Tuesday, April 18, 2017

Sneak peek: 'STEAM Within the Panels' at AAAS

by Matt Dembicki

In conjunction with this coming weekend's March for Science rally/events in D.C., the American Association for the Advancement of Science (AAAS) on Friday will open an art exhibit of science-related comics titled "STEAM Within the Panels: Science Storytelling Through Comics Books, Comic Strips and Graphic Books."

The exhibit will be in the art gallery at AAAS and is open to the public. (Make sure to take the 12st Street entrance to the building.)

There will be a few events over the next few weeks related the exhibit, though AAAS hasn't yet released a schedule. Stay tuned.

I was lucky enough to have several pages from Xoc: The Journey of a Great White (Oni Press) included in the exhibit, as well as pages from Wild Ocean's "The Galapagos" (Fulcrum Publishing) right next to Hay Hosler's "Tortuga, the Island the Swims," also from Wild Ocean. The art prints for the exhibit were still begin posted when I visited today, so I wasn't able to look at all the credits for local creators, but I see work by Baltimore's Kata Kane. The exhibit also includes what I guess could be called a challenge: taking older versions of comics characters (from the Golden, Silver and Bronze ages of comics) and "re-inventing" them with a modern science twist.

Maria Sosa, a senior project director at AAAS, championed for the exhibit

Pages from Xoc: The Journey of a Great White 




Jay Hosler's pages from Wild Ocean's "Tortuga: The Island That Swims" 

From Wild Ocean's "The Galapagos"







Work by Kata Kane


\


Local cartoonists Medina and Cavna win Headliner Awards



2017 Headliner Award winners announced!
https://www.headlinerawards.org/

Founded in 1934 by the Press Club of Atlantic City, the National Headliner Awards program is one of the oldest and largest annual contests recognizing journalistic merit in the communications industry.

The first National Headliner Awards were presented in 1935.  Since then, more than 2,000 Headliner medallions have been presented to outstanding writers, photographers, daily newspapers, magazines, graphic artists, radio and television stations and networks, and news syndicates.


Newspapers/magazines illustration or informational graphics by an individual or team

First Place
"A decade in immigration purgatory"
Juana Medina
Fusion


Lifestyle Blog

Second Place
Michael Cavna
Washington Post, Washington, D.C.

For the record, here are the political cartoonists:

Editorial cartoons

First Place
Matt Davies
Newsday, Melville, New, York

Second Place
Michael P. Ramirez
Creators Syndicate

Third Place
Clay Bennett
Chattanooga Times Free Press, Chattanooga, Tenn.

'Classic Archie' returns to soda stands... no, it's comic books

Fan-favorite artist Dan Parent is bringing back Archie's classic look — with a twist


Artist Dan Parent is returning to a new monthly Archie Comics series "Your Pal Archie" debuting in July. (Archie Comics)

Monday, April 17, 2017

April 22: Creator Con in Silver Spring, Md.

2017 Creator Con is this Saturday from noon to 7 p.m. in Silver Spring, Md. Admission is free. 

According to the organizers, Creator Con "is a grass-roots interactive media festival that provides a down-to-earth, positive celebration for communities to learn, create, collaborate and become inspired to pursue their passions towards careers in the arts, computer science, gaming, interactive media and technology industries."

The 3rd Annual Creator Con will include art & gaming competitions, special guest presentations, designer challenges, workshops, panels, kidzone, live music, food trucks, vendors, and interactive hands-on demos.

In addition to panels & demonstrations, Creator Con will showcase more than 150 artists & developers from the comic book and gaming industries in a comic-con setting to allow attendees direct access to walk-up and meet all of the amazing artists, creators and developers.


Flugennock's Latest'n'Greatest: "Won't Somebody Think Of The Children?"

From DC's anarchist cartoonist Mike Flugennock:

"Oh, Won't Somebody Think Of The Children?"
http://sinkers.org/stage/?p=2236

When Uncle Sam starts waving the bloody dead children around, you know they're scraping the bottom of the barrel when it comes to lame excuses for war. It's a wheeze that goes back to World War I and earlier. It's as if they aren't even trying anymore.

Here's House Minority Leader Nancy Pelosi -- a classic craven, crawling Democrat if ever there was one -- with just the kind of lame, basic horseshit that really sticks in my craw:

https://twitter.com/NancyPelosi/status/850478908675956736
https://twitter.com/NancyPelosi/status/850521682892685317


Is there any chance La Nan gave any thought to the children of Afghanistan, Iraq, Libya, Yemen, Bahrain, Gaza, and everywhere else the US has slaughtered children -- either directly or by proxy -- in the past twenty or thirty years? Any chance she thought of the thousands of black youth murdered by police in the US in the past twenty, twenty-five years? Nahh, not a chance in hell, are you kidding?

Then came this huge blooper, about a week after Nancy's uninspired pro-war queefage:

http://sinkers.org/posters/thinkofthechildren/wapoApr1417pgA1_crop600w.jpg

So, they were "mistakenly identified" as ISIS, then? So, if the Post says they were "Allied Forces", then it's probably better than even money that a few of them were kids. D'ohhh.

And let's also not forget -- Nancypants is no stranger to kissing up to warmongers. Check her out here: first on NBC "Today" in 2002 describing how the Democrats stand "shoulder to shoulder" with Bush as he lied us into war in Iraq; then on "Meet The Press" in 2006, talking about how the Democrats are "not about impeachment...".

Oh, how I laughed: https://www.youtube.com/watch?v=uSWa4km5hv0


Sunday, April 16, 2017

April 22: Curls Studio at McKay Books in Manassas


Please join Curls Studio at McKay Books this coming Saturday, April 22 from 11AM to 5PM. Swing by to say hello and pick up gifts for your loved ones. I will draw a sketch in every book purchased and would enjoy meeting you in-person. Sean Causley, creator of Panda Force, will also be there!

If you are planning to go to this small comic con, you can also bring in your used records, movies, books, etc. Look at their website for details about what they can except for store credit or cash/check.

McKay is located at 8345 Sudley Road, Manassas, VA 20109 in the Manaport Shopping Center across from the Manassas Mall.

Sean Causey of Panda Force will also be there.

Letters to the Post on comic strips

Fact-checking those funny pages


(Mort, Brian & Greg Walker/King Features Syndicate)

Tom Munger, Vienna and

Jack Aubert, Falls Church

Washington Post April 15 ,2017, p. A11



Saturday, April 15, 2017

Metro Weekly talks to Bechdel

Print copies are available locally at Metro stops in purple bins. Alison is on the cover.

Drawing on Life: An interview with "Fun Home's" Alison Bechdel

Cartoonist Alison Bechdel couldn't have sketched out a more successful career if she'd tried

Friday, April 14, 2017

Kickstarter for Retrofit/Big Planet Comics spring 2017 line

Retrofit/Big Planet Comics has launched a new $18,700 Kickstarter campaign to fund their spring 2017 line, which includes six new graphic novels/comics, including Virginia resident Warren Craghead III's TRUMPTRUMP Vol. 1: Nomination to Inauguration.


Comic Riffs on Bingo Love

'Bingo Love' writer Tee Franklin looks to tell a tale of romance rarely seen in comics


Washington Post Comic Riffs blog April 11 2017
https://www.washingtonpost.com/news/comic-riffs/wp/2017/04/11/bingo-love-writer-tee-franklin-looks-to-tell-a-tale-of-romance-rarely-seen-in-comics/
 

Comic Riffs talks to MAD Jake Tapper

April 28: Swann Foundation Fellow to Discuss German Cartoonist

Swann Foundation Fellow to Discuss German Cartoonist

Elizabeth Nijdam in Presentation on German Cartoonist Anke Feuchtenberger, April 28

Public Contact: Martha Kennedy (202) 707-9115
Request ADA accommodations five business days in advance at (202) 707-6362 or ADA@loc.gov

Swann Foundation Fellow Elizabeth (Biz) Nijdam, in a lecture at the Library of Congress, will discuss the comic art of the East German-born artist Anke Feuchtenberger in the context of her artistic training and the political climate in which she developed.

Nijdam will present "'It's Not Just Horror and Black:' The Comics of Anke Feuchtenberger and Their Many Expressionisms" at noon on Friday, April 28, in Dining Room A on the sixth floor of the Library's James Madison Building, 101 Independence Avenue  S.E., Washington, D.C.  The lecture is free and open to the public.  Tickets are not needed.

Feuchtenberger studied at the Berlin Academy of Fine Arts.  It was not until after 1989, the year the Berlin Wall came down, that she embraced comics, an art form virtually non-existent for adult audiences in the German Democratic Republic. According to Nijdam, a striking feature of Feuchtenberger's art is its expressionist visual rhetoric. Her sequential art recalls early German modernism, emulating the aesthetic of the woodcut print, the claustrophobic and angular space of German expressionist cinema and the deformed bodies and elongated appendages of the work of Otto Dix and Georg Grosz.

This visual language predates Feuchtenberger's artistic production by more than seven decades, and raises the question—how did she come to adopt an early German expressionist style? Nijdam's presentation investigates the many sources of Feuchtenberger's woodcut aesthetic, tracing its influences to her East German training in the graphic arts, Weimar modernism, East German neo-expressionism and American alternative comics.

Nijdam is a Ph.D. candidate in the Department of Germanic Languages and Literatures at the University of Michigan, Ann Arbor.  Her research focuses on German comics after 1989, and her dissertation traces East German artistic traditions influencing the post-unification comics of Anke Feuchtenberger and Henning Wagenbreth, members of the PGH Glühende Zukunft (Glowing Future), a group that Feuchtenberger and fellow students founded. Nijdam's dissertation research has been published in the International Journal of Comic Art and World Literature Today. She has worked extensively on comics in the classroom and wrote a chapter on teaching German history with graphic novels in the book "Class, Please Open Your Comics" (2015).

Nijdam is the secretary for the executive committee of the International Comic Arts Forum and a member-at-large on the executive board of the Comics Studies Society's Graduate Student Caucus.  She is also the founding organizer for the Transnational Comics Studies Workshop at the University of Michigan. In 2017, she received the Rackham Outstanding Instructor Award for her teaching on comics.  In October, she will begin work on her book, "Panelled Pasts: East German History and Memory in the German Graphic Novel," as a postdoctoral fellow in the Berlin Program for Advanced German and European Studies at the Freie Universität Berlin.             

This presentation, sponsored by the Swann Foundation and the Library's Prints and Photographs Division, is part of the foundation's continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world.

The Swann Foundation's advisory board includes scholars, collectors, cartoonists and Library of Congress staff members.  The foundation awards fellowships annually (or biennially) to assist scholarly research and writing projects in the field of caricature and cartoon. Applications for the 2017-2018 academic year will be due Monday, Feb. 15, 2018.  For more information, visit loc.gov/rr/print/swann/swannhome/ or e-mail swann@loc.gov.

The Library of Congress is the world's largest library, offering access to the creative record of the United States—and extensive materials from around the world—both on site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov, and register creative works of authorship at copyright.gov.

Paula Bannerman: An Artomatic Interview

20170331_203542by Mike Rhode

Paula Bannerman doesn't consider herself a cartoonist, but her display at Artomatic revolves around a cartoon character: "Hello Kitty Gone Wrong is a series of iPad drawings that puts Hello Kitty in Action, Suspense, and mostly Horror situations." She's kindly answered our usual questions anyway.

What type of comic work or cartooning do you do?

I'm unsure how to answer this question because I never thought of myself as a comic artist. I like to use bold colors. Everything depends on what I'm using to create.

How do you do it? Traditional pen and ink, computer or a combination? 

It's drawn on my iPad. I usually draw while riding on the Metro, especially the red line. I get some much done during Safe Tracking.

When (within a decade is fine) and where were you born?

Late 70's, Washington, DC

Why are you in Washington now? What neighborhood or area do you live in?

The Washington, DC-area has always been my home. I do love traveling to other places, but I always love coming back to home, even with the changes.

20170331_203527

What is your training and/or education in art?

I have been doing art since I was five years old. I managed to stay in art classes from elementary school to high school. Right now, when I go to the Portrait Gallery’s Open Studio, they have each week a different lesson which is great.

Who are your influences?

My family, my friends, Andy Warhol, Yayoi Kusama, and my art teachers: Roland Colmus, Annette Cross, and Jill Galloway.

If you could, what in your career would you do-over or change?

I wouldn't make any changes over because I am here right now for a reason.

What work are you best-known for?

I think I'm more known for usually drawing on my iPad while riding the Metro (trains and buses); outside of that, I think I am known for one of my first iPad drawings, "In Her Eyes," where you see a red decorated face with a yellow eye. And recently, I think my Hello Kitty's Gone Wrong series is becoming popular because I started receiving Hello Kitty toys, stickers and other merchandise from friends.
20170331_203509
What work are you most proud of?

I'm proud of finishing a piece than just one work.

What would you like to do or work on in the future?

Ever since I started getting involved in the STEM/STEAM (Science, Technology, Engineering, Art, Math) movement, I would like to work on having large scale pieces with more of a strong emphasis on technology. Then with the pieces, I would love to inspire others to create something amazing as well.

What do you do when you're in a rut or have writer's block?

I go to the Portrait Gallery, spend time at my friend’s store in Union Station, travel somewhere, listen to music like the Cirque du Soleil soundtracks or just start doodling.

What do you think will be the future of your field?

In the past three years of drawing on the iPad, I went from just doing small sketches that I thought wouldn't go far, to now creating work wondering what other possibilities can I do with it, then going to conventions and showing others to create more. I feel that within drawing and creating there will always be a need to promote the importance of art, and with that, I see my field as always growing, even with opposition. Art is everywhere and is a powerful force that can't be stopped.

What local cons do you attend? The Small Press Expo, Awesome Con, Intervention, or others? Any comments about attending them?

So far I have done Awesomecon (taking a break this year), Tee con, T-mode, CreatorCon, Makers Day Nova, National Makers Faire, and Girl Scout Makers Day.

My comment about them is regardless of if you are a vendor or visiting, it's always good to have a comfortable pair of shoes and snacks. As well as map out the bathrooms and the cheap restaurants inside and outside of the convention.

20170331_203505
What's your favorite thing about DC?

My favorite thing about DC is the fact there are so many opportunities out there to be able to do whatever they dream of doing for little or to no money. For example, I wanted to learn the coding language, Python. So I went to Hear Me Code, and I was able to get three free Python lessons. Don't get me started on the DC library and their amazing resources!

Least favorite?

Parking

What monument or museum do you like to take visitors to?

The Portrait Gallery because they have the free open studio on Fridays and they have art challenges in the Luce Center on Tuesdays. Also on the weekends, they have free coffee in the Luce Center.

How about a favorite local restaurant?

Pho 88.

Do you have a website or blog?

www.dcartist.com

The Post on 'Fun Home'

It's built around a funeral home, but there's nothing funereal about 'Fun Home' [in print as 'Home' is where the heartbreak is].


Theater critic
Washington Post April 14 2017, p. Weekend 18-19
online at https://www.washingtonpost.com/entertainment/theater_dance/its-built-around-a-funeral-home-but-theres-nothing-funereal-about-fun-home/2017/04/13/9cfd37bc-1d57-11e7-a0a7-8b2a45e3dc84_story.html

Wednesday, April 12, 2017

NPR on Eartha by Malkasian

Long-Buried Secrets, Scampering Dreams And A Cat That Talks: 'Eartha'

A moment of discovery from Cathy Malkasian's richly melancholic graphic novel Eartha.

Comic Riffs wants your Trump drawing

So Trump's a visual learner? You can send your message to him now with #MyDoodle4Donald


Washington Post
Comic Riffs blog April 12 2017
https://www.washingtonpost.com/news/comic-riffs/wp/2017/04/12/so-trumps-a-visual-learner-you-can-send-your-message-to-him-now-with-mydoodle4donald/

Comic Riffs on X-Men artist's secret anti-tolerance messge

Roz Chast does 2017 Book Festival poster


2017 National Book Festival Poster Depicts Delightful World of Books



2017 National Book Festival poster by cartoonist Roz Chast.

Spring is in the air and with it begins anticipation for our summer celebration of books and reading – the Library of Congress National Book Festival – which this year will take place on Sept. 2. Two weeks ago the diverse author lineup for the 2017 festival was announced and today the poster is being revealed!

The poster artist is Roz Chast, a cartoonist whose work has been published in The New Yorker, Scientific American, the Harvard Business Review, Redbook, and more. Chast started drawing cartoons as a child growing up in Brooklyn, and went on to graduate from the Rhode Island School of Design. She has won numerous awards for her books and illustrations.

Cindy Moore, a graphic specialist at the Library of Congress, led a team of other graphics specialists at the Library in selecting Chast to design this year's poster. However, the theme Chast came up with was all her own.

"Books have always been a major part of my life from the time I learned to read," explains Chast. "They are a way to escape from the world, but also a way to feel more deeply connected to it. I wanted to make a poster that expressed the excitement, appreciation, and delight I have for the books of my life."

By the looks of this lively whimsical poster, she succeeded wildly!

You can download a copy of the poster from the Library of Congress National Book Festival website.
The 2017 Library of Congress National Book Festival, which is free for everyone, will be held at the Walter E. Washington Convention Center on Saturday, Sept. 2. The festival is made possible by the generosity of sponsors. You too can support the festival by making a gift now.

Tuesday, April 11, 2017

New specialty bookstore in DC seeks funding

Judging from their Artomatic stock, they will be carrying graphic novels.

Veteran Bookseller Plans D.C. Bookstore Around Diverse Staff

Comic Riffs on Morin's Pulitzer Prize

Miami Herald's Jim Morin wins cartooning Pulitzer for 'flawless' art and 'biting prose'


Washington Post
Comic Riffs blog April 10 2017
https://www.washingtonpost.com/news/comic-riffs/wp/2017/04/10/miami-heralds-jim-morin-wins-cartooning-pulitzer-for-flawless-art-and-biting-prose/

Nishith "Nish" Pandya - An Artomatic Interview

by Mike Rhode


Nishith "Nish" Pandya's illustration style, as on display at Artomatic, is somewhat cartoony, but his use of the web-handle "cartoonish" led us to decide to reach out to him. (all images from his websites, as my photos from Artomatic did not come out well).

What type of comic work or cartooning do you do?

Lately, my drawing style has been combining my characters and my love for nature and hiking.

How do you do it? Traditional pen and ink, computer or a combination?

I mainly work in pencil, charcoal, or pen-n-ink. I think these mediums tend to enhance the mood I try to create in the drawings.


When (within a decade is fine) and where were you born?

I was born in 1970 in Baroda, India.


Why are you in Washington now? What neighborhood or area do you live in?

I moved up to DC for a software job and I have been living in Capitol Hill.

What is your training and/or education in cartooning?

Aside from watching cartoons on tv...none.


Who are your influences?

I think Bugs Bunny did this to me! I would religiously watch Loony Toons on Saturday mornings.

But somewhat-recent animation programs that I love include Invader Zim and Ed, Edd, and Eddy.

If you could, what in your career would you do-over or change?

My day job is software and sometimes I wish I had focused more on my art.

What work are you best-known for?

Lately, I think I am known for my nature-inspired drawings.

What work are you most proud of?

I have few personal favorites. One of them is on display at Artomatic. It's an illustration of a girl reading a book by a tree.

20170331_212546


What would you like to do or work on in the future?

I am currently learning oil painting. I have tons of sketches that I would like paint...and finally work with color.

In addition, I keep saying I would like to write and illustrate a children's book.

What do you do when you're in a rut or have writer's block?

I get drawing blocks and many times I'll go on nature walks to get ideas and inspiration.


What local cons do you attend? The Small Press Expo, Awesome Con, Intervention, or others? Any comments about attending them?

I have not attended any cons. I think I need to attend some!

What's your favorite thing about DC?

I think DC is a great walkable city and I definitely do a lot of walking.






What monument or museum do you like to take visitors to? 

Neither a monument nor a museum, but I like to take visitors to Great Falls if they have never seen it before.

Which side?

I like both sides.

I prefer the hiking on the MD side for myself.

But if my parents come visit me, I ll take them to the VA side since its easier for them to walk around.


Least favorite?

Easy answer...the summers. it gets too hot here.

How about a favorite local restaurant?

It's a chain but I like Matchbox.

Do you have a website or blog?

I am on Instagram. My username is cartoonish2.

I also have a few drawings on www.coroflot.com/cartoonish

Monday, April 10, 2017

April 15: Bmore Into Comics

Join comics creators from Baltimore and the greater B'more area April 15 for their Bmore Into Comics show, a DIY/minicomics show held at the Windup Space, a local bar. It's free and open to the public.


Okupe profile in Whurk

Comic book creator Roye Okupe is profiled in the current issue of Whurk magazine.


Comics Worth Reading on 'ReDistricted'

Comics Worth Reading, a comics review blog run by former Richmond, Va. resident Johanna Draper Carlson, gives a shout out to the online comics anthology ReDistricted.

Today: Gene Yang signing at Big Planet Comics DC

National Ambassador of Young People's Literature and best-selling comic book creator Gene Luen Yang comes to Big Planet Comics on U St. on Monday, April 10, 6-7:30 p.m.


Rockeats Alcoreza - An Artomatic Interview

20170331_210813by Mike Rhode

Rockeats Alcoreza's exhibit at Artomatic is heavily-influenced by graffiti and popular culture, especially animation. We reached out to him to ask our usual questions, some of which are less relevant to a painter than a cartoonist.

What type of comic work or cartooning do you do?

I do a mixture of urban street art and realism.

How do you do it? Traditional pen and ink, computer or a combination?

Acrylic paint, sometimes oil.

When (within a decade is fine) and where were you born?

I'm from DC.

Why are you in Washington now?  What neighborhood or area do you live in? 

I live in Arlington, VA's Green Valley.

What is your training and/or education in cartooning?

No training or education, but I feel if I take classes my talent will develop greatly.

Who are your influences?

Hip hop, anime, people

If you could, what in your career would you do-over or change?

I would've took art more serious back in middle school. I had a conflict with my art teacher at the time. I didn't continue with art. I completely dropped it. I recently picked it up again.  I know for a fact if I continued doing since middle school to high school, my art would be amazing beyond amazing because I would've learned so many techniques and been guided to produce better art.

What work are you best-known for?

My backgrounds (the patterns you see in majority of my art is called THE 88's).

20170331_210737

What work are you most proud of?

Nothing really I feel like I could do a lot better when I look back at my work.

What would you like to do or work on in the future? 

Make comic strips, funny crude humor or create a book for kids. That would be the dream.

20170331_210732

What do you do when you're in a rut or have writer's block?

I hate when that happens; listening to music sometimes helps.

20170331_210759

What local cons do you attend? The Small Press Expo, Awesome Con, Intervention, or others? Any comments about attending them?

Awesome con, but I would like to attend more. I'm not that informed about when these events happen.

What's your favorite thing about DC?

Our go-go music. Our sense of style, the way we talk, and also the fact we are at the nation's capitol.

Least favorite?

Traffic

What monument or museum do you like to take visitors to?

Corinto gallery

How about a favorite local restaurant?

El Pollo Rico -  it's in Arlington - it's crack.

20170331_210843

Do you have a website or blog?

Websites would be https://www.facebook.com/24mobrockeats
https://www.instagram.com/24mobrockeats/
Later I will create my own website.

On sale now: The Lent Comic Art Classification System

Now available:

The Lent Comic Art Classification System

http://www.lulu.com/shop/john-a-lent-and-mike-rhode/the-lent-comic-art-classification-system/paperback/product-23120510.html

Paperback, 146 Pages

Price: $20.00
Prints in 3-5 business days
A worldwide classification system of comic art, including comic books, comic strips, animation, caricature, political & editorial cartoons, and gag cartoons based on John A. Lent's pioneering bibliographic work. Created in honor of Lent's 80th birthday.

For Lent's 70th birthday, a group of comics scholars got together and did a parody of his  International Journal of Comic Art -

Interplanetary Journal of Comic Art: A Festschrift in Honor of John Lent

http://www.lulu.com/shop/michael-rhode/interplanetary-journal-of-comic-art-a-festschrift-in-honor-of-john-lent/paperback/product-726984.html

Friday, April 07, 2017

Off-topic: Buy a print to benefit cartoonists

John Kelly of the Toonseum in Pittsburgh says, "Proceeds are going to the NCS Foundation to help old cartoonists in need: https://www.etsy.com/listing/506735712/underground-cartoonist-legend-jay-lynch

Carol Tyler will be signing them this weekend at PIX as well. I've got my order in.

Ralph Baden - An Artomatic Interview

by Mike Rhode

Ralph Baden's work at Artomatic was quite a surprise as it's often NSFW, or families. The centerpiece of his exhibit is a large painting of a man with an erect penis and a caption that wouldn't make it through many Internet filters. We reached out to him to ask our usual questions, some of which are less relevant to a painter than a cartoonist, and he gamely answered them.

What type of comic work or cartooning do you do?

Large scale political satire and comical oil paintings.


How do you do it? Traditional pen and ink, computer or a combination?

Oil painting on canvas.

20170325_174244

When (within a decade is fine) and where were you born?

1960's Maryland.


What neighborhood or area do you live in?

Baltimore.

What is your training and/or education in cartooning?

The Corcoran School of Art


Who are your influences?

I'm doing pretty original stuff. Nobody takes oil painting and makes the most vulgar painting -- except maybe the old Dutch masters -- paintings where people got drunk in the streets -- they were funny.

If you could, what in your career would you do-over or change?

To do it over I'd have to have a career- but I would have gone twice as loud, twice as big and twice as early.


What work are you best-known for?

Nobody knows of me -- I'm amazed you contacted me.


20170325_174250

What work are you most proud of?

 In 2016, being expelled from 2 un-juried shows with 2 completely different bodies of work -- also not being allowed to sell at a farmers market under the freeway by the prison in Baltimore because my work wasn't family friendly... and also not being accepted into The Bromo Seltzer building because my work was considered"too unique".


What would you like to do or work on in the future?

Bigger larger scales. I would like to have a room full of people laughing at my work at The Met or The MOMA


What do you do when you're in a rut or have writer's block?

Stare at a light bulb.


What do you think will be the future of your field?

Trash can, dumpster, landfill.

What monument or museum do like to take visitors to?

The Phillips -- I love to go sit in the Mark Rothko meditation room and wonder why.

How about a favorite local restaurant?

Mangialardo's

Do you have a website or blog?

www.ralphbaden.com

The Post on Your Name anime and Smurfs cartoon

'Smurfs: The Lost Village' is a kitschy, psychedelic trip to nowhere [in print as Color-swirled movie has little to hold interest of anyone but tots].


Washington Post April 7 2017, p. Weekend 31, 33
online at https://www.washingtonpost.com/goingoutguide/movies/smurfs-the-lost-village-is-a-kitschy-psychedelic-trip-to-nowhere/2017/04/06/ff8c6e8e-1898-11e7-855e-4824bbb5d748_story.html


'Your Name': A romantic, teeny-bopper version of 'Freaky Friday' [in print as Treat for the eyes, but not the ears].


Washington Post April 7 2017, p. Weekend 33
online at https://www.washingtonpost.com/goingoutguide/movies/your-name-a-romantic-teeny-bopper-version-of-freaky-friday/2017/04/06/1ebda30c-1977-11e7-9887-1a5314b56a08_story.html


Mitchell MacNaughton - An Artomatic Interview (updated)

by Mike Rhode

Mitchell MacNaughton's caricatures and cartoons recall the 1960s as well as today's issues. He's sharing a room at Artomatic in Crystal City and agreed to answer our usual questions.

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What type of comic work or cartooning do you do?

Many people would label my work as political cartooning, although that’s not quite how I would describe it. Sure, for many pieces I use ink and my subject is political, but I think that there in a certain refinement that would put it closer to the art side rather than the cartooning side.

How do you do it? Traditional pen and ink, computer or a combination?

If I’m solely creating a black and white piece, my tools include micron pens, black India ink, and either charcoal or a black colored pencil. If I’m creating a piece in color, it could range from gouache to watercolor with certain elements re-colored digitally.

When (within a decade is fine) and where were you born?

I was born in 1989 on farmlands in Western New York, where I would live for 17 years until I left for Pittsburgh.

Why do you draw and comment on characters and events from the 1960s?

I find mid-century America fascinating because the dynamic of the country completely shifted in a handful of years. President Kennedy came to office on a wave of optimism as the U.S. came to terms with it’s post-war life, then his death is the first in a dark period that saw other assassinations along with riots and strife, and the decade comes to a close with the start of one of our lowest points of the modern century - The Vietnam War. It’s span of years that starts out on a high and bottoms out in a low, and for some reason that intrigues me.

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Why are you in Washington now?  What neighborhood or area do you live in?

I had always wanted to live in DC, as it’s a natural fit for somebody with my artistic themes, and after years of plotting a planning I finally got my chance when I was offered a job at a political direct mail agency. While here, I have never lived in any neighborhood outside of Alexandria.

What is your training and/or education in cartooning?

While in studying for my degree in graphic design, I knew that my priority was becoming an illustrator. Thankfully for my perseverance, I had many teachers who insisted that I would fail or that the market was too crowded, so while I was in their classes I would look up artists and and search illustration advice websites out of spite. I took what I was learning in my design courses and let that influence certain facets of my drawing that created my current style.

Who are your influences?

Currently I am obsessed with Kukryniksy - a group of 3 artists who created work out in Russia during World War 2. In fact, I would say that the whole era of political art during World War 2 had a great effect on me. Artists used their astounding talent at a time when the world was witnessing pure evil, and the artwork was unyielding.


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If you could, what in your career would you do-over or change?

I would work up the confidence to promote myself much earlier. I am the only artist in my family, so I was (and to an extent still am) blindly wandering around trying to figure out what to do, and that creates a sense of never being good enough to compete with those who seem to have it figured out.

What work are you best-known for?

To the extent that I am known, it would probably be for my drawing style and political subject matter.

What work are you most proud of?

I am most proud of creating artwork that highlights certain news stories in the world that may not get as much attention, such as the human rights abuses of Bashar al-Assad or civilian casualties of drone strikes. When you are a political artist, it can be very easy to take the easy attack on a subject, suck as making Trump bright orange, and while that can be fun it should not be at the expense of using your skill to touch on other issues.

What would you like to do  or work on in the future?

One project that I have had on my mind is an animated story/documentary about my uncle’s time in Vietnam and his life after being exposed to Agent Orange, but that is a hefty project that requires many steps in the build-up. Another interest I have been wanting to purse is taking classic literature and spoofing/rewriting them to mock out current political climate.

What do you do when you're in a rut or have writer's block?

If I’m feeling the rust coming on then I have to get up and step away from my desk, because I know that if I don’t I will just end up on Youtube and destroy my entire night. Usually I can go play video games for an hour or so to refresh myself and get back in a work mode.


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What do you think will be the future of your field? 

That’s so hard to say. The illustration and art field feels like it is and has been going through such a rapid transformation with the shifting a mediums that they depend on, such as print media and the freelancing economy. All I can do is keep making my work and hoping that I can find new ways to keep it from becoming stale.

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

I have only attended Small Print Expo as a visitor, where I spent most of my time at the Fantagraphics’ tables.
What's your favorite thing about DC?

I absolutely love the amount of food choices. Possibly it’s because I’m originally a small-town rube, but I’ve become so much more adventurous in my eating here simply because the options are all present for you to try.

Least favorite?
Transportation as a whole. The Metro system only functions in various stages of broken, making a two station trip take upwards of 30 minutes. That isn’t to say that driving is any better, because the drivers here are absolutely wild. Trying to get out of D.C. on these roads with it’s drivers is like trying to escape from a Supermax prison. Nearly impossible.

What monument or museum do like to take visitors to?

My favorite without hesitation is the Presidential portrait room at the National Portrait Gallery.

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How about a favorite local restaurant?

Cape Banh Mi in Alexandria. The catfish is one of the best things I have eaten.


Do you have a website or blog?

macnaughtonillos.com for my art and artotunion.com for my blog.

Thursday, April 06, 2017

Fantom Comics named City Paper's Best Comic Book Store (UPDATED)

It's its annual Best of D.C. edition, the Washington City Paper named Fantom Comics the city's best comics book store. Big Planet Comics and Third Eye Comics were runners up. 

The issue also had a nice-size photo of Fantom Comics manager Jake Shapiro stocking the shelves.



Perennial WCP staff favorite Exotic Planterium and Card & Comic Collectorama in Alexandria also got a shout-out.

Kramer to host workshop at Center for Cartoon Studies

Former D.C. resident Josh Kramer and Em DeMarco, co-creators of the CoJo List newsletter and freelance journalists and cartoonists, will run a five-day workshop on creating nonfiction comics this summer at the Center for Cartoon Studies in Vermont. The cost is $1,000, but you can email them to see if you're eligible for a discount.

Per email from Josh: "Em and I are teaching our first class this summer at the school I went to, The Center for Cartoon Studies. It's also the first Comics Journalism workshop ever offered by the school. We're pretty excited about it. We've come up with a week that's going to be pretty hands-on, with exercises that work for all levels of interested writers and drawers."

Drawing Comics Episodes by Sean Hill

Our interview with Sean Hill ran earlier today, and while researching it, we ran across his Youtube channel where he's posted these process videos about drawing comic books electronically.

Drawing Comics Episode1: Page Process for Zenescopes Evil Heroes issue 4
Sean Hill
Sean Hill
Dec 12, 2016
https://www.youtube.com/watch?v=Q3htAgQdPTw

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Zenescope Entertainments DeathForce issue 2 cover process
Sean Hill
Apr 11, 2016
https://www.youtube.com/watch?v=fuvbgyAF8iA

cover process for the cover of Deathforce issue 2,

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Zenescope Entertainments DeathForce issue 1 cover process
Sean Hill
Apr 8, 2016
https://www.youtube.com/watch?v=B_DqeSUWJW4

its rare i get to do covers, but this was a great opportunity. this is the cover to Deathforce issue 1 due out May 18th next month. the tools used for this work are Manga Studio 5EX

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Zenescope Entertainment Tales of Terror issue 8 The Monkeys Paw process vid
Sean Hill
Apr 9, 2016
https://www.youtube.com/watch?v=5if6lD5RM6k

Process for Page 1 of Zenescope Entertainments Tales of Terror Issue 8, done in Manga Studio 5EX

Rob Ullman, sometimes of WCP, profiled in Richmond mag

Rob Ullman: A Story in Pictures

McGuigan

 http://northofthejames.com/rob/

Longtime DC residents will remember that Rob illustrated the Washington City Paper's Savage Love column for years, and still sometimes does a cover for them.

NPR ED interviews Boss Baby book creator

The Picture Book Behind The New Movie 'Boss Baby'

Elissa Nadworny

NPR Ed April 6, 2017

http://www.npr.org/sections/ed/2017/04/06/522581126/the-picture-book-behind-the-new-movie-boss-baby