Marc, who teaches at Howard U here in town, has decided to stop blogging, after a really nice piece on the problem of DC and Grant Morrison's Final Crisis. Sigh.
Perhaps we'll get that Morrison book out of him now though.
Tuesday, February 03, 2009
Bendis interviewer hat-tips Big Planet
Paul Morton, in 'An Interview with Brian Michael Bendis,' Bookslut February 2009 concludes with "Special thanks to Big Planet Comics in Bethesda, MD for assisting in this interview’s preparation."
BASH! Magazine #7 -- Final Paper Issue
I saw it yesterday, but didn't get to grab a copy until this morning at the Vienna Metro station on the way into work (the kiosks downtown were removed just prior to the Inauguration, and seemingly never made their way back) -- BASH! Magazine #7's cover says:
The back cover says:
In between the covers, expect the usual collection of eclectic content, ranging from the political to the bizarre and everything in between. This issue also has a color center page, "Tragic Relief presents 'The Bridge of Magpies'" by Colleen Frakes.
While I'll miss picking up the new issue at the beginning of the month, I'm not at all surprised to see it go the way of the dodo. Whereas the first issue or two had some very limited (to my recollection) ad content, the last few have been totally bereft, and if there's a business model that exists where this approach makes financial sense, I'm unaware of it.
So tune into www.bashmagazine.com in March I guess, or just seek out the cartoonists' web sites who probably already feature much of this material!
final
paper
issue
but, don't worry,
everything you
love and more
will be at...
www.bashmagazine.com
The back cover says:
BASH Magazine
experience
bash online.
www.bashmagazine.com
website relaunches March '09
In between the covers, expect the usual collection of eclectic content, ranging from the political to the bizarre and everything in between. This issue also has a color center page, "Tragic Relief presents 'The Bridge of Magpies'" by Colleen Frakes.
While I'll miss picking up the new issue at the beginning of the month, I'm not at all surprised to see it go the way of the dodo. Whereas the first issue or two had some very limited (to my recollection) ad content, the last few have been totally bereft, and if there's a business model that exists where this approach makes financial sense, I'm unaware of it.
So tune into www.bashmagazine.com in March I guess, or just seek out the cartoonists' web sites who probably already feature much of this material!
Monday, February 02, 2009
Oscar Howard?
A friend of mine has written in asking, "I am posting to ask if anyone can give me any information on the artist/illustrator Oscar Howard. I have a large,11x14 drawing made with what appears to be black litho pencil on couquille board."
If anyone knows something about this artist, please drop me a line.
If anyone knows something about this artist, please drop me a line.
Final Crisis - a quick review
My buddy Robert Montgomery and I have been buying comics in DC since 1989 when we started working together and fell back into the hobby hard. Here's his thoughts on Final Crisis (which I have not read):
OK. I bought all 7 issues of Final Crisis and all I get at the end is a big HUH? Typical Morrison surrealism. Judy's right when he says DC should have gotten Geoff Johns to write it. What I think happened is: the Multiverse was re-established thanks to Superman; also, the New Gods are back. Is Darkseid? Dunno. Is the Martian Manhunter? I'd bet he is. Looks like we now will get a series of stories explaining how things have changed. Eh. It looks as if Morrison brought in a bit of stuff from the cross-overs. I know he brought in characters from the Superman cross-over (which must have been terribly confusing to those readers who didn't pick up that story and who were wondering where the vampire came from). All-in-all -- what a mess.
OK. I bought all 7 issues of Final Crisis and all I get at the end is a big HUH? Typical Morrison surrealism. Judy's right when he says DC should have gotten Geoff Johns to write it. What I think happened is: the Multiverse was re-established thanks to Superman; also, the New Gods are back. Is Darkseid? Dunno. Is the Martian Manhunter? I'd bet he is. Looks like we now will get a series of stories explaining how things have changed. Eh. It looks as if Morrison brought in a bit of stuff from the cross-overs. I know he brought in characters from the Superman cross-over (which must have been terribly confusing to those readers who didn't pick up that story and who were wondering where the vampire came from). All-in-all -- what a mess.
Sunday, February 01, 2009
Bennett's Best and Zadzooks
The Big Planet owner's picks at Bennett's Best for the week of January 18, By Greg Bennett, Zadzooks Blog January 25 2009 and a column on a Tomb Raider videogame from Zadzooks
ICAF CFP
Sure, they left DC, but I can be a big man about this:
CALL FOR PROPOSALS:
The 14th Annual International Comic Arts Forum: ICAF 2009
October 15-17, 2009
The School of the Art Institute of Chicago
<http://www.internationalcomicartsforum.org>
ICAF, the International Comic Arts Forum, invites scholarly paper proposals for its fourteenth annual meeting, to be held at the School of the Art Institute of Chicago in Chicago, Illinois, from Thursday, October 9, through Saturday, October 11, 2008.
The deadline to submit proposals is March 20, 2009. (Scroll down for proposal guidelines and submission information.) Proposals will be refereed via blind review.
ICAF welcomes original proposals from diverse disciplines and theoretical perspectives on any aspect of comics or cartooning, including comic strips, comic books, albums, graphic novels, manga, webcomics, political cartoons, gag cartoons, and caricature. Studies of aesthetics, production, distribution, reception, and social, ideological, and historical significance are all equally welcome, as are studies that address larger theoretical issues linked to comics or cartooning, for example in image/text studies or new media theory. In keeping with its mission, ICAF is particularly interested in studies that reflect an international perspective.
PROPOSAL GUIDELINES:
For its refereed presentations, ICAF prefers argumentative, thesis-driven papers that are clearly linked to larger critical, artistic, or cultural issues; we strive to avoid presentations that are merely summative or survey-like in character. We can accept only original papers that have not been presented or accepted for publication elsewhere. Presenters should assume an audience versed in comics and the fundamentals of comics studies. Where possible, papers should be illustrated by relevant images. In all cases, presentations should be timed to finish within the strict limit of twenty (20) minutes (that is, roughly eight to nine typed, double-spaced pages). Proposals should not exceed 300 words.
AUDIOVISUAL EQUIPMENT:
ICAF's preferred format for the display of images is MS PowerPoint. Regretfully, we cannot accommodate non-digital media such as transparencies, slides, or VHS tapes. Presenters should bring their PowerPoint or other electronic files on a USB key or CD, not just on the hard drive of a portable computer. We cannot guarantee the compatibility of our equipment with presenters' individual laptops.
REVIEW PROCESS:
All proposals will be subject to blind review by the ICAF Executive Committee, with preference given to proposals that observe the above standards. The final number of papers accepted will depend on the needs of the conference program. Due to high interest in the conference, in recent years ICAF has typically been able to accept only one third to one half of the proposals it has received.
SEND ABSTRACTS (with complete contact information) by March 20, 2009, to Prof. Cécile Danehy, ICAF Academic Director, via email at:
cdanehy@wheatoncollege.edu
Receipt of proposals will be acknowledged immediately; if you do not receive acknowledgment within three days of sending your proposal, please resubmit. Applicants should expect to receive confirmation of acceptance or rejection by April 17, 2009.
CALL FOR PROPOSALS:
The 14th Annual International Comic Arts Forum: ICAF 2009
October 15-17, 2009
The School of the Art Institute of Chicago
<http://www.internationalcomicartsforum.org>
ICAF, the International Comic Arts Forum, invites scholarly paper proposals for its fourteenth annual meeting, to be held at the School of the Art Institute of Chicago in Chicago, Illinois, from Thursday, October 9, through Saturday, October 11, 2008.
The deadline to submit proposals is March 20, 2009. (Scroll down for proposal guidelines and submission information.) Proposals will be refereed via blind review.
ICAF welcomes original proposals from diverse disciplines and theoretical perspectives on any aspect of comics or cartooning, including comic strips, comic books, albums, graphic novels, manga, webcomics, political cartoons, gag cartoons, and caricature. Studies of aesthetics, production, distribution, reception, and social, ideological, and historical significance are all equally welcome, as are studies that address larger theoretical issues linked to comics or cartooning, for example in image/text studies or new media theory. In keeping with its mission, ICAF is particularly interested in studies that reflect an international perspective.
PROPOSAL GUIDELINES:
For its refereed presentations, ICAF prefers argumentative, thesis-driven papers that are clearly linked to larger critical, artistic, or cultural issues; we strive to avoid presentations that are merely summative or survey-like in character. We can accept only original papers that have not been presented or accepted for publication elsewhere. Presenters should assume an audience versed in comics and the fundamentals of comics studies. Where possible, papers should be illustrated by relevant images. In all cases, presentations should be timed to finish within the strict limit of twenty (20) minutes (that is, roughly eight to nine typed, double-spaced pages). Proposals should not exceed 300 words.
AUDIOVISUAL EQUIPMENT:
ICAF's preferred format for the display of images is MS PowerPoint. Regretfully, we cannot accommodate non-digital media such as transparencies, slides, or VHS tapes. Presenters should bring their PowerPoint or other electronic files on a USB key or CD, not just on the hard drive of a portable computer. We cannot guarantee the compatibility of our equipment with presenters' individual laptops.
REVIEW PROCESS:
All proposals will be subject to blind review by the ICAF Executive Committee, with preference given to proposals that observe the above standards. The final number of papers accepted will depend on the needs of the conference program. Due to high interest in the conference, in recent years ICAF has typically been able to accept only one third to one half of the proposals it has received.
SEND ABSTRACTS (with complete contact information) by March 20, 2009, to Prof. Cécile Danehy, ICAF Academic Director, via email at:
cdanehy@wheatoncollege.edu
Receipt of proposals will be acknowledged immediately; if you do not receive acknowledgment within three days of sending your proposal, please resubmit. Applicants should expect to receive confirmation of acceptance or rejection by April 17, 2009.
QUICK REVIEWS FOR COMICS DUE 02-04-09
QUICK REVIEWS FOR COMICS DUE 02-04-09
By John Judy
30 DAYS OF NIGHT: TIL DEATH #3 written and drawn by David Lapham. Will Rufus the vampire finally be forced out of his carefully constructed closet? The best work Lapham’s done in quite a while. Recommended.
ADVENTURE COMICS #0 by Otto Binder and Al Plastino. Wanna read the very first appearance of the Legion of Super-Heroes for only a buck? Yes, you do. Here it is.
AGENTS OF ATLAS #1 by Jeff Parker and Carlo Pagulayan. Jimmy Woo’s heroes of the fifties are fighting Norman Osborn in the present and Wolverine back in the day. Two stories for the price of one! Hoo-hah! A title that keeps on being much better than you’d think. Recommended.
AMAZING SPIDER-MAN #585 by Marc Guggenheim and John Romita Jr. “Menace, Osborns, Spider-Tracer Killer, blah, blah, blah, wrap it up already!” BTW, do you know the Spidey/Obama issue (#583) is now on its fourth printing and still selling like hotcakes? That’s right, President Obama has made comics the only American industry currently showing a profit! “Yes we can!”
ASTONISHING TALES #1 by Lotsa People. It’s Marvel’s latest anthology book. This month it has two Iron Men, Wolverine, Punisher, and a couple of old New Mutants.
BANG TANGO #1 of 6 by Joe Kelly and Adrian Sibar. An ex-gangster tries to find peace as a tango dancer in this six-issue mini that just cries out for Antonio Banderas to make it into a movie.
BLACK PANTHER 2 #1 by Reginald Hudlin and Ken Lashley. Black Panther’s a girl now. Hubba-hubba.
THE BOYS #27 by Garth Ennis and Darick Robertson. Things keep getting progressively more uncomfortable for Wee Hughie. And the G-Men aren’t the worst of it. Not for kids.
BUFFY THE VAMPIRE SLAYER #22 by Steven S. DeKnight and Georges Jeanty. How can you not love a comic book that opens with two lesbian slayers beating up a monster together? Recommended, teens and up.
FINAL CRISIS: LEGION OF THREE WORLDS #3 of 5 by Geoff Johns and George Perez. Two more issues until FC is truly behind us. Could this be the final FINAL CRISIS? Let’s hope so. Actually, this spin-off is Johns/Perez so it’s quite good. No more Big Events though, DC, unless Geoff Johns writes every word. Mean it.
I AM LEGION #1 of 8 by Fabien Nury and John Cassaday. A new American release of a European graphic novel series from 2003. Nazis, vampires and spies all done up in that elegant Cassaday style. Hard to resist a look...
IMMORTAL IRON FIST #22 by Duane Swierczynski and Travel Foreman. Next stop: The Eighth City of Heaven. Please move to the center of the car.
MIGHTY AVENGERS #21 by Dan Slott and Khoi Pham. The latest Avengers team is built around Hank Pym. Tick, tick, tick, tick…
SANDMAN: DREAM HUNTERS #4 of 4 by Neil Gaiman and P. Craig Russell. The final issue in which we learn never to give a fox reason for revenge. Recommended.
SECRET SIX #6 by Gail Simone and Nicola Scott. Y’know, as creepy as the whole Rag Doll mythos has become since James Robinson made him a Manson-like serial killer back in STARMAN, there’s something about it that just works. Kudos to Gail Simone for keeping the sick magic alive.
SECRET WARRIORS #1 by Jonathan Hickman and Stefano Caselli. It’s the newest Nick Fury super-spy book with a twist of Bendis.
ULTIMATE WOLVERINE VS HULK #1 by Damon Lindelof and Leinil Francis Yu. This is a new printing of a comic that shipped its most recent issue three years ago. Marvel is hinting they may be ready to publish the remaining four issues this year, but only if you send Nigerian Prince Joe Quesada your PIN number. Too violent for the little ones.
X-MEN: MAGNETO TESTAMENT #5 of 5 by Greg Pak and Carmine DiGiandomenico. The final chapter of how the holocaust turned a young boy into the single-minded mutant revolutionary, Magneto. The best Greg Pak story I’ve ever read. Seriously. Kudos.
X-MEN: NOIR #3 of 4 by Fred Van Lente and Dennis Calero. In a place called Chinatown, Slim Summers stares down the little brute with his fists full of knives. These are your great-grand-daddy’s X-Men. Highly recommended.
www.johnjudy.net
By John Judy
30 DAYS OF NIGHT: TIL DEATH #3 written and drawn by David Lapham. Will Rufus the vampire finally be forced out of his carefully constructed closet? The best work Lapham’s done in quite a while. Recommended.
ADVENTURE COMICS #0 by Otto Binder and Al Plastino. Wanna read the very first appearance of the Legion of Super-Heroes for only a buck? Yes, you do. Here it is.
AGENTS OF ATLAS #1 by Jeff Parker and Carlo Pagulayan. Jimmy Woo’s heroes of the fifties are fighting Norman Osborn in the present and Wolverine back in the day. Two stories for the price of one! Hoo-hah! A title that keeps on being much better than you’d think. Recommended.
AMAZING SPIDER-MAN #585 by Marc Guggenheim and John Romita Jr. “Menace, Osborns, Spider-Tracer Killer, blah, blah, blah, wrap it up already!” BTW, do you know the Spidey/Obama issue (#583) is now on its fourth printing and still selling like hotcakes? That’s right, President Obama has made comics the only American industry currently showing a profit! “Yes we can!”
ASTONISHING TALES #1 by Lotsa People. It’s Marvel’s latest anthology book. This month it has two Iron Men, Wolverine, Punisher, and a couple of old New Mutants.
BANG TANGO #1 of 6 by Joe Kelly and Adrian Sibar. An ex-gangster tries to find peace as a tango dancer in this six-issue mini that just cries out for Antonio Banderas to make it into a movie.
BLACK PANTHER 2 #1 by Reginald Hudlin and Ken Lashley. Black Panther’s a girl now. Hubba-hubba.
THE BOYS #27 by Garth Ennis and Darick Robertson. Things keep getting progressively more uncomfortable for Wee Hughie. And the G-Men aren’t the worst of it. Not for kids.
BUFFY THE VAMPIRE SLAYER #22 by Steven S. DeKnight and Georges Jeanty. How can you not love a comic book that opens with two lesbian slayers beating up a monster together? Recommended, teens and up.
FINAL CRISIS: LEGION OF THREE WORLDS #3 of 5 by Geoff Johns and George Perez. Two more issues until FC is truly behind us. Could this be the final FINAL CRISIS? Let’s hope so. Actually, this spin-off is Johns/Perez so it’s quite good. No more Big Events though, DC, unless Geoff Johns writes every word. Mean it.
I AM LEGION #1 of 8 by Fabien Nury and John Cassaday. A new American release of a European graphic novel series from 2003. Nazis, vampires and spies all done up in that elegant Cassaday style. Hard to resist a look...
IMMORTAL IRON FIST #22 by Duane Swierczynski and Travel Foreman. Next stop: The Eighth City of Heaven. Please move to the center of the car.
MIGHTY AVENGERS #21 by Dan Slott and Khoi Pham. The latest Avengers team is built around Hank Pym. Tick, tick, tick, tick…
SANDMAN: DREAM HUNTERS #4 of 4 by Neil Gaiman and P. Craig Russell. The final issue in which we learn never to give a fox reason for revenge. Recommended.
SECRET SIX #6 by Gail Simone and Nicola Scott. Y’know, as creepy as the whole Rag Doll mythos has become since James Robinson made him a Manson-like serial killer back in STARMAN, there’s something about it that just works. Kudos to Gail Simone for keeping the sick magic alive.
SECRET WARRIORS #1 by Jonathan Hickman and Stefano Caselli. It’s the newest Nick Fury super-spy book with a twist of Bendis.
ULTIMATE WOLVERINE VS HULK #1 by Damon Lindelof and Leinil Francis Yu. This is a new printing of a comic that shipped its most recent issue three years ago. Marvel is hinting they may be ready to publish the remaining four issues this year, but only if you send Nigerian Prince Joe Quesada your PIN number. Too violent for the little ones.
X-MEN: MAGNETO TESTAMENT #5 of 5 by Greg Pak and Carmine DiGiandomenico. The final chapter of how the holocaust turned a young boy into the single-minded mutant revolutionary, Magneto. The best Greg Pak story I’ve ever read. Seriously. Kudos.
X-MEN: NOIR #3 of 4 by Fred Van Lente and Dennis Calero. In a place called Chinatown, Slim Summers stares down the little brute with his fists full of knives. These are your great-grand-daddy’s X-Men. Highly recommended.
www.johnjudy.net
Saturday, January 31, 2009
Whoops, I'm probably not buying all of Cinebooks titles this year
More PR over the e-transom based on previous posts. Cinebook publishes good stuff and is worth checking out...
FOR IMMEDIATE RELEASE:
Cinebook to publish 8 new series, 46 titles by Mediatoon in English in 2009
Canterbury, Kent, 26 January, 2009 – For many English-speaking readers, knowledge of European comic books is limited to the popular characters Tintin and Asterix.
Since the end of 2005, Cinebook has worked to become the premier publisher of the Franco-Belgian Ninth Art in English in markets dominated by American superhero comics and Japanese manga.
Olivier Cadic, editor and creator of the publishing house based in Canterbury, England and in Northern California, has announced that it will further develop the Cinebook catalogue in 2009 with the addition of eight new series: “Billy and Buddy,” “Buck Danny,” “The Chimpanzee Complex,” “Insiders,” “The Bellybuttons,” “Orbital,” “Pandora’s Box” and “Spirou & Fantasio.”
They join the series “Lucky Luke,” “Iznogoud,” “Blake & Mortimer,” “Thorgal,” “Largo Winch,” “Aldebaran,” “Alpha,” “IR$,” “Lady S,” “Scorpion,” “Biggles,” “Cedric,” “Clifton,” “Ducoboo,” “Melusine,” “Papyrus,” “The Bluecoats,” “Yakari” and “Yoko Tsuno,” already being published by Cinebook.
All of the series, 46 Dargaud-Dupuis-Lombard titles and one Casterman title, will be published in new English editions in 2009 by Cinebook.
“We’re investing to introduce to the Anglo-Saxon world the numerous European talents of the Ninth Art,” declares Cadic. In 2008, almost half of Cinebook’s album sales were in Europe (46%) and one-third in North America (31%). Cinebook, which is present throughout the world, also sells in the South Sea Islands (10%), Asia (10%) and Africa/the Middle East (3%).
The foreign rights of publishers Dargaud-Dupuis-Lombard are marketed by Mediatoon Distribution. At the beginning of January 2009, Mediatoon and Cinebook signed a new five-year contract for each of the 27 anticipated series, providing for publication of one to six albums per year by series.
For Sophie Castille, director of Mediatoon’s Foreign rights, this agreement constitutes the most important partnership between a publisher of Franco-Belgian bandes dessinées (BD) and an English-language publisher: “In three years, Cinebook has emerged as the premier worldwide publisher of Franco-Belgian BD in the English language. Mediatoon is delighted to be associated with the emergence of a big, new international name in BD.”
These and other Cinebook titles are distributed:
In North America, by National Book Network Distribution, Inc. (NBN), www.nbnbooks.com.
In Europe (except France & Benelux), by Turnaround Publisher Services, www.turnaround-psl.com
FOR IMMEDIATE RELEASE:
Cinebook to publish 8 new series, 46 titles by Mediatoon in English in 2009
Canterbury, Kent, 26 January, 2009 – For many English-speaking readers, knowledge of European comic books is limited to the popular characters Tintin and Asterix.
Since the end of 2005, Cinebook has worked to become the premier publisher of the Franco-Belgian Ninth Art in English in markets dominated by American superhero comics and Japanese manga.
Olivier Cadic, editor and creator of the publishing house based in Canterbury, England and in Northern California, has announced that it will further develop the Cinebook catalogue in 2009 with the addition of eight new series: “Billy and Buddy,” “Buck Danny,” “The Chimpanzee Complex,” “Insiders,” “The Bellybuttons,” “Orbital,” “Pandora’s Box” and “Spirou & Fantasio.”
They join the series “Lucky Luke,” “Iznogoud,” “Blake & Mortimer,” “Thorgal,” “Largo Winch,” “Aldebaran,” “Alpha,” “IR$,” “Lady S,” “Scorpion,” “Biggles,” “Cedric,” “Clifton,” “Ducoboo,” “Melusine,” “Papyrus,” “The Bluecoats,” “Yakari” and “Yoko Tsuno,” already being published by Cinebook.
All of the series, 46 Dargaud-Dupuis-Lombard titles and one Casterman title, will be published in new English editions in 2009 by Cinebook.
“We’re investing to introduce to the Anglo-Saxon world the numerous European talents of the Ninth Art,” declares Cadic. In 2008, almost half of Cinebook’s album sales were in Europe (46%) and one-third in North America (31%). Cinebook, which is present throughout the world, also sells in the South Sea Islands (10%), Asia (10%) and Africa/the Middle East (3%).
The foreign rights of publishers Dargaud-Dupuis-Lombard are marketed by Mediatoon Distribution. At the beginning of January 2009, Mediatoon and Cinebook signed a new five-year contract for each of the 27 anticipated series, providing for publication of one to six albums per year by series.
For Sophie Castille, director of Mediatoon’s Foreign rights, this agreement constitutes the most important partnership between a publisher of Franco-Belgian bandes dessinées (BD) and an English-language publisher: “In three years, Cinebook has emerged as the premier worldwide publisher of Franco-Belgian BD in the English language. Mediatoon is delighted to be associated with the emergence of a big, new international name in BD.”
These and other Cinebook titles are distributed:
In North America, by National Book Network Distribution, Inc. (NBN), www.nbnbooks.com.
In Europe (except France & Benelux), by Turnaround Publisher Services, www.turnaround-psl.com
PR for new book on X-Men in the movies
This came over the e-transom today, presumably due to that bibliography of comics and film that I'm selling over there on the right.
PRESS RELEASE:
Are you a fan of the X-Men storylines that led to the blockbuster movie trilogy?
Mutant Cinema: The X-Men Trilogy from Comics to Screen examines the history of X-Men comics and how they were adapted and changed for the screen. The book is written by Thomas J. McLean (Variety, Newsarama), a life-long X-Men fan as well as a Hollywood insider.
Published by Sequart Research & Literacy Organization, Mutant Cinema is now available exclusively from Diamond Comic Distributors and the Previews catalog (order code FEB094600). Also, it sports a cover by award-winning artist Kevin Colden (Fishtown).
The book is the definitive unauthorized study of the popular movie saga, including:
• The history of X-Men comic books;
• Detailed scene-by-scene examinations of each film and the comic book stories that infuse every aspect of the movies;
• The development process for each film, including behind-the-scenes stories, interviews with the screenwriters, and details on omitted scenes and storylines;
• Previous adaptations, including early cartoon appearances, the successful 1990s animated series, and initial attempts to bring the mutants to the big screen;
• Critical and fan receptions of each film, plus box-office performances; and
• What the future may hold for the franchise.
"The films gave Tom a great reason to examine some of Marvel's best-known comics," says editor Mike Phillips. "He didn't disappoint. Almost every scene in the trilogy was spawned by some classic storyline, and Tom brings all of those connections to light."
Not only is Mutant Cinema (softcover, 6x9 in, 320 pgs, B&W) accessible to comics and movie fans alike, it's the essential guide to the films for both die-hard fans and newcomers.
Again, the book is available only through Diamond Comic Distributors and the Previews catalog (order code FEB094600). Any comic book store can order one for you, but don't assume that your store will order a copy unless you ask.
Note: The author is available for interviews. If you're interested, please reply to this email.
Legal Disclaimer: X-Men and related characters are trademarks of Marvel Comics. This book is not endorsed by either Marvel Comics or 20th Century Fox.
About the Publisher: Sequart Research & Literacy Organization is a non-profit devoted to the study and promotion of comic books as a legitimate art.
OT: Superheroes Around the World Survey
To help further humanities research, I note that on the comix-scholars list there was... (the following is quoting Dr. Reinhard) discussion a couple weeks ago about the influence of American superheroes in different countries -- and to investigate how much anime/manga characters are seen as superheroes -- I created this survey in my spare time: http://www.survey-xact.dk/LinkCollector?key=WG5EYZ7P96C5
The goal of the survey is for people from around the world to tell us what they think a superhero is and what superheroes mean to them.
I would love your help in both filling out the questionnaire as well as distributing it far and wide to get as many different people from a range of different countries to take it. Please feel free to post the link anywhere you like, and refer any questions to me at my professional email address of carrie@ruc.dk
CarrieLynn D. Reinhard, PhD
Virtual Worlds Research
http://worlds.ruc.dk/
Roskilde University
Department of Communication, Business, and Information Technologies
Building 43.3
Kommunikationsvej 1
DK-4000 Roskilde
The goal of the survey is for people from around the world to tell us what they think a superhero is and what superheroes mean to them.
I would love your help in both filling out the questionnaire as well as distributing it far and wide to get as many different people from a range of different countries to take it. Please feel free to post the link anywhere you like, and refer any questions to me at my professional email address of carrie@ruc.dk
CarrieLynn D. Reinhard, PhD
Virtual Worlds Research
http://worlds.ruc.dk/
Roskilde University
Department of Communication, Business, and Information Technologies
Building 43.3
Kommunikationsvej 1
DK-4000 Roskilde
Comic Art Indigene exhibit coming to Washington
Curator Tony Chavarria sent me a note yesterday regarding the Comic Art Indigene exhibit that had been out west:
During its production, we had interest in the show as a traveling exhibition so we designed it to serve in that function. Its first stop will be at the National Museum of the American Indian in Washington DC this March. The opening will be on March 6th and unfortunately that is all the information I have at the moment. Regrettably there is no information on NMAI's website either although this should change as the date comes closer.
When I have more details I will send them on and hope you might have a chance to see the exhibition.
So, this is the first comics exhibit for 2009 that I know of (Herblock should be at LoC later in the year) - I'll be sure to check it out. If anyone wants to do a group visit, chime in on the comments.
During its production, we had interest in the show as a traveling exhibition so we designed it to serve in that function. Its first stop will be at the National Museum of the American Indian in Washington DC this March. The opening will be on March 6th and unfortunately that is all the information I have at the moment. Regrettably there is no information on NMAI's website either although this should change as the date comes closer.
When I have more details I will send them on and hope you might have a chance to see the exhibition.
So, this is the first comics exhibit for 2009 that I know of (Herblock should be at LoC later in the year) - I'll be sure to check it out. If anyone wants to do a group visit, chime in on the comments.
Harvey Pekar Opera is tonight
NPR has a good story about it too.
Leave Me Alone!, a Jazz Opera by Harvey Pekar and Dan Plonsey, to Premiere at the Oberlin Conservatory Of Music and via Webcast on Jan. 31, 2009
American Splendor Icon Pekar Focuses His Sardonic Wit on the Everyday Struggles of Avant-Garde Artists, with Music from Cleveland-born Composer and Saxophonist Plonsey
OBERLIN, OHIO (December 10, 2008) —The iconic underground comic book author Harvey Pekar will make his operatic debut at the Oberlin Conservatory of Music in Leave Me Alone!, an autobiographical jazz opera. A collaboration by two Cleveland natives, the opera combines a libretto by Pekar with music by saxophonist and composer Dan Plonsey. Leave Me Alone! depicts the lives of its creators in quotidian detail while asking big questions about the place of cutting-edge art in our society. Amidst the demands and interruptions of day-to-day life, Pekar and Plonsey wonder, how can artists carve out time for their creative work? More importantly, they ask, how do we cultivate a society that is receptive to the avant-garde? The opera, which is presented by Oberlin in cooperation with Real Time Opera, will receive its world premiere in a free performance on Saturday, January 31, 2009, at 8 p.m. in Finney Chapel. The performance will also be streamed live to an international audience online at www.LeaveMeAloneOpera.com.
Finney Chapel is located at 90 N. Professor Street in Oberlin, Ohio, just 40 minutes southwest of Cleveland.
"There ought to be a place for cutting edge work," says Pekar, who believes that many major cultural institutions have shirked their responsibility to support contemporary art and challenge audiences. "I thought there wasn't much out there being said about this, and I wanted to open up some discussion."
Called "the blue-collar Mark Twain" by Variety, Pekar is best known for his autobiographical comic book series American Splendor, in which he elevated the mostly mundane details of his life as a working-class Clevelander to the level of art. The series won the American Book Award and a film adaptation took top honors at the Cannes and Sundance film festivals. Composer Plonsey, who was born and raised in Cleveland Heights, has been a lifelong proponent of new music, and has founded several new music series in and around his current home in El Cerrito, California.
"The opera, simply put, is the non-fictional account of its own creation," says Plonsey. In the story, Pekar and Plonsey engage in discussions about music, the state of the avant-garde, and the creation of the opera itself from their Cleveland and San Francisco Bay Area living rooms. A taped conversation between Pekar and comics illustrator Robert Crumb provides an additional perspective on the opera's themes. The wives of Plonsey and Pekar, Mantra Ben-ya'akova Plonsey and Joyce Brabner (who portray themselves in the production), enter the plot, as does Josh Smith, the opera's music director. Oberlin Conservatory students will also be involved in the production; four singers will double the protagonists on stage and an ensemble of six jazz musicians will back them in the pit, playing alongside Plonsey and Smith.
Plonsey and Pekar are deeply committed to the notion that art transcends distinctions of class and hence ought to be available to all. Accordingly, both the live performance and the webcast of the opera will be offered free of charge. Those wishing to support the production may do so by purchasing a comic about the opera, written by Pekar and illustrated by Joseph Remnant, at www.LeaveMeAloneOpera.com. The comic is available as a signed, limited-edition print ($300) or digital download ($5). Visitors may also purchase a cell-phone ring tone featuring Harvey's inimitable voice ($5) on the site.
Performers and Production Team
Several of the performers in the opera will play themselves, including Dan Plonsey, Harvey Pekar, Mantra Ben-ya'akova Plonsey, and Joyce Brabner. Oberlin Conservatory and College singers Patty Stubel '09, Kate Rosen '11, Joanna Lemle '10, and Christopher Rice '10 will double the characters on stage; students, including dummer Noah Hecht '10, trombonist Aaron Salituro '11, saxophonist David Schwartz '12, and trumpeter Gregory Zilboorg '13, will also play in the band.
The production team includes Paul Schick, executive producer for Real Time Opera; Josh Smith, musical director; Associate Professor of Opera Jonathon Field, stage director; Robert Katkowski, set designer; Barry Steele, lighting designer; Victoria Vaughan, stage manager; and Dan Michalak, musical preparation. The webcast will be produced with help from Oberlin professional staff and students, including Associate Dean of Technology and Facilities Michael Lynn, Director of Audio Services Paul Eachus, Director of Networking Barron Hulver, and Technology Consultant Todd Brown.
About the Librettist: Harvey Pekar
Harvey Pekar, a native of Cleveland, Ohio, is best known for his autobiographical comic book series American Splendor. Pekar began self-publishing the series in 1976, at the urging of friend and noted illustrator Robert Crumb. Unique among comic books of the time, Pekar's stories documented the minutiae of his daily life: working as a file clerk in the VA hospital, grocery shopping, or simply searching for a lost set of keys. In 1987, Pekar was honored with the American Book Award for his work on the series, and in 2003 American Splendor was adapted as a movie to widespread critical acclaim. An avid record collector, Pekar began his writing career as a book and music critic, with a particular interest in jazz. His reviews have been published in the Boston Herald, the Austin Chronicle, Jazz Times, Urban Dialect (Cleveland), and Down Beat magazine. Pekar's commentary for public radio station WKSU, starting in 1999, won him several journalism awards, including the 2001 Regional Edward R. Murrow Award for Best Writing. Pekar was a frequent guest on Late Night with David Letterman in the late 1980s; his infamous on-air criticism of General Electric got him temporarily banned from the show, although he did make two more appearances in the early 1990s. In 2001, Pekar retired from his job as a file clerk at the local VA Hospital. He lives in Cleveland Heights with his wife Joyce and their foster daughter Danielle.
About the Composer: Dan Plonsey
Saxophonist and composer Dan Plonsey was born and raised in Cleveland, Ohio. Drawing inspiration from musicians as diverse as Sun Ra and Charles Ives, Plonsey's music defies easy categorization. "No doubt," writes All About Jazz, "Plonsey is a creative soul who possesses a Renaissance spirit." In recent years Plonsey's instrumental work has focused on large ensembles of mixed instrumentation and ensembles of multiple saxophones. His more than 200 works for large and small ensembles include commissions from Bang on a Can, the Berkeley Symphony, and New Music Works in Santa Cruz. He has written numerous operas, including three collaborations with Paul Schick of Real Time Opera. From 1994-99, he was the resident composer and chief librettist for Disaster Opera Theater in El Cerrito, California, where he currently lives. He also founded the weekly Beanbender's creative music concert series in Berkeley, which is ongoing on an occasional basis. Plonsey earned a Bachelor of Arts degree in math and music from Yale University and a Master of Arts degree in composition from Mills College. He has studied composition with Martin Bresnick, David Lewin, Anthony Braxton, and, more briefly, Roscoe Mitchell and Terry Riley. He currently lives in the San Francisco Bay Area with his wife Mantra and their two sons, Cleveland and Mischa.
About the Director: Jonathon Field
Jonathon Field is one of America's more versatile and popular stage directors, having directed more than 100 productions in all four corners of the United States. He served as artistic director of Lyric Opera Cleveland for six seasons, where he presented the operas of Mozart, Rossini, and Donizetti as well as the Ohio premieres of works by John Adams, Mark Adamo, and Philip Glass. Several of Field's productions for the Lyric Opera of Chicago were so successful they were repeated at the Illinois Humanities Festival with Stephen Sondheim as keynote speaker. His productions for San Francisco Opera's Western Opera Theatre and Seattle Opera have played in more than 20 states. Over the past eight years Field has directed 10 productions with the Arizona Opera, being deemed by the press "their most perceptive stage director." In February 2007, Field directed—at Oberlin and at Miller Theatre in New York City—the critically acclaimed U.S. premiere of Lost Highway, a dramatic music theater work by noted Austrian composer Olga Neuwirth based on the David Lynch film. This is Field's 11th season as director of Oberlin Opera Theater.
About Real Time Opera: Artistic Director Paul Schick
Under the artistic direction of Paul Schick, Real Time Opera (RTO) has presented world premieres of new operas in New York, San Francisco, and New England, where the company is based. In 2005, RTO premiered Feynman (2005), a chamber opera by composer Jack Vees, with a libretto by Schick, about Nobel Prize-winning physicist and cult figure Richard Feynman, with SO Percussion as the pit orchestra. The opera premiered at the Norfolk Chamber Music Festival and was reprised in Brattleboro, Vermont at Dartmouth College, in Concord, New Hampshire, and in New York at the Knitting Factory. A future online production of Feynman from Yale is in the planning stages. RTO's debut production, in 2003, was Korczak's Orphans by composer Adam Silverman and librettist Susan Gubernat. Based on the life of Polish pediatrician, orphanage director, and Holocaust martyr Janosz Korczak, the opera was also performed by New York City Opera on their VOX Festival of new American works. RTO's second production, Hawaiian Tan Ratface, a quasi-opera by John Trubee, premiered at San Francisco's Studio Z in 2004. Schick is librettist and producer of the forthcoming music-dance-theater piece A House in Bali by composer Evan Ziporyn, scheduled to premiere in Bali, Indonesia, followed by an international tour, in 2009. As an administrator, Schick has worked with Opera North, Boston Lyric Opera, the American Gamelan Institute, and the composers' collective Frog Peak Music. He earned a Bachelor of Arts degree in English from Hamilton College and a Master of Philosophy degree and PhD in musicology from Yale University.
The Oberlin Conservatory of Music, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. The Conservatory is renowned internationally as a professional music school of the highest caliber and has been pronounced a "national treasure" by the Washington Post. Oberlin's alumni have gone on to achieve illustrious careers in all aspects of the serious music world. Many of them have attained stature as solo performers, composers, and conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves, Franco Farina, Christopher Robertson, Lisa Saffer, George Walker, Christopher Rouse, David Zinman, and Robert Spano. All of the members of the contemporary sextet eighth blackbird, most of the members of the International Contemporary Ensemble, and many of the members of Apollo's Fire are Oberlin alumni. In chamber music, the Miró, Pacifica, Juillard, and Fry Street quartets, among other small ensembles, include Oberlin-trained musicians, who also can be found in major orchestras and opera companies throughout the world. For more information about Oberlin, please visit www.oberlin.edu/con.
CALENDAR LISTING
Saturday, January 31, 2009, 8 p.m.
The Oberlin Conservatory of Music and Real Time Opera present
Leave Me Alone!
Libretto by Harvey Pekar
Music by Dan Plonsey
Josh Smith, music director
Jonathon Field, stage director
Live on stage:
Finney Chapel
90 North Professor Street
Oberlin, Ohio
Online:
www.LeaveMeAloneOpera.com
FREE
Oberlin Conservatory 24-Hour Concert Hotline: 440-775-6933
Leave Me Alone!, a Jazz Opera by Harvey Pekar and Dan Plonsey, to Premiere at the Oberlin Conservatory Of Music and via Webcast on Jan. 31, 2009
American Splendor Icon Pekar Focuses His Sardonic Wit on the Everyday Struggles of Avant-Garde Artists, with Music from Cleveland-born Composer and Saxophonist Plonsey
OBERLIN, OHIO (December 10, 2008) —The iconic underground comic book author Harvey Pekar will make his operatic debut at the Oberlin Conservatory of Music in Leave Me Alone!, an autobiographical jazz opera. A collaboration by two Cleveland natives, the opera combines a libretto by Pekar with music by saxophonist and composer Dan Plonsey. Leave Me Alone! depicts the lives of its creators in quotidian detail while asking big questions about the place of cutting-edge art in our society. Amidst the demands and interruptions of day-to-day life, Pekar and Plonsey wonder, how can artists carve out time for their creative work? More importantly, they ask, how do we cultivate a society that is receptive to the avant-garde? The opera, which is presented by Oberlin in cooperation with Real Time Opera, will receive its world premiere in a free performance on Saturday, January 31, 2009, at 8 p.m. in Finney Chapel. The performance will also be streamed live to an international audience online at www.LeaveMeAloneOpera.com.
Finney Chapel is located at 90 N. Professor Street in Oberlin, Ohio, just 40 minutes southwest of Cleveland.
"There ought to be a place for cutting edge work," says Pekar, who believes that many major cultural institutions have shirked their responsibility to support contemporary art and challenge audiences. "I thought there wasn't much out there being said about this, and I wanted to open up some discussion."
Called "the blue-collar Mark Twain" by Variety, Pekar is best known for his autobiographical comic book series American Splendor, in which he elevated the mostly mundane details of his life as a working-class Clevelander to the level of art. The series won the American Book Award and a film adaptation took top honors at the Cannes and Sundance film festivals. Composer Plonsey, who was born and raised in Cleveland Heights, has been a lifelong proponent of new music, and has founded several new music series in and around his current home in El Cerrito, California.
"The opera, simply put, is the non-fictional account of its own creation," says Plonsey. In the story, Pekar and Plonsey engage in discussions about music, the state of the avant-garde, and the creation of the opera itself from their Cleveland and San Francisco Bay Area living rooms. A taped conversation between Pekar and comics illustrator Robert Crumb provides an additional perspective on the opera's themes. The wives of Plonsey and Pekar, Mantra Ben-ya'akova Plonsey and Joyce Brabner (who portray themselves in the production), enter the plot, as does Josh Smith, the opera's music director. Oberlin Conservatory students will also be involved in the production; four singers will double the protagonists on stage and an ensemble of six jazz musicians will back them in the pit, playing alongside Plonsey and Smith.
Plonsey and Pekar are deeply committed to the notion that art transcends distinctions of class and hence ought to be available to all. Accordingly, both the live performance and the webcast of the opera will be offered free of charge. Those wishing to support the production may do so by purchasing a comic about the opera, written by Pekar and illustrated by Joseph Remnant, at www.LeaveMeAloneOpera.com. The comic is available as a signed, limited-edition print ($300) or digital download ($5). Visitors may also purchase a cell-phone ring tone featuring Harvey's inimitable voice ($5) on the site.
Performers and Production Team
Several of the performers in the opera will play themselves, including Dan Plonsey, Harvey Pekar, Mantra Ben-ya'akova Plonsey, and Joyce Brabner. Oberlin Conservatory and College singers Patty Stubel '09, Kate Rosen '11, Joanna Lemle '10, and Christopher Rice '10 will double the characters on stage; students, including dummer Noah Hecht '10, trombonist Aaron Salituro '11, saxophonist David Schwartz '12, and trumpeter Gregory Zilboorg '13, will also play in the band.
The production team includes Paul Schick, executive producer for Real Time Opera; Josh Smith, musical director; Associate Professor of Opera Jonathon Field, stage director; Robert Katkowski, set designer; Barry Steele, lighting designer; Victoria Vaughan, stage manager; and Dan Michalak, musical preparation. The webcast will be produced with help from Oberlin professional staff and students, including Associate Dean of Technology and Facilities Michael Lynn, Director of Audio Services Paul Eachus, Director of Networking Barron Hulver, and Technology Consultant Todd Brown.
About the Librettist: Harvey Pekar
Harvey Pekar, a native of Cleveland, Ohio, is best known for his autobiographical comic book series American Splendor. Pekar began self-publishing the series in 1976, at the urging of friend and noted illustrator Robert Crumb. Unique among comic books of the time, Pekar's stories documented the minutiae of his daily life: working as a file clerk in the VA hospital, grocery shopping, or simply searching for a lost set of keys. In 1987, Pekar was honored with the American Book Award for his work on the series, and in 2003 American Splendor was adapted as a movie to widespread critical acclaim. An avid record collector, Pekar began his writing career as a book and music critic, with a particular interest in jazz. His reviews have been published in the Boston Herald, the Austin Chronicle, Jazz Times, Urban Dialect (Cleveland), and Down Beat magazine. Pekar's commentary for public radio station WKSU, starting in 1999, won him several journalism awards, including the 2001 Regional Edward R. Murrow Award for Best Writing. Pekar was a frequent guest on Late Night with David Letterman in the late 1980s; his infamous on-air criticism of General Electric got him temporarily banned from the show, although he did make two more appearances in the early 1990s. In 2001, Pekar retired from his job as a file clerk at the local VA Hospital. He lives in Cleveland Heights with his wife Joyce and their foster daughter Danielle.
About the Composer: Dan Plonsey
Saxophonist and composer Dan Plonsey was born and raised in Cleveland, Ohio. Drawing inspiration from musicians as diverse as Sun Ra and Charles Ives, Plonsey's music defies easy categorization. "No doubt," writes All About Jazz, "Plonsey is a creative soul who possesses a Renaissance spirit." In recent years Plonsey's instrumental work has focused on large ensembles of mixed instrumentation and ensembles of multiple saxophones. His more than 200 works for large and small ensembles include commissions from Bang on a Can, the Berkeley Symphony, and New Music Works in Santa Cruz. He has written numerous operas, including three collaborations with Paul Schick of Real Time Opera. From 1994-99, he was the resident composer and chief librettist for Disaster Opera Theater in El Cerrito, California, where he currently lives. He also founded the weekly Beanbender's creative music concert series in Berkeley, which is ongoing on an occasional basis. Plonsey earned a Bachelor of Arts degree in math and music from Yale University and a Master of Arts degree in composition from Mills College. He has studied composition with Martin Bresnick, David Lewin, Anthony Braxton, and, more briefly, Roscoe Mitchell and Terry Riley. He currently lives in the San Francisco Bay Area with his wife Mantra and their two sons, Cleveland and Mischa.
About the Director: Jonathon Field
Jonathon Field is one of America's more versatile and popular stage directors, having directed more than 100 productions in all four corners of the United States. He served as artistic director of Lyric Opera Cleveland for six seasons, where he presented the operas of Mozart, Rossini, and Donizetti as well as the Ohio premieres of works by John Adams, Mark Adamo, and Philip Glass. Several of Field's productions for the Lyric Opera of Chicago were so successful they were repeated at the Illinois Humanities Festival with Stephen Sondheim as keynote speaker. His productions for San Francisco Opera's Western Opera Theatre and Seattle Opera have played in more than 20 states. Over the past eight years Field has directed 10 productions with the Arizona Opera, being deemed by the press "their most perceptive stage director." In February 2007, Field directed—at Oberlin and at Miller Theatre in New York City—the critically acclaimed U.S. premiere of Lost Highway, a dramatic music theater work by noted Austrian composer Olga Neuwirth based on the David Lynch film. This is Field's 11th season as director of Oberlin Opera Theater.
About Real Time Opera: Artistic Director Paul Schick
Under the artistic direction of Paul Schick, Real Time Opera (RTO) has presented world premieres of new operas in New York, San Francisco, and New England, where the company is based. In 2005, RTO premiered Feynman (2005), a chamber opera by composer Jack Vees, with a libretto by Schick, about Nobel Prize-winning physicist and cult figure Richard Feynman, with SO Percussion as the pit orchestra. The opera premiered at the Norfolk Chamber Music Festival and was reprised in Brattleboro, Vermont at Dartmouth College, in Concord, New Hampshire, and in New York at the Knitting Factory. A future online production of Feynman from Yale is in the planning stages. RTO's debut production, in 2003, was Korczak's Orphans by composer Adam Silverman and librettist Susan Gubernat. Based on the life of Polish pediatrician, orphanage director, and Holocaust martyr Janosz Korczak, the opera was also performed by New York City Opera on their VOX Festival of new American works. RTO's second production, Hawaiian Tan Ratface, a quasi-opera by John Trubee, premiered at San Francisco's Studio Z in 2004. Schick is librettist and producer of the forthcoming music-dance-theater piece A House in Bali by composer Evan Ziporyn, scheduled to premiere in Bali, Indonesia, followed by an international tour, in 2009. As an administrator, Schick has worked with Opera North, Boston Lyric Opera, the American Gamelan Institute, and the composers' collective Frog Peak Music. He earned a Bachelor of Arts degree in English from Hamilton College and a Master of Philosophy degree and PhD in musicology from Yale University.
The Oberlin Conservatory of Music, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. The Conservatory is renowned internationally as a professional music school of the highest caliber and has been pronounced a "national treasure" by the Washington Post. Oberlin's alumni have gone on to achieve illustrious careers in all aspects of the serious music world. Many of them have attained stature as solo performers, composers, and conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves, Franco Farina, Christopher Robertson, Lisa Saffer, George Walker, Christopher Rouse, David Zinman, and Robert Spano. All of the members of the contemporary sextet eighth blackbird, most of the members of the International Contemporary Ensemble, and many of the members of Apollo's Fire are Oberlin alumni. In chamber music, the Miró, Pacifica, Juillard, and Fry Street quartets, among other small ensembles, include Oberlin-trained musicians, who also can be found in major orchestras and opera companies throughout the world. For more information about Oberlin, please visit www.oberlin.edu/con.
CALENDAR LISTING
Saturday, January 31, 2009, 8 p.m.
The Oberlin Conservatory of Music and Real Time Opera present
Leave Me Alone!
Libretto by Harvey Pekar
Music by Dan Plonsey
Josh Smith, music director
Jonathon Field, stage director
Live on stage:
Finney Chapel
90 North Professor Street
Oberlin, Ohio
Online:
www.LeaveMeAloneOpera.com
FREE
Oberlin Conservatory 24-Hour Concert Hotline: 440-775-6933
OT: NYTimes on Dean Haspiel
My friend Dean's got an interview in tomorrow's New York Times February 1, 2009 - "The Voice: Beyond ‘Peanuts’," By GEORGE GENE GUSTINES.
Ron Evry salutes Don Martin
Virginian comics historian Ron Evry wrote in today to highlight his podcast of readings of copyright-free fiction:
Today I posted the THIRD annual Gorilla Suit Day story in Mister Ron's Basement (links to the previous two are on the page), in celebration of Mad Cartoonist Don Martin's holiday gift to the American people...
The link to the story is at:
http://slapcast.com/users/revry/7026
It is called "Gorilla Romance" and was written by W. L. Alden back in 1893.
Today I posted the THIRD annual Gorilla Suit Day story in Mister Ron's Basement (links to the previous two are on the page), in celebration of Mad Cartoonist Don Martin's holiday gift to the American people...
The link to the story is at:
http://slapcast.com/users/revry/7026
It is called "Gorilla Romance" and was written by W. L. Alden back in 1893.
Friday, January 30, 2009
Swann Fellowship at Library of Congress deadline approaching
Feb. 13 is the deadline for receiving Swann Fellowship applications here at the Library. The Swann Foundation awards up to $15,000 annually to a qualified graduate student applicant (or smaller awards to several) to support scholarly work in caricature and cartoon. For guidelines and application forms, please see http://www.loc.gov/rr/print/swann/swann-fellow.html . Email swann@loc.gov if you have questions.
Martha H. Kennedy
Associate Curator, Popular & Applied Graphic Art
Prints and Photographs Division
Library of Congress
101 Independence Ave. SE
Washington, DC 20540-4730
Ph.: 202/707-9115 Fax: 202/707-6647
Martha H. Kennedy
Associate Curator, Popular & Applied Graphic Art
Prints and Photographs Division
Library of Congress
101 Independence Ave. SE
Washington, DC 20540-4730
Ph.: 202/707-9115 Fax: 202/707-6647
OT: Washington Post essay contest repost
More shameless shilling as I repost this from last week:
I got a letter a month or so ago from someone at Washingtonpost.com inviting bloggers to enter their "What does it mean to be a Washingtonian?" contest. They've posted entries online now for voting and mine is "An Intellectual Playground." I've read about 1/2 the essays so far, and I'm pretty impressed with most of them. A few of us strike the same tone of appreciating the cultural opportunities in the area, but since you're reading my blog, you should vote for me. Thanks.
I got a letter a month or so ago from someone at Washingtonpost.com inviting bloggers to enter their "What does it mean to be a Washingtonian?" contest. They've posted entries online now for voting and mine is "An Intellectual Playground." I've read about 1/2 the essays so far, and I'm pretty impressed with most of them. A few of us strike the same tone of appreciating the cultural opportunities in the area, but since you're reading my blog, you should vote for me. Thanks.
Thursday, January 29, 2009
Richard Thompson's current reading list
Our Man Thompson has a list of what he's reading on "The Blowhard's Reading Corner," Cul de Sac blog Wednesday, January 28, 2009. He kindly gives a shout-out to my Pekar book, but I don't feel at all compelled to say that you should all immediately click through this link to BUY HIS CUL DE SAC BOOK. Not at all.
He also had a very funny post earlier this week on his pen nibs. Again. I believe he's trying to create a collector's market for his used nibs.
He also had a very funny post earlier this week on his pen nibs. Again. I believe he's trying to create a collector's market for his used nibs.
Obama takes lessons from Conan; Washington establishment slow to follow
Pick up the Onion that came out today or see "Obama Disappointed Cabinet Failed To Understand His Reference To 'Savage Sword Of Conan' #24," Onion January 27, 2009. It's better in print of course.
Riffs interviews Adams on Dilbert
Quick post as I'm on the way out the door - "The Interview: 'Dilbert' Creator Scott Adams" Michael Cavna, January 29, 2009.
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