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The Washington City Paper’s annual Craft Bastard festival is Saturday, Oct 3, 10-5 in Adams Morgan. There’s usually cartoonists there. Rob Ullman will definitely be there, and I’m sure the City Paper’s Ben Classen will also.
According to today’s Express, the documentary Walt and El Grupo opens tomorrow at the E Street Cinema at 555 11th St. This film looks at Walt Disney’s good will tour of South America, which resulted in The Three Caballeros and some characters we rarely see that are popular in the rest of the world.
Martell, Nevin. Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip. New York: Continuum, 2009. $24.95.
ISBN-10: 082642984X, ISBN-13: 978-0826429841
Nevin Martell has written a curious book, although one would probably best consider it a biography. Bill Watterson so consistently shunned the media that one is put in mind of the Shakespeare biography industry in which a few facts are churned in an attempt to generate a larger picture of a life. Readers of a certain age may end up recalling Leonard Nimoy's syndicated television show, In Search Of, in which apparently mythical beasts such as the Loch Ness Monster or the yeti were diligently pursued for an hour. A better analogy might be In Search of Lost Time, as, like Proust, Martell seeks both Watterson's youth, and by extension, his own.
To his credit, while lacking Watterson's cooperation, Martell avoided writing a book that just looks at his favorite Calvin and Hobbes strips. The book covers Watterson's school life and his earlier attempts at comic strips and editorial cartooning. Martell goes into some detail looking at the influences that Watterson claimed – Charles Schulz, Walt Kelly and George Herriman, relying largely on Watterson's writings in published collections. He covers the main characters, storylines and tropes of Calvin and Hobbes, as well as the history of the strip and Watterson's relationships with the media and his syndicate. Both of these relationships were prickly, as were his relationships with other cartoonists as he rarely participated in social activities nor accepted the awards they voted him.
Martell demonstrates how Watterson's eventual pursuit of a Platonic image of a comic strip, in which licensing and commercialism never played a factor, led to his quitting the field. This unrealistic view is gainsaid by the actual history of comics which were merchandised as often as possible from their 19th century beginnings in both the US and the Great Britain. Universal Press Syndicate and Andrews McMeel representatives are circumspect in their quotes, but one is clearly left with their negative opinion about the staggering amount of money Watterson "left on the table" by refusing to merchandise his strip.
Since Watterson would not talk to Martell, the author tried to talk to his family and eventually did speak with the cartoonist's mother. He also met with Watterson's friends such as comics historian Rich West and others from Watterson's childhood. Martell also talked to many other cartoonists about Watterson's influence, whether or not they actually know him, and the book takes on a somewhat scattered voice. Martell ends the book with his trip to Chagrin Falls, OH where he speaks with his mother.
In the end, one is left uncertain as to how to consider Watterson. He was at the top of his career, a career the book amply shows how hard he had tried to achieve, and he left it. As a result, he avoided the downturn in quality that many strips have at periods in their lifespans. The reader is then left with the question of whether this is actually a good idea – the comic strip survives as a decade-long achievement – but what is then left unachieved is of course unknown and unknowable. In spite of Watterson's refusal to speak for himself, Martell has written an engaging and informative book while avoiding most of the traps that catch fan writers. The book includes a bibliography and an index. (This reviewer is thanked in the acknowledgements for helping with research).
Michael Rhode
Small Press Expo discernibly contributes to festive Washington DC weekend The last Sept. weekend had less room for a lack of activities across the Greater DC Metro. Outside of sports, namely both National games and Washington's Sunday loss against the Lions, and the political events like the CBCF Legislative Conference,... Read more » Tuesday, September 29, 2009
DC Comic Books Examiner, Mark Ruffin
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By Tom Shales
Washington Post Staff Writer
Tuesday, September 29, 2009
Here's the relevant sections from their chat. Cul de Sac was dismissed with "we had a note to tell you where to find it":
chi-town: Sad that "Editor's Query" has disappeared. Loved those.
What exactly is the point of "Our Town?" I like Michael Cavna and his work with Comic Riffs, but I didn't really understand the point of the Our Town illustration. Was he actually there, drawing the sights? Is this what it will be every week? Because 1) I imagine it will get old after a few weeks, and 2) I think it would be better in photograph form. Cavna's artistic abilities would be better suited for some other feature...maybe a "Six Chix" type of arrangement with rotating artists but more comic-strippish.
washingtonpost.com: Our Town (Post Magazine, Sept. 27, 2009)
Debra Leithauser and Janet Michaud: The point of Our Town is to capture a slice of life in the metro area, as told via artwork rather than a traditional story. And, yes, Cavna certainly was there.
Library of Congress
101 Independence Avenue SE
Washington DC 20540
September 25, 2009
Public contact: Robert Saladini (202) 707-2692, rsal@loc.gov
Library of Congress Symposium Celebrates
Chinese Cartoonist and Artist Ding Cong, Oct. 20
A Library of Congress symposium, "Public Art and Illustrations: The Cartoons and Art of Ding Cong," will celebrate the life and work of China's famous cartoonist and artist, Ding Cong, who provided daring social commentary on Chinese society during China's turbulent 20th century.
The symposium, which is free and open to the public, will be held from 9 a.m. to noon on Tuesday, Oct. 20, in Room 119 of the Thomas Jefferson Building, 10 First St. S.E., Washington, D.C. The event is sponsored by the Library's John W. Kluge Center, and reservations or tickets are not needed.
Ding Cong (1916-2009), who worked under the pen name Xiao Ding, was born in Shanghai into a family of artists. He was a frequent admirer of the magazines The New Yorker and Vanity Fair, which were available in treaty-port Shanghai. From these and other Western influences, Ding Cong developed his art.
Ding Cong used his cartoons and illustrations to reveal the true state of Chinese society, which faced corruption and turmoil during most of the 20th century. His popularity stemmed from an intellectual and artistic integrity that made the inept of both the right and left fair game for his art. But the cartoonist paid dearly for his efforts, as he was exiled twice to the countryside and borderlands, effectively losing more than 20 years of his artistic life.
The symposium features lectures by preeminent scholars of Chinese cartoons as well as family and friends of the artist.
9:00-9:05 Welcome by Carolyn Brown, director of the John W. Kluge Center, Library of Congress
9:05-9:25 "Ding Cong: The Artist and Art Form" by Marcia Ristaino, visiting scholar, John W. Kluge Center
9:25-9:45 "Ding Cong's Art During the Years of Hardship" by Shelley Drake Hawks, lecturer, Boston University
9:45-10:10 "Ding Cong: His Artistic Circle and Contributions" by John A. Lent, publisher and editor-in-chief, International Journal of Comic Art
10:10-10:30 Break
10:30-10:55 "One Who Saw China As It Really Was: Ding Cong in the Forties" by Michael Sullivan, fellow emeritus of St. Catherine's College, Oxford
10:55-11:20 "The Relationship Between Chinese Visual Art and Society" (tentative) by Carma Hinton, documentary filmmaker and Robinson Professor of Visual Culture and Chinese Studies, George Mason University
11:20-11:40 "Herblock's Caricature of Mao Zedong: A Window onto Resources for Cartoon-Related Research in the Library's Prints and Photographs Division" by Martha Kennedy, curator, Library of Congress
11:40-12:00 Questions and Discussion
At 1:45 p.m., an exhibition of 30 reproductions of Ding Cong's work may be viewed at the Mason Atrium Art Gallery, School of Visual and Performing Arts, George Mason University, Fairfax, Va., along with additional commentary from speakers, his widow and friends. For more information, visit http://today.gmu.edu/48188/.
Through a generous endowment from John W. Kluge, the Library of Congress established the Kluge Center in 2000 to bring together the world's best thinkers to stimulate and energize one another to distill wisdom from the Library's rich resources and to interact with policymakers in Washington. For further information on the Kluge Center, visit www.loc.gov/kluge/.
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PR09-188
9/25/09
ISSN: 0731-3527
Weldon, Glen. 2009.
Comic Books Take A Bold Leap Backward And Nail The Dismount.
Small Press Expo This Weekend with Gahan Wilson, Carol Tyler, Kate Beaton, Jerry Moriarity and Josh Neufeld
For Immediate Release
Contact: Warren Bernard
E-Mail: warren@spxpo.com
Bethesda, Maryland; September 24, 2009 - The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comics, graphic novels and alternative political cartoons, will be held this weekend, Saturday Sept 25 from 11AM-7PM and Sunday, September 26 from noon-6PM. The guest list this year includes Gahan Wilson, Paul Karasik, Carol Tyler, Josh Neufeld, John Porcellino, Peter Kuper, Kevin Huizenga, Kate Beaton, Al Columbia, Jerry Moriarity, R. Sikoryak and Joshua Cotter .
There will be 11 panel discussions on a wide variety of comics topics as well as one on one sessions with Gahan Wilson, Jerry Moriarity, R. Sikoryak, John Porcellino and Carol Tyler, amongst others.
SPX culminates with the presentation of the Ignatz Awards for outstanding achievement in comics and cartooning which will occur Saturday night, September 26 at 9PM. Attendees at SPX get in free to the Ignatz Awards. The Ignatz is the first Festival Prize in the US comic book industry, with winners chosen by balloting by attendees during SPX.
For detailed information about guests, panels and the Ignatz Awards, visit the SPX web site at www.spxpo.com.
SPX brings together more than 300 artists and publishers to meet their readers, booksellers and distributors each year. Graphic novels, political cartoon books and alternative comics will all be on display and for sale by their authors and illustrators.
As in previous years, profits from the SPX will go to support the Comic Book Legal Defense Fund (CBLDF), protecting the First Amendment rights of comic book readers and professionals. For more information on the CBLDF, go to their website at http://www.cbldf.org/.
By Mike Musgrove
Washington Post Staff Writer
Wednesday, September 23, 2009
DC Comic Books Examiner, Mark Ruffin
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Small Press Expo Announces Peter Kuper, Kevin Huizenga, Kate Beaton, and Al Columbia as Guests for SPX 2009
Bethesda, Maryland; September 17, 2009 - The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comics, graphic novels and alternative political cartoons, is pleased to announce Peter Kuper, Kevin Huizenga, Kate Beaton and Al Columbia as guests for SPX 2009. This completes the guest list for one of the best SPX's ever, adding these great creators to our previously announced guests Gahan Wilson, Paul Karasik, Carol Tyler, Josh Neufeld, John Porcellino, Willy Linthout Jerry Moriarity, R. Sikoryak and Joshua Cotter .
Peter Kuper is a contributor to Time, Newsweek, The New York Times and many other publications as an illustrator. He is the co-founder of the long running World War 3 Illustrated as well as being the main artist on Mad's long running series Spy vs. Spy. Peter's latest creation is Diario de Oaxaca: A Sketchbook Journal of Two Years In Mexico published by PM Press. Diario is a combination of comics, sketches, photography and a journal of the time he and his family lived in Oaxaca, Mexico during a time of political turmoil there. This work comes on the heels of his critically acclaimed semi-autobiographical Stop Forgetting To Remember-The Autobiography of Walter Kurtz released in 2007 by Crown Publishers. Peter will only be at SPX on Saturday, September 26 in the afternoon.
For further information on the Ignatz Awards, the nominees or to request an interview, please contact Warren Bernard at warren@spxpo.com.
For more information on the Small Press Expo and the Ignatz Awards, please visit http://www.spxpo.com.