Monday, November 19, 2007
Nov 20: Peanuts cartoons on tv
Peanuts cartoons are on tv at 8 pm. A Charlie Brown Thanksgiving is followed by He's A Bully, Charlie Brown. Writer's strike? What writer's strike?
Nov 21: Ben 10 movie on Cartoon Network
AT 8 pm, Cartoon Network's Ben 10 animated series converts to a live action movie in Ben 10: Race Against Time.
Zapp! Comic Books and the Arts exhibit, Jerry Robinson and Lee Marrs photos
Jerry Robinson and me; photo by Bruce GuthrieBruce Guthrie was up at the VisArts at Rockville building this weekend and took some shots of the Zapp! Comic Books and the Arts exhibit that was closing on November 18th, as well as pictures of Jerry Robinson and Lee Marrs in the convention space. Ms. Marrs gave a talk on webcomics and Bruce got pictures of that as well. I did too, and I'll try to post mine soon.
Sunday, November 18, 2007
Zadzooks mostly on Dr. Who, but also Spider-Man hi-def dvds
See Joseph Szadkowski's "Doctor Who treats fans to more sci-fi humor," Washington Times November 17, 2007
Dove McHargue of SCAD's class in Arlington
On Friday night, my daughter and I got over to the Arlington Art Center about an hour after Dove McHargue started his class, Black and White Sequential Art -- The placement of compositional blacks. I had just planned to introduce myself and leave, but the class was well underway with about 10 students, including one dad who was there with his son. Dove was under the weather with a cold, but struggling through it as he showed several powerpoints on using inking to accent art. A lot of examples came from DC's Batman: Black and White books so I picked up volume 2 at a con yesterday. I think I had v.1 already. Dove gave the kids, who were all in high school, (and two dads) four pages from a Disney coloring book and suggested highlighting an element of each of the artwork. This was a very simple exercise to give out, but one that really made the kids (and me) think. There were a bunch of different solutions and Dove pointed out what worked and what didn't, talked about lighting, and was really very instructive. I personally found this absolutely fascinating and I have no desire at all to be a cartoonist. His explanation of how things work on the page was just really interesting. As the kids were working on their pages, he showed one of his black and white comic strips projected, and then how to color it with Photoshop - light dawned for me. If you have a chance, sit in on one of his sessions.
IJOCA's editorial
Some changes need to be made in IJOCA's distribution thanks to the Post Office's new rates for magazines. Here's what editor-in-chief Lent had to say. Write to him at john.lent at gmail.com if you have an opinion, especially on the overseas issues. Click on the page to make them larger and legible.
Nov 18: Alan Moore, Art Spiegelman and Dan Clowes on Simpsons
I'm not usually a Simpsons viewer (oddly enough - I could never get past a dislike for Life in Hell), but some of the greatest cartoonists will be on it tonight. Alan Moore discusses his appearance here.
And his League of Extraordinary Gentleman's Black Dossier came out this week. This is the real thing, not that Hollywood abomination.
And his League of Extraordinary Gentleman's Black Dossier came out this week. This is the real thing, not that Hollywood abomination.
Vip, Bok, Ware and Fish N Chips
A few new acquisitions can also make points about the Secret History of Comics.
The first is a set of three in-house books by CACI, a defense contractor. While these types of companies aren't usually known for their sense of humor, CACI's had the good sense to have their books initially illustrated by 'Vip' aka Virgil Partch. He was followed by gag and Playboy cartoonist John Dempsey and then most recently by editorial cartoonist Chip Bok.
Front cover to one of the three books with art by Vip.
Vip interior art.
John Dempsey cartoon.
Chip Bok cartoon.
Back cover of boxed set with art by Bok.
All three of these are major cartoonists, but I don't think their work here would be easily found.
The next item is the interior cover page of Chris Ware's Quimby the Mouse.
This is actually what a book signed by Chris Ware looks like - it's so subtle it's not something you'd really notice if you were in a hurry. Chris signed this for me at PENFaulkner, so I guarantee this is what you should be looking for.
Finally, at the Small Press Expo, I picked up Fish N Chips by Steve Hamaker. This book's apparently available now since I bought it two months ago, so one could ask 'what's it doing in a secret history post?' Steve's book, nominally from Vigil Press, is apparently self-published and there's no info in the book on how to order it. These days, Google tosses up his website with more information on the book, but parts of it appear to be last updated in 2005 and there's no guarantee that he'll keep the site up and a library or collector of the future might be confused by the lack of information in the book. Buy a copy from him to help comic scholars of the future and because he's a nice guy who did a fun fish sketch for me. BTW, he's coloring Bone for Jeff Smith.
The first is a set of three in-house books by CACI, a defense contractor. While these types of companies aren't usually known for their sense of humor, CACI's had the good sense to have their books initially illustrated by 'Vip' aka Virgil Partch. He was followed by gag and Playboy cartoonist John Dempsey and then most recently by editorial cartoonist Chip Bok.
Front cover to one of the three books with art by Vip.
Vip interior art.
John Dempsey cartoon.
Chip Bok cartoon.
Back cover of boxed set with art by Bok.All three of these are major cartoonists, but I don't think their work here would be easily found.
The next item is the interior cover page of Chris Ware's Quimby the Mouse.
This is actually what a book signed by Chris Ware looks like - it's so subtle it's not something you'd really notice if you were in a hurry. Chris signed this for me at PENFaulkner, so I guarantee this is what you should be looking for.
Finally, at the Small Press Expo, I picked up Fish N Chips by Steve Hamaker. This book's apparently available now since I bought it two months ago, so one could ask 'what's it doing in a secret history post?' Steve's book, nominally from Vigil Press, is apparently self-published and there's no info in the book on how to order it. These days, Google tosses up his website with more information on the book, but parts of it appear to be last updated in 2005 and there's no guarantee that he'll keep the site up and a library or collector of the future might be confused by the lack of information in the book. Buy a copy from him to help comic scholars of the future and because he's a nice guy who did a fun fish sketch for me. BTW, he's coloring Bone for Jeff Smith.
KISS and Superman in Post
For Gene Simmons' take on Superman, see Sridhar Pappu's interview "I was immediately drawn to the idea of the cape and fancy outfit."; Kiss Man Gene Simmons Comes Out of the Phone Booth, Washington Post Sunday, November 18, 2007; M02.
Saturday, November 17, 2007
QUICK REVIEWS FOR COMICS DUE 11-21-07
QUICK REVIEWS FOR COMICS DUE 11-21-07
By John Judy
(Support striking writers! Buy ‘em turkey AND comics, especially “Scalped” from Vertigo!)
52 VOL. 4 SC by Johns, Morrison, Rucka, Waid, and Friends. Concluding the epic weekly series in trade format. If you’ve forgotten how impressive this was try reading COUNTDOWN. On second thought, don’t.
ANGEL AFTER THE FALL #1 by Brian Lynch, and Franco Urru. Angel Season Six anyone? Ya gotta look! Whedon-approved and recommended!
ACTION COMICS #859 by Geoff Johns and Gary Frank. Supes and the Legion in a time-twisting adventure that promises lots of non-suckiness!
BOYS #12 by Garth Ennis and Darick Robertson. Something about sending The Boys into the mob-ruled kleptocracy of modern Russia just feels… right. Recommended. Absolutely NOT for kids.
BRAVE AND BOLD #8 by Mark Waid and George Perez. The Doom Patrol and the Flash. Between this and the creative team, who could ask for more?
CAPTAIN AMERICA #32 by Ed Brubaker and Steve Epting. Picking up where there are so many hangers one can hardly see the cliff. Recommended.
CAPTAIN AMERICA VOL. 1 DEATH OF CAPTAIN AMERICA PREMIERE HC by Ed Brubaker and Steve Epting. Collecting issues 25-30 of the story so well told it’s hard to remember it’s the cheapest ploy in the super-hero comics bag-o-tricks. “Death.” Feh…
DETECTIVE COMICS #838 by Paul Dini and Ryan Benjamin. Batman and…. I-Ching. He’s a guy named… “I-Ching”… Look it’s a long story, it goes back to the 70s when everyone was doing a lot of… Hey, it’s part of the Ras al-Ghul story, okay?!
EX MACHINA #32 by Brian K. Vaughan and Tony Harris. The super-hero Mayor of New York meets the Pope. No rabbis, dogs, or bars involved. And they don’t go golfing. Honest.
GOON: CHINATOWN AND THE MYSTERY OF MR. WICKER HC written and drawn by Eric Powell. Powell’s first original graphic novel providing 128 uninterrupted pages of the Goon’s formative years. A must-have for all fans.
GRENDEL: BEHOLD THE DEVIL #1 of 8 written and drawn by Matt Wagner. An untold tale of novelist/assassin Hunter Rose in his prime. You need this.
HELLBLAZER #238 by Andy Diggle and Danijel Zezelj. Imagine a London where every urban legend is real and (GASP!) smoking is outlawed in pubs!!! It cannot be emphasized enough how much this title doesn’t suck anymore. Highly recommended.
JACK KIRBY’S FOURTH WORLD OMNIBUS VOL.3 HC by “The King.” Third of four volumes, kids! Featuring more re-drawn faces than Carmine Infantino ever thought we’d notice.
MAD ARCHIVES VOL.2 HC by Harvey Kurtzman and Artists Whose Names I Am Unworthy to Type. Collecting issues #7-12. You must own this or be forever diminished as a human being. Highly recommended.
SHE-HULK #23 by Peter David and Shawn Moll. Shulkie takes on Titania (the Marvel one) and the Absorbing Man, despite being at least partly…dead?
SPIRIT #11 written and drawn by Darwyn Cooke. Featuring Denny Colt’s continuing battle with “El Morte!” Awesome cover by Cooke. Highly recommended.
UMBRELLA ACADEMY APOCALYPSE SUITE #3 of 6 by Gerard Way Gabriel Ba. Featuring robot crime-sprees, dead musicians, and the apocalypse! Big fun from that guy in My Chemical Romance!
WALKING DEAD #44 by Robert Kirkman and Charlie Adlard. The Governor is just gonna kill all kinds of people now. The most suspenseful title on the market today. Never for kids. Always recommended.
PS – Buy SCALPED by Jason Aaron and R.M. Guera every month or you’ll go blind and sterile. It’s noir on an Indian reservation and that’s just for starters. Not for kids or the delicate of spleen. It even comes with this money-back guarantee from the creators:
Guéra and I really want you to read SCALPED. We want you to have no excuse for not trying SCALPED. To that end, we're now offering a money-back guarantee on the first trade paperback collection, "Indian Country." If you buy a copy and don't like it, just mail it back to us and we'll refund the price, plus the cost of your shipping. It's as easy as that. Here are the details:
http://www.scalped.info/
Tell your friends.
Listen to Garth Ennis: The best new series in years. Spread the word. Tell your friends. Talk about it. Blog about it.
Listen to Ed Brubaker: Read SCALPED and love it, or your money back! Jason Aaron is going a different route to try to get more readers for his excellent Vertigo book - SCALPED. This is one of my very favorite comics right now, and I highly recommend you all take him up on his offer. Please give a great book a chance. Drop some superhero book (not one of mine, of course) that you've been buying out of habit and not enjoying and try something new.
www.johnjudy.net
By John Judy
(Support striking writers! Buy ‘em turkey AND comics, especially “Scalped” from Vertigo!)
52 VOL. 4 SC by Johns, Morrison, Rucka, Waid, and Friends. Concluding the epic weekly series in trade format. If you’ve forgotten how impressive this was try reading COUNTDOWN. On second thought, don’t.
ANGEL AFTER THE FALL #1 by Brian Lynch, and Franco Urru. Angel Season Six anyone? Ya gotta look! Whedon-approved and recommended!
ACTION COMICS #859 by Geoff Johns and Gary Frank. Supes and the Legion in a time-twisting adventure that promises lots of non-suckiness!
BOYS #12 by Garth Ennis and Darick Robertson. Something about sending The Boys into the mob-ruled kleptocracy of modern Russia just feels… right. Recommended. Absolutely NOT for kids.
BRAVE AND BOLD #8 by Mark Waid and George Perez. The Doom Patrol and the Flash. Between this and the creative team, who could ask for more?
CAPTAIN AMERICA #32 by Ed Brubaker and Steve Epting. Picking up where there are so many hangers one can hardly see the cliff. Recommended.
CAPTAIN AMERICA VOL. 1 DEATH OF CAPTAIN AMERICA PREMIERE HC by Ed Brubaker and Steve Epting. Collecting issues 25-30 of the story so well told it’s hard to remember it’s the cheapest ploy in the super-hero comics bag-o-tricks. “Death.” Feh…
DETECTIVE COMICS #838 by Paul Dini and Ryan Benjamin. Batman and…. I-Ching. He’s a guy named… “I-Ching”… Look it’s a long story, it goes back to the 70s when everyone was doing a lot of… Hey, it’s part of the Ras al-Ghul story, okay?!
EX MACHINA #32 by Brian K. Vaughan and Tony Harris. The super-hero Mayor of New York meets the Pope. No rabbis, dogs, or bars involved. And they don’t go golfing. Honest.
GOON: CHINATOWN AND THE MYSTERY OF MR. WICKER HC written and drawn by Eric Powell. Powell’s first original graphic novel providing 128 uninterrupted pages of the Goon’s formative years. A must-have for all fans.
GRENDEL: BEHOLD THE DEVIL #1 of 8 written and drawn by Matt Wagner. An untold tale of novelist/assassin Hunter Rose in his prime. You need this.
HELLBLAZER #238 by Andy Diggle and Danijel Zezelj. Imagine a London where every urban legend is real and (GASP!) smoking is outlawed in pubs!!! It cannot be emphasized enough how much this title doesn’t suck anymore. Highly recommended.
JACK KIRBY’S FOURTH WORLD OMNIBUS VOL.3 HC by “The King.” Third of four volumes, kids! Featuring more re-drawn faces than Carmine Infantino ever thought we’d notice.
MAD ARCHIVES VOL.2 HC by Harvey Kurtzman and Artists Whose Names I Am Unworthy to Type. Collecting issues #7-12. You must own this or be forever diminished as a human being. Highly recommended.
SHE-HULK #23 by Peter David and Shawn Moll. Shulkie takes on Titania (the Marvel one) and the Absorbing Man, despite being at least partly…dead?
SPIRIT #11 written and drawn by Darwyn Cooke. Featuring Denny Colt’s continuing battle with “El Morte!” Awesome cover by Cooke. Highly recommended.
UMBRELLA ACADEMY APOCALYPSE SUITE #3 of 6 by Gerard Way Gabriel Ba. Featuring robot crime-sprees, dead musicians, and the apocalypse! Big fun from that guy in My Chemical Romance!
WALKING DEAD #44 by Robert Kirkman and Charlie Adlard. The Governor is just gonna kill all kinds of people now. The most suspenseful title on the market today. Never for kids. Always recommended.
PS – Buy SCALPED by Jason Aaron and R.M. Guera every month or you’ll go blind and sterile. It’s noir on an Indian reservation and that’s just for starters. Not for kids or the delicate of spleen. It even comes with this money-back guarantee from the creators:
Guéra and I really want you to read SCALPED. We want you to have no excuse for not trying SCALPED. To that end, we're now offering a money-back guarantee on the first trade paperback collection, "Indian Country." If you buy a copy and don't like it, just mail it back to us and we'll refund the price, plus the cost of your shipping. It's as easy as that. Here are the details:
http://www.scalped.info/
Tell your friends.
Listen to Garth Ennis: The best new series in years. Spread the word. Tell your friends. Talk about it. Blog about it.
Listen to Ed Brubaker: Read SCALPED and love it, or your money back! Jason Aaron is going a different route to try to get more readers for his excellent Vertigo book - SCALPED. This is one of my very favorite comics right now, and I highly recommend you all take him up on his offer. Please give a great book a chance. Drop some superhero book (not one of mine, of course) that you've been buying out of habit and not enjoying and try something new.
www.johnjudy.net
ICAF and OSU's Festival - another blog
My buddy Charles Hatfield stayed with me for ICAF and then we drove to Ohio for OSU's event. If you click those preceeding sentence's links, you'll see he's put up blog entries on the two with many more links than I ever bother with. He did note that OSU's put up highlight photos so I'll steal that link from him.
Friday, November 16, 2007
Nov 16-17: Jerry Robinson, Lee Marrs in Rockville
Late-breaking news - Jerry Robinson's in town. Saturday Lee Marrs speaks at 4 pm. No time to link but here's Marrs' website - http://www.leemarrs.com/ I'm going to try to make it up there for Marrs talk.
This is their event description:
Comic-con
Come see our new building, and this Comic Book exhibition and convention, and our inaugural exhibit, Zapp! Comic Books and the Arts. Fun for the whole family begins with a free talk Friday night from 7 to 8 by authority Jerry Robinson, who wikipedia notes began work on Batman and Joker beginning in 1939! Activities continue through the weekend with guest artists, special costume events, prizes, commemorative t-shirts, dealers and collectors. Saturday, 10 to 5, and Sunday 11 to 4. For more information, call 301-315-8200.
Nov. 16-18 - VisArts at Rockville, 155 Gibbs St., Rockville, Md. 20850
This is their event description:
Comic-con
Come see our new building, and this Comic Book exhibition and convention, and our inaugural exhibit, Zapp! Comic Books and the Arts. Fun for the whole family begins with a free talk Friday night from 7 to 8 by authority Jerry Robinson, who wikipedia notes began work on Batman and Joker beginning in 1939! Activities continue through the weekend with guest artists, special costume events, prizes, commemorative t-shirts, dealers and collectors. Saturday, 10 to 5, and Sunday 11 to 4. For more information, call 301-315-8200.
Nov. 16-18 - VisArts at Rockville, 155 Gibbs St., Rockville, Md. 20850
Thursday, November 15, 2007
Bush Leaguers editorial cartoon exhibit review
Here's the review I wrote for the exhibit, from the new issue of IJOCA.
Nov 16: Fantom Comics grand opening ad
Scanned from the paper, since they don't send me press releases.
Latest Marvel comic for the military
I was able to pick up a copy of this at work. I find these all mawkish, rather than inspiring. And silly. The plot to this makes no sense at all. AIM devotes millions of dollars to keeping a brother and sister in the military from communicating with each other?
new International Journal of Comic Art's Table of Contents
We're still having website problems, but here's scans of the table of contents for the new issue. You can order a copy by clicking on the link in the column on the right and sending a check to John Lent at the address on the website. Note there's articles on Spiegelman's 9-11 comic book, Egyptian comics, Art Gallery comics, Brazilian comics, French prints, World War I cartoons... and all for $15!
Wednesday, November 14, 2007
Paul Hornschemeier has a band? Who knew?
Scott Rosenberg had an article on the cartoonist's band in November 12th's Express: "Paradox Rocks: Arks."
Washington Post on Marvel's digital comics subscription
See "Superheroes on Demand: Marvel Goes After New Fans With Subscription Site," by Mike Musgrove, Washington Post Staff Writer, Wednesday, November 14, 2007; Page D01.
Most of this article comes out of Marvel's press release from yesterday, but author Mike Musgrove did get a comment from Joel Pollack - "Some of my fellow retailers are kind of upset, but I think you can't turn back the hands of time and it's inevitable," he said. "If it hurts the sale of Marvel Comics, it's more self-destructive of Marvel . . . than anything else. . . . I don't know if it's going to have any impact on my business or not."
This isn't going to hurt anyone because Marvel is charging $10 a month for six-month-old comics that you can't download and take with you, but only read on their website. Why would anyone pay them for this? Nobody else has been able to make this model work - not the New York Times, nobody. And most publishers don't have scanners making the material available almost immediately (which I'm not condoning, just noting. I prefer my comics as paper). And none of their comics are hard to find - certainly not the ones they listed as being available online - unless you live in Nepal maybe, and then you're going to have internet connectivity issues anyway.
Also note that Fantom Comics is opening in Union Station - I wish them the best, but I think that's a high-risk move unless they're getting a super deal in rent.
Most of this article comes out of Marvel's press release from yesterday, but author Mike Musgrove did get a comment from Joel Pollack - "Some of my fellow retailers are kind of upset, but I think you can't turn back the hands of time and it's inevitable," he said. "If it hurts the sale of Marvel Comics, it's more self-destructive of Marvel . . . than anything else. . . . I don't know if it's going to have any impact on my business or not."
This isn't going to hurt anyone because Marvel is charging $10 a month for six-month-old comics that you can't download and take with you, but only read on their website. Why would anyone pay them for this? Nobody else has been able to make this model work - not the New York Times, nobody. And most publishers don't have scanners making the material available almost immediately (which I'm not condoning, just noting. I prefer my comics as paper). And none of their comics are hard to find - certainly not the ones they listed as being available online - unless you live in Nepal maybe, and then you're going to have internet connectivity issues anyway.
Also note that Fantom Comics is opening in Union Station - I wish them the best, but I think that's a high-risk move unless they're getting a super deal in rent.
Tuesday, November 13, 2007
new International Journal of Comic Art is out!
Details to follow, but it's 643 pages for $15.00 - click on the right for more information.
Nov 16: SCAD program on doing comics at Arlington Arts Center
Jeffry Cudlin of the Arlington Arts Center wrote in to tell us about a program on Friday night. I'm not sure if I can make it, but it sounds like it'll be interesting.
TWO FREE WORKSHOPS AT AAC!
By faculty members of the Savannah College of Art and Design (SCAD)
Sculpture Body Casting
Thursday, November 15 from 5 to 7 pm
Black and White Sequential Art —The placement of compositional black
Friday, November 16 from 5 to 7 pm
For mature high school students and adults.
Registration required: call 703.248.6800
Susan Krause, chair of sculpture at SCAD-Atlanta, will direct a hands-on workshop called Sculpture Body Casting on Thursday, November 15 from 5 to 7 pm. Participants will pair up to create casts of each other.
Have you ever wanted to try your hand at designing your own comic strip? Then sign up for Black and White Sequential Art—The placement of compositional blacks on Friday, November 16 from 5 to 7 pm. Taught by Dove McHargue, professor of Sequential Art and Animation at SCAD, this workshop will include a discussion about the sequential art major offered at SCAD and careers available in this field.
All levels of experience are welcome at both workshops, but class size is limited, so registration is required. To register click here, www.arlingtonartscenter.org/classes/FALL%202007%20REGISTRATION%20FORM.pdf for a print out of our registration form, or call 703.248.6800.
ABOUT SCAD
Savannah College of Art and Design was recently named one of Kaplan’s “25 cutting-edge schools with an eye toward the future.” It prepares talented students for professional careers, emphasizing learning through individual attention in a positively oriented university environment. The goal of the college is to nurture and cultivate the unique qualities of each student through an interesting curriculum, in an inspiring environment, under the leadership of involved professors. SCAD features locations in Atlanta and Savannah GA and in Lacoste, France, and also offers undergraduate and graduate degree programs online through SCAD-eLearning. http://www.scad.edu/admission/yourarea/index.cfm
ABOUT THE WORKSHOP TEACHERS
Originally from Canada, Susan Krause has been with SCAD since 2000 and is chair of sculpture at SCAD-Atlanta. She received her MFA from Yale University in 1989 and has exhibited nationally and internationally for 15 years. Her work is in the form of installation art relating to aspects of the human condition, authenticity and commonality. Dove McHargue teaches sequential art and animation at SCAD. He earned his MFA in Sequential Art from SCAD in 2005 and joined the faculty shortly thereafter.
Founded in 1974, the AAC is dedicated to presenting and supporting new work of contemporary artists in the Mid-Atlantic States. Located in the historic Maury School building, it holds exhibitions, rents studio spaces, and conducts educational programs for all ages. Normal public hours are Tuesday through Saturday from 11 am to 5 pm. For more information, call 703.248.6800 or visit www.arlingtonartscenter.org. The AAC is located at 3550 Wilson Boulevard in Arlington VA, just one block off the Virginia Square-GMU Metro stop on the Orange Line.
Arlington Arts Center programs are made possible through the generous support of the Virginia Commission for the Arts/NEA, the Arlington Commission for the Arts, Arlington County Division of Cultural Affairs, the Eugene and Agnes E. Meyer Foundation, Strategic Analysis, BB&T Bank, the Arlington Community Foundation, Arlington Catering, and our members.
Arlington Arts Center
3550 Wilson Blvd Arlington VA 22201
Metro: Orange Line: Virginia Square
703.248.6800
www.arlingtonartscenter.org
TWO FREE WORKSHOPS AT AAC!
By faculty members of the Savannah College of Art and Design (SCAD)
Sculpture Body Casting
Thursday, November 15 from 5 to 7 pm
Black and White Sequential Art —The placement of compositional black
Friday, November 16 from 5 to 7 pm
For mature high school students and adults.
Registration required: call 703.248.6800
Susan Krause, chair of sculpture at SCAD-Atlanta, will direct a hands-on workshop called Sculpture Body Casting on Thursday, November 15 from 5 to 7 pm. Participants will pair up to create casts of each other.
Have you ever wanted to try your hand at designing your own comic strip? Then sign up for Black and White Sequential Art—The placement of compositional blacks on Friday, November 16 from 5 to 7 pm. Taught by Dove McHargue, professor of Sequential Art and Animation at SCAD, this workshop will include a discussion about the sequential art major offered at SCAD and careers available in this field.
All levels of experience are welcome at both workshops, but class size is limited, so registration is required. To register click here, www.arlingtonartscenter.org/classes/FALL%202007%20REGISTRATION%20FORM.pdf for a print out of our registration form, or call 703.248.6800.
ABOUT SCAD
Savannah College of Art and Design was recently named one of Kaplan’s “25 cutting-edge schools with an eye toward the future.” It prepares talented students for professional careers, emphasizing learning through individual attention in a positively oriented university environment. The goal of the college is to nurture and cultivate the unique qualities of each student through an interesting curriculum, in an inspiring environment, under the leadership of involved professors. SCAD features locations in Atlanta and Savannah GA and in Lacoste, France, and also offers undergraduate and graduate degree programs online through SCAD-eLearning. http://www.scad.edu/admission/yourarea/index.cfm
ABOUT THE WORKSHOP TEACHERS
Originally from Canada, Susan Krause has been with SCAD since 2000 and is chair of sculpture at SCAD-Atlanta. She received her MFA from Yale University in 1989 and has exhibited nationally and internationally for 15 years. Her work is in the form of installation art relating to aspects of the human condition, authenticity and commonality. Dove McHargue teaches sequential art and animation at SCAD. He earned his MFA in Sequential Art from SCAD in 2005 and joined the faculty shortly thereafter.
Founded in 1974, the AAC is dedicated to presenting and supporting new work of contemporary artists in the Mid-Atlantic States. Located in the historic Maury School building, it holds exhibitions, rents studio spaces, and conducts educational programs for all ages. Normal public hours are Tuesday through Saturday from 11 am to 5 pm. For more information, call 703.248.6800 or visit www.arlingtonartscenter.org. The AAC is located at 3550 Wilson Boulevard in Arlington VA, just one block off the Virginia Square-GMU Metro stop on the Orange Line.
Arlington Arts Center programs are made possible through the generous support of the Virginia Commission for the Arts/NEA, the Arlington Commission for the Arts, Arlington County Division of Cultural Affairs, the Eugene and Agnes E. Meyer Foundation, Strategic Analysis, BB&T Bank, the Arlington Community Foundation, Arlington Catering, and our members.
Arlington Arts Center
3550 Wilson Blvd Arlington VA 22201
Metro: Orange Line: Virginia Square
703.248.6800
www.arlingtonartscenter.org
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