Will Elder, Cartoonist of Satiric Gifts and Overpopulated Scenes, Dies at 86
By WILLIAM GRIMES
New York Times May 18, 2008
Mr. Elder, whose frantic, gag-filled illustrations helped to define the comic identity of Mad magazine, was also a creator of the Playboy cartoon serial “Little Annie Fanny.”
Usually the Times beats the Post on national obits, especially ones from their area...
Sunday, May 18, 2008
Saturday, May 17, 2008
Zadzooks on Indiana Jones UPDATED
"Bonanza of Indy toys and adventure games," By Joseph Szadkowski, Washington Times May 17, 2008. Back in the day, I bought the Marvel Comics series, which had art by one of my favorite teams, John Byrne with one of comics greatest inkers every, Terry Austin.
Sunday's Post had an article about Indiana Jones, the character, which was interesting even if not comics-focussed: "Indiana Jones and the Meaningless Void: If You Really Want a Quest for The Holy Grail, Try Looking for Significance in an Indy Adventure," By Hank Stuever, Washington Post Staff Writer, Sunday, May 18, 2008; M01.
Image from Grand Comics Database.
Keith Knight starts in Post on Sunday
Keith's new strip appears as third of the trial ones in the Sunday comics section on May 18th. Write into the Post to support it! He's got a child on the way! And he's funny! And, apropos of the controversy over the number of cartoonists of color earlier in the year, he's of color! But the important thing is that Keith's funny and an excellent cartoonist. I've bought every one of his collections at SPX and will keep buying them as long as he keeps doing them. And I've got his coffee mug with a (Th)Ink panel of Bush's Shadow(y) Government showing Bush with a shadow of Darth Vader displayed prominently on one of my comics shelves.
Keith (or Keef as he prefers, but I don't know him that well) must be reading this as he just emailed the following information:
*KEEF AT THE CHARLES SCHULZ MUSEUM/INTERSECTION FOR THE ARTS
I'll be up in the Bay Area in late May for a couple of events. On Sunday, May 18th, I'll be the guest cartoonist at the Schulz Museum in Santa Rosa, from 1-3pm. I'll be signing copies of "I Left My Arse in San Francisco". If you've never been there, go!! It's a really swanky place.
http://www.schulzmuseum.org
On Tuesday, May 20th, I'll be sharing the stage with co-horts Miriam Libicki, Ariel Schrag and Jaime Cortez for a panel discussion about graphic storytelling as part of a month-long series of comic strip and cartoon based events put on by the Jewish Community Center of San Francisco. It takes place from 7-9 pm at the Intersection for the Arts, 446 Valencia St. (between 15th and 16th) San Francisco.
http://www.jccsf.org/content_main.aspx?catid=448
Show up to both events and I'll give you something nice.
*THE COMPLETE K CHRONICLES: NOW AVAILABLE FOR PRE-ORDER!!
You can now go to my website and pre-order the upcoming 500-page K Chronicles Omnibus Collection (being published by Dark Horse this summer). It collects the first four books (including the out-of-print "Dances with Sheep", "Fear of a Black Marker", and "Passion of the Keef"), sketches, notes and a foreword by Kyle Baker!! Click on the link below to got to the pre-order:
http://www.kchronicles.com/store/index.shtml
Keith (or Keef as he prefers, but I don't know him that well) must be reading this as he just emailed the following information:
*KEEF AT THE CHARLES SCHULZ MUSEUM/INTERSECTION FOR THE ARTS
I'll be up in the Bay Area in late May for a couple of events. On Sunday, May 18th, I'll be the guest cartoonist at the Schulz Museum in Santa Rosa, from 1-3pm. I'll be signing copies of "I Left My Arse in San Francisco". If you've never been there, go!! It's a really swanky place.
http://www.schulzmuseum.org
On Tuesday, May 20th, I'll be sharing the stage with co-horts Miriam Libicki, Ariel Schrag and Jaime Cortez for a panel discussion about graphic storytelling as part of a month-long series of comic strip and cartoon based events put on by the Jewish Community Center of San Francisco. It takes place from 7-9 pm at the Intersection for the Arts, 446 Valencia St. (between 15th and 16th) San Francisco.
http://www.jccsf.org/content_main.aspx?catid=448
Show up to both events and I'll give you something nice.
*THE COMPLETE K CHRONICLES: NOW AVAILABLE FOR PRE-ORDER!!
You can now go to my website and pre-order the upcoming 500-page K Chronicles Omnibus Collection (being published by Dark Horse this summer). It collects the first four books (including the out-of-print "Dances with Sheep", "Fear of a Black Marker", and "Passion of the Keef"), sketches, notes and a foreword by Kyle Baker!! Click on the link below to got to the pre-order:
http://www.kchronicles.com/store/index.shtml
Corcoran graduate Roy Delgado publishes cartoon collection
Corcoran School of Arts graduate Roy Delgado has published a gag cartoon collection. See "Petersburg artist publishes cartoon collection," Cumberland Times-News May 16 2008.
Toles video on Post site
See "Timelapse: From Sketch to Cartoon," by Whitney Shefte, Washingtonpost.com May 15 2008. Watch as today's cartoon by Tom Toles, the Post's Pulitzer Prize-winning cartoonist, takes shape.
This is of the May 16th cartoon.
Will Elder obituary in Post
A truly great cartoonist is gone - "Will Elder, 86; Zany Cartoonist for Mad and Playboy", By Adam Bernstein, Washington Post Staff Writer, Saturday, May 17, 2008; B06.
Friday, May 16, 2008
Marvel business story in Wash Post? Nah.
Dirk Deppey over at Journalista had linked to what he said was a Washington Post story, which made me wonder how I missed it. Actually, it's a wire story on the Post's site - "Marvel Entertainment: Super Hero Stock?" Anne Kates Smith, Senior Associate Editor, Kiplinger.com, Thursday, May 15, 2008. We'll note it here for posterity.
Also this story was in the paper today, although I can't decide if it's comics or not: "Kid e-Land: Disney's DGamer Enters the Crowded Virtual World," By Mike Musgrove, Washington Post Staff Writer, Friday, May 16, 2008; D01.
Also this story was in the paper today, although I can't decide if it's comics or not: "Kid e-Land: Disney's DGamer Enters the Crowded Virtual World," By Mike Musgrove, Washington Post Staff Writer, Friday, May 16, 2008; D01.
RFK Journalism Award to Signe Wilkinson
Alan Gardner broke the story, but here's the citation from the Robert F. Kennedy Memorial's press release:
Cartoon Winner: Signe Wilkinson’s editorial cartoons from The Daily News were instrumental in moving the issue of violence in disadvantaged neighborhoods and schools to the top of the city’s agenda. Her cartoons offer a “steady drumbeat of funny, moving and shocking images”. The RFK Cartoon Judges write, “Her series attacking gun violence in Philadelphia spared no one and drew complaints from everyone- the hallmark of any good cartoonist”.
Some DC-area cartoonists are usually on the awards panel - perhaps they'll chime in.
Also note, "All recipients of the 40th Annual Robert F. Kennedy Journalism Awards will be honored at a ceremony on Tuesday, May 27, 2008 at 6:30 PM at the Newseum in Washington, DC."
Cartoon Winner: Signe Wilkinson’s editorial cartoons from The Daily News were instrumental in moving the issue of violence in disadvantaged neighborhoods and schools to the top of the city’s agenda. Her cartoons offer a “steady drumbeat of funny, moving and shocking images”. The RFK Cartoon Judges write, “Her series attacking gun violence in Philadelphia spared no one and drew complaints from everyone- the hallmark of any good cartoonist”.
Some DC-area cartoonists are usually on the awards panel - perhaps they'll chime in.
Also note, "All recipients of the 40th Annual Robert F. Kennedy Journalism Awards will be honored at a ceremony on Tuesday, May 27, 2008 at 6:30 PM at the Newseum in Washington, DC."
Mauldin's Willie and Joe
Longtime readers may recall that last summer I was trying to help out Todd DePastino and Gary Groth with scanning images for Fantagraphics' reprint project on Mauldin's Willie & Joe: The WWII Years. In the end I didn't accomplish much, although I did find a picture of a meeting between Mauldin and Sad Sack's Baker that Todd had missed. Fantagraphics kindly gave me an acknowledgement (another 15 seconds of fame!) and sent me a comp copy of the book - which is just lovely. Raise a glass to Gary and Kim Thompson and Eric Reynolds and the rest of the Fantagraphics crew - the books they're doing with Peanuts money are astounding. And Todd's work on this and the biography of Mauldin that came out earlier is fantastic as well.
For a good review of the book, see "'Willie & Joe': Bill Mauldin's Wartime Classic: Ken Tucker cracks open this newly released two-volume compilation of landmark cartoons about WWII grunts," EW.com May 13 2008.
Thursday, May 15, 2008
Feiffer interview at Cosmos Club coming to IJOCA
I just finished transcribing Alan Fern's interview of Jules Feiffer at the Cosmos Club in Washington last year, on the occasion of the McGovern award. It will appear in the Fall 2008 issue of the International Journal of Comic Art. Subscribe now!
Here's a sample, with Feiffer talking about bringing his portfolio to show to Will Eisner and being told his art was no good:
...But I had long ago established a habit of responding to unpleasant truths by not hearing them, or changing the subject, and I sure as hell was not going to walk out of this meeting with Will Eisner, my hero, with my tail between my legs, being told I had no talent. This was not the way this was going to end, so I started improvising and the only thing I could think of talking about was him and his work. Now here was a guy who had revolutionized comic book art and he had three highly crafted professionals in the other room who didn’t give a damn about his work. Who thought he was kind of out of date, and didn’t know anything about his career, and then he met me and I had a whole dossier. I knew everything he ever had done. I could talk about it not just as a little boy, but as a knowledgeable fan. He had no choice but to hire me as a groupie.
[audience laughs]
Here's a sample, with Feiffer talking about bringing his portfolio to show to Will Eisner and being told his art was no good:
...But I had long ago established a habit of responding to unpleasant truths by not hearing them, or changing the subject, and I sure as hell was not going to walk out of this meeting with Will Eisner, my hero, with my tail between my legs, being told I had no talent. This was not the way this was going to end, so I started improvising and the only thing I could think of talking about was him and his work. Now here was a guy who had revolutionized comic book art and he had three highly crafted professionals in the other room who didn’t give a damn about his work. Who thought he was kind of out of date, and didn’t know anything about his career, and then he met me and I had a whole dossier. I knew everything he ever had done. I could talk about it not just as a little boy, but as a knowledgeable fan. He had no choice but to hire me as a groupie.
[audience laughs]
That darn Toles
Another letter to the editor...
Deserving of Impeachment
Washington Post Thursday, May 15, 2008; Page A14
I applaud Tom Toles for his May 9 cartoon on the Bush White House's illegal destruction of e-mail records. This makes Mr. Toles the first of The Post's editorial commentators to take seriously the array of impeachable offenses with which President Bush could be charged.
Impeachment has been attempted at the presidential level three times in the nation's history. Two -- of Andrew Johnson and Bill Clinton -- were patently political. The attempt to impeach Richard M. Nixon was appropriate, to protect us from an out-of-control presidency, and it would have gone further had it not been for his resignation and pardon.
Mr. Bush's tenure has been marked by high crimes and misdemeanors far more extreme even than President Nixon's. The Post has taken note of many of them, but never, until now, has one of its commentators seen the matter to its appropriate conclusion.
WARREN KORNBERG
Garrett Park
Deserving of Impeachment
Washington Post Thursday, May 15, 2008; Page A14
I applaud Tom Toles for his May 9 cartoon on the Bush White House's illegal destruction of e-mail records. This makes Mr. Toles the first of The Post's editorial commentators to take seriously the array of impeachable offenses with which President Bush could be charged.
Impeachment has been attempted at the presidential level three times in the nation's history. Two -- of Andrew Johnson and Bill Clinton -- were patently political. The attempt to impeach Richard M. Nixon was appropriate, to protect us from an out-of-control presidency, and it would have gone further had it not been for his resignation and pardon.
Mr. Bush's tenure has been marked by high crimes and misdemeanors far more extreme even than President Nixon's. The Post has taken note of many of them, but never, until now, has one of its commentators seen the matter to its appropriate conclusion.
WARREN KORNBERG
Garrett Park
Wednesday, May 14, 2008
Weingarten on Argyle Sweater, Ted Key and best strip cartoonists
From the May 6th chat:
Comi, KS: The current Doonsbury replacement strip, despite the fact that I can't remember its name, has been pretty good. I thought this week's strip was hillarious -- but I'm 39 and I'm barely barely old enough to remember the "Hey, Kool-aid!" ad campaign. Was there a later resurgeance that I missed out on? Or does nobody under 35 stand a prayer of understanding that joke? Seems like the punch line--so to speak--would have worked a lot better in 1978 than 2008.
Gene Weingarten: Yeah, I barely remembered it. I like this strip, though it is one of the more blatant Far Side ripoffs around.
----------------------
and later in the chat,
The Four To, PS: OK, how about the Mount Rushmore of cartoonists?
I think Walt Kelly and Charles Schultz have to be there, but then it gets harder. I have to go with Watterson next, but then that last spot is very, very tough -- my list of possibles includes Feiffer, Trudeau, Breathed, Larson, Hollander, Adams, and MacGruder, all of whom were groundbreaking in different ways.
Who goes on your mountain?
Gene Weingarten: I take Schulz off the list and put Larson and Trudeau up there, but you won't get that many to agree. I don't think you can take Kelly off the list, but both Larson and Trudeau belong there. I am in the minority in my views on Schulz.
Re: Mount Rushmore of Cartoonists: Which weighs more heavily in your decision on this: artistic or writing talent?
Gene Weingarten: Writing. Though Kelly may have been the best cartoon artist ever.
Larson couldn't draw. He still needs to be there.
--------------------
Palookaville: Hey, Gene, can we have a moment of silence for Ted Key, who died recently at 95? Key created Hazel (the Saturday Evening Post cartoons from which the TV show was spun), Diz and Liz and -- which I hadn't realized -- Sherman and Mr. Peabody. An American giant.
Gene Weingarten: I didn't know he did Sherm and Peabody! And Hazel was good, too. Very dry humor. Hazel, as I recall, was a maid with a dry, cynical sense of humor, who basically controlled the household.
Comi, KS: The current Doonsbury replacement strip, despite the fact that I can't remember its name, has been pretty good. I thought this week's strip was hillarious -- but I'm 39 and I'm barely barely old enough to remember the "Hey, Kool-aid!" ad campaign. Was there a later resurgeance that I missed out on? Or does nobody under 35 stand a prayer of understanding that joke? Seems like the punch line--so to speak--would have worked a lot better in 1978 than 2008.
Gene Weingarten: Yeah, I barely remembered it. I like this strip, though it is one of the more blatant Far Side ripoffs around.
----------------------
and later in the chat,
The Four To, PS: OK, how about the Mount Rushmore of cartoonists?
I think Walt Kelly and Charles Schultz have to be there, but then it gets harder. I have to go with Watterson next, but then that last spot is very, very tough -- my list of possibles includes Feiffer, Trudeau, Breathed, Larson, Hollander, Adams, and MacGruder, all of whom were groundbreaking in different ways.
Who goes on your mountain?
Gene Weingarten: I take Schulz off the list and put Larson and Trudeau up there, but you won't get that many to agree. I don't think you can take Kelly off the list, but both Larson and Trudeau belong there. I am in the minority in my views on Schulz.
Re: Mount Rushmore of Cartoonists: Which weighs more heavily in your decision on this: artistic or writing talent?
Gene Weingarten: Writing. Though Kelly may have been the best cartoon artist ever.
Larson couldn't draw. He still needs to be there.
--------------------
Palookaville: Hey, Gene, can we have a moment of silence for Ted Key, who died recently at 95? Key created Hazel (the Saturday Evening Post cartoons from which the TV show was spun), Diz and Liz and -- which I hadn't realized -- Sherman and Mr. Peabody. An American giant.
Gene Weingarten: I didn't know he did Sherm and Peabody! And Hazel was good, too. Very dry humor. Hazel, as I recall, was a maid with a dry, cynical sense of humor, who basically controlled the household.
Post Hunt cartoonist revealed
In Gene Weingarten's May 13th chat, the question was raised and answered:
Bethesda, Md.: So who drew that Post Hunt logo, with the ruddy-cheeked Metro train and all the D.C. landmarks pointing in different directions? It's really good.
Gene Weingarten: The artist for this and all previous Hunts is a talented man named (I swear) Otis Sweat.
Tom Shroder: And his beautiful wife Barbara. I haven't seen her in years, but I know she's beautiful because Otis is constantly drawing her.
Gene Weingarten: Okay, I am probably going to get in trouble for this, but Otis also does some excellent, hilarious x-rated cartoons, and I once asked him if he used any particular, like, models, for his superior reproduction of various types of human genitalia, and he very specifically refused to say, so really, when you think about it, I am not imparting any useful or titillating information here. At all.
Dave Barry: For the record, Otis has never seen me naked.
OT: New book of interest
My friend Comics-Dr. Gene Kannenberg's new book with Tim Pilcher is out - Erotic Comics: A Graphic History, vol. 1. I bought my copy today at Big Planet Comics, but you can get one by ordering through Gene's website which has more details on it. It's a lovely book, although not for everyone, and I contributed one of the McGill postcards; that was $1 well spent!
International Museum of Cartoon Art (IMCA) Moving to Ohio State University Cartoon Research Library
Here's a press release from OSU Cartoon Research Librarian Jenny Robb with interesting news. I covered the closing of the IMCA in Florida for the Comics Journal and more recently had heard hints from Brian Walker that something like this might happen, so I'm glad it's come to fruition. OSU takes good care of their massive collections, but they'll be expanding their mission with the IMCA's three-dimensional artifacts. I hope that OSU will be able to provide space for regular exhibits beyond their reference room -- Mike
The collection of the International Museum of Cartoon Art (IMCA) is moving to The Ohio State University Cartoon Research Library. The union of these two institutions will create the largest collection of original cartoon art in the world.
IMCA was established in 1973 by Mort Walker, the creative force behind Beetle Bailey, as the first museum dedicated to collecting and exhibiting cartoons. The museum opened in 1974 in a converted mansion in Greenwich, Connecticut. Two years later, the museum relocated to a renovated castle in Rye Brook, New York, where the collection was displayed until 1992. At that time the city of Boca Raton, Florida invited the museum to construct a 52,000 square foot facility as part of an effort to attract cultural institutions to Palm Beach County. The museum was a very popular attraction with highly acclaimed exhibits, events, and functions for the public. It was still paying off the cost of its construction when two of its financial backers went bankrupt creating a $5 million loss and causing the museum to close.
IMCA's collection consists of approximately 200,000 works, including original drawings from all genres of cartoon art (comic strips, comic books, animation, editorial, advertising, sport, caricature, greeting cards, graphic novels, and illustrations), display figures, toys and collectibles, and works on film and tape, CDs, and DVDs.
Lucy Shelton Caswell, professor and curator of the Cartoon Research Library, said, "We are honored that the IMCA's board has placed its treasures in our care." Efforts are underway to provide increased space for the Cartoon Research Library that will include museum-quality galleries. "It is critical that we have state-of-the-art gallery space to display IMCA's collection appropriately," notes Caswell. A gallery in the new facility will be named in honor of IMCA founder Mort Walker.
Joe Branin, Director of The Ohio State University Libraries, issued the following statement: "Special Collections, original manuscripts, photographs, and other rare or unique items so necessary for scholarship, are one of the critical identifiers of any research library. Universities point to their special collections as distinctive points of pride, those things that make their libraries unique. In receiving the collection of the International Museum of Cartoon Art, the Cartoon Research Library has substantially enhanced its standing as one of the premier research libraries. We are excited to make this outstanding collection available for scholarly study and for general appreciation in exhibits and other public programs."
Contact the Cartoon Research Library for an image to accompany this release.
About the Cartoon Research Library: The Cartoon Research Library's primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to these collections. The library is open Monday-Friday 9 a.m. to 5 p.m. See http://cartoons.osu.edu/ for further information.
The collection of the International Museum of Cartoon Art (IMCA) is moving to The Ohio State University Cartoon Research Library. The union of these two institutions will create the largest collection of original cartoon art in the world.
IMCA was established in 1973 by Mort Walker, the creative force behind Beetle Bailey, as the first museum dedicated to collecting and exhibiting cartoons. The museum opened in 1974 in a converted mansion in Greenwich, Connecticut. Two years later, the museum relocated to a renovated castle in Rye Brook, New York, where the collection was displayed until 1992. At that time the city of Boca Raton, Florida invited the museum to construct a 52,000 square foot facility as part of an effort to attract cultural institutions to Palm Beach County. The museum was a very popular attraction with highly acclaimed exhibits, events, and functions for the public. It was still paying off the cost of its construction when two of its financial backers went bankrupt creating a $5 million loss and causing the museum to close.
IMCA's collection consists of approximately 200,000 works, including original drawings from all genres of cartoon art (comic strips, comic books, animation, editorial, advertising, sport, caricature, greeting cards, graphic novels, and illustrations), display figures, toys and collectibles, and works on film and tape, CDs, and DVDs.
Lucy Shelton Caswell, professor and curator of the Cartoon Research Library, said, "We are honored that the IMCA's board has placed its treasures in our care." Efforts are underway to provide increased space for the Cartoon Research Library that will include museum-quality galleries. "It is critical that we have state-of-the-art gallery space to display IMCA's collection appropriately," notes Caswell. A gallery in the new facility will be named in honor of IMCA founder Mort Walker.
Joe Branin, Director of The Ohio State University Libraries, issued the following statement: "Special Collections, original manuscripts, photographs, and other rare or unique items so necessary for scholarship, are one of the critical identifiers of any research library. Universities point to their special collections as distinctive points of pride, those things that make their libraries unique. In receiving the collection of the International Museum of Cartoon Art, the Cartoon Research Library has substantially enhanced its standing as one of the premier research libraries. We are excited to make this outstanding collection available for scholarly study and for general appreciation in exhibits and other public programs."
Contact the Cartoon Research Library for an image to accompany this release.
About the Cartoon Research Library: The Cartoon Research Library's primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to these collections. The library is open Monday-Friday 9 a.m. to 5 p.m. See http://cartoons.osu.edu/ for further information.
Graphic Novel Primer at Takoma Park, MD Library
A press release passed along to us reads:
The Takoma Park Maryland Library has a great upcoming program -- an introduction to graphic novels, with an emphasis on those for kids and teens -- on Tuesday, May 20th at 7:30pm. The library is located at 101 Philadelphia Ave. in Takoma Park, MD.
At the program, Dave Burbank, their library assistant and graphic novel expert, and Karen MacPherson, children's/teen librarian, will offer a primer on this literary form, illustrating their talk with examples of graphic novels for kids, teens, and adults. They will give a brief overview of the history of graphic novels, discuss why they are so popular with children and teens, and show how they can inspire an interest in reading among reluctant readers as well as help develop key literacy skills among all kinds of readers. Participants will take home a reading list of suggested graphic novels for various ages.
Although this program is aimed at parents and other interested adults, school-age kids also are welcome to attend. You can now sign up on-line at their website (www.takomapark.info/library -- click on the word "events," just under the logo) or call 301-891-7259.
The Takoma Park Maryland Library has a great upcoming program -- an introduction to graphic novels, with an emphasis on those for kids and teens -- on Tuesday, May 20th at 7:30pm. The library is located at 101 Philadelphia Ave. in Takoma Park, MD.
At the program, Dave Burbank, their library assistant and graphic novel expert, and Karen MacPherson, children's/teen librarian, will offer a primer on this literary form, illustrating their talk with examples of graphic novels for kids, teens, and adults. They will give a brief overview of the history of graphic novels, discuss why they are so popular with children and teens, and show how they can inspire an interest in reading among reluctant readers as well as help develop key literacy skills among all kinds of readers. Participants will take home a reading list of suggested graphic novels for various ages.
Although this program is aimed at parents and other interested adults, school-age kids also are welcome to attend. You can now sign up on-line at their website (www.takomapark.info/library -- click on the word "events," just under the logo) or call 301-891-7259.
Tuesday, May 13, 2008
OT: Rusty Witek's Spiegelman book
My buddy Rusty Witek could help me out with my Pekar book because he was doing his Art Spiegelman: Conversations which appeared last fall. Here's a review of it: "Books about Comics #2: Spiegelman and Spandex," by Peter Sanderson, PW Comics Week May 13, 2008. I don't think Rusty's the one in the spandex though...
OT: New York Times cartoon journalism wrap-up
Campbell Robertson ended up doing three pieces that the Times chopped up and put on their website as slideshows:
"Primary Pen & Ink: Asheville, N.C.," April 30 2008
"Primary Pen & Ink: Whiteville, N.C.," May 2 2008
"Primary Pen & Ink: Raleigh, N.C.," May 5 2008
These weren't too big and were nice pieces of cartoon journalism - it's too bad the Times couldn't squeeze them into print. Oddly enough, at this point I think the Times has the most mainstream coverage of comic art. Including their animation reviews, it's almost daily.
And thanks to PW Comics Week, here's an interview with him:
"Campbell Robertson, Sometimes Cartoonist; The New York Times does non-fiction, political, comics," by Clint Hendler, Columbia Journalism Review Fri 9 May 2008. And serendipity strikes! Robertson went to school in DC! "I did some cartooning in college. I did some stuff for the college paper, the Georgetown Hoya, but very little. I was an English major, and my thesis—and maybe this reflects badly on Georgetown—was a fiction comic book. But I hear they’re still accredited."
It's ComicsDC territory after all...
Here's the earlier article referenced in the CJR: "Yes, But Where's the Nut Graf? The New York Times does comics -- for a day, at least," By Robin Sloan, November 19 2003 and the first NYT piece on a paparazzo from November 2003.
"Primary Pen & Ink: Asheville, N.C.," April 30 2008
"Primary Pen & Ink: Whiteville, N.C.," May 2 2008
"Primary Pen & Ink: Raleigh, N.C.," May 5 2008
These weren't too big and were nice pieces of cartoon journalism - it's too bad the Times couldn't squeeze them into print. Oddly enough, at this point I think the Times has the most mainstream coverage of comic art. Including their animation reviews, it's almost daily.
And thanks to PW Comics Week, here's an interview with him:
"Campbell Robertson, Sometimes Cartoonist; The New York Times does non-fiction, political, comics," by Clint Hendler, Columbia Journalism Review Fri 9 May 2008. And serendipity strikes! Robertson went to school in DC! "I did some cartooning in college. I did some stuff for the college paper, the Georgetown Hoya, but very little. I was an English major, and my thesis—and maybe this reflects badly on Georgetown—was a fiction comic book. But I hear they’re still accredited."
It's ComicsDC territory after all...
Here's the earlier article referenced in the CJR: "Yes, But Where's the Nut Graf? The New York Times does comics -- for a day, at least," By Robin Sloan, November 19 2003 and the first NYT piece on a paparazzo from November 2003.
Philadelphia's Mike's World
Ok, we're into Mission Creep here, just as Our Man Thompson foretold, yet asked for, but I couldn't pass this one up.
"An Artist’s Concocted World, Starring Himself, Is Too True to Be Real," By KEN JOHNSON, New York Times May 13, 2008.
“Mike’s World: Michael Smith & Joshua White (and other collaborators)” is a terrifically entertaining and philosophically compelling survey, at the Institute of Contemporary Art in Philadelphia, of Mr. Smith’s 30-year career.
And why bring it up, beyond the bond of Mike-ness? "In [Mike Smith's] inventive engagement with diverse forms, including drawing, comic books, sculpture, photography, musical theater and puppet shows as well as installations and video, he has followed a determinedly unpredictable, exploratory course." So there you have it - somewhere in this exhibit, are faux fine art comic books, presumably one of a kind - on display in Philadelphia, through August 3rd.
"An Artist’s Concocted World, Starring Himself, Is Too True to Be Real," By KEN JOHNSON, New York Times May 13, 2008.
“Mike’s World: Michael Smith & Joshua White (and other collaborators)” is a terrifically entertaining and philosophically compelling survey, at the Institute of Contemporary Art in Philadelphia, of Mr. Smith’s 30-year career.
And why bring it up, beyond the bond of Mike-ness? "In [Mike Smith's] inventive engagement with diverse forms, including drawing, comic books, sculpture, photography, musical theater and puppet shows as well as installations and video, he has followed a determinedly unpredictable, exploratory course." So there you have it - somewhere in this exhibit, are faux fine art comic books, presumably one of a kind - on display in Philadelphia, through August 3rd.
OT: Free Moebius history of the Red Cross comic
Moebius' The story of an idea is available on the Red Cross' website as either a pdf download, or you can request a copy (which is sent express from Switzerland!)
Their website describes it as: The story of an idea, is an exciting new publication which brings to life the story of the birth of the Red Cross, Red Crescent Movement and its history to date. This comic strip was created by the world renowned artist Jean Giraud, alias Moebius.
ICRC/International Federation of the Red Cross, 2008, A4, comic strip, 10 pp., English, French, Spanish / Free of charge / ref. 0939
It includes the history and meaning of the Geneva Conventions - always a useful thing to have in Washington!
Politico cartoonist Wuerker on Oliphant exhibit
The Politico's editorial cartoonist Matt Wuerker has got an excellent review of the Pat Oliphant show in Woodley Park in today's paper. It runs two pages with color photographs. Those not in DC can see it on the web at "Political Ink: Oliphant shares cartoons," by Matt Wuerker, Politico May 12, 2008.
OT: Where in the world is Dean Haspiel?
My New York buddy Dean Haspiel, who suggested me for the Harvey Pekar SPX panel interview that led to the Conversations book, is keeping busy. Here's a note from him listing his projects:
1] my webcomic, BILLY DOGMA in "Immortal," got nominated for an Eisner award for 'best digital comic'. Link to IMMORTAL: http://www.act-i-vate.com/21.comic [Mike's note - this is available in print now as well]
2] I finished THE ALCOHOLIC, the original graphic novel I illustrated in collaboration with writer, Jonathan Ames, for Vertigo/DC Comics, which is slated to come out in September. I'll be doing lots of press for that book soon. Here's a recent article from PWCW: http://www.publishersweekly.com/article/CA6557737.html?nid=2789
3] MO & JO: FIGHTING TOGETHER FOREVER, my kids book collaboration with underground comix legend/writer Jay Lynch, will also be coming out in September from Francoise Mouly's Toon Books [Raw Jr.]: http://www.toon-books.com/book_mojo_about.php
4] DC Comics' webcomix wing, Zuda, just announced STREET CODE, the new series I'm writing/drawing for them come early summer: http://www.zudacomics.com/street_code
5] ACT-I-VATE, the webcomix collective I founded [and where I do BILLY DOGMA], finally launched an official website after two years utilizing Live Journal: http://www.act-i-vate.com/. Check out, FEAR, MY DEAR: http://www.act-i-vate.com/22.comic
6] I launched a webcomix anthology that I'm also editing called NEXT-DOOR NEIGHBOR at Smith Magazine: http://www.smithmag.net/nextdoorneighbor/
7] I just finished drawing some more AMERICAN SPLENDOR stories for Harvey Pekar [at Vertigo].
8] BEFORE I DIE I WANT TO... http://man-size.livejournal.com/333109.html
As always, interested folks should regularly check my blog: http://man-size.livejournal.com/ for alerts and news and occasional, actual real-life blogging!
OT: Would you pay a half of a million dollars for Green Lantern?
The New York Times had an ad last week for an auction at Bonhams for Mel Ramos' 1962 painting The Green Lantern with a pre-sale estimate of $600-800K. Obviously influenced by Gil Kane, the painting sold today for $500,000. Bonhams site has more details including the painting's history.
Washington Examiner starts Sunday edition
The Examiner sent out an email today saying "is launching a new home-delivered Sunday edition. The Examiner is also doubling the newspapers we distribute weekdays through our street agents and our news racks to upwards of 100,000 copies. I hope you are as excited as we are! Look for your home-delivered Sunday edition to start arriving July 13." The Washington Times had mentioned the Sunday edition last week, but also said that fewer copies would be delivered during the week, and the Saturday edition was being dropped.
Apropos of our purposes, I have no idea if they will have a Sunday comics section. They dropped all of their daily comic strips months ago, although editorial cartoonist Nate Beeler is doing nice work for them when he's not busy having babies.
Apropos of our purposes, I have no idea if they will have a Sunday comics section. They dropped all of their daily comic strips months ago, although editorial cartoonist Nate Beeler is doing nice work for them when he's not busy having babies.
Monday, May 12, 2008
Vexille review apropos of May 29th DC showing
Here's the information on the DC Anime Club-sponsored showing again, and here's a review: "Robotic future", By ELIZABETH TAI, Malaysia Star Sunday May 11, 2008. A Japan that turns reclusive after a technological ban by the world sets the background for this futuristic tale.
KAL photos from Archives
Bruce Guthrie, amateur paparazzi extraodinaire, has put a ton of shots of Kal's talk at the National Archives online.
Sunday, May 11, 2008
Former DC resident Brad Meltzer writing for DC
See Matt Brady's "BACK TO COMICS: BRAD MELTZER," Newsarama 05-09-2008.
And since Brady mentioned Brad's loss of his mother as being public knowledge, we send our condolences as well.
And since Brady mentioned Brad's loss of his mother as being public knowledge, we send our condolences as well.
3 other cartoonists in Sunday's NYTimes
David Chelsea illustrated the Modern Love column as he's been doing for several years.
Emily Flake illustrated an editorial.
A book review shows how comics are seeping into children's books - "Cracking the Comics Code," By LARRY DOYLE, New York Times Book Review May 11, 2008 on SIMON’S DREAM: The Fog Mound, Book 3, By Susan Schade, Illustrated by Jon Buller. 198 pp., Simon & Schuster Books for Young Readers.
And best of all is "Remembering Nana on Mother’s Day," by Jillian Tamaki and Mariko Tamaki.
Zadzooks - more on Iron Man merchandise
"Iron Man gamely plays against Stark weaponry," By Joseph Szadkowski, Washington Times May 10, 2008.
Lynda Barry in NY Times
Lynda Barry's got a new book out, What It Is. I've just called Big Planet to have set aside for me as Rick Banning just told me it was out. I met her last year at the PEN event and she was absolutely fascinating to talk to about her working style and subject matter. Here's a NY Times story on her: "How to Think Like a Surreal Cartoonist," By CAROL KINO, New York Times May 11, 2008.
May 29: Vexille anime screening
FOR IMMEDIATE RELEASE
CONTACT: Chris Wanamaker, (202) 262 2083 president@dcanimeclub.org
Vexille to be screened at the Japan Information and Culture Center, Embassy of Japan.
The Japan Information and Culture Center, Embassy of Japan in collaboration with the DC Anime Club Present screen Vexille Thursday May 29,2008 6:30 pm as part of inaugural showing for a new film series based on both Anime (Japanese Animation) and Manga ( Japanese Comics).
About Vexille: 2067: Isolation - Japan seals herself off from the eyes of the world in the face of unilateral international policy setting strict limits on the use of robotic technology. The island nation exists only behind a veil of seclusion. No soul shall enter. No soul shall leave.
2077: Revelation - The veil is breached. Japan is infiltrated by agents of the organization S.W.O.R.D., a fighting force operating outside of the protection of the United States and her allies. Their mission: Determine if the Japanese are developing banned robotic bio-technology, forbidden due to its threat to humankind.
In the battle between machine and man, humanity stands to suffer most.
Directed by Fumihiko Sori (PING PONG, Producer - APPLESEED
In Japanese with English Subtitles 90 minutes.
This event is free and open to the public. Reservations are required.
RSVP to jiccrsvpspring08@embjapan.org.
Seating is limited and granted on a first come, first served basis.
For more information please visit the Japanese Information and Culture Center website at http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at
http://dcanimeclub.org.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of
information, educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.
Saturday, May 10, 2008
It's not DC, but any interest in NYT stories?
I read a lot of newspapers each day. The physical ones. In addition to the Washington Post, I read the Express and the Examiner every day, the Washington Blade and the City Paper once a week, the Politico when I can pick one up and whatever else I find in the city. However I also get the New York Times every day. Any interest in stories from that? They've gotten to the point where they've been running something on comics and cartoons about every day. Let me know in the comments section.
Today's example:
New York Times May 10, 2008
Return Laps for the First Voice of Speed Racer
By GEORGE GENE GUSTINES
Today's example:
New York Times May 10, 2008
Return Laps for the First Voice of Speed Racer
By GEORGE GENE GUSTINES
Telnaes animation continues on Post website
Just a reminder that other cartoonists in the area besides KAL are doing regular animation.
That darn Toles
Another letter to the editor...
Bush Was Right
Washington Post May 10 2008, p. A13
Does Tom Toles know what a recession is? His May 1 cartoon depicted President Bush denying the existence of a recession.
The president is correct. Economists' definition of recession is two consecutive quarters of negative growth. Our economy has not even come close to that.
It would behoove Toles and the media to stop using terms irresponsibly.
-- David Sherer
Bush Was Right
Washington Post May 10 2008, p. A13
Does Tom Toles know what a recession is? His May 1 cartoon depicted President Bush denying the existence of a recession.
The president is correct. Economists' definition of recession is two consecutive quarters of negative growth. Our economy has not even come close to that.
It would behoove Toles and the media to stop using terms irresponsibly.
-- David Sherer
QUICK REVIEWS FOR COMICS DUE 05-14-08
Click here for sweet cover art:
http://www.johnjudy.net/blog/
QUICK REVIEWS FOR COMICS DUE 05-14-08
By John Judy
ALL-NEW IRON MANUAL #1 by Eliot Brown and Various Writers. Everything you ever wanted to know about Tony Stark and his suits of armor, right down to the schematics! Kids, don’t try this at home!
AMAZING SPIDER-MAN #559 by Dan Slott and Marcos Martin. The always-readable Mr. Slott is back in the spider-rotation so this issue is filled with action and jokes that actually work. Add to that an artist who appears to have studied his Darwyn Cooke and you’ve got a very respectable issue, despite the whole Spidey re-boot being more aggravation than renovation. Recommended anyway.
BATMAN #676 by Grant Morrison and Tony Daniel. “Batman R.I.P.” begins here. I believe it stands for “Rolling In Profit.”
BOOSTER GOLD #9 by Geoff Johns, Jeff Katz, and Dan Jurgens. The return of the Justice League International! Too bad Kevin Maguire couldn’t guest-pencil. So awesome you almost don’t mind the OMACs. Stupid OMACs…
CAPTAIN BRITAIN AND MI: 13 #1 by Paul Cornell and Leonard Kirk. How do Limeys fight the Skrulls? With a stiff upper lip, boiled food, and bad dentistry! “Surrender, you rotters or we’ll thrash you with pictures of Princess Diana!” Pip-pip!
FINAL CRISIS SKETCHBOOK by Grant Morrison and J.G. Jones. A peek into what’s coming. Potentially very cool. Worth a look.
GOON #24 written and drawn by Eric Powell. In which we learn how Horse Eater’s Woods got its name. Amazing stuff. Recommended.
NEWUNIVERSAL: SHOCKFRONT #1 of 6 by Warren Ellis and Steve Kurth. Admit it, you forgot Warren Ellis was still working on the New Universe, didn’t you? It’s okay. So did he. Anyway, it’s coming out again and Ellis is writing it. Recommended.
PROJECT SUPERPOWERS #3 of 7 by Alex Ross, Jim Kreuger, and Carlos Paul. Like Straczynski and Weston’s “The Twelve” without all that pesky story and character development.
PUNISHER #57 by Garth Ennis and Goran Parlov. As of last issue the Punisher knew he was up against U.S. Special Forces. Now we find out if they know what they’re up against. Recommended. Not for kids.
SERENITY: BETTER DAYS #3 of 3 by Joss Whedon, Bret Matthews, and Will Conrad. Mal’s getting’ tortured. Again. Stupid Fox TV.
SUPERMAN #676 by Vito Delsante and Julian Lopez. The first encounter/fight between Supes and the original Green Lantern, Alan Scott. Features an Alex Ross cover. A gotta-look for geeks like me.
THUNDERBOLTS #120 by Warren Ellis and Mike Deodato. The Green Goblin works out some of his frustrations with the help, courtesy of that nice Mr. Ellis. Recommended for older teens and up.
THE TWELVE #5 of 12 by J. Michael Straczynski and Chris Weston. (See “Project Superpowers” above. On second thought, don’t.) “The Origin of The Witness.” Highly recommended.
WACKY PACKAGES HC by Topps. A tribute to the product parody stickers that outsold baseball cards for a while back in the seventies. Featuring an interview with artist/fan/legend Art Spiegelman. Recommended.
WALKING DEAD #49 by Robert Kirkman and Charles Adlard. In the aftermath of the prison massacre “everything is different now.” Great, devastating stuff. Recommended. NEVER for kids.
WOLVERINE #65 by Jason Aaron and Ron Garney. The conclusion to the best Wolverine story in many a moon as Logan finally catches up to Mystique. Hijinks ensue. Highly recommended.
WOLVERINE: THE AMAZING IMMORTAL MAN & OTHER BLOODY TALES #1 by David Lapham, Kelly Goodine, and Johnny Timmons. Three stories of Marvel’s most ubiquitous mutant, featuring occasional gouts of dialogue!
WONDER WOMAN #20 by Gail Simone and Aaron Lopresti. Wonder Woman meets an ancient hero and it ain’t John McCain!
X-MEN LEGACY #211 by Mike Carey and Scot Eaton. Professor X delves into his own past in an effort to reconstruct his memory. Think “Memento” without all the ink.
YOUNG LIARS #3 written and drawn by David Lapham. Out of control Laphamesque mayhem. For all of us who miss “Stray Bullets!” Recommended.
www.johnjudy.net
http://www.johnjudy.net/blog/
QUICK REVIEWS FOR COMICS DUE 05-14-08
By John Judy
ALL-NEW IRON MANUAL #1 by Eliot Brown and Various Writers. Everything you ever wanted to know about Tony Stark and his suits of armor, right down to the schematics! Kids, don’t try this at home!
AMAZING SPIDER-MAN #559 by Dan Slott and Marcos Martin. The always-readable Mr. Slott is back in the spider-rotation so this issue is filled with action and jokes that actually work. Add to that an artist who appears to have studied his Darwyn Cooke and you’ve got a very respectable issue, despite the whole Spidey re-boot being more aggravation than renovation. Recommended anyway.
BATMAN #676 by Grant Morrison and Tony Daniel. “Batman R.I.P.” begins here. I believe it stands for “Rolling In Profit.”
BOOSTER GOLD #9 by Geoff Johns, Jeff Katz, and Dan Jurgens. The return of the Justice League International! Too bad Kevin Maguire couldn’t guest-pencil. So awesome you almost don’t mind the OMACs. Stupid OMACs…
CAPTAIN BRITAIN AND MI: 13 #1 by Paul Cornell and Leonard Kirk. How do Limeys fight the Skrulls? With a stiff upper lip, boiled food, and bad dentistry! “Surrender, you rotters or we’ll thrash you with pictures of Princess Diana!” Pip-pip!
FINAL CRISIS SKETCHBOOK by Grant Morrison and J.G. Jones. A peek into what’s coming. Potentially very cool. Worth a look.
GOON #24 written and drawn by Eric Powell. In which we learn how Horse Eater’s Woods got its name. Amazing stuff. Recommended.
NEWUNIVERSAL: SHOCKFRONT #1 of 6 by Warren Ellis and Steve Kurth. Admit it, you forgot Warren Ellis was still working on the New Universe, didn’t you? It’s okay. So did he. Anyway, it’s coming out again and Ellis is writing it. Recommended.
PROJECT SUPERPOWERS #3 of 7 by Alex Ross, Jim Kreuger, and Carlos Paul. Like Straczynski and Weston’s “The Twelve” without all that pesky story and character development.
PUNISHER #57 by Garth Ennis and Goran Parlov. As of last issue the Punisher knew he was up against U.S. Special Forces. Now we find out if they know what they’re up against. Recommended. Not for kids.
SERENITY: BETTER DAYS #3 of 3 by Joss Whedon, Bret Matthews, and Will Conrad. Mal’s getting’ tortured. Again. Stupid Fox TV.
SUPERMAN #676 by Vito Delsante and Julian Lopez. The first encounter/fight between Supes and the original Green Lantern, Alan Scott. Features an Alex Ross cover. A gotta-look for geeks like me.
THUNDERBOLTS #120 by Warren Ellis and Mike Deodato. The Green Goblin works out some of his frustrations with the help, courtesy of that nice Mr. Ellis. Recommended for older teens and up.
THE TWELVE #5 of 12 by J. Michael Straczynski and Chris Weston. (See “Project Superpowers” above. On second thought, don’t.) “The Origin of The Witness.” Highly recommended.
WACKY PACKAGES HC by Topps. A tribute to the product parody stickers that outsold baseball cards for a while back in the seventies. Featuring an interview with artist/fan/legend Art Spiegelman. Recommended.
WALKING DEAD #49 by Robert Kirkman and Charles Adlard. In the aftermath of the prison massacre “everything is different now.” Great, devastating stuff. Recommended. NEVER for kids.
WOLVERINE #65 by Jason Aaron and Ron Garney. The conclusion to the best Wolverine story in many a moon as Logan finally catches up to Mystique. Hijinks ensue. Highly recommended.
WOLVERINE: THE AMAZING IMMORTAL MAN & OTHER BLOODY TALES #1 by David Lapham, Kelly Goodine, and Johnny Timmons. Three stories of Marvel’s most ubiquitous mutant, featuring occasional gouts of dialogue!
WONDER WOMAN #20 by Gail Simone and Aaron Lopresti. Wonder Woman meets an ancient hero and it ain’t John McCain!
X-MEN LEGACY #211 by Mike Carey and Scot Eaton. Professor X delves into his own past in an effort to reconstruct his memory. Think “Memento” without all the ink.
YOUNG LIARS #3 written and drawn by David Lapham. Out of control Laphamesque mayhem. For all of us who miss “Stray Bullets!” Recommended.
www.johnjudy.net
Tara McPherson Coming to Town
Tara McPherson (Fables: 1001 Nights of Snowfall) will be in DC with her band, New York Times, on Saturday, May 10th at The Velvet Lounge with Koko and Nerd Parade. Doors 9pm/Show 10pm/21+/$8.
Not exactly a comics event, but kindasorta...
Not exactly a comics event, but kindasorta...
Friday, May 09, 2008
Jason Rodriguez interviewed by The Pulse
Arlington's own comic writer and editor Jason Rodriguez is featured in a new online interview - "For Your Consideration: Postcards: True Stories that Never Happened," By Chris Beckett, Comicon's The Pulse May 8 2008.
...my life would be easier if you guys would just email me about these things... really, not all self-promotion is a bad thing...
...my life would be easier if you guys would just email me about these things... really, not all self-promotion is a bad thing...
Wash Post on Met's superhero costume exhibit
See "Do the Clothes Make the (Super)Man?," By Robin Givhan, Washington Post Staff Writer, Sunday, May 11, 2008; Page M08.
Wash Post doesn't like Speed Racer...
...although to be fair, so far none of the reviews I've seen have liked it. Here's the Post's - "'Speed Racer' Is Stuck on A Fast Track To Nowhere," By Ann Hornaday, Washington Post Staff Writer, Friday, May 9, 2008; Page C01.
America's first political cartoon appeared today
According to the Associated Press's Today in History, Ben Franklin's 1754 cartoon of the thirteen colonies as a cut-apart snake appeared with the caption "Join or Die" appeared today in his newspaper, the Pennsylvania Gazette. Why are mention it here? There's an original on display in Baltimore in Geppi's Entertainment Museum. It's tiny, but cool. If you don't live around here, an easy place to see it was in the intro credits to HBO's John Adams miniseries. Special update: Also Richard Thompson redrew it and posted it on his blog.
Speaking of Geppi's, curator Arnold Blumberg and Geppi both appeared in the Free Comic Book Day Jughead issue from Archie. The whole comic is set in the museum.
Speaking of Geppi's, curator Arnold Blumberg and Geppi both appeared in the Free Comic Book Day Jughead issue from Archie. The whole comic is set in the museum.
Cartoonists Join Third Annual "Science Idol"
The following press release was received in the opulent ComicsDC offices at the suggestion of KAL...
May 9, 2008
UCS MEDIA ALERT
CONTACT: Meghan Crosby, 202-331-6943
UNION OF CONCERNED SCIENTISTS ANNOUNCES THIRD ANNUAL "SCIENCE IDOL" CARTOON CONTEST
WASHINGTON (May 9, 2008) - Six of America's top cartoonists arejoining the Union of Concerned Scientists (UCS) to kick off theorganization's third annual "Science Idol" scientific integrity cartoon contest to draw humorous attention to a very serious issue: political interference in science.
The judges for this year's contest include cartoonists featured in someof the nation's leading news publications including "Speed Bump"creator Dave Coverly, Kevin Kallaugher of The Economist, "Non-Sequitur"creator Wiley Miller, Mike Keefe of the Denver Post, Signe Wilkinson of the Philadelphia Daily News, and graphic designer Jesse Springer, winner of last year's contest.
Amateur and professional artists are welcome to submit cartoons that address the abuse of science in general or highlight one or more of the ways in which science has been misused; the consequences of political interference in science; or solutions to restore scientific integrity to federal policy making. The deadline for submissions is June 11. For contest rules and submission guidelines, go to: www.ucsusa.org/scienceidol.
"The absurdity of political interference in science is fertile ground for satire," said Michael Halpern, program manager of the UCS Scientific Integrity Program. "We're sure the creativity of cartoonists can match the wiliness of those politicizing science and help us tell this story."
The judges along with UCS staff will narrow the pool to 12 finalists and post the cartoons on the UCS Web site July 10. Over the following four weeks, the public will be able to vote for the grand prize winner, who will receive $500 and an all-expenses-paid trip to Washington, D.C. The 12 finalists' cartoons will also appear in a 2009 calendar, with the grand prize winner's cartoon featured on the cover.
For information on political interference in science, go to www.ucsusa.org/scientific_integrity/.
###
The Union of Concerned Scientists is the leading science-based nonprofit organization working for a healthy environment and a safer world. Founded in 1969, UCS is headquartered in Cambridge, Massachusetts, and has offices in Berkeley, California, and Washington, D.C. For more information, go to http://www.ucsusa.org/.
May 9, 2008
UCS MEDIA ALERT
CONTACT: Meghan Crosby, 202-331-6943
UNION OF CONCERNED SCIENTISTS ANNOUNCES THIRD ANNUAL "SCIENCE IDOL" CARTOON CONTEST
WASHINGTON (May 9, 2008) - Six of America's top cartoonists arejoining the Union of Concerned Scientists (UCS) to kick off theorganization's third annual "Science Idol" scientific integrity cartoon contest to draw humorous attention to a very serious issue: political interference in science.
The judges for this year's contest include cartoonists featured in someof the nation's leading news publications including "Speed Bump"creator Dave Coverly, Kevin Kallaugher of The Economist, "Non-Sequitur"creator Wiley Miller, Mike Keefe of the Denver Post, Signe Wilkinson of the Philadelphia Daily News, and graphic designer Jesse Springer, winner of last year's contest.
Amateur and professional artists are welcome to submit cartoons that address the abuse of science in general or highlight one or more of the ways in which science has been misused; the consequences of political interference in science; or solutions to restore scientific integrity to federal policy making. The deadline for submissions is June 11. For contest rules and submission guidelines, go to: www.ucsusa.org/scienceidol.
"The absurdity of political interference in science is fertile ground for satire," said Michael Halpern, program manager of the UCS Scientific Integrity Program. "We're sure the creativity of cartoonists can match the wiliness of those politicizing science and help us tell this story."
The judges along with UCS staff will narrow the pool to 12 finalists and post the cartoons on the UCS Web site July 10. Over the following four weeks, the public will be able to vote for the grand prize winner, who will receive $500 and an all-expenses-paid trip to Washington, D.C. The 12 finalists' cartoons will also appear in a 2009 calendar, with the grand prize winner's cartoon featured on the cover.
For information on political interference in science, go to www.ucsusa.org/scientific_integrity/.
###
The Union of Concerned Scientists is the leading science-based nonprofit organization working for a healthy environment and a safer world. Founded in 1969, UCS is headquartered in Cambridge, Massachusetts, and has offices in Berkeley, California, and Washington, D.C. For more information, go to http://www.ucsusa.org/.
Thursday, May 08, 2008
KAL at NARA
Kevin "KAL" Kallaugher spoke at the National Archives tonight for an hour and a half. Kal's always a great entertainer. While I've seen him before, I always enjoy watching him. Tonight he began with his singing nun drawing (see below), went through a selection of Baltimore Sun and Economist cartoons, showed an animated video he did for a UK newspaper over twenty years ago and then went on to talk about his new animation work. He does animation by sculpting a politician's caricature, scanning that and then animating it with motion capture technology. He showed us his newest video animation of Obama, Clinton and GW Bush and I'll try to figure out how to embed it here. In the meantime, here's some photos.
KAL reproducing his very first childhood drawing of the singing nun for the audience at the National Archives. Look how fast he draws! His arm's a blur!
Off to sign books for the crowd.
KAL reproducing his very first childhood drawing of the singing nun for the audience at the National Archives. Look how fast he draws! His arm's a blur!
Off to sign books for the crowd.
Blood Type for Manga Creators?
Mike and I were IMing tonight, and I asked him if he knew why manga creators published their blood type. He didn't know and suggested I post to the blog, so here it is.
Just peruse any of the manga creators on animenewsnetwork.com for example (i.e. http://www.animenewsnetwork.com/encyclopedia/people.php?id=32616 which I just picked at random). This site is full of this type of detail. I mean, I know it's a valuable piece of information to know about oneself (I should find out my own), but why do these creators post this data? It's on some of their personal web pages as well.
Anyone?
Just peruse any of the manga creators on animenewsnetwork.com for example (i.e. http://www.animenewsnetwork.com/encyclopedia/people.php?id=32616 which I just picked at random). This site is full of this type of detail. I mean, I know it's a valuable piece of information to know about oneself (I should find out my own), but why do these creators post this data? It's on some of their personal web pages as well.
Anyone?
Cul de Sac: The BOOK
Richard, having run his own blog for months now, no longer feeds me tidbits so I have to read about Cul de Sac: The BOOK on the Comics Reporter. I'm not bitter though, no sirree bob. I saw KAL tonight while Our Man Thompson was working. HAH!
And you can preorder it at Amazon. You can't do that for Harvey Pekar: Conversations, but they tell me it will be out in October.
And you can preorder it at Amazon. You can't do that for Harvey Pekar: Conversations, but they tell me it will be out in October.
Wednesday, May 07, 2008
Quick bits from Express and Examiner
It's probably getting late to track one down, but the Express ran a wire story on the new Batman movie today, and a short excerpt of some of the better questions from the Post.com Quesada chat from yesterday.
Nate Beeler had a nice cartoon in the Examiner - the baby's not keeping him completely away from the drawing board apparently.
Nate Beeler had a nice cartoon in the Examiner - the baby's not keeping him completely away from the drawing board apparently.
Illustrators Club exhibit opens
I've been remiss in not posting about the Illustrators Club which includes cartoonists among its members. A new exhibit from the Club opens tomorrow. Check out their website - lots of neat people are members. I'd especially recommend the tour of the Kelly Collection on May 15th too.
May 8: KAL at National Archives REPOST
I'm going to try to be there... feel free say hello.
Thursday, May 8, at 7 p.m.
William G. McGowan Theater, National Archives, 9th and Pennsylvania Ave, NW
An Evening with Kevin "KAL" Kallaugher: Moving Political Cartoons from Page to Screen
Tonight, Berryman Award–winning editorial cartoonist Kevin "KAL" Kallaugher will present an illustrated lecture tracing the evolution of political cartoons from two-dimensional print to 3D animation. Kallaugher's work for the Baltimore Sun and the Economist has appeared in more than 100 publications worldwide. In 2007 he launched Kaltoons LLC, which pioneered the development of animated, 3D digital caricatures. Kaltoons' first video, Dancin' Dubya, was released on the web in August 2007. A signing of his latest collection of cartoons, KAL Draws Criticism, published in June 2006, will follow the program.
Thursday, May 8, at 7 p.m.
William G. McGowan Theater, National Archives, 9th and Pennsylvania Ave, NW
An Evening with Kevin "KAL" Kallaugher: Moving Political Cartoons from Page to Screen
Tonight, Berryman Award–winning editorial cartoonist Kevin "KAL" Kallaugher will present an illustrated lecture tracing the evolution of political cartoons from two-dimensional print to 3D animation. Kallaugher's work for the Baltimore Sun and the Economist has appeared in more than 100 publications worldwide. In 2007 he launched Kaltoons LLC, which pioneered the development of animated, 3D digital caricatures. Kaltoons' first video, Dancin' Dubya, was released on the web in August 2007. A signing of his latest collection of cartoons, KAL Draws Criticism, published in June 2006, will follow the program.
Pat McGeehan's Crummy Cakes
Pat McGeehan used to work at National Geographic and stopped by there earlier this week, mentioning his comic strip, Crummy Cakes and its website. Another DC cartoonist comes out of the woodwork...
Honorary Washingtonian Von Allan has a show
One of this blog's earliest posts was information from Von Allan about samples of his graphic novel that he planned on having at the Small Press Expo. Here's a press release about a new show of his art in Canada... almost DC if you squint at the little maps in the lower right corner of this blog...
The Art of Von Allan at Ottawa's Ristorante La Dolce Vita
NewswireToday - /newswire/ - Ottawa, Ontario, Canada, 05/06/2008 - Von Allan, an Ottawa-based artist and graphic novelist, will have an art show at La Dolce Vita.
Art, in all of its myriad forms, fires our imagination. By presenting ideas to the viewer in the form of line, tone and colour, the artist can become a dream-maker. These often take the form of stories, either told in a single, breathtaking image or shown sequentially over a number of drawings or paintings. Triptychs are one example of the latter. Another example, long dismissed as either juvenile or pop art, is the graphic novel – comic books that have grown up. Von Allan, an Ottawa-based artist and graphic novelist, will show why this form of art speaks to him with an art show at La Dolce Vita beginning on May 19, 2008.
“Graphic novels, with their ability to express a broad range of thoughts and ideas, are an art form that stimulates the imagination by their very nature,” says Allan. “For me, personally, the combination of words and images is a delight. Seeing a figure materialize on a piece of Bristol board just with a pencil and brush is magic. Seeing a reader then interact with that figure, proving the reality of their twodimensional world, makes that figure something more. It is exactly in that space, that ‘something more,’ where dreams come alive. It is amazing what a little line of ink on a small piece of paper can do.”
The Art of Von Allan will feature a number of illustrations and paintings that Allan has completed over the past few months. In addition, a number of pages from "the road to god knows..," an original graphic novel, will also be featured. The graphic novel tells the story of Marie, a young teenage girl coming to grips with her Mom’s schizophrenia. As a result, she’s struggling to grow up fast; wrestling with poverty, loneliness, and her Mom’s illness every step of the way. Betty, Marie’s Mom, can’t help; she’s living with an illness that’s slowly getting worse and increasingly frightening. With her Mom absorbed in her own problems, Marie is essentially alone while she learns to deal with the chaos in her young life.
"The road to god knows…" is expected to be printed in 2008 and has an ISBN of 978-0-9781237-0-3. It is currently being serialized online at webcomics collective GirlAMatic.com
About Von Allan
Von Allan (vonallan.com) was born red-headed and freckled in Arnprior, Ontario, just in time for "Star Wars: A New Hope." He managed Perfect Books, an independent bookstore in Ottawa, for many years while working on story ideas in his spare time; eventually, he decided to make the leap to a creative life, and "the road to god knows…" was the result. Additional information about the graphic novel can be found online.
About La Dolce Vita
Visit the Mediterranean and you'll quickly become a fan of the great food, great wine and joie de vivre of the people there. La Dolce Vita staff make it their business to bring that joy - that appreciation of fine food and conversation - to the Capital. The restaurant's gourmet pizzas are justly famous, combining decadent ingredients to tempt the palate and the eye.
The Art of Von Allan at Ottawa's Ristorante La Dolce Vita
NewswireToday - /newswire/ - Ottawa, Ontario, Canada, 05/06/2008 - Von Allan, an Ottawa-based artist and graphic novelist, will have an art show at La Dolce Vita.
Art, in all of its myriad forms, fires our imagination. By presenting ideas to the viewer in the form of line, tone and colour, the artist can become a dream-maker. These often take the form of stories, either told in a single, breathtaking image or shown sequentially over a number of drawings or paintings. Triptychs are one example of the latter. Another example, long dismissed as either juvenile or pop art, is the graphic novel – comic books that have grown up. Von Allan, an Ottawa-based artist and graphic novelist, will show why this form of art speaks to him with an art show at La Dolce Vita beginning on May 19, 2008.
“Graphic novels, with their ability to express a broad range of thoughts and ideas, are an art form that stimulates the imagination by their very nature,” says Allan. “For me, personally, the combination of words and images is a delight. Seeing a figure materialize on a piece of Bristol board just with a pencil and brush is magic. Seeing a reader then interact with that figure, proving the reality of their twodimensional world, makes that figure something more. It is exactly in that space, that ‘something more,’ where dreams come alive. It is amazing what a little line of ink on a small piece of paper can do.”
The Art of Von Allan will feature a number of illustrations and paintings that Allan has completed over the past few months. In addition, a number of pages from "the road to god knows..," an original graphic novel, will also be featured. The graphic novel tells the story of Marie, a young teenage girl coming to grips with her Mom’s schizophrenia. As a result, she’s struggling to grow up fast; wrestling with poverty, loneliness, and her Mom’s illness every step of the way. Betty, Marie’s Mom, can’t help; she’s living with an illness that’s slowly getting worse and increasingly frightening. With her Mom absorbed in her own problems, Marie is essentially alone while she learns to deal with the chaos in her young life.
"The road to god knows…" is expected to be printed in 2008 and has an ISBN of 978-0-9781237-0-3. It is currently being serialized online at webcomics collective GirlAMatic.com
About Von Allan
Von Allan (vonallan.com) was born red-headed and freckled in Arnprior, Ontario, just in time for "Star Wars: A New Hope." He managed Perfect Books, an independent bookstore in Ottawa, for many years while working on story ideas in his spare time; eventually, he decided to make the leap to a creative life, and "the road to god knows…" was the result. Additional information about the graphic novel can be found online.
About La Dolce Vita
Visit the Mediterranean and you'll quickly become a fan of the great food, great wine and joie de vivre of the people there. La Dolce Vita staff make it their business to bring that joy - that appreciation of fine food and conversation - to the Capital. The restaurant's gourmet pizzas are justly famous, combining decadent ingredients to tempt the palate and the eye.
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