representation includes Chuck Jones, John Alvin, Maurice Noble, Bill Melendez, Lawrence Noble, Toby Bluth, and many other artists made famous working for Walt Disney, Warner Brothers, and other film studios. For more information please call the gallery at 703-478-0778.
Linda Jones Clough is available for phone interviews prior to the show and on the day of the event. For images or to schedule interviews, contact Leslie Combemale at 703-478-0778.
For Immediate release
Contact: Leslie Combemale
703-478-0778 artnsights@aol.com
ARTINSIGHTS TO HAVE NATIONAL CELEBRATION
FOR 50th ANNIVERSARY OF "WHAT'S OPERA, DOC?"
Reston, VA—ArtInsights Animation and Film Art Gallery, as part of a weekend-long celebration of the 50th anniversary of the Chuck Jones directed 1957 short film and National Film Registry inductee, “What’s Opera, Doc?”, will be premiering an exhibit of original animation and fine art by Chuck Jones, some of which is rare and from the Jones family collection, both at a remote exhibit at Wolf Trap and at ArtInsights, and will be hosting Emmy Award-winning film producer Linda Jones Clough at the gallery on Sunday, August 5, 2007 from 1-3 PM.
Mrs. Clough will be signing the first art book dedicated to the animation character oil paintings created by her father, the legendary animation film director and creator, Chuck Jones. The exhibit at Wolf Trap will be in conjunction with the presentation of a revised Bugs Bunny on Broadway, conceived, directed and produced by impresario George Daugherty, that pays homage to this significant film on Friday and Saturday, August 3rd and 4th at Wolf Trap. A portion of the larger exhibit, which will be at ArtInsights through September 3rd, will be on display at Wolf Trap's Encore Circle Lounge.
The book signing on Sunday features the new release, Stroke of Genius, A Collection of Paintings and Musings on Life, Love and Art by Chuck Jones, which brings together a selection of Jones’ original oil paintings depicting his best known characters-- including Bugs Bunny, Daffy Duck, Elmer Fudd, Marvin Martian, Road Runner, Wile E. Coyote and Pepé le Pew—with reflections by the man behind their development and creation. Jones’ thoughts on his art, his characters, his inspirations and his aspirations are laid out alongside a sampling of over 50 of his paintings.
ArtInsights is located just outside of Washington, D.C. at 11921 Freedom Drive, Reston, Virginia, in Reston Town Center. The gallery presents the works of art from the 20th century film art genre, including original art from the masters of film and moving entertainment. From film campaign artists to matte painters, from concept and layout artists to animators, ArtInsights represents the most influential artists of film art history. Representation includes Chuck Jones, John Alvin, Maurice Noble, Bill Melendez, Lawrence Noble, Toby Bluth, and many other artists made famous working for Walt Disney, Warner Brothers, and other film studios. For more information please call the gallery at 703-478-0778.
Linda Jones Clough is available for phone interviews prior to the show and on the day of the event. For images or to schedule interviews, contact Leslie Combemale at 703-478-0778.
Saturday, July 21, 2007
Bush Leaguers editorial cartoon exhibit open one more week UPDATED
I saw the Bush Leaguers exhibit at the Katzen today, prefatory to reviewing it for the International Journal of Comic Art. It's an amazingly large exhibit, and a good one. The space is awkward, as you can tell from these pics, but there were some real good cartoons here and you could get up close to see the technique.
As you can tell by the above photo, Matt Wuerker did an introductory image, and AAEC President Rob Rogers wrote an introduction (and the only text) to the show.
The exibit opened with videos including KAL, Fiore and Telnaes, and then went into an overwhelming amount of print cartoons. Many of these images were now 'born-digital' as librarians like to say. It does raise a question about what original art is.
Some more random notes:
Tom Toles's "Battle Hardened" cartoon that provoked a letter from the DOD's Joint Chiefs of Staff is on display.
Good cartoonists not as well known in DC like Mike Jenkins of the Journal can be seen. His "Heartbeat Away" showed Bush playing with toys and worrying about being President when told that Cheney was having heart problems. Ed Stein of Denver drew "Band of Brothers" showing the GOP's 2004 team of Bush, Cheney and others, noting "They all weren't in Vietnam together."
Other viewers in the exhibit, of which I think I saw 3 sets, were laughing out loud.
Some memorable cartoons were VC Roger's "Iraq War Memorial," a play on the W in George W. Bush and the Vietnam War Memorial in DC was great. Mike Luckovich's "Apple-Bobbing at the Cheneys" showed Cheney holding a kid underwater in a tub while saying 'Confess!' Matt Davies' "The Concert Pianist" had Rice playing a 'White House Foreign Policy' piano that only had one key. JD Crowe's "Rumsfeld Steps Down" used the trope of flag-draped coffins, and had Rumsfeld as a blind man stepping down a long, long stairway of them. It was a lovely drawing even if the flag-draped coffin was declared to be overused at the recent AAEC convention.
Local Examiner cartoonist Nate Beeler contributed "Late Night Reading" showing Cheney hiding a copy of 'Torture Illustrated' inside a copy of 'Nurturing Democracy.' A good one.
Iraq, Cheney, wiretapping, and civil liberties were generally the topics. There were only two cartoons on Hurricane Katrina's destruction of New Orleans.
In a mis-step, two cartoons of Bush as a Roman Emperor were mounted together. The cartoons by Stuart Calsun and Steve Greenberg were both fine, but didn't benefit from being shown side-by-side.
Two had comics-references in them. Daryl Cagle used the Robert Crumb cover of Zap #1, drawing George Bush getting the show in "Surge in Iraq." It was a good drawing, but I wonder how many people got the reference. Tom Stiglitch went wider and drew George Bush as Charlie Brown leaning on the sad Christmas tree with a broken ornament labelled Iraq in "A George Bush Christmas".
Overall, this was a good show, and would make a neat fundraiser for the AAEC which could use the print-on-demand technology mentioned in the next article to do it.
As you can tell by the above photo, Matt Wuerker did an introductory image, and AAEC President Rob Rogers wrote an introduction (and the only text) to the show.
The exibit opened with videos including KAL, Fiore and Telnaes, and then went into an overwhelming amount of print cartoons. Many of these images were now 'born-digital' as librarians like to say. It does raise a question about what original art is.
Some more random notes:Tom Toles's "Battle Hardened" cartoon that provoked a letter from the DOD's Joint Chiefs of Staff is on display.
Good cartoonists not as well known in DC like Mike Jenkins of the Journal can be seen. His "Heartbeat Away" showed Bush playing with toys and worrying about being President when told that Cheney was having heart problems. Ed Stein of Denver drew "Band of Brothers" showing the GOP's 2004 team of Bush, Cheney and others, noting "They all weren't in Vietnam together."
Other viewers in the exhibit, of which I think I saw 3 sets, were laughing out loud.
Some memorable cartoons were VC Roger's "Iraq War Memorial," a play on the W in George W. Bush and the Vietnam War Memorial in DC was great. Mike Luckovich's "Apple-Bobbing at the Cheneys" showed Cheney holding a kid underwater in a tub while saying 'Confess!' Matt Davies' "The Concert Pianist" had Rice playing a 'White House Foreign Policy' piano that only had one key. JD Crowe's "Rumsfeld Steps Down" used the trope of flag-draped coffins, and had Rumsfeld as a blind man stepping down a long, long stairway of them. It was a lovely drawing even if the flag-draped coffin was declared to be overused at the recent AAEC convention.
Local Examiner cartoonist Nate Beeler contributed "Late Night Reading" showing Cheney hiding a copy of 'Torture Illustrated' inside a copy of 'Nurturing Democracy.' A good one.
Iraq, Cheney, wiretapping, and civil liberties were generally the topics. There were only two cartoons on Hurricane Katrina's destruction of New Orleans.
In a mis-step, two cartoons of Bush as a Roman Emperor were mounted together. The cartoons by Stuart Calsun and Steve Greenberg were both fine, but didn't benefit from being shown side-by-side.
Two had comics-references in them. Daryl Cagle used the Robert Crumb cover of Zap #1, drawing George Bush getting the show in "Surge in Iraq." It was a good drawing, but I wonder how many people got the reference. Tom Stiglitch went wider and drew George Bush as Charlie Brown leaning on the sad Christmas tree with a broken ornament labelled Iraq in "A George Bush Christmas".
Overall, this was a good show, and would make a neat fundraiser for the AAEC which could use the print-on-demand technology mentioned in the next article to do it.
OT: The most important comics news this month
Forget the San Diego Comic-Con - Dave Astor's got the real story right here:
Two Print-On-Demand Books Feature Universal Comics
By E&P Staff
Published: July 20, 2007 12:21 PM ET
The two books are "Circling Normal, A Book About Autism" by "Clear Blue Water" cartoonist Karen Montague-Reyes' and "'Come Here Often?' Bad Pickup Lines and Other Dating Atrocities" from "The Fusco Brothers" cartoonist J.C. Duffy. Some of the Cartoonists with Attitude crowd, along with Ann Telnaes, Signe Wilkinson and countless web cartoonists are already self-publishing - this is the wave of the future.
"The Universal-Lulu partnership, reported on in a May 3 E&P Online story, is designed for books that would not otherwise be acquired by Andrews McMeel Publishing, a sister company to Universal." My guess is that AMP will stay in business because of its distribution savvy, but a lot more cartoon books will be appearing as cartoonists become comfortable with the idea. You can make the Lulu publishing completely invisible to the end consumer.
It's going to make comics bibliography a continuing nightmare, of course...
Two Print-On-Demand Books Feature Universal Comics
By E&P Staff
Published: July 20, 2007 12:21 PM ET
The two books are "Circling Normal, A Book About Autism" by "Clear Blue Water" cartoonist Karen Montague-Reyes' and "'Come Here Often?' Bad Pickup Lines and Other Dating Atrocities" from "The Fusco Brothers" cartoonist J.C. Duffy. Some of the Cartoonists with Attitude crowd, along with Ann Telnaes, Signe Wilkinson and countless web cartoonists are already self-publishing - this is the wave of the future.
"The Universal-Lulu partnership, reported on in a May 3 E&P Online story, is designed for books that would not otherwise be acquired by Andrews McMeel Publishing, a sister company to Universal." My guess is that AMP will stay in business because of its distribution savvy, but a lot more cartoon books will be appearing as cartoonists become comfortable with the idea. You can make the Lulu publishing completely invisible to the end consumer.
It's going to make comics bibliography a continuing nightmare, of course...
Friday, July 20, 2007
Mike Carey reviewed in The Onion
The Devil You Know, the book he signed earlier this week, is reviewed in the paper copy of the Onion that came out on Weds. You can also read it online, and there's some reviews of comics online too, that weren't in the print edition.
For what it's worth, I enjoyed the book and didn't find his text overly descriptive.
For what it's worth, I enjoyed the book and didn't find his text overly descriptive.
Thursday, July 19, 2007
ICAF: New name, new website
2007 ICAF chair Marc Singer is reporting that the International Comic Arts Forum is moving to a new website:
http://www.internationalcomicartsforum.org
The site currently features our 2007 line-up of panelists and special guest artists and scholars; please check in regularly for schedules and other conference information.
Wednesday, July 18, 2007
OT: Rebecca Sullivan's book recommendations
My friend Rebecca is a Canadian prof based in Calgary so this is way off topic, but in this July 17th audio interview she recommends Jessica Abel's La Perdida. I like Jessica's Artbabe work, but must confess that I haven't read the review copy of this I got. However, I strongly recommend her husband Matt Madden's 99 Ways to Tell a Story - Exercises in Style. Matt tells a short story in ... 99 ways, with different art, or timing, and his book is a useful teaching tool like Eisner or McCloud.
September 29: Gene Luen Yang at National Book Festival
Matthew Dembicki, who will be signing his story in Postcards at Olssen's next week,* also reports that Gene Luen Yang, cartoonist of American Born Chinese will be at the National Book Festival in the Mall in September. This is the Library of Congress event, and usually both mobbed and interesting.
*Tuesday, July 24, 2007 at 07:00 PM at Olsson's Books & Records-Dupont Circle, 1307 19th St. NW, (202) 785-1133
*Tuesday, July 24, 2007 at 07:00 PM at Olsson's Books & Records-Dupont Circle, 1307 19th St. NW, (202) 785-1133
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