Monday, October 13, 2008
Herblock prize news
See "Herblock Prize News Includes Increase in Cash Award from $10,000 to $15,000," By Dave Astor, Editor & Publisher online October 13, 2008. Dave also names the judges for this year.
Oct 24: Bleach movie showing
FOR IMMEDIATE RELEASE
CONTACT: Chris Wanamaker, (202) 262 2083 president@dcanimeclub.org
DC Anime Club and Japan Information and Culture Center, Embassy of Japan Present: Bleach The Movie: Memories of nobody
The DC Anime Club and the Japan Information and Culture Center (JICC), Embassy of Japan Present Bleach The Movie: Memories of Nobody on Friday October 24, 2008 at 6:30pm as part of the Anime/Live Action Series based upon Manga (Japanese Comics).
In Karakura Town, there has been a sudden outbreak of unidentifiable spirits called "blanks" (vacant souls) while in the skies of Soul Society, the real world has been reflected. A mysterious female shinigami called Senna has appeared before Ichigo along with a man named Ganryu, leading a group called the "Dark Ones".
The screening will be held at the Japanese Information and Culture Center, Embassy of Japan located at Lafayette Center III 1155 21st Street, NW Washington, DC 20036-3308.
Seating for the screening of Bleach The Movie is limited and attendees are encouraged to rsvp by sending an e-mail to jiccrsvpfall08@embjapan.org.
This program is free and open to the public. For more information please visit the Japanese Information and Culture Center website at http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at http://dcanimeclub.org.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of
information, educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.
CONTACT: Chris Wanamaker, (202) 262 2083 president@dcanimeclub.org
DC Anime Club and Japan Information and Culture Center, Embassy of Japan Present: Bleach The Movie: Memories of nobody
The DC Anime Club and the Japan Information and Culture Center (JICC), Embassy of Japan Present Bleach The Movie: Memories of Nobody on Friday October 24, 2008 at 6:30pm as part of the Anime/Live Action Series based upon Manga (Japanese Comics).
In Karakura Town, there has been a sudden outbreak of unidentifiable spirits called "blanks" (vacant souls) while in the skies of Soul Society, the real world has been reflected. A mysterious female shinigami called Senna has appeared before Ichigo along with a man named Ganryu, leading a group called the "Dark Ones".
The screening will be held at the Japanese Information and Culture Center, Embassy of Japan located at Lafayette Center III 1155 21st Street, NW Washington, DC 20036-3308.
Seating for the screening of Bleach The Movie is limited and attendees are encouraged to rsvp by sending an e-mail to jiccrsvpfall08@embjapan.org.
This program is free and open to the public. For more information please visit the Japanese Information and Culture Center website at http://www.us.embjapan.go.jp/jicc/ or visit the DC Anime Club website at http://dcanimeclub.org.
About DC Anime Club:
DCAC was established in 2003 to introduce and educate people in the Washington,DC area about East Asian culture, through viewing and discussion of Japanese animation (also known as anime) and Japanese comics (manga). DCAC is a 501(c)(3) not for profit organization, contributions to DC Anime Club are taxed deductible to the extent allowable under the law.
The club also works to provide a positive, alternative activity to the youth in the area by exposing them to foreign culture, encouraging artistic expression and creativity, and providing opportunities for participation in community activities and leadership.
In addition to our weekly meetings, the club holds an Annual Art Show, an Annual Costume fundraising event, and visits local schools to do presentations on anime. The club also works with the Smithsonian Freer Gallery and DC Asian Pacific American Film Festival on their anime screenings, and has helped locally promote performances for Japanese bands such as Puffy Ami Yumi and Pine am. DC Anime Club was founded by Chris Wanamaker (President), Jules Chang (Vice President) and Craig Vaughn (Sgt in ARMS) on Saturday June 5, 2003. We have a strong membership that continues to grow -- most of which are teenagers.
About Japan Information and Culture Center:
The Japan Information and Culture Center (JICC) is the cultural and public affairs section of the Embassy of Japan in Washington D.C. Our primary role is to promote better understanding of Japan and Japanese culture by providing a wide range of
information, educational services and programs to the public. The JICC is located on the lower level of the glass-enclosed Galleria at Lafayette Centre III in downtown Washington, D.C. Its facilities include a research library, a 152-seat auditorium, and a 1,500-square-foot exhibition gallery where a wide variety of events sponsored by the JICC are hosted throughout the year.
Sunday, October 12, 2008
Spiegelman and McCall illustrated interviews in Book Page
Two of my favorite cartoonists have illustrated interviews in the Books A Million chains' magazine, Book Page. You can pick up a copy in the store in Old Town Alexandria most likely, but you can also see them online. Spiegelman's reworking of Breakdowns isn't something I've seen yet, but will definitely get. Bruce McCall, seen most often in the New Yorker these days, has migrated to doing children's books like a lot of other cartoonists.
Another MacHomer article
"The Bard and Bart Simpson: A Natural Pairing?," By Celia Wren, Washington Post Sunday, October 12, 2008; M03.
Saturday, October 11, 2008
Oct 17: Cartoons You Can Believe In and The Cartoons You Deserve by R.J. Matson
thanks to Martha Kennedy for the tip!
SUSAN CALLOWAY FINE ARTS
1643 Wisconsin Avenue N.W. Washington D.C. 20007
Tel (202) 965-4601 Fax (202) 338-1660
www.callowayart.com gallery@callowayart.com
PRESS RELEASE
Preferred Publication Date: October 17, 2008
Contact: Naomi Cayne
WHAT: Cartoons You Can Believe In and The Cartoons You Deserve by R.J. Matson
WHEN: Friday, October 17th through Saturday, October 31st
Opening Reception - Friday, October 17th 6 - 8:30pm
WHERE: Susan Calloway Fine Arts
About the Artist
R.J. MATSON, the editorial cartoonist at the St. Louis Post-Dispatch, The New York Observer, and Roll Call, presents satire in its most aesthetic form. With a finger on the economic and political pulse of the nation, Matson creates cartoons that espouse a bipartisan commentary on current events. As he puts it, “I just try to react to the news and get it right. I don’t care so much about telling the world how I feel, just trying to get the smartest, funniest take on what's happening.” Just in time for the presidential election, Susan Calloway Fine Arts will feature recent political cartoons both in their hand-drawn, black and white original forms as well as colorized versions that have gone to press.
R.J. Matson was born in Chicago in 1963, and was raised in Belgium and Minnesota. He received his B.A. from Columbia University in 1985. Along with the aforementioned papers, Matson’s cartoons and illustrations have also appeared in The New Yorker, The Nation, MAD Magazine, City Limits, The Daily News, The Washington Post, Capital Style, and Rolling Stone. One of Matson’s cartoons was selected as number one on Time Magazine’s “Top 10 Editorial Cartoons” of 2007 list. He lives in St. Louis with his wife and three children.
Susan Calloway Fine Arts specializes in contemporary art by local, regional, and international artists, antique American and European oil paintings, and a carefully chosen selection of 17th-19th century prints. The gallery also specializes in conservation framing using archival-quality materials and techniques, and traditional French mat decoration.
Gallery Hours: Tuesday - Saturday 11-5, Sunday - Monday by appointment.
SUSAN CALLOWAY FINE ARTS
1643 Wisconsin Avenue N.W. Washington D.C. 20007
Tel (202) 965-4601 Fax (202) 338-1660
www.callowayart.com gallery@callowayart.com
PRESS RELEASE
Preferred Publication Date: October 17, 2008
Contact: Naomi Cayne
WHAT: Cartoons You Can Believe In and The Cartoons You Deserve by R.J. Matson
WHEN: Friday, October 17th through Saturday, October 31st
Opening Reception - Friday, October 17th 6 - 8:30pm
WHERE: Susan Calloway Fine Arts
About the Artist
R.J. MATSON, the editorial cartoonist at the St. Louis Post-Dispatch, The New York Observer, and Roll Call, presents satire in its most aesthetic form. With a finger on the economic and political pulse of the nation, Matson creates cartoons that espouse a bipartisan commentary on current events. As he puts it, “I just try to react to the news and get it right. I don’t care so much about telling the world how I feel, just trying to get the smartest, funniest take on what's happening.” Just in time for the presidential election, Susan Calloway Fine Arts will feature recent political cartoons both in their hand-drawn, black and white original forms as well as colorized versions that have gone to press.
R.J. Matson was born in Chicago in 1963, and was raised in Belgium and Minnesota. He received his B.A. from Columbia University in 1985. Along with the aforementioned papers, Matson’s cartoons and illustrations have also appeared in The New Yorker, The Nation, MAD Magazine, City Limits, The Daily News, The Washington Post, Capital Style, and Rolling Stone. One of Matson’s cartoons was selected as number one on Time Magazine’s “Top 10 Editorial Cartoons” of 2007 list. He lives in St. Louis with his wife and three children.
Susan Calloway Fine Arts specializes in contemporary art by local, regional, and international artists, antique American and European oil paintings, and a carefully chosen selection of 17th-19th century prints. The gallery also specializes in conservation framing using archival-quality materials and techniques, and traditional French mat decoration.
Gallery Hours: Tuesday - Saturday 11-5, Sunday - Monday by appointment.
QUICK REVIEWS OF COMICS DUE 10-15-08
QUICK REVIEWS OF COMICS DUE 10-15-08
By John Judy
AFTER 9-11: AMERICA’S WAR ON TERROR HC & SC by Sid Jacobson and Ernie Colon. The team behind the excellent 9-11 REPORT graphic adaptation now present us with its tragic sequel. While the creators strive to be fair to all concerned the Bushies come off almost as badly as they deserve. Hey, misleading a nation into a bankrupting, unnecessary war will do that sometimes! Highly recommended for 4,115 reasons as of this writing.
AMAZING SPIDER-MAN #573 by Dan Slott and John Romita Jr. Spidey and Norman Osborn mix it up but the real story is the variant cover featuring Stephen Colbert! “Stephen Colbert: Better than zombies and apes put together!”
ASTONISHING X-MEN #27 by Warren Ellis and Simone Bianchi. This is one of those special books where, even if you don’t love where it’s going, you have to respect the intelligence of the writing and the intricate beauty of the art. It even has jokes that work! Who knew the White Queen’s real power was drollery? Recommended.
CAPTAIN BRITAIN AND MI13 #6 by Paul Cornell and Leonard Kirk. Vampires! Mindless Ones! But enough about the GOP base… This is a good comic. Clever, worth reading, recommended.
DC UNIVERSE DECISIONS #3 of 4 by Judd Winick, Bill Willingham and Rick Leonardi. The most amazing thing about the DCU isn’t the superheroes. It’s that there are four viable candidates for President in the general election. I wish we could have President Luthor back. He kept us safe.
EX MACHINA VOL. 7: EX CATHEDRA SC by Brian K. Vaughan and Tony Harris. Collecting issues #30-35 in which the Great Machine meets the Pope. Hijinks ensue. Recommended.
FINAL CRISIS: LEGION OF THREE WORLDS #2 of 5 by Geoff Johns and George Perez. Great, epic, continuity-shattering space opera by two guys who were born to do this sort of thing! On, Nerdery, on! Recommended.
FINAL CRISIS: ROGUES REVENGE #3 of 3 by Geoff Johns and Scott Kolins. The big throw-down between the Rogues and the Secret Society! Who will burn? Who will freeze? Who will… look bad in the mirror? Plus, Barry Allen!
GHOST RIDER #28 by Jason Aaron and Tang Eng Hut. Two Ghost Riders, Johnny Blaze and Danny Ketch, fight in the mountains of Tibet. Why isn’t Tarantino filming this right now? Also, a Very Special back-up story.
GREATEST HITS #2 of 6 by David Tischman, Glenn Fabry and Gary Erskine. A great new series based on the idea that the British Invasion of the sixties was not rockers but superheroes. Oh, and somebody dies. Probably the hero whose superpowers are drumming and mooching off his girlfriend. Very clever, lots of inside humor, recommended.
HULK MONSTER-SIZE SPECIAL #1. (Insert incredibly inappropriate joke here.)
JUSTICE SOCIETY OF AMERICA #19 by Geoff Johns, Alex Ross and Dale Eaglesham. Everybody fights everybody! Finally! It’s Gog-errific!
MIGHTY AVENGERS #19 by Brian Michael Bendis and Steve Kurth. Warning! This issue may contain actual Avengers!
PUNISHER MAX #63 by Gregg Hurwitz and Laurence Campbell. Last issue some low-down meth dealers tricked Frank into wasting a kidnapped little girl. This issue Frank responds. Not for kids.
RASL #3 written and drawn by Jeff Smith. The mystery of Smith’s dimension-hopping thief continues. Who is the lizard dude and why is he chasing Rasl down? Cartoon, sci-fi noir. Good stuff. Recommended.
SCALPED VOL.3 SC: DEAD MOTHERS by Jason Aaron, R.M. Guera and John Paul Leon. Don’t buy anything else this week until you’ve picked up this book, collecting issues #12–18 of this amazing, gut-punching series. Not for kids. For everyone else. Highly recommended.
SUPERMAN AND BATMAN VS VAMPIRES AND WEREWOLVES #1 of 6. I list this comic only because I wanted to type the title.
SUPERMAN’S PAL, JIMMY OLSEN SPECIAL #1 by James Robinson and Jesus Merino. We always knew he was.
ULTIMATE ORIGINS #5 of 5 by Brian Michael Bendis and Butch Guice. Okay, it’s been an interesting ride, but I’d like to officially request of Marvel that all future ULTIMATE mini-series actually have an ending rather than just being lead-ins to the next friggin’ ULTIMATE mini-series! Just make it a maxi-series if it takes longer than six issues to tell the story. Nuff said!
UNCANNY X-MEN #503 by Matt Fraction, Ed Brubaker and Greg Land. Mutants drink beer, fight and smile a lot. Did you know that in San Francisco everyone has perfectly straight, white teeth? Or at least solid white bands where teeth should be? Don’t tell me comic books lie! Also a certain redhead is back from the dead. It must be Wednesday.
WELCOME TO HOXFORD #3 written and executed by Ben Templesmith. The artist of FELL pulls out the stops on this Werewolves vs. Psycho-Killer diversion. It’s fun but not for kids.
www.johnjudy.net
By John Judy
AFTER 9-11: AMERICA’S WAR ON TERROR HC & SC by Sid Jacobson and Ernie Colon. The team behind the excellent 9-11 REPORT graphic adaptation now present us with its tragic sequel. While the creators strive to be fair to all concerned the Bushies come off almost as badly as they deserve. Hey, misleading a nation into a bankrupting, unnecessary war will do that sometimes! Highly recommended for 4,115 reasons as of this writing.
AMAZING SPIDER-MAN #573 by Dan Slott and John Romita Jr. Spidey and Norman Osborn mix it up but the real story is the variant cover featuring Stephen Colbert! “Stephen Colbert: Better than zombies and apes put together!”
ASTONISHING X-MEN #27 by Warren Ellis and Simone Bianchi. This is one of those special books where, even if you don’t love where it’s going, you have to respect the intelligence of the writing and the intricate beauty of the art. It even has jokes that work! Who knew the White Queen’s real power was drollery? Recommended.
CAPTAIN BRITAIN AND MI13 #6 by Paul Cornell and Leonard Kirk. Vampires! Mindless Ones! But enough about the GOP base… This is a good comic. Clever, worth reading, recommended.
DC UNIVERSE DECISIONS #3 of 4 by Judd Winick, Bill Willingham and Rick Leonardi. The most amazing thing about the DCU isn’t the superheroes. It’s that there are four viable candidates for President in the general election. I wish we could have President Luthor back. He kept us safe.
EX MACHINA VOL. 7: EX CATHEDRA SC by Brian K. Vaughan and Tony Harris. Collecting issues #30-35 in which the Great Machine meets the Pope. Hijinks ensue. Recommended.
FINAL CRISIS: LEGION OF THREE WORLDS #2 of 5 by Geoff Johns and George Perez. Great, epic, continuity-shattering space opera by two guys who were born to do this sort of thing! On, Nerdery, on! Recommended.
FINAL CRISIS: ROGUES REVENGE #3 of 3 by Geoff Johns and Scott Kolins. The big throw-down between the Rogues and the Secret Society! Who will burn? Who will freeze? Who will… look bad in the mirror? Plus, Barry Allen!
GHOST RIDER #28 by Jason Aaron and Tang Eng Hut. Two Ghost Riders, Johnny Blaze and Danny Ketch, fight in the mountains of Tibet. Why isn’t Tarantino filming this right now? Also, a Very Special back-up story.
GREATEST HITS #2 of 6 by David Tischman, Glenn Fabry and Gary Erskine. A great new series based on the idea that the British Invasion of the sixties was not rockers but superheroes. Oh, and somebody dies. Probably the hero whose superpowers are drumming and mooching off his girlfriend. Very clever, lots of inside humor, recommended.
HULK MONSTER-SIZE SPECIAL #1. (Insert incredibly inappropriate joke here.)
JUSTICE SOCIETY OF AMERICA #19 by Geoff Johns, Alex Ross and Dale Eaglesham. Everybody fights everybody! Finally! It’s Gog-errific!
MIGHTY AVENGERS #19 by Brian Michael Bendis and Steve Kurth. Warning! This issue may contain actual Avengers!
PUNISHER MAX #63 by Gregg Hurwitz and Laurence Campbell. Last issue some low-down meth dealers tricked Frank into wasting a kidnapped little girl. This issue Frank responds. Not for kids.
RASL #3 written and drawn by Jeff Smith. The mystery of Smith’s dimension-hopping thief continues. Who is the lizard dude and why is he chasing Rasl down? Cartoon, sci-fi noir. Good stuff. Recommended.
SCALPED VOL.3 SC: DEAD MOTHERS by Jason Aaron, R.M. Guera and John Paul Leon. Don’t buy anything else this week until you’ve picked up this book, collecting issues #12–18 of this amazing, gut-punching series. Not for kids. For everyone else. Highly recommended.
SUPERMAN AND BATMAN VS VAMPIRES AND WEREWOLVES #1 of 6. I list this comic only because I wanted to type the title.
SUPERMAN’S PAL, JIMMY OLSEN SPECIAL #1 by James Robinson and Jesus Merino. We always knew he was.
ULTIMATE ORIGINS #5 of 5 by Brian Michael Bendis and Butch Guice. Okay, it’s been an interesting ride, but I’d like to officially request of Marvel that all future ULTIMATE mini-series actually have an ending rather than just being lead-ins to the next friggin’ ULTIMATE mini-series! Just make it a maxi-series if it takes longer than six issues to tell the story. Nuff said!
UNCANNY X-MEN #503 by Matt Fraction, Ed Brubaker and Greg Land. Mutants drink beer, fight and smile a lot. Did you know that in San Francisco everyone has perfectly straight, white teeth? Or at least solid white bands where teeth should be? Don’t tell me comic books lie! Also a certain redhead is back from the dead. It must be Wednesday.
WELCOME TO HOXFORD #3 written and executed by Ben Templesmith. The artist of FELL pulls out the stops on this Werewolves vs. Psycho-Killer diversion. It’s fun but not for kids.
www.johnjudy.net
News from KAL
Kaltoons LLC unveiled the newest of its innovative animation at Philadelphia's Kimmel Arts Center on October 7. A live interactive Presidential debate between an animated Barack Obama and John McCain featured questions from the packed audience. The "Debate" was part of "The Art of Satire" a stage show sponsored by The Economist featuring topical comedy supplied by "The Second City" improv comedy troupe and a "Stand-up Cartoonist Routine" by yours truly.
You can see a short tease from the animation here: http://www.kaltoons.com/animation2.html
The show heads to New York City for two shows on Saturday November 1 (7 and 10PM) at The Edison ballroom at 47th and Broadway. Tickets are going fast. Tickets and information are available at: http://artofsatire.economist.com/events.php
You can see a short tease from the animation here: http://www.kaltoons.com/animation2.html
The show heads to New York City for two shows on Saturday November 1 (7 and 10PM) at The Edison ballroom at 47th and Broadway. Tickets are going fast. Tickets and information are available at: http://artofsatire.economist.com/events.php
ZADZOOKS: Cal McDonald uncovers the occult
"ZADZOOKS: Cal McDonald uncovers the occult," Joseph Szadkowski, Washington Times Wednesday, October 8, 2008. This is a series I keep meaning to read, but still haven't gotten around too. Also reviewed is the Flash, which I don't read anymore.
Friday, October 10, 2008
OT: A man's reach should exceed his grasp...
...or what's a heaven for? wrote Robert Browning. Here's a story that two of my friends sent me independently. This is very close to my idea of heaven.
MacHomer Post review
See "Double, Double Toil and D'oh!," By Nelson Pressley, Washington Post Friday, October 10, 2008; C05.
Oct 11: Kate Feiffer in Arlington
Kate Feiffer, Jules Feiffer's daughter who has done books with him, is signing books tomorrow.
Meet Author Kate Feiffer
Saturday, October 11, 2008
At 2:00 p.m.
Kate Feiffer, author of Double Pink and Henry the Dog with No Tail, will introduce her newest book, President Pennybaker. Published just in time for election season, this book tells the story of Luke Pennybaker, who when sent to his room for time out, decides to run for president and make life fair for kids once and for all. But is being president all it’s cracked up to be?
A book signing will follow. Ages 4-8. Please call to register.
Alina Gawlik
Aladdin's Lamp Children's Books and Other Treasures
2499 N. Harrison St.
Arlington, VA 22207
Tel 703-241-8281
Fax 703-241-8283
Email: aladlamp@speakeasy.net
STORE HOURS: Monday, Wednesday, Friday, & Saturday 10 am to 6 pm, Tuesday & Thursday 10 am to 8 pm, Sunday 11 am to 5 pm
Meet Author Kate Feiffer
Saturday, October 11, 2008
At 2:00 p.m.
Kate Feiffer, author of Double Pink and Henry the Dog with No Tail, will introduce her newest book, President Pennybaker. Published just in time for election season, this book tells the story of Luke Pennybaker, who when sent to his room for time out, decides to run for president and make life fair for kids once and for all. But is being president all it’s cracked up to be?
A book signing will follow. Ages 4-8. Please call to register.
Alina Gawlik
Aladdin's Lamp Children's Books and Other Treasures
2499 N. Harrison St.
Arlington, VA 22207
Tel 703-241-8281
Fax 703-241-8283
Email: aladlamp@speakeasy.net
STORE HOURS: Monday, Wednesday, Friday, & Saturday 10 am to 6 pm, Tuesday & Thursday 10 am to 8 pm, Sunday 11 am to 5 pm
OT: Out of Sequence: Underrepresented Voices in American Comics
This exhibit is by a couple of friends of mine, Damian Duffy and John Jennings.
Out of Sequence: Underrepresented Voices in American Comics
Krannert Art Museum, 500 East Peabody Drive
University of Illinois, Champaign-Urbana
October 24, 2008-January 4, 2009
What is comics?
Out of Sequence is an exploration of that question. It is a declaration of the diversity of sequential art in the United States, diversity of creators, content and form. It is a broad survey of women, small press, minority, independent, gay & lesbian, self-published, mini, underground, web and/or gallery comics creators.
What is comics? There is no one answer. Here are many.
Out of Sequence Events List
Thurs. Oct. 23: 6-8pm, Krannert Art Museum
Out of Sequence exhibition opening reception, featuring a talk by gallery comics creator Mark Staff Brandl and music by DJ Delayney
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=10/23/2008&eventId=92824
Fri-Sat, Oct. 24-25: 10am-4pm, Link Gallery
The Next Panel Illinois Small Press Comics Expo
Small press comics artists, including several from the art show, will be selling their work. Mama's Boyz creator Jerry Craft will also be offering a family oriented workshop on creating comics on Saturday afternoon.
http://comicspace.com/nextpanel
Thurs. Oct. 30: 5:30pm, Krannert Art Museum
Gallery Conversation with Damian Duffy and John Jennings, co-curators and creators of The Hole: Consumer Culture (2008).
Sat. Nov. 8: 1-4pm, Krannert Art Museum Auditorium
"Emerging Out of Sequence: Examining the Past and Charting the Future of American Comics" Gallery conversation with Nancy Goldstein, author of Jackie Ormes:: The First African American Woman Cartoonist (2008), Andrei Molotiu, abstract comics creator and curator; Trina Robbins, comics creator and herstorian, and Ashley A Woods, independent comics creator. Moderated by co-curators Damian Duffy and John Jennings
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=11/8/2008&eventId=930
Fri. Nov. 14, 7-11pm: Artzilla
Comics Film Series in conjunction with Out of Sequence exhibition, Multimedia Hip Hop Set featuring images by John Jennings
Out of Sequence: Underrepresented Voices in American Comics
Krannert Art Museum, 500 East Peabody Drive
University of Illinois, Champaign-Urbana
October 24, 2008-January 4, 2009
What is comics?
Out of Sequence is an exploration of that question. It is a declaration of the diversity of sequential art in the United States, diversity of creators, content and form. It is a broad survey of women, small press, minority, independent, gay & lesbian, self-published, mini, underground, web and/or gallery comics creators.
What is comics? There is no one answer. Here are many.
Out of Sequence Events List
Thurs. Oct. 23: 6-8pm, Krannert Art Museum
Out of Sequence exhibition opening reception, featuring a talk by gallery comics creator Mark Staff Brandl and music by DJ Delayney
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=10/23/2008&eventId=92824
Fri-Sat, Oct. 24-25: 10am-4pm, Link Gallery
The Next Panel Illinois Small Press Comics Expo
Small press comics artists, including several from the art show, will be selling their work. Mama's Boyz creator Jerry Craft will also be offering a family oriented workshop on creating comics on Saturday afternoon.
http://comicspace.com/nextpanel
Thurs. Oct. 30: 5:30pm, Krannert Art Museum
Gallery Conversation with Damian Duffy and John Jennings, co-curators and creators of The Hole: Consumer Culture (2008).
Sat. Nov. 8: 1-4pm, Krannert Art Museum Auditorium
"Emerging Out of Sequence: Examining the Past and Charting the Future of American Comics" Gallery conversation with Nancy Goldstein, author of Jackie Ormes:: The First African American Woman Cartoonist (2008), Andrei Molotiu, abstract comics creator and curator; Trina Robbins, comics creator and herstorian, and Ashley A Woods, independent comics creator. Moderated by co-curators Damian Duffy and John Jennings
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=11/8/2008&eventId=930
Fri. Nov. 14, 7-11pm: Artzilla
Comics Film Series in conjunction with Out of Sequence exhibition, Multimedia Hip Hop Set featuring images by John Jennings
Thursday, October 09, 2008
Cartoonists at Walter Reed followup
MAD cartoonist Tom Richmond has a blog post about visiting troops at Walter Reed up now - "NCS/USO Trip- Washington D.C.,"
Tom's MAD blog (October 6 2008).
Tom's MAD blog (October 6 2008).
Maryland's Carla Speed McNeil interview reposted
I'm not sure when this was originally from - "Flashback Series Of Interviews: From Print To The Web With Carla Speed McNeil of Finder," October 8 2008.
MacHomer featured in Express
See "Springfield Play: When 'Macbeth' meets 'The Simpsons,' it's lay on Duff Beer!," by Express contributor Dan Miller, Express October 9, 2008. If anyone gets to see this, I'd be interested in hearing about it.
The paper also had a wire-service story about bicyclist Lance Armstrong appearing on the children's animated show, Arthur which airs on PBS. Arthur is one of the better educational cartoons.
The paper also had a wire-service story about bicyclist Lance Armstrong appearing on the children's animated show, Arthur which airs on PBS. Arthur is one of the better educational cartoons.
City Paper takes note of Thompson's blog
Unsurprisingly it's Mark Athitakis who notes Richard's blog on his blog. See "Local Cartoonist Injured by Untenable Malcolm Gladwell Thesis." The City Paper's headline today is about their bankruptcy, but I haven't had a chance to read it yet.
Wednesday, October 08, 2008
Weingarten on Breathed's retirement
From the October 7th chat:
Op, US: I can't believe Berke Breathed is retiring...again.
Seriously, I was a huge fan as a high school student, a moderate fan as a college student, and a passing fan as an adult. I mean, it's a character-driven strip that hasn't been daily for nearly 20 years, so it's not like we had much opportunity to get re-attached for the last three. I just can't get choked up the way I would for, say, Trudeau or like I did for Larson or Watterston. Or like I did for Breathed, twice already.
Gene Weingarten: Well, Berkeley has been teasing us for weeks now. It's no surprise.
I liked Opus, and it remains one of the best drawn strips on the comics pages, and I will miss it. But I think the decision to go Sunday-only may hae doomed it from the start. It's very hard to gain traction without a daily dose of your characters, particularly, as you say, with a character-driven strip.
I began to feel that Berkeley's heart was not entirely in this latest enterprise when more than once we found ourselves looking at recycled Bloom County gags.
Gene Weingarten: But: Week after week, Opus delivered some of the best sky-is-falling allegorical hang-wringing about the political hypocrisy afoot in our land. It's not a voice I would vote to lose and I'm sorry to see it go.
and one of his readers feels strongly about Doonesbury in a positive way, as do I:
B.D. Grins!: Hi Gene,
It's been over a week, but I'm still smiling about seeing B.D. smile in Doonesbury.
I loved Trudeau's whole sequence about Sam's Sarah Palin doll, but the most touching thing was seeing B.D. get so tickled as Boopsie tried to explain to Sam that Palin shouldn't be her hero (or her vice president). We've seen B.D. recover from his amputation and deal with his PTSD and even reach out to other characters -- but I'm pretty sure this is the first time he's smiled. It made me unreasonably happy.
And wide-eyed Boopsie has come a long way since B.D.'s injury, too. She's been a rock for B.D. And it's nice to see her get steamed about Palin.
I can't believe how emotionally invested I've become in these characters lately. Trudeau has always been brilliant, but this is ridiculous.
Gene Weingarten: Yeah, this was the best day of a good week.
Op, US: I can't believe Berke Breathed is retiring...again.
Seriously, I was a huge fan as a high school student, a moderate fan as a college student, and a passing fan as an adult. I mean, it's a character-driven strip that hasn't been daily for nearly 20 years, so it's not like we had much opportunity to get re-attached for the last three. I just can't get choked up the way I would for, say, Trudeau or like I did for Larson or Watterston. Or like I did for Breathed, twice already.
Gene Weingarten: Well, Berkeley has been teasing us for weeks now. It's no surprise.
I liked Opus, and it remains one of the best drawn strips on the comics pages, and I will miss it. But I think the decision to go Sunday-only may hae doomed it from the start. It's very hard to gain traction without a daily dose of your characters, particularly, as you say, with a character-driven strip.
I began to feel that Berkeley's heart was not entirely in this latest enterprise when more than once we found ourselves looking at recycled Bloom County gags.
Gene Weingarten: But: Week after week, Opus delivered some of the best sky-is-falling allegorical hang-wringing about the political hypocrisy afoot in our land. It's not a voice I would vote to lose and I'm sorry to see it go.
and one of his readers feels strongly about Doonesbury in a positive way, as do I:
B.D. Grins!: Hi Gene,
It's been over a week, but I'm still smiling about seeing B.D. smile in Doonesbury.
I loved Trudeau's whole sequence about Sam's Sarah Palin doll, but the most touching thing was seeing B.D. get so tickled as Boopsie tried to explain to Sam that Palin shouldn't be her hero (or her vice president). We've seen B.D. recover from his amputation and deal with his PTSD and even reach out to other characters -- but I'm pretty sure this is the first time he's smiled. It made me unreasonably happy.
And wide-eyed Boopsie has come a long way since B.D.'s injury, too. She's been a rock for B.D. And it's nice to see her get steamed about Palin.
I can't believe how emotionally invested I've become in these characters lately. Trudeau has always been brilliant, but this is ridiculous.
Gene Weingarten: Yeah, this was the best day of a good week.
Joost Swarte sketches from Small Press Expo 2008
Joost Swarte was kind enough to sketch in some of his books for me over a cup of coffee at the Small Press Expo. I never thought I'd get to meet him. He's been one of my favorite cartoonists for years. He was very friendly and interesting. His early training in industrial design definitely influenced his work We talked a bit about a recent design of a long stained glass window for a courthouse until he had to go to a panel on Herge, but he thinks I might have the largest collection of his signed books in the States. Heh, I've got more I didn't bring to get signed... (and thanks to Barbara Poestema for bringing two of these back from the Netherlands for me this summer!) Here's shots of the sketches he did.
And I met Istvan Banyai, the awesome illustrator, who came to the Expo to see Joost! Another one of my favorites!
Finally, Michael Cavna who I got to meet briefly has a good roundup of SPX quotes online today - "The Morning Line: Obama! Palin! Who's Got the Best Line?..." By Michael Cavna, Washington Post Comic Riffs blog October 8, 2008.
And I met Istvan Banyai, the awesome illustrator, who came to the Expo to see Joost! Another one of my favorites!
Finally, Michael Cavna who I got to meet briefly has a good roundup of SPX quotes online today - "The Morning Line: Obama! Palin! Who's Got the Best Line?..." By Michael Cavna, Washington Post Comic Riffs blog October 8, 2008.
Iron Man and Opus Washington Post articles
Catching up a bit, this article ran online, and then in the paper - "An 'Iron Man' of Epic DVD Proportions," By JEN CHANEY, washingtonpost.com Staff Writer Tuesday, Sept. 30, 2008, Washington Post (October 3).
Following up on Cavna's scoop was "Cartoonist to Put 'Opus' on Ice," By Amy Argetsinger and Roxanne Roberts, Washington Post Tuesday, October 7, 2008; Page C01.
Following up on Cavna's scoop was "Cartoonist to Put 'Opus' on Ice," By Amy Argetsinger and Roxanne Roberts, Washington Post Tuesday, October 7, 2008; Page C01.
Oct 25: political cartoonists Wuerker, Thompson and Kal at Writer's Center
Boy, this is going to be good! All three of these guys are sweethearts in person, if vicious in print, and are articulate and clean too. The Writer's Center is a couple of blocks from the Bethesda subway.
The Writer's Center to Host Roundtable Discussion on the Art of Political Cartooning in an Election Year, October 25th
Bethesda, MD (Oct. 8, 2008)—With less than a month before the election, candidates in both major parties are laying down broad reasons why we, the American people, should step up and vote for them. Standing on the periphery observing are the political cartoonists, keen-eyed artists whose sharp and often witty reflections of the political scene render judgment in simple, stark images.
On Saturday, October 25th The Writer’s Center in Bethesda, MD will celebrate the art of political cartooning with a special roundtable discussion featuring three of the nation’s most distinguished cartoonists: Matt Wuerker (The Politico), Richard Thompson (Washington Post), and Kevin Kallaugher (Baltimore Sun and The Economist). The event is made possible by a generous grant from the Jim and Carol Trawick Foundation.
When: October 25th (7:30 p.m.)
Where: The Writer’s Center, Bethesda, MD 20815
This event is free and open to the public
Political cartooning has been important aspect of communication throughout American history. Since the distribution of Benjamin Franklin’s “Join or Die” cartoon in support of the French and Indian War in 1754, cartooning has served as a valuable tool to communicate political ideals and engage diverse audiences. It serves as a vehicle for citizens to challenge the political and cultural environment, making it a key facet of free speech, as well. The combination of narrative power and aesthetic symbolism render political cartooning an entirely unique method of expression. Additionally, both the classic comedic four-panel cartoon “strip,” and the one-panel, so-called “gag” cartoon often associated with The New Yorker, have commented on American life for decades.
About the artists:
Richard Thompson’s cartoon “Richard's Poor Almanac” appears weekly in The Washington Post and his comic strip “Cul-de-Sac” appears weekly in the “The Washington Post Magazine.” A book of his collected Almanac cartoons was published in 2005. His illustrations have appeared in U.S. News & World Report, The New Yorker, National Geographic and The Atlantic Monthly. He has received the National Cartoonist Society Magazine and Book Illustration Award for 1995, and their Newspaper Illustration Award for 1995. Visit him online at:
http://richardspooralmanac.blogspot.com/
Matt Wuerker is the staff editorial cartoonist for The Politico. Mr. Wuerker’s cartoons are syndicated by the Tribune Syndicate and NewsArt.com. Two collections of his cartoons have been published, Standing Tall in Deep Doo Doo: A Cartoon Chronicle of The Bush Quayle Years, and Meanwhile in Other New…a Graphic Look at Politics in the Empire of Money, Sex and Scandal. His work has been published in the Los Angeles Times, The Washington Post, and The Christian Science Monitor, as well as Funny Times, The Nation, The American Prospect, and Z Magazine. Visit him online at:
http://www.cartoonistgroup.com/properties/Wuerker/search_2.php
Kevin Kallaugher is the editorial cartoonist for The Baltimore Sun and The Economist. In March 1978, Mr. Kallaugher became the first resident cartoonist at The Economist in its 145-year history. His work has been included in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
You can view his work online at: http://www.kaltoons.com/
About the Writer’s Center:
The Writer's Center, founded in 1976, is one of the premier independent literary centers in the country. By becoming a member, you join an organization of more than 2,500 writers, editors, small press publishers and other artists. We promote the art of writing by offering workshops, hosting readings and special events, and building a community of writers, workshop leaders, publishers and audiences for contemporary writing.
The Writer's Center is a 501 (c) (3) nonprofit organization. Donations are tax deductible. A copy of our current financial statement is available upon request. Contact the Writer's Center at 4508 Walsh Street, Bethesda, MD 20815. Documents and information submitted to the State of Maryland under the Maryland Charitable Solicitations Act are available from the Office of the Secretary of State for the cost of copying and postage. The Writer's Center is supported in part by The Arts and Humanities Council of Montgomery County, and by a grant from the Maryland State Arts Council, an agency funded by the State of Maryland and the National Endowment for the Arts. Our web address is www.writer.org.
Media Contact:
Kyle Semmel
The Writer’s Center
301.654.8664 ext. 15
ksemmel@writer.org
www.writer.org
The Writer's Center to Host Roundtable Discussion on the Art of Political Cartooning in an Election Year, October 25th
Bethesda, MD (Oct. 8, 2008)—With less than a month before the election, candidates in both major parties are laying down broad reasons why we, the American people, should step up and vote for them. Standing on the periphery observing are the political cartoonists, keen-eyed artists whose sharp and often witty reflections of the political scene render judgment in simple, stark images.
On Saturday, October 25th The Writer’s Center in Bethesda, MD will celebrate the art of political cartooning with a special roundtable discussion featuring three of the nation’s most distinguished cartoonists: Matt Wuerker (The Politico), Richard Thompson (Washington Post), and Kevin Kallaugher (Baltimore Sun and The Economist). The event is made possible by a generous grant from the Jim and Carol Trawick Foundation.
When: October 25th (7:30 p.m.)
Where: The Writer’s Center, Bethesda, MD 20815
This event is free and open to the public
Political cartooning has been important aspect of communication throughout American history. Since the distribution of Benjamin Franklin’s “Join or Die” cartoon in support of the French and Indian War in 1754, cartooning has served as a valuable tool to communicate political ideals and engage diverse audiences. It serves as a vehicle for citizens to challenge the political and cultural environment, making it a key facet of free speech, as well. The combination of narrative power and aesthetic symbolism render political cartooning an entirely unique method of expression. Additionally, both the classic comedic four-panel cartoon “strip,” and the one-panel, so-called “gag” cartoon often associated with The New Yorker, have commented on American life for decades.
About the artists:
Richard Thompson’s cartoon “Richard's Poor Almanac” appears weekly in The Washington Post and his comic strip “Cul-de-Sac” appears weekly in the “The Washington Post Magazine.” A book of his collected Almanac cartoons was published in 2005. His illustrations have appeared in U.S. News & World Report, The New Yorker, National Geographic and The Atlantic Monthly. He has received the National Cartoonist Society Magazine and Book Illustration Award for 1995, and their Newspaper Illustration Award for 1995. Visit him online at:
http://richardspooralmanac.blogspot.com/
Matt Wuerker is the staff editorial cartoonist for The Politico. Mr. Wuerker’s cartoons are syndicated by the Tribune Syndicate and NewsArt.com. Two collections of his cartoons have been published, Standing Tall in Deep Doo Doo: A Cartoon Chronicle of The Bush Quayle Years, and Meanwhile in Other New…a Graphic Look at Politics in the Empire of Money, Sex and Scandal. His work has been published in the Los Angeles Times, The Washington Post, and The Christian Science Monitor, as well as Funny Times, The Nation, The American Prospect, and Z Magazine. Visit him online at:
http://www.cartoonistgroup.com/properties/Wuerker/search_2.php
Kevin Kallaugher is the editorial cartoonist for The Baltimore Sun and The Economist. In March 1978, Mr. Kallaugher became the first resident cartoonist at The Economist in its 145-year history. His work has been included in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
You can view his work online at: http://www.kaltoons.com/
About the Writer’s Center:
The Writer's Center, founded in 1976, is one of the premier independent literary centers in the country. By becoming a member, you join an organization of more than 2,500 writers, editors, small press publishers and other artists. We promote the art of writing by offering workshops, hosting readings and special events, and building a community of writers, workshop leaders, publishers and audiences for contemporary writing.
The Writer's Center is a 501 (c) (3) nonprofit organization. Donations are tax deductible. A copy of our current financial statement is available upon request. Contact the Writer's Center at 4508 Walsh Street, Bethesda, MD 20815. Documents and information submitted to the State of Maryland under the Maryland Charitable Solicitations Act are available from the Office of the Secretary of State for the cost of copying and postage. The Writer's Center is supported in part by The Arts and Humanities Council of Montgomery County, and by a grant from the Maryland State Arts Council, an agency funded by the State of Maryland and the National Endowment for the Arts. Our web address is www.writer.org.
Media Contact:
Kyle Semmel
The Writer’s Center
301.654.8664 ext. 15
ksemmel@writer.org
www.writer.org
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