According to Matt Wuerker, CNN filmed this presentation.
 |
| Wuerker and Molina |
Rachita Taneja and her stick figure cartoons.
Molina was forced to flee Nicaragua when it's autocratic president stacked the Supreme Court, made his wife the vice president, and arrested journalists.
This year's DC Zinefest at the MLK Library had a handful of cartoonists tabling. One of them is Aayesha Ejaz, new to the DMV area. Her self-titled graphic autobiography is about growing up in India in an observant Muslim family, not fitting in, and succumbing to depression before overcoming it and moving to America. I recommend it highly, as well as her food-focused zines.
What type of comic work or cartooning do you do?
I mostly draw autobiographical comics to make things digestible and comforting for myself, and
the viewer. I share mundane things (for instance, how to make a makeshift pizza as a broke
college student!) in an endearing manner with humility and humor.
How do you do it? Traditional pen and ink, computer or a combination?
I work traditionally—I use a mechanical pencil for sketching, and then move to pens for inking. I generally use a Pentel Fude Touch Sign pen for outlines, Paper Mate Flair Felt Tip pen for lettering and a Pentel brush pen for filling in. I prefer to color digitally on Procreate. Then I move to Photoshop for editing and InDesign for layouting.
When (within a decade is fine) and where were you born?
I was born in 1998 in New Delhi, India.
Why are you in Washington now? What neighborhood or area do you live in?
I recently moved for work from St. Louis to Fredericksburg—one small city to another!
What is your training and/or education in cartooning?
This is a long story! I did my undergrad from the Indian Institute of Art and Design in Communication Design—a mix of graphic design, UI/UX, animation, etc. The program allowed me to test my waters. Towards the end of my undergrad, I realized that the projects that I enjoyed the most involved illustration and storytelling.
During my final semester, my brother shared with me about a comic making workshop with Gabrielle Bell. The online workshop helped me learn the A-Z of comics—terms like “emanata” and “pacing” and allowed me to create characters even if they were just stick figures. I was amazed by how much one panel could encapsulate and how relatable everyone's personal narratives were.
I would often struggle with translating thumbnails onto a bigger page for a picture book, but with panels, things didn’t seem that intimidating. So after the workshop, I decided to enroll myself in grad school for illustration. I was admitted into the MFA Illustration and Visual Culture program at Washington University in St. Louis. The program focused on both writing and creating, whether it was comics, picture books, editorial illustrations or infographics.
Who are your influences?
I devoured the entire Captain Underpants series as a kid which validated my quirky sense of humor. I love Lucy Knisley, Malaka Gharib, and Liz Prince—I enjoy the humanized nature of their style and the infographics in their storytelling always makes things more interesting. I’m always in awe of Raina Telgemier’s books as well. Her work is the warm hug my younger self needed :)
What work are you best-known for?
My Makeshift Pizza comic/infographic! All thanks to Dan Zettwoch’s mentorship, and my grad school cohort for trying the recipe the weekend after the class critique.
What work are you most proud of?
The graphic memoir that I wrote and illustrated for my MFA thesis. Never thought I’d be able to share my thoughts and feelings with brevity (in a long-form comic book).
What would you like to do or work on in the future?
I definitely see myself illustrating more stories. I’d also like to explore surface design more—making prints, products and patterns with animals and faces to give my sketchbook doodles a home.
What do you do when you're in a rut or have writer's block?
I keep trying—I keep writing, drawing or looking at similar stuff that already exists. I also share whatever I have with a friend or family member. Going for a walk and changing my environment also helps.
What local cons do you attend? The Small Press Expo, Awesome Con, or others? Any
comments about attending them?
Coming from Missouri, I’ve tabled at KC Zine Con, Cherokee Print Bazaar, SLICE and DC Zinefest. Tabling definitely gives one an idea about what sells, but the crowd has been different in all these places… I’m generally quite quiet at these events, but I’ve recently started interacting
with whoever stops by my table.
What comic books do you read regularly or recommend? Do you have a local store?
I used to get my comics from Betty's Books (The best comic bookstore I’ve been to in the US so far) or the St. Louis Public Library. The summer of 2023 was my comics summer. Here are some of my favorites: Blancaflor, The Hero with Secret Powers: A Folktale from Latin America by Nadja Spiegelman and Sergio García Sánchez; Swim Team by Johnnie Christmas; Snapdragon by Kat Leyh; In Limbo by Deb JJ Lee; Shubeik Lubeik by Deena Mohamed; Hey Kiddo by Jarrett J. Krosoczka; and Iranian Love Stories by Jane Deuxard.
What's your favorite thing about DC?
I’ve been here many times to visit my brother. I’ve always liked DC for its public transit, cleanliness and museums. And all the ice cream parlors, especially Pitango!
 |
| El Burro Loco from At The Edge of My Comfort Zone |
How about a favorite local restaurant?
Do you have a website or blog?
Yes! It’s www.eyeshacreates.com
How has the COVID-19 outbreak affected you, personally and professionally?
I think COVID-19 strengthened my belief in drawing as a career option and creating for the greater good of humanity.
