New Yorker January 28, 2008 comic bits

Capturing the non-gag comics bits in the latest New Yorker -

1/28/08
#Swarte illo for Buying a Cure by Jerome Groopman, p. 39,
#In Calvin Tomkins’ Lifting the Veil, p. 58, artist John Currin says he was inspired to paint Old Master style pornographic paintings by the Danish Islam cartoon controversy, and returns to that point several times.
#Gerald Scarfe caricature of Benjamin Franklin for The Creed by Jill Lepore, p. 79.

Thompson continues to flee west, spotted in Hawaii

Gary Chun's interviewed Richard for "Off-kilter worlds collide: ‘Prickly City’ and ‘Cul de Sac’ debut," Honolulu Star-Bulletin (February 3). Note the original art for the story - collectors should immediately fly to Hawaii to buy a copy of the paper.

And remember, a float based on Richard's sketch will be appearing in Clarendon's Mardi Gras Parade on Tuesday at 8 pm. Richard will be there and may be drawing permanent King Kong tattoos. Or he may not.

QUICK REVIEWS FOR COMICS DUE 02-06-08

QUICK REVIEWS FOR COMICS DUE 02-06-08
(Super-Wednesday!)
by John Judy

ABE SAPIEN: THE DROWNING #1 of 5 by Mike Mignola and Jason Shawn Alexander. The first solo adventure of Hellboy’s Pal: Abe Sapien! Looks beautiful.

THE BAKERS: BABIES AND KITTENS HC written and illustrated by Kyle Baker, the Greatest Cartoonist of All Time. Two cats are adopted into Kyle’s home against his wishes. Hijinks ensue. Beautifully drawn hijinks. Recommended.

BATMAN: FALSE FACES HC by Brian K. Vaughan and Many Talented Folks. Collecting the Bat-stories by the creator of Y THE LAST MAN and RUNAWAYS so you should probably knock down old people to get to this one. Or just do it for fun.

BIGGLES RECOUNTS THE BATTLE OF BRITAIN GN by Asso, Rideau, Chauvin, and Uderzo. A graphic recounting of some unpleasantness 68 years gone by the folks who brought you last year’s BIGGLES RECOUNTS THE FALKLAND ISLANDS WAR. Pip-pip!

BOYS #15 by Garth Ennis and Darick Robertson. Wee Hughie visits The Legend to learn more about his partners. And poor little Starlight learns more about hers. NOT for kids EVER, but recommended.

BUFFY THE VAMPIRE SLAYER #15 by Joss Whedon and Georges Jeanty. A done-in-one issue about girls gone bad and things of this nature. Enjoy!

CLANDESTINE #1 of 5 written and drawn by Alan Davis. An ancient race of hidden super-humans faces exposure after one of the kids goes and starts fighting crime! Stupid kid… Alan Davis always draws purty.

DETECTIVE COMICS #841 by Paul Dini and Dustin Ngyuyen. Featuring an insane cover and a fight with the new Ventriloquist!

DOKTOR SLEEPLESS #5 by Warren Ellis and Ivan Rodriguez. Mysteries unfold, sub-cultures collide, and creepy ambiguities get creepier. Or as Warren Ellis calls it: “Wednesday.”

INCOGNEGRO HC by Mat Johnson and Warren Pleece. Part-Mystery, Part-History describes this story of a light-skinned Northern black man passing for white (“going incognegro”) to investigate his brother’s arrest in the virulently racist Mississippi of early 20th century America. This already sound like a movie. Gotta look!

JUSTICE SOCIETY OF AMERICA #12 by Geoff Johns, Alex Ross, and Dale Eaglesham. The new heroes and the old continue to gather as the KINGDOM COME Superman meets the legacy heroes of the Golden Age. A trivia smorgasboard with Ross covers!

KRAZY & IGNATZ: 1941-1942 RAGOUT OF RASPBERRIES SC by George Herriman. Fantagraphics does it again! This is the third volume of their reprint series collecting all the KRAZY KAT Sunday strips in full color. Includes an essay by critic Jeet Heer. Recommended.

NORTHLANDERS #3 by Brian Wood and Davide Gianfelice. Prince Sven the Viking gets busy with scheming, fighting, and all kinds of swordplay. This one’s becoming appointment reading. Highly recommended.

SCALPED #14 by Jason Aaron and R.M. Guera. Just when Agent Dash Bad Horse figures life on the Rez can’t get any worse somebody kills and scalps his mom. This ain’t “Billy Jack”, kids. Highly recommended.

SCALPED VOL. 2: CASINO BOOGIE SC by Jason Aaron and R.M. Guera. Your second remedial textbook if you’re just discovering THE BEST DARN COMIC EVER!!! “In your face, Watchmen!”

SUPERMAN/BATMAN SERIES 5 ACTION FIGURES including The Joker/Mr. Mxyzptlk 2-Pack, Power Girl, Supergirl, and “Green Super-Batman!” Based on the designs of Ed McGuinness.

TEEN TITANS YEAR ONE #2 of 6 by Amy Wolfram and Karl Kerschl. Aqualad must face his fears as the mentor heroes go nuts. Why must they always do that?

THE TWELVE #2 of 12 by J. Michael Straczynski and Chris Weston. Okay, let’s make it “The Eleven.” This appears to be the series about Golden-Age heroes in the modern world that’s doing it right. Great characterization, great art, the works. Unlike certain other “Projects” out there…

UNCANNY X-MEN #495 by Ed Brubaker and Michael Choi. Normally the X-Men go to the Savage Land when they (and their writers) need a vacation. Brubaker, however, makes it work. And Choi draws a mean Whateversaurus. No Space Opera. No Time Travel. No Mutant Jesus Baby. Recommended.

www.johnjudy.net

Good Berryman article in Post

This article is good and has a bit more history on Berryman that I put in my earlier blog post. See "Caricaturing Campaigns: Exhibit of Cartoonist's Sketches Links Politics Then and Now," by Michael E. Ruane, Washington Post Sunday, February 3, 2008; C03.

Another Tom Toles letter

Overlooked Again
Washington Post (February 2, 2008): A13
http://www.washingtonpost.com/wp-dyn/content/article/2008/02/01/AR2008020103008_3.html

Shame on Tom Toles for excluding Ron Paul from his humorous Jan. 24 "2008 Candidate Guide" and shame on The Post for letting him get away with it.

How could you regard Fred Thompson, who had dropped out, and Mike Huckabee as serious candidates but not Ron Paul, a Republican who has raised a lot of money and has many sincere, hardworking supporters? He is the only candidate who promises a genuine change in the death spiral of American politics.

Regardless of how you regard Paul's prospects, he deserved to be treated with the same disrespect as the other candidates in a political cartoon.

-- Gene Fellner

SHOC: Ads from Liberty Magazine

A few scans of Liberty Magazine wandered my way lately, so I pulled some comics material out of them. First we have 3 comic strip ads of Ol' Judge Robbins for Prince Albert tobacco. The artist changes, but I can't tell who any of them are.

Liberty Magazine November 11, 1936

Liberty Magazine October 2, 1937

Liberty Magazine June 10, 1939. This issue has an unfortunate editorial about how there will be no war in Europe in 1939. Whoops.

This ad agency obviously thought Ripley had a good idea, so why not borrow it?
Liberty Magazine November 14, 1936

And this ad is the one that made me decide to put these up for the Secret History of Comics - Fontaine Fox's long-running Toonerville Folks / Trolley (1911-1955) advertising laxatives.
Liberty Magazine, Jun 10, 1939

Matt Wuerker's Updates from the Toon o Sphere

Politico staff cartoonist Matt Wuerker did a couple of comics-referential cartoons lately. Here's the January 24th one that he emailed me - can you name all the original characters and the candidate being satirized?

The January 31st one isn't online yet, but is good too.

Comics of the Day blog rates the Post's comics

Richard Thompson sent over this link to the Comics of the Day blog- I'd say he's worried about appearing on it, but we all know the Post doesn't run the daily Cul de Sac! Actually as I look at the site more closely he's got a positive 3 rating - tied with Pickles. Better try harder, Richard.

Richard Thompson takes Utah

Here's an interview - "Cartoonist bringing popular 'Cul de Sac' family to Utah," By Dennis Lythgoe, Deseret Morning News, Feb. 1, 2008. I know we'll miss him here in Arlington. It seems like a sudden move, but I guess on reflection that I could see those Mormon tendencies.

Feb 5: Thompson's Mardi Gras float

Richard drew this sketch for a King Kong - Godzilla float for Clarendon's Mardi Gras parade, and it's being built. You can see his blog for more details (link at right), but be there on Tues eve at 8 pm to see the real thing.

Secret History of Comics courtesy of Warren Bernard

Here's another article by Warren Bernard on comic art in unlikely places:

SHOC Part 1,235,641



For this next installment of The Secret History Of Comics, here is a nice piece by Percy Crosby. This is from a football program for the October, 1935 game held between Navy and Notre Dame. Being close to Annapolis, Crosby did a few covers for their football games.

Now, he was not the only famous cartoonist to do college football program covers - Willard Mullin, The Dean of Sports Cartoonists did a lot, but did you know know that such luminaries of the cartoon field such as Ellison Hoover, John Held Jr., James Thurber and Milton Caniff all did football programs?

The length and breadth of the cartoonist contribution to the football program field would not have occurred if not for the efforts of Andy Moursund. His methodical and exhaustive research into the field of college football programs has turned this information up. I recommend going to his site to see the length and breath of the cartoon and illustration world that exists in the college football program arena. His site is now in browse/test mode, but soon you will be able to order poster reproductions of any of the program covers he has online.

Needless to say, some great unknown cartoonists and illustrators did work on these covers, and its a shame that no one, save Andy, has bothered to gather them up. No question, Andy has a great resource that hopefully will be a springboard for a more thorough treatment of the subject.


Now, to make things even more interesting, inside a lot of the programs were specialty cartoons and ads by cartoonists that appear nowhere else. The Crosby program has cartoons by Johann Bull and E. Simms Campbell as well as the ad you see here by James Thurber.

How many ads/cartoons are there buried in these programs? How much of comic history lies undiscovered in these programs? What does this type of work tell us about the length and breath of the work these cartoonists did and their impact on popular culture?

The SHOC series will never end.

Swann fellowship applications due in two weeks

Swann fellowship applications are due very soon, Friday, February 15, 2008. One of the few fellowships in the field, this $15,000 award supports scholarly research in caricature and cartoon. Applicants must be enrolled in an M.A. or Ph.D program in a university in the U.S., Canada, or Mexico. Access guidelines and application at:

http://www.loc.gov/rr/print/swann/swann-fellow.html

Email swann@loc.gov or call 202/707-9115 with questions.

Post censored Candorville two weeks ago

Earlier this week, Gene Weingarten revealed in his chat's poll that the Post censored January 19th's Candorville which joked about presidential assassination and illegal immigration.

His poll revealed that 73% of his readers thought it was the wrong decision with the other 27% split almost evenly in half over 'correct' and 'not sure.'

I of course, think it was wrong, WRONG, WRONG!

But -

Gene Weingarten: On the poll, this might surprise all of you, but I am not as sure as y'all are that The Post was wrong to pull that Candorville!

And I NEVER come down on that side.

This was a joke not only about assassination, but about the assination of a specific person. I would have had a serious taste question about that. I'm now second guessing myself a little, because so many of you did not.

and a later response that I agree with -

Washington, D.C.: The cartoon should have run because it expressed a sentiment that I think a lot of people are thinking/worried about but no one's saying it. I've only seen one interview with Obama that talked about security and even then it was very broad and he addressed it more broadly and they were off to the next question. I thought the illegal immigrant punchline was a perfect lampooning of where we're at as Americans right now.

Gene Weingarten: I'll buy that. Maybe.

and this one was way off base -

Candorville: The First Amendment and freedom of speech does not cover violence. The Post was right.

Gene Weingarten: Well, it wasn't ADVOCATING violence.

and a few more views -

London, UK : As an outsider you, as a country, can be a tad carefree with your presidents.

What Candorville seems to express is unspoken but not non-existant. The cartoon form is, and has always been, an ideal platform for such free speech.

Gene Weingarten: No one is questioning whether he is free to draw that strip. Of course he is. But newspapers do edit things for taste. It's not censorship, it's editing.

_______________________

Candorville: I read the strip you mention in today's poll last week online, not knowing that it had been cut from the print version of the Post, and I was surprised at it for the same reasons you mention. However, I don't think it's dangerous, and I think it is an important social commentary on the fact that racism and intolerance are still serious problems in American society. For that reason, I think the Post should have run it.

Gene Weingarten: Okay.

and -

Dogtown, Ark.: That Candorville was brilliant! Topical and poignant! What kind of maroon would think it offensive enough to pull from the comics page? Gene, it is your sacred duty to out this philistine so he/she may be duly ridiculed by the Chat.

Gene Weingarten: It was topical, though it was not a really original joke. It was a re-tooling of an old joke to fit a new topic.

and then -

Cambridge, Mass.: I would like to point out, as I'm sure many others already have, that the joke in the Candorville comic is a straight rip-off of a Dave Chapelle bit. Dave talks about how hard it would be to be the first black president and the likelihood of assassination, therefore he would only do it if his vice-president is Mexican, "for a little insurance. So everyone would just leave me and vice-president Santiago to our own devices." Great act by a native-D.C. comic.

Gene Weingarten: Dave was not the first to speculate on strategically having a terrible veep to make sure no one assassinates you. Those jokes were rampant during Dan Quayle's vice presidency.

Ok, after reading all the comments -- they were still wrong to drop it. It wasn't advocating assassination, so I think they just didn't want the outraged letters.

Berryman exhibit at National Archives preview UPDATED

Thanks to my colleague Miriam (we bonded over stories of St. Elizabeth Hospital records), I got to see the new National Archives exhibit on Clifford Berryman today. Running for Office: Candidates, Campaigns, and the Cartoons of Clifford Berryman is open at the downtown branch from February 8 - August 17th. A formal review will appear in the fall issue of the International Journal of Comic Art, but here's some notes.

The exhibit was curated by Jessie Kratz and Martha Grove. They looked through the 2,400 pieces of artwork that the Senate was given after the cartoons were found in garbage bags in Berryman's daughter's house in the early 1990s. The curators looked through all of the drawings for cartoons that related to the campaign process. They divided the exhibit into sections: Throwing Your Hat in the Ring!, Narrowing the Field, Running for Congress, The Campaign, The Voter, Candidate William Jennings Bryan, The Homestretch and The Results Are In! I'd guesstimate that about 50 cartoon are displayed including a self-portrait with teddy bear. Berryman's lasting claim to fame, beyond being a professional cartoonist for 53 years, is drawing a bear cub that Teddy Roosevelt refused to shoot. The teddy bear became an icon of his drawings.

Berryman was a consummate professional. There's barely any visible underlying pencil or scraping out of unwanted lines. His characters are clearly recognizable, although more as portraits than caricatures as Warren Bernard pointed out. However, as Richard Baker, a Senate Historian noted in his introduction, Berryman "...combined a fine skill in caricaturing Senators with a gentle humor..." The gentle humor means that these cartoons are very gentle indeed, especially when compared to Nast and Oliphant at the opposing ends of Berryman's career.
Ahh, the lame duck!

Still, I like his work. His drawing of Roosevelt as Shakespeare's Hamlet is fantastic. Henry Ford was satirized as wearing a bathing suit, but refusing to dive into the 'presidential pool'. His elephant and donkeys symbols are excellent pen and ink works. His line is clear and easy to understand, even with his use of a massive amount of crosshatching.

The curators made a good selection of cartoons - most are still easily understandable. A reproduction of a front page of Washington's Evening Star shows how these cartoons would have appeared originally - far smaller, but on the front page of the paper. Berryman was considered the dean of Washington cartoonists, and a visit to this exhibit can show you why.

The exhibit has a small brochure, and a catalogue which appears very well done. Full of color reproductions, it's for sale at the Archives; gift shop. Remember that there's a program with Oliphant, Stephen Hess, Telnaes, Matt Davies and Clay Bennet on the evening of February 7th.

For a week from February 1, you can download the prefatory comments by the Archivist of the US, a historian of the Senate, the curator and Miriam here. I made the recording to help writing a review.

Anthony Lappe talk at Library of Congress report and 2nd appearance later in the evening

Anthony Lappe, author of the graphic novel, Shooting War, spoke at the Library of Congress today at lunchtime. Lappe, an editor at Guerrilla News Network had been to Iraq as an embedded reporter and produced a film about his trip there (which is available on their website). He will also be appearing at Bourbon tonight at 9 pm.

Lappe returned from Iraq disillusioned with both bloggers and mass media and wrote this satirical graphic novel (which started as a film). In 2011, blogger Jimmy Burns, accidentally films a suicide bombing for his blog, and then parleys that fame into a reporting trip to cover the Iraq War. His blogger character Burns arrives in Iraq with no journalistic experience, but is mentored by Dan Rather who's reinvigorating his career at the front. Lappe noted later that Rather had sent a nice note about his appearance in the book, and that none of the actual people or references in the book objected.

The artwork is done on a computer, probably a Wacom tablet. Lappe found his collaborator, artist Dan Goldman by placing an ad on Craig's List. Although Goldman wasn't at the event, Lappe showed some of the artwork, and the process of arriving at a finished page. Goldman seems to draw the figures, then layer in a real photograph as background.He did point out that all of the logos had to be replaced by Goldman for the UK edition due to their differing laws.

The project first appeared on Smith Magazine and can still be seen at http://www.shootingwar.com although that version is different than the final book.

For the hardcore superhero fans, Lappe pointed out that he was influenced by Spider-Man when writing this. His character gains great power like Peter Parker (by being the only person to videoblog a terrorist event) and then tries to live up to that power while still being a normal guy. Not a comic book reader, Lappe was surprised that no reviewer had picked up that link.

In the Q&A period, Lappe noted that the main character may return as a tv series with a concurrent series of comic books. He also said that he had no editorial interference from Grand Central Books (formerly Warner Books), his co-author is working on a graphic story about the current election, and while he admires the work of Joe Sacco, he really didn't want to repeat his movie as a comic book. He also railed against the comic industry a bit, noting that while up for an Eisner at San Diego, he found very few works that addressed the war. He was asked about veterans views on the book - the talk was sponsored by an LOC vet group - and said that his friends who were veterans liked the book, but that might be just because they were his friends. However, he did change one character, a Lt. Colonel, and his reaction to the death of one of his soldiers, based on responses to the online story.



Obviously I bought a copy of the book and had it signed. I'm looking forward to reading it. More notes later as they occur to me.

Feb 7: Tracy Sugerman at Library of Congress

I don't know anything about his work, but Sara Duke is introducing him.

Public contact: Veterans History Project (202) 707-4916, vohp@loc.gov

WWII VETERAN AND ACCLAIMED ARTIST TRACY SUGARMAN
DISCUSSES MEMOIR, ILLUSTRATIONS AT LIBRARY ON FEB. 7
Award-winning author and illustrator Tracy Sugarman will give a visual presentation and discuss his new memoir, “Drawing Conclusions: An Artist Discovers His America,” at a special program at noon on Thursday, Feb. 7, in Dining Room A of the Library’s James Madison Building, 101 Independence Ave. S.E., Washington, D.C.

The event, co-sponsored by the American Folklife Center’s Veterans History Project and the Prints and Photographs Division, is free and open to the public. No tickets or reservations are required.

"Mr. Sugarman’s writings, drawings and video-recorded interviews comprise a rich collection in both the Library’s Veterans History Project and the Prints and Photographs Division, and we are honored that he will be here to talk about his book, which is an important addition to the historical record he has already shared with the American people," said Librarian of Congress James H. Billington.

Sugarman, a WWII naval officer, is a freelance artist and illustrator who, in a long and varied career, has covered the civil-rights struggle in the South, labor strikes, NASA rollouts, VISTA's work with Appalachian coal-miner families, and rehearsals of the Boston Symphony Orchestra and the Alvin Ailey Dance Group. His work has garnered recognition from the Society of Illustrators in New York and the Art Directors Club in Washington, D.C.

In 2000, Sugarman published “My War,” a reminiscence of his wartime experiences, which blended artwork, excerpts of letters home and memories of his days during wartime. Sugarman’s story was also included in “Voices of War,” a book published in 2004 by National Geographic and the Library, which features stories from the Veterans History Project collections. Sugarman’s wartime-era artwork is housed in the collections of the Prints and Photographs Division, and a watercolor from that collection is featured on the front of the VHP 2008 “Forever a Soldier” wall calendar.

Unequaled in their scope and richness, the collections in the Library of Congress Prints and Photographs Division currently include about 14 million photographs, drawings and prints from the 15th century to the present day. International in scope, these visual collections represent a uniquely rich fund of human experience, knowledge, creativity and achievement, touching on almost every realm of endeavor: science, art, invention, government, political struggle and the recording of history. For more information, visit www.loc.gov/rr/print/.

Wartime veterans are encouraged to come forward to record their experiences for the growing archive within the American Folklife Center’s Veterans History Project at the Library of Congress. Those interested can download a VHP Field Kit from the Veterans History Project Web site at www.loc.gov/vets/, request a kit via email at vohp@loc.gov or call the toll-free message line at (888) 371-5848.

March 5: Lecture at Library of Congress

ON March 5th at noon in the Madison building, Swann Fellowship winner Dr. Ellen Berg will speak on "Where Have You Gone, Miss Columbia? American Identity and Uncle Sam's Forgotten Partner." This should be good, although my uninformed opinion is that the Statue of Liberty simply subsumed Columbia.

More additions to the Rhode stash

Barbara of the Netherlands by way of Canada sent these faux Pez 'Klik' X-Men yesterday. Hoo-hah! Note the Taj Mahal in the background - site of the 4th low-budget movie?


Boy, they're just horrible, aren't they? Another great addition to the collection!

3 post-World War 1 cartoons on flickr

The National Museum of Health and Medicine, from whence I draw a paycheck, has been putting pictures up on Flickr. Today one of the other archivists put up some shots she took of the Comeback, the post-WW1 Walter Reed Army Hospital Paper. So here are links to a semi-editorial cartoon,

a sports comic strip


and an ad

.

Larger versions can be downloaded from the Flickr site - there are no download limits.

You can also see this somewhat out of date finding aid, Cartoons and Comics in the National Museum of Health and Medicine.

Feb 2: African cartoonist Issa Nyaphaga appears

Issa wrote in:

Please join us for a music / painting performance at the opening of Issa Nyaphaga's exhibition, "Mystic Forms" at Mount Rainier’s H&F Gallery on Rhode Island. Mount Rainier residents, Surabhi Shah, Deepak Shenoy, and Silver Spring resident Shareen Joshi will accompany with music and vocals Mount Rainier’s Issa Nyaphaga, while he performs improvisational live painting using the music for inspiration.

Date: Feb 2, 2007, Saturday
Venue: H&F Fine Arts Gallery, 3311 Rhode Island Avenue (next to Artmosphere), Mount Rainier, MD 20712, (301) 887-0080 (http://www.hffinearts.com/)
Reception: 5-8pm
Music/Painting Performance: 7-8pm
Performers:
Live Painting - Issa Nyaphaga (Mount Rainier, MD & Paris, France)
Tabla (Indian percussion instrument) - Deepak Shenoy (Mount Rainier, MD)
Vocals - Surabhi Shah (Mount Rainier, MD)
Vocals & Harmonium (Indian keyed instrument)- Shareen Joshi (Silver Spring, MD)
Presentation by Shivali Shah.

Check out this radio show about Issa.