Thursday, December 12, 2013

Jan 15: Magic Bullet #8 deadline

Submit Your Comic

Magic Bullet is Washington, D.C.'s free comics newspaper published by the D.C. Conspiracy, a comics creators' collective in the capital region established in 2005. The group has published themed anthologies, hosted five D.C. Counter Culture Festivals, coordinated comics exhibits, lead panel discussions, and more.

Magic Bullet is primarily distributed in the D.C. area, but with many of our contributing artists attending various shows across the country, Magic Bullet has a growing readership, as well as a growing print run of 5,000. 

Magic Bullet will be distributed at major east coast comic conventions in addition to area restaurants, shops, and venues. In addition, issues 1-7 of Magic Bullet are included in the U.S. Library of Congress permanent collection.

Deadline for Magic Bullet #8 Submissions: January 15, 2014 

My pick of 2013 local comics for the City Paper, with an addendum

Scrawl Minded: The Year's Best Local Comics

by Mike Rhode on Dec. 12, 2013 

This had to be trimmed significantly to appear in print. This lost paragraph in particular I'd like to use the infinite space of the internet to supplement the published version.

 In 2013 some of our best local cartoonists such as Pulitzer Prize winners Ann Telnaes and Matt Wuerker, or the prolific natural historian Matt Dembicki didn't have books out. And a few other books beyond my main list are worth noting. Carla Speed McNeil didn't release another Finder book this year, but did the art for Sara Ryan's Bad Houses ($20) and has a story reprinted in Smoke / Ashes by Alex de Campi ($30). Richard Thompson's publisher put together another Cul de Sac collection, Mighty Alice Goes Round and Round ($10) for young readers. Joe Procopio's Lost Art Books continues to rediscover comics history, and The Lost Art of Matt Baker Vol. 1: The Complete Canteen Kate ($20) is a lovely example of 1940's good girl art. Other local cartoonists self-published comic books and collections, and you can seek these out at conventions such as the Small Press Expo (SPX) and Awesome Con. Full disclosure: I know most of the people in this article.

 

The Express on Bob's Burgers cartoon

'Bob's Burgers' has fun with puns [in print as It's a Punderful Life].
BY RUDI GREENBERG
Express December 11 2013. p. 22

City Paper reviews Chomsky cartoon

Michel Gondry injects humor, lightness into Noam Chomsky's heavy-lidded ideas.
By Tricia Olszewski • December 6, 2013

Is the Man Who Is Tall Happy?
Directed by Michel Gondry

Meet a Local Cartoonist: A Chat with Rajan Sedalia

Sedalia working on a caricature.
Rajan Sedalia was a volunteer caricaturist at the Cartoons and Cocktails fundraiser this fall, donating the cost of a sketch to the charity. A cartoon he donated also raised additional money. Sedalia has some creative urges beyond cartooning - recently The Washington Post outed Rajan as a yarn-bomber.

ComicsDC: What type of comic work or cartooning do you do?

I have an egg & sperm comic strip. It started because I am fascinated by the things we do, and things we say to camouflage those feelings.

How do you do it? Traditional pen and ink, computer or a combination? 

I always start with a pencil or prismacolor pencil. Then, I'll add black ink and go digital from there. I've been sketching on tablets, as well.

What neighborhood or area do you live in? 

I live in Brookland, and will be opening my studio within a few months. It will hold graffiti classes, live art and English as a third language class for dogs.

What is your training and/or education in cartooning?

I attended art schools and university in Ohio and Michigan.

Who are your influences? 

Chuck Jones and James Brown.

If you could, what in your career would you do-over or change? 

I would be born from wealthy, and well-connected parents.

What work are you best-known for?  

I don't know.

What work are you most proud of? 

Nothing.

What would you like to do or work on in the future? 

I would like to continue doing with I'm doing.

What do you do when you're in a rut or have writer's block? 

Exercise and take a nap.

What do you think will be the future of your field? 
His finished caricature of our beloved founder.

What future?

What's your favorite thing about DC? 

It's getting bike friendly.

Least favorite? 

De facto segregation.

What monument or museum do you like to take visitors to? 

I enjoy them all, particularly in the warm weather.

Do you have a website or blog?  

www.artjar.com




Wednesday, December 11, 2013

More photos of Geppi's Entertainment Museum


101_7622

Original Clifford Berryman cartoon on display - note the Teddy bear.

Rob Steibel's latest Kirby column

"And the Danger's Even Larger…"

1

Meet a Local Comics Writer: A Chat with Davy Shian


I noticed an different-looking comic on the counter of Big Planet Comics Bethesda this fall. When I asked about it, it turns out it was written by a man working in the florist shop around the corner. I made it over there a couple of weeks later and met Davy Shian, the author of Cicada: Exotic Views. He kindly answered my interview questions.

ComicsDC: What type of comic work or cartooning do you do? Or rather, why did you decide to write a comic book?

Davy Shian: I love cicadas. When I learned that so many Americans had misgivings on cicadas, I decided to write something about the cicadas that would help them see the beauty and wonder in the little bugs. I’ve chosen a cartoon format to keep it light and humorous. If I can’t change people’s views, I hope I would at least entertain them. In addition, I would like to use the opportunity to show some differences in cultures, and show that people see things differently.

How do you do it? Traditional pen and ink, computer or a combination?

I did not do the drawing because I was not trained for it. I gave the opportunity to an art student in China* and let her show what she could do. I used PowerPoint and email to communicate what I would like to show and the student would draw based on it.  

When (within a decade is fine) and where were you born? 
I was born in Taiwan in 1953. 

Why are you in Washington now?  What neighborhood or area do you live in?

I came to the D.C. area in 1967 and lived in Montgomery County since 1968.

What is your training and/or education in cartooning?
I had no training in arts. I majored in Computer Science. I had a strong background in Quality and Project Management. I used my Project Management skill in creating this book.

Who are your influences?
No one in particular influenced me. It was the ordinary people around me that influenced me. I like to watch people around me.

If you could, what in your career would you do-over or change?
I liked my career and there was no thought of changing it.

What work are you best-known for?
My only book so far is “Cicada: Exotic Views.”

What work are you most proud of?
My programming work for the “bubble chart,”  My program instructed the computer to draw a computer network chart based on the network configuration. My other accompishment was my Quality Management duty that got my company to obtain the ISO9001 certification.

What would you like to do  or work on in the future?
I am thinking of producing another comic book.  It will not be based on drawing though; it will be based on photos. This time the subject will be more interesting; it is about a baby.  I would love to find a partner to produce this book.

What do you do when you're in a rut or have writer's block?

I spent most of time doing things my wife asked me to do, like cleaning the house.
What do you think will be the future of your field?

My wife has a flower shop, and I will do what ever she wants me to do there.

What's your favorite thing about DC?

I like the weather in DC and seeing different cultures in DC.

Least favorite?

I do not like the traffic, and not finding a parking space.

What monument or museum do you like to take visitors to?

Every time when friends and relatives visited, I became a tour guide.   I would take them to all monuments and museums so that they could take all the photos they could and said “being there”.

How about a favorite local restaurant?

My wife loves to try on different restaurants, and I just follow her.  I love basic Chinese food and American food.

Do you have a website or blog?

I have a website on my cicada book.  It is www.cicadacomicbook.com

*CORRECTION: The student that did the artwork was previously misidentified as being from Taiwan; she is from China. ComicsDC regrets the error.

Tuesday, December 10, 2013

Meet a Local Cartoonist: A Chat with Reuel Smith

Reuel Smith was at Intervention con this fall with his all-ages comic book. Branching out like his animation heroes, he already had some neat little figurines based on the characters for sale too.

ComicsDC: What type of comic work or cartooning do you do?


Right now I’m working on a manga-styled comic for all ages called ThunderKid.  It’s a story about a group of kids and their adventures in a world of weather.

How do you do it? Traditional pen and ink, computer or a combination?

Actually I use a healthy blend of the two.  I still do all of my pencil work by pencil and paper.  Then I scan the drawing into the computer and ink and edit using a computer tablet.

When (within a decade is fine) and where were you born?

I was born on November 13th, 1980 right here in the DC/Maryland area.

Why are you in Washington now?  What neighborhood or area do you live in?

Well mostly because I’m still doing my PhD in Engineering at the University of Maryland, but primarily because I still live at home where my family still lives.  I actually live in Gaithersburg Maryland where I do most of my work.

What is your training and/or education in cartooning?

I’m mostly a self-taught cartoonist.  I picked up on it by drawing my favorite characters from comics, manga, cartoons, and anime and developed my skill as I grew.

Who are your influences?

I have a lot really: God, my family, Joseph Hanna, William Barbara, Walt Disney, Arthur Rankin Jr., Jules Bass, Naoko Takeuchi, Hayao Miyazaki, and many more people.

If you could, what in your career would you do-over or change?

I tend to believe that everything that happens to you happens for a reason, good or bad.  However if I could change something or do-over anything, it would probably be to get a firm handle on my message of reading a lot earlier than I did at first.

What work are you best-known for?

Currently I’m known for my first really big work, ThunderKid

What work are you most proud of?

Again that would be ThunderKid.  It has been my first project that I pursued on a professional level.

What would you like to do or work on in the future?

The ThunderKid story has only begun and I would like to keep going with it until it’s completed.  I would however like to work on an animation project within that time, like short or an episode about ThunderKid.

What do you do when you're in a rut or have writer's block?

Well, my dad often tells me I work too hard sometimes so just resting my brain often helps when I am in a rut.  Though I feel restless when I’m not doing something active so I often doodle or sketch during my breaks.

What do you think will be the future of your field?

I honestly don’t know.  I’d like to believe that with some education among authors, there will be a resurgence of all-age comics and comic authors, which is something that I’d love to see again.  There are already signs of this in recent years though, from efforts by DC and Marvel to create all-ages content to more attention to the family at comic and anime conventions.

What local cons do you attend?  The Small Press Expo, Intervention, or others?  Any comments about attending them?

In recent years, since mid 2011, I had pulled away from the convention scene in favor of more traditional marketing scenes where there’s more attention to the family.  These include the Fenton Street Market in Silver Spring, Maryland and the annual Montgomery County Agricultural Fair held during the summer in Gaithersburg, Maryland.  Fenton Street Market is a very friendly group of vendors and craftspeople and I’ve had good times there.  The same goes for the Montgomery County Fair where I have recently concluded my third outing.  Though there’s a good following from those events, I have recently decided to reintegrate the convention scene back into my current arenas starting with Intervention.  We had a good outing this year and met and reconnected with a lot of great artists.  I’m looking into attending some Comic Cons in the near future such as New York Comic Con as well as anime conventions Katsucon (DC) and Otaku Fest (Ellicott, MD) next year. At every event we attend I consider it a success when we can educate any number of people about ThunderKid and connect with fellow vendors.

What's your favorite thing about DC?
My favorite thing about DC is the history within its architecture, monuments, and museums.

Least favorite?

I would have to say that getting lost in DC is my least favorite thing.

What monument or museum do you like to take visitors to?

The Air and Space Museum and the Museum of Natural History.

How about a favorite local restaurant?

I have a couple including Red Robin and Hakubas.

Do you have a website or blog?

I do.  My main website is at www.thunderkidmanga.com and my blog is at www.thunderkidmanga.com/blog/.

Monday, December 09, 2013

Academic book on superheroes published in DC in 2007

 
This is on Michigan State's Comic Art Collection page 
for new additions. I've never heard of it, nor the publisher. 
Amazon has it for sale though.

Super/Heroes : from Hercules to Superman / edited by Wendy
Haslem, Angela Ndalianis, Chris Mackie. -- Washington, DC : 
New Academia Publishing, 2007. -- 416 p. : ill. ; 23 cm. -- 
"The current anthology is the culmination of the 'Men in 
Tights' Superheroes conference, which was held at Melbourne 
University, Australia between 9th-12th June 2005." -- 
Includes bibliographical references (p. 369-411) and index. 
-- Contents: "'True-Lies' Superhero : Do We Really Want Our 
Icons to Come to Life?" / Louise Krasniewicz. p. 12-20 ; 
"The Definition of the Superhero" / Peter Coogan. p. 21-36; 
"Superheroes, Moral Economy, and the Iron Cage : 
Morality, Alienation and the SUper-Individual" / Robert M. 
Peaslee. p. 37-50 ; "El Santo : Wrestler, Superhero and 
Saint" / Gabrielle Murray. p. 51-64 ; "Homer and Rap : Epic 
Iconographies" / Erin O'Connell" p. 65-79 ; "Men of 
Darkness" / C.J. Mackie. p. 83-96 ; "'Restlessly, 
Violently, Headlong, Like a River that Wants to Reach Its 
End' : Nihilism, Reconstruction and the Hero's Journey" / 
Raymond Younis. p. 97-110 ; "My Own Private Apocalypse : 
Shinji Ikari in Hideaki Anno's Neon Genes Evangelion as 
Schreberian Paranoid Superhero" / Paul M. Malone. p. 
111-126 ; "Shamans vs. (Super)heroes" / Lucy Wright. p. 
126-138 ; "Dreaming Superman : Exploring the Action of the 
Superhero(ine) in Dreams, Myth, and Culture" / Jamie Egolf. 
p. 139-151 ; "The Superhero Versus the Trouble Teen : 
Parenting Connor, and the Fragility of Family in Angel" / 
Gwyn Symonds. p. 155-166 ; "Gibson's The Passion : the 
Superheroic Body of Jesus" / Peter Horsfield. p. 167-180 ; 
"'Perception is Reality' : the Rise and Fall of 
Professional Wrestlers" / Wendy Haslem. p. 181-196 ; "'No 
Apologies, No Regrets' : Making the Margins Heroic on Queer 
as Folk" / Joanna Di Mattia. p. 197-210 ; "Gods Amongst 
Us/Gods Within : the Black Metal Aesthetic" / Aleks 
Michalewicz. p. 211-222 ; "Harry Potter and Oedipus : 
Marked Men with Strong Characters" / Babette Pütz. p. 
225-238 ; "Hercules Psychotherapist" / Ruby Blondell. p. 
239-250 ; "Someone to Watch Over Me : The Guardian Angel as 
Superhero in Seicento Rome" / Lisa Beaven. p. 251-262 ; 
"Smack-Head Hasan : Why are All Turkish Superheroes 
Intemperate, Treacherous, or Stupid?" / Claire Norton. p. 
263-274 ; "Conqueror of Flood, Wielder of Fire : Noah, the 
Hebrew Superhero" / Estelle Strazdins. p. 275-287 ; "Ripped 
Off! Cross-Media Convergence and  The Hulk" / Gareth Schott 
& Andrew Burn. p. 291-306 ; "Transforming Superheroics 
Through Female Music Style" / Kim Toffoletti. p. 306-320 ; 
"Check the Use-By Date : Shelving an Icon as Superheroes 
Become Super-Brands in Advertising to the Junior 
Generation" / Holly Stokes. p. 321-334 ; "I Outwit Your 
Outwit : HeroClix, Fans, and the Politics of the 
Collectible Superhero Tabletop Combat Game" / Michael G. 
Robinson. p. 335-346 ; "Cyborg Girls and Shape-Shifters : 
The Discovery of Difference by Anime and Manga Fans in 
Australia" / Craig Norris. p. 347-361 -- Call no.: 
P96.H46S88 2007

Meet a Local Cartoonist: A Chat with Monica Marier of Tangent Artists

Monica Marier, co-founder of Tangent Artists was at Intervention con this fall. The con website describes the studio members as  "Rachael Hixon works on Story, Inks and Colors. David Joria does Story and Script. Monica Marier does Story, Script, Pencils and Colors. She has also written a book series based on CRIT, “The Linus Saga" published through Hunt Press."

ComicsDC: What type of comic work or cartooning do you do?

Monica Marier: I primarily do webcomics, but I have been contracted to do a few covers and character designs as well as the occasional commission or filler strip for other artists.

How do you do it? Traditional pen and ink, computer or a combination?

I like the newfangled gadgets we use now-a-days, like the Wacom tablet and Adobe Photoshop to make everything shiny, but there's something very satisfying about covering a sheet of blank paper with pencil. I love working with pencils best, I switch between digital and "analog" (pen) inking, but I'll always start with a good ol' messy pencil sketch.

When (within a decade is fine) and where were you born?

I was born in D.C. in the 80's (the part of the 80's that was still the 70's if you want to get more specific).
"Great Scott!" "Wyld Stallions!" "Don't cross the streams!" "Make it so!" "It's over 9000!"

Why are you in Washington now?  What neighborhood or area do you live in?

I live out in Warrenton, VA, but my husband works in Sterling. We can't really afford to live in NoVA, but we have to live where the jobs are, even if those jobs are 70 minutes away. I like it out here in the country, though. I have a garden and fruit trees and a lawn gnome named David the Gnome.

What is your training and/or education in cartooning?

I graduated from George Mason University with a BA in Digital Art and Animation. My favorite part of animation was storyboarding, so it lent itself quite well to the sequential art of comics. I started doing comics professionally in 2005 and never looked back.

Who are your influences?

They are legion for they are many. I'm a fan of western comic people like Mark Waid, Mike Mignola, Colleen Doran, Wendy and Richard Pini, Bruce Timm and Paul Dini. I'm also a fan of Japanese mangaka like Rumiko Takahashi and Akira Toriyama. And then there's the webcomic pioneers like Pete Abrams, Greg Dean and Bill Holbrook.

If you could, what in your career would you do-over or change?

I wish I had a time machine so I could tell my high school self, "Look—the music thing is NOT going to pan out. You don't have a tough enough skin for music school. Enroll in art classes instead—trust me. And, for God's Sake, LISTEN to the artists when they tell you to practice drawing from real life. You're not as good as you think you are so suck it up and take the hints they're giving you."

Humility is a hard thing to foster in a kid who is stubborn and convinced that she's a genius.

What work are you best-known for?

Hard to say really. I get different answers every convention I go to, but in general I think I'm most well know for creating Linus Weedwhacker, the main character of CRIT! and my novel series, The Linus Saga published through Hunt Press. It also spawned our company's best-seller, "The Miles Reyner Handbook for Saucy Bards," joke book. We have a hard time keeping that in stock.

What work are you most proud of?

All artists think their own stuff is crap. It's a temperament thing, I think, but I think CRIT! is slowly building into something big. I'm seeing some of the signs of potential greatness and the enthusiasm of the other Tangent Artists is starting to infect me. I get excited about it sometimes and I don't know why.

What would you like to do  or work on in the future?

The ultimate goal one day was to be a creator and main writer of an animated series for a big house like Nickelodeon or Disney. I have no idea if that will ever happen, but I'm still young. We'll see.

What do you do when you're in a rut or have writer's block?

I clean. You can tell when I'm stuck on something when my house is sparkly clean and smells of bleach and lemons. if I'm still stuck after cleaning, I listen to the Alan Parson Project and make home-made jam. I'm notorious for my jam.

What do you think will be the future of your field? 

The more digitized the world becomes the more people can put their thoughts and ideas into web medium—look at rage comics and Tumblr. I think it will be harder to separate the wheat from the chaff in many cases, but I think the ones that will really shine will be the ones that stick with it and stay consistent. Thanks to the internet people have a chance to reach out to a world that would have never seen them 20 years ago via traditional publishing. Copyright wars will ensue, the popular kids will still win, but we still have a voice and a chance.

Skeleton Crew by Marier
What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

Tangent Artists attends anime cons like NekoCon, KatsuCon and IkasuCon as well as SciFi/Fantasy cons like MarsCon and RavenCon and web-media Conventions like InterventionCon. We also have done outreach stuff at local libraries and charity functions to encourage youths to get started putting their ideas on paper. We love every one of these Cons. It's just such a rush to go out to these venues and meet and greet new faces and catch up with old faces. We love our fans so much.

What's your favorite thing about DC?

The nerd ratio in the DC area is HIGHLY in our favor. We always feel like everyone out here "speaks our language" as it were. We can jump into a conversation about Batman, Dr Who, Supernatural, or Gravity Falls with other educated adults without the need for preamble or explanation. Since humor is our primary genre, it helps to have that even playing field.

Least favorite?

(Here I sigh tragically) Why do things cost money?

Rachel Hixon of Tangent Artists
What monument or museum do you like to take visitors to?

I'm always bats about dinosaurs. I love the dinosaurs at the natural history museum. My first drawn comic issue (Skeleton Crew Issue 5, "Fright at the Museum") took place at "the Schmitzsonian Museum of Natural History"). My brother, Dave, who co-wrote it with me, is a huge history buff like me.

How about a favorite local restaurant?

Kind of silly, but for the last two years at Intervention, we'd get together with other webcomic artists and hit up the Lebanese Taverna for shawarma. In our heads, it's like we're The Avengers, after a long hard battle, relaxing and eating hummus. I hope this tradition never goes away.

Do you have a website or blog?

You can read all three of our Comics for free online here at http://www.tangentartists.com/

Skeleton Crew is our Horror/Comedy
Donuts for Looking is Nerd Life
CRIT! is a Fantasy/Comedy

We update every Monday (Barring Major Holidays) and you can purchase full issues at our store. Please follow our Facebook Page to get more info on updates, conventions and store sales!

Sunday, December 08, 2013

Weldon reviews Superheroes! for the NY Times

Comics

By GLEN WELDON

http://www.nytimes.com/2013/12/08/books/review/superheroes-by-laurence-maslon-and-michael-kantor.html

 SUPERHEROES! Capes, Cowls, and the Creation of Comic Book Culture

By Laurence Maslon and Michael Kantor

Illustrated. 304 pp. Crown Archetype. $40.

Meet a Local Cartoonist: A Chat with Kathleen Brenowitz


Kathleen Brenowitz was at this fall's Intervention con in Rockville displaying her work. She kindly answered my standard interview questions (all images except the photo are from Kathleen's websites).

ComicsDC: What type of comic work or cartooning do you do?

Kathleen Brenowitz: I'm a pen-and-ink illustrator who writes and draws my
own comics, along with taking commissions for illustrations.

How do you do it? Traditional pen and ink, computer or a combination?

Dip-pens with acrylic ink and sometimes watercolors are my usual tools of choice. Something about the scratching tremors I can feel up my hand and the smooth glide of ink is really very calming? I'm usually a ball of energy bouncing around but I like how traditional inking and painting allows me to still myself and focus. I've started experimenting with digital coloring though - I love the broad, even expanses of color you can get with digital, so experimenting has been fun!

When (within a decade is fine) and where were you born?

I was born in 1990, in New York (and you can hear it in how fast I talk).

Why are you in Washington now?  What neighborhood or area do you live in?

I'm actually more towards Baltimore, up in Towson. I went to Goucher College and still have friends in the area, plus the rent's cheaper around here. I've been enjoying my time here though!

What is your training and/or education in cartooning?

My mother's old college pals from her art school days are still close friends of the family, and taught me drawing tricks when I was younger, but for the most part I'm self -taught. I did take some classes in high school and college – life drawing (so useful!) - but I eneded up majoring in communications with an interest in film. I think film has aided me in telling stories more visually, and using panels as camera shots.

Who are your influences?

A bit of an odd mix for drawing – Aubrey Beardsley for his clean and sensual linework, Herge for his Tintin comics with their hyper-detail and lovely panel layouts, and Mobius for his beautifully weird designs. Writing is harder to track, since I devour books; I'd say Mr. Asimov had a hand in my love of sci-fi, along with Douglas Adams and Terry Pratchett for warping my sense of humor at a young age.

If you could, what in your career would you do-over or change?

I'm just starting out but...I think I would have tried to get up my webcomic while I was still in college? Would have been nice to have that underway when I graduated so I had some more momentum.

What work are you best-known for?

My black-and-white inks and insane amounts of detail. If I had to describe my style for writing and drawing, I'd have to say 'fiddly'.

What work are you most proud of?

Right now the first issue of my comic series, Pertho. It's called High Hopes and I think it turned out rather
well!

What would you like to do  or work on in the future?

I'd love to have more published works under my belt, along with completing a visual novel.

What do you do when you're in a rut or have writer's block?

Sometimes I run errands on my bike – the movement helps to clear my head and remove any excess nervous energy that might be blocking me. Or at other times I try to get some new imput buy going to a museum or listening to a new band a friend recommends. You can't give good output without some input, and I've found usually writer's block is simply that I'm running myself dry.

What do you think will be the future of your field?

I have no idea – and that's what makes it so much fun :D

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

I went to Okatcon two times, but I've never been a major con person ; never really had the extra money to spend. But I enjoyed my time at Intervention - this was actually my first time tabling at a con and it couldn't have been more enjoyable! I'm going to be visiting SPX for the first time this year as well, as an attendee :)

What's your favorite thing about DC?

The museums! I still haven't seen all of the National Gallery and I probably never will – it's just that big.

Least favorite?

Well, I'd like it if the mass transit system got some more upkeep. The Metro might look straight out of 1960s French sci-fi, but both it and the buses could use some love.

What monument or museum do you like to take visitors to?

I love the Freer Gallery – it's an oddly intimate gallery, being that it was all one person's taste that collected the pieces. I love taking people through it and seeing if they get that feeling as well, of walking through another person's thought patterns made manifest in their taste.

How about a favorite local restaurant?

Sushi Hana, up here in Towson? Order the fire salmon with a side order of avocado sashmi – it's delicate slices of salmon that have been lightly seared. When you place one in your mouth you can feel them softly melt, the texture a perfect blend of resistance and submission – like a truffle of savory oils. Combine with the avocado, and the flavours of both are perfectly complemented, the avacodo carrying the salmon's inner sweetness but providing perfect contrast for the fish's outer shell of cooked flesh. Seriously, buy it and savor it – it's utterly delicious.

Do you have a website or blog?

Yup! I have an 'official' site at www.ksbrenowitz.weebly.com and a tumblr at www.puzzlinghappenstance.tumblr.com

Coming up on ComicsDC - a week of Meet a Local Cartoonist

I've been very remiss at getting some interviews online this fall, so I'm going to try to get one a day up this week. I apologize to anyone who has been waiting - it's no reflection on you!

Mike

Clifford Berryman cartoons in family's hands

Tryon family cherishes images by 'teddy bear' cartoonist

Clifford Berryman's drawing of the Curb Reporter still appears in the Tryon Daily Bulletin.

Courtesy of Vining family

By Gina Malone
Times-News December 8, 2013
http://www.blueridgenow.com/article/20131208/articles/312081004?p=all&tc=pgall&tc=ar

Photos of Congressman Lewis' March: Book One talk

These images are from the Barnes and Noble in Washington, DC. Along with Rep. Lewis is his co-author Andrew Aydin. As you might expect, Lewis is an excellent speaker, and carried the crowd along with him with no trouble. I was taken with the interracial makeup of the crowd. Most book talks I go to are overwhelming white. Several people had over a half-dozen copies to have signed. The hardcover is sold out, and the paperback is about to be. Big Planet Bethesda still has copies, I'm told.







Art car in Arlington

This artfully decorated car usually parks on George Mason Drive near Four Mile Run in Arlington, VA. How many of the cartoon characters on the roof can you name?




Saturday, December 07, 2013

Comic Riffs on PictureBox

PictureBox Appreciation: In just a decade, Dan Nadel's small publisher had an outsized impact

By Frank Santoro

Lost Art Books interviewed for the podcast Robots From Tomorrow

Joe Procopio mentioned this on Facebook:


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I was interviewed for the podcast "Robots From Tomorrow" at the Small Press Expo earlier this year. I hold forth on the Lost Art Books' mission, how we produce our books, and the subject of our latest volume, comic artist Matt Baker.
Lost Art Books interview, SPX 2013
Joe Procopio, founder of Lost Art Books, was interviewed about his press and its latest release, "Th...

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Flugennock's Latest'n'Greatest: "Egyptian Revolution no.2"

Mike's sent another one over the e-transom.

"Egyptian Revolution no.2 (After Delacroix)"
http://sinkers.org/stage/?p=1416

Anyone who knows my work will tell you that I really love parodying famous works of art, and the recent revival of revolutionary action in the streets following the Egyptian government's newly-passed law restricting public protest seemed the perfect time to do my version of one of my favorite 19th Century French paintings: Eugene Delacroix's Liberty Leading The People.

All across Egypt, ordinary people are taking to the streets to assert their rights in defiance of government efforts to criminalize public protest. A mass student strike in Cairo proetsting the police shooting of a student demonstrator this week displayed the kind of courage in the face of state violence which should inspire the meek and cushy-living activists of the US to bolder action -- but will probably not.