One story on the Family Guy animator "Serving 3 Brands: Burger King, Google and Seth MacFarlane," By BROOKS BARNES, New York Times August 18, 2008 and that bastard mix of art and commerce to quote Mr. Spiegelman.
Another story is on some Watchmen movie nonsense - "Judge Backs Fox on Rights to Superhero Movie," By MICHAEL CIEPLY, New York Times August 19, 2008.
Monday, August 18, 2008
Honorary Washingtonian Von Allan has a comic
Here's his press release:
Canadian artist Von Allan publishes his first graphic novel
Ottawa, Ontario, Canada (August 17, 2008) – Comic books and graphic novels have, over the past twenty years, become a widely embraced medium in book publishing. Initially dismissed as children’s entertainment, comics have now developed a maturity and range of vision that rivals other forms of art and literature. Graphic novels are read by people from all walks of life and have reached a level of critical acceptance that was unheard of decades ago. This resurgence has been led by a number of young artists who bring unique voices to the medium. Von Allan, an Ottawa-based artist and graphic novelist, joins this group with his recently published graphic novel “Li’l Kids: road to god knows… adventures!”
“Graphic novels offer a combination of words and images that speak to us on a very fundamental level,” says Allan. “In a way I think it’s storytelling at its most primal form. It allows an author to engage with a reader in a way that’s similar to literature and yet very, very different. Comics, when you come right down to it, are just ink marks on a piece of paper. That a reader can interpret that into a fully formed story is really quite remarkable. On top of it, so much of what makes sequential art come alive is defined by what’s not there. The gutter space between each panel of art is very important. This is where the reader’s imagination and personality comes into play. It’s a beautiful medium and one I love exploring. Hopefully that sense of exploration comes across in ‘Li’l Kids.’”
Another unique aspect of the graphic novel is its availability in multiple channels. “Li’l Kids” is downloadable as a free PDF eBook on the artist’s website. In addition, a free torrent version is available via LegalTorrents.com. The graphic novel is distributed under a Creative Commons Canada licence that grants readers the ability to distribute the online versions of the book for free. “I believe in both print publishing and bookstores and I always have,” says Allan. “But I also believe that obscurity is one of the hardest things for young artists to avoid. By using a variety of online distribution tools as well as more traditional print publishing, I’m hoping more people will get to know both myself and my work. I believe that this helps build a platform for my continued development as an artist and helps grow my audience at the same time. I’m also very pleased to see that the book is already available through a number of channels, notably online at both Amazon and Barnes & Noble.”
“Li’l Kids” is a collection of three interlocked short stories that focus on elements from a young girl’s life. We see Marie, the main character in each story, develop and grow; from meeting a new friend to her burgeoning awareness of both her family’s poverty and her mom’s mental illness. This later theme is more fully explored in the graphic novel “the road to god knows…;” Marie is only eight years old at the time of these three stories. As a result, she is only just beginning to be aware of the world around her and her place in it. Each story stands on its own but, when taken together, they demonstrate that childhood, like most aspects of life, can have its ups and downs. Being a child can be fun, scary, and magical; but sometimes the things that seem very little at the time can have a profound effect on you later on in life. That’s certainly true for Marie and her experiences in these stories help to bear that out. Later, in “the road to god knows…,” we see just how significant some of those events can be.
In addition to the three stories, this collection includes a large amount of supporting material. Concept and thumbnail art illustrate how each story was put together. Allan also discusses where each story’s inspiration came from and how each story’s initial idea formed. Lastly, he shows each step from story outline to completed script.
“Li’l Kids: road to god knows… adventures!” is an 88 page graphic novel and has an ISBN of 978-0-9781237-1-0. The suggested retail price is $13.95 US.
About Von Allan: Von Allan was born red-headed and freckled in Arnprior, Ontario, just in time for “Star Wars: A New Hope.” He managed Perfect Books, an independent bookstore in Ottawa, for many years while working on story ideas in his spare time; eventually, he decided to make the leap to a creative life, and “the road to god knows…” was the result. Additional information about the graphic novel can be found at vonallan.com.
--
Von Allan
My first graphic novel, Li'l Kids (ISBN: 978-0-9781237-1-0) is now available! Links for a free PDF Ebook and to online retailers for a physical copy are at http://www.vonallan.com/shop.html
And my original graphic novel the road to god knows... (ISBN: 978-0-9781237-0-3) can be now read entirely online at http://www.girlamatic.com/comics/godknows.php
Von Allan Studio
P.O. Box 20520, 390 Rideau Street, Ottawa, Ontario, Canada. K1N 1A3
Phone: 613-236-9957
Email: von@vonallan.com
Web: http://www.vonallan.com
Blog: http://vonandmoggy.livejournal.com
Canadian artist Von Allan publishes his first graphic novel
Ottawa, Ontario, Canada (August 17, 2008) – Comic books and graphic novels have, over the past twenty years, become a widely embraced medium in book publishing. Initially dismissed as children’s entertainment, comics have now developed a maturity and range of vision that rivals other forms of art and literature. Graphic novels are read by people from all walks of life and have reached a level of critical acceptance that was unheard of decades ago. This resurgence has been led by a number of young artists who bring unique voices to the medium. Von Allan, an Ottawa-based artist and graphic novelist, joins this group with his recently published graphic novel “Li’l Kids: road to god knows… adventures!”
“Graphic novels offer a combination of words and images that speak to us on a very fundamental level,” says Allan. “In a way I think it’s storytelling at its most primal form. It allows an author to engage with a reader in a way that’s similar to literature and yet very, very different. Comics, when you come right down to it, are just ink marks on a piece of paper. That a reader can interpret that into a fully formed story is really quite remarkable. On top of it, so much of what makes sequential art come alive is defined by what’s not there. The gutter space between each panel of art is very important. This is where the reader’s imagination and personality comes into play. It’s a beautiful medium and one I love exploring. Hopefully that sense of exploration comes across in ‘Li’l Kids.’”
Another unique aspect of the graphic novel is its availability in multiple channels. “Li’l Kids” is downloadable as a free PDF eBook on the artist’s website. In addition, a free torrent version is available via LegalTorrents.com. The graphic novel is distributed under a Creative Commons Canada licence that grants readers the ability to distribute the online versions of the book for free. “I believe in both print publishing and bookstores and I always have,” says Allan. “But I also believe that obscurity is one of the hardest things for young artists to avoid. By using a variety of online distribution tools as well as more traditional print publishing, I’m hoping more people will get to know both myself and my work. I believe that this helps build a platform for my continued development as an artist and helps grow my audience at the same time. I’m also very pleased to see that the book is already available through a number of channels, notably online at both Amazon and Barnes & Noble.”
“Li’l Kids” is a collection of three interlocked short stories that focus on elements from a young girl’s life. We see Marie, the main character in each story, develop and grow; from meeting a new friend to her burgeoning awareness of both her family’s poverty and her mom’s mental illness. This later theme is more fully explored in the graphic novel “the road to god knows…;” Marie is only eight years old at the time of these three stories. As a result, she is only just beginning to be aware of the world around her and her place in it. Each story stands on its own but, when taken together, they demonstrate that childhood, like most aspects of life, can have its ups and downs. Being a child can be fun, scary, and magical; but sometimes the things that seem very little at the time can have a profound effect on you later on in life. That’s certainly true for Marie and her experiences in these stories help to bear that out. Later, in “the road to god knows…,” we see just how significant some of those events can be.
In addition to the three stories, this collection includes a large amount of supporting material. Concept and thumbnail art illustrate how each story was put together. Allan also discusses where each story’s inspiration came from and how each story’s initial idea formed. Lastly, he shows each step from story outline to completed script.
“Li’l Kids: road to god knows… adventures!” is an 88 page graphic novel and has an ISBN of 978-0-9781237-1-0. The suggested retail price is $13.95 US.
About Von Allan: Von Allan was born red-headed and freckled in Arnprior, Ontario, just in time for “Star Wars: A New Hope.” He managed Perfect Books, an independent bookstore in Ottawa, for many years while working on story ideas in his spare time; eventually, he decided to make the leap to a creative life, and “the road to god knows…” was the result. Additional information about the graphic novel can be found at vonallan.com.
--
Von Allan
My first graphic novel, Li'l Kids (ISBN: 978-0-9781237-1-0) is now available! Links for a free PDF Ebook and to online retailers for a physical copy are at http://www.vonallan.com/shop.html
And my original graphic novel the road to god knows... (ISBN: 978-0-9781237-0-3) can be now read entirely online at http://www.girlamatic.com/comics/godknows.php
Von Allan Studio
P.O. Box 20520, 390 Rideau Street, Ottawa, Ontario, Canada. K1N 1A3
Phone: 613-236-9957
Email: von@vonallan.com
Web: http://www.vonallan.com
Blog: http://vonandmoggy.livejournal.com
August 29: Death Note showing
FOR IMMEDIATE RELEASE
CONTACT: Chris Wanamaker, (202) 262 2083 president@dcanimeclub.org
DC Anime Club and Japan Information and Culture Center, Embassy of Japan Present:
DeathNote
The DC Anime Club and the Japan Information and Culture Center (JICC), Embassy of Japan Present the DeathNote on Friday August 29, 2008 at 6:30pm as part of the Anime Summer Series. A live action film based on the extremely popular manga, starring Tatsuya Fujiwara from the Battle Royale films. The Death Note is a notebook of the gods of death. Anyone whose name is written in it will die. The screening will be held at the Japanese Information and Culture Center, Embassy of Japan located at Lafayette Center III, 1155 21st Street, NW Washington, DC 20036-3308. Seating for the screening of DeathNote is limited and attendees are encouraged to rsvp by sending an e-mail to jiccrsvpspring08@embjapan.org.
This program is free and open to the public. For more information please visit the Japanese Information and Culture Center website at http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at http://dcanimeclub.org.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of
information, educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.
--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083
CONTACT: Chris Wanamaker, (202) 262 2083 president@dcanimeclub.org
DC Anime Club and Japan Information and Culture Center, Embassy of Japan Present:
DeathNote
The DC Anime Club and the Japan Information and Culture Center (JICC), Embassy of Japan Present the DeathNote on Friday August 29, 2008 at 6:30pm as part of the Anime Summer Series. A live action film based on the extremely popular manga, starring Tatsuya Fujiwara from the Battle Royale films. The Death Note is a notebook of the gods of death. Anyone whose name is written in it will die. The screening will be held at the Japanese Information and Culture Center, Embassy of Japan located at Lafayette Center III, 1155 21st Street, NW Washington, DC 20036-3308. Seating for the screening of DeathNote is limited and attendees are encouraged to rsvp by sending an e-mail to jiccrsvpspring08@embjapan.org.
This program is free and open to the public. For more information please visit the Japanese Information and Culture Center website at http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at http://dcanimeclub.org.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of
information, educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.
--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083
Sunday, August 17, 2008
Another Harvey Pekar article
Here's another one that was struck from the book. It's another on Pekar's relationship with Letterman, this time after he had cancer and just before Our Cancer Year about to come out.
Harvey Pekar / Letterman
By Harvey Pekar and Joyce Brabner / 1994
From alt.fan.letterman, June 3, 1994. Reprinted with permission of Harvey Pekar.
As promised: Harvey wrote the following article for the Boston Herald. I'm posting my own notes, too. -- Joyce
On the Late Show With David Letterman
by Harvey Pekar
Yeah, that was me you saw on David Letterman's May 16 show, announcing to a guy I work with that he owed me ten bucks for mentioning his name on national TV, telling Dave I was getting twenty five more for wearing a T-shirt with a Cleveland Free Times logo on it. Nickel and diming, but it adds up.
I've made a cottage industry out of Dave's program-- appearing on it eight times, six during a two year period, then writing about my experiences for various newspapers. For this I've received, by my standards, decent money. My standards are those of someone who has been a file clerk for the Cleveland VA hospital since 1966.
Steve O'Donnell, once Letterman's head writer and another Clevelander, got me on Late Night in October 1986, because he liked my autobiographical comic book series American Splendor.
I did a self-parody of a working stiff on the show and Dave was so impressed that he had me on again in January, March, July and November of 1987, and, after a six month's writers' strike, August of 1988. However, our relationship soured.
Dave was happy to have me come on like a rust belt "dese an' doser" but I tired of it and brought politics into the act by talking about the conflict of interest involved in the chronically corrupt and extremely powerful General Electric corporation's ownership of NBC, Letterman's employer at the time. GE has been convicted numerous times of violating anti-trust laws. They get caught, pay the fine and do it again, a profitable policy.
They are also a huge arms manufacturer and, by owning NBC, are in a position to influence public opinion regarding weapons sales. Obviously, they shouldn't be allowed to own a major TV news source.
When GE was being sued for over a billion dollars in 1987 by three Ohio utility companies for selling them a nuclear reactor GE's own engineers and scientists considered defective, NBC didn't mention the story for months, and then only under pressure, and they didn't pursue it.
Meanwhile, I saw Dave making personal cracks about Robert Wright, the GE-installed NBC president, and thought he'd dig it if I joined in the fun by bringing up GE's long criminal record. Was I ever wrong.
The first time I mentioned the issue Dave switched to a commercial, after which he brought someone else on. When I wouldn't stop ragging on GE during a July '87 show, we got into a spirited on the air argument, which, however, the audience enjoyed.
As far as I'm concerned that should be enough for Dave. He considers Late Night/Late Show (the CBS version) a comedy program in a talk show format. We got laughs while we were squabbling about GE, but he still wasn't satisfied. He only wants light weight comedy and avoids serious political or social issues like the plague (AIDS, for example, is never mentioned).
Dave is bright and talented, but seriously interested in nothing but beating Jay Leno in the ratings. He deserves a kick in the butt for his anti-intellectualism. Make anything but a quick reference to a heavy issue and he's nervous. "This isn't Meet the Press," Letterman staffers tell you. "Don't stay on any subject too long, don't get serious about anything."
Dave is so contradictory. He makes all this money but lives modestly and could get along with far less. Money is just a success symbol to him. He despises show biz phoniness and stupidity, but interviews vacuous movie and TV stars night after night so that he can appear on Time Magazine covers. It's hard to believe he doesn't realize that having the most popular late night talk show means nothing if it stinks. Does he really believe he's doing anything creative by interviewing talentless celebrities, being increasingly nice to people he doesn't respect so he can please his closer-to-prime time audience?
Disgusted with the scene, I decided to end my TV career by goading Dave into a nasty argument during his August, '88 show. It was so ugly I figured I would never be asked back. Amazingly, a year later, his people invited me to return. I refused. The next year they asked again, but that's when I was a cancer patient undergoing chemotherapy and radiation treatments. I couldn't have gone back if I'd wanted.
In early 1993, in remission for some time, I was offered another invitation. They were paying $600, covering airfare for two, a limo and our hotel costs. This was too good to be ignored so I made an appearance, got some laughs and went home.
The show is still nowhere. Occasionally, I've seen Letterman do fine satire, but that's pretty much behind him now that he's trying to impress Peoria.
Dave raps with giddy stars and starlets five nights a week, gets in his car and races home, dodging fans. But, I'll take his money. What else is he good for?
Here's Joyce's version of the same event...
We don't watch Letterman unless Harvey's on the show. Someone usually tapes it for us at home. We sometimes stay up to watch Harvey when we're in New York and the show is aired later that same night. Doing LS/DL is a lot like being 11 years old and visiting relatives you don't care to know once or twice each year. One meets vaguely familiar people who ask the same questions and say the same things. You have nothing in common but, on the way over, you've been drilled in what/what not to talk about.
You show up because they always hand out money and terrible gifts that can be brought back to the store. For some reason, there is also a pumped and primed audience-- we always hear them practice laughing—but it's all over in only a few minutes and you don't have to swallow meatloaf and mashed potatoes.
Instead of exchanging ugly shirts and sweaters for department store refunds, Harvey collects bags full of whatever books and CDs people send Letterman and unloads them at used book and record stores for extra cash.
Sometimes Joyce trades DL merchandise, weird souvenirs, backstage passes or tickets for computer supplies and materials needed by the kids she's writing her own comic books with, usually by chatting up alt.fan.letterman readers on Usenet. Harvey writes about Letterman in his own autobiographical comic book series American Splendor, so he always has something to promote on the show-- a comic book about the last show. I forget what you call that kind of self-contained economic system. Maybe it's just plain television.
We used to think the Letterman show was a talk show, until its various producers explained "It's a comedy show that looks like a talk show. No one talks." We're not supposed to tell you which casual throwaway lines, lightning quick put downs, leading questions, canny insights and spontaneous discussions were mapped out ahead of time on those blue index cards Dave holds. Afterwards, the cards are carefully collected and unused banter gets stored by writers for later use.
Every so often Harvey and Dave say something unexpected to each other. That's called "a real moment" and often excites sophisticated people with lots of excuses for watching the show, as in "I only turned it on because Harvey..." After the show, everyone's a critic, evenly divided between those certain Harvey missed some wonderful opportunity to talk about comics as an adult art form-- or his chance to promote tourism in and around the city of Cleveland (where we live)-- and those who see Harvey as ugly little David up against smugly mugging Goliath. Or Mammon.
It's nothing more than meatloaf and potatos, served up by someone we think really does read Harvey's comics, since they made such a big deal about it last time: "Dave wants his own copy. He's decided to hold the comic book on camera." There's not much they can talk (not talk) about. Letterman knows Harvey's been sidelined by cancer and reconstructive surgery but that's not to be mentioned at the table.
"It bums people out," we're told. "Not when people tell the truth," we argue, convinced there's at least one guy out there going through chemotherapy with a really bad attitude, scared he won't get well because he hasn't turned his non-Hodgkins lymphoma into an opportunity for personal growth. On TV we're shown serene "before" pictures of Jackie O.
Harvey's scowling face is what "after" that same cancer sometimes looks like-- ragged hairline, bushy eyebrows and all. It grows back, you see. Not everyone dies.
Who's scamming who? LS/DL wanted Harvey to be red-faced and rude, to add a touch of color to beige and blonde Heather Locklear. If she didn't show, Harvey expected to be bumped. I'm Harvey's entourage. His wife.
So, they sat me next to 5 women, all wearing the same perfectly bleached and bell shaped hairdo and anxiously watching HL on the monitor backstage. One turned and trilled to the rest "Her makeup looks so good!" Then, all the Heathers sighed.
Being Heather is their job, just like being Dave is a job. Being Harvey Pekar, a very minor cult figure who writes himself into comics and sometimes turns up on TV is, well... Easy on the meatloaf. Who knows what that stuff is made of?
Harvey Pekar / Letterman
By Harvey Pekar and Joyce Brabner / 1994
From alt.fan.letterman, June 3, 1994. Reprinted with permission of Harvey Pekar.
As promised: Harvey wrote the following article for the Boston Herald. I'm posting my own notes, too. -- Joyce
On the Late Show With David Letterman
by Harvey Pekar
Yeah, that was me you saw on David Letterman's May 16 show, announcing to a guy I work with that he owed me ten bucks for mentioning his name on national TV, telling Dave I was getting twenty five more for wearing a T-shirt with a Cleveland Free Times logo on it. Nickel and diming, but it adds up.
I've made a cottage industry out of Dave's program-- appearing on it eight times, six during a two year period, then writing about my experiences for various newspapers. For this I've received, by my standards, decent money. My standards are those of someone who has been a file clerk for the Cleveland VA hospital since 1966.
Steve O'Donnell, once Letterman's head writer and another Clevelander, got me on Late Night in October 1986, because he liked my autobiographical comic book series American Splendor.
I did a self-parody of a working stiff on the show and Dave was so impressed that he had me on again in January, March, July and November of 1987, and, after a six month's writers' strike, August of 1988. However, our relationship soured.
Dave was happy to have me come on like a rust belt "dese an' doser" but I tired of it and brought politics into the act by talking about the conflict of interest involved in the chronically corrupt and extremely powerful General Electric corporation's ownership of NBC, Letterman's employer at the time. GE has been convicted numerous times of violating anti-trust laws. They get caught, pay the fine and do it again, a profitable policy.
They are also a huge arms manufacturer and, by owning NBC, are in a position to influence public opinion regarding weapons sales. Obviously, they shouldn't be allowed to own a major TV news source.
When GE was being sued for over a billion dollars in 1987 by three Ohio utility companies for selling them a nuclear reactor GE's own engineers and scientists considered defective, NBC didn't mention the story for months, and then only under pressure, and they didn't pursue it.
Meanwhile, I saw Dave making personal cracks about Robert Wright, the GE-installed NBC president, and thought he'd dig it if I joined in the fun by bringing up GE's long criminal record. Was I ever wrong.
The first time I mentioned the issue Dave switched to a commercial, after which he brought someone else on. When I wouldn't stop ragging on GE during a July '87 show, we got into a spirited on the air argument, which, however, the audience enjoyed.
As far as I'm concerned that should be enough for Dave. He considers Late Night/Late Show (the CBS version) a comedy program in a talk show format. We got laughs while we were squabbling about GE, but he still wasn't satisfied. He only wants light weight comedy and avoids serious political or social issues like the plague (AIDS, for example, is never mentioned).
Dave is bright and talented, but seriously interested in nothing but beating Jay Leno in the ratings. He deserves a kick in the butt for his anti-intellectualism. Make anything but a quick reference to a heavy issue and he's nervous. "This isn't Meet the Press," Letterman staffers tell you. "Don't stay on any subject too long, don't get serious about anything."
Dave is so contradictory. He makes all this money but lives modestly and could get along with far less. Money is just a success symbol to him. He despises show biz phoniness and stupidity, but interviews vacuous movie and TV stars night after night so that he can appear on Time Magazine covers. It's hard to believe he doesn't realize that having the most popular late night talk show means nothing if it stinks. Does he really believe he's doing anything creative by interviewing talentless celebrities, being increasingly nice to people he doesn't respect so he can please his closer-to-prime time audience?
Disgusted with the scene, I decided to end my TV career by goading Dave into a nasty argument during his August, '88 show. It was so ugly I figured I would never be asked back. Amazingly, a year later, his people invited me to return. I refused. The next year they asked again, but that's when I was a cancer patient undergoing chemotherapy and radiation treatments. I couldn't have gone back if I'd wanted.
In early 1993, in remission for some time, I was offered another invitation. They were paying $600, covering airfare for two, a limo and our hotel costs. This was too good to be ignored so I made an appearance, got some laughs and went home.
The show is still nowhere. Occasionally, I've seen Letterman do fine satire, but that's pretty much behind him now that he's trying to impress Peoria.
Dave raps with giddy stars and starlets five nights a week, gets in his car and races home, dodging fans. But, I'll take his money. What else is he good for?
Here's Joyce's version of the same event...
We don't watch Letterman unless Harvey's on the show. Someone usually tapes it for us at home. We sometimes stay up to watch Harvey when we're in New York and the show is aired later that same night. Doing LS/DL is a lot like being 11 years old and visiting relatives you don't care to know once or twice each year. One meets vaguely familiar people who ask the same questions and say the same things. You have nothing in common but, on the way over, you've been drilled in what/what not to talk about.
You show up because they always hand out money and terrible gifts that can be brought back to the store. For some reason, there is also a pumped and primed audience-- we always hear them practice laughing—but it's all over in only a few minutes and you don't have to swallow meatloaf and mashed potatoes.
Instead of exchanging ugly shirts and sweaters for department store refunds, Harvey collects bags full of whatever books and CDs people send Letterman and unloads them at used book and record stores for extra cash.
Sometimes Joyce trades DL merchandise, weird souvenirs, backstage passes or tickets for computer supplies and materials needed by the kids she's writing her own comic books with, usually by chatting up alt.fan.letterman readers on Usenet. Harvey writes about Letterman in his own autobiographical comic book series American Splendor, so he always has something to promote on the show-- a comic book about the last show. I forget what you call that kind of self-contained economic system. Maybe it's just plain television.
We used to think the Letterman show was a talk show, until its various producers explained "It's a comedy show that looks like a talk show. No one talks." We're not supposed to tell you which casual throwaway lines, lightning quick put downs, leading questions, canny insights and spontaneous discussions were mapped out ahead of time on those blue index cards Dave holds. Afterwards, the cards are carefully collected and unused banter gets stored by writers for later use.
Every so often Harvey and Dave say something unexpected to each other. That's called "a real moment" and often excites sophisticated people with lots of excuses for watching the show, as in "I only turned it on because Harvey..." After the show, everyone's a critic, evenly divided between those certain Harvey missed some wonderful opportunity to talk about comics as an adult art form-- or his chance to promote tourism in and around the city of Cleveland (where we live)-- and those who see Harvey as ugly little David up against smugly mugging Goliath. Or Mammon.
It's nothing more than meatloaf and potatos, served up by someone we think really does read Harvey's comics, since they made such a big deal about it last time: "Dave wants his own copy. He's decided to hold the comic book on camera." There's not much they can talk (not talk) about. Letterman knows Harvey's been sidelined by cancer and reconstructive surgery but that's not to be mentioned at the table.
"It bums people out," we're told. "Not when people tell the truth," we argue, convinced there's at least one guy out there going through chemotherapy with a really bad attitude, scared he won't get well because he hasn't turned his non-Hodgkins lymphoma into an opportunity for personal growth. On TV we're shown serene "before" pictures of Jackie O.
Harvey's scowling face is what "after" that same cancer sometimes looks like-- ragged hairline, bushy eyebrows and all. It grows back, you see. Not everyone dies.
Who's scamming who? LS/DL wanted Harvey to be red-faced and rude, to add a touch of color to beige and blonde Heather Locklear. If she didn't show, Harvey expected to be bumped. I'm Harvey's entourage. His wife.
So, they sat me next to 5 women, all wearing the same perfectly bleached and bell shaped hairdo and anxiously watching HL on the monitor backstage. One turned and trilled to the rest "Her makeup looks so good!" Then, all the Heathers sighed.
Being Heather is their job, just like being Dave is a job. Being Harvey Pekar, a very minor cult figure who writes himself into comics and sometimes turns up on TV is, well... Easy on the meatloaf. Who knows what that stuff is made of?
Educational editorial cartoons
My, that title sounded boring, didn't it? Actually I wanted to mention the American Association of Editorial Cartoonist's Cartoons for the Classroom site. Every week or so, they pick an editorial cartoon, write some explanatory text about it and put up a downloadable version that teachers can use. I like this a lot - in fact, we used one in the museum I work in last year. They've got 127 that you can download as of today, by a wide variety of cartoonists.
Saturday, August 16, 2008
Otakon followup article
See "Otakon convention: 'Halloween gone mad' ensues as animation fans hit Baltimore," Sarah Moses, Cumberland Times-News August 15 2008 and there's photos too.
Fiction House artwork on display at Geppi's museum
In his Scoop newsletter column, Curator Arnold Blumberg says they've put on display original art from "an installment in an ongoing strip, “Simba, King of the Beasts,” published by Fiction House in Jungle Comics... with art by William Allison."
August 16: Berryman exhibit closes
Tomorrow's the last day of the Clifford Berryman political cartoon exhibit at the National Archives on 9th and Pennsylvania Ave, NW. It's a good show.
NY Times notices Ditko
Boy, the world has gotten to be a strange, yet better, place - "From Spider-Man to Ayn Rand," By DOUGLAS WOLK, New York Times August 17, 2008 reviews the book STRANGE AND STRANGER: The World of Steve Ditko, By Blake Bell, Illustrated. 216 pp. Fantagraphics Books. $39.99.
Cul de Sac collection - I got a sneak peak
I just saw Our Man Thompson and got a sneak peek at the Cul de Sac book collection that Andrews McMeel is doing. It looks great - there's a ton of the Sunday strips that had only appeared in the Post, and they're still in color. You're going to want this one, even if there isn't a Petey temporary tattoo enclosed (I'd been hoping...).
Richard will be making appearances to sign them in the DC region this fall - he's still working out when and where. Buy 5 and give them for holiday gifts. I'm going to.
Richard will be making appearances to sign them in the DC region this fall - he's still working out when and where. Buy 5 and give them for holiday gifts. I'm going to.
The Family Circus is in DC, and didn't even call
I've been looking at these all week and didn't even think to do a post on them until Thursday's Washington Times ran a photograph by Barbara Salisbury (which isn't online) showing two Congressman holding a copy of one of the panels and inviting Bil Keane to visit the Capitol.
Anyway, the strips can be seen here - Monday 8/11, Tuesday 8/12, Wednesday 8/13, Thursday 8/14, Friday 8/15, Saturday 8/16. You can tell they're in Washington because our obelisk is taller than anyone else's.
Anyway, the strips can be seen here - Monday 8/11, Tuesday 8/12, Wednesday 8/13, Thursday 8/14, Friday 8/15, Saturday 8/16. You can tell they're in Washington because our obelisk is taller than anyone else's.
Zadzooks on Hellboy videogame
"ZADZOOKS: Hellboy players on the attack," Joseph Szadkowski, Washington Times Thursday, August 14, 2008.
Quick Reviews comment
John Judy would like to make a priority claim for his Quick Reviews:
Did I call this one first?
Yes.
Yes I did.
Okay, it's Colbert rather than Fox.
Give 'em time.
Did I call this one first?
Yes.
Yes I did.
Okay, it's Colbert rather than Fox.
Give 'em time.
Friday, August 15, 2008
Sherrilynn Kenyon and Brad Meltzer Book Signings
I almost didn't even notice this, but The Onion has a tiny notation for Monday, August 18th in their Calendar section that Sherrilynn Kenyon, writer of Marvel's Lords of Avalon: Sword of Darkness series, will be at Barnes and Noble in Clarendon at 6pm!
She is, in fact, an author of novels (under her own name and also Kinley MacGregor), and is promoting her latest book, Acheron.
While checking to see if this store had anything else interesting coming up, I found that Brad Meltzer, ex-DC resident, is coming back to the Barnes and Noble in Bethesda on September 3rd at 7:30pm to promote his latest, The Book of Lies. Schedule permitting, I'll definitely see you there!
(Mike here - Big Planet Comics owner Joel Pollack wrote in to say that Brad will also be at Politics and Prose in DC on Thursday September 4th at 7 pm.)
(Mike here again - Brad will also be ... in a grocery store? ... at Sterling, VA, Saturday, September 20 - 1:00 pm, Wegman's, 45131 Columbia Place)
She is, in fact, an author of novels (under her own name and also Kinley MacGregor), and is promoting her latest book, Acheron.
While checking to see if this store had anything else interesting coming up, I found that Brad Meltzer, ex-DC resident, is coming back to the Barnes and Noble in Bethesda on September 3rd at 7:30pm to promote his latest, The Book of Lies. Schedule permitting, I'll definitely see you there!
(Mike here - Big Planet Comics owner Joel Pollack wrote in to say that Brad will also be at Politics and Prose in DC on Thursday September 4th at 7 pm.)
(Mike here again - Brad will also be ... in a grocery store? ... at Sterling, VA, Saturday, September 20 - 1:00 pm, Wegman's, 45131 Columbia Place)
The week's animation - Fly Me to the Moon and Star Wars
Nobody's particularly liked the 3-D Fly Me to the Moon.
"Swats New? Not Much in 'Fly'; In Yet Another Cute-Yucky-Critter Tale, the Only Buzz Is in the 3-D," By Michael O'Sullivan, Washington Post Staff Writer, Friday, August 15, 2008; Page C05.
""The insect adventurers of the 3-D adventure “Fly Me to the Moon,” By NATHAN LEE, New York Times August 15, 2008.
Zadzooks wrote more about Hellboy toys in Thursday's paper, but it's not online apparently. Here he is on Friday writing on animation - "BEYOND: Living inside 3-D drama," by Joseph Szadkowski, Washington Times Friday, August 15, 2008, is actually about the movie director and not the film.
They've particularly disliked Clone Wars.
"'Clone' of a fabled franchise," Christian Toto, Washington Times Friday, August 15, 2008.
"No Chip Off The Old Blockbuster," By Hank Stuever, Washington Post Staff Writer, Friday, August 15, 2008; C01.
"An Animated Force," By NATHAN LEE, New York Times August 15, 2008.
"Swats New? Not Much in 'Fly'; In Yet Another Cute-Yucky-Critter Tale, the Only Buzz Is in the 3-D," By Michael O'Sullivan, Washington Post Staff Writer, Friday, August 15, 2008; Page C05.
""The insect adventurers of the 3-D adventure “Fly Me to the Moon,” By NATHAN LEE, New York Times August 15, 2008.
Zadzooks wrote more about Hellboy toys in Thursday's paper, but it's not online apparently. Here he is on Friday writing on animation - "BEYOND: Living inside 3-D drama," by Joseph Szadkowski, Washington Times Friday, August 15, 2008, is actually about the movie director and not the film.
They've particularly disliked Clone Wars.
"'Clone' of a fabled franchise," Christian Toto, Washington Times Friday, August 15, 2008.
"No Chip Off The Old Blockbuster," By Hank Stuever, Washington Post Staff Writer, Friday, August 15, 2008; C01.
"An Animated Force," By NATHAN LEE, New York Times August 15, 2008.
Thursday, August 14, 2008
Borders comic book displays and George Pelecanos
I was at Borders in Bailey's Cross Roads, VA for George Pelecanos's talk about his new book The Turnaround and I also took some pictures of clever parts of their comic book displays. Also note that they have the Masters of Comic Art catalogue for $10 and Jeff Danziger's last book for $3. I paid full price for both. They've also got a DC Superheroes How to Draw Kit for $4.
A 4-sided stand, cleverly arranged.
"Indescribable? Insatiable? No, Incredible" Hulk books.
"Holy comic books, Batman!"
"Ozzy would be proud" an Iron Man movie reference.
"Best underoos ever." Poor Spider-Man.
Naruto manga stand from Viz.
"Eat your fruits and vegetables" Fruitbasket. I haven't read that yet - any good?
"Sink your teeth in" to Vampire Hunter D.
Helen Thomas and Chip Bok do children's book
Editorial cartoonist Chip Bok's actually based in Ohio, I think, but here's the article: "A Capital Caper from Two D.C. Insiders," By Sally Lodge, Children's Bookshelf -- Publishers Weekly, 8/14/2008.
Baltimore Sun drops comics
Alan Gardener at the Daily Cartoonist has the story on the Baltimore Sun dropping a page of comics. Alan links to the Comics Curmudgeon's blog too.
Christopher Skokna of the Baltimore City Paper specifically mourns Zippy and also demands Our Man Thompson's Cul de Sac.
After they let KAL go, can there be any surprise in news like this?
Christopher Skokna of the Baltimore City Paper specifically mourns Zippy and also demands Our Man Thompson's Cul de Sac.
After they let KAL go, can there be any surprise in news like this?
Gene Colan, Alex Robinson, Rags Morales, and Sean McKeever Come to Baltimore!
Straight repro of their press release, but isn't it great that Gene Colan is well enough to attend?:
Gene Colan, Alex Robinson, Rags Morales, and Sean McKeever Come to Baltimore!
Baltimore, Maryland - August 11, 2008 - The Baltimore Comic-Con has just added 4 more guests to its already-packed list of attendees!
Gene Colan (Daredevil, Tomb of Dracula), Alex Robinson (Too Cool to be Forgotten, Box Office Poison), Rags Morales (Identity Crisis, Batman Confidential), and Sean McKeever (Teen Titans, Countdown) have all signed on to attend 2008's Baltimore Comic-Con.
"It's an honor and a privilege to welcome Genial Gene Colan to our show," said show promoter Marc Nathan, "and it's a real pleasure to have Alex, Rags, and Sean as returning guests this year!"
A full list of retailers can now be found on our website.
Swamp Thing co-creator and Frankenstein artist Bernie Wrightson will be the show's Guest of Honor.
He headlines a guest list that includes, in alphabetical order, Michael Bair (Identity Crisis, 52), Kyle Baker (Nat Turner, The Bakers), Brian Michael Bendis (Ultimate Spider-Man, Secret Invasion), Ivan Brandon (NYC Mech, Marvel Comics Presents), Buzz (JSA), Jim Calafiore (Exiles, Countdown), Dennis Calero (X-Factor, Countdown), Tommy Castillo (Grimm Fairy Tales, Kong: King of Skull Island), Howard Chaykin (Wolverine, American Flagg), Cliff Chiang (Green Arrow & Black Canary), Darwyn Cooke (New Frontier, The Spirit), Frank Cho (Liberty Meadows, Mighty Avengers), Steve Conley (Star Trek, The Escapist), Amanda Conner (Green Arrow/Black Canary, JSA Classified), Todd Dezago (Perhapanauts, Tellos), Steve Dillon (Punisher, Preacher), David Finch (World War Hulk, New Avengers), Ramona Fradon (Aquaman, Mermaidman and Barnacleboy), John Gallagher (Buzzboy, Roboy Red), Ron Garney (Wolverine, Skaar: Son of Hulk), Michael Golden (Micronauts, The 'Nam), Bryan J.L. Glass (Mice Templar), Mike Grell (John Sable, Iron Man), Cully Hamner (Blue Beetle, Black Lightning), Dean Haspiel (American Splendor, Brawl), Adam Hughes (Catwoman), Stuart Immonen (Ultimate Spider-Man), Geoff Johns (Green Lantern, Action Comics), J.G. Jones (52, Wonder Woman), Robert Kirkman (Invincible, Ultimate X-Men), Barry Kitson (Amazing Spider-Man, Empire), Rich Koslowski (Marvel Comics Presents, Sonic the Hedgehog), Scott Kurtz (PvP), Erik Larsen (Savage Dragon, Image EIC), Jim Lee (All Star Batman & Robin, Wildcats), Norman Lee (Marvel Adventures: Spider-Man, Spider-Man Loves Mary Jane), the Luna Brothers (The Sword, Girls), David Mack (Kabuki, Daredevil), Mark McKenna (Banana-Tail, Annihilation: Conquest), Bob McLeod (New Mutants, Spider-Man), Pop Mhan (Blank, Marvel Adventures: Spider-Man), Carla Speed McNeil (Finder), Mike Mignola (Hellboy, Disney's Atlantis), Mark Morales (Civil War, Secret Invasion), Phil Noto (Danger Girl, Jonah Hex), Michael Avon Oeming (Mice Templar, Powers), Mike Okamoto (Hellraiser, Chaos! Quarterly), Jimmy Palmiotti (Painkiller Jane, Jonah Hex), David Petersen (Mouse Guard), Brandon Peterson (Ultimate X-Men, Strange), Eric Powell (The Goon), Tom Raney (Annihilation: Conquest, Ultimate Secrets), James Robinson (Superman, JSA), John Romita Sr. (Amazing Spider-Man), Don Rosa (Uncle Scrooge), Craig Rousseau (Perhapanauts, X-Men: First Class), Andy Runton (Owly), Tim Sale (Batman: The Long Halloween, Heroes), Alex Saviuk (Web of Spider-Man, Feast of the Seven Fishes), Jim Shooter (Legion of Super-Heroes), John K. Snyder III (Grendel), Mark Sparacio (Heroes for Hire, Captain Action), Robert Tinnell (EZ Street), Peter Tomasi (Nightwing, Green Lantern Corps), Herb Trimpe (Incredible Hulk), Timothy Truman (Conan, Grimjack), Billy Tucci (Shi, Sgt. Rock - The Lost Battalion), Neil Vokes (The Black Forest, The Wicked West), Matt Wagner (Zorro, Grendel), Mark Waid (Flash, Boom! Studios), Mark Wheatley (Frankenstein Mobster, Mighty Motor Sapiens), Ron Wilson (The Thing), and Thom Zahler (Love and Capes).
The Harvey Awards will return to the Baltimore Comic-Con for the third consecutive year. The awards dinner and ceremony will be held Saturday night, September 27, 2008, following the convention's normal hours. As in 2007, the first 300 paid attendees and honorees at the 2008 Harvey Awards Ceremonies will receive a Hollywood-style bag of swag. Last year's bag included The EC Archives: Two-Fisted Tales - Volume 1 from Gemstone Publishing, a complete base set of the soon-to-be-released Jericho Season One trading cards from Inkworks, an exclusive pin from AdHouse Books, a Comic-Con exclusive edition of 30 Days of Night: Red Snow 1 from IDW Publishing, a Toon Tumbler from Popfun Merchandising, and an exclusive Harvey Awards keychain from LaserMach. Final ballots are presently online at www.harveyawards.org. Kyle Baker will return as Master of Ceremonies for the evening's events.
Tickets are now available for sale. For more information about the Baltimore Comic-Con, email cardscomicscollectilbes@yahoo.com or call (410) 526-7410. The guest list, ticket information, directions, and other information can be found on the convention's website or on its MySpace page.
For more information about the Harvey Awards, including sponsorship opportunities, e-mail baltimorecomiccon@yahoo.com.
Gene Colan, Alex Robinson, Rags Morales, and Sean McKeever Come to Baltimore!
Baltimore, Maryland - August 11, 2008 - The Baltimore Comic-Con has just added 4 more guests to its already-packed list of attendees!
Gene Colan (Daredevil, Tomb of Dracula), Alex Robinson (Too Cool to be Forgotten, Box Office Poison), Rags Morales (Identity Crisis, Batman Confidential), and Sean McKeever (Teen Titans, Countdown) have all signed on to attend 2008's Baltimore Comic-Con.
"It's an honor and a privilege to welcome Genial Gene Colan to our show," said show promoter Marc Nathan, "and it's a real pleasure to have Alex, Rags, and Sean as returning guests this year!"
A full list of retailers can now be found on our website.
Swamp Thing co-creator and Frankenstein artist Bernie Wrightson will be the show's Guest of Honor.
He headlines a guest list that includes, in alphabetical order, Michael Bair (Identity Crisis, 52), Kyle Baker (Nat Turner, The Bakers), Brian Michael Bendis (Ultimate Spider-Man, Secret Invasion), Ivan Brandon (NYC Mech, Marvel Comics Presents), Buzz (JSA), Jim Calafiore (Exiles, Countdown), Dennis Calero (X-Factor, Countdown), Tommy Castillo (Grimm Fairy Tales, Kong: King of Skull Island), Howard Chaykin (Wolverine, American Flagg), Cliff Chiang (Green Arrow & Black Canary), Darwyn Cooke (New Frontier, The Spirit), Frank Cho (Liberty Meadows, Mighty Avengers), Steve Conley (Star Trek, The Escapist), Amanda Conner (Green Arrow/Black Canary, JSA Classified), Todd Dezago (Perhapanauts, Tellos), Steve Dillon (Punisher, Preacher), David Finch (World War Hulk, New Avengers), Ramona Fradon (Aquaman, Mermaidman and Barnacleboy), John Gallagher (Buzzboy, Roboy Red), Ron Garney (Wolverine, Skaar: Son of Hulk), Michael Golden (Micronauts, The 'Nam), Bryan J.L. Glass (Mice Templar), Mike Grell (John Sable, Iron Man), Cully Hamner (Blue Beetle, Black Lightning), Dean Haspiel (American Splendor, Brawl), Adam Hughes (Catwoman), Stuart Immonen (Ultimate Spider-Man), Geoff Johns (Green Lantern, Action Comics), J.G. Jones (52, Wonder Woman), Robert Kirkman (Invincible, Ultimate X-Men), Barry Kitson (Amazing Spider-Man, Empire), Rich Koslowski (Marvel Comics Presents, Sonic the Hedgehog), Scott Kurtz (PvP), Erik Larsen (Savage Dragon, Image EIC), Jim Lee (All Star Batman & Robin, Wildcats), Norman Lee (Marvel Adventures: Spider-Man, Spider-Man Loves Mary Jane), the Luna Brothers (The Sword, Girls), David Mack (Kabuki, Daredevil), Mark McKenna (Banana-Tail, Annihilation: Conquest), Bob McLeod (New Mutants, Spider-Man), Pop Mhan (Blank, Marvel Adventures: Spider-Man), Carla Speed McNeil (Finder), Mike Mignola (Hellboy, Disney's Atlantis), Mark Morales (Civil War, Secret Invasion), Phil Noto (Danger Girl, Jonah Hex), Michael Avon Oeming (Mice Templar, Powers), Mike Okamoto (Hellraiser, Chaos! Quarterly), Jimmy Palmiotti (Painkiller Jane, Jonah Hex), David Petersen (Mouse Guard), Brandon Peterson (Ultimate X-Men, Strange), Eric Powell (The Goon), Tom Raney (Annihilation: Conquest, Ultimate Secrets), James Robinson (Superman, JSA), John Romita Sr. (Amazing Spider-Man), Don Rosa (Uncle Scrooge), Craig Rousseau (Perhapanauts, X-Men: First Class), Andy Runton (Owly), Tim Sale (Batman: The Long Halloween, Heroes), Alex Saviuk (Web of Spider-Man, Feast of the Seven Fishes), Jim Shooter (Legion of Super-Heroes), John K. Snyder III (Grendel), Mark Sparacio (Heroes for Hire, Captain Action), Robert Tinnell (EZ Street), Peter Tomasi (Nightwing, Green Lantern Corps), Herb Trimpe (Incredible Hulk), Timothy Truman (Conan, Grimjack), Billy Tucci (Shi, Sgt. Rock - The Lost Battalion), Neil Vokes (The Black Forest, The Wicked West), Matt Wagner (Zorro, Grendel), Mark Waid (Flash, Boom! Studios), Mark Wheatley (Frankenstein Mobster, Mighty Motor Sapiens), Ron Wilson (The Thing), and Thom Zahler (Love and Capes).
The Harvey Awards will return to the Baltimore Comic-Con for the third consecutive year. The awards dinner and ceremony will be held Saturday night, September 27, 2008, following the convention's normal hours. As in 2007, the first 300 paid attendees and honorees at the 2008 Harvey Awards Ceremonies will receive a Hollywood-style bag of swag. Last year's bag included The EC Archives: Two-Fisted Tales - Volume 1 from Gemstone Publishing, a complete base set of the soon-to-be-released Jericho Season One trading cards from Inkworks, an exclusive pin from AdHouse Books, a Comic-Con exclusive edition of 30 Days of Night: Red Snow 1 from IDW Publishing, a Toon Tumbler from Popfun Merchandising, and an exclusive Harvey Awards keychain from LaserMach. Final ballots are presently online at www.harveyawards.org. Kyle Baker will return as Master of Ceremonies for the evening's events.
Tickets are now available for sale. For more information about the Baltimore Comic-Con, email cardscomicscollectilbes@yahoo.com or call (410) 526-7410. The guest list, ticket information, directions, and other information can be found on the convention's website or on its MySpace page.
For more information about the Harvey Awards, including sponsorship opportunities, e-mail baltimorecomiccon@yahoo.com.
Local Maryland family creates comic magazine
In addition to Bash!, JJ Express is a magazine based in suburban Maryland for and by children - see "Brother and sister team up to create literary magazine: Wootton High duo wants youth to affect social change," by Erin Donaghue, The Gazette August 1 2008. Jack and Jenny Chen created the magazine and it's available for order online. The current issue has a comic strip on radium women workers which interests me.
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