Today's Richard's Poor Almanack

Isn't online yet, but it's another finger puppet. Whoo-hoo! In the meantime, enjoy last week's Peanuts parody.

Tomorrow's Washington Post bit on Caniff's Terry and the Pirates

See "Terry and the Pirates" by Dennis Drabelle, Washington Post Book World Sunday, November 11, 2007; Page BW04.

Zadzooks on Spidey game

See "Unlikely collaborators help Spidey in mission" by Joseph Szadkowski, Washington Times November 10, 2007.

Another DC-area blogger spotlight

Michael Wenthe - mentioned earlier today - shares a blog with Isaac Cates. Both teach about comics, and together they make minicomics. I hadn't realized they had a blog until Isaac mentioned it in passing today - check out Satisfactory Comics. Right now, it appears that their latest mini-comic is an intellectual exercise of the type that Matt Madden is the best promoter of - if you haven't bought his 99 Ways to Tell A Story, you should and you should shelve it next to McCloud, Eisner and Buscema.

A link to Satisfactory Comics will be up on the right for future visits.

Speaking of comics in the classroom

...Geppi's Museum curator Arnold Blumberg writes about teaching Watchmen at the University of Maryland.

Comics and Graphic Novels in the Classroom panel report

Literature professors Marc Singer (Howard U) and Michael Wenthe (American U) and I did a short panel at Busboys and Poets on 14th St at the request of PENFaulkner. Lynda Barry, Alison Bechdel and Chris Ware were in the audience and hopefully got some of the buffet supper. My friend, and potential breakout cartoonist for Cul de Sac, Richard Thompson accompanied me and didn't look too glazed over when the talk went academic at times.

I recorded 99% of the panel  - I missed my first question as moderator "Why have comics in the classroom, and how do you do it" was roughly the question. Marc Singer begins replying and the beginning of his reply is cut off too.

After the event, I was able to talk briefly with Lynda Barry who has some very interesting working methods. For her 100 Demons book, which I recommend, she has words written on cards that she pulls at random out of a bag. She then takes the word she's selected and writes other words that it reminds her of. When she has an idea for the strip, she starts writing and drawing it. As she said, 'The first draft is the only draft.' She also talked to Michael and I about her novel Cruddy, saying that she had been trying to write it for nine years on a computer. When she switched to writing with her brush and ink, it was done in under a year, so she feels that for cartoonists the link between moving your hand and thinking is wired into one's brain. Also for Cruddy, the illustrations are finger-painted, using ink, I think.

Lynda was absolutely great to talk to and very encouraging to anyone (including Chris Ware as he related the next night) who approached her. Alison and Chris are fun to talk to as well, and I'd like to spend more time talking comics with Dan Raeburn who's done three booklets and one big book on them. He moderated the talk by the cartoonists on the following night and I'll post on that separately.

Lynda's strips are now being posted on the Drawn & Quarterly blog.

QUICK REVIEWS OF COMICS DUE 11-14-07

QUICK REVIEWS OF COMICS DUE 11-14-07
Support striking Writers Guild members! Buy them comics!
By John Judy

ALL-STAR SUPERMAN #9 by Grant Morrison and Frank Quitely. It’s the DC “All-Star” series where they HAVEN’T turned Black Canary into an Irish whore! Recommended!

AVENGERS INITIATIVE #7 by Dan Slott and Stefano Caselli. It’s Scarlet Spiders versus Vulturians but it’s written by Dan Slott, the man who can take even the lamest characters and make you love them. Highly recommended.

BATMAN AND THE OUTSIDERS #1 by Chuck Dixon and Julian Lopez. The dark-night detective teams up with a S.E. Hinton’s loveable band of scamps and…. Ah, heck, it’s time to refresh the trademark, guys. You know how it is.

BLACK ADAM THE DARK AGE #4 of 8 by Peter J. Tomasi and Doug Mahnke. This amazingly grim series is still holding up quite well in spite of being way too dark for the traditional Captain Marvel/Shazam audience. Half-way home. Not too late to jump on, readers.

BOOSTER GOLD #4 by Geoff Johns and Jeff Katz. It’s time-travel stories that not only don’t suck, but actually entertain and surprise! It’s a holiday miracle! Plus it has Flashes! Barry Allen even! Check it out!

CAPTAIN MARVEL #1 of 5 by Brian Reed and Lee Weeks. The blonde, disco-era Protector of the Universe is back from the dead, checking out paintings and punching robots! A decent start even if you think Marv shoulda stayed dead.

EX MACHINA VOL. 6: POWER DOWN SC by Brian K. Vaughan and Tony Harris. Collecting what Vaughan has called his favorite run on the book so far, issues #26-29, exploring what a power outage means to a guy who talks to machines. Recommended.

HOUSE OF M: AVENGERS #1 of 5 by Christos Gage and Mike Perkins. A well-drawn romp through a universe that sorta doesn’t exist anymore. Maybe it’s one of DC’s 52?

KIMMIE66 GN written and drawn by Aaron Alexovich. So what are awkward teen girls doing on the internet 200 years from now? Same as today only more so and with vampires. Take a gander.

LEAGUE OF EXTRAORDINARY GENTLEMEN: THE BLACK DOSSIER HC by Alan Moore and Kevin O’Neill. Okay, Moore has gone seriously nuts over the years, but whether a guy believes in ”magick” or not, if that same guy authored “Watchmen”, “Miracleman”, and the other “LoEG” books, you still have to sit up and take notice. This one has a lot of extras and will still be fascinating even if you end up hating it. (Yeah, I read “Lost Girls” and all the Lovecraft craziness. It’s like Frank Miller. You have to look to see if he’s recovering yet.) And Kevin O’Neill always rocks.

NEW AVENGERS #36 by Brian Michael Bendis and Lieinil Francis Yu. New York City’s been “Venom-ized” and The Hood is basking in his victory over Tigra the Were-Woman. Yeah, he hasn’t figured out that Tigra isn’t exactly A-list. Did I mention Wolverine is on the cover? Some people think he’s a Skrull because it’s the only way to account for him being in every single comic Marvel puts out each month, including the Classics Illustrated things they’re doing. I love this theory because it explains how Wolverine killed Moby Dick.

PUNISHER #52 by Garth Ennis and Goran Parlov Frank has to save the little girl and kill the Barracuda. One of the most intense Punisher stories in years. And then there’s…

PUNISHER WAR JOURNAL #13 by Matt Fraction and Cory Walker. Kraven the Hunter Junior, I swear to …. For the Punisher completists out there.

SALVATION RUN #1 of 7 by Bill Willingham and Sean Chen. The villains of the DC Universe finally get exiled to a whole ‘nother planet for their crimes! It’s like Australia only with super-powers and no beer!

SCOTT PILGRIM VOL.4 SCOTT PILGRIM GETS IT TOGETHER GN by Bryan Lee O’Malley. Scott plays in a band, dates a girl, and fights her evil ex-boyfriends. How is this not a TV series yet? A new one for all you Oni Press manga-maniacs.

THOR #4 by J. Michael Straczynski and Olivier Copiel. Thor’s looking up old friends. You see this one coming a mile away but it looks like they’re getting past that soon and anyway, it looks nice.

WOLVERINE #59 by Marc Guggenheim and Howard Chaykin. Featuring every version of Wolvie you’ve ever heard of. I smell action figure assortment…

WONDER WOMAN #14 by Gail Simone and Terry & Rachel Dodson. Honest! This time I mean it! Gail’s totally writing this! And WW’s fighting abominable snowmen on the cover! How great is that?!

WORLD OF WARCRAFT #1 by Walt Simonson and Ludo Lullabi. Yes, this is based on the popular on-line game and it is drawn by a guy named “Lullabi.” Lots of swords, armor, and fighting! Best of all, a comic book can’t crash right when you’re really enjoying it!

WORLD WAR HULK #5 of 5 by Greg Pak and John Romita Jr. Smash-smash-smashity-smash-smash!!!! Guest-starring the Sentry.

X-FACTOR #25 by Peter David and Scot Eaton. Rictor goes to church looking for the killer mutant-Jesus. Hijinks ensue.

www.johnjudy.net

Detroit Free Press picks up Cul de Sac

Richard Thompsons's added another paper. See "Quirky new comic has fan in 'Calvin and Hobbes' creator," Detroit Free Press November 5, 2007.

And he's been named by Tom Spurgeon on Comicsreporter.com as the Potential Breakout Cartoonist of 2008.

Richard Thompson's faves

Alan started a neat new feature over at the Daily Cartoonist by asking cartoonists who they like. His first victim was Arlington's own Richard Thompson. See "The Cartoonist’s Cartoonists: Richard Thompson" by Alan Gardner Nov 06, 2007. Personally I wouldn't have guessed Lynda Barry.

Richard tossed a few more names around on his blog.

Meet Lynda Barry, Chris Ware and Alison Bechdel and Richard at Busboy's and Poets on Thursday - click on the Upcoming Events link on the right to see details.

Nate Beeler goes national

Nate's emailed me that he's signed a syndication deal with Darryl Cagle's Cagle Cartoon syndicate and written about it on his blog. Congratulations, Nate. For those who don't pick up the Examiner regularly, Nate's cartoons are one of the best things in it.

Dave Astor adds a bit more to the story. So Nate, are you a right-leaning libertarian?

QUICK REVIEWS FOR COMICS DUE 11-07-07

QUICK REVIEWS FOR COMICS DUE 11-07-07
(Support striking Writers Guild members! Bring ‘em comics!)
By John Judy

ASTONISHING X-MEN #23 by Joss Whedon and John Cassaday. Maybe this book can go monthly now that Joss has all that extra time….

BUFFY THE VAMPIRE SLAYER #8 by Brian K. Vaughan and Georges Jeanty. Buffy versus Faith. The cover looks like Faith’s water-boarding The Buffster. Maybe she wants to be our new Attorney-General?

CAIRO HC by G. Willow Wilson and M.K. Perker. An original slam-bang action thriller set in Egypt’s largest city. Contains magic!

COUNTDOWN AND FRIENDS by Whoever Drew the Short Straw. Remember when weekly comics making their ship-dates was a good thing?

CRIMINAL #10 by Ed Brubaker and Sean Phillips. A big finale in this awesome noir that keeps Daddy from getting a life. Highly recommended.

DARK TOWER GUNSLINGER BORN PREMIERE HC by Peter David and Jae Lee. Marvel heard a rumor that some of you still had money.

FANTASTIC FOUR #551 by Dwayne Mac Duffie and Paul Pelletier. Okay, it’s a time-travel story but it has an awesome last page. Enjoy!

GROO: HELL ON EARTH #1 of 4 by Mark Evanier and Sergio Aragones. The Wanderer battles the ultimate global warning in a humorous, fantastical way. From the guys who brought you MAD Magazine and “Welcome Back Kotter” among other things.

IMMORTAL IRON FIST #10 by Ed Brubaker, Matt Fraction, and David Aja. Like reading a really good kung-fu flick. Recommended.

NEW AVENGERS ILLUMINATI #5 of 5 by Brian Michael Bendis and Jim Cheung. In which we finally learn which one of Our Heroes is not who he appears. “Skrull! Cough! Cough!”

SCALPED #11 by Jason Aaron and R.M. Guera. This noir Western set on an Indian reservation has all the right people raving. Check it out and see why. NOT for kids.

SUPERMAN #670 by Kurt Busiek and Rick Leonardi. It’s the end of “The Third Kryptonian!” Because there’s only FIVE OF THEM on the cover, not including The Character Formerly Known as Superboy-Prime! Sigh…

UNCANNY X-MEN #492 by Ed Brubaker and Billy Tan. Everyone’s looking for the Killer Jesus-Mutant! What a caper! Can a week ever have too much Brubaker? Not in my house, bub!

Y THE LAST MAN #59 by Brian K. Vaughan and Pia Guerra. It’s the next to last issue of this amazing series. If you haven’t read it before now is the time to start plowing through the trades. On a par with Neil Gaiman’s “Sandman” for depth and imagination. Highly recommended.

www.johnjudy.net

KAL exhibit somewhere down south

KAL, from our northern neighbor city Baltimore, has an exhibit of cartoons up at Duke University. See "Work of Editorial Cartoonist Goes on Display at Duke: Decades of contentious political cartoons by Kevin 'KAL' Kallaugher will be displayed at Duke starting Nov. 7," Thursday, November 1, 2007

Articles in today's papers - Bee Movie and Spider-Man game

Two Bee Movie reviews in the Express (an AP one) and the Examiner and Bumbling 'Bee Movie' Needs More of Jerry"

By Desson Thomson
Washington Post Staff Writer
Friday, November 2, 2007; Page C01
http://www.washingtonpost.com/wp-dyn/content/article/2007/11/01/AR2007110102491.html

http://www.washingtonpost.com/wp-dyn/content/article/2007/11/01/AR200711
0100906.html
Spider-Man: Both Sides Now
Washington Post Friday, November 2, 2007; Page WE54

Hero novel review in Metro Weekly

Metro Weekly is actually one of the free papers that I don't regularly pick up, mostly because it doesn't run comics, but the new issue has this book review in it - "Heroic Exploits: Delving into the life of a young, gay superhero, Perry Moore's 'Hero' is a wonderful combo of reality and fantasy," by Tim Plant, Metro Weekly November 1, 2007.

Nov 10: Persepolis at AFI Silver

The animated film based on Marjane Satrapi's book at 8 pm in Silver Spring on the 10th. 1 showing! Geez.

Articles in today's papers - Bee Movie and Dethklok

The Post's got "The Bee in His Bonnet: Jerry Seinfeld's New Flick Began as a Joke but Made Him Busy as a . . . You Know," by William Booth, Washington Post Staff Writer, Thursday, November 1, 2007; C01.

Over in the Onion, a Cartoon Network band is profiled in "Brian Posehn Interviews Dethklok" [expanded version online], by Josh Modell, Onion November 1st, 2007.

Erik Evensen, author and artist of Gods of Asgard

For the online only interview, see "Visiting Valhalla: 'Gods of Asgard'," by Christopher Porter, Express October 31, 2007.

Patrick McDonnell report by guest columnist

Guest columnist Miron Murcury returns with the following report on Patrick McDonnell's appearance in Alameda, CA.

Good Humorist News

October 25, 2007. Newspaper cartoonist Patrick McDonnell spoke in Alameda, California at Books, Inc. McDonnell, the writer and cartoonist of MUTTS introduced his newest picture book, HUGS. The story features Jules the Kitten who travels the world hugging everyone he meets. He spoke on behalf of the East Bay SPCA.

After a few moments with HUGS, McDonnell from the audience suggestions drew the MUTTS characters on a 2X3 foot sketch pad. The quick sketches will later be auctioned by and for the benefit of the East Bay SPCA. For further information please contact: alindquist@eastbayspca.org

McDonnell asked for questions from the enchanted audience.

'Who inspired you?'' A lady asked.

''Charles Schulz. I wanted to be Charles Schulz.'' McDonnell answered without hesitation. He went from Peanuts to spinach, pointing out the delights of Popeye and Krazy Kat.

''Will Eisner was a teacher of mine at the School of Visual Arts in New York City.'' He continued, ''I was an illustrator before becoming a newspaper strip cartoonist.''

Asked about Winsor McCay, he drew special attention to 'Little Nemo, So Many Splendid Sundays' edited by Pete Maresca.

''It was like seeing Little Nemo for the first time.'' McDonnell said in praise of Maresca's award winning book.

A member of the audience asked, ''You seem to have really shot to national prominence after your appearance in ARF. Will you be contributing to future issues?''

McDonnell, chuckling humorously, thanked editor Craig Yoe for his big break.

''Yes, I will be in the next issue of ARF.'' McDonnell revealed, ''Craig had the great idea of having today's cartoonists complete a Milt Gross multi-panel cartoon gag. I am one of the contributors.''

Click to find out everything about ARF, the unholy marriage of Art and Comics and to see McDonnell's contribution.

McDonnell will be a guest speaker at the Charles Schulz Museum in Santa Rosa, Saturday, October 27, 1-3pm. He was tickled, (my interpretation of his excitement, disbelief and sense of awe), by the temporary mural sized reproduction of Schulz's homage panel featuring MUTTS characters.

After his talk McDonnell graciously signed books for the enthused crowd adding small character sketches at purchasers request.

The official Patrick McDonnell web site.


Photo c. 2007 MMurcury

--Miron Murcury

Ohio State Cartoon Festival Report UPDATED 2

The Ohio State University's Cartoon Research Library's tri-annual Festival of Cartoon Art wrapped up yesterday. I was there for the three days.

I'll fill this in with some photos (which are going up on Flickr now) and reports as I get time. And energy. But co-pilot Charles Hatfield and I had a great time.

Thursday, October 25th began with three academic panels in OSU’s hotel across from the very, very large football stadium. None were of particular interest to me although several – Wanzo on Black comics, Conners on Caniff’s growth as an artist, and Yesbick on George Carlson were engaging. Unfortunately there was no lunch break built in and Charles and I had skipped breakfast. The two of us, accompanied by Tom Inge, snuck out and missed the end of the second and the beginning of the third panels.

Bob Harvey spoke on Caniff for an hour. This was an overview of his early career and the differences in Caniff’s adventure strips, especially his art, from others of the time.
After Bob’s talk we adjourned across town to the Thurber Center Gallery, next door to the Thurber House where the New Yorker cartoonist grew up. One of their volunteers had covered her car with cartoon repros and drew quite an audience.

The Gallery had a small exhibit of original art from the Great Lakes branch of the National Cartoonists Society. The room filled rapidly so I headed for the food table promptly. Washington Examiner cartoonist Nate Beeler is from Columbus and was there with his girlfriend Eve. He introduced me to Mike Thompson and Nick Anderson and I got the three of them to sign Bush Leaguers, the book based on the AAEC exhibit that was in DC this summer. Rob Rogers put the book together and also signed it for me. We talked shop a little bit, discussing the difficulties of putting together an exhibit. Martha Kennedy, ass’t curator at the Library of Congress was there as well, and with Charles, we drove back to the hotel to hang around in the bar. John Jennings and Damien Duffy from the U of Ill Chicago joined us and hung around after we left around midnight.
Arnold Roth

Mort Walker
Friday, October 26th - Registration was far too early, but ran smoothly. A lovely breakfast was put on by the Renaissance hotel which was recently renovated and had a very reasonable rate for the conference. It also has an original Chihuly glass chandelier hanging in the bar. The morning opened with Brian Walker offering a quick overview of the state of comics prior to Caniff. I think this was adapted from his book on comics before 1945. This was followed by a panel with Bob Harvey, Pete Poplaski, Arnold Roth and Mort Walker telling anecdotes about Caniff. I’ll try to recall and add in some of them.

P. Craig Russell was on next and talked about converting Wagner’s Ring of the Niebelung opera to comics. He was fascinating, especially when discussing his attention to layout (which he told me later was the most interesting part of comics for him). Without examples, it’s hard to do justice to his talk, but one page – when Odin realizes the sword that will end his age has been forged, made an excellent example.

Nate Beeler, Eve and his brother Adam took me to North Market by the Arena, a former meat market now converted to stalls for food and antiques. A giant Peanuts bin held pumpkins at one stall and I bought a Herb Gardner “The Nebbishes” mug at another. Bob Harvey id’d the strip for me off the top of his head, and it only ran from 1959-61.

I caught the tail-end of Ted Rall’s talk on graphic journalism where he was talking about travelling through the ‘Stans for his book. I’d seen a similar version of this one before. Jessica Abel’s talk about storytelling was somewhat disappointing. She showed a couple of panels from her Artbabe comic which she said didn’t work, but not any examples from her more successful La Perdita.

Buses then took people to OSU’s campus. I started in the Cartoon Research Library tour. The Library sits in the basement of the new Wexner Center. A good sized reading room was filled with tables and lined with glass-fronted shelves, one of which held the current issue of the International Journal of Comic Art. An exhibit of mylar-encapsulated pieces from Caniff’s papers lined the walls and included juvenilia, a fan letter from John Steinbeck, and art by Hal Foster and others drawing Caniff’s characters with their own.
In the stacks, row after row of movable aisle shelving was filled with reference books, cartoonist’s collections and lots of manga. File cabinets along one wall held biographical files – a quick check revealed that Nate Beeler’s got a slim file. A couple of file cabinets held files by subject. To be honest, I expected more reference files like these. But the flat files, or map cases, had a massive amount of original art and there were a lot of them. A new digital camera that will shoot oversize artwork was shown to us a pride and joy.

The Caniff exhibit in the other building included a reception sponsored by Bone cartoonist Jeff Smith and his wife Vijaya Iyer. This is the first time I’ve seen roast beef wrapped around a sweet pickle. The exhibit gave one plenty of opportunity to view Caniff’s originals, including the death of Raven Sherman. Two cases of Caniff licensing rounded out the exhibit as did a small sub-exhibit of tear sheets of other comic strips influenced by Caniff.

October 27th – Dragging a bit by this point, I lingered over the hotel breakfast and had a pleasant conversation with Jan Eliot, the ‘Stone Soup’ cartoonist. She told me about finding a patron to help her set up her own publishing house, Planet Nine.

As a result of lingering, I missed the beginning of the publisher’s roundtable. One of the questions was interesting – when asked about the prevalence of scanned comics, defined by the questioner as ‘piracy,’ Scholastic Books editor David Saylor said piracy is evil. Gary Groth demurred and said that he viewed it as advertising. He thought most people prefer the experience of a book, especially with the increased attention to book design. I must say that I agree with Gary.

Frank Stack gave an overview of his underground career, focusing on his anti-religious work, The New Adventures of Jesus. Stack spoke lovingly of his deceased wife, showing us some pages where he drew her into the story, and he still seems to be pining for her.

'Curtis' cartoonist Ray Billingsly spoke very briefly and then took questions. Billingsly appears bitter about the arc of his career, imputing a lack of books and animation deals to racism. Having spoke to Jan Eliot, who is white, earlier that morning about her difficulty in getting books, I’m taking his points with a grain of salt.

Mike Peters could have been a stand-up comedian. His talk about how he became a cartoonist was hilarious. "Little Mikey" as he was unfortunately known in St. Louis due to his mother's TV show was sent to a Catholic (!) Military (!!) school, usually attending summer school, and was flunking out of college until one of his teachers suggested that he do cartooning for all of his arts classes. He had the audience rolling on the floor as he recounted this and raced the clock to show some cartoons.

I missed Nick Anderson when Tom Inge and I went in search of a book store which proved not to be very interesting.

Paul Pope's got a fashion line coming out from DKNY. He was asked to do something with camouflage so he drew moth wings that will be reproduced on cotton clothing. Pope's talk was fascinating - he really thinks about his work and articulates his point of view clearly. He talked about his influences in silver age comics and record cover art too. When he started taking questions, I rushed out and bought his book Pulphope from Adhouse books and got him to sign it.

Alison Bechdel’s always an interesting speaker. On her art technique, she said she eschewed Photoshop and did coloring for Fun Home on a vellum overlay. I asked her about her next project. She said it’s another memoir of her life as a young adult lesbian, but she’s having trouble getting it to gel. I also asked if ‘Dykes to Watch Out For,’ which has been dark for years and that I attributed to the current political climate. She said she’s gotten back to doing the strip twice a month and also thinks that it’ll be lightening up.

At the cocktail party, I was able to tell Roy Doty of ‘Wordless Workshop’ how much I appreciated his work. I didn’t win anything at the banquet raffle. In the bar that night, I got to speak with Brian Walker about the difficulties of putting up exhibits, eavesdropped on Mike Peters telling a story, spoke with Bechdel about her appearance in DC next week and met Bill ‘Foxtrot’ Amend and political cartoonist Cullum Rogers. I can hardly wait for three more years.

Cartoonists Mike Thompson and Mark Anderson have blogged about it as well. Anderson was blogging live (!) during the talks and is well worth reading - he's reminded me of lots I forgot. He's got 3 pages up. Also, he posted a link to part of Mike Peters' talk on Youtube.

Oct 31: Halloween comics giveaway

I'll be handing out the three Halloween Ashcans available this year - Little Archie "The House that Wouldn't Move"; Iron Man Halloween Ashcan 2007; and Uncle Scrooge "Hound of the Whiskervilles" by Carl Barks. If you're in South Arlington, stop on by.