Thursday, January 05, 2017
Thursday, November 24, 2016
Despite familiar formula, Disney's 'Moana' is a breath of fresh island air
By Caitlin Moore
Washington Post November 23 2016, p. C3
Washington Post Comic Riffs blog November 23 2016
Washington Post Comic Riffs blog November 22 2016
'Moana,' Brave Princess on a Voyage With a Chicken
Thursday, October 10, 2013
Wednesday, February 06, 2013
Tuesday, November 06, 2012
Where Else? - The Pediatric Waiting Room. US Navy Hospital Subic Bay, Republic of Philippines. Dedicated June 5, 1973. [Note Peanuts comic strip mural on wall].Published in Navy Medicine, October 1973.
Navy Medicine Historical Files Collection - Facilities - Subic Bay, Philippines 12-0232-025
Light and Airy - Pediatric waiting room and clinical spaces. US Navy Hospital Subic Bay, Republic of Philippines. Dedicated June 5, 1973. [Note Disney cartoon mural on wall].Published in Navy Medicine, October 1973.
Navy Medicine Historical Files Collection - Facilities - Subic Bay, Philippines 12-0232-026
Pediatric Waiting Room - CDR G.W. Baldauf, MSC, USN, AO, at US Navy Hospital Subic Bay, communes with an articulate art critic. US Navy Hospital Subic Bay, Republic of Philippines. Dedicated June 5, 1973. [Note Disney cartoon mural on wall].
Published in Navy Medicine, October 1973.Navy Medicine Historical Files Collection - Facilities - Subic Bay, Philippines 12-0232-027
Tuesday, October 09, 2012
The National Gallery of Art is mounting a large career-spanning retrospective that begins with one of Lichtenstein's first comic-derived images - the Gallery's Look Mickey (1961). At the press preview, curators kept noting that the original image is from Donald Duck Lost and Found, a Little Golden Book from 1960, and not a comic book, but honestly that's a difference that makes no difference. Lichtenstein had come up with a hook, and a look, and together these let him break into the big time. To our eyes, familiar with almost forty years of later works, Look Mickey looks crude. The dots that texture Mickey's head and Donald's eyes are handpainted, and not made by forcing paint through a metal screen with a toothbrush as he would later turn to. The underlying pencil can be seen - something almost inconceivable in his work of just a few years later. Lichtenstein worked by doing a freehand drawing, projecting that piece onto a larger canvas and drawing it there, and then painting that. Examine this painting closely so you're prepared to see his technique evolve and tighten up as he finds his groove.
The Gallery owns 375 pieces of Lichtenstein's art -- one of the largest collections -- and this exhibit has 100 paintings, drawings and sculptures in it. They've borrowed from other museums and the show will travel to England and France after being here in DC. For comics and cartoon fans, after Look Mickey you can skip the rest of the Early Pop Art gallery, and go view the black & white drawing Alka Seltzer (1966) in the next room. To this reviewer, Jack Kirby's influence appears obvious -- and doesn't appear in the rest of the Black and White series. Kirby's Marvel Comics work had settled into its mature phase with the heavy black lines and over the top action that would typify his work. Lichtenstein's drawing of this banal subject produces a glass of Alka Seltzer that would look at home in the hands of Dr. Doom, if he ever stopped trying to conquer the world for a few minutes and looked after himself.
Don Heck) -- the original sketch for Ohhh... Alright... is in the exhibit and shows he could have done that, but the path he chose was probably better for all concerned. Bart Beaty's Comics Versus Art (University of Toronto Press, 2012) has a good chapter about the angst that Lichtenstein's work inspires in comic book readers - an angst I share. Lichtenstein was working from then-current comic books like Girls' Romances and Secret Hearts, and titling his works with an attribution such as Whaam! (after Novick) or Whaam! ( All American Men of War #89) rather than simply Whaam! would have been a gesture of respect to other artists who, although working as commercial illustrators in comic books, still considered what they were doing to be art.
His decision not to do this continues to lead to headlines such as 2011's Connecting the Dots Between the Record $43 Million Lichtenstein and the $431 Comic Strip It Was Copied From, and articles that start "Imagine you drew a comic book for a nominal fee and a world-famous artist recreated in paint a panel from that work and sold it for millions of dollars without you receiving any credit or royalties." Deconstructing Roy Lichtenstein is an entire website devoted to tracking the original comic panels that Lichtenstein repurposed / appropriated for his paintings.
"The Painting," Strange Suspense Stories #72 (Charlton Comics, October 1964) -- the NGA reproduces the panel, but neglects to mention that the original artwork is by Dick Giordano. This was among his last of this type of work. Instead he began painting large fake brushstrokes over his now trademark dots, or painting the explosions without any intervening war comic scene. The exhibit wall text for Whaam! suggests a reason, quoting him reflecting "If you go through [comic books], you'll find that there are very few frames that... would be useful to you. Most of them are in transition, they don't really sum anything up and it's the ones that sum up the idea that I like best."
the Laocoon were Lichtensteinized. He painted faux architectural elements and faux mirrors, and did sculptures and paintings quoting art deco. He made landscapes out of dots. All of these can be seen in the show.
But in the 1990s and towards the end of his career, Lichtenstein returned to comic book art and looked back at the romance comic books he had painted from 30 years earlier -- this time, he just left off the clothing for his Nudes series. Without their captions or word balloons, and with a more radical use of dots, these paintings seem further removed from their sources than his earlier works.
A lot has been written on Lichtenstein, and I'm obviously not an expert on his work, but I do think that his 1978 Self-Portrait, in which he depicts himself as a mirror hovering above an empty shirt -- while witty -- may very well also depict a deeper ambivalence about his career.
The exhibit Roy Lichtenstein: A Retrospective runs from October 14, 2012–January 13, 2013 at the National Gallery of Art. I can honestly recommend it to anyone interested in comic art who is willing to think about art, illustration, comics and where they all crash together. I would have preferred to see more of the original source material in the show -- only two comics panels are reproduced in the exhibit text -- and buying a 1960s DC romance comic or two wouldn't bust anyone's budget. An excellent catalog by curators James Rondeau and Sheena Wagstaff is available, and the Gallery has several events planned including ones at local restaurants Busboys and Poets and Ben's Chili Bowl.
UPDATE: Here's some pages that Lichtenstein used from Charlton and DC Comics (thanks to Prof. Witek)-
STRANGE SUSPENSE STORIES #72 p. 25
|Secret Hearts #83, Nov. 1962|
|All-American Men of War #90|
|All-American Men of War #89|
Tuesday, September 25, 2012
Tuesday, August 21, 2012
Tuesday, December 20, 2011
Thursday, February 24, 2011
Saturday, June 19, 2010
By Keith B. Richburg
Washington Post Staff Writer
Saturday, June 19, 2010; A08
Friday, January 15, 2010
Here's the PR:
Adventure Theatre Announces the Summer Musical Theatre Workshop Productions
Adventure Theatre, the longest-running children's theatre in the Washington, D.C., area is kicking-off its 31st Annual Summer Musical Theatre Workshop for children ages 6-15 with an exciting line-up of children's productions including Disney's Aladdin Jr., Disney's 101 Dalmatians Kids, The Magical Land of Oz and Fee-Fi-Fo-Fum*, each facilitated by professionally trained Directors, Choreographers, and Musical Directors.
The Summer Musical Theatre Workshop is a daytime workshop in which children audition for one of four age-appropriate productions, and will then participate in two full weeks of show rehearsals, music and dancing which culminate in a full-scale production of each show on the Adventure Theatre stage. Students will also attend Adventure Theatre's main stage performance If You Give a Pig a Pancake, ride Glen Echo Park's carousel, participate in a talent show, receive a commemorative t-shirt and enjoy a cast party. Adventure Theatre's Summer Musical Theatre Workshop has proven to be one of the most rewarding, challenging and confidence-boosting summer experiences for kids.
"We are increasing the value of the workshops by staffing them with instructors and counselors who can accommodate children with musical-theater aspirations, while keeping the same atmosphere of relaxed fun for those who don't," says Kathryn Hnatio, Education Director and acting Summer Musical Theatre Workshop Artistic Director.
Michael Bobbitt, Adventure Theatre's Producing Artistic Director and Summer Musical Theatre Workshop Choreographer continues, "Adventure Theatre's Summer Musical Theatre session is a highly interactive and educational workshop that focuses on fun, teamwork, self-esteem, a sense of ownership, presentation skills and bringing out the best performance from each of its students."
Summer Musical Theatre Workshop parents agree: "Our daughters had a wonderful experience and continue to sing the songs all day," says one 2009 parent.
Adventure Theatre's Summer Musical Theatre Workshops run Monday-Friday from 9am-4pm, June 14th to August 27th. Before and aftercare options are available.
Session 1 (mini session)- June 14 – 18
Session 2 – June 21 - July 2
Session 3 – July 5- July 16
Session 4 – July 19 - July 30
Session 5 – August 2 - August 13
Session 6 - August 16 - August 27
For more information or to inquire about tuition prices, please contact Adventure Theatre's Summer Musical Theatre Workshop Program Coordinator Selena Anguiano at 301-634-2275 or email@example.com. Also, visit www.adventuretheatre.org for more information on the Summer Musical Theatre Workshop and other educational programs at Adventure Theatre.
Friday, January 01, 2010
Actress sees self in Mulan's story, By Michael O'Sullivan, Washington Post Staff Writer, Friday, November 20, 2009.
The play's details are Disney's Mulan, Imagination Stage, 4908 Auburn Ave., Bethesda. 301-280-1660. http://www.imaginationstage.org. Wednesday-Jan. 10. $10-$21.
Sunday, December 06, 2009
Saturday, September 26, 2009
Tuesday, September 08, 2009
In tomorrow's - a story on a Disneyana exhibit - Blowing the Pixie Dust Off Disney’s Archives, By BROOKS BARNES, September 9, 2009
Tuesday, September 01, 2009
When Superhero Mutants Go Disney
By: Nate Beeler
Examiner Staff Writer
Thursday, August 06, 2009
Legion of Terra-cotta Mouseketeers Found Beneath Disney World, Onion (August 6 2009): 1, 6.
National Geographic is opening an exhibit of the Chinese warriors in the fall - perhaps some of the Mouseketeers will sneak in.
Friday, July 03, 2009
Washington Times Friday, July 3, 2009.