Finding back issues of comics in DC UPDATED

A reader (!) wrote in asking for recommendations about back issue stores in the area. Here's an edited version of my replay and suggestions are welcome -

Very few back issue stores left - there's one in Vienna, VA - which is not the Big Planet Comics store there. According to Randy T in the comments, it's EG Comics, which is not on this this Google search, but is on Maple Ave in one of the strip malls. Aside from that - Barbarian Books in Wheaton - call first as they have odd hours and are closed on Monday I think, although they are close to a Metro. Maybe the closest.

Obviously I'm a fan of Big Planet - I go to the Bethesda store - but they're all good and they all have almost no back issues now (except for College Park - see Joel Pollack's comment below). Another good store is Fantom Comics in Tenleytown and Union Station, both locations right outside the metro. No back issues, or not many, though.

Most back issues turn up at the two local cons - the Capital Associates one is bigger and had a good selection of back issues when I was at it last Sunday.

OT: The philosophical implications of Captain America

I was in a Borders recently with our man RT*, and saw the British magazine to the right and immediately scooped it up and rushed to the cash register. "Popular Culture and Philosophy" - who could resist? Inside is Major Todd A Burkhardt's article "Operation Rebirth: Captain America and the ethics of enhancement,"
Philosophy Now (November / December 2007). Major Burkhardt, who teaches at West Point according to his bio blurb, asks, "...What would be the moral ramifications of creating a real Captain America? Is the intentional creation of super-soldiers by cell engineering morally permissible?"

After a review of the concepts of freedom and supreme evil, Burkhardt concludes that the creation of a super-soldier was moral for 1940. He leaves aside the issue of whether it would be today.

*Richard Thompson, cartoonist and bon vivant

Ann Telnaes interview on gender bias in editorial cartons

Ann Telnaes was interviewed for the story that appeared in the paper - "Drawing the line: Editorial cartoonists confront issues of sexism and racism when caricaturing the Democratic front-runners," by Pam Platt, Louisville, KY Courier-Journal February 10, 2008, but Ms. Platt also posted the interviews she did on their website.

And a tip of the hat to Alan Gardner's Daily Cartoonist blog for one of the links.

Mike Imboden's Fist of Justice

Frederick, Maryland's Mike Imboden and his Fist of Justice comic book is profiled in "Frederick Writer Creates Comic Book Hero," Associated Press February 11, 2008. I picked up a couple of his books at a con late last year - he does some nice parody covers of early Marvel books.

Government Comics on Internet Archive

A search for 'comic book' at the Internet Archive produces pdfs of some US Government comic book giveaways including Mr. Civil Defense Tells About Natural Disasters which has a Li'l Abner cover and Smash-Up at Big Rock with art by Mark Trail's Ed Dodd. There's also a Jack Chick and a Klan comic. I guess there are still some government giveaway comics although the only one coming to mind at the moment is PS Magazine - now with Joe Kubert artwork.

QUICK REVIEWS FOR COMICS DUE 02-13-08

QUICK REVIEWS FOR COMICS DUE 02-13-08
By John Judy

Remember: Nothing says “Happy Valentine’s Day” like an armload of comics! Right, honey? Honey…?

AMAZING SPIDER-MAN #550 by Marc Guggenheim and Salvador Larroca. Jackpot! Menace! And maybe some more new characters with so-so names. It’s no “Doctor Octopus” is all I’m saying.

ASTRO CITY: THE DARK AGE SPECIAL #2 BEAUTIE by Kurt Busiek and Brent Anderson. The secret origin of Astro City’s own living doll, Beautie! We’ve been waiting years for this and so has she! Recommended!

BAT LASH #3 of 6 by Peter Brandvold, Sergio Aragones and John Severin. Necktie Party! How’s ol’ Bat gonna git outta this one?! Owl-hoots beware!

BLACK PANTHER #34 by Reginald Hudlin and Cafu. Featuring Skrull gangsters and frogs.

BOOSTER GOLD #0 by Geoff Johns, Jeff Katz, and Dan Jurgens. It’s official: This is the latest-shipping title ever!!! Ladies and Gentlemen: the Booster Gold/Zero Hour cross-over! In your face, Kevin Smith! Eat it, Ultimate Hulk/Wolverine #3! Miracleman #25? 1963 Annual? All is forgiven. You can come out now… Please?

BPRD: 1946 #2 of 5 by Mike Mignola, Joshua Dysart, and Paul Azaceta. Professor Bruttenholm teams up with the Russkies to find out what’s up with Project Vampir Sturm. Creepy Horrific hi-jinks from the House of Hellboy!

CAPTAIN MARVEL #3 of 5 by Brian Reed and Lee Weeks. Paintings and Skrulls.

DMZ #28 by Brian Wood and Riccardo Burchielli. The secret origin of Soames, New York’s most infamous eco-warrior!

DOOM PATROL ARCHIVES VOL. 4 HC by Arnold Drake and Bruno Premiani. Collecting issues #106-113 of “the strangest super-team of all.” No, the other one. Silver-Age, dinosaur-punching fun! Recommended.

FANTASTIC FOUR #554 by Mark Millar and Bryan Hitch. A new team and a new look for The World’s Greatest Comic Magazine! Very ultimate-y without feeling as wholly detached from the rich details of the mainstream Marvel Yoo. Recommended.

GHOST RIDER #20 by Jason Aaron and Roland Boschi. Okay, I know it’s Ghost Rider which is usually a title on par with its movie adaptation. However, this new arc is being written by the guy who writes SCALPED and SCALPED is completely awesome. That alone gets this issue a read. A very hopeful read….

GOON #21 written and illustrated by Eric Powell. The Priest’s unearthly kin would like a word with him.

NEW AVENGERS #38 by Brian Michael Bendis and Michael Gaydos. Jessica Jones turns herself in to The Law to protect her baby. Very “Juno” if “Juno” was a noir super-hero story without all the chipper pseudo-Canadian accents and West Wing-y banter. Okay, it’s Bendis so the banter is there. No getting around the banter. Sorry.

NEXT ISSUE PROJECT #1: FANTASTIC COMICS #24 by Many Twisted People. Okay, Booster and Company are off the hook. This one is the Latest Comic Ever by about 66 years. The last issue of FANTASTIC COMICS was on the stands in November of 1941. A little thing called “copyright expiration” kicked in and now anyone who wants to can publish all the characters contained therein, no harm, no foul. So brace yourself for a golden-age sized delight containing the new adventures of Samson, Stardust, Flip Falcon, Sub Saunders, Yank Wilson, and more! Marvel’s got THE TWELVE. Dynamite’s got that Alex Ross thing. Now it’s Image’s turn at bat, Gotta look!

SHOWCASE PRESENTS: ENEMY ACE, VOL. 1 SC by Robert Kanigher, Joe Kubert, John Severin, Howard Chaykin, Neal Adams, and wow, how do you even follow that? A must for fans of great comics, “war” or otherwise.

SUPERMAN #673 by Kurt Busiek and Peter Vale. Superman fights Insect Queen on the moon! And he’s got a bug’s head on the cover! What more can one ask?

WALKING DEAD #46 by Robert Kirkman and Charlie Adlard. Oh man, I hope they didn’t really kill Michonne last issue…. Not for kids. Must have.

WILL EISNER’S SPIRIT ARCHIVES VOL.24 HC written and drawn by Will Eisner. The final volume of Eisner’s most famous creation, collecting the weekly Spirit adventures up through the early 1950s. The cover art alone is worth it. Recommended with awe.

WOLVERINE #62 by Jason Aaron and Ron Garney. Best Wolvie story in quite a while from the author of SCALPED. Featuring Mystique and a seriously ruthless Scott Summers. It’s like he grew up on a reservation or something… Recommended.

WONDER WOMAN #17 by Gail Simone and Terry & Rachel Dodson. WW vs. evil Amazons and Nazis. Classic stuff, beautifully drawn and on time!

X-FACTOR #28 by Peter David and Pablo Raimondi. Finally free from the last Big X-Over, we learn who Madrox knocked up and what’s happening around Mutant-Town. Helpful x-slang to learn: “PAN = Pass As Normal. REM = You still have your horns, tentacles, weird brow ridges, but no friggin’ powers.” It’ll be on the test.

X-FORCE #1 of 6 by Christopher Yost and Clayton Crain. Wolverine, Warpath, Wolfsbane, and the Wolverine Tranny-Clone X-23. Cyclops has assembled a mutant murder squad to kill anyone he doesn’t like. Because that’s what heroes do. Do protect Freedom or something. Comes without poly-bags, trading cards, or a bucket. But it does have those highly collectable variant covers!

www.johnjudy.net

April 25: The Incredible Mr. Poe: Edgar Allan Poe in the Comics

A new exhibit curated by long-time comics scholar Tom Inge will open in Richmond in the spring.

The Incredible Mr. Poe: Edgar Allan Poe in the Comics
An Exhibition

In 1941, Russian immigrant Albert Lewis Kanter tried to introduce young people in the United States to fine literature by incorporating the classics into something they were already reading—comic books. In 1944, “The Murders in the Rue Morgue” appeared in Kanter’s Classic Comics series, and ever since adaptations of both Poe and his works have been regular features in comic books and graphic novels, many of which will be on display April 25 to October 31 at the Edgar Allan Poe Museum in Richmond (www.poemuseum.org). Poe has even appeared as a comics hero himself alongside Batman and Scooby Doo.

M. Thomas Inge, Blackwell Professor of Humanities at Randolph-Macon College in Ashland, Virginia, and Poe Foundation trustee, has studied comic art for over forty years and published several books on the subject. His collection of comic books from childhood will form the core of the upcoming exhibition which is curated by Richmond artist Chris Semtner.

Also featured will be original artwork by such comic artists and illustrators as Rick Geary, Richard Corben, Gahan Wilson, Gris Grimly, Bill Griffith, and Patrick McDonnell, as well as proof sheets and original pages for some of the Classics Illustrated and other comic book versions loaned by collector Jim Vacca of Boulder, Colorado. An illustrated book and catalog will be available for purchase from the Museum Gift Shop with proceeds going to the Museum.

This will be the first exhibition ever devoted to the comic books and graphic narratives that have helped keep Poe’s name and works in the public eye for over sixty years. An opening reception will be held Friday evening April 25, 7:00 to 10:00 p.m., and there will also be an introductory lecture. All events are open to the public. The Edgar Allan Poe Museum is located at 1914 East Main Street, Richmond, Virginia 23223, phone 804 648-5523. For more information contact Rebecca Jones at becca@poemuseum.org or call toll free 888 21EAPOE.

Zadzooks is Harvey Birdman videogame review

Voila - "Harvey Birdman tans, gets smiles amid justice," By Joseph Szadkowski, Washington Times, February 9, 2008. Nah, I don't really care either.

Bruce Guthrie's pictures of Clarendon's Mardi Gras Parade and the Richard Thompson float

Bruce Guthrie has a photoset of pre-Mardi Gras hijinks at the BonoTom Studio where the Richard Thompson-inspired
float for Clarendon's Mardi Gras parade was designed and built and then pictures of the float in action.


We can all get along!



Richard and I look on in stunned amazement.


Bonotom Studio made the buildings and everything.

Feb 10 Comic convention this weekend

Capital Associates - Dunn Loring Fire Dept, Tysons Coverner, VA, 2148 Gallows Road. $3.00, 10am-3 pm - www.capicons.com for information.

Special guest - Pop Mhan

Feb 7-17: Anime and manga at Kennedy Center

Repost!

From their website:
Manga & Anime

Manga is a sequential narrative Japanese comic. Anime is a unique animation style developed in Japan. Both are now internationally recognized forms of literary and visual art. Manga is one of the fastest growing segments of U.S. books—and anime films have gained a rapidly expanding fan base across the nation.

Manga Café and Reading Lounge

Enjoy a bite to eat while reading VIZ Media mangas, watching anime trailers, and viewing vintage robot toys. Manga author Robin Nishi will capture festival happenings in a daily drawing and conduct a free workshop.

* Feb 7 - 17, 2008
* South Gallery

Genius Party Premieres

Don't miss this unprecedented series of original films by Japan's top anime talents, who were each selected by Director and Genius Party Executive Producer Eiko Tanaka to create their dream projects.

* Feb 15 - 16, 2008
* Family Theater
* $25.00

Marathon of Anime Premieres

Don't miss this screening marathon featuring three new anime features: 5 Centimeters Per Second, The Piano Forest, and Appleseed: Ex Machina.

* Feb 17, 2008
* Family Theater
* $15.00

Arlington's Steve Conley draws Star Trek

Arlington's Steve Conley is drawing Star Trek for IDW's Star Trek Year Four. They're up to six issues so far - Steve seems to be drawing about every other one and is doing some covers as well. The comic is based on the animated tv series, and has been good so far. Steve's name may be familiar from organizing the Small Press Expo, or his fun web comic / comic book Astounding Space Thrills.

Post on comic strip collective action

The Post has picked up on the February 10th collective protest by cartoonists of a darker shade of pale - "Cartoonists to Protest Lack of Color in the Comics," by Teresa Wiltz, Washington Post Staff Writer, Wednesday, February 6, 2008; C01. The protest is largely the idea of local cartoonist Corey Thomas who does 'Watch Your Head.'

I'm afraid I agree with the opinions that Gene Weingarten expressed in his chat update today, although I like Baldo and La Cucaracha well enough. Boondocks' McGruder's comments in the initial article are interesting too - unfortunately I don't think a lot of the college cartoonists are able to sustain their strip. I was a fan of Watch Your Head when the Post tried it out, but it's become a real one-note strip.

Chatalogical Humor by Gene Weingarten, Washington Post Staff Writer, Tuesday, February 5, 2008; 12:00 PM

Gene Weingarten: Here's an interesting piece in today's Style section, about a planned protest by cartoonists-of-color.

I sympathize with these guys, and many of them produce good strips that are victims of a de facto quota system. But there's a difficult truth that undercuts their argument. In devastating economic times, newspapers are (unwisely, I believe) ruthlessly squeezing the life out of their comics pages. So there is plenty of pandering going on in all directions -- a naked, desperate effort to appeal to every possible perceived constituency -- and that has nothing to do with racism. With limited space, there are quotas for everything. Believe me, the only reason newspapers run the painfully bad Prickly City is that they feel they need to offer a conservative voice on the page, to counterbalance the lefty Doonesbury, Candorville Nonsequitur, etc. The only reason newspapers run Dennis the Menace and Beetle Bailey and Classic Peanuts is to appeal to the oldsters who they believe would feel lost without these mild, mealy things. Family Circus is for very, very young readers, and preposterously stupid adults, and lovers of camp humor. This appeal-to-all-demographics impulse leaves very little room for ANYONE to break into a newspaper.

There is another factor undercutting their argument: For some, the despicable quota system has worked splendidly. The only reason The Post runs the weak Baldo is that the pandering alternative is the weaker La Cucaracha.

It's a pretty bad situation all around.

Chabon endorses Obama

Chabon endorses Obama in "Obama vs. the Phobocracy," by Michael Chabon, Washington Post.com Monday, February 4, 2008; 12:00 AM. Chabon of course wrote The Amazing Adventures of Kavalier and Clay about an early comic book-creating duo. He lives in Maryland and is well worth reading as he works his way through reinvigorating literature via genre conventions.

Does anyone know if this appeared actually in the paper? I can't find it in mine.

John Kascht caricature videos on Wash Post site?

Did anyone know about these? I certainly didn't until the Journalista blog from Seattle pointed them out. There's seven up now - Obama, Clinton, Edwards, McCain, Guliani, Huckabee and Romney - each is slightly over 3 minutes.

More Berryman exhibit coverage

The Clifford Berryman exhibit that is opening later this week at the National Archives continues to generate press. You can see my post about the exhibit here.

And the previously mentioned article in the Washington Post:
"Caricaturing Campaigns: Exhibit of Cartoonist's Sketches Links Politics Then and Now," by Michael E. Ruane, Washington Post Sunday, February 3, 2008; C03.

and this one that snuck by me until today, "National Archives unveils political cartoons," By Johanna Neuman, Los Angeles Times Staff Writer, January 31, 2008.

Jennifer Rios of the Scripps Howard Foundation Wire wrote one too "After 60 years, political cartoons in exhibit remain relevant," - you can register for free to view it, or see it here.

Feb 5: Mardi Gras with Richard Thompson's imagination

Richard drew this sketch for a King Kong - Godzilla float for Clarendon's Mardi Gras parade, and it ready to roll. You can see his blog for more details (link at right), but be there on Tues eve at 8 pm to see the real thing.

Feb 28: Xxxholic and Tsubasa Chronicle Movies to be Screened at the JICC downtown

Xxxholic and Tsubasa Chronicle Movies to be Screened at the Japan Information and Culture Center, Embassy of Japan.

The Japan Information and Culture Center Embassy of Japan and DC Anime Club proudly present the screening of xxxholic and Tsubasa Chronicle Movies on Thursday Febuary 28, 2008 at 6:30 pm at the Japan Information and Culture Center Embassy of Japan 1155 21st Street, NW Washington, DC 20036-3308.

About xxxholic The Movie:

In the film, Yūko receives a request from a woman to help her back into her mansion which for some reason does not allow her to enter. Yūko says since Watanuki was the one who brought the client to her, Watanuki should be the one to grant her wish, and therefore brought along. Dōmeki is also brought along to help and Yūko attends not only to grant her client's wish but also because she is invited to the mansion where many famous collectors were also invited with the same letter. Inside the mansion are strange rooms and mysterious letters telling its guests what do to in place of a host. Though the collectors think up the theory of a mysterious auction being held like in an urban legend, it becomes apparent that something more sinister and mysterious going on. One after another, each collector disappears and a number of other strange occurrences happen during the night. The real reasons behind the invitations must be discovered in order for Yūko and company to get to the bottom of this mystery.
60Minutes

About Tsbussa Chronicles The Movie: In their continuing journey to find the feathers that are the fragments of Sakura's lost memory, Syaoran, Kurogane, Fay, and Sakura move through time and space with Mokona. Here, they visit the "Country of Birdcages," a seemingly peaceful country where people and birds live together, each person having a bird companion. After a boy named Koruri confuses Syaoran and Sakura for "bodyguards" and attacks them, they learn that the king of the country possesses a mysterious power. Princess Tomoyo, Koruri, and the other oppressed citizens, having had their birds taken from them, live in hiding within the forest. In order to take back Sakura's feather, Syaoran and the others stand up against the scheming king.
35Minutes

Both Movies are based upon the Manga by Clamp.

Both Movies will be shown in Japanese with English Subtitles.


This event is free and open to the public. Reservations are required.

RSVP to jiccrsvpwinter08@embjapan.org

Seating is limited and granted on a first come, first served basis.

For more information

please visit the Japanese Information and Culture Center website at

http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at
http://dcanimeclub.org.



About DC Anime Club:

DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.

The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.

In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations
on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.

About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of information,educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.

--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083

March 5: Berg lecture on Columbia at LoC

Joseph E. Baker (ca.1837-1914), Columbia Demands Her Children, 1864. Lithograph.

The quick details, and then the longer press release.

FREE AND OPEN TO THE PUBLIC
Where Have You Gone, Miss Columbia? American Identity and Uncle Sam’s Forgotten Partner: An Illustrated Lecture by Dr. Ellen Berg

SWANN FOUNDATION FELLOWSHIP WINNER, 2007-2008


WEDNESDAY, MARCH 5, 2008, AT 12 NOON
in Dining Room A, Madison Building, 6th Floor

Co-sponsored by the Swann Foundation for Caricature and Cartoon and the Prints and Photographs Division, the Library of Congress

Request ADA Accommodations five business days in advance at (202) 707-6362 TTY or “ADA@loc.gov” For further information, email swann@loc.gov or call Martha Kennedy at (202) 707-9115.

and the press release:

Miss Columbia, Favored National Icon, Featured in Swann Fellow’s Talk on March 5

Swann Foundation Fellow Ellen Berg will discuss depictions of Miss Columbia, her rise in the nineteenth century as a national icon of American ideals and subsequent fading away in the public eye, in a lecture at the Library of Congress on March 5.

Berg will present the lecture titled "Where Have You Gone, Miss Columbia? American Identity and Uncle Sam’s Forgotten Partner,” at noon on Wednesday, March 5, 2008, in Dining Room A on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, DC.

Berg’s illustrated presentation is based on research conducted at the Library of Congress during her fellowship awarded by the Swann Foundation for Caricature and Cartoon. The Library administers the foundation. The lecture, sponsored by the foundation and the Library’s Prints and Photographs Division, is free and open to the public; no reservations are required.

A century ago, two symbols most often represented the United States as national icons: Miss Columbia stood for the ideals of the American people and Uncle Sam for the government. Although featured in hundreds of political cartoons between 1852 and 1952, Columbia, who was widely regarded as an embodiment of “liberty, social justice, and equality,” gradually disappeared as a symbol of our national conscience. Through an examination of representative cartoons, Berg will explore how changing portrayals of Columbia reflect parallel changes in ideas about American identity and feminine nationalism. She will draw upon the Library’s holdings which contain numerous portrayals of Miss Columbia created for a variety of publications and audiences.

Berg is an affiliate assistant professor in the department of history at the University of Maryland. She is also an associate fellow at the Rothermere American Institute, University of Oxford, where she was a postdoctoral fellow last year. She received a Ph.D. in American history from the University of California at Berkeley where she completed her dissertation entitled, “Citizens in the Republic of Childhood: Immigrants and the American Kindergarten, 1880-1920.” She is currently revising this dissertation for publication as a book, in addition to extending her research into Columbia’s role in American identity beyond the arena of political cartoons.

This presentation is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The Swann Foundation’s advisory board is composed of scholars, collectors, cartoonists and Library of Congress staff members. The foundation customarily awards one fellowship annually (with a stipend of $15,000) to assist scholarly research and writing projects in the field of caricature and cartoon. Applications for the academic year 2008-2009 were due on Feb.15, 2008. More information about the fellowship is available through the Swann Foundation’s Web site: www.loc.gov/rr/print/swann/swannhome
or by emailing swann@loc.gov.

OT: Call for Papers: Reading between the panels

This one's not about Washington, DC comics, but in the spirit of Team Comics and fostering study, I'm posting it at Dr. Collins' request.

Call for Papers: Reading between the panels

Edited by:
Can Yalcinkaya – canyalcinkaya@yahoo.com
Dr Steve Collins – scollins@scmp.mq.edu.au

Comic books have been often treated deridingly as a hybrid of art and literature, but ultimately a product of low culture. Works by artists, writers and scholars including Neil Gaiman, Alan Moore, Art Spiegelman, Frank Miller, Scott McCloud, Will Brooker and Danny Fingeroth have forced a reappraisal of the space occupied by comic books. Over the last two decades comic book stories have diverged from hero-centric mythologies to more broadly explore areas such as the full gamut of the human psyche, sexuality, and politics. Beyond the stories themselves, the comic industry and economy has expanded to encompass underground, adult and alternative productions as well lucrative movie adaptations. This issue of Scan Journal invites submission on areas dealing with comic books and graphic novels that include, but are not restricted to:

- Studies of narrative
- Visual aesthetic
- Analysis of specific titles or characters
- Comics and adaptations/derivatives
- Fan fiction
- Comic book histories
- Economics of the comic book industry
- Comics and new media, Web comics, micropayment systems such as Bitpass, digital comics on DVD
- Comic books and intellectual property, for example copyright assignments, the pirate trade in scanned comics

Abstracts should be emailed to the editors by no later than 31st March 2008.

Full articles will adhere to the submission guidelines for Scan Journal and be emailed as a Word document attachment to the editors by Friday 16th May 2008.

Submission guidelines can be found at http://scan.net.au/scan/about/about.html#journal