Sunday, September 28, 2008
Post on anti-Semitic Iranian cartoon book
This was on the wires a couple of days ago, but the Post appears to have a reporter in Iran - as much as I bash them at times, it's a good paper. I read most of the foreign reporting, but rarely note the bylines. See "Young Iranians Release Book Caricaturing The Holocaust," By Thomas Erdbrink, Washington Post Foreign Service, Sunday, September 28, 2008; A23.
Saturday, September 27, 2008
SPX ad on YouTube
Fantagraphics has posted a 30-second video ad they liked on their blog. The ad is for SPX and is on YouTube. I'll be roaming around there on both days, and look much like the Simpsonized version to the right.
Corrected due to Fantagraphic's comment.
Corrected due to Fantagraphic's comment.
Post ombudsman on Oliphant cartoon
Here's the Post ombudsman on an Oliphant cartoon about Palin, with a ho-hum sort of defense of free speech as it applies to cartoonists on the web, which after all, isn't really the newspaper, but if it had been the newspaper, well, then by god, we wouldn't have run the cartoon because it criticizes beliefs in god of 750 likely non-subscribers to the Post... aw, just read the thing - "The Power of Political Cartoons," By Deborah Howell, Washington Post Sunday, September 28, 2008; B06.
Dan Wasserman, the Boston Globe's editorial cartoonist had a better response in "Pentecostals peeved at Palin cartoon" basically arguing that if you mix your politics and religion, then perhaps other people won't bother to separate them either.
Dan Wasserman, the Boston Globe's editorial cartoonist had a better response in "Pentecostals peeved at Palin cartoon" basically arguing that if you mix your politics and religion, then perhaps other people won't bother to separate them either.
Thompson and Ullman at Crafty Bastard's tomorrow
Crafty Bastards, the annual City Paper craft fair in Adams Morgan will have Rob Ullman in a booth, and Richard Thompson selling his book through Politics and Prose at 1 pm.
Back from Baltimore Comic-Con
Richard, the kids and I had a good trip to Baltimore. More notes and pics to come, but in the meantime, here's an interview about the Con that I just ran across. "This Weekend - Baltimore Comic-Con: Talking to Marc Nathan," By Matt Brady, Newsarama 2008-09-26. The Con continues tomorrow and is always fun - this year seemed rather crowded. If you go tomorrow, I'd specifically recommend visiting Arlingtonian Steve Conley and Frank Cammusso at the children's table, Ramona Fradon who's selling her Brenda Starr comic strips for $35 each (I've got 2 now), Don Rosa who has excellent Disney comics, my buddy Dean Haspiel who's got advance copies of The Alcoholic, the Top Shelf booth with Andy Runton's Owley, ... oh, there are too many people to mention.
Off to Baltimore Comic-Con
We're off to Baltimore Comic-Con - stop us and buy our books! We're each carrying copies to pawn off on willing victims.
(original photo by Marcus Hamilton, and it deserved better)
Friday, September 26, 2008
Zadzooks on Comic Book Tattoo
"ZADZOOKS: Comic Book Tattoo blends art and music," by Joseph Szadkowski, Washington Times Thursday, September 25, 2008.
Grant Morrison interview on Comic Riffs
"The Interview: Comic-Book Writer Grant Morrison," By Michael Cavna, Comic Riffs blog September 25, 2008.
October 23: Canadian animated films at National Archives
Bruce Guthrie sent this in today:
Thursday, October 23, 2008 at 7 p.m.
William G. McGowan Theater, National Archives, 9th and Constitution Ave, NW
A Salute to the National Film Board of Canada
This program, presented by the Academy of Motion Picture Arts and Sciences in partnership with The Charles Guggenheim Center for the Documentary Film and the Foundation for the National Archives, celebrates more than 50 years of Oscar®-nominated and -winning short subjects produced by the National Film Board of Canada (NFB). Hosted by renowned animation critic and historian Charles Solomon, the program will feature several films, including Neighbours (1952), Christmas Cracker (1962), Bob’s Birthday (1993), and Ryan (2004). The program will be introduced by Academy President Sid Ganis. Joining us from the NFB will be Government Film Commissioner Tom Perlmutter and animation producer Marcy Page. Torill Kove, director of the 2006 Oscar®-winning animated short subject The Danish Poet, will also appear.
Thursday, October 23, 2008 at 7 p.m.
William G. McGowan Theater, National Archives, 9th and Constitution Ave, NW
A Salute to the National Film Board of Canada
This program, presented by the Academy of Motion Picture Arts and Sciences in partnership with The Charles Guggenheim Center for the Documentary Film and the Foundation for the National Archives, celebrates more than 50 years of Oscar®-nominated and -winning short subjects produced by the National Film Board of Canada (NFB). Hosted by renowned animation critic and historian Charles Solomon, the program will feature several films, including Neighbours (1952), Christmas Cracker (1962), Bob’s Birthday (1993), and Ryan (2004). The program will be introduced by Academy President Sid Ganis. Joining us from the NFB will be Government Film Commissioner Tom Perlmutter and animation producer Marcy Page. Torill Kove, director of the 2006 Oscar®-winning animated short subject The Danish Poet, will also appear.
Brad Meltzer interview from yesterday
Christopher Porter of the Express wrote in to note that he did a short interview with Brad Meltzer that was in Thursday's Express, and he noted "I did a longer piece on Brad six years ago in the City Paper; the setting was Big Planet."
Meltzer will be at the Book Festival on the Mall tomorrow.
Sara Duke, who will also be at the Book Festival tomorrow as a Library of Congress escort, wrote in to note that the Library has a podcast with Brad online now.
Meltzer will be at the Book Festival on the Mall tomorrow.
Sara Duke, who will also be at the Book Festival tomorrow as a Library of Congress escort, wrote in to note that the Library has a podcast with Brad online now.
Marvel bibliographer Rob Weiner interview
Rob Weiner, author of Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children's Books, Articles, Criticism and Reference Works, 1965-2005, answered some questions about his 400-page book and his future projects.
How about some background? You're a librarian?
I have a BA in history and an MA in History from Texas Tech with a focus in American History and American Popular culture. While I was working on my MA in history, I was always in the library. People started asking me where things were as though I worked there. I thought I should probably get paid for doing that so I applied for a job and worked as a paraprofessional for a few years. Then I went and received my MS in Library Science at University of North Texas. I worked in a public library for 12 years and most recently took a position at Texas Tech as Humanities Librarian. I worked in the local music industry for about 10 years in Lubbock while going to college. I’ve always appreciated the “artsy” side of life so my position now is a real good fit.
Bibliography is kinda in my blood. I co-authored a bibliography on the Grateful Dead, I’ve published a filmographic essay on Johnny Cash, the Marvel Guide, and in my forthcoming book on Captain America, I co-authored Filmographic and Scholarly Bibliographic pieces. I don’t do just lists however; I have to read, or watch the piece and then annotate or critically judge it.
Why comic books?
Well, when I a little boy growing up in Michigan I remember certain images... I remember the image from Silver Surfer 1 and Tales of Suspense 39 (with the gray Iron Man)! I was mesmerized by those images. They stick with me today. I can’t say where I first saw them or how I started to read comics, but I remember those two covers specifically. I also remember I had a Batman bow tie that I was very proud to wear around at events. By the time I was around 10 or so I started actually collecting and reading comics. I was fascinated by characters like the Human Fly (I wish Marvel would do an Essential collection), 3-D Man (one of my ALL TIME favorites and one of the coolest characters Roy Thomas ever created), The Beast fascinated me (just his look), Nova the Human Rocket, Moon Knight, the Black Panther. It was these “secondary” characters that caught my eye more than the Big Guns (like Spidey / Thor / even Cap) at first. I was also fascinated by the Legion of Superheroes and those early adventures of Superboy. You know how a lot of people remember the "Death of Gwen Stacy" (which was a BIG BIG deal when it came out), for me it was the death of Chemical Boy. I cried and cried over that. (I loved Bouncing Boy also,) I have not read those 1970s Legion stories SINCE I was a kid. I would love to re-read them. I also went through a period of rediscovery when the first Tim Burton Batman movie came out and started collecting again, but then life / school / marriage got me busy again and I got out of the comic world for awhile.
It was in the late 1990s while working at the public library that I started to rekindle my love for comics through reading Graphic Novels. It occurred to me that perhaps we should try ordering some Spider-Man, Batman, and Superman books for the Public Library. I asked my library director about this and she said sure, let’s give it try. Well, that inspired ten years of collecting graphic novels for the Lubbock Public Library System. I helped build one of the best graphic novels collections in the country. There was some resistance to this as some people (on staff) did not want that sh**t in the library, but the director was always like “Do they circulate?” If they do, then let’s get more. Adults, kids, teens, all loved these books so we just kept buying more and more and built a great collection of over 4,000 items. At first, I tried reading EVERYTHING that I ordered or came in. This proved to be too daunting after awhile. There is a TON of stuff and more all the time being produced, so one has to pick their favorites and stick with them, occasionally reading something new and critically acclaimed of course.
Why Marvel?
I’ve always loved the Marvel characters. After reading Alex Ross’s Marvels I just became inspired. I realized that one could tell a story with Spider-Man that was equal to Shakespeare / Tolstoy etc. Although I had previously read The Watchmen, Dark Knight Returns, and the Crow, it just did not “hit” me until I read Marvels. The combination between the awesome art and the great storytelling just changed me (I was also highly impressed with DeFalco’s Spider-Girl). I thought wow, I should try to do something like the Grateful Dead bibliography with Marvel Graphic Novels and document and annotate them. Although some critics have pointed out that much of the info in my book is online, my book as “value added” material in that the annotations are fun to read and they provide at times a critical perspective to certain works. Frankly, I do document material that is not documented in quite the same way elsewhere, including online. Although Marvel Graphic Novels is a reference work, it is a fun book that anyone including fans, scholars, historians, librarians, should get something out of that they cannot get out of websites. For example did you know Marvel published a guide to the Rock n’ Roll Hall of Fame, or about all those weird children’s books they published in the 1980s? None of that is documented in all one place. Are there things I missed? Of course. Is the book perfect? No, of course not. I find mistakes all the time, but I hope that it provides a great service to the sequential art community as a whole.
It took me six years to read and annotate all this material which is why it stops at 2005. Working full time, teaching, and trying to have a life is very difficult, but McFarland never gave up on me. I also have a second book, an edited collection on Captain America (my all time favorite character), coming out soon and that is in the can. Two more books are forthcoming as well. One is an edited collection looking at how Graphic Novels have affected libraries and archives and another documents Marvel on Film/Video.
Do you anticipate updating your Marvel book? Perhaps online for collectors of Marvel?
At this point no, I have no plans for that. I suppose in a few years I could do a sequel and update the book with all the items that have been published since then and perhaps have an annotated list of Marvel-related websites as well. There are some things I missed too that I could add. I wish someone actually associated with Marvel would see and appreciate this. That would be great. I know some reviews have lamented the fact that I stop at 2004-2005, and it just got published in 2008, but I just could not read and annotate everything. Much of the recent material is online (such as the Trade Paperback website and so forth), but again not all of it. Keep in mind too that it is also available as an e-book which you can download to your device. So I think this shows that reference books are not just dry and boring, but can provide something useful for the fan, scholar, professional, artist etc.
Can you talk more about the new books you've mentioned?
I have an edited collection on Captain America coming out soon. It is called Captain America and the Struggle of the Superhero: Critical Essays which should be out soon. Cap is my favorite character and after they killed Steve Rogers, I wanted to do something to honor Cap. Since similar collections like Batman and Philosophy , Man from Krypton, and Unauthorized X-Men are all edited collections, I wanted to do the same for Cap. The difference is that scholarship in my book is all over the map, from fields as diverse as Geography, History, Cultural Studies, Psychology, etc. The scholarship is a little more intense in my book than in most books I’ve seen about particular characters. The book also has some well-known scholars in the field of comic book/sequential art studies including Jason Dimitter, Cord Scott, Mark McDermott, John Moser and Mike Dubose among others. They all have a previous publishing track record, but there are those getting published for the first time in the book as well. I hope that it won’t be so deep that regular Cap fans will be put off by the book and there is a wide variety of ideas (not all of which I agree with). But I hope it will provide a good solid example of the various ways in which one can produce sequential art scholarship. I have no idea how the critics are going to view the book. The only thing missing is a detailed look at the late forties Cap comics when he got rid of Bucky and had a girl sidekick and the “commie smasher” version. Apparently those three comics published in the 1950s are nowhere to be found. I hope they turn up someday as Marvel really needs to reprint those as Atlas Era Captain America Masterworks (along with that single issue of Captain America Weird Tales which did not have a Cap story. For historical and cultural value those books are priceless.
As a librarian and someone who help build a big collection of Graphic Novels when I worked at the public library, I want to give something back to the profession. So I am also in the coming year going to be working on a book of collected essays that shows with how libraries and archives have dealt with Graphic Novels in their collections. I think this would be a very good book for professionals in the library and archival fields to have and use. I even talk about Digital Comics and the changing of the industry as well. I mean it really has been only in the last 10 years that libraries have taken note of graphic novels as a way to get folks to read and not poo-pooed it. There have been libraries that have collected comics (such as Michigan State and Randall Scott for years), but they are the exception. I went through some growing pains with my library as well, with folks skeptical about having them in the collection. I think there is less and less of that because, just like the Internet, patrons demand graphic novels in their libraries. I mean graphic storytelling is as old as humanity! Nothing to be ashamed of in that. BTW your comics’ web bibliography is an amazing resource, as is your comic to film adaptations book! Speaking of which, I am also going to do a project documenting Marvel on Film and video etc., all in one place which will be pretty cool. And I am trying to finish and editing volume on Exploitation/Horror/Grindhouse/Arthouse cinema. I am working on with a PhD student at University of Texas and I have my regular job duties at the University, so I have my hands full for at least the next few years and beyond.
[9/26/08, 5:21 pm - copy edited after initial posting - MR]
How about some background? You're a librarian?
I have a BA in history and an MA in History from Texas Tech with a focus in American History and American Popular culture. While I was working on my MA in history, I was always in the library. People started asking me where things were as though I worked there. I thought I should probably get paid for doing that so I applied for a job and worked as a paraprofessional for a few years. Then I went and received my MS in Library Science at University of North Texas. I worked in a public library for 12 years and most recently took a position at Texas Tech as Humanities Librarian. I worked in the local music industry for about 10 years in Lubbock while going to college. I’ve always appreciated the “artsy” side of life so my position now is a real good fit.
Bibliography is kinda in my blood. I co-authored a bibliography on the Grateful Dead, I’ve published a filmographic essay on Johnny Cash, the Marvel Guide, and in my forthcoming book on Captain America, I co-authored Filmographic and Scholarly Bibliographic pieces. I don’t do just lists however; I have to read, or watch the piece and then annotate or critically judge it.
Why comic books?
Well, when I a little boy growing up in Michigan I remember certain images... I remember the image from Silver Surfer 1 and Tales of Suspense 39 (with the gray Iron Man)! I was mesmerized by those images. They stick with me today. I can’t say where I first saw them or how I started to read comics, but I remember those two covers specifically. I also remember I had a Batman bow tie that I was very proud to wear around at events. By the time I was around 10 or so I started actually collecting and reading comics. I was fascinated by characters like the Human Fly (I wish Marvel would do an Essential collection), 3-D Man (one of my ALL TIME favorites and one of the coolest characters Roy Thomas ever created), The Beast fascinated me (just his look), Nova the Human Rocket, Moon Knight, the Black Panther. It was these “secondary” characters that caught my eye more than the Big Guns (like Spidey / Thor / even Cap) at first. I was also fascinated by the Legion of Superheroes and those early adventures of Superboy. You know how a lot of people remember the "Death of Gwen Stacy" (which was a BIG BIG deal when it came out), for me it was the death of Chemical Boy. I cried and cried over that. (I loved Bouncing Boy also,) I have not read those 1970s Legion stories SINCE I was a kid. I would love to re-read them. I also went through a period of rediscovery when the first Tim Burton Batman movie came out and started collecting again, but then life / school / marriage got me busy again and I got out of the comic world for awhile.
It was in the late 1990s while working at the public library that I started to rekindle my love for comics through reading Graphic Novels. It occurred to me that perhaps we should try ordering some Spider-Man, Batman, and Superman books for the Public Library. I asked my library director about this and she said sure, let’s give it try. Well, that inspired ten years of collecting graphic novels for the Lubbock Public Library System. I helped build one of the best graphic novels collections in the country. There was some resistance to this as some people (on staff) did not want that sh**t in the library, but the director was always like “Do they circulate?” If they do, then let’s get more. Adults, kids, teens, all loved these books so we just kept buying more and more and built a great collection of over 4,000 items. At first, I tried reading EVERYTHING that I ordered or came in. This proved to be too daunting after awhile. There is a TON of stuff and more all the time being produced, so one has to pick their favorites and stick with them, occasionally reading something new and critically acclaimed of course.
Why Marvel?
I’ve always loved the Marvel characters. After reading Alex Ross’s Marvels I just became inspired. I realized that one could tell a story with Spider-Man that was equal to Shakespeare / Tolstoy etc. Although I had previously read The Watchmen, Dark Knight Returns, and the Crow, it just did not “hit” me until I read Marvels. The combination between the awesome art and the great storytelling just changed me (I was also highly impressed with DeFalco’s Spider-Girl). I thought wow, I should try to do something like the Grateful Dead bibliography with Marvel Graphic Novels and document and annotate them. Although some critics have pointed out that much of the info in my book is online, my book as “value added” material in that the annotations are fun to read and they provide at times a critical perspective to certain works. Frankly, I do document material that is not documented in quite the same way elsewhere, including online. Although Marvel Graphic Novels is a reference work, it is a fun book that anyone including fans, scholars, historians, librarians, should get something out of that they cannot get out of websites. For example did you know Marvel published a guide to the Rock n’ Roll Hall of Fame, or about all those weird children’s books they published in the 1980s? None of that is documented in all one place. Are there things I missed? Of course. Is the book perfect? No, of course not. I find mistakes all the time, but I hope that it provides a great service to the sequential art community as a whole.
It took me six years to read and annotate all this material which is why it stops at 2005. Working full time, teaching, and trying to have a life is very difficult, but McFarland never gave up on me. I also have a second book, an edited collection on Captain America (my all time favorite character), coming out soon and that is in the can. Two more books are forthcoming as well. One is an edited collection looking at how Graphic Novels have affected libraries and archives and another documents Marvel on Film/Video.
Do you anticipate updating your Marvel book? Perhaps online for collectors of Marvel?
At this point no, I have no plans for that. I suppose in a few years I could do a sequel and update the book with all the items that have been published since then and perhaps have an annotated list of Marvel-related websites as well. There are some things I missed too that I could add. I wish someone actually associated with Marvel would see and appreciate this. That would be great. I know some reviews have lamented the fact that I stop at 2004-2005, and it just got published in 2008, but I just could not read and annotate everything. Much of the recent material is online (such as the Trade Paperback website and so forth), but again not all of it. Keep in mind too that it is also available as an e-book which you can download to your device. So I think this shows that reference books are not just dry and boring, but can provide something useful for the fan, scholar, professional, artist etc.
Can you talk more about the new books you've mentioned?
I have an edited collection on Captain America coming out soon. It is called Captain America and the Struggle of the Superhero: Critical Essays which should be out soon. Cap is my favorite character and after they killed Steve Rogers, I wanted to do something to honor Cap. Since similar collections like Batman and Philosophy , Man from Krypton, and Unauthorized X-Men are all edited collections, I wanted to do the same for Cap. The difference is that scholarship in my book is all over the map, from fields as diverse as Geography, History, Cultural Studies, Psychology, etc. The scholarship is a little more intense in my book than in most books I’ve seen about particular characters. The book also has some well-known scholars in the field of comic book/sequential art studies including Jason Dimitter, Cord Scott, Mark McDermott, John Moser and Mike Dubose among others. They all have a previous publishing track record, but there are those getting published for the first time in the book as well. I hope that it won’t be so deep that regular Cap fans will be put off by the book and there is a wide variety of ideas (not all of which I agree with). But I hope it will provide a good solid example of the various ways in which one can produce sequential art scholarship. I have no idea how the critics are going to view the book. The only thing missing is a detailed look at the late forties Cap comics when he got rid of Bucky and had a girl sidekick and the “commie smasher” version. Apparently those three comics published in the 1950s are nowhere to be found. I hope they turn up someday as Marvel really needs to reprint those as Atlas Era Captain America Masterworks (along with that single issue of Captain America Weird Tales which did not have a Cap story. For historical and cultural value those books are priceless.
As a librarian and someone who help build a big collection of Graphic Novels when I worked at the public library, I want to give something back to the profession. So I am also in the coming year going to be working on a book of collected essays that shows with how libraries and archives have dealt with Graphic Novels in their collections. I think this would be a very good book for professionals in the library and archival fields to have and use. I even talk about Digital Comics and the changing of the industry as well. I mean it really has been only in the last 10 years that libraries have taken note of graphic novels as a way to get folks to read and not poo-pooed it. There have been libraries that have collected comics (such as Michigan State and Randall Scott for years), but they are the exception. I went through some growing pains with my library as well, with folks skeptical about having them in the collection. I think there is less and less of that because, just like the Internet, patrons demand graphic novels in their libraries. I mean graphic storytelling is as old as humanity! Nothing to be ashamed of in that. BTW your comics’ web bibliography is an amazing resource, as is your comic to film adaptations book! Speaking of which, I am also going to do a project documenting Marvel on Film and video etc., all in one place which will be pretty cool. And I am trying to finish and editing volume on Exploitation/Horror/Grindhouse/Arthouse cinema. I am working on with a PhD student at University of Texas and I have my regular job duties at the University, so I have my hands full for at least the next few years and beyond.
[9/26/08, 5:21 pm - copy edited after initial posting - MR]
Thursday, September 25, 2008
Cartoonists at Politics and Prose and Crafty Bastards
Politics and Prose press release had this in it. Note Our Man Thompson in Adams Morgan this Sunday!
Small Press Expo 2008 will be held the weekend of October 4-5 at the Marriott Bethesda North Hotel and Conference Center in Bethesda, MD. Now in its 13th year, SPX is the preeminent showcase for the exhibition of independent comic books and the discovery of new creative talent. More information is available at www.spxpo.com.
In conjunction with SPX, P&P is hosting three events. On Friday, October 3, at 7 p.m.Lynda Barry (WHAT IT IS) and at 9 p.m. Tom Tomorrow (THE FUTURE’S SO BRIGHT I CAN’T BEAR TO LOOK) will be appearing at the bookstore.
Politics and Prose is also participating in Crafty Bastards Arts & Crafts Fair, on Sunday, September 28, at Marie Reed Learning Center in Adams Morgan. Come by the P&P booth at 1 p.m. to meet Richard Thompson, who will be signing copies of his CUL DE SAC.
For more information, see www.washingtoncitypaper.com/craftybastards/2008. .
Small Press Expo 2008 will be held the weekend of October 4-5 at the Marriott Bethesda North Hotel and Conference Center in Bethesda, MD. Now in its 13th year, SPX is the preeminent showcase for the exhibition of independent comic books and the discovery of new creative talent. More information is available at www.spxpo.com.
In conjunction with SPX, P&P is hosting three events. On Friday, October 3, at 7 p.m.Lynda Barry (WHAT IT IS) and at 9 p.m. Tom Tomorrow (THE FUTURE’S SO BRIGHT I CAN’T BEAR TO LOOK) will be appearing at the bookstore.
Politics and Prose is also participating in Crafty Bastards Arts & Crafts Fair, on Sunday, September 28, at Marie Reed Learning Center in Adams Morgan. Come by the P&P booth at 1 p.m. to meet Richard Thompson, who will be signing copies of his CUL DE SAC.
For more information, see www.washingtoncitypaper.com/craftybastards/2008. .
Mr. IS, the advertising webcomic, continues
The Story of Mr. Is - Episode 3: "The Reveal", 24 Sep 2008.
SPX political cartoonists appearances
“Outside Looking In: Alternative Political Cartooning in 2008” Announces Guests Jen Sorensen, Keith Knight and Nate Beeler
For Immediate Release
Contact: Warren Bernard
Phone: 301-537-4615
E-Mail:webernard@mindspring.com
Bethesda, Maryland; September 9, 2008 - The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comic books, graphic novels and alternative political cartoons, is proud to announce Jen Sorensen, Keith Knight and Nate Beeler as guests for the SPX 2008 special event, “Outside Looking In: Alternative Political Cartooning in 2008”.
Jen, Keith and Nate join the prestigious and street cred ready talents of Tom Tomorrow (Saturday, October 4 only), Lloyd Dangle, Ruben Bolling, Matt Wuerker and Ted Rall for a special symposium on political cartooning in this most political of election years.
Jen Sorensen (“Slowpoke”) - http://www.slowpokecomics.com – Jen is now the political cartoonist for The Village Voice, as well as being syndicated nationally and is (unfortunately) one of the few women political cartoonists. She will be at SPX to sign her latest book, One Nation, Oh My God.
Keith Knight (“The K Chronicles”, “(th)ink”) - http://www.kchronicles.com/ - Keith Knight is an the creator of the syndicated daily and Sunday strip “The Knight Life”. His latest books are The Complete K Chronicles from Dark Horse books and his self published I Left My Arse In San Francisco. He draws regularly for Mad Magazine and ESPN the Magazine
Nate Beeler – http://www.dcexaminer.com/opinion/blogs/NateBeelerToons - Nate is the syndicated political cartoonist from The Washington Examiner. He won the John Locher Memorial Award as The Best College Political Cartoonist and will be making his first appearance at SPX.
Be sure to stop by the Cartoonists With Attitude booth at SPX, where many of the announced political cartoonists will be available to sign books and pontificate on the latest news from this historic election year.
The events surrounding “Outside Looking In: Alternative Political Cartooning in 2008” is included with the SPX admission fee of $8 for a single day and $15 for both days.
For Immediate Release
Contact: Warren Bernard
Phone: 301-537-4615
E-Mail:webernard@mindspring.com
Bethesda, Maryland; September 9, 2008 - The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comic books, graphic novels and alternative political cartoons, is proud to announce Jen Sorensen, Keith Knight and Nate Beeler as guests for the SPX 2008 special event, “Outside Looking In: Alternative Political Cartooning in 2008”.
Jen, Keith and Nate join the prestigious and street cred ready talents of Tom Tomorrow (Saturday, October 4 only), Lloyd Dangle, Ruben Bolling, Matt Wuerker and Ted Rall for a special symposium on political cartooning in this most political of election years.
Jen Sorensen (“Slowpoke”) - http://www.slowpokecomics.com – Jen is now the political cartoonist for The Village Voice, as well as being syndicated nationally and is (unfortunately) one of the few women political cartoonists. She will be at SPX to sign her latest book, One Nation, Oh My God.
Keith Knight (“The K Chronicles”, “(th)ink”) - http://www.kchronicles.com/ - Keith Knight is an the creator of the syndicated daily and Sunday strip “The Knight Life”. His latest books are The Complete K Chronicles from Dark Horse books and his self published I Left My Arse In San Francisco. He draws regularly for Mad Magazine and ESPN the Magazine
Nate Beeler – http://www.dcexaminer.com/opinion/blogs/NateBeelerToons - Nate is the syndicated political cartoonist from The Washington Examiner. He won the John Locher Memorial Award as The Best College Political Cartoonist and will be making his first appearance at SPX.
Be sure to stop by the Cartoonists With Attitude booth at SPX, where many of the announced political cartoonists will be available to sign books and pontificate on the latest news from this historic election year.
The events surrounding “Outside Looking In: Alternative Political Cartooning in 2008” is included with the SPX admission fee of $8 for a single day and $15 for both days.
October 1: Nina Paley animation at Women in the Arts
Rick Banning pointed this out - "An Ancient Tale, Newly Animated," By Lavanya Ramanathan, Washington Post Thursday, September 25, 2008; C13. Nina Paley's "Sita Sings the Blues," fresh from the Ottawa Animation Festival will be shown at the National Museum of the Women in the Arts. 1250 New York Ave. NW. 202-783-5000, $5. 8:30 p.m. October 1, 2008.
Paley is better known as a comic strip cartoonist - this is her third and longest (corrected from first) foray into animation. Here's an article with more information on the film - "A Filmmaker’s ‘Blues’ Prompts Traditionalists To See Red," by Eric Kohn, Forward Web date May 29, 2008 appeared in June 6 issue, p.16
Paley is better known as a comic strip cartoonist - this is her third and longest (corrected from first) foray into animation. Here's an article with more information on the film - "A Filmmaker’s ‘Blues’ Prompts Traditionalists To See Red," by Eric Kohn, Forward Web date May 29, 2008 appeared in June 6 issue, p.16
We Need Another Hero or 2: Baltimore ComicCon
http://www.expressnightout.com/content/2008/09/if_you_were_a_fan.php
In today's Print and On-Line editions of the Washington Post Express, by former Washingtonian, Scott Rosenberg, who will also be at SPX.
In today's Print and On-Line editions of the Washington Post Express, by former Washingtonian, Scott Rosenberg, who will also be at SPX.
Wednesday, September 24, 2008
Baltimore Comic-Con Announces Panels for 2008!
Baltimore Comic-Con Announces Panels for 2008!
Baltimore, Maryland - September 24, 2008 - The Baltimore Comic-Con is proud to announce programming for panels at the 2008 show! Panels will occur both Saturday and Sunday upstairs from the main convention floor.
Once again, we have a panel for all tastes. A highlight this year includes the first public face-to-face discussion between Brian Michael Bendis and Robert Kirkman since each voiced dissenting opinions about work-for-hire and the future of comics. Guests who want to learn more about the graphic crafts can join Jose Villarubia and Bernie Wrightson, or see the Web Comics panel. Also, attendees will receive publishing updates from Dark Horse, DC, Kingdom Comics, Marvel, Image, Top Cow, and Visionary Comics Studio, and an exclusive art seminar by Jim Lee for eight hand-selected fans.
Without further ado...the panels!
Saturday, September 27, 2008
11am-12:30pm
DC Nation
Oa room (upstairs, room 307)
Join DC editor Dan Didio as he and special guests, discusses the current DC Universe, as well as hints to the future of the DC Universe.
11:30am-12:30pm
Web Comics
Tarnax IV room (upstairs, room 302-303)
Funny, timely, exciting, biting -- all words that can describe the Web Comic, the most widely-available of the comic art form. Join Scott Kurtz, Danielle Corsetto, Scott Sava, and others as they discuss the ins, outs, ups, downs, and overall variety of this forum.
12:35pm-1:35pm
Marvel Q&A: A Cup of B
Oa room (upstairs, room 307)
Tom Brevoort and Brian Michael Bendis answers questions about the Marvel Universe. You should join them. He loves you.
12:35pm-1:35pm
Silent Devil/Ahmet Zappa
Tarnax IV room (upstairs, room 302-303)
Kingdom Comics, a new division of the Disney film studio, showcases their upcoming projects as they bring back some of Disney Studios classic characters!
1:40pm-2:40pm
Top Cow
Oa room (upstairs, room 307)
Join Filip Sablik as he talks Dragon Prince (did you get your Baltimore Comic Con exclusive yet?) Witchblade, Darkness, and all things Top Cow. Moo.
1:40pm-2:40pm
DC Comics presents -- The Return of Sgt. Rock! With Billy Tucci
Tarnax IV room (upstairs, room 302-303)
DC Comics is proud to present the return of Easy Company with the six issue miniseries, "Sgt. Rock - The Lost Battalion." Join Sgt. Rock writer/artist and Shi creator Billy Tucci and special guest WW2 veterans Grant Hirabayashi, Joe Kelly Kuwayama, and Terry Shima for an intimate story and art preview of salute to the American soldier. Billy and Terry's discussion and photos will also show the incredible lengths the creator has gone to uphold Rock's honorable legacy by interviewing actual veterans, partaking in a massive World War II re-enactment, and visiting the beaches of Normandy!
2:45pm-3:45pm
Kirkman vs. Bendis: The Future of Comics
Oa room (upstairs, room 307)
What began as an open letter on the future of comics has turned into one of the hottest topics to hit the industry in decades. Now, the two main opposing forces in the discussion get together as Robert Kirkman and Brian Michael Bendis come face to face in a no-holds-barred debate! Don't miss out on what promises to be the most talked about panel of the year!
2:45pm-3:45pm
Dark Horse
Tarnax IV room (upstairs, room 302-303)
Join Dark Horse Director of Publicity Jeremy Atkins and Senior Managing Editor Scott Allie for a first hand look at the future of comics. You will be given insight into the next chapter of the breakout hit series, The Umbrella Academy, as well as a look at what the future holds for all of your other favorite series and characters. With exciting announcements and inside info, you won't want to be anywhere else.
3:50pm-5pm
DC Comics Presents: Men of Steel
Oa room (upstairs, room 307)
What is the future of the Superman Family? Join Geoff Johns, James Robinson, Sterling Gates, Jamal Igle, and Superman editor Matt Idelson as they give you a peek at what the next year holds for the Man of Steel and his family.
3:50pm-5pm
Comic Book Restoration and CGC
Tarnax IV room (upstairs, room 302-303)
Should restoration be considered for a comic? What does restoration do to the value of a comic? How will CGC grade a restored comic? These questions and more will be answered by Matt Nelson (Classics Incorporated) and Richard Evans (Bedrock City) as they give you insight into the do's and don'ts of comic book restoration.
Sunday, September 28, 2008
11am-12pm
Jim Lee Art Seminar
The Batcave (upstairs, room 301)
Eight lucky fans will be hand-picked by Jim Lee to attend his one hour art seminar! A contest will determine the lucky participants. During the day Saturday, you will turn in a piece of original art at a designated area. Then, on Sunday at 10:30am, Jim will choose eight artists from the entrants who will follow him to the seminar room for this unique experience.
11am-12pm
Visionary
Earth 53 (upstairs, room 307)
VCS just announced the new Headlocked: The Tryout 3-Issue series, with covers by Ron Wilson, John Hebert and Jerry "The King" Lawler in his first comic work. They also just launched their digital publishing arm on Wowio and have even more news in the wings! Check out this panel with a bunch of VCS professionals to find out what this up-and-coming studio has planned into 2009! This will also include a focus on Visionary's new submissions, and discussion of how to break into comics...the Visionary way.
11:30am-12:30pm
Boom!
The Savage Land (upstairs, room 302-303)
Join Boom! Studios Editor-In-Chief, Mark Waid, as he discusses the INCREDIBLE new projects coming soon from Boom!
12pm-1pm
Image Comics Show
Earth 53 (upstairs, room 307)
The Image Comics Show hits Baltimore as Robert Kirkman (WALKING DEAD, INVINCIBLE), Erik Larsen (SAVAGE DRAGON, IMAGE UNITED), Jimmy Palmiotti (Back to Brooklyn, The Pro), Richard Starkings (ELEPHANTMEN), and more give an exclusive glimpse into the future of Image Comics, featuring the public debut of all-new IMAGE UNITED art, along with many other announcements, surprises, and giveaways!
12:35pm-1:35pm
Spotlight on Wrightson (Villarrubia)
The Savage Land (upstairs, room 302-303)
Jose Villarrubia presents a Spotlight on his good friend, Living Legend, and Baltimore Comic-Con Guest of Honor, Bernie Wrightson!
1pm-2pm
Marvel: Your Universe
Earth 53 (upstairs, room 307)
Will you Embrace Change? Join the Marvel crew and accept your new Skrullian Overlords as you find out all you want to know about Secret Invasion and the rest of the Marvel Universe.
1:40pm-2:40pm
Chaykin/Hughes
The Savage Land (upstairs, room 302-303)
Howard Chaykin and Adam Hughes. Need we say more?
2pm-3pm
For the Love of Comics
Earth 53 (upstairs, room 307)
Dan Didio talks comics! Join Dan in this unique forum to discuss what he likes about comics in general.
2:45pm-4pm
Turner - In Memoriam
The Savage Land (upstairs, room 302-303)
Join Frank Mastromauro as he hosts a tribute to Michael Turner, a truly singular talent and an all around great guy.
Panel topics, descriptions, and creator participants are subject to change.
Baltimore, Maryland - September 24, 2008 - The Baltimore Comic-Con is proud to announce programming for panels at the 2008 show! Panels will occur both Saturday and Sunday upstairs from the main convention floor.
Once again, we have a panel for all tastes. A highlight this year includes the first public face-to-face discussion between Brian Michael Bendis and Robert Kirkman since each voiced dissenting opinions about work-for-hire and the future of comics. Guests who want to learn more about the graphic crafts can join Jose Villarubia and Bernie Wrightson, or see the Web Comics panel. Also, attendees will receive publishing updates from Dark Horse, DC, Kingdom Comics, Marvel, Image, Top Cow, and Visionary Comics Studio, and an exclusive art seminar by Jim Lee for eight hand-selected fans.
Without further ado...the panels!
Saturday, September 27, 2008
11am-12:30pm
DC Nation
Oa room (upstairs, room 307)
Join DC editor Dan Didio as he and special guests, discusses the current DC Universe, as well as hints to the future of the DC Universe.
11:30am-12:30pm
Web Comics
Tarnax IV room (upstairs, room 302-303)
Funny, timely, exciting, biting -- all words that can describe the Web Comic, the most widely-available of the comic art form. Join Scott Kurtz, Danielle Corsetto, Scott Sava, and others as they discuss the ins, outs, ups, downs, and overall variety of this forum.
12:35pm-1:35pm
Marvel Q&A: A Cup of B
Oa room (upstairs, room 307)
Tom Brevoort and Brian Michael Bendis answers questions about the Marvel Universe. You should join them. He loves you.
12:35pm-1:35pm
Silent Devil/Ahmet Zappa
Tarnax IV room (upstairs, room 302-303)
Kingdom Comics, a new division of the Disney film studio, showcases their upcoming projects as they bring back some of Disney Studios classic characters!
1:40pm-2:40pm
Top Cow
Oa room (upstairs, room 307)
Join Filip Sablik as he talks Dragon Prince (did you get your Baltimore Comic Con exclusive yet?) Witchblade, Darkness, and all things Top Cow. Moo.
1:40pm-2:40pm
DC Comics presents -- The Return of Sgt. Rock! With Billy Tucci
Tarnax IV room (upstairs, room 302-303)
DC Comics is proud to present the return of Easy Company with the six issue miniseries, "Sgt. Rock - The Lost Battalion." Join Sgt. Rock writer/artist and Shi creator Billy Tucci and special guest WW2 veterans Grant Hirabayashi, Joe Kelly Kuwayama, and Terry Shima for an intimate story and art preview of salute to the American soldier. Billy and Terry's discussion and photos will also show the incredible lengths the creator has gone to uphold Rock's honorable legacy by interviewing actual veterans, partaking in a massive World War II re-enactment, and visiting the beaches of Normandy!
2:45pm-3:45pm
Kirkman vs. Bendis: The Future of Comics
Oa room (upstairs, room 307)
What began as an open letter on the future of comics has turned into one of the hottest topics to hit the industry in decades. Now, the two main opposing forces in the discussion get together as Robert Kirkman and Brian Michael Bendis come face to face in a no-holds-barred debate! Don't miss out on what promises to be the most talked about panel of the year!
2:45pm-3:45pm
Dark Horse
Tarnax IV room (upstairs, room 302-303)
Join Dark Horse Director of Publicity Jeremy Atkins and Senior Managing Editor Scott Allie for a first hand look at the future of comics. You will be given insight into the next chapter of the breakout hit series, The Umbrella Academy, as well as a look at what the future holds for all of your other favorite series and characters. With exciting announcements and inside info, you won't want to be anywhere else.
3:50pm-5pm
DC Comics Presents: Men of Steel
Oa room (upstairs, room 307)
What is the future of the Superman Family? Join Geoff Johns, James Robinson, Sterling Gates, Jamal Igle, and Superman editor Matt Idelson as they give you a peek at what the next year holds for the Man of Steel and his family.
3:50pm-5pm
Comic Book Restoration and CGC
Tarnax IV room (upstairs, room 302-303)
Should restoration be considered for a comic? What does restoration do to the value of a comic? How will CGC grade a restored comic? These questions and more will be answered by Matt Nelson (Classics Incorporated) and Richard Evans (Bedrock City) as they give you insight into the do's and don'ts of comic book restoration.
Sunday, September 28, 2008
11am-12pm
Jim Lee Art Seminar
The Batcave (upstairs, room 301)
Eight lucky fans will be hand-picked by Jim Lee to attend his one hour art seminar! A contest will determine the lucky participants. During the day Saturday, you will turn in a piece of original art at a designated area. Then, on Sunday at 10:30am, Jim will choose eight artists from the entrants who will follow him to the seminar room for this unique experience.
11am-12pm
Visionary
Earth 53 (upstairs, room 307)
VCS just announced the new Headlocked: The Tryout 3-Issue series, with covers by Ron Wilson, John Hebert and Jerry "The King" Lawler in his first comic work. They also just launched their digital publishing arm on Wowio and have even more news in the wings! Check out this panel with a bunch of VCS professionals to find out what this up-and-coming studio has planned into 2009! This will also include a focus on Visionary's new submissions, and discussion of how to break into comics...the Visionary way.
11:30am-12:30pm
Boom!
The Savage Land (upstairs, room 302-303)
Join Boom! Studios Editor-In-Chief, Mark Waid, as he discusses the INCREDIBLE new projects coming soon from Boom!
12pm-1pm
Image Comics Show
Earth 53 (upstairs, room 307)
The Image Comics Show hits Baltimore as Robert Kirkman (WALKING DEAD, INVINCIBLE), Erik Larsen (SAVAGE DRAGON, IMAGE UNITED), Jimmy Palmiotti (Back to Brooklyn, The Pro), Richard Starkings (ELEPHANTMEN), and more give an exclusive glimpse into the future of Image Comics, featuring the public debut of all-new IMAGE UNITED art, along with many other announcements, surprises, and giveaways!
12:35pm-1:35pm
Spotlight on Wrightson (Villarrubia)
The Savage Land (upstairs, room 302-303)
Jose Villarrubia presents a Spotlight on his good friend, Living Legend, and Baltimore Comic-Con Guest of Honor, Bernie Wrightson!
1pm-2pm
Marvel: Your Universe
Earth 53 (upstairs, room 307)
Will you Embrace Change? Join the Marvel crew and accept your new Skrullian Overlords as you find out all you want to know about Secret Invasion and the rest of the Marvel Universe.
1:40pm-2:40pm
Chaykin/Hughes
The Savage Land (upstairs, room 302-303)
Howard Chaykin and Adam Hughes. Need we say more?
2pm-3pm
For the Love of Comics
Earth 53 (upstairs, room 307)
Dan Didio talks comics! Join Dan in this unique forum to discuss what he likes about comics in general.
2:45pm-4pm
Turner - In Memoriam
The Savage Land (upstairs, room 302-303)
Join Frank Mastromauro as he hosts a tribute to Michael Turner, a truly singular talent and an all around great guy.
Panel topics, descriptions, and creator participants are subject to change.
Crock writer Don Wilder has died
Kevin Rechin, the son of Crock comic strip creator Bill Rechin, says that Crock co-creator Don Wilder passed away this morning. Crock is carried by the Washington Times. Brant Parker, credited by Don Markstein as another creator of the strip, also passed away recently.
The tip is thanks to Richard Thompson.
The tip is thanks to Richard Thompson.
Pekar book available in this month's Previews
In case you do all your comics shopping at a comics store through Diamond's Previews, here's the ad.Oddly enough, I ordered nothing beyond my usual pull list out of the December Previews. Given that I spent $250.00 at Big Planet at lunchtime today, this doesn't bode well for the comics industry.
Some nice stuff was out today though - Moomin vol. 3, the 2nd Aya book, Garry Trudeau by Soper, Terry and the Pirates vol. 4, Derf's Trailer Parks, Sub-Mariner Marvel Masterworks... one can see where the money goes.
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