I bought this a few years ago to add to my collection of stamps and comics - it fits if you squish it. And this has nothing to do with comics and DC, except for being located somewhere in my house.
Tuesday, February 13, 2007
Monday, February 12, 2007
Mark Zingarelli in today's Post
The business section had a nice 5 panel strip by Mark Zingarelli. "They Dare to Predict! The 2007 Local Economy Challenge" which had caricatures of local businesspeople. It's not online, of course.
Baltimore Comic-Con PR
I've gone for the past two years - this is a fun show. Of course, I also liked Disney's Atlantis...
Mike Mignola Named Guest of Honor for Baltimore Comic-Con
Show Runs September 8-9, 2007, at the Baltimore Convention Center
BALTIMORE, MD (February 12, 2007) -- Hellboy creator and designer of Disney's Atlantis Mike Mignola will be the Guest of Honor at this year's Baltimore Comic-Con. The convention will be held Saturday and Sunday, September 8-9, 2007, at the Baltimore Convention Center.
"We're extremely happy to make this first of many announcements concerning this year's Baltimore Comic-Con," said show promoter Marc Nathan. "Mike Mignola has been one of the most requested guests since we started the show, and it's great to finally have him on board. It's also exciting to have so many popular guests returning as well as the wonderful new ones we're adding."
More headliners include Mark Waid (Brave and the Bold), John Romita, Sr. (Amazing Spider-Man), Frank Cho (Mighty Avengers), Adam Hughes (Wonder Woman), Barry Kitson (Legion of Super-Heroes), Michael Golden (Micronauts), and EC Comics editor Al Feldstein (MAD). The creators range from Golden Age visionaries to modern-day superstars, contributing to a show with something for every comic reader and fan.
Additional guests in the initial line-up include Kyle Baker (Why I Hate Saturn), Howard Chaykin (American Flagg), Steve Conley (The Escapist), Todd DeZago (Telos), Brendon and Brian Fraim (Knights of the Dinner Table), John Gallagher (Buzzboy), Dean Haspiel (Opposable Thumbs), Michael Avon Oeming (Powers), Brandon Peterson (X-Men), Eric Powell (The Goon), Mark Sparacio (Heroes for Hire), Jim Starlin (Dreadstar), Herb Trimpe (G.I. Joe), Billy Tucci (Shi), and J.C. Vaughn (24).
Nathan said the show intends to build on its reputation as the friendliest show on the convention circuit. "Last year we had the highest number of people who traveled a long distance that we've ever had," he said. "I think a lot of that is due to the word of mouth from the creators we invite. They always seem to come back and bring a friend. It's also due to our location. Baltimore is a day's drive from anywhere on the eastern seaboard, and it's convenient from much of the Midwest. But even if you're not from those areas, you'll find yourself more than welcome in our town and at our show."
The Harvey Awards will again be held at the Baltimore Comic-Con, continuing the tradition begun with last year's successful dinner and ceremony. Named after the highly influential writer-artist Harvey Kurtzman, the Harvey Awards are the only comic book awards voted on by industry professionals.
DC Comics, Top Cow, Top Shelf, and AdHouse are among the publishers already lined up to display at the show. Also, Diamond Comic Distributors has announced that they will again hold their Retailer Summit in Baltimore on the two days following the show.
Additional guests and event programming will be announced in the coming weeks and months. For those who wish to receive additional updates, the show has created a MySpace page, www.myspace.com/baltimorecomics. The show's regular site, www.comicon.com/baltimore, will also carry guest lists and other pertinent details.
For additional information about the Baltimore Comic-Con, call (410) 526-7410 or email cardscomicscollectibles@yahoo.com. For additional information about the Harvey Awards, visit www.harveyawards.org.
Mike Mignola Named Guest of Honor for Baltimore Comic-Con
Show Runs September 8-9, 2007, at the Baltimore Convention Center
BALTIMORE, MD (February 12, 2007) -- Hellboy creator and designer of Disney's Atlantis Mike Mignola will be the Guest of Honor at this year's Baltimore Comic-Con. The convention will be held Saturday and Sunday, September 8-9, 2007, at the Baltimore Convention Center.
"We're extremely happy to make this first of many announcements concerning this year's Baltimore Comic-Con," said show promoter Marc Nathan. "Mike Mignola has been one of the most requested guests since we started the show, and it's great to finally have him on board. It's also exciting to have so many popular guests returning as well as the wonderful new ones we're adding."
More headliners include Mark Waid (Brave and the Bold), John Romita, Sr. (Amazing Spider-Man), Frank Cho (Mighty Avengers), Adam Hughes (Wonder Woman), Barry Kitson (Legion of Super-Heroes), Michael Golden (Micronauts), and EC Comics editor Al Feldstein (MAD). The creators range from Golden Age visionaries to modern-day superstars, contributing to a show with something for every comic reader and fan.
Additional guests in the initial line-up include Kyle Baker (Why I Hate Saturn), Howard Chaykin (American Flagg), Steve Conley (The Escapist), Todd DeZago (Telos), Brendon and Brian Fraim (Knights of the Dinner Table), John Gallagher (Buzzboy), Dean Haspiel (Opposable Thumbs), Michael Avon Oeming (Powers), Brandon Peterson (X-Men), Eric Powell (The Goon), Mark Sparacio (Heroes for Hire), Jim Starlin (Dreadstar), Herb Trimpe (G.I. Joe), Billy Tucci (Shi), and J.C. Vaughn (24).
Nathan said the show intends to build on its reputation as the friendliest show on the convention circuit. "Last year we had the highest number of people who traveled a long distance that we've ever had," he said. "I think a lot of that is due to the word of mouth from the creators we invite. They always seem to come back and bring a friend. It's also due to our location. Baltimore is a day's drive from anywhere on the eastern seaboard, and it's convenient from much of the Midwest. But even if you're not from those areas, you'll find yourself more than welcome in our town and at our show."
The Harvey Awards will again be held at the Baltimore Comic-Con, continuing the tradition begun with last year's successful dinner and ceremony. Named after the highly influential writer-artist Harvey Kurtzman, the Harvey Awards are the only comic book awards voted on by industry professionals.
DC Comics, Top Cow, Top Shelf, and AdHouse are among the publishers already lined up to display at the show. Also, Diamond Comic Distributors has announced that they will again hold their Retailer Summit in Baltimore on the two days following the show.
Additional guests and event programming will be announced in the coming weeks and months. For those who wish to receive additional updates, the show has created a MySpace page, www.myspace.com/baltimorecomics. The show's regular site, www.comicon.com/baltimore, will also carry guest lists and other pertinent details.
For additional information about the Baltimore Comic-Con, call (410) 526-7410 or email cardscomicscollectibles@yahoo.com. For additional information about the Harvey Awards, visit www.harveyawards.org.
Sunday, February 11, 2007
The Shojo Manga exhibit pictures, finally
Here's some random views of the exhibit, which is well-worth seeing. To recap, it's at the Japanese Information & Cultural Center on 21st NW, at M St, and is open from 9-5 although some of the artwork is in a hallway which appears to be open later.
90% of this show is original artwork, with the exceptions being photocopies of Tezuka's original art, and a large print from CLAMP. Also, as you can see, the published version is shown with the original for some of the art.
90% of this show is original artwork, with the exceptions being photocopies of Tezuka's original art, and a large print from CLAMP. Also, as you can see, the published version is shown with the original for some of the art.
March 19 - An Animated Evening with Bill Plympton
An Animated Evening with Bill Plympton at National Geographic at 7:30 pm on March 19th. Plympton will show eight of his short animated films - oddly enough this might not be appropriate for children. $14 for members, $17 for non-members. I'm planning on going; Plympton's work is sickly amusing.
On March 24th at 11 am, an Animated Environmental Film Festival has six films for $8 for adults and $6 for kids. It's not online yet, but the films are Gopher Broke, The Girl Who Hated Books, Tree Officer, Badgered, Turtle World and First Flight.
Thursday, February 08, 2007
Rough Magic is great UPDATED
I saw Rough Magic, a reworking of The Tempest, written by Marvel Comics writer, and former area resident (and Big Planet Comics customer) Roberto Aguirre-Sacasa tonight. It was an excellent production, funny and moving. Reasonably priced at $20, I strongly recommend it - it's on for a few more shows. Bring a coat because it's chilly in the church theater, but it's worth it. Aguirre-Sacasa's comic book sensibilities, weighted with a healthy dose of Neil Gaiman, carry the show along, and two hours pass quickly. There's a really clever use of basic special effects, excellent costuming, a clever story and an enthusiastic cast.
Comics Greeks by Trey Graham reviewed the play and said, "If you see only one play during the six-month-long Shakespeare in Washington festival, see Rough Magic."
I can't recommend this one highly enough.
Comics Greeks by Trey Graham reviewed the play and said, "If you see only one play during the six-month-long Shakespeare in Washington festival, see Rough Magic."
I can't recommend this one highly enough.
“Ziggy” to be Displayed in U.S. Copyright Office
Not much to say to this press release except that I'm positive that Sara and Martha were not consulted.
“Ziggy” to be Displayed in U.S. Copyright Office
http://www.amuniversal.com/ups/newsrelease/?view=505
Washington D.C. (02/07/2007) The United States Copyright Office, a department of the Library of Congress, has announced that a “Ziggy” comic panel will be included in a special graphics display for the newly renovated Copyright Office in Washington, D.C.
The Aug. 3, 1993 “Ziggy” features the “Yellow Kid” holding out his hat while wearing an outfit that says “COPYRIGHT RAN OUT – PLEASE HELP!” Ziggy has his head turned to the Yellow Kid, who is shoeless, and begging, but wearing a smile. This “Ziggy” comic panel will hang side-by-side the original "Yellow Kid" comic strip from 1896. Together, they illustrate the copyright registration system and its importance, says a Copyright Office spokesman. The “Ziggy” panel will be displayed alongside other American icons such as the “Statue of Liberty,” the “Oscar,” and “Coca-Cola.”
“It is an honor to have “Ziggy” chosen for display in the nation’s oldest federal cultural institution,” says Tom Wilson, Ziggy’s creator. The Library of Congress is the largest library in the world and home to more than 130 million items sitting on 530 miles of bookshelves. Included in the collections are over 29 million books and other printed materials, 2.7 million recordings, 12 million photographs, 4.8 million maps, and 58 million manuscripts. Ziggy is syndicated by Universal Press Syndicate.
Creator(s):
Contact(s): Kathie Kerr
“Ziggy” to be Displayed in U.S. Copyright Office
http://www.amuniversal.com/ups/newsrelease/?view=505
Washington D.C. (02/07/2007) The United States Copyright Office, a department of the Library of Congress, has announced that a “Ziggy” comic panel will be included in a special graphics display for the newly renovated Copyright Office in Washington, D.C.
The Aug. 3, 1993 “Ziggy” features the “Yellow Kid” holding out his hat while wearing an outfit that says “COPYRIGHT RAN OUT – PLEASE HELP!” Ziggy has his head turned to the Yellow Kid, who is shoeless, and begging, but wearing a smile. This “Ziggy” comic panel will hang side-by-side the original "Yellow Kid" comic strip from 1896. Together, they illustrate the copyright registration system and its importance, says a Copyright Office spokesman. The “Ziggy” panel will be displayed alongside other American icons such as the “Statue of Liberty,” the “Oscar,” and “Coca-Cola.”
“It is an honor to have “Ziggy” chosen for display in the nation’s oldest federal cultural institution,” says Tom Wilson, Ziggy’s creator. The Library of Congress is the largest library in the world and home to more than 130 million items sitting on 530 miles of bookshelves. Included in the collections are over 29 million books and other printed materials, 2.7 million recordings, 12 million photographs, 4.8 million maps, and 58 million manuscripts. Ziggy is syndicated by Universal Press Syndicate.
Creator(s):
Contact(s): Kathie Kerr
Wednesday, February 07, 2007
Feb 11 - Capital Associates comic book convention
A local convention will be out at 2148 Gallows Road in Tyson's Corner, at the Dunn Loring Volunteer Fire Dept from 10 - 3, with a $3 admission.
Regards from Serbia
In the tooting my own horn department, Regards from Serbia by Aleksandar Zograf is out this week from Top Shelf. One might wonder why I'm mentioning a book about the Yugoslavian Civil War here. Zograf posted daily emails reporting on the war to an email group on alternative comics, Comix@ that I belonged to. Zograf lost his electronic copies of his letters, but fortunately I had saved the emails and was able to provide them to Top Shelf so they could put the book together more easily. That archivist instinct to save material occasionally pays off, and I'm glad to have been able to help out with this project.
Top Shelf's website says:
"The Serbian cartoonist Aleksandar Zograf has created some of the most compelling comics of the last 15 years. His war stories about the 1990s in the former Yugoslavia, heartbreaking dissections of the cartoonist's inner and outer life as his world fell to pieces all around him, are as fine a group of testimonials as exists concerning the emotional and physical disruptions caused by proximity to death and destruction." -- Tom Spurgeon, The Comics Reporter
As the NATO bombs fell on his hometown of Pančevo in 1999, Serbian cartoonist Aleksandar Zograf used his diary comics and e-mail to reach out to the world and offer a glimpse at the effects of the attacks. Over the weeks and months of the war, Zograf documented not only how the bombings shattered the lives of his friends and neighbors, but also how the routine of daily life remained unchanged. The most recent attacks on Pancevo's oil refinery are contrasted with the latest local soccer matches -- and American propaganda flyers are as likely to fall from the sky as American comics are to arrive in the mail.
In today’s ratings-driven era of globetrotting correspondents and embedded reportage, Regards From Serbia rings with the truth of a man who had the headlines come to him, and offers a comprehensive account of the conflict as only a local could tell it. -- 288 pages, Graphic Novel, Diamond: NOV063909, ISBN 978-1-891830-42-6, $19.95 (US)
Top Shelf's website says:
"The Serbian cartoonist Aleksandar Zograf has created some of the most compelling comics of the last 15 years. His war stories about the 1990s in the former Yugoslavia, heartbreaking dissections of the cartoonist's inner and outer life as his world fell to pieces all around him, are as fine a group of testimonials as exists concerning the emotional and physical disruptions caused by proximity to death and destruction." -- Tom Spurgeon, The Comics Reporter
As the NATO bombs fell on his hometown of Pančevo in 1999, Serbian cartoonist Aleksandar Zograf used his diary comics and e-mail to reach out to the world and offer a glimpse at the effects of the attacks. Over the weeks and months of the war, Zograf documented not only how the bombings shattered the lives of his friends and neighbors, but also how the routine of daily life remained unchanged. The most recent attacks on Pancevo's oil refinery are contrasted with the latest local soccer matches -- and American propaganda flyers are as likely to fall from the sky as American comics are to arrive in the mail.
In today’s ratings-driven era of globetrotting correspondents and embedded reportage, Regards From Serbia rings with the truth of a man who had the headlines come to him, and offers a comprehensive account of the conflict as only a local could tell it. -- 288 pages, Graphic Novel, Diamond: NOV063909, ISBN 978-1-891830-42-6, $19.95 (US)
Howard Pyle and Illustrators of the Brandywine School
A small exhibit, Howard Pyle and Illustrators of the Brandywine School, is at the Federal Reserve Board's headquarters, on 20th Street and Constitution Avenue NW. I saw it earlier this week. The art is mostly from the Free Library of Philadelphia and includes some Pyle pirates and other illustration work, some original Maxfield Parrish paintings, and a lovely book cover painting - The Cobra's Head by Frank Schoonover.
There's only 24 pieces in the show and you have to telephone for a reservation at least a day in advance and then go through a metal detector and be accompanied by a guard, but the artwork is good. The number is 202-452-3778 and the show will be up through March 30. Admission is free, and they give you a nice full color booklet.
There's only 24 pieces in the show and you have to telephone for a reservation at least a day in advance and then go through a metal detector and be accompanied by a guard, but the artwork is good. The number is 202-452-3778 and the show will be up through March 30. Admission is free, and they give you a nice full color booklet.
Stephen King midnight madness at Big Planet Comics followup
When I picked up my comics today, I asked about the midnight Stephen King event. Joel had 4 people waiting in line when he opened the store at 11:45, and got a total of twelve people, all of whom got free copies of Dark Tower. The crowd apparently was held down by the cold weather and snow, as Joel says other retailers from across the country reported it was a success. On the positive side, all of the people were new to his store, and mostly were directed by Stephen King's website, not the City Paper ad. Some even drove in from Manassas - although at that time of night, even the Beltway probably wasn't too bad.
Monday, February 05, 2007
Tuesday Night - Dark Tower at Big Planet
Here's the press release they sent out today (which looks wordsmithed by Marvel to me):
BIG PLANET COMICS AND MARVEL OFFER FIRST-EVER MIDNIGHT RELEASE TO CELEBRATE LAUNCH OF HIGHLY ANTICIPATED NEW COMIC SERIES BASED ON STEPHEN KING’S EPIC
THE DARK TOWER
Special Midnight Opening to Take Place on February 6, 2007
Phenomenal Excitement Surrounds New Comic Series that Explores the Origin of the Notorious Gunslinger Character
To celebrate the launch of the ground-breaking new comic book series adapted from Stephen King’s magnum opus, The Dark Tower, Big Planet Comics and Marvel Comics will offer a first-ever midnight release of The Dark Tower: The Gunslinger Born #1 the night of Tuesday, February 6, 2007. Big Planet Comics located at 4908 Fairmont Ave., Bethesda, MD, will open at midnight on Tuesday (effectively 12:01 a.m. Wednesday, February 7, 2007) so Stephen King fans can get their hands on the debut issue of this historic comic.
Under the direction and guidance of Stephen King, the creative team of Robin Furth (Stephen King’s The Dark Tower: A Concordance), The New York Times-bestselling author Peter David, Eisner Award-winning artist Jae Lee and fan-favorite Richard Isanove, the seven issue series will expand the saga of King’s epic hero, Roland Deschain, whose quest to save the Dark Tower is captured in seven best-selling novels published over the course of twenty-five years. King’s unparalleled storytelling power will inform new stories that delve into the life and times of the young Roland, revealing the trials and conflicts that lead to the burden of destiny he must assume as a man, the last Gunslinger from a world that has moved on. The comics will work in conjunction with the novels, further supplementing and defining the saga’s mythology under the direction of the acclaimed author himself.
Marvel's Senior Vice President of Sales David Gabriel said, "As the first visualization of The Dark Tower characters and stories in the sequential arts medium, these midnight openings provides fans with the same first chance, gotta-be there-the-second-it-comes-out opportunities that Harry Potter fans have enjoyed at mass market book stores."
To learn more about The Dark Tower: Gunslinger Born comic book series please visit www.marvel.com/darktower.
BIG PLANET COMICS AND MARVEL OFFER FIRST-EVER MIDNIGHT RELEASE TO CELEBRATE LAUNCH OF HIGHLY ANTICIPATED NEW COMIC SERIES BASED ON STEPHEN KING’S EPIC
THE DARK TOWER
Special Midnight Opening to Take Place on February 6, 2007
Phenomenal Excitement Surrounds New Comic Series that Explores the Origin of the Notorious Gunslinger Character
To celebrate the launch of the ground-breaking new comic book series adapted from Stephen King’s magnum opus, The Dark Tower, Big Planet Comics and Marvel Comics will offer a first-ever midnight release of The Dark Tower: The Gunslinger Born #1 the night of Tuesday, February 6, 2007. Big Planet Comics located at 4908 Fairmont Ave., Bethesda, MD, will open at midnight on Tuesday (effectively 12:01 a.m. Wednesday, February 7, 2007) so Stephen King fans can get their hands on the debut issue of this historic comic.
Under the direction and guidance of Stephen King, the creative team of Robin Furth (Stephen King’s The Dark Tower: A Concordance), The New York Times-bestselling author Peter David, Eisner Award-winning artist Jae Lee and fan-favorite Richard Isanove, the seven issue series will expand the saga of King’s epic hero, Roland Deschain, whose quest to save the Dark Tower is captured in seven best-selling novels published over the course of twenty-five years. King’s unparalleled storytelling power will inform new stories that delve into the life and times of the young Roland, revealing the trials and conflicts that lead to the burden of destiny he must assume as a man, the last Gunslinger from a world that has moved on. The comics will work in conjunction with the novels, further supplementing and defining the saga’s mythology under the direction of the acclaimed author himself.
Marvel's Senior Vice President of Sales David Gabriel said, "As the first visualization of The Dark Tower characters and stories in the sequential arts medium, these midnight openings provides fans with the same first chance, gotta-be there-the-second-it-comes-out opportunities that Harry Potter fans have enjoyed at mass market book stores."
To learn more about The Dark Tower: Gunslinger Born comic book series please visit www.marvel.com/darktower.
Sunday, February 04, 2007
Drew Friedman - another suprise in the Post
Drew Friedman illustrated an article in the magazine today - the first time he's worked for the Post? He's got a new book out - Old Jewish Comedians from Fantagraphics.
Wiley on editorial cartooning
Wiley Miller's Non Sequiter today is on the dwindling ranks of editorial cartooning.
Sunday's Post - Edwin Fotheringham
The New Yorker illustrator Edwin Fotheringham did all of the illustrations for today's Post travel section. Thumbnails, but not the nice full page illustration he did, can be seen here.
Saturday, February 03, 2007
Express Shojo manga exhibit review
The Express put its review of the local Shojo manga exhibit on the web (it was published on 2/1). The exhibit is open weekdays, 9-5 at Japan Information and Culture Center, Embassy of Japan, Lafayette Center III, 1155 21st St. NW; through March 16; 202-238-6949.
I'll put the pictures I took of the show up soon.
I'll put the pictures I took of the show up soon.
Today's Spider-Man comic book
The Examiner has another part of the original Amazing Spider-Man issue 10 as Spider-Man Collectible Series vol. 22. This is worth noting for another new cover, but I liked the Enforcers as Ditko drew them better.
Post follows up on cartoon Panic in Detroit, rather Boston
Lisa de Moraes' column follows up on the marketing television side of things "Cartoon Show Marketers Send Their Regrets" Saturday, February 3, 2007; Page C07.
Meanwhile, Richard Thompson (there's that name again) takes a whack at Superbowl commercials, and smacks Disney and this year's cartoon controversy in one panel. Unfortunately it's not online yet.
Meanwhile, Richard Thompson (there's that name again) takes a whack at Superbowl commercials, and smacks Disney and this year's cartoon controversy in one panel. Unfortunately it's not online yet.
Post on Zimbabwe newspaper editor threatened over cartoon
"Zimbabwe Paper Hits 'Big Nerve': Criticism of Military Pay Brings a Threat to Editor" by Craig Timberg, Washington Post Foreign Service, Friday, February 2, 2007; Page A10. I'm glad the Post picked this up - I have seen a couple of wire stories, but nothing else by a major newspaper. This is a good article about the dwindling press freedom in the country. The important points, quoting Timberg, are:
A single bullet and a threatening note arrived in a package delivered to one of Zimbabwe's last independent newspapers in what journalists said Thursday was the latest sign of the dangers to press freedoms in that country. ... The package, addressed simply to "editor," contained a cartoon from Sunday's paper mocking low pay in the military. According to Saidi, the handwritten note said: "Whats this editor? Watch your step."
And we can turn to Wikipedia for information on Zimbawe.
A single bullet and a threatening note arrived in a package delivered to one of Zimbabwe's last independent newspapers in what journalists said Thursday was the latest sign of the dangers to press freedoms in that country. ... The package, addressed simply to "editor," contained a cartoon from Sunday's paper mocking low pay in the military. According to Saidi, the handwritten note said: "Whats this editor? Watch your step."
And we can turn to Wikipedia for information on Zimbawe.
Feb 3 & 4 - Little Polar Bear cartoon at NGA
The National Gallery of Art is showing the German film, The Little Polar Bear: The Mysterious Island Saturday at 10:30 and Sunday at 11:30.
Friday, February 02, 2007
Cartoonists Take Up Smoking exhibit photos
Here's some shots of the editorial cartoon exhibit in the National Museum of Health & Medicine. Curated by Alan Blum, this layout is by Steve Hill and Bill Discher. Bill did the big cutouts in particular. The exhibit's up for two more months.
Stephen King midnight madness at Big Planet Comics
Big Planet's running an ad in the City Paper saying their Bethesda store will be open at 12:01 AM on February 7th (ie Wednesday morning) for any wanker... I mean hardcore fan... who wants to buy the new Stephen King "Dark Tower" comic, the one that's written by Peter David, not King, that is. I think Marvel is working with one store per area* to have this promo. I have no idea who's getting stuck working the midnight shift either, although there should still be some bars open even if it is Tuesday night.
*read the comment in which Joel corrects me to say that anyone could open early, but he was the only one in the area wise enough to accept the challenge. He and Greg will be manning the register. Stay tuned for further breaking updates, as they break.
*read the comment in which Joel corrects me to say that anyone could open early, but he was the only one in the area wise enough to accept the challenge. He and Greg will be manning the register. Stay tuned for further breaking updates, as they break.
Checking out this week's City Paper
Quite a bit in the paper (February 2 issue) this week. The cover article is one of the illustrated types they've done a bit lately, with pictures by Greg Houston.
Comics Greeks by Trey Graham reviews the play Rough Magic by comic book writer Roberto Aguirre-Sacasa, and gives them the marketing-pleasing quote, "If you see only one play during the six-month-long Shakespeare in Washington festival, see Rough Magic."
The exhibit Shojo Manga! Girl Power!: Girls' Comics From Japan is reviewed by Jason Powell.
Comics Greeks by Trey Graham reviews the play Rough Magic by comic book writer Roberto Aguirre-Sacasa, and gives them the marketing-pleasing quote, "If you see only one play during the six-month-long Shakespeare in Washington festival, see Rough Magic."
The exhibit Shojo Manga! Girl Power!: Girls' Comics From Japan is reviewed by Jason Powell.
Feb 17: Cartoonists Take Up Smoking lecture
FOR IMMEDIATE RELEASE
Jan. 26, 2007
Contact: Jennifer Heilman, 202-782-2671, jennifer.heilman@afip.osd.mil
Steven Solomon, 202-782-2672, steven.solomon@afip.osd.mil
“WHEN MORE DOCTORS SMOKED CAMELS:
A CENTURY OF HEALTH CLAIMS IN CIGARETTE ADVERTISING”
WASHINGTON – The National Museum of Health and Medicine will host “When More Doctors Smoked Camels: A Century of Health Claims in Cigarette Advertising,” a free illustrated lecture and gallery talk presented by Alan Blum, M.D., on Saturday, Feb. 17 at 1 p.m., highlighting the exhibit “Cartoonists Take Up Smoking,” on display through April 1, 2007.
Week in and week out from the 1920s through the 1950s, tobacco companies used images of physicians and their implied endorsements to help sell cigarettes. Such advertisements appeared not only in most issues of Life, Time, Newsweek, and U.S. News and World Report, but also in the Journal of the American Medical Association and the New England Journal of Medicine.
“Through the years, cigarette advertising depicted doctors almost as often as movie stars and sports heroes,” said Blum, curator of the exhibit, and whose lecture will feature many such ads and vintage television commercials.
Although cigarette advertisements were banned from TV in 1971, their print counterparts did not completely disappear from medical journals until the 1980s.
Blum also cites recent ads, such as the one in Time and People Magazine in 2001 for a brand by Liggett called Omni, which claimed to have “less carcinogens.”
“Such hokum isn’t much different than the same company’s advertisements that proclaimed ‘Stay safe, smoke Chesterfield’ and ‘L & M, just what the doctor ordered’ in the 1950s,” he said.
He describes the creation of the filter, low-tar brands and “light” cigarettes as marketing ploys to allay public anxiety about smoking.
“Cartoonists Take Up Smoking,” is an exhibition of original newspaper editorial cartoons retracing the 40-year battle over the use and promotion of cigarettes since the publication of the landmark Surgeon General's report on smoking and health in 1964. It also addresses complacency on the part of organized medicine, politicians, and the mass media in ending the tobacco pandemic.
The exhibit features 55 original cartoons by more than 50 nationally known American editorial cartoonists and is supplemented by smoking-related items, from the original newspaper headlines that inspired the cartoons to advertisements promoting the health benefits of lighting up.
In addition to the cartoons, several mini-exhibitions are on view, including the airline flight attendants’ battle to get Congress to pass the ban on smoking on commercial aircraft; a history of the Kent Micronite Filter, made from asbestos; the advertising of cigarettes in medical journals from the 1920s to the 1980s; and the selection of cigarette commercials and smoking scenes from TV and the movies.
Two preserved lungs from the museum’s anatomical collection—one showing the ill effects of smoking and the other a healthy lung—highlight the exhibit.
“Cartoonists Take Up Smoking” is curated from the collections of the University of
Alabama Center for the Study of Tobacco and Society that Blum founded and directs. It holds one of the largest sociocultural archives on tobacco, including more than 300 original editorial cartoon artworks on smoking-related themes.
“The wide ranging controversies surrounding tobacco are captured in the cartoons, from the misguided quest for a safe cigarette to the targeting of tobacco advertising to women and minority groups,” Blum said. “Cartoons on smoking have had an impact at both local and national levels. Editorial cartoons practically laughed Joe Camel out of town and helped pass countless clean indoor air laws.”
The exhibit will be on display at the museum, which is open every day except Dec. 25 from 10 a.m. to 5:30 p.m. The museum is located at Walter Reed Army Medical Center, 6900 Georgia Avenue and Elder Street, NW, Washington, D.C. For more information call (202) 782-2200 or visit www.nmhm.washingtondc.museum. Admission and parking are free. For the online news release and to download images, please visit: http://www.nmhm.washingtondc.museum/news/pdf/Blum_Gallery_Release.pdf.
Jan. 26, 2007
Contact: Jennifer Heilman, 202-782-2671, jennifer.heilman@afip.osd.mil
Steven Solomon, 202-782-2672, steven.solomon@afip.osd.mil
“WHEN MORE DOCTORS SMOKED CAMELS:
A CENTURY OF HEALTH CLAIMS IN CIGARETTE ADVERTISING”
WASHINGTON – The National Museum of Health and Medicine will host “When More Doctors Smoked Camels: A Century of Health Claims in Cigarette Advertising,” a free illustrated lecture and gallery talk presented by Alan Blum, M.D., on Saturday, Feb. 17 at 1 p.m., highlighting the exhibit “Cartoonists Take Up Smoking,” on display through April 1, 2007.
Week in and week out from the 1920s through the 1950s, tobacco companies used images of physicians and their implied endorsements to help sell cigarettes. Such advertisements appeared not only in most issues of Life, Time, Newsweek, and U.S. News and World Report, but also in the Journal of the American Medical Association and the New England Journal of Medicine.
“Through the years, cigarette advertising depicted doctors almost as often as movie stars and sports heroes,” said Blum, curator of the exhibit, and whose lecture will feature many such ads and vintage television commercials.
Although cigarette advertisements were banned from TV in 1971, their print counterparts did not completely disappear from medical journals until the 1980s.
Blum also cites recent ads, such as the one in Time and People Magazine in 2001 for a brand by Liggett called Omni, which claimed to have “less carcinogens.”
“Such hokum isn’t much different than the same company’s advertisements that proclaimed ‘Stay safe, smoke Chesterfield’ and ‘L & M, just what the doctor ordered’ in the 1950s,” he said.
He describes the creation of the filter, low-tar brands and “light” cigarettes as marketing ploys to allay public anxiety about smoking.
“Cartoonists Take Up Smoking,” is an exhibition of original newspaper editorial cartoons retracing the 40-year battle over the use and promotion of cigarettes since the publication of the landmark Surgeon General's report on smoking and health in 1964. It also addresses complacency on the part of organized medicine, politicians, and the mass media in ending the tobacco pandemic.
The exhibit features 55 original cartoons by more than 50 nationally known American editorial cartoonists and is supplemented by smoking-related items, from the original newspaper headlines that inspired the cartoons to advertisements promoting the health benefits of lighting up.
In addition to the cartoons, several mini-exhibitions are on view, including the airline flight attendants’ battle to get Congress to pass the ban on smoking on commercial aircraft; a history of the Kent Micronite Filter, made from asbestos; the advertising of cigarettes in medical journals from the 1920s to the 1980s; and the selection of cigarette commercials and smoking scenes from TV and the movies.
Two preserved lungs from the museum’s anatomical collection—one showing the ill effects of smoking and the other a healthy lung—highlight the exhibit.
“Cartoonists Take Up Smoking” is curated from the collections of the University of
Alabama Center for the Study of Tobacco and Society that Blum founded and directs. It holds one of the largest sociocultural archives on tobacco, including more than 300 original editorial cartoon artworks on smoking-related themes.
“The wide ranging controversies surrounding tobacco are captured in the cartoons, from the misguided quest for a safe cigarette to the targeting of tobacco advertising to women and minority groups,” Blum said. “Cartoons on smoking have had an impact at both local and national levels. Editorial cartoons practically laughed Joe Camel out of town and helped pass countless clean indoor air laws.”
The exhibit will be on display at the museum, which is open every day except Dec. 25 from 10 a.m. to 5:30 p.m. The museum is located at Walter Reed Army Medical Center, 6900 Georgia Avenue and Elder Street, NW, Washington, D.C. For more information call (202) 782-2200 or visit www.nmhm.washingtondc.museum. Admission and parking are free. For the online news release and to download images, please visit: http://www.nmhm.washingtondc.museum/news/pdf/Blum_Gallery_Release.pdf.
Thursday, February 01, 2007
Disney on Ice contest entry
A couple of entries down, I mentioned the Examiner's contest. Well, I just sent in my entry with my name, address, email and phone number to contests@dcexaminer.com. Remember, winners will be chosen randomly and their entries will be printed in the February 6th paper.
So here it is - let the comments begin!
Lightly, the Princesses swirl on the ice;
Are there twelve? Or less?
No matter.
The Mouse will rule o'er all.
So here it is - let the comments begin!
Lightly, the Princesses swirl on the ice;
Are there twelve? Or less?
No matter.
The Mouse will rule o'er all.
Mandatory weekly Richard Thompson message
A small drawing by RT snuck into the Post's local sections, Arlington/Alexandria in my case. It's an ad for the Corcoran College of Art and Design's Aspiring Artists program. Unfortunately, the pic isn't online.
Thursday's papers - the cartoon bits UPDATED
Uncensored image from Seattle P-I, photo by Todd Vanderlin.
Finally saw the Post, and the Aqua Teen Hunger Force bomb scare marketing debacle played on the front page, above the fold as they say, with the middle finger salute pre-fuzzed out before the Post got the picture, obviating the need for those hard decisions. See
Marketing Gimmick Goes Bad in Boston; Light Devices Cause Bomb Scare by Michael Powell, Washington Post Staff Writer, .Thursday, February 1, 2007; Page A03 for an account of the ridiculousness.
There's a positive review of the Japanese Cultural Information Center's Shojo Manga exhibit in today's Express, and a short version of AP's article on the Aqua Teen Hunger Force bomb scare in Boston in the Examiner. On the odder side, Kohl's has an ad on p. 7 of the Examiner for Sandra Boynton books, cds and toys as well as an ad for Disney on Ice celebrating "100 Years of Magic." I assume that's 100 years since Disney's birth because I'm pretty sure there wasn't any Disney on Ice in 1907. The ad asks for a poem of 100 words or less, sent to contests@dcexaminer.com on "Is the Disney Magic a part of your life?" to win tickets for 4 to the show. Oddly enough they say, "Winners will be randomly selected" so I wouldn't worry about the quality of the poetry.
Finally, the Express has a picture of Greg Bennett of Big Planet Comics on page E25, in his role in the band Jet Age. I believe this is the 3rd time they have run this pic.
Finally saw the Post, and the Aqua Teen Hunger Force bomb scare marketing debacle played on the front page, above the fold as they say, with the middle finger salute pre-fuzzed out before the Post got the picture, obviating the need for those hard decisions. See
Marketing Gimmick Goes Bad in Boston; Light Devices Cause Bomb Scare by Michael Powell, Washington Post Staff Writer, .Thursday, February 1, 2007; Page A03 for an account of the ridiculousness.
There's a positive review of the Japanese Cultural Information Center's Shojo Manga exhibit in today's Express, and a short version of AP's article on the Aqua Teen Hunger Force bomb scare in Boston in the Examiner. On the odder side, Kohl's has an ad on p. 7 of the Examiner for Sandra Boynton books, cds and toys as well as an ad for Disney on Ice celebrating "100 Years of Magic." I assume that's 100 years since Disney's birth because I'm pretty sure there wasn't any Disney on Ice in 1907. The ad asks for a poem of 100 words or less, sent to contests@dcexaminer.com on "Is the Disney Magic a part of your life?" to win tickets for 4 to the show. Oddly enough they say, "Winners will be randomly selected" so I wouldn't worry about the quality of the poetry.
Finally, the Express has a picture of Greg Bennett of Big Planet Comics on page E25, in his role in the band Jet Age. I believe this is the 3rd time they have run this pic.
Tuesday, January 30, 2007
Mister Ron's Basement blog
A bit off the beaten path, but long-time comics journalist (and Springfield resident, iirc) Ron Evry has been doing a podcast for several years. He reads out of copyright stories. It looks suspiciously like Ron's got 624 downloadable readings up as of this date.
At Michigan State University's Comic Art Collection website, librarian Randy Scott lists quite a few publications in The Comics Journal and Hogan's Alley.
#4 in local Comics DC bloggers profiles.
Monday, January 29, 2007
Speaking of comics chats on the Post website...
Suzanne Tobin used to host these "Meet the Artist" chats fairly regularly, but not lately. I recently linked to the Galifianakis one. However, there's a score or so in their archive, unfortunately not labeled by cartoonist. Don't miss the little "more news" link on the bottom which will take you to one more.
Post censors comic strips, again - Get Fuzzy this time
MetaDC and Ben Towle picked up that some papers, including the Post, were censoring marijuana jokes in Get Fuzzy last week. Ben's got the story, and the some of the strips in two posts - here and here. Fortunately Darby Conley's syndicate wasn't as worried as the Post and all the strips can be seen on the Comics.com website for a few weeks.
As is par for the course, the Post never mentioned this. You'd think the paper would have a bit more spine, and at least confess to their censorship.
Anyone like to try to recall other instances of the Post censoring, or "editing," (their preferred term) the comics? There have been several. In Sept 2005, a Dilbert strip showing assault by a porpoise was cut (Dave Astor had the story); in July 2005, they pulled a Boondocks strip and Suzanne Tobin defended their actions in a chat with Paul Gilligan of Pooch Cafe. (Hit refresh and the link will work - twofer!)
They had pulled Boondocks in 2004 and their ombudsman at the time Michael Getler noted, One year after refusing to publish a week's worth of the "Boondocks" comic strip drawn by Aaron McGruder, The Post did it again last week, only this time it didn't tell readers. The Post says that comics are edited just like any other feature of the paper and denies that this is censorship. Editors say last week's offering was racially offensive and used negative stereotypes of African Americans to lampoon TV reality shows. Last year The Post was the only paper, among 250 that buy "Boondocks," to drop it. This time seven other papers dropped it, including the Boston Globe. I disagreed last time, and this time, too. I think McGruder, who is African American, is a brilliant artist who has created young, black characters speaking with razor-sharp, satirical candor who say things that make us uncomfortable but also make us think. In January of 2004, Mike Peters of the Dallas Morning News noted that the Post dropped a BC strip, admittedly lame, The strip offered to newspapers today mocks the notion that two Asians could have flown the first airplane. The punchline: "Two Wongs don't make a Wright?" They've dropped other B.C. strips for religious sensitivity reasons too.
The aforementioned Boondocks was dropped in October 2003, the Boston Globe reported, "In an unprecedented move that angered readers and generated industry criticism, The Washington Post recently killed an entire week of "The Boondocks" comic strip with a story line suggesting the world might be a safer place if national security adviser Condoleezza Rice had a more active love life." As in the later event, the ombudsman Michael Gertler disagreed, noting on October 19, 2003 "I may need a refresher course in sensitivity training, but I also found the sequence of strips within the bounds of allowable satire. I don't know a thing about Rice's personal life, nor do the characters in the strip, and I think readers understand that. The "Boondocks" characters, and their creator, were being mischievous and irreverent, in their mind's view of the world, about a high-profile public figure, and that seems okay to me." A month earlier, a Doonesbury strip about masturbation was dropped. Boondocks also was skipped twice in January and October of 2002. There's a few more BC examples and Ted Rall's strip was dropped online in March of 2002 after his 9-11 Widows strip. Anyone else got any more?
Shojo manga show opens; lecture on January 30th
The exhibition "Girl Power! Girls' Comics From Japan" opened today at the Japan Information and Culture Center. Tomorrow at 6:30, the curator Masami Toku will present a free lecture on the history of shojo manga, or girls' comics Reservations are required. Reply to jiccrsvpwinter07@embjapan.org or (202-238-6949). This is the only night the exhibit will be open; normal hours are 9-5, Monday through Friday.
The Post ran a brief piece on it on Friday - "Comics That Draw a Feminine Crowd" by Lavanya Ramanathan (Friday, January 26, 2007; Page C11)
Post reviews Aguirre-Sacasa's comic book-influenced Shakespear
Unfortunately, in "Prospero's New Island: Manhattan - Rorschach's 'Rough Magic' Offers The Bard -- Comic Book Version," Nelson Pressley gives it a rather lukewarm review. He starts off promisingly, noting A number of the inside jokes are delicious, as when Melanie calls on the controllable Coriolanus to lend a hand. "Dumb as a stick, and a total mama's boy," Olivera's quick-thinking Melanie reasons. But overall, Pressley feels that great gobs of the script seem more suited to comic books than the stage, especially the ultra-dense plotting and ka-POW action sequences and concludes that it lack(s) a certain hoped-for magic.
I'll let you know what I think when I see the show.
See the article in The Washington Post, Monday, January 29, 2007; Page C02.
I'll let you know what I think when I see the show.
See the article in The Washington Post, Monday, January 29, 2007; Page C02.
Friday, January 26, 2007
Good article on Chinese cartoonist in Post
About every five years, the Post runs an article on something to do with comics and China. Today it was Suicide Rabbit by Liu Gang, a vehicle for criticizing the establishment, if not the party. It's a good article by Edward Cody.
Thursday, January 25, 2007
Jan 28 - Animation Show 3 at GWU
Both the GW Hatchet and the Express have articles today reporting that the Animation Show 3, a collection of shorts, will be shown at the Lisner Auditorium at 730 21st St, NW at 7 pm on Sunday for $11.
"Rough Magic" is also discussed on page E9 of the Express.
"Rough Magic" is also discussed on page E9 of the Express.
Wednesday, January 24, 2007
"The Adventures of Carrie Giver" comic book distributed to Congress
The Examiner's political gossip column by Jeff Dufour and Patrick Gavin reports today that the comic book "The Adventures of Carrie Giver" was distributed on Capitol Hill recently. The comic book deals with the cost to people, mainly women, who become primary care givers to disabled family members. And it has a cover by Neal Adams! You can buy a copy through that link, by the way.
The columnists talked to the group, and reported, "So which politicians like their proposals in comic book form? Social Agenda’s Theresa Funicello tells us the best responses she’s received from Capitol Hill came from the offices of Sen. Chuck Schumer, D-N.Y., Sen. Mary Landrieu, D-La., and Rep. Marcy Kaptur, D-Ohio. In addition, Funicello says the real women’s division of the Department of Labor enjoyed the comic and asked for several copies. “Staffers were very amused and kind of stunned when we came around with these,” said Funicello. “They don’t usually get serious issues in comic book form.”"
Roll Call had the story too, but doesn't provide a free online version. The print version is "Adventures in Lobbying: Comic Books Help Put Caregiver Issues in the Spotlight" By Tom Gottlieb, Roll Call Staff, January 23, 2007.
The Onion peels for DC
DC is going to get the satirical parody newspaper, The Onion judging from an ad in today's Express. The ad is for an account manager and says "The Onion is coming to Washington...." blah, blah, blah, and will be published in partnership with the Express and the Washington Post(!). Of interest to us is the fact that the paper runs serious reviews of comics. I think it also runs some harder-to-find comic strips as well. And it's funny.
Tuesday, January 23, 2007
Nick Galifianakis, Washington Post illustrator
I'm working on a listing of cartoonists who regularly appear in the DC papers, and one of them whose work I especially like is Nick Galifianakis. His work appears bi-weekly or so in the Post, illustrating is ex-wife Carolyn Hax's advice column, "Tell Me About It." The picture here is from the January 12, 2007 column, but he's been doing them for years. He's a local guy, and this 2004 Suzanne Tobin chat is the only biographical bit that I know of. He was supposed to have a book out, but I don't know if that ever happened. I think he's got a very nice line, and hope he eventually does more than just advice column gag cartoons.
Monday, January 22, 2007
Hoopla! - new Arlington VA comic book review blog
Paul Weissburg has restarted his comic book review column as Hoopla! An online comic-book review column. I don't know Paul, and am just passing along the notice I got from the owner of Big Planet Comics.
Zippy around DC
I completely missed this one, but Zippy was at Arlington's Bob and Edith's diner right after Christmas. Cartoonist Brian Biggs has eaten there with me as well. Zippy's also popped into Rock Creek Cemetery in DC; Barry's Magic Shop in Wheaton (on Georgia Avenue, near the shopping mall); Ben's Chili Bowl in DC; the newly-reopened National Portrait Gallery; and the Lincoln Memorial. He's even made it out to Catonsville, MD.
Jan 27-Feb 25 Shakespeare in Washington
I can hear you all wondering, but there's a comics link here that my friend Liz pointed out. Rough Magic, a reworking of The Tempest, is written by Marvel Comics writer, and former area resident (and Big Planet Comics customer) Roberto Aguirre-Sacasa. I'm going to try to catch this.
Sunday, January 21, 2007
Jan 27 - Alternative comics fest at Dr. Dremo's
Today's Post reported today that Dr. Dremo's Taproom in Arlington will host DC Counter Culture Festival next Saturday that will include alt cartoonists selling their comix. Specifically listed in the Post were Jason Rodriguez, Little Foot and Angry Dog Press. It goes from 4 pm - midnight, and the bar's address is 2100 Clarendon Blvd.
Saturday, January 20, 2007
March 2-3 - Academic panels on comic books in Baltimore
Vanessa Raney reports two academic panels will be at the 2007 Northeast Modern Language Association (MLA) Convention at the The Sheraton Baltimore City Center Hotel, Baltimore, MD, March 1-4, 2007.
* Fri. (Mar. 2), 10:00a-11:30a *
2.08 Douglas Room
God and the Graphic Novel
Chair: Kelly S. Meyer, The College of Saint Rose
"Jesus Christ, Drawn and Quartered: The 'Reformed' Stations of the Cross in Fundamentalist Tracts"
Scott Maisano, University of Massachusetts-Boston
"Jesus Christ, Drawn and Quartered: The 'Reformed' Stations of the Cross in Fundamentalist Tracts"
T. Anne Metivier, Indiana University
"This Last Thing Ya Gotta Do Alone: Preacher and Masculinity"
Gordon Sullivan, North Carolina State University
"Alan Moore's Promethea: Comics as Primer and Missionary Tool for Alternative Religion"
Christine Hoff Kraemer, Boston University
* Saturday (Mar. 3), 11:45a-1:00p *
9.07 Pratt A
Picture Books and Children's Comics: Semiotics of Illustration
Chair: Vanessa Raney, Hood College
"Semiotics of the Visual: An Introduction"
Vanessa Raney, Hood College
"Puzzle Panels: The Semiotic Riddles of George Carlson's Comic Art and Children's Media"
Daniel F. Yezbick, Peninsula College WA
"Higglety Pigglety Pop! Or, There Must be a Picture Book for Adults"
Ofra Amihay, Tel Aviv University
* Fri. (Mar. 2), 10:00a-11:30a *
2.08 Douglas Room
God and the Graphic Novel
Chair: Kelly S. Meyer, The College of Saint Rose
"Jesus Christ, Drawn and Quartered: The 'Reformed' Stations of the Cross in Fundamentalist Tracts"
Scott Maisano, University of Massachusetts-Boston
"Jesus Christ, Drawn and Quartered: The 'Reformed' Stations of the Cross in Fundamentalist Tracts"
T. Anne Metivier, Indiana University
"This Last Thing Ya Gotta Do Alone: Preacher and Masculinity"
Gordon Sullivan, North Carolina State University
"Alan Moore's Promethea: Comics as Primer and Missionary Tool for Alternative Religion"
Christine Hoff Kraemer, Boston University
* Saturday (Mar. 3), 11:45a-1:00p *
9.07 Pratt A
Picture Books and Children's Comics: Semiotics of Illustration
Chair: Vanessa Raney, Hood College
"Semiotics of the Visual: An Introduction"
Vanessa Raney, Hood College
"Puzzle Panels: The Semiotic Riddles of George Carlson's Comic Art and Children's Media"
Daniel F. Yezbick, Peninsula College WA
"Higglety Pigglety Pop! Or, There Must be a Picture Book for Adults"
Ofra Amihay, Tel Aviv University
Ann Telnaes cartoon chosen as "Cartoon of the Month"
Dave Astor says that Capitol Hill resident and Pulitzer Prize winner Ann Telnaes has a cartoon that's been picked as "Editorial Cartoon of the Month" in Editor&Publisher's upcoming February print issue. He describes the cartoon as "...an anti-"surge" cartoon last week showing George W. Bush at a podium attached to a treadmill. As the fitness-obsessed President ran in place, one could clearly see that the treadmill's treads were flag-draped coffins of U.S. soldiers killed in Iraq." Astor then goes onto discuss the current state of editorial cartooning, although he doesn't note that shamefully enough, Telnaes is self-syndicated without a home newspaper.
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