Showing posts with label Bizarro. Show all posts
Showing posts with label Bizarro. Show all posts

Thursday, September 20, 2018

Book Review: DC: Anatomy of a Metahuman

by Mike Rhode

DC Comics collects a lot of the comic books they've published, but they also have quite a few publications aimed at an adult audience looking for a gift or willing to spend larger amounts on material that interests them. The fact that these books even exist can be amazing especially for someone who grew up in the 1970s when there was one (or less!) collection of comics published per year (The Dark Knight Returns in 1986 started the modern trend of collecting a story arc in a book or "waiting for the trade"). Over the next week or so, I'll look at three of these I've been provided with recently.


DC: Anatomy of a Metahuman by S.D. Perry and Matthew K. Manning and illustrated by Ming Doyle (San Raphael, CA: Insight Editions, 2018; $50, ISBN 978-1-60887-501-6) comes out this week and is an in-depth look at twelve mostly major DC characters through the longstanding conceit of Batman researching the strengths and weaknesses of other heroes and villains (which on reflection also dates back to 1986's The Dark Knight Returns). The press release reads:

Concerned about the threat that so-called "metahumans" may pose to the world, Batman has begun compiling a detailed dossier on their incredible physiology and abilities. From villains like Killer Croc, Bane, and Brainiac to Batman's own comrades, including Superman and Cyborg, the file brings together the Dark Knight's fascinating personal theories on the unique anatomical composition of these formidable individuals. 



This stunning and unique book delves into the incredible abilities of DC Comics characters like never before. Using beautifully illustrated anatomical cross sections depicting twelve different DC characters, the book, told from Batman's unique perspective, will explore how these metahumans' physical makeup differs significantly from that of the average person. From detailed theories on how Superman's eyes shoot heat rays to an in-depth exploration of how Aquaman is able to breathe underwater, the book delves into the deepest secrets of these classic characters. Also featuring chapters on the anatomy and abilities of Doomsday, Aquaman, Swamp Thing, Darkseid, Martian Manhunter, and more, this one-of-a-kind book will change the way you look at metahumans forever. 

The authors Perry (a sf/fantasy novelization writer) and Manning (a comic book historian) do a good job at summarizing the powers and features of the characters in the book (Superman, Cheetah, Aquaman, Cyborg, Martian Manhunter, Swamp Thing, Darkseid, Bane, Doomsday, Killer Croc, Bizarro and Killer Frost), but run quickly into the major problem of the fact that these powers are impossible by our understanding of physics, chemistry and other sciences, so how can they be explained? On page 9, the second page of his dossier, Batman writes, "Much of my research has been focused on the composition of Superman's bones and muscles. What combination of organic structures could possible generate his immense strength? I have many theories but all are at odds with conventional scientific thinking." This difficulty with the human scientist Batman trying to understand impossible phenomena continues throughout the book. How can a woman become a were-cheetah?

Of course, the suspension of disbelief is a major requirement in enjoying superhero comic books (and television and movies, fans of which the characters of this book seem to have been selected for). Once one decides to accept the internal logic of the book, the writing is concise and seems to reflect the current DC Universe of the comics (they've had so many reboots recently that I can't tell). Ming Doyle's semi-scientific illustration is a good match and very well done. Her illustration of Superman as Leonardo da Vinci's Vitruvian man has an underlying layer of amusement since on the same page Batman specifically notes that Superman is not and never will be human.


If I had come across this book when I was sixteen, I would have been thrilled, and I think it will appeal to more introspective fans of the various versions of the DC Universe, especially the movie fans. I imagine this might be a gift book for most people, and the high-quality of the printing makes the price very reasonable.


Thursday, January 12, 2012

Jan 26: APOCALYPTOON 2012 exhibit at Artisphere

APOCALYPTOON 2012

In Partnership with Art Soiree

THU JAN 26 - SUN JAN 29
$25 ticketed opening party on Jan 26 / On view for free Jan 27-29
Terrace Gallery

Ticketed opening party: Thu Jan 26 / 6pm / $25

Against the backdrop of a region steeped in politics and with a touch of art, style and humor, Art Soiree will unveil what 2012 will bring by presenting a unique pop-up exhibition that takes a humorous outlook on the year to come and features works, some created exclusively for this exhibition, by renowned editorial and political cartoonists. ApocalypToon 2012 features works, some of which were created exclusively for this exhibition, by cartoonists such as Kal of The Economist, Tom Toles of The Washington Post, Jeff Danziger (Los Angeles Times, Huffington Post), Daryl Cagle of MSNBC, Matt Wuerker of Politico, Damien Glez (La Monde, Courrier International, La Gazette) and Dan Piraro of Bizzaro. These simple pen stroke political cartoons foreshadow the future, poke fun at the past and imply hidden motives in ways that elude written or spoken reporting. The result of this creative license is a unique perspective on the future—entertaining, clever and insightful.

ApocolypToon kicks off with a $25 ticketed opening party on Thursday, January 26 at 6pm where guests can mingle with exhibiting cartoonists and enjoy complimentary food, live music and a cash bar. The pop-up exhibition in Artisphere's Terrace Gallery is free and open to the public from Friday, January 27 to Sunday, January 29.

Continuing with the zany nature of the cartoons, the ticketed party on January 26 celebrates the opening of the exhibit with live music from local journo-band Suspicious Package, comprised of reporters armed with their musical talent and rock star looks. The contents of the Suspicious Package are: Pulitzer Prize-winning Editorial Cartoonist at The Washington Post Tom Toles, Deputy Assistant U.S. Trade Representative Dr. Christina Sevilla, Deputy Assistant Secretary of HUD Bryan Greene, former TIME/Bloomberg correspondent and journalist Tim Berger and Director of Education and Outreach for the National Security Journalism Initiative at Northwestern University's Medill School of Journalism, Josh Meyer.

The opening party will also feature the sounds of DJ Neekola, international DC-based female DJ and producer, who will perform along with live percussionist Kamajian. In addition, the party includes a special guest performance by DJ Manifesto, an all-time DC favorite who both DJs and plays violin during his sets.

ApocalypToon 2012 is part of Notasphere, a month of programming created by local artistic collaborators. From a pop-up restaurant and political cartoons to Brazilian beats, Artisphere will be filled with fresh, thought-provoking off-beat arts events presented by creative partners from across the DC-region throughout January 2012.

Monday, June 02, 2008

Washington Times redesign shrinks Mallard Fillmore

The Washington Times shrunk Mallard Fillmore to about half the size it had been so it's about the same size as other strips, although it's holding it's place of pride on page 2 of the paper. The other comics are unchanged and they're still running a large number of syndicated editorial cartoons.

In other Times news, as I was leaving an Arlington movie theater last night, a man identified himself as homeless and asked for money. As I gave him some change, he asked if I read Bizarro and said that it was really good in the Times on Sunday. Here's the strip; I'm not sure why it appealed to him.

Finally, the Times published its last Saturday edition and is switching to an e-version for subscribers. I imagine they'll move the Sunday color comics section that they formerly published on Saturday back to Sunday but that people will miss out on the actual Saturday strips.