Feiffer covers Blume

I noticed in Aladdin's Lamp bookstore, the children's bookstore in Arlington, that Jules Feiffer has done a cover for a Judy Blume book. So I got a shot of the standup and also one of the graphic novel shelf in the bookstore. There was some atypical stuff there including Boyd's Chester the Crab's Comix with Content and a couple of manga Shakespeare books which I bought.

I'm going to call this one a Secret History of Comics as I doubt that most Feiffer collectors know about it.

Wash Post does us another favor - Stop already!

Today's Zits was shrunk so the Post could inform us that it's shrinking the comics section as a favor to us. The following isn't online so I've typed it all (emphasis beyond the title is mine):

To Our Readers:

The Sunday comics will look a little different beginning next week. A new page design will allow us to combine the two comics sections into one convenient section with nearly all of our extensive offering of comics, puzzles and features.

To accommodate the more compact layout, "The Wizard of Id" strip and the "Hints From Heloise" column will no longer appear in the comics section, and the size of several of our larger comics as well as the Samurai Sudoku puzzle will be slightly reduced. Heloise can still be found in the Tuesday Style section, and "The Wizard of Id" appears on washingtonpost.com daily, including Sunday.

All of the other Sunday comics and features will remain, including the Mini Page, although some will be located on a different page than you're used to. We hope you'll find the combined section easier to navigate. We welcome your feedback. Write: Comics Editor, 1150 15th St. NW, Washington, DC 20071; email comics@washpost.com or call 202-334-4775.

So, if I'm reading this correctly, for our convenience, they've reduced the section, dropped Wizard of Id, and shrunk the rest. I don't understand why they just couldn't move the puzzles to say... the Magazine Section... and leave the comics, but that's why I'm just a blogger. Also, I don't really understand why editors think that actually offering you less in the paper you pay for will make you more inclined to buy one. Perhaps someone can explain this to me?

What a great week for comics in DC! As with Rob Ullman's situation, I'll be sending a letter to the Post, suggesting that Less is not actually More and that 1984 is well in the past. And it appears that Cul de Sac will not be moving to the Sunday section either, and presumably not appearing during the week.

Clarendon Barnes & Nobles comics specials and manga pictures

The Barnes & Nobles in Clarendon has some remaindered books of interest:

Stan Lee's Amazing Marvel Universe by Roy Thomas, with audio commentary by Stan Lee - $7.98

Superman Sunday Classics 1939-1943 hardcover - $6.98

Misunderestimated and Overunderappreciated - George W. Bush editorial cartoons - $9.98

Pictures of the manga section follow.

OT: DC needs one last Spirit section

From Bob Andelman's Mr. Media list (which is very interesting - Bob interviews cartoonists and other media people weekly). And I've bought all of The Spirit Archives - DC's done a great job with them and the material is first rate as one would expect from Will Eisner.

I don't know if you're a collector of the original printed SPIRIT newspaper sections, but on the chance that you might be, I wanted to ask if you could help with a search I'm conducting for a scan of one specific Spirit Section. I'm currently working on the 24th volume of THE SPIRIT ARCHIVES, which will complete the collection of the published Spirit Sections (it contains all of the sections published in 1952), and for the 8/31/52 episode, "The Last Man on the Planet Moon," I don't have a copy of the original printed section that I can use to reconstruct the color for the book. I have copies of every other section's original color, but on this one all my regular sources have come up empty -- Bill Blackbeard, Denis Kitchen, Diamond and OSU are all missing this one section, and Heritage Auctions and eBay have also came up dry. So I'm writing to see if you might have a copy of this original printed section in your collection which you'd be willing to make color xeroxes or color scans (even a relatively low-resolution scan of 150 dpi is good enough to get the color info from) of the four pages for me to use, and, if not, if you know of any other collectors who might have the section whose contact info you could pass on to me. Please let me know.

Thanks,
Scott Nybakken
Scott.Nybakken@dccomics.com

Zadzooks mostly on toys this week.

See "G.I. Joe American Hero teams up three new sets," by Joseph Szadkowski, Washington Times December 1, 2007.

QUICK REVIEWS FOR COMICS DUE 12-05-07

QUICK REVIEWS FOR COMICS DUE 12-05-07
(Happy Hanukkah!)
By John Judy

(Support striking WGA members! Bring ‘em dreidels!)

AVENGERS INITIATIVE ANNUAL #1 by Dan Slott and Chris Weston. Secrets revealed and the new Liberty Legion makes its first (and last?) appearance. Dan Slott: Always Recommended.

BATMAN/SUPERMAN:SAGA OF THE SUPER-SONS SC by Bob Haney, Murphy Anderson, Dick Dillon, and Others. For fans of a certain age this complete collection of the adventures of Clark and Bruce Juniors is a Must-Have. Check it out, whipper-snappers!

BLACK SUMMER #4 of 7 by Warren Ellis and Juan Jose Ryp. Last issue Tom Noir got shot by a tank. In the aftermath of a presidential assassination, who’s next?

BUFFY THE VAMPIRE SLAYER #9 by Brian K. Vaughan and Georges Jeanty. Wrapping up the “Faith” story-arc with appropriate fisticuffs. Highly recommended.

COUNTDOWN: ARENA #1 of 4 by Keith Champagne and Scott McDaniel. Big Bad Monarch has the heroes of 52 universes fighting each other. I’m guessing at some point they figure out “Hey, there’s 52 universes of us and one of him.” Too easy?

THE ESCAPISTS HC by Brian K. Vaughan and Various Artists. The story of how three guys end up with the publishing rights to The Escapist and what ensues. From the universe of Michael Chabon’s “Kavalier and Clay.” Crack cocaine for geeks.

HOUSE OF M: AVENGERS #2 of 5 by Christos Gage and Mike Perkins. A fun little diversion into an alternate universe that kinda got wiped out over a year ago.

INFINITE HORIZON #1 of 6 by Gerry Dugan and Phil Noto. It’s the Odyssey set in the Middle East today, the story of a soldier trying to get back home. Gutsy stuff.

JUSTICE LEAGUE OF AMERICA #15 by Dwayne McDuffie and Ed Benes. Last round of the JLA versus the Injustice League. And isn’t “Injustice League” right up there with “Brotherhood of Evil Mutants” and “Masters of Evil” in terms of true self-knowledge and acceptance? Royal Flush Gang, call your office.

JUSTICE SOCIETY OF AMERICA #11 by Geoff Johns, Alex Ross, and Dale Eaglesham. It’s the “Kingdom Come” Supes and the cosmic treadmill. It’s like the KC sequel never even happened! Recommended for that alone.

MARVEL MASTERWORKS: AMAZING SPIDER-MAN VOL. 9 HC by Stan Lee, John Romita, John Buscema, and Jim Mooney. Collecting the original AMAZING issues #78-87. “Thwip!”

MS. MARVEL #22 by Brian Reed and Aaron Lopresti. Carol Danvers’ old costumes on parade! Also she fights the Brood, which I guess every hero is required to do if they finish their assignment early.

NORTHLANDERS #1 by Brian Wood and Davide Gianfelice. In which a callow Viking learns how hard it can be to go home again, circa 1000 A.D. This one’s getting a lot of good buzz, but is NOT for the young ‘uns. Certainly worth a read for the elders.

OMEGA THE UNKNOWN #3 of 10 by Jonathan Lethem and Farel Dalrymple. A David Lynch-y take on Steve Gerber’s cult hero from the seventies. Not for everyone but worth a look if you like your heroes a little different.

OVERMAN #1 of 5 by Scott Reed and Shane White. Hard sci-fi noir set in the art-deco Pittsburgh of 2135. Gotta be a step up, right?

POPEYE VOL. 2 WELL BLOW ME DOWN HC by E.C. Segar. The early stuff from 1930-32, including the first appearance of J. Wellington Wimpy, collected here by the good folks at Fantagraphics who are really quite wonderful at this. Recommended.

SIGNAL TO NOISE 2nd EDITION HC by Neil Gaiman and Dave McKean. The classic graphic novel re-issued for you lucky punks who missed the early nineties. Lots of extras in this one, worth it even if you already have a copy. Recommended.

THE TWELVE #0 by J. Michael Straczynski and Chris Weston. A seriously fun revival of some long-forgotten Golden-Age heroes from the days when Marvel was Timely and Stan Lee was still an office gopher. Chris Weston has a real talent for stuff like this, as he demonstrated a few years back on the JSA/ALL-STAR mini-series over at DC. Looks like this could be a real winner. Also contains three stories which I’m betting haven’t been reprinted anywhere until now. Recommended.

ULTIMATES 3 #1 of 5 by Jeph Loeb and Joe Madureira. Season Three begins with a murder at Avengers..I mean, “Ultimates” Mansion. How ‘bout dem apples, mister?

UNCANNY X-MEN #493 by Ed Brubaker and Billy Tan. “Baby, baby, who’s got the Mutant-Killer-Jesus-Baby???” Part Whatever of Whatever.

WHAT IF? CLASSIC VOL.4 SC by Everyone. Original series #21-26. In-sane….

WONDER WOMAN SERIES 1 ACTION FIGURES including Agent Diana Prince, Circe, Donna Troy as Wonder Woman, and WW herself. Designed by Terry Dodson.

WORLD WAR HULK: AFTER-SMASH #1 by Greg Pak and Rafa Sandoval. Cute title. For the WWH completists out there. Also features the first appearance of the new Goliath. So there’s that….

www.johnjudy.net

Comics, comics everywhere

click on the image for a larger, readable view.

I was with my daughter's 4th grade trip to Jamestown today and saw the accompanying editorial cartoon on display in the museum. It's the original for "How Jamestown Was Saved For Posterity" by Fred O. Seibel, Richmond Times-Dispatch May 13, 1938. I don't know Seibel's work, but it's certainly competent enough and it was nice to see the art prominently displayed.

We'll flag this one with a SHoC label as I imagine Seibel's mostly forgotten.

Toles smacks Post 's Obama coverage

See "'Wash Post' Cartoonist Mocks Own Paper Over Obama Story," By Greg Mitchell, with Dave Astor, E and P Online November 30, 2007.

This was actually useful as I had no idea what today's cartoon referred to before reading this. However, it's worth noting that last week's Doonesbury strips referred to the same issue, and might be useful to look at for anyone interested in this issue.

Ullman dropped by City Paper - time to write in! UPDATED

Rob Ullman's posted on The Comics Journal message board and on his own blog that he's been dropped from illustrating the Washington City Paper's Savage Love column. Rob's cute drawings are one of the best things about the City Paper and I encourage you all to write to them. All of these illustrations are from recent issues of the CP - great, aren't they?

The following is the letter I sent to them at mail@washingtoncitypaper.com earlier this evening:

I am very sorry to hear about the decision to stop using Rob Ullman to illustrate the Savage Love column. Ullman's illustrations are a large reason that I pick up the City Paper and recommend it on my blog about comics in Washington. Combined with the much smaller size of the remaining columns, this gives me much less reason to read the Paper or to recommend it to people. I hope you will reconsider this decision promptly and return Rob's illustrations - they make a column that can be a bit over the top much more amusing.

The managing editor has written in with a comment below, and suggests you write your own letter to have more of an impact so please follow his advice. Hopefully Rob will be back with no interruption and we can raise a glass in thanks.

Schulz bio cartoon in The Onion

"Kelly" (aka Ward Sutton) has a cartoon in the Onion on the stands now, "Happiness is a warm dose of truth (at last)" about the Michaelis biography of Schulz. Couldn't find it online though...

...so I'll describe it. People are throwing copies of Peanuts books in the trash can while Charlie Brown says "Suddenly I don't feel like such a LOSER after all," while holding up a newspaper headlined, "New Schulz Bio exposes cartoonist to be a lonely, pathetic philanderer" while 'Kelly' says, "Mr. Success, the original blockhead," in the lower right corner.

Secret History of Comics with Richard Thompson's mother

Seriously. Richard's mother Anne Hall Whitt wrote an autobiographical book The Suitcases, a moving story about being orphaned with her two sisters during the Depression. I read it over Thanksgiving weekend, and found it very touching. I don't think I'm giving anything away when I say it all appears to have worked out well in the end, but it was pretty harrowing getting there. It was a good book to read around Thanksgiving since she gave you something to think and be thankful about. Copies of the book can be found on Amazon and other book sites. Oh, and it's illustrated by Richard, but in a non-cartoony art style that you wouldn't recognize.

Actually, this might make a good graphic novel, Richard...

Gurewitch and Perry Bible Fellowship in Express

See "Fellowship of Absurdity: Nicholas Gurewitch releases a new volume of comic strip-oddities [online title - Fellowship of Absurdity: Artist Nicholas Gurewitch]." by Scott Rosenberg, Express (November 29, 2007)

Gurewitch will be appearing at Atomic Pop in Baltimore tonight. If anyone goes to this, I'd like a signed copy of the book and will reimburse you. Late notice, I know.

OT: New Yorker cartoon issue out and going...

The November 26th issue turned out to be the Cartoon Issue which gets earlier every year. I just got the first December issue in the mail, so if you want the Cartoon one, better go to a newsstand soon. It's got a nice Bruce McCall cover gag on recycling, Gahan Wilson, and "how do you get your ideas" cartoons.

Secret History of Comics courtesy of Warren Bernard UPDATED

Here's two pieces in three images from Warren's collection that deal with forgotten works by famous cartoonists.


Percy Crosby for the January 1924 Telephone News from the Bell Telephone Company of Pennsylvania

A Bill Mauldin booklet.

The Mauldin booklet should be reproduced in one of the new Fantagraphics books, courtesy of Warren.

Randy T finds more local creators and their websites

Randy T's found more local creators and their websites for us somehow (I have no idea how he did this) but cautions: Please note though that this was based on information available some time ago and creators do tend to lead a nomadic life, so some of these folks might not still be in the area!

Anthony Flamini (Writer for Marvel Comics)

Sara Grace McCandless (Writer for Dark Horse)

Marylanders:

Katie Bair (Writer/Penciller/Inker for Antarctic Press)

Pat Carlucci (Penciller for Angel, Entity Comics)
http://www.pencilx.com/
http://www.hotinks.com/pat.htm
http://www.comicspace.com/pencilx/
http://patcarlucci.deviantart.com/

Frank Cho (Writer/Penciller for Marvel, Image, Small Press Expo, Caliber, Insight Studios, Dark Horse, DC, AAA Pop Comics, America's Best Comics, Exhibit A Press, NBM, Dynamite Entertainment)

Brian Clopper (Writer/Penciller for Alternative Comics, Small Press Expo, Caliber, Fantagraphics, Amazing Heroes Publishing, Slave Labor)

Michael DeVito (Colorist for Arcana Studios)
http://www.th3rdworld.com/
http://www.myspace.com/madevito
http://www.comicspace.com/th3rdworld/

Scott Edelman (Writer/Penciller for Marvel, Charlton, DC)

Lurene Haines (Writer/Penciller for Marvel, Malibu, DC, Caliber, Fantagraphics, Literacy Voluteers of Chicago)

Mike Imboden (Writer for Digital Webbing Presents)
http://www.imboden.org/
http://imboden-org.blogspot.com/
http://www.comicspace.com/imboden/
http://www.ponentmon.com/

Alfred T. Kamajian (Penciller for DC)

Sunny Lee (Penciller for Marvel, DC, Dark Horse, AiT/Planet Lar)
http://www.geocities.com/sunnylee753/
http://www.sunnylee753.com/
http://mysite.verizon.net/~sunny615/

Jamie Noguchi (Colorist for Marvel)

Saul D. Orihuela (Colorist for Marvel, Image, DC, King Syndicates, Hasbro)

John Harris Staton (Writer/Penciller for Alternative Comics, Insight Studios Group, Fantaco)

Jim Warden (Writer for Marvel)

John Watkins-Chow (Writer/Penciller for Blink Comics, Lightning Comics)

Lawrence Watt-Evans (Writer for Marvel, Palliard Press, TeknoComix, DC)


Virginians:

Marty Baumann (Writer/Penciller for Day One Comics, Image, Cartoon Books)

David Bovey (Penciller for Labyrinth)

Jerry Carr (Penciller for NBM)

Steve Conley (Writer/Penciller for Image, IDW, Day One Comics, Bardic Press, Small Press Expo, Peregrine, Funk-o-Tron)
http://www.steveconley.com/
http://www.astoundingspacethrills.com/
(Boy, Astounding Space Thrills was a great comic - bring it back, Steve!)

Otis Frampton (Writer/Penciller for Viper Comics)
http://www.otisframpton.com/
http://otisframpton.typepad.com/otisframpton/

John Gallagher (Writer/Penciller/Inker for Dark Horse, Eternity (Malibu), Sky Dog Press, Small Press Expo, Peregrine)
http://www.buzzboy.com/
http://www.skydogcomics.com/

Khalid "Iszy" Iszard (Penciller for NBM)
http://www.iszard.com/
http://www.comicspace.com/iszyiszard/

Mal P. Jones (Writer/Inker for AiT/Planet Lar, Speakeasy)

Laurie J. Kronenberg (Colorist for Marvel, DC, CrossGen)

Jonathan Luna (Writer/Penciller for Marvel, Image, Desperado)
http://www.jonluna.com/
http://www.lunabrothers.com/

Josh Luna (Writer for Image)
http://www.joshualuna.com/
http://www.lunabrothers.com/

Nathan MacDicken (Penciller for Jitterbug Press, Small Press Expo)

Shawn Martinbrough (Writer/Penciller/Inker for Marvel, DC, Comico, Dark Horse)

Ken Meyer, Jr. (Writer/Penciller/Inker for Marvel, Entity Comics, Caliber, DC, Amazing Heroes Publishing, Avatar, Comic-Con Int'l, Megaton, Visual Anarchy (CFD), Fantagraphics, Image, Desperado)

Pop Mhan (Writer/Penciller/Inker for Marvel, Maximum Press, DC, Image, Dark Horse, TokyoPop)

David Napoliello (Writer/Penciller for Peregrine, Small Press Expo, Exiled Studio)

George T. Singley (Writer for Image, Speakeasy)

A Charlie Brown Christmas reflections in Times

See "An enduring Christmas gift," by J.T. Young, Washington Times November 27, 2007. The family's watching it right now, of course.

Futurama bits in today's papers

Both free papers ran articles on the direct to dvd return of Futurama. Scott Rosenberg wrote one for the Express - see "Back to the Drawing Board: 'Futurama'." The one in the Examiner was an AP story. The Express also ran a little feature on A Charlie Brown Christmas which is on in seven minutes.

Bruce Guthrie on Mid-Ohio Con

Hellboy, photo by Bruce Guthrie

Guest columnist Bruce Guthrie has written a report on Mid-Ohio Con:

I attended the Mid-Ohio-Con in Columbus, Ohio last weekend. I used to go to the show a decade or more ago when it was in Mansfield, Ohio and I hadn't been back since then but they still send me postcards.

If you've never done the Mid-Ohio-Con, it's a nice little show. It doesn't have that many special guests but it's low-key enough that you can actually talk to them.

This year, one of the guests of honor was to be Margot Kidder, who had played Lois Lane in the Superman movies, and that sounded pretty cool given what I had heard about her bi-polar issues. Other people I was looking forward to were Sergio Aragones (Groo, MAD Magazine), Tom Batiuk (Funky Winkerbean), Noel Neill (the original "Lois Lane"), Mark Goddard (from "Lost In Space"), Dave Dorman, Mark Evanier, and Steve Rude.
Tom Batiuk of Funky Winkerbean, photo by Bruce Guthrie

There was no appearance by local boy Jeff Smith ("Bone") but I did get lost in his neighborhood one night...

As far the convention itself was concerned, they thought their headliners were Doug Jones (who played Silver Surfer in the most recent Fantastic Four movie), Arthur Suydam, Rich Buckler, Gary Friedrich, Michael Golden, Arvell Jones, Tony Isabella, Keith Pollard, Roger Stern, Herb Trimpe, and Rob Wilson.

Well, long story short, Margot Kidder didn't make it. They said she was working that weekend up in Canada. Anyway...

The two-day ticket to the show was all of $15. Columbus is pretty quiet over Thanksgiving so I got a Motel 6 room for about $35/night. I was willing to walk a couple of blocks for parking -- parking on Saturday cost me $2 and parking on Sunday was free. And gas at the local Costco was $2.78.9. Okay, so I'm cheap. Deal with it.

All right, so back to the show. It featured two program tracks -- 10 sessions on Friday and 8 on Saturday. Being photo-obsessive, I hopped around to most of the sessions. (Pictures from the weekend are on my web site at http://www.digitalphalanx.com/bguthrie ) [editor's note - 6 pages of them!]

Sergio Aragones, photo by Bruce Guthrie

Over a quarter of the sessions involved Mark Evanier. He handled a birthday interview with Noel Neill, a panel discussing reprinting all of the comic strips from Pogo (Carolyn Kelly -- Walt Kelly's daughter -- was there for that), a Groo panel (with Sergio Aragones), an interview with Steve Rude, and a roast for Maggie Thompson (editor of the Comics Buyer's Guide). He's working on a biography of Jack Kirby who Evanier had served as an assistant to. You check out his Wikipedia entry and he's written for a number of television series -- including the third Bob Newhart series "Bob" and a variety of, well, kind of crappy cartoons. He's got Emmy nominations for that but he's on strike now along with the other TV writers. This is one interesting guy! He's got a wonderful, dry sense of humor and an amazing memory.

I ended up chatting with quite a few of the people including Mark,Sergio Aragones, Steve Rude, Noel Neill, etc. If you've never met Sergio before, do so! He's got a sparkling personality. And he draws so quickly and with such detail -- truly a marvel to watch.

One conversation was with Craig Boldman who was manning a booth for the National Cartoonists Society (Great Lakes Chapter) and the OSU Cartoon Research Library. In that capacity, he had been involved with the 2007 Festival of Cartoon Arts which our own Mike Rhode had attended just last month. A friendly guy, Craig's someone who likes to know everyone's name and home city when he talks to you. I told him I was from Silver Spring and he said Kim DeMulder was from around there too (Bethesda). He also told me there was an artist at the show who was from around me. It turned out she was from Harpers Ferry. Well, no, not *that* near me...
Craig Boldman of NCS, photo by Bruce Guthrie

Some of the panels were better than others. The most popular ones -- "Horror you? Fine by me!", "Superhero Trivia Challenge", and "Who Wants to be a Superhero?" -- were the least appealing to me. Most of the remaining panels were half-filled at best. I think all of Mark's fit into this category. This isn't a criticism of Mark.
Realistically, he represents the old guard in comic-dom -- Wikipedia mentions he's "the documented administrator for the official Walt Kelly Pogo site" -- and at San Diego, he often chaired sessions for golden age comic book folks. I asked him if he liked newer comics and he said, except for the ones he writes, he doesn't read them at all anymore. I asked if that was because he was stuck on the comics he grew up on. He said that might be part of it but he said most of the comic books these days have lost their emphasis on storylines. He also says they're too hard for most people to pick up anymore since they're usually confined to specialty shops. I'm a little younger than he is but I agree with him -- all of his panels were of interest to me.

There was a panel with three science fiction-related performers -- Mark Goddard (Major Don West in "Lost In Space"), Sarah Douglas ("Ursa" in Superman II), and Scott L. Schwartz ("bad guy" in a variety of shows -- even his web site http://www.ultimatebadguy.com/ promotes him as the ultimate bad guy -- including Bruiser on the three Oceans Eleven films). Mark and Sarah commented a lot about why you should pay them for their autographs because they don't make residuals for
their shows. Well, sorry folks, but you're not making buckets of money in part because you're mostly doing bit parts, often in shows that weren't that great in the first place. Personally, I used to watch "Lost In Space" as a kid but, unlike "Andy Griffith", "Gunsmoke", and "Combat", I don't think the show holds up very well and I have zero interest in watching the episodes again.

Sarah Douglas talked about working with Marlon Brando and how he never remembered lines. They'd put his scripts within eye shot using teleprompters and text stuck on fence posts, foreheads, etc. She said for "Last Tango," his lines were written on the naked body of the actress he was making love to. I know George Clooney is similar -- doesn't remember lines -- and Noel mentioned that the Perry White actor usually had the lines written on the papers he was always shuffling on his desk.

Bruce with Sergio Aragones

Anyway, that's about it. I enjoyed the show. I don't know what the attendance was -- after San Diego, everything is small. There were a higher percentage of people in costume than I'm used to seeing at the Baltimore and San Diego cons. I can't say much about the dealer room since I don't shop for comic books anymore -- they looked pretty busy so I guess things were good in that department.

Comics Reporter reviews Cul de Sac

...one strip of it at least. Tom Spurgeon's got a good book of criticism in him waiting to get out.

Gobbledygook by Coulter

As part of the Secret History of Comics (SHoC), I present the book, Gobbledygook Has Got To Go, published by those wild humorists in the Bureau of Land Management, circa 1970. They credited the writer, John O'Hayre, but not the cartoonist who signed some of the following drawings as 'Coulter.' Anyone know who that is? There's a William Coulter (b. 1946) listed in one National Cartoonists Society album.

I didn't have access to a scanner today, so these are shot with a camera - the quality of the originals is much better.















I'm not quite sure why the Bureau of Land Management ends their booklet with a picture of an astronaut.