Showing posts with label World War II. Show all posts
Showing posts with label World War II. Show all posts

Tuesday, April 16, 2019

Library of Congress collection used for wartime comic book research

#22 from Grand Comics Database
Paul Hirsch used the papers of the Writers' War Board held in the Library of Congress, specifically Box 11 of the collection, to look at how a semi-official government body influenced the depiction of the Axis in comic books during the war. DC Comics, Fawcett Comics, and Street & Smith are specifically mentioned.

The WWB also encouraged racial reconciliation in America at the same time, with a 'Race Hatred Committee' which helped with an anti-lynching story in Captain Marvel, Jr. #22.

Here's the citation and the abstract:

"This Is Our Enemy" The Writers' War Board and Representations of Race in Comic Books,1942–1945
Author(s): Paul Hirsch
Source: Pacific Historical Review, Vol. 83, No. 3 (Aug., 2014), pp. 448-486
Published by: University of California Press

Abstract

During World War II, the U.S. government, through the Writers' War Board (WWB), co-opted comic books as an essential means of disseminating race-based propaganda to adult Americans, including members of the armed forces. Working with comic creators, the WWB crafted narratives supporting two seemingly incompatible wartime policies: racializing America's enemies as a justification for total war and simultaneously emphasizing the need for racial tolerance within American society. Initially, anti-German and anti-Japanese narratives depicted those enemies as racially defective but eminently beatable opponents. By late 1944, however, WWB members demanded increasingly vicious comic-book depictions of America's opponents, portraying them as irredeemably violent. Still, the Board embraced racial and ethnic unity at home as essential to victory, promoting the contributions of Chinese, Jewish, and African Americans.

Thursday, May 09, 2013

Posters at the National Library of Medicine

'Could you poison your child?': images from a century of medical propaganda;  Health, history, and design collide at the National Library of Medicine.
 By Amar Toor
The Verge April 12, 2013
The first image, about a sailor blinded at Pearl Harbor, is by the noted cartoonist Alex Raymond.

Tuesday, April 02, 2013

A Dental Tech's Scribbles: The Collection of Bill Baltezar

A Dental Tech's Scribbles: The Collection of Bill Baltezar
Andre Sobocinski
The Grog - Vol 6 Number 2 - Spring 2011
Recently, the Bureau of Medicine and Surgery Library and Archives accessioned a collection of artwork by a Navy dental technician named William "Bill" Baltezar (1924-2009). Before enlisting in the Navy, Baltezar was a trained artist; and through service on active duty (1943-1946) and in the reserves (1946-1953), he never stopped exercising his talent or need to present the daily life of an enlisted sailor through sketch and scribble. This collection consists of letters to his mother while at boot camp and later Hospital Corps School in San Diego, CA (1944), 26 pages of sketches drawn aboard Patrol Cruiser Escort-851 (1945-46), and illustrated envelopes that once enclosed love letters to his future wife, Dorothea. Dorothea Baltezar recalled of her husband, "he illustrated every envelope of every letter he ever sent—I kept all that he sent me over a two-year courtship." After leaving the Navy, Baltezar worked as an artist in Salinas, CA, where, in addition
to earning a reputation for his art work, Baltezar was a popular character in the community known for his fanciful stories, and performances in local community theater productions. In 2010, the National Steinbeck Center in Salinas, CA, posthumously honored Baltezar with an exhibit of his watercolors entitled "When Ya Gonna Give Me a Damn Show?"

Tuesday, September 25, 2012

Donald Duck in Navy medicine

I was filing some material at work today, and ran across this image of Donald Duck.
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There's two other uses of the same image in the book that can be seen on the Flickr site. The caption for this one is:
Disney's Donald Duck "Mob 8 Insignia" page 160 of The Story of U.S. Naval Mobile Hospital Number 8 by CAPT. William H.H. Turville, NY: Robert W. Kelly Publishing Corp, ca. 1946.
From BUMED's Navy Medicine Historical Files Collection - Facilities - Base Hospitals.  12-0185-003

Tuesday, August 21, 2012

Donald in pre-World War 2 US Navy yearbook

I'm not an expert in Disney history, but most people know the company helped America's war effort in World War II by designing logos for units, and making training films. At work, I've stumbled across this pre-war (to America at least) example of the Naval Air Station Pensacola Florida yearbook The Flight Jacket 1940, which was compiled for the training class for new pilots. At some point in the next few months, the yearbook will be transferred to the more appropriate Navy Department Library in the Washington Navy Yard which appears to need a copy. In the meantime, one can see scans of the famed Duck here.

Monday, May 14, 2012

PR: THE HISTORY OF INVULNERABILITY superhero play


THE MAN BEHIND SUPERMAN COMES TO LIFE IN DAVID BAR KATZ'S THE HISTORY OF INVULNERABILITY AT THEATER J

(Washington, DC) – The History of Invulnerability, David Bar Katz's provocative new drama, brings the origin story of the Superman comic to life, in all its political complexity. Behind every great superhero is a determined creator. In 1930s America, that creator was usually a young Jewish man with an active imagination. Batman, Spiderman, The Incredible Hulk and other iconic cartoon characters were all products of young American Jews.  Bar Katz's play illuminates the story of Jerry Siegel—the brains behind Superman's brawn—and the imagined struggle between the creative father and his uber-mensch son.

The History of Invulnerability runs June 6–July 8, 2012 at Theater J in the Washington DCJCC's Aaron & Cecile Goldman Theater. Press night is Monday, June 11 at 7:30 pm. Performances on Saturday, June 9 at 8:00 pm and Sunday, June 10 at 3:00 pm are $30 previews. Performances on Wednesday, June  6 and Thursday, June 7 at 7:30 pm are pay-what-you-can previews. Performances on June 17 and 24 and July 1 and 8 at 7:30 pm are $35 Sunday night specials. On Thursday, June 21 at 7:30 pm the show will have open-captioning for the hearing impaired. There will be special matinee performances at noon on Friday, June 22.  Tickets are available starting at $30 at theaterj.org  or (800) 494-TIXS.

With a new Superman blockbuster film opening in 2013 and the re-release of the Superman comic as "The New 52" by DC Universal in September 2011, The Man of Steel remains an enduring American phenomenon.  As Bar Katz traces the iconic character back to his conception in the mid 1930s, the audience views the action from the inner landscape of creator Jerry Siegel (David Deblinger) who begins his journey in his mother's basement in Clevelend. Frustrated with feelings of powerlessness in the face of the mounting horrors of Nazi Germany, Siegel and illustrator Joe Shuster (David Raphaely) create a being capable of overpowering all enemies. After their Superman comic catches on, the duo's desire to depict Superman slaughtering Nazis is curbed by Harry Donenfeld (Conrad Feininger), the head of DC Comics who purchased the rights to Superman for a mere $130. As Jerry wrestles to retain control of his comic book sensation and his life, America is drawn into WWII.  Interspersed with scenes from Siegel's life is the story of inmates of Birkenau. Audacious Benjamin (David Raphaely) dreams of rebellion, elderly Saul (Conrad Feininger) struggles to keep faith in God, and young Joel (Noah Chiet) waits expectantly for the day when Superman will come to their rescue.  The History of Invulnerability was a finalist for the 2011 ACTA Steinberg New Play Award and the Acclaim Award for "Outstanding Play World Premiere" at Cincinnati Playhouse in the Park.  Theater J's production marks The History of Invulnerability's East Coast premiere and second production overall.
 

Artistic Director Ari Roth welcomes The History of Invulnerability to the Theater J stage, remarking "In the tradition of David Mamet, David Bar Katz is a writer of muscular Jews with a wild, robust writing style to match. He's got a number of interesting plays: Philip Roth in Khartoum, [staged at the Public Theatre in 2008] Burning Burning Burning [surrounding Shabbetai Tzvi, the false messiah] and The Atmosphere of Memory [Featuring Ellen Burstyn]. He's a great writer for a new generation, and we're glad to start an ongoing relationship with him."  Bar Katz is a company member of the prestigious LAByrinth Theatre in New York, which includes artists like Philip Seymour Hoffman, who directed the Emmy-nominated HBO presentation of Bar Katz's Oh The Power. Bar Katz also earned two Tony Award nominations for the Broadway production of his play Freak. In an article in CityBeat, Cincinnati, Bar Katz describes himself as a writer who understands the "desire to fight battles in the real world using your fiction."


Director Shirley Serotsky understands this impulse as well, commenting "The desire to will into existence a better place, a better solution, a better being, is a fascinating piece of the Jewish and of the human story." Initially coming from a musical theatre background, Serotsky was struck by the parallels between musical theater and comic books: "Both are uniquely American art forms…dominated by Jews, often first–generation Jews who needed an escape both from the tragedies going on in Europe, and from their own often harsh circumstances in America." As the Director of Literary and Public Programming, and frequent director at Theater J, Serotsky has an extensive background staging stories from the Jewish experience.  Ms. Serotsky's Theater J credits include The Rise and Fall of Annie Hall, The Moscows of Nantucket, Mikveh and next season's The Hampton Years.  Recently, she garnered praise with her production of Birds of a Feather at The Hub Theatre, Blood Wedding at Constellation Theatre Company, and Working at Keegan Theatre.

Serotsky describes her cast as "a gutsy group of actors who are able to embrace both the stylistic world of a comic book and the deeply honest emotions and desires of the characters in this world." They are led by David Deblinger, who garnered rave reviews for his portrayal of Jerry Siegel in Cincinnati Playhouse's world premiere of The History of Invulnerability. Deblinger is one of the founding members of the LAByrinth Theater Company, where he has performed in over 15 productions. He recently appeared in the world premiere of The Killings Room at Teatro Circulo and Animals Out Of Paper at The San Francisco Playhouse. In addition to being a talented actor, Deblinger is also a prolific playwright and solo performer. On June 25, Deblinger will share his work-in-progress Abe's Lucky Penny, which deals with the themes of fathers and sons also raised in The History of Invulnerability.

Playing the brash Harry Donenfeld is Conrad Feininger. Mr. Feininger recently appeared at Theater J in Benedictus, Either/Or and String Fever. A frequent performer at The Shakespeare Theatre, he recently appeared in their productions of King Lear, Richard II, Henry V and All's Well That Ends Well. Other recent credits include Hysteria at Rep Stage and Charming Billy at RoundHouse Theatre. Playing the Man of Steel himself is Tim Getman, fresh from his appearance in After The Fall earlier in the Theater J season.  Getman has also appeared in the Theater J productions Photograph 51, Passing the Love of Women, The Last Seder and as Danny Saunders in Theater J's original production of The Chosen. He recently starred in Gruesome Playground Injuries at Woolly Mammoth Theatre Company, where he also appeared in The Unmentionables and The Distance from Here.

Also making a second appearance in the Theater J season is Brandon McCoy,  who just reprised his role as Simon in Theater J's encore presentation of New Jerusalem: The Interrogation of Baruch de Spinoza.  Playing both Joe Shuster, the illustrator of Superman, and Benjamin, the revolutionary concentration camp inmate is David Raphaely.  One of Philadelphia's most popular young actors, Mr. Raphaely has appeared in productions at The Wilma Theatre, The Arden Theatre Company, The Walnut Street Theatre, PlayPenn, and the Philadelphia Theatre Company.  In the summer of 2010, he was a guest artist in the Theater J/TheatreLab staged readings of Ari Roth's Born Guilty cycle. Jjana Valentiner, who recently gained acclaim playing barmaid Patsy in Sideman at 1st Stage, will play Jerry's mother and other roles. Valentiner's other recent credits include Pride and Prejudice at Round House Theatre; Birds of a Feather at The Hub Theatre;  Fucking A at The Studio Theatre 2ndStage and Tartuffe at the Journeymen Theater Ensemble. She is joined by James Whalen, returning to Theater J after appearing in last season's Voices from a Changing Middle East festival. Mr. Whalen was recently seen in The Shakespeare Theatre Company's production of Cymbeline. He is also a frequent player at Everyman Theatre, where he has appeared in The Exonerated, Betrayal and The Cripple of Inishmaan. Alyssa  Wilmoth, a graduate of the Shakespeare Theatre Company Academy for Classical Acting who recently earned accolades  in No Rules Theatre Company's production of StopKiss will play Superman's paramour, Lois Lane.  Noah Chiet completes
the ensemble as the young boy imprisoned in a concentration camp, dreaming of Superman.  By the age of 12, Mr. Chiet has already gained rave reviews for his turn in Ganeymede Arts' Falsettos and in Liberty Smith at Ford's Theatre. He has participated in two readings at Theater J, and this is his first production.

An all-star design team of Theater J veterans reunite to create the vibrant world of comic books and the equally atmospheric concentration camps. In addition to designing the set for The Rise and Fall of Annie Hall and The Moscows of Nantucket, scenic designer Robbie Hayes has worked on Theater J's Sholom Aleichem: Laughter Through Tears. Lighting will be designed by Dan Covey, who also designed lights for Mikveh at Theater J. Debra Kim Sivigny, a veteran Theater J designer (Rise and Fall of Annie Hall, The Moscows of Nantucket and Mikveh) and company member of Rorschach Theatre, will be designing costumes. Returning to Theater J after several seasons is Dre Moore, as Properties Designer. Matthew Nielson (The Whipping Man, New Jerusalem) will create the sound design.

The History of Invulnerability is presented as the annual Arthur Tracy "The Street Singer" Endowment Production honoring the memory and musical legacy of Arthur Tracy, the renowned radio, stage and screen singer and entertainer whose talent delighted millions around the world. Additional funding has been provided by Ann and Don Brown and Judy and Leo Zickler.

Complimenting The History of Invulnerability in the DCJCC Ann Loeb Bronfman Gallery will be the exhibit "Graphic Details: Confessional Comics by Jewish Women" opening on June 7. See washingtondcjcc.org/gallery for more information.


THE HISTORY OF INVULNERABILITY FACT SHEET
WRITTEN BY: David Bar Katz
DIRECTED BY: Shirley Serotsky
SCENIC DESIGNER: Robbie Hayes
LIGHTING DESIGNER:  Dan Covey
COSTUME DESIGNER: Debra Kim Sivigny
PROPERTIES DESIGNER: Dre Moore
SOUND DESIGNER: Matthew Nielson
DRAMATURG: Stephen Spotswood
PRODUCTION STAGE MANAGER: Roy A. Gross

FEATURING: David Deblinger, Conrad Feininger, Tim Getman, Brandon McCoy, David Raphaely, Jjana Valentiner,
James Whalen, Alyssa Wilmoth and Noah Chiet

PRESS NIGHT:  Monday, June 11

PERFORMANCE SCHEDULE: June 6-July 8, 2012
Regular Schedule:  Wednesdays and Thursdays at 7:30 pm, Saturdays at 8:00 pm, Sundays at 3:00 and 7:30 pm
$30 Previews:  Saturday, June 9 at 8:00 pm and Sunday, June 10 at 3:00 pm
Pay-What-You-Can Previews: Wednesday, June 6  and Thursday, June 7 at 7:30 pm
Special Matinees: Friday, June 22 at 12:00 pm
Please note: Thursday, June 21 at 7:30 pm the show will have open captioning for the hearing impaired.



THEATER J INFORMATION:

LOCATION: The Washington DC Jewish Community Center's Aaron & Cecile Goldman Theater at 1529 16th Street NW in Washington, DC, 4 blocks east of Dupont Circle.

PARKING & METRO:  Limited parking in the Washington DCJCC lot; additional parking available at Colonial Parking, 1616 P Street NW; limited street parking. Dupont Circle Station RED line.

TICKETS:  Starting at $30. Box Office Tickets (800) 494-TIXS or boxofficetickets.com.
For discounts for groups of 10+ call (202) 777-3214 or email becky@theaterj.org

Theater J is handicapped accessible and offers assisted listening devices for interested patrons.   
High resolution digital images are available upon request. More information about this production is available at (202) 777-3230 or theaterj.org.

Theater J, a program of the Washington DCJCC, produces thought-provoking, publicly engaged, personal, passionate and entertaining plays and musicals that celebrate the distinctive urban voice and social vision that are part of the Jewish cultural legacy. Acclaimed as one of the nation's premiere playwrights theaters, Theater J presents cutting edge contemporary work alongside spirited revivals and is a nurturing home for the development and production of new work by major writers and emerging artists exploring many of the pressing moral and political issues of our time. Dedicated first to a pursuit of artistic excellence, Theater J takes its dialogues beyond the stage, offering an array of innovative public discussion forums and outreach programs which explore the theatrical, psychological and social elements of our art. We frequently partner with those of other faiths and communities, stressing the importance of interchange among a great variety of people wishing to take part in frank, humane conversations about conflict and culture.


Thursday, January 06, 2011

Navy World War 2 cartoon by Hotchkiss online now

MIS 09-7914-1"He had his heart set on pate de foie gras. Navy chow is the best!
Take all you can eat, eat all you can take! Don't be finicky!"
[Nutrition.] [Propaganda.] [World War 2.] [Illustration by "Hotchkiss USNR".] World War II. Cartoon.
1944; Bureau of Supplies and Accounts: Navy; U.S. Government Printing Office; U.S. Navy BUMED Library and Archives

Thursday, December 02, 2010

Ketcham and Hotchkiss' Navy cartoon posters from World War 2

Courtesy of the US Navy's Bureau of Medicine and Surgery, the National Museum of Health and Medicine has scans of these Navy posters from World War 2.

One is by Dennis the Menace creator Hank Ketcham -

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The rest are by Hotchkiss -

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mis09-7914-9

mis09-7914-11

mis09-7914-15

Tuesday, September 28, 2010

It's Banned Books Week...

... and this cartoon is working its way through the comics blogosphere. It's from the Library of Congress

* Title: Books are weapons in the war of ideas / S. Broder.
* Date Created/Published: [Washington, D.C.] : U.S. Government Printing Office, 1942.
* Medium: 1 print (poster) : color.
* Summary: Poster showing Nazis burning books, with quotation by Franklin D. Roosevelt, "Books cannot be killed by fire ...."
* Reproduction Number: LC-USZC4-4267 (color film copy transparency) LC-USZ62-121473 (b&w film copy neg.)
* Call Number: POS - US .B761, no. 1 (C size) [P&P] [P&P] [P&P]
* Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
* Notes:
o GPO no. 1942-O-487131.
o OWI no. 7.
o Promotional goal: U.S. J49. 1942.
* Subjects:
o Book Burning--Germany--1940-1950.
o World War, 1939-1945--Communications--United States.
* Format:
o Posters--American--1940-1950.
o Prints--Color--1940-1950.
* Collections:
o Posters: Artist Posters
* Bookmark This Record:
http://www.loc.gov/pictures/item/96502725/

Tuesday, September 21, 2010

Another Lynn Brudon cartoon found

A few months ago, I posted on a Lynn Brudon anti-malaria World War 2 cartoon in the National Museum of Health and Medicine. See the comments of that post for more on Brudon. Meanwhile here's one I found today.

Reeve088546-4
REEVE 088546-4

Malaria prevention. Charts. "G.I bedtime story. Control malaria. Shorten the war. Bug heaven, here comes Hiroskito. Damn that d.d.t. [Dichloro-Diphenyl-Trichloroethane]. Lynn Brudon [artist], 1945."

[Posters. Illustration. Insect pests, Control. Mosquitoes. Sanitation. Preventive medicine.] [Propaganda.]

Thursday, January 14, 2010

Another Batchelor anti-VD cartoon

Reeve 85182-24

Here's another CD Batchelor cartoon from World War 2 on the dangers of venereal disease from the collection of the National Museum of Health and Medicine. You can see earlier posts on Batchelor here and here.

This photo of a poster is by Lynn Brudon also from World War 2. I don't know anything else about him or the poster.

Reeve 88456-1

Monday, March 30, 2009

Malaria Moe cartoons on Flickr

088266-32
My colleague at the Medical Museum put up a bunch of scans of World War 2 Malaria Moe propaganda cartoons on Flickr today. The artist, Frank Mack, later went on to work for Ripley's Believe It Or Not.

Tuesday, March 10, 2009

Eat Right to Work and Win corrected

I had dropped pages 2-3 by not photographing them, but I just took a snapshot and added them in - the quality isn't as good, but it's still readable.
100_7053 Eat Right 01 Eat Right to Work and Win, a 1942 book using King Features Syndicate characters. "Contributed by Swift & Companyto America's All-Out Effort through the National Nutrition Program. Office of Defense Health and Welfare Services." To read the whole booklet, click here.

Saturday, March 07, 2009

Sara and Mike go to Charlottesville

Sara Duke and I went to Charlottesville yesterday to see an exhibit, but we also stopped at a bunch of antique stores to exercise our comics-senses. So here's some of what I found:

100_7051 Opus 'n Bill On the Road Again screen saver 1

100_7052 Opus 'n Bill On the Road Again screen saver 2
Opus 'n Bill On the Road Again screen saver box covers. Unfortunately, I have no idea how one could view the animated segments now.


100_7053 Eat Right 01 Eat Right to Work and Win, a 1942 book using King Features Syndicate characters. "Contributed by Swift & Companyto America's All-Out Effort through the National Nutrition Program. Office of Defense Health and Welfare Services." To read the whole booklet, click here.

100_7049 Foxy Grandpa doorstop Foxy Grandpa doorstop by Carl 'Bunny' Schultze. This is the second Foxy Grandpa thing I've found around Charlottesville - the first was a bank of his head. Sara and I both think this was repainted, but that doesn't much matter to me.

100_7050 Ferd'nand 1957 bookWordless comic strip Ferd'nand 1957 collection.

100_7061 Sagendorf Davy Crockett gameBud Sagendorf's Davy Crockett game, done around the time he was doing Popeye. I love the fact that someone saved this out of the Sunday comics and mounted it. I'll probably make a color copy and play it with my daughter. If there's any interest, I can do a hi-res scan for you readers.

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Seven plates from Merry Masterpieces Fine Porcelain plates, Dayton Hudson, 1999. Anybody know anything more about these? Is it a New Yorker artist? They look vaguely like Danny Shanahan to me.

I bought a few more books and some Puck lithographs too.

Acquisitions considered, but not made: Raymond Briggs' Snowman place setting, 4 pieces by Royal Doulton - $40; Wood bas relief carving of Charles Dana Gibson cartoon - ? (some non-buyer regret over not at least checking the price); Raymond Briggs' Snowman porcelain box by Royal Doulton - $18; James Thurber house 50th anniversary commemorative plate - $40;

Tuesday, November 11, 2008

Nov 12: Billy Tucci and WWII veterans in Reistertown


Billy Tucci and WWII veterans are signing Sgt Rock comics tomorrow in Reisterstown at:

Cards, Comics & Collectibles
100 Chartley Drive
Reisterstown, Maryland 21136
(410) 526-7410
Special Guests: 442nd RCT veterans Kelly Kuwayama and Terry Shima, and Merrill's Marauders' Grant Hirabayashi

I'm not sure of the time, but give them a call. More information on Sgt Rock's mixing with real-life units is at Tour of Duty 11 - Some Will Say "It's Just A Comic Book" By Billy Tucci, Newsarama 2008-11-03.

Monday, September 08, 2008

Arthur Szyk in NY Times

Szyk was a Jewish cartoonist who fled to New York and did some awesomely hard-hitting propaganda during World War II. He was the subject of a couple of great exhibits in DC about five years ago too. This article discusses a new exhibit of his work in Germany -
"A Caricaturist, but No Funny Stuff Here," By MICHAEL KIMMELMAN, New York Times September 8, 2008.

I'll see if I can dig up my reviews of the exhibits for IJoCA and post them here later this week.

Wednesday, March 19, 2008

Another Batchelor VD poster


This one wasn't in the National Museum of Health and Medicine's collection, so when I spotted it on ebay I bought it. I scanned it yesterday and added the e-version to the Museum's collection; since we don't have an acquisitions budget to buy things, there's no conflict of interest. I'll probably donate it someday, but at the moment I'm enjoying ownership.

Thursday, February 28, 2008

March 18: CARTOONS BY MODERNIST PAINTER AD REINHARDT

CARTOONS BY MODERNIST PAINTER AD REINHARDT DISCUSSED AT LIBRARY OF CONGRESS ON MARCH 18

During World War II, American abstract expressionist painter Ad Reinhardt made a series of little-known but striking cartoon collages of Adolf Hitler. Reinhardt’s overlooked cartoon work will be discussed by Swann Foundation Fellow Prudence Peiffer in a lecture at the Library of Congress on March 18.

Peiffer’s presentation, “How to Look at Ad Reinhardt’s World War II Cartoons in America,” will begin at noon on Tuesday, March 18, in Dining Room A on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, D.C. The event is free and open to the public; no reservations are required.

The illustrated talk is based on research conducted by Peiffer at the Library of Congress during her fellowship, which was awarded last year by the Swann Foundation for Caricature and Cartoon. The lecture is sponsored by the foundation, which is managed by the Library, and the Library’s Prints and Photographs Division.

The cartoon collages by Reinhardt (1913-1967) were published during World War II in The New Masses journal and PM newspaper. By 1946, he had honed his collage technique in his “How to Look at Modern Art” cartoons.

In her talk, Peiffer will explore how Reinhardt mined the history of political cartoons to create his own unique strategy of radical aesthetics, and she will argue for a connection between his best-known abstract paintings from the 1950s and 1960s and his earlier cartoon work. She will draw upon examples of Reinhardt’s published cartoon creations and drawings by such cartoonists as Miguel Covarrubias (1904-1957), whose work influenced the younger artist.

In addition to being a Swann fellow at the Library of Congress, Peiffer is a pre-doctoral fellow at the Smithsonian American Art Museum in Washington, D.C. She is a doctoral candidate in 20th-century art history at Harvard University and is writing her dissertation titled “Routine Extremism: Ad Reinhardt and Modern Art.” Peiffer completed a master’s degree in the history of art and architecture at Harvard and a bachelor’s in art history at Yale University. Her particular interest is in the intersections between abstraction and figuration in 20th-century art.

Peiffer’s presentation is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The foundation’s advisory board is made up of scholars, collectors, cartoonists and Library of Congress staff members.

The Swann Foundation customarily awards one fellowship annually (with a stipend of $15,000) to assist scholarly research and writing projects in the field of caricature and cartoon. More information about the fellowship is available through the Swann Foundation’s Web site: www.loc.gov/rr/print/swann/ or by e-mailing swann@loc.gov.

# # #

PR08-42

2/28/08

ISSN: 0731-3527

Thursday, January 31, 2008

Feb 7: Tracy Sugerman at Library of Congress

I don't know anything about his work, but Sara Duke is introducing him.

Public contact: Veterans History Project (202) 707-4916, vohp@loc.gov

WWII VETERAN AND ACCLAIMED ARTIST TRACY SUGARMAN
DISCUSSES MEMOIR, ILLUSTRATIONS AT LIBRARY ON FEB. 7
Award-winning author and illustrator Tracy Sugarman will give a visual presentation and discuss his new memoir, “Drawing Conclusions: An Artist Discovers His America,” at a special program at noon on Thursday, Feb. 7, in Dining Room A of the Library’s James Madison Building, 101 Independence Ave. S.E., Washington, D.C.

The event, co-sponsored by the American Folklife Center’s Veterans History Project and the Prints and Photographs Division, is free and open to the public. No tickets or reservations are required.

"Mr. Sugarman’s writings, drawings and video-recorded interviews comprise a rich collection in both the Library’s Veterans History Project and the Prints and Photographs Division, and we are honored that he will be here to talk about his book, which is an important addition to the historical record he has already shared with the American people," said Librarian of Congress James H. Billington.

Sugarman, a WWII naval officer, is a freelance artist and illustrator who, in a long and varied career, has covered the civil-rights struggle in the South, labor strikes, NASA rollouts, VISTA's work with Appalachian coal-miner families, and rehearsals of the Boston Symphony Orchestra and the Alvin Ailey Dance Group. His work has garnered recognition from the Society of Illustrators in New York and the Art Directors Club in Washington, D.C.

In 2000, Sugarman published “My War,” a reminiscence of his wartime experiences, which blended artwork, excerpts of letters home and memories of his days during wartime. Sugarman’s story was also included in “Voices of War,” a book published in 2004 by National Geographic and the Library, which features stories from the Veterans History Project collections. Sugarman’s wartime-era artwork is housed in the collections of the Prints and Photographs Division, and a watercolor from that collection is featured on the front of the VHP 2008 “Forever a Soldier” wall calendar.

Unequaled in their scope and richness, the collections in the Library of Congress Prints and Photographs Division currently include about 14 million photographs, drawings and prints from the 15th century to the present day. International in scope, these visual collections represent a uniquely rich fund of human experience, knowledge, creativity and achievement, touching on almost every realm of endeavor: science, art, invention, government, political struggle and the recording of history. For more information, visit www.loc.gov/rr/print/.

Wartime veterans are encouraged to come forward to record their experiences for the growing archive within the American Folklife Center’s Veterans History Project at the Library of Congress. Those interested can download a VHP Field Kit from the Veterans History Project Web site at www.loc.gov/vets/, request a kit via email at vohp@loc.gov or call the toll-free message line at (888) 371-5848.

Friday, September 28, 2007