Drawing Comics Episodes by Sean Hill

Our interview with Sean Hill ran earlier today, and while researching it, we ran across his Youtube channel where he's posted these process videos about drawing comic books electronically.

Drawing Comics Episode1: Page Process for Zenescopes Evil Heroes issue 4
Sean Hill
Sean Hill
Dec 12, 2016
https://www.youtube.com/watch?v=Q3htAgQdPTw

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Zenescope Entertainments DeathForce issue 2 cover process
Sean Hill
Apr 11, 2016
https://www.youtube.com/watch?v=fuvbgyAF8iA

cover process for the cover of Deathforce issue 2,

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Zenescope Entertainments DeathForce issue 1 cover process
Sean Hill
Apr 8, 2016
https://www.youtube.com/watch?v=B_DqeSUWJW4

its rare i get to do covers, but this was a great opportunity. this is the cover to Deathforce issue 1 due out May 18th next month. the tools used for this work are Manga Studio 5EX

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Zenescope Entertainment Tales of Terror issue 8 The Monkeys Paw process vid
Sean Hill
Apr 9, 2016
https://www.youtube.com/watch?v=5if6lD5RM6k

Process for Page 1 of Zenescope Entertainments Tales of Terror Issue 8, done in Manga Studio 5EX

Meet a Local Cartoonist: A Chat with Sean Hill

by Mike Rhode


Sean Hill is a local comic book artist, born and raised in DC proper, who seems poised for a breakout via his work for Zenescope. He was recently interviewed by another blog and I realized we hadn't submitted our usual questions to him.

What type of comic work or cartooning do you do?

Well some of the very first jobs I got hired for were horror based short stories, the most recent works for those are for Zenescope Entertainment's Dark Shaman mini series. It was about  long dead Native Shaman that returns from the dead to try and exact revenge/justice for the death of his tribe. Not to long afterwords I got a chance to draw Grimm Tales of Terror: The Monkeys Paw, I was really happy for that gig because it was a horror story I already knew of. I have also worked on some action/adventure for Jaycen Wise: Secret of the Rose, Route 3 for Terminus Media, and most recently issues 4 through 6 of Zenescope's E.V.I.L Heroes which was more superhero action. 

Zenescope Entertainments: Dark Shaman trade paper back

How do you do it? Traditional pen and ink, computer or a combination?

It's a combination of traditional and digital, I work out my thumbnails traditionally in my sketchbook. I own an 11x17 moleskine sketchbook that I draw up 2x3 inch rectangles, then I work out all my thumbs in those. After that, I open a story file in Manga Studio 5EX (a story file is a file created by the program that has as many pages as you determine you need to draw), I scan and copy/paste all my thumbnails onto the subsequent pages and work over them.



When (within a decade is fine) and where were you born?

I was born in Washington DC waaaayyyyy back when in 1981.

Why are you in Washington now?  What neighborhood or area do you live in?

I grew up in the Georgia Avenue/Perworth area in DC. That area has gone through so many changes but is the nature of the city, anything can change within 15 years or so. Right now I live in Hybla Valley in Alexandria, VA.

What is your training and/or education in cartooning?

My grandfather, Otis Hill, used to to show me a lot of stuff when I was 6 years old, after that I was introduced to my mento Kofi Tyus, Kofi has been working as an artist in D.C. His whole life so most of my training comes from him. I also went to and arts high school, Duke Ellington School of the Arts and a short stint at Maryland college of art and design. I mostly had a lot of fine art training most of my life.

Who are your influences?

Too many to name but from a kid I was inspired by Bernie Wrightson, Jim Lee -- that kind of stuff -- also artists like Mshindo Kuumba, Ivan Reis -- the list goes on.

If you could, what in your career would you do-over or change? 

It's kinda funny, but whenever I get asked for advice by a artist wanting to do comics, I typically advise they first start making there own books, it's more fulfilling working on your own thing and telling your own stories. But when I was trying to break in I thought I needed to start working for a publisher, any publisher. I think if I could do it over I would take my own advice.

What work are you best-known for?

I'm not really sure, I guess it would be between Route 3 or E.V.I.L Heroes right now.

Zenescope Entertainments: Grimm tales of Terror: Monkeys Paw

What work are you most proud of?

I'm honestly really proud of my work on Route 3 and some upcoming work I did on a book called the Guilded Age (issue 3). I put a lot work in trying to make sure that story had the vibe of taking place in its own multi-layered world.

What would you like to do  or work on in the future?

I have two personal projects I would like to have done. One is Nazireth, a fantasy retelling of the Christ story, drawing from the historical social and political issues that influenced the narrative of those events. The other is Yasuke: Lineage a story of a former slave turned Samurai, based on the historical figure Yasuke whom served under Oda Nabunaga.

What do you do when you're in a rut or have writer's block?

I think all visual story-telling is a form of problem solving, so when I'm in a rut, I honestly look at as many artists as I can to open up my mind to the possibilities of solving a story-telling issue.

What do you think will be the future of your field?

Comics is a slow changing river: it flows, the current changes but not to dynamically. I hope the Indy Comics market will grow in the sight of the consumers. Much of the diversity that's being called for in mainstream comics is already available in Indy Comics. In Japan, Manga is marketed towards almost every youngster's walk of life, but here it's dominated by adult male audiences. I'm fine with those male audiences holding the share of consumerism they have, but if the  medium were marketed to even wider audiences, it could only grow stronger.

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

Not too many Cons. I'm typically at Awesome Con and I have attended Baltimore and New York Comic Con pretty recently. I hope to expand on that in the near future.

Terminus Media: Route 3 trade paperback

What's your favorite thing about DC?

Honestly, it's because we're so small, you could grow up here with you childhood friends and make something of yourself, without loosing contact, because we still have some of the opportunities of a metropolitan city.

Least favorite?

Sometimes DC seems like it's trying to be a mini New York, in how it advertises to business and resources outside the city, while not making as much use of its resources in the city. Not to get too political, but so much of the growth in DC for the last 20 years have been stimulated from outside the city. I sometimes think "Come on, we don't have to be New York, we're D.C. -- we got this" but I digress.

Zenescope Entertainments E.V.I.L Heroes #5

What monument or museum do you like to take visitors to?

Oh man, the National Gallery of Art, The Portrait Gallery is a definite favorite, I love the African American museum, and most definitely the American Indian Museum.

How about a favorite local restaurant?

The Good Stuff Eatery -- no question.

Do you have a website or blog?

Yup, it is www.nazirstudios.blogspot.com