Toles anniversary

Dave Astor's reporting that Tom Toles has been syndicated for 25 years in "Anniversaries for Tom Toles and 'Cornered' Cartoonist" E&P October 16, 2007.

ICAF schedule

Ok, again - I'm going. Anyone else? I'll be there all three days.

THE TWELFTH ANNUAL INTERNATIONAL COMIC ARTS FORUM
Madison Building, Library of Congress, Washington DC
October 18-20, 2007

This schedule is subject to change.

ICAF is free and open to the public. No registration is necessary to attend.

All events will be held in the Mumford Room on the sixth floor of the Madison Building unless otherwise noted.

THURSDAY, OCTOBER 18
9:00-9:15 Welcome and introduction
9:15-10:45 Panel 1: To and against type: Othering and stereotyping
Moderated by Stanford Carpenter, ICAF Executive Committee
Phillip Troutman, “Abolition Comix: Semiotics, Icon, Sequence, and Network in Anti-Slavery Visual Argument”
Jay Casey, “Advance and Be Criticized: A Reappraisal of the Portrayal of Friend and Foe by Overseas Soldier Cartoonists during the Second World War”
Frank Bramlett, “Camp, Sissies, and Queers in The Rawhide Kid”
10:45-11:00 Break
11:00-12:00 Panel 2: Political tensions in contemporary Asian cartooning
Moderated by Craig Fischer, ICAF Executive Committee
Todd S. Munson, “Anti-Chinese Rhetoric in Contemporary Japanese Manga”
Josette Mazzella di Bosco Balsa, “Political cartoonists in the historical context of Hong Kong after the Handover, 1997-2007”
12:00-1:30 Lunch
1:30-2:30 Panel 3: Sound and speech in comics
Moderated by Cecile Danehy, ICAF Executive Committee
Robert S. Petersen, “The Metamorphosis of Phylacteries”
C. W. Toph Marshall, “Diegetic Sound in Dave Sim’s Cerebus”
2:30-2:45 Break
2:45-3:45 Guest Speaker DR. IAN GORDON (Australia/Singapore)
3:45-4:00 Break
4:00-5:00 Art display in the Prints & Photographs Reading Room
Courtesy of the Swann Foundation for Caricature and Cartoon
Curated by Sara Duke and Martha Kennedy, The Swann Foundation
5:00-6:00 Display of drawings by Lat in the Asian Division Reading Room
Courtesy of the Library of Congress Asian Division
Curated by Kathryn Wellen, Library of Congress Asian Division

FRIDAY, OCTOBER 19
9:30-11:00 Panel 4: Comics in cultural institutions
Moderated by Arnold Blumberg, Geppi's Entertainment Museum
Poliana Irizarry and Joshua C. Roberts, “Beyond Leisure Reading: Garnering Support for Comics Scholarship from Your Academic Library”
John Jennings and Damian Duffy, “Remasters of American Comics: Sequential art as new media in the face of the transformative museum context”
11:00-11:30 Break
11:30-12:30

Panel 5: The theory and practice of comics studies
Moderated by Charles Hatfield, ICAF Executive Committee
Ernesto Priego, “The Tell-Tale Smell of Burning Paper: ‘Logic of Form’ and the Origin of Comics”
Benjamin Woo, “An Age-old Problem: Problematics of Comic Book Historiography”
Joseph Witek, “American Comics Criticism and the Problem of Dual Address”

Ernesto Priego is unable to present his paper at ICAF because he has been denied entry into the United States of America. The U.S. government has not renewed his visa, nor have they given him any explanation why he will not be allowed into the country. ICAF protests this refusal of entry, part of a recent and disturbing trend of excluding foreign scholars, as an infringement on academic freedom.
12:30-2:00 Lunch
2:00-3:30 Panel 6: Audiences and reception cultures
Moderated by Guy Spielmann, ICAF Executive Committee
Noriko Inomata, “The establishment of female manga readership in Japan and its circulation system: A comparison with the case of French market”
Ken Parille, “Jason and the Appropriators: Fashion, Photos, and the Comic”
José Alaniz, “Autobiography and Post-Soviet Russian Comics”
3:30-4:00 Break
4:00-5:00 Guest Artist LAT (Mohammed Nor Khalid) (Malaysia)
Introduced by John A. Lent, Temple University
5:00-7:30 Dinner
7:30-9:00 ICAF AND THE GEORGE WASHINGTON UNIVERSITY JOINTLY PRESENT:
Iconophobia: Comics, Politics, and the Power of the Image
A special event at the George Washington University’s Gelman Library featuring Lat, Kevin “KAL” Kallaugher, and Robert Russell
Co-sponsored by the Gelman Library, the GWU English Department, & the GWU Writing Program

SATURDAY, OCTOBER 20
1:00-2:30 Panel 7: Remembrance and nostalgia
Moderated by Marc Singer, ICAF Executive Committee
Jennifer Castel, “Nostalgia, Representation, and Identity in Art Spiegelman's In the Shadow of No Towers”
Pedro Pérez del Solar, “’A Führer’s day’: Comics and politics of memory in 1980s Spain”
Jason Buchanan, “A Superman without a World: Mourning, Melancholy, and Nostalgia in the Images of Post 9/11 Superman”
2:30-2:45 Break
2:45-3:45 Lent Scholarship Lecture: Orion Ussner Kidder, University of Alberta
3:45-4:00 Break
4:00-5:00 Guest Artist KYLE BAKER (USA)
5:00 Closing remarks

Beeler. Nate Beeler.

Nate's picture is grinning from the weird wrap-around advertising for their website that the Examiner put on today's papers. So, they pick the most interesting picture for the cover they can, to attract attention in a town with ohhh, five free papers, I think, and then put a wrap-around ad over it. Nate's on the back as part of The Examiner News Team and Partners. His shortcut is Cartoons.

He did have a good bash at Al Gore in today's paper.

Woodbridge's Luna Brothers

The interview is in "Luna brothers living by 'The Sword'" by JOSH EISERIKE, Potomac News Sunday, October 14, 2007.

Small Press Expo 2008 photos

Steve Hamaker and Claire

Steve Hamaker

Kevin Greenlee of Fantagraphics

Kim Deitch

Raina Telgemeier and Claire

Raina Telgemeier and Claire

Steve Hamaker, Bone colorist and Fish n Chips cartoonist

Matt Wagner and Big Planet Comics co-owner Greg Bennett

Voice of America - Indonesia doing interviews

Voice of America - Indonesia doing interviews

Roger Langridge, smiling even before I bought three pages of art from him

Kim Deitch, drawing a clown

Matt Wagner drawing in his new book, The Art of Matt Wagner

Jeff Smith congratulating and buying a book from an Ignatz nominee

Matt Wagner

Matt Wagner

Matt Wagner

Here are some pictures I took - higher resolution ones can be downloaded at http://www.flickr.com/photos/42072348@N00/. If I spelled anyone's name wrong, please let me know.

Pictures by Bruce Guthrie should be appearing here soon - http://www.digitalphalanx.com/graphlib.nsf/Last_45?OpenView&count=-1

Washington Post Writers Group editor Amy Lago interview

Click to"Episode 19 - The Amy Lago Show" by Brian Dunaway, on Comics Coast to Coast podcast, Thursday, 11 October 2007 to listen.

QUICK REVIEWS FOR COMICS DUE 10-17-07

QUICK REVIEWS FOR COMICS DUE 10-17-07
By John Judy

52 THE COMPANION SC by Various Folks. A hodge-podge of earlier stories featuring the stars of 52. For all of you who need to bone up on your Metal Men and Rip Hunter back-stories. A quirky kick.

52 THE COVERS HC by J.G. Jones. All 52 “52” covers along with thumbnail sketches and production notes. A must-have for all fans of great comic book cover art. Recommended.

THE ABYSS #1 of 4 by Kevin Rubio and Lucas Marangon. A little super-hero action from the writer of the on-line Star Wars spoof “Troops” and the artist of “Tag and Bink.” If you’re looking for something off the beaten path of established universes check it out.

ARMY @ LOVE VOL.1: THE HOT ZONE CLUB SC by Rick Veitch and Gary Erskine. Collecting the first story-arc of this controversial, subversive series. Lots of adult content. NOT for kids.

BOOKHUNTER GN written and drawn by Jason Shiga. A cool little indy about hard-boiled library police tracking down a stolen book in the means streets of Oakland circa 1973.

BOYS #11 by Garth Ennis and Darick Robertson. The Boys go to Moscow. Not enough red ink in the world, ladies and gents. Not for kids, highly recommended.

BRAVE AND BOLD #7 by Mark Waid and George Perez. Wonder Woman and Power Girl team up to fight something. Excellent! What, you want more?

CAPTAIN AMERICA #31 by Ed Brubaker and Michael Lark. Bionic Bucky gets the treatment from Doctor Faustus, the most evil and fattest of the Marvel U shrinks. Fun stuff.

DEATH OF THE NEW GODS #1 of 8 written and drawn by Jim Starlin. As Dorothy Parker said upon hearing of the death of President Coolidge, “How could they tell?”

EX MACHINA #31 by Brian K. Vaughan and Tony Harris. Will Mayor Hundred kill the Pope? And what’s with the gorilla on the cover? Gorilla covers are awesome. Recommended.

JSA ALL-STAR ARCHIVES VOL.1 HC by All Kinds Folks. This one collects all the golden-age solo adventures of Johnny Thunder, Hour-Man, Atom, Dr. Mid-Nite, Mr. Terrific, Wildcat, and Red Tornado from the years 1940-1942. Buy this and laugh at all the back issue vendors at the next convention! Recommended!

JUSTICE LEAGUE OF AMERICA #14 by Dwayne McDuffie and Ed Benes. Injustice League, big fight, possible death. With chili-fries please.

MARVEL MASTERWORKS AVENGERS VOL.7 HC by Roy Thomas, John Buscema, Gene Colan, and Barry Windsor-Smith. A heck of a classic run here, collecting AVENGERS #59-68. For those of you keeping score, that’s the first Yellowjacket, the wedding of Giant-Man and the Wasp, Hawkeye becoming Goliath, and Ultron before he became a naked girl!
Recommended!

MARVEL ZOMBIES 2 #1 of 5 by Robert Kirkman and Sean Phillips. They’re back with the best opening line of the year! Highly recommended. NOT. FOR. KIDS.

MARVEL ZOMBIES HULK ACTION FIGURE. “Hulk is the hungriest one there is!!!”

MIGHTY AVENGERS #5 by Brian Michael Bendis and Frank Cho. The new improved naked girl Ultron is trying to launch nukes while the Sentry kicks his/her ass. Just write your Summer movie already, Bendis!

PENANCE RELENTLESS #2 of 5 by Paul Jenkins and Paul Gulacy. Dark Speedball reveals what’s up with his numbers obsession. It ain’t good. Rated “C for Creepy.”

SHAZAM MONSTER SOCIETY OF EVIL DELUXE HC written and drawn by Jeff Smith. All four issues collected here. “Yes, please!” Highly recommended.

UMBRELLA ACADEMY APOCALYPSE SUITE #2 of 6 by Gerard Way and Gabriel Ba. Yeah, it’s a comic written by the guy from My Chemical Romance, but it’s a really good one and it’s coming out on schedule! Definitely worth a look if you like your super-stuff a little twisted and dark. Recommended.

WOLVERINE ORIGINS #18 by Daniel Way and Steve Dillon. Daniel Way is the George Bush of comics. Steve Dillon must cry himself to sleep each night remembering what it was like to draw “Preacher.” That is all.

www.johnjudy.net

Express videography of Small Press Expo

Scott Rosenberg and Chris Porter of the Express walked around Saturday recording interviews. The first, with SPX head Karon Flage is online and more will be appearing here.

Comics Alliance, another DC-area blog CORRECTED

I think I got my blog listed with the Post tonight and also spotted a listing for John Anderson and Chris Dooley's Comics Alliance as being local too. We've never run into each other as far as I know though.

ICAF announces presenter refused admission to US FOLLOWUP

Tom Spurgeon's got a bit more back and forth with Marc Singer..

Come to ICAF this weekend and grill Marc for yourself!

JOHN DANIELS INTERVIEWS FRANK BEDDOR ON SEEING REDD

Our guest columnist returns as JOHN DANIELS INTERVIEWS FRANK BEDDOR ON SEEING REDD

First and foremost I want to thank you for taking the time to interview with me again.

The incredible sequel to the Looking Glass Wars is enthralling. Seeing Redd is the type of novel that could catapult you into literary history. Seeing Redd is the most awe-inspiring novel of the season.

How did it feel to see your book Seeing Redd which was just released on August 21st already topping the New York Times bestseller list?

Very, very satisfying. Having it at #4 on the NYT bestseller list the week it was released showed me that the momentum created by the Looking Glass Wars and Hatter M had carried readers to the next book and this was incredibly exciting.

How would you describe the atmosphere of Seeing Redd compared to the Looking Glass Wars novel?

Well…the dust has barely settled since the Alyssians trounced Queen Redd and she fled through the Heart Crystal to parts unknown. We return to a Wonderland in flux as the young queen Alyss attempts to rule a world she barely knows; a world where everyone is seeing Redd! Has Her Imperial Viciousness returned or it only black imagination? So in one word I would describe the atmosphere as TENSE in Seeing Redd. Book Two readers, assuming they have read book one, have already been introduced to Alyss and her Wonderland and many of the characters they will see again in Book 2. While LGW covered a 13-year period, Seeing Redd focuses on an adventure that takes place over a short period of time. There will be new characters introduced plus a heightened sense of immediacy as events and crisis follow in rapid order. Characters will again be traveling back and forth from Wonderland via the Pool of Tears but this time a new twist will be added as inhabitants of our world travel to Wonderland. These travelers are not exactly welcome as they are villains first introduced in the Hatter M comics. Much of the fun of the parallel story of Hatter M is crossing back and forth from different perspectives. While Hatter battled these villains on earth to save Imagination, Redd sees them in an entirely different light.


The depths of the characters portrayed in your novels are astonishing. Are there any characters returning from the Looking Glass Wars novel, and could you tell us some of the new characters in Seeing Redd?

Alyss and all the Alyssians return in full force for Seeing Redd as well as Redd and her murderous feline, the Cat. Villains introduced in the Hatter M comic mini-series will also re-appear in Seeing Redd as they join with Her Imperial Viciousness in the cause of Black Imagination. With regard to new characters, readers will be introduced to Boarderland and it’s alpha leader, King Arch, an avowed male chauvinist who loathes the idea of Queens ruling Wonderland. Aided by his henchmen, Ripkins and Blister, and the 21 warrior tribes, King Arch lays out his plan to dominate Wonderland like a master chess player. It comes quite naturally to Arch since Boarderland is a land of incessant gamers and gamblers. If you are a fan of anagrams, closely inspect the map included in Seeing Redd and see if you can decode the names of each of the 21 tribes. Hint: Each name is an anagram of a card or board game. Good luck!

Last time we interviewed I made a statement this could be a franchise in the making and this would be an incredible tale for a movie. How much is this in fruition?

I have completed the screenplays for the Looking Glass Wars and Hatter M. which I see as companion films. I am currently working on Book 3 of the trilogy and the screenplay for Seeing Redd. If I am fortunate enough to get the first two films produced then I would like to go on and produce the second two, which would create a 4 film series. In the franchise crazed studio world this amount of material has generated a lot of interest and excitement, however I’m holding out on making any deals. Currently, I have been having conversations with directors because the final and most important piece of the puzzle is my creative counterpart, the director who will take what I’ve created even further.

I first read Hatter M before the Looking Glass Wars; I have been a fan of your writings since 2005. How do you feel about the recognition you have received from all of the media and comic book reviewers?

I feel extreme gratitude for all the time and effort taken by these writers to get to know my work and help to articulate it to their readers. The positive feedback really helps by encouraging me to take the intuitive leaps that guide me with all of these projects. You think to yourself, “Oh man…is this too much?” But then you get this amazing feedback to go further and it just pushes you to keep trying for the high notes. It really is a collaborative effort on everyone’s part who enjoys the projects to keep them expanding and delivering what the LGW fans enjoy about the characters and their adventures.

Are you going to be coming to the east coast and doing any book signings or Comic -Cons, because you have loyal fans that would enjoy meeting a creative artisan as yourself?

I always try to do as many Comic Cons as I can physically and realistically fit in to my schedule because meeting the fans and talking about the work is truly ground zero for me. FRANK – ANY EAST COAST COMIC CONS SCHEDULED??????

Are you going to have a comic book about the Seeing Redd novel?

It is a definite possibility. If I were to do a ‘comic’ based on Redd I would want to do it in a similar fashion to how I created Hatter M which was created not as a comic book version of the character as readers were introduced to him in LGW, but as a stand alone series that is really an adjunct or extension of the novel. Through Hatter’s perspective readers are taken on an entirely different albeit connected adventure from what they have read in LGW. Redd’s comic book series would possibly be a prequel of the girl who would kill to become Queen or maybe an exploration of Wonderland when she ruled for 13 years where the four suit families were vying for power as they assemble their own armies.

How were the skeptics concerning you writing this fantastic story?

Debate is healthy. I welcome all forms of criticism and only ask that they read my books first.

As I read Chapter 32 in the book, I was so amazed how you incorporated our friend Mr. Dodgson. How does the Lewis Carroll society feel about you writing about their founder?

I have not had any direct contact with the venerable society, however, I believe via several anonymous posts to our forums that there may be a divisive ‘curiosity’ developing within the society and that some of the members have opened their imaginations to the possibility that there was much more to Lewis Carroll than history had recorded.

You have surrounded yourself in the company of some great artists in the past such as Ben Templesmith and Liz Cavalier. Now in this novel Seeing Redd you have artwork by Vance Kovacs, Stephan Martiniere, and Nate Barlow. How have the contributions of these artists helped in spreading the glow?

Working with the people you named (as well many, many others you did not) has been an alchemical explosion of creativity that has not only helped to spread the glow but since the very beginning has revealed that imagination glows brightest when the effort is collaborative.

Which is more demanding and fulfilling being a movie producer or being a writer?

Both are demanding and fulfilling, as is any job where something of value is accomplished. The difference I noticed most was that when you produce a movie you have to rely on other people on a daily basis while when writing it is solely up to you to deliver that day’s pages. When writing you stand, or fall, alone on each day’s work. This makes for an intense experience and your daily moods correspond to how well the writing is going which can turn you into a functioning manic/depressive.

Is there any advice you would give aspiring writers?

They always tell you to write what you know. I think this is boring advice. If you know it already where is the fun for you? I say go out and discover something you do not know but are incredibly interested in and write about that. At least you will have a good time doing it and if it is something you find fascinating chances are others will too or at least enough people to support your ongoing authorial efforts.

What would you like fans to go away with after reading "Seeing Redd"?

An intense desire to know what happens in Book 3.

As always, it has been a pleasure talking with you. Mr. Beddor, your creativeness and written artistry are that of a modern day genius. Thank you and the multitudes of creative artists that work with you to bring us the readers an incredible novel about the real Alyss of Wonderland.

SPX and DC's Matt Dembicki in the Examiner today UPDATED

The Examiner has a brief article on SPX today (now on the right, shhh) - Matt Dembicki of the local DC Conspiracy artists group is quoted in it. Matt's at SPX selling his Mr. Big, the story of a large turtle, which Matt says is all-ages appropriate.

Also, apparently yesterday's Post Weekend had a brief article, and on Thursday, Scott Rosenberg had a good size piece about Matt Wagner and SPX in the Express, with a lovely piece of art by Paul Horshenheiemer. He's got extras and he's roaming at SPX interviewing cartoonists with Chris Porter also of the Express.

I'll be there circa 1:30 on Saturday with Richard Thompson of the Post and Cul de Sac in tow.

OT: Mauldin / Feiffer exhibit in Chicago

this press release was sent to me and I've got a great deal of respect and admiration for the two cartoonists, so here it is:

Jean Albano Gallery
215 West Superior Street
Chicago, Illinois 60610
312.440.0770 fax 312.440.3103
www.jeanalbanogallery.com

October 11, 2007

FOR IMMEDIATE RELEASE:

The Jean Albano Gallery is pleased to announce an exhibition, History Revealed, featuring work by famed cartoonists BILL MAULDIN and JULES FEIFFER. The show opens on Friday, October 26, 2007, and will run through Saturday, January 6, 2008. The gallery will host an opening reception on Friday, October 26, from 5:30 to 7:30 pm at 215 West Superior Street, Chicago. This exhibition will explore subtleties between the work of these two men, whose editorial cartoons continue to be socially and politically relevant. Original watercolor drawings, editorial cartoons, and Feiffer’s illustrations from The Long Chalkboard (2006) will be shown. In addition, new limited edition prints by Bill Mauldin will be featured, including a special limited edition printing of Mauldin’s iconic “Weeping Lincoln” image.

The late cartoonist BILL MAULDIN is remembered for his depiction of life in the trenches during World War II. Stationed in Europe during the war, Mauldin drew cartoons for the Stars and Strips featuring two infantrymen named Willie and Joe. In 1945, Mauldin won his first Pulitzer Prize, “for distinguished service as a cartoonist, as exemplified by the series entitled ‘Up Front with Mauldin.” Mauldin became staff cartoonist for the St. Louis Post-Dispatch in 1959. In the same year, he won his second Pulitzer for a cartoon entitled I won the Nobel Prize for Literature. What was your crime? In 1962, Mauldin moved to the Chicago Sun-Times, where he worked until his retirement in 1991. One of Mauldin’s most famous cartoons, depicting the statue of Abraham Lincoln at the Lincoln Memorial holding his head in his hands, appeared in the paper after the assassination of John F. Kennedy in 1963. Mauldin passed away at the age of 81 in 2003.

JULES FEIFFER is a legendary, multi-dimensional personality whose talent is reflected in his many endeavors, including his beautifully composed and engaging artwork. In 2003, Feiffer was honored with a solo exhibition, Julz Rulz: Inside the Mind of Jules Feiffer, at the New York Historical Society. In addition, Feiffer’s most recent play, A Bad Friend, was commissioned by and performed at Lincoln Center, New York in summer, 2003. Jules Feiffer is known for his internationally syndicated cartoon strip, which ran for 40 years in The Village Voice and as a monthly feature in The New York Times. He is the author of over 35 books, including the children’s books By the Side of the Road, (2002) and I Lost My Bear (1998). He has written film scripts, among them Popeye (1980) and Carnal Knowledge (1971), and won an Academy Award for Munro (1960), an animated cartoon based on his story. Feiffer won the Obie and Outer Critics Circle Awards for his first full-length play, Little Murders, in 1969. He lives and works in New York City.

Gallery hours are Tuesday through Friday, from 10:00 am until 5:00 pm, and Saturday from 11:00 am to 5:00 pm, or by appointment. For further information, please contact Sarah Kaliski or Lindsey Walton at 312.440.0770.


Also, this bit about Mauldin's Lincoln cartoon was included separately:

The “WEEPING LINCOLN,” by the great Bill Mauldin, is one of the most acclaimed and distinguished cartoons of the twentieth century. Drawn on November 23, 1963, the day of President John F. Kennedy’s assassination, the cartoon ran in commemoration the following day as the back page of the Chicago Sun-Times.

The cartoon captured the immediate emotional response to the president’s death as felt by millions of people around the world. The image remains unequivocal; a powerful tribute to this historic occasion.

Mauldin gave the original drawing of the “Weeping Lincoln” to Mrs. Jacqueline Kennedy, who later donated it to the Kennedy Presidential Library in Boston.

Unknown to the world, the original metal plate used for printing was rescued from the refuse container by Mr. Ralph Otwell, Weekend News Editor for the Chicago Sun-Times, and has been on the wall of his study for over forty years. Mr. Otwell brought the plate to Jean Albano Gallery in 2006, during their first exhibition of Bill Mauldin’s cartoons. It was an amazing discovery.

The Estate of Bill Mauldin, in association with Jean Albano Gallery, is privileged to offer a limited edition print of the “WEEPING LINCOLN,” hand-pulled from the original plate. This special edition is limited to ONLY 650 prints.

The “Weeping Lincoln” will be featured as part of the exhibition History Revealed: Jules Feiffer and Bill Mauldin, on display at Jean Albano Gallery from October 26, 2007 through January 6, 2008.

Matt Wagner signing at Big Planet

I went to the Matt Wagner signing at Big Planet and bought a lot of books. I already had some of them in comics books, but it's easier to find compilations on the shelf. Matt was a real nice guy and I'm sure I'll get some photos from BP to post here. I've got some nice sketches in the books too!

How'd the other signings in town go?

Small Press Expo article

There's a good Small Press Expo article in the Express - this is too late for you to pick up a physical copy, but check out Scott's story. The print copy had a beautiful piece of art by Paul Hornschemeier - perhaps Scott can let us know if it's onlin.e

Apparently this article on Cul de Sac will run in the Express

"Comics: A Week of Wry Laughs" by Scott Rosenberg, Express, Posted at 12:00 AM on October 11, 2007.

Why isn't Cul de Sac in the Post?

Beats me. Supposedly they bought it.

I'd encourage you all to write to comics@washpost.com.

Here's the note I sent today:

So, what are we all waiting for? Perhaps you can drop 'Watch Your Head' which sadly never fulfilled its promise. Or finally put 'Peanuts' out of its misery.

Michael Rhode
Arlington, VA

ICAF announces presenter refused admission to US

Tom Spurgeon was informed of this by chair Marc Singer. From the ICAF website (emphasis in the original):

Panel 5: The theory and practice of comics studies
Moderated by Charles Hatfield, ICAF Executive Committee
Ernesto Priego, “The Tell-Tale Smell of Burning Paper: ‘Logic of Form’ and the Origin of Comics”
Benjamin Woo, “An Age-old Problem: Problematics of Comic Book Historiography”
Joseph Witek, “American Comics Criticism and the Problem of Dual Address”

Ernesto Priego is unable to present his paper at ICAF because he has been denied entry into the United States of America. The U.S. government has not renewed his visa, nor have they given him any explanation why he will not be allowed into the country. ICAF protests this refusal of entry, part of a recent and disturbing trend of excluding foreign scholars, as an infringement on academic freedom.

Marc Singer expands on it a little more at his blog.

Oct 12 signings - new Feiffer one!

The Small Press Expo starts at 2 pm of course. See http://www.spxpo.com/

Politics and Prose, Friday, October 12, 10:30 a.m.
KATE FEIFFER and JULES FEIFFER **CHILDREN’S EVENT**
HENRY THE DOG WITH NO TAIL (Paula Wiseman, $16.99)
All of his dog friends have tails, and Henry wants one too. Inspired by Kate’s own tailless Australian Shepherd, Henry, and wonderfully illustrated by Kate’s father, Jules Feiffer, this is an understated, humorous dog tale. Ages 2-5

Writer's Center (Bethesda):
An evening with Washington Post cartoonist Richard Thompson (whose strip "Cul-de-Sac" appears in the Washington Post Magazine, and "Richard's Poor Almanac" in the Style section). Thompson, who is going into national syndication this month, will talk about how he finds and develops ideas and will share samples of work in process.
Date/Time 10/12/2007 [7:30 PM to 9:30 PM]
Event Type Special Event
Venue/Room Bethesda, Room: Reading Room
Capacity 80 spaces

Politics and Prose Friday, October 12, 9 p.m.
Coffee and Donuts with Zippy
BILL GRIFFITH
ZIPPY: Walk a Mile in My Muu-Muu (Fantagraphics, $18.95)
Zippy’s elusive creator Bill Griffith is in town for the Small Press Expo. Due to a delay at the printer, Bill Griffith’s new collection, Walk a Mile in My Muu-Muu, will not be available at the event, although he will be discussing it. His previous Zippy collections will be available for purchase. You will be able to sign-up for a signed copy of the new collection at the event, and we will contact you when they are printed. Coffee and donuts will be provided during the event.

Oct 11 book signings

As Charlie Brown would say - AAARRRRGGGGHHHH! I'll be doing the Matt Wagner one, I think.

Matt Wagner will be at a 25th Anniversary of Grendel signing at Big Planet Bethesda on October 11, from 5-7 pm.

Nick Abadzis will be signing his new book, Laika, on the Russian space dog at Big Planet College Park, 5-7 pm

Douglas Wolk - Reading Comics: How Graphic Novels Work and What They Mean, Thursday, October 11, 2007 at 07:00 PM at Olsson's Books & Records-Dupont Circle, 1307 19th St. NW, (202) 785-1133.

SPEAKING AT THE DC JEWISH COMMUNITY CENTER, Thursday, Oct. 11, 7:30 PM, 1529 16th Street, NW., Washington, DC 20036; Cost: $8/$6 member; Rutu Modan speaks about and signs her graphic novel Exit Wounds.

Kim Deitch (Alias The Cat) and Cartoonists With Attitude with Ted Rall, Jen Sorensen and Keith Knight will have a joint signing event including a slide presentation about their respective works. Date: October 11; Time: 7PM; Location: Barnes and Nobles Bethesda 4801 Bethesda Ave, Bethesda, MD.