Dan Mitchell in the Times for July 28, 2007 reports that the City Paper is being bought out - hopefully, Rob Ullman will keep illustrating Savage Love.
Alternative Newspeak The Atlanta-based Creative Loafing chain of alternative newspapers is taking over the company that owns The Chicago Reader and the Washington City Paper weeklies. A statement from the Creative Loafing chief executive, Ben Eason, employs language that seems, well, less than alternative (poynter.org).
“We have built our Creative Loafing brand,” he said, “by offering valuable content to people who influence public opinion and public tastes in culturally vibrant markets. The addition of two top 10 markets — and two of the industry’s most respected alternative news products — offers us a pivotal gateway of connectivity with the young adult audience.”
It seems unlikely that the local power structures in Chicago or Washington, are quaking in fear of an insurgent underground press.
Saturday, July 28, 2007
Friday, July 27, 2007
Geppi's Entertainment Museum auction article
See "Superman, Tarzan up for auction at the Geppi Museum" by BEN MOOK, Maryland Daily Record July 27, 2007.
Superman lawsuit documents for sale
See "Comic-Con: Superman History Offered", Scoop, Friday, July 27, 2007 as they report A collection of documents pertaining to the initial 1947 litigation between Superman's two creators, Jerry Siegel and Joseph Shuster, and their publisher, National Periodical Publications, that is now being offered for sale by EsquireComics.com.
EsquireComics.com is run by Mark Zaid who lives outside of DC. I'm not quite sure what makes these worth anything though as they appear to be printed from microfilm -- which should be available to anyone who goes to the archives that the records are deposited in.
EsquireComics.com is run by Mark Zaid who lives outside of DC. I'm not quite sure what makes these worth anything though as they appear to be printed from microfilm -- which should be available to anyone who goes to the archives that the records are deposited in.
Clubbing review by Greg McElhatton
Greg's got his take on Clubbing of the Minx Line, which I haven't read yet. I'm usually a big fan of Andi Watson so I'm not sure I'll agree with this review, but Greg's a DC-type so here it is.
Simpsons' movie on Post chat at 2 pm EST
Talk about 'The Simpsons'
Jen Chaney
washingtonpost.com Movies Editor
Friday, July 27, 2007; 2:00 PM
In honor of the release of the new movie, "Simpsons" junkie Jen Chaney will be online Friday, July 27 at 2 p.m. ET to discuss the show's 20-year history and cultural impact. What's your favorite episode? The funniest line? Let her know what you think about the first family of Springfield.
Jen Chaney
washingtonpost.com Movies Editor
Friday, July 27, 2007; 2:00 PM
In honor of the release of the new movie, "Simpsons" junkie Jen Chaney will be online Friday, July 27 at 2 p.m. ET to discuss the show's 20-year history and cultural impact. What's your favorite episode? The funniest line? Let her know what you think about the first family of Springfield.
Matt Janz on Post chat
Meet the Comics Pages: Matt Janz, Cartoonist -- "Out of the Gene Pool"
Friday, July 27, 2007; 1:00 PM
Join Washington Post Comics page editor Suzanne Tobin on Friday, July 27 at 1 p.m. ET for a discussion with "Out of the Gene Pool" cartoonist Matt Janz.
I snuck a couple of questions in -
IJOCA, VA: Matt,
Do you draw with a pen, or do you do the strip on the computer?
Matt Janz: hi IJOCA ...
I create my strips at the drawing board in pencil, brush, pen and ink ... then I scan them into my computer and add color and graytones. I think I'll always draw my strip on paper.
_______________________
IJOCA, VA: Was this the first strip you've done? How long did it take you to get a contract?
Matt Janz: no. I created several comic strips before I received a contract from the WPWG. I submitted my first strip when I was 10 years old and got my OGP contract when I was 30.
I tried self-syndicating for several years in my 20s.
--------------------------------
BTW, "Out of the Gene Pool" becomes "Single and Looking" on Monday.
Friday, July 27, 2007; 1:00 PM
Join Washington Post Comics page editor Suzanne Tobin on Friday, July 27 at 1 p.m. ET for a discussion with "Out of the Gene Pool" cartoonist Matt Janz.
I snuck a couple of questions in -
IJOCA, VA: Matt,
Do you draw with a pen, or do you do the strip on the computer?
Matt Janz: hi IJOCA ...
I create my strips at the drawing board in pencil, brush, pen and ink ... then I scan them into my computer and add color and graytones. I think I'll always draw my strip on paper.
_______________________
IJOCA, VA: Was this the first strip you've done? How long did it take you to get a contract?
Matt Janz: no. I created several comic strips before I received a contract from the WPWG. I submitted my first strip when I was 10 years old and got my OGP contract when I was 30.
I tried self-syndicating for several years in my 20s.
--------------------------------
BTW, "Out of the Gene Pool" becomes "Single and Looking" on Monday.
Thursday, July 26, 2007
SOON I WILL BE INVINCIBLE novel reviewed in today's Post
See "It's a Super World, After All" by Mat Johnson, Washington Post Thursday, July 26, 2007; C03.
Matt Dembicki's samurai artwork
Matt wrote in to say, "The Meat and Potato Theatre (meatandpotato.org), a small, alternative theater in D.C., commissioned me to do an illustration to promote its fall presentation of 'Rashomon.' (They wanted a Frank Miller-like image with a good amount fo red stuff). I've attached the final approved image, which will appear on postcards, newspaper ads and, I hear, on the Metro, too.
I've also attached the initial illustration that landed me the gig. I kinda like it--it has a sense of apprehension about it, with the bandit lingering behind the samurai, just about to slash him."
Matt's newish blog, Three Crows press, which I just discovered, can be found here.
Also, Chris Shields just interviewed Matt and Carol, his co-cartoonist wife, at Click his cIndy site.
Wednesday, July 25, 2007
August 1: Paul Karasik at Politics & Prose
I'll be travelling, otherwise I would go to this. I've already bought the book from Big Planet Comics.
Wednesday, August 1, 7 p.m.
PAUL KARASIK
I SHALL DESTROY ALL THE CIVILIZED PLANETS (Fantagraphics, $19.95)
With fanatic zeal, Karasik spent years tracking down and archiving the almost-forgotten comic book tales of Fletcher Hanks. They are uncanny tales from the golden age of comics, where the heroes have a penchant for poetic justice. Then Karasik gives us his powerful personal narrative of meeting Hanks’s son and hearing about why the father disappeared from cartooning.
Politics & Prose Bookstore and Coffeehouse
5015 Connecticut Avenue, NW
Washington, DC 20008
(202) 364-1919 or (800) 722-0790
Fax: (202) 966-7532
www.politics-prose.com
e-mail: books@politics-prose.com
Store Hours:
Monday-Thursday: 9 a.m.-10 p.m.
Friday & Saturday: 9 a.m.-11p.m.
Sunday: 10 a.m.-8 p.m.
Wednesday, August 1, 7 p.m.
PAUL KARASIK
I SHALL DESTROY ALL THE CIVILIZED PLANETS (Fantagraphics, $19.95)
With fanatic zeal, Karasik spent years tracking down and archiving the almost-forgotten comic book tales of Fletcher Hanks. They are uncanny tales from the golden age of comics, where the heroes have a penchant for poetic justice. Then Karasik gives us his powerful personal narrative of meeting Hanks’s son and hearing about why the father disappeared from cartooning.
Politics & Prose Bookstore and Coffeehouse
5015 Connecticut Avenue, NW
Washington, DC 20008
(202) 364-1919 or (800) 722-0790
Fax: (202) 966-7532
www.politics-prose.com
e-mail: books@politics-prose.com
Store Hours:
Monday-Thursday: 9 a.m.-10 p.m.
Friday & Saturday: 9 a.m.-11p.m.
Sunday: 10 a.m.-8 p.m.
Tuesday, July 24, 2007
Bill Mauldin collection to be coming out
Dave Astor is also reporting "Bill Mauldin's WWII Cartoons to Be Collected in Two-Volume Set." I actually have been attempting to help with this - scanning pages from Stars and Stripes at the Library of Congress, but the images haven't been coming out as well as they should because the newspapers are bound together and the end of the image is in the binding gutter. Work-arounds are being investigated and I'm really looking forward to Todd's books.
October 3: Walt Handelsman at DC charity event
Dave Astor is reporting that this year's Pulitzer winner Walt Handelsman will be at the Cartoons and Cocktails fundraiser.
Peter Bagge profiled in today's Post
See "A Cartoonist Who's Quick On the Draw" By Peter Carlson, Washington Post Staff Writer, Tuesday, July 24, 2007; C01. Carlson ends by noting, "Bagge says he's coming to Washington in September to cover Congress. Perfect! For a man of his gifts, caricaturing our elected representatives will be as easy as shooting fish in a barrel with that bazooka." If anyone knows more about this, let me know.
Postcards review in Los Angeles Times
Jason's publisher obviously sent out some serious amount of review copies of the book. "'Spent' by Joe Matt and 'Postcards,' edited by Jason Rodriguez: Blurring the line between reality and illusion" by David L. Ulin, Los Angeles Times Staff Writer, July 24, 2007.
Monday, July 23, 2007
Recent cIndy Center podcasts
Local 'caster Chris Shields has kept the cartoonists coming in. Since last we checked, he's interviewed Dion Floyd of Immortal Kiss, Dean Trippe on MOCCA, Ape Entertainment's Cereal and Pajamas creators, and most relevant to us - the District's Jason Rodriguez on the new Postcards anthology. Click here to find these and other podcasts.
Sunday, July 22, 2007
September 29: DC Anime Club's Shoujo Day
CONTACT: Chris Wanamaker, 202 262 2083 president@dcanimeclub.org
DC Anime Club's Shoujo Day
The DC Anime Club, an organization whose purpose is to educate the Washington, DC community about East Asian culture through the art form known as Anime (Japanese animation) will host a Marathon of Shoujo (girls) Anime on September 29, 2007 from 2pm-5pm at the Martin Luthur King, Jr Memorial Library 901 G St NW Washington, DC 20001 in Room A9.
The Marathon will consist of screenings Girls Anime, Trivia, Prizes and More. For those unfamiliar with Shoujo, Shoujo is a specific genre of Anime and Manga that is aimed at female audience with such themes as romance and drama.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington, DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are tax deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am.
DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in Arms) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
This program is free and open to the public. For more information please visit the DC Anime Club website at http://www.dcanimeclub.org or call DC Anime Club at 202 262 2083.
# # #
--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083
DC Anime Club's Shoujo Day
The DC Anime Club, an organization whose purpose is to educate the Washington, DC community about East Asian culture through the art form known as Anime (Japanese animation) will host a Marathon of Shoujo (girls) Anime on September 29, 2007 from 2pm-5pm at the Martin Luthur King, Jr Memorial Library 901 G St NW Washington, DC 20001 in Room A9.
The Marathon will consist of screenings Girls Anime, Trivia, Prizes and More. For those unfamiliar with Shoujo, Shoujo is a specific genre of Anime and Manga that is aimed at female audience with such themes as romance and drama.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington, DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are tax deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am.
DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in Arms) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
This program is free and open to the public. For more information please visit the DC Anime Club website at http://www.dcanimeclub.org or call DC Anime Club at 202 262 2083.
# # #
--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083
Nate Beeler of Washington Examiner wins Golden Spike Award
I didn't go to the AAEC wards, but R.C. Harvey did, and in his new Rants & Raves column says it was won by Nate Beeler of the Washington Examiner for a 'cartoon [that] depicted GeeDubya saying that “artificial deadlines embolden the enemy,” accompanied by a drawing of several soldiers with artificial limbs, which also embolden the enemy.' The Golden Spike is presented for the best cartoon a newspaper refuses to run.
Nate's work can be seen every other day or so in the Examiner and there's an original cartoon of his in the Katzen exhibit, Bush Leaguers.
August 5: 50th ANNIVERSARY OF "WHAT'S OPERA, DOC?
Here's a press release I was just sent. Sounds interesting - note the book. I don't think I can make this on the 5th, but if anyone's going, stick a note in the comments. I'd be interested in going later in the month. Also, I could use an exhibit reviewer for the International Journal of Comic Art.
For Immediate release
Contact: Leslie Combemale
703-478-0778 artnsights@aol.com
ARTINSIGHTS TO HAVE NATIONAL CELEBRATION
FOR 50th ANNIVERSARY OF "WHAT'S OPERA, DOC?"
Reston, VA—ArtInsights Animation and Film Art Gallery, as part of a weekend-long celebration of the 50th anniversary of the Chuck Jones directed 1957 short film and National Film Registry inductee, “What’s Opera, Doc?”, will be premiering an exhibit of original animation and fine art by Chuck Jones, some of which is rare and from the Jones family collection, both at a remote exhibit at Wolf Trap and at ArtInsights, and will be hosting Emmy Award-winning film producer Linda Jones Clough at the gallery on Sunday, August 5, 2007 from 1-3 PM.
Mrs. Clough will be signing the first art book dedicated to the animation character oil paintings created by her father, the legendary animation film director and creator, Chuck Jones. The exhibit at Wolf Trap will be in conjunction with the presentation of a revised Bugs Bunny on Broadway, conceived, directed and produced by impresario George Daugherty, that pays homage to this significant film on Friday and Saturday, August 3rd and 4th at Wolf Trap. A portion of the larger exhibit, which will be at ArtInsights through September 3rd, will be on display at Wolf Trap's Encore Circle Lounge.
The book signing on Sunday features the new release, Stroke of Genius, A Collection of Paintings and Musings on Life, Love and Art by Chuck Jones, which brings together a selection of Jones’ original oil paintings depicting his best known characters-- including Bugs Bunny, Daffy Duck, Elmer Fudd, Marvin Martian, Road Runner, Wile E. Coyote and Pepé le Pew—with reflections by the man behind their development and creation. Jones’ thoughts on his art, his characters, his inspirations and his aspirations are laid out alongside a sampling of over 50 of his paintings.
ArtInsights is located just outside of Washington, D.C. at 11921 Freedom Drive, Reston, Virginia, in Reston Town Center. The gallery presents the works of art from the 20th century film art genre, including original art from the masters of film and moving entertainment. From film campaign artists to matte painters, from concept and layout artists to animators, ArtInsights represents the most influential artists of film art history. Representation includes Chuck Jones, John Alvin, Maurice Noble, Bill Melendez, Lawrence Noble, Toby Bluth, and many other artists made famous working for Walt Disney, Warner Brothers, and other film studios. For more information please call the gallery at 703-478-0778.
Linda Jones Clough is available for phone interviews prior to the show and on the day of the event. For images or to schedule interviews, contact Leslie Combemale at 703-478-0778.
For Immediate release
Contact: Leslie Combemale
703-478-0778 artnsights@aol.com
ARTINSIGHTS TO HAVE NATIONAL CELEBRATION
FOR 50th ANNIVERSARY OF "WHAT'S OPERA, DOC?"
Reston, VA—ArtInsights Animation and Film Art Gallery, as part of a weekend-long celebration of the 50th anniversary of the Chuck Jones directed 1957 short film and National Film Registry inductee, “What’s Opera, Doc?”, will be premiering an exhibit of original animation and fine art by Chuck Jones, some of which is rare and from the Jones family collection, both at a remote exhibit at Wolf Trap and at ArtInsights, and will be hosting Emmy Award-winning film producer Linda Jones Clough at the gallery on Sunday, August 5, 2007 from 1-3 PM.
Mrs. Clough will be signing the first art book dedicated to the animation character oil paintings created by her father, the legendary animation film director and creator, Chuck Jones. The exhibit at Wolf Trap will be in conjunction with the presentation of a revised Bugs Bunny on Broadway, conceived, directed and produced by impresario George Daugherty, that pays homage to this significant film on Friday and Saturday, August 3rd and 4th at Wolf Trap. A portion of the larger exhibit, which will be at ArtInsights through September 3rd, will be on display at Wolf Trap's Encore Circle Lounge.
The book signing on Sunday features the new release, Stroke of Genius, A Collection of Paintings and Musings on Life, Love and Art by Chuck Jones, which brings together a selection of Jones’ original oil paintings depicting his best known characters-- including Bugs Bunny, Daffy Duck, Elmer Fudd, Marvin Martian, Road Runner, Wile E. Coyote and Pepé le Pew—with reflections by the man behind their development and creation. Jones’ thoughts on his art, his characters, his inspirations and his aspirations are laid out alongside a sampling of over 50 of his paintings.
ArtInsights is located just outside of Washington, D.C. at 11921 Freedom Drive, Reston, Virginia, in Reston Town Center. The gallery presents the works of art from the 20th century film art genre, including original art from the masters of film and moving entertainment. From film campaign artists to matte painters, from concept and layout artists to animators, ArtInsights represents the most influential artists of film art history. Representation includes Chuck Jones, John Alvin, Maurice Noble, Bill Melendez, Lawrence Noble, Toby Bluth, and many other artists made famous working for Walt Disney, Warner Brothers, and other film studios. For more information please call the gallery at 703-478-0778.
Linda Jones Clough is available for phone interviews prior to the show and on the day of the event. For images or to schedule interviews, contact Leslie Combemale at 703-478-0778.
Saturday, July 21, 2007
Bush Leaguers editorial cartoon exhibit open one more week UPDATED
I saw the Bush Leaguers exhibit at the Katzen today, prefatory to reviewing it for the International Journal of Comic Art. It's an amazingly large exhibit, and a good one. The space is awkward, as you can tell from these pics, but there were some real good cartoons here and you could get up close to see the technique.
As you can tell by the above photo, Matt Wuerker did an introductory image, and AAEC President Rob Rogers wrote an introduction (and the only text) to the show.
The exibit opened with videos including KAL, Fiore and Telnaes, and then went into an overwhelming amount of print cartoons. Many of these images were now 'born-digital' as librarians like to say. It does raise a question about what original art is.
Some more random notes:
Tom Toles's "Battle Hardened" cartoon that provoked a letter from the DOD's Joint Chiefs of Staff is on display.
Good cartoonists not as well known in DC like Mike Jenkins of the Journal can be seen. His "Heartbeat Away" showed Bush playing with toys and worrying about being President when told that Cheney was having heart problems. Ed Stein of Denver drew "Band of Brothers" showing the GOP's 2004 team of Bush, Cheney and others, noting "They all weren't in Vietnam together."
Other viewers in the exhibit, of which I think I saw 3 sets, were laughing out loud.
Some memorable cartoons were VC Roger's "Iraq War Memorial," a play on the W in George W. Bush and the Vietnam War Memorial in DC was great. Mike Luckovich's "Apple-Bobbing at the Cheneys" showed Cheney holding a kid underwater in a tub while saying 'Confess!' Matt Davies' "The Concert Pianist" had Rice playing a 'White House Foreign Policy' piano that only had one key. JD Crowe's "Rumsfeld Steps Down" used the trope of flag-draped coffins, and had Rumsfeld as a blind man stepping down a long, long stairway of them. It was a lovely drawing even if the flag-draped coffin was declared to be overused at the recent AAEC convention.
Local Examiner cartoonist Nate Beeler contributed "Late Night Reading" showing Cheney hiding a copy of 'Torture Illustrated' inside a copy of 'Nurturing Democracy.' A good one.
Iraq, Cheney, wiretapping, and civil liberties were generally the topics. There were only two cartoons on Hurricane Katrina's destruction of New Orleans.
In a mis-step, two cartoons of Bush as a Roman Emperor were mounted together. The cartoons by Stuart Calsun and Steve Greenberg were both fine, but didn't benefit from being shown side-by-side.
Two had comics-references in them. Daryl Cagle used the Robert Crumb cover of Zap #1, drawing George Bush getting the show in "Surge in Iraq." It was a good drawing, but I wonder how many people got the reference. Tom Stiglitch went wider and drew George Bush as Charlie Brown leaning on the sad Christmas tree with a broken ornament labelled Iraq in "A George Bush Christmas".
Overall, this was a good show, and would make a neat fundraiser for the AAEC which could use the print-on-demand technology mentioned in the next article to do it.
As you can tell by the above photo, Matt Wuerker did an introductory image, and AAEC President Rob Rogers wrote an introduction (and the only text) to the show.
The exibit opened with videos including KAL, Fiore and Telnaes, and then went into an overwhelming amount of print cartoons. Many of these images were now 'born-digital' as librarians like to say. It does raise a question about what original art is.
Some more random notes:
Tom Toles's "Battle Hardened" cartoon that provoked a letter from the DOD's Joint Chiefs of Staff is on display.
Good cartoonists not as well known in DC like Mike Jenkins of the Journal can be seen. His "Heartbeat Away" showed Bush playing with toys and worrying about being President when told that Cheney was having heart problems. Ed Stein of Denver drew "Band of Brothers" showing the GOP's 2004 team of Bush, Cheney and others, noting "They all weren't in Vietnam together."
Other viewers in the exhibit, of which I think I saw 3 sets, were laughing out loud.
Some memorable cartoons were VC Roger's "Iraq War Memorial," a play on the W in George W. Bush and the Vietnam War Memorial in DC was great. Mike Luckovich's "Apple-Bobbing at the Cheneys" showed Cheney holding a kid underwater in a tub while saying 'Confess!' Matt Davies' "The Concert Pianist" had Rice playing a 'White House Foreign Policy' piano that only had one key. JD Crowe's "Rumsfeld Steps Down" used the trope of flag-draped coffins, and had Rumsfeld as a blind man stepping down a long, long stairway of them. It was a lovely drawing even if the flag-draped coffin was declared to be overused at the recent AAEC convention.
Local Examiner cartoonist Nate Beeler contributed "Late Night Reading" showing Cheney hiding a copy of 'Torture Illustrated' inside a copy of 'Nurturing Democracy.' A good one.
Iraq, Cheney, wiretapping, and civil liberties were generally the topics. There were only two cartoons on Hurricane Katrina's destruction of New Orleans.
In a mis-step, two cartoons of Bush as a Roman Emperor were mounted together. The cartoons by Stuart Calsun and Steve Greenberg were both fine, but didn't benefit from being shown side-by-side.
Two had comics-references in them. Daryl Cagle used the Robert Crumb cover of Zap #1, drawing George Bush getting the show in "Surge in Iraq." It was a good drawing, but I wonder how many people got the reference. Tom Stiglitch went wider and drew George Bush as Charlie Brown leaning on the sad Christmas tree with a broken ornament labelled Iraq in "A George Bush Christmas".
Overall, this was a good show, and would make a neat fundraiser for the AAEC which could use the print-on-demand technology mentioned in the next article to do it.
OT: The most important comics news this month
Forget the San Diego Comic-Con - Dave Astor's got the real story right here:
Two Print-On-Demand Books Feature Universal Comics
By E&P Staff
Published: July 20, 2007 12:21 PM ET
The two books are "Circling Normal, A Book About Autism" by "Clear Blue Water" cartoonist Karen Montague-Reyes' and "'Come Here Often?' Bad Pickup Lines and Other Dating Atrocities" from "The Fusco Brothers" cartoonist J.C. Duffy. Some of the Cartoonists with Attitude crowd, along with Ann Telnaes, Signe Wilkinson and countless web cartoonists are already self-publishing - this is the wave of the future.
"The Universal-Lulu partnership, reported on in a May 3 E&P Online story, is designed for books that would not otherwise be acquired by Andrews McMeel Publishing, a sister company to Universal." My guess is that AMP will stay in business because of its distribution savvy, but a lot more cartoon books will be appearing as cartoonists become comfortable with the idea. You can make the Lulu publishing completely invisible to the end consumer.
It's going to make comics bibliography a continuing nightmare, of course...
Two Print-On-Demand Books Feature Universal Comics
By E&P Staff
Published: July 20, 2007 12:21 PM ET
The two books are "Circling Normal, A Book About Autism" by "Clear Blue Water" cartoonist Karen Montague-Reyes' and "'Come Here Often?' Bad Pickup Lines and Other Dating Atrocities" from "The Fusco Brothers" cartoonist J.C. Duffy. Some of the Cartoonists with Attitude crowd, along with Ann Telnaes, Signe Wilkinson and countless web cartoonists are already self-publishing - this is the wave of the future.
"The Universal-Lulu partnership, reported on in a May 3 E&P Online story, is designed for books that would not otherwise be acquired by Andrews McMeel Publishing, a sister company to Universal." My guess is that AMP will stay in business because of its distribution savvy, but a lot more cartoon books will be appearing as cartoonists become comfortable with the idea. You can make the Lulu publishing completely invisible to the end consumer.
It's going to make comics bibliography a continuing nightmare, of course...
Friday, July 20, 2007
Mike Carey reviewed in The Onion
The Devil You Know, the book he signed earlier this week, is reviewed in the paper copy of the Onion that came out on Weds. You can also read it online, and there's some reviews of comics online too, that weren't in the print edition.
For what it's worth, I enjoyed the book and didn't find his text overly descriptive.
For what it's worth, I enjoyed the book and didn't find his text overly descriptive.
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