Herblock! exhibit review

Another one for the International J of Comic Art that you're getting to see first...

Herblock! Sara Duke, Martha Kennedy and Cynthia Wayne. Washington, DC: Library of Congress, October 13, 2009-May 1, 2010.

By the terms of Herbert “Herblock” Block’s will, the Library of Congress must mount an exhibit of his work every three years. In spite of Block’s staggering 72-year long professional career and four Pulitzer Prizes, this reviewer begins to feel a bit jaded. Fortunately, this is an excellent exhibition that is well worth seeing and is accompanied by an excellent companion book, Herblock by Haynes Johnson and Harry Katz (New York, Norton, 2009) that also has a cd of 18,000 of Block’s cartoons (produced by Warren Bernard). The occasion for the large scale of these events was Herblock’s 100th birthday.

The exhibit is in a new gallery, created recently from a reading room, and to get to it, one has to walk through a recreation of Thomas Jefferson’s library – a highlight for any book lover. The curators (who are my friends) cleverly chose 82 original drawings that have not bee on display before. These are out of the 14,460 cartoons and 250,000 roughs he left to the library. They also added the twelve books of his cartoons that Block published in his lifetime. These copies, unlike the ones originally added to the Library, have their dustjackets because they are a recent donation to the Prints and Photographs division from the Herb Block Foundation.

The exhibit opens with a précis of who Block was and includes some of his iconic images such as the footsteps leading from the Watergate break-in to Nixon’s White House. “The Approaching Perils” covers his early years. One can see Block’s early typical Midwestern cartoonist style using pen and ink – a style that is unrecognizable to us as Herblock. This style soon gives way to his familiar use of heavy crayon or graphite lines. Some notable works were “Winged Victory” (1938) in which he quoted the sculpture from Samothrace, and “What ‘Peace Now’ Would Mean” (1940) in which he showed Hitler armed with a machine gun and sitting on the globe.

Other sections were “Psychopathic Ward” on the Depression, fascism and World War II, “White is Black, Black is White, Night is Day—“ on the Cold War, “Naughty, Naughty” on McCarthyism, “Everything’s [Not] Okay” on the 1960s, “Here He Comes Now” on Richard Nixon, “It Gets Into Everything” on the 1970s and terrorism, “Joy to the World” on Ronald Reagan, “Closing Years, Contrasting Styles of Leadership” on Clinton and the elder George Bush, and “Classic Cartoons by a Master” to catch anything that might have been missed.

One could easily select favorite drawings from each section – my notebook is full of notations such as “Man’s Reach” (1968) in which he drew, apropos of Apollo 8, a white hand with its finger and thumb meeting to encircle the moon on top of a black layer covering most of the paper. By the end of his life, and thus the end of the exhibit, Block’s ability was slipping somewhat and the images are covered with Avery labels and ink redrawings. “Creationism or Evolution – That’s Up to the States” has Bush’s head reworked and pasted on, but the final image in print would have looked fine.

During the press tour Harry Katz noted that in the future “you’re not going to see cartoons on the wall – newspapers are changing” and “With Herblock missing, we need to get the voice of the cartoonist out there and revitalizing the art form” – two sentiments that most readers of IJOCA (and this blog!) can agree with and hope for the best.

The Real Story of Superheroes exhbit review

I've submitted this for the spring issue of the International Journal of Comic Art, but will share it with my readers here first.

The Real Story of the Superheroes: Photographs by Dulce Pinzón. Washington, DC: Joan Hisaoka Healing Arts Gallery, November 4-28, 2009.

Photographer Dulce Pinzón clothed Mexicans working in New York City in Halloween superhero costumes loosely related to their jobs, and photographed them doing that work. Thirteen large images were displayed. Pinzón’s biographical data sheet noted, “As a young Mexican artist living in the US, Dulce soon found new inspiration for her photography in feelings of nostalgia, questions of identity, and political and cultural frustrations. … ‘The Real Story of the Superheroes’ comes full circle to introduce the Mexican immigrant in New York in a satirical documentary style featuring ordinary men and women in their work environment donning superhero garb, thus raising questions of both our definition of heroism and our ignorance of and indifference to the workforce that fuels our ever-consuming economy.” While one should generally read press release material with ones critical faculties engaged, I actually agree strongly with the second sentence. The images do not quite stand by themselves, but with captions that explain whom the people and what their occupations are, one is easily led to musing about socio-economics and superheroes.

Some photographs were disturbing: an image of a young man in a Robin costume standing at night on a city street illuminated by a peepshow sign and a police car is labeled, “Robin. Ernesto Mendez from Mexico City works as a male prostitute in Times Square New York. He sends 200 dollars a week.” Other images are less disturbing, but still thought-provoking. “Elasticman [actually Mr. Fantastic of the Fantastic Four – ed.]. Sergio Garcia from the State of Mexico works as a waiter in New York. He sends 350 a week.” The photograph shows him in costume reaching across a diner to present a plate to a seated woman. A cook is shown as the Human Torch, Batman is a taxi driver, Spider-man is a professional window cleaner, Acuaman (sic, Aquaman) works in a fishmarket and the Hulk loads trucks for a greengrocer.

Pinzón had a clever conceit, took thoughtful photographs and the exhibit was well worth seeing. The images were for sale in several sizes and prices ranging from US$1250-$2500.

The Real Story of the Superheroes photo exhibit CLOSING TODAY

I just got back from seeing The Real Story of the Superheroes photo exhibit and I'd recommend you rush into the Joan Hisaoka Healing Arts Gallery on U St, NW at 16th St. and check it out. Photographer Dulce Pinzon clothed Mexicans working in New York City in Halloween superhero costumes loosely related to their jobs, and photographed them doing that work. 13 large images are displayed. It's a clever conceit and worth seeing. It's open until 3 pm today, the last day of the show.

"Herblock!" Opens Oct. 13

Library of Congress
101 Independence Avenue SE
Washington DC   20540

September 17, 2009

Public contact: Sara Duke (202) 707-3630, sduk@loc.gov
                          Martha Kennedy (202) 707-9115, mkenn@loc.gov

"Herblock!"
New Exhibition at Library of Congress Opens Oct. 13

He was a fearless crusader who condemned corruption and exposed injustice, inequality and immorality.  Artfully and effectively wielding his pen, he influenced public opinion and jarred the lives of many elected officials.  He was Herblock, the master of editorial cartooning.

The Library of Congress will celebrate the 100th anniversary of the birth of Herbert L. Block, widely known as Herblock, with an exhibition that looks at his entire 72-year career, which began in 1929 under President Herbert Hoover and concluded in 2001 during the presidency of George W. Bush.

"Herblock!" opens on Tuesday, Oct. 13, the birthday of the four-time Pulitzer Prize-winning cartoonist, and runs through Saturday, May 1, 2010.  The exhibition is free and open to the public from 8:30 a.m. to 4:30 p.m., Monday through Saturday (closed Thanksgiving, Christmas and New Year's Day), in the second-floor South Gallery of the Thomas Jefferson Building, 10 First St. S.E., Washington, D.C.

A companion book, "HERBLOCK: The Life and Works of the Great Political Cartoonist" has been published by the Library of Congress and the Herb Block Foundation, in association with W.W. Norton & Co.  Written by Haynes Johnson and Harry L. Katz, the 304-page hardcover book features a DVD that contains more than 18,000 cartoons.  (The authors will discuss the book from noon to 2 p.m. on Thursday, Oct. 15, in the Library's James Madison Building, 101 Independence Ave. S.E., Washington, D.C.)  Arranged chronologically, the book illustrates the influence of history on Block's work as well as his influence on historical events as they unfolded.

The exhibition is organized similarly, with a chronological layout.  The sections include: Herblock's early years, under the title "The Approaching Perils"; the rise of fascism and World War II, "Psychopathic Ward"; the Cold War, "White is Black, Black is White, Night is Day—"; McCarthyism, "Naughty, Naughty"; the 1960s, "Everything's [Not] Okay"; Richard Nixon, "Here He Comes Now"; the 70s and terrorism, "It Gets Into Everything"; Ronald Reagan, "Joy to the World"; Bill Clinton and George W. Bush, "Closing Years, Contrasting Styles of Leadership"; and some special pieces, "Classic Cartoons by a Master."

The 82 original drawings in this exhibition are new to the walls of the Library—they have never been previously displayed.  The cartoons have been selected from the Library's Herb Block Collection, with a few iconic drawings loaned from the Washington Post collection.  In 2002, the foundation donated Block's archive to the Library, and the collection includes more than 14,000 finished cartoons, in addition to preliminary sketches, files and manuscripts.  The Library mounted displays of Herblock's work in 2000, 2003 and 2006.

Born in Chicago on Oct. 13, 1909, Block began his career as a professional cartoonist in 1929, working for the Chicago Daily News and the Newspaper Enterprise Association Service.  In 1946, he joined the Washington Post, where he remained for 55 years until his death in Washington, D.C., on Oct. 7, 2001.  Block won Pulitzer Prizes in 1942, 1954 and 1979.  He shared a fourth Pulitzer with Washington Post colleagues for coverage of the Watergate scandal in 1973.

To view the Herblock collection on the Library of Congress Prints and Photographs Online Catalog, visit http://lcweb2.loc.gov/pp/hlbhtml/hlbabt.html.

Founded in 1800, the Library of Congress is the nation's oldest federal cultural institution.  The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions.  Many of the Library's rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.

# # #

PR09-169
9/17/09
ISSN: 0731-3527
 

Matt Wuerker art in California exhibit

For information, see "The Tattoon Show, Friday, Aug 28 12:00p, at Eclectix Gallery, El Cerrito, CA" - tattoos may be involved. Matt?

Hello Kitty exhibit reviewed in Post

Hello Kitty wanders into fine art masterpieces in the exhibit reviewed in "Leslie Holt at Curator's Office," By Jessica Dawson, Special to The Washington Post, Friday, July 17, 2009.

Geppi's Museum launching major Carl Barks exhibit

See "GEM Launches Carl Barks Retrospective" for details of the exhibit which will run from July 17 until September 8, 2009, and focuses on Barks' post-retirement paintings.

David Hagen visits his exhibit tomorrow night...

...and you can too!

The show will be from the beginning of March through the end of April with a reception on Friday, March 27 from 6pm to 9pm. All invited. Refreshments served! Century21 gallery space, 1711 Wilson Blvd., Arlington, VA 22209.

I'll be there tomorrow, fairly close to 6. And I hear a cartoonist known as RT will be making an appearance.

Comic Art Indigene artist interview

See "Q&A: Comic Artist Jolene Nenibah Yazzie," By Megan Gambino, Smithsonian's Around the Mall blog March 16, 2009.

Another Comic Art Indigene review by a local

See "We Love Arts: Comic Art Indigene," By Jenn Larsen, March 10th, 2009.

Comic Art Indigene reviewed at Comicsgirl blog

I'm guessing Comicsgirl is local since she popped into Comic Art Indigene on the first day it was open and wrote up her impressions. She also linked to Marcus Amerman, a bead artist who had two (both commissioned, according to the curator) pieces in the show - this George Perez's Wonder Woman bracelet and a Jae Lee's Batman belt buckle.

I'll be writing a full review of this show sometime soon...

Book of Esther comic exhibit in Baltimore

The exhibit opened today. See "New-age depiction of Esther's age-old story: Exhibit at Jewish Museum focuses on graphic novel's retelling," By Edward Gunts, Baltimore Sun March 8, 2009 for JT Waldman's graphic novel story.

Here's the basic information - "Drawing on Tradition: The Book of Esther," runs through July 26 at the Jewish Museum of Maryland, 15 Lloyd St. Admission is $8 for adults, $5 for students and free for members. Call 410-732-6400 or go to jewishmuseummd.org.

Impera et Divide exhibit in Charlottesville, VA UPDATED

Just some quick notes and photos as Sara Duke is doing the formal writeup for the International Journal of Comic Art.

Sara and I took a meandering trip down, stopping at antique stores and trying to stump each other with obscure comics knowledge. As previously noted here, the exhibit is in the non-profit Second Street Gallery, Charlottesville, Virginia.

It has six artists - Frédéric Coché (France), Aerim Lee (South Korea), André Lemos (Portugal), Ilan Manouach (Greece), Andrei Molotiu (US) and Fabio Zimbres (Brazil) and was curated by Pedro Moura (Portugal) and Charlottesville's Warren Craghead III. Although Pedro declared that the art was all just 'comics,' these really are art comics. A companion book, Divide et Impera, by Pedro gives a good overview of the artists and their artwork. Pedro, Warren and Andre were at the show, and it was a pleasure to meet with them and talk about the exhibit. Andre did a special mini-comic/zine just for the exhibit and probably on the plane flight over. I bought a copy of this, the exhibit companion book, and many of the other publications for sale for Michigan State University's Comic Art Collection should one like to see them in the future.

The exhibit suffered somewhat from being trimmed significantly at the last moment due to a smaller gallery size than expected. The version shown in Amador in Portugal was much larger and included Craghead's work which was left out of this version. Of the artists, I was only familiar with Zimbres previously (and Molotiu's academic writing on comics). I'll leave it to Sara to get into the details, but I was especially taken with Cloche's aquatint comics - essentially he engraves a plate and prints 10 of them (according to Pedro) and then cleans the plate. He sells the engravings while reproductions of the art make up his books, 3 of which were on display from Warren's collection. Sara was taken with the work of Ms. Lee, which was eyepopping in color. Much of the artwork is for sale.

Due to the smaller size of the show, many pieces couldn't be displayed, but Pedro took us back to look through them. If you're interested, I would imagine arrangements can be made with the gallery. One could probably buy the book from them through the mail as well, and perhaps the other publications.

There's a blog by Craghead at http://imperaetdivide.blogspot.com/ which has pictures as well.

Here's my photographs, largely taken as a mnemonic device for writing a review:

Frédéric Coché (France)

Ilan Manouach (Greece)

Fabio Zimbres (Brazil)

Andrei Molotiu (US)

André Lemos (Portugal)

Frédéric Coché (France) books

Aerim Lee (South Korea)

Aerim Lee (South Korea)

Comic Art Indigene very Quick Review

Comic Art Indigene had a press preview at the National Museum of the American Indian last night and I got to stop by.

Assumption: Tony Chavarria was a comics fan before becoming a Curator of Ethnology. Hypothesis: He combined his two interests into one exhibit. Conclusion: This exhibit is cool - it takes a few minutes for you to see how everything relates to comic art, but it's worth it.

A real review will follow this, but I wanted to get something up quick.

With apologies to John Judy for stealing his trademark title phrase.

Comic Art Indigene opens on Friday at American Indian museum

Here's the press info:

Comic Art Indigène
March 6, 2009–May 31, 2009
NMAI on the National Mall, Washington, DC

Storytelling has long been a part of Native American culture. Comic Art Indigène examines how storytelling has been used through comics and comic-inspired art to express the contemporary Native American experience. Under the larger definition of narrative art, comic art is more related to Native American art traditions than one might expect. The earliest surviving example of such narrative art is rock art. The historic examples used in the exhibition, such as photographs of rock art, ledger art, and ceramics, are meant to link Native American art traditions with contemporary voices.

Experimental comics exhibit in Charlottesville

Pedro Moura sent a note to the comix-scholar's list about a new exhibit he's worked on. Quoted with permission:

Next March the 6th, a show is opening at the Second Street Gallery, Charlottesville, Virginia, called Impera et Divide, which will host six artists who're working on the verge of what one might call experimental comics, or simply a very contemporary strand of comics. The artists are Frédéric Coché (France), Aerim Lee (South Korea), André Lemos (Portugal), Ilan Manouach (Greece), Andrei Molotiu (US) and Fabio Zimbres (Brazil). This show was curated by Charlottesville's own Warren Craghead III (of How to be everywhere fame) and yours truly.

To put it in a nutshell, this is a very heterogeneous group of people, but they're all can be seen as working in a fine line of experimental comics. I try to clear that up in an obstruse, tangled text (hey, English's not my language) to be published in a book I've edited and published with the artists' work. It is not a catalogue, but a companion publication. It's being printed as we speak, so I hope to have a few copies by the time I leave to the US. It's called Divide et Impera and it also has work from Craghead.

Here's the link to the gallery: http://www.secondstreetgallery.org/
And a blog put up by Craghead: http://imperaetdivide.blogspot.com/

The show will be held until April the 25th.

Mar 6: Comic Art Indigène exhibit opens

On March 6th, the Comic Art Indigène exhibit opens at the National Museum of the American Indian. I'd be interested in putting together a group to visit this if anyone wants to...

OT: What about this year's Angouleme festival anyway?

My buddy's got all the details on his blog - "Comix Influx Blog: Angoulême 2009" by Stephen Betts on 11th February 2009. Check it out, and then stay to note the Comix Influx project. Stephen and co. are translating European graphic novels into English, and then providing the text for you to read along with your copy. These aren't scanlations and you have to have the original comic already, but this is a neat way you can get ahead of Fantagraphics, Drawn and Quarterly or NBM and be the hippest person on your block.

Feb 21: John Malloy exhibit at National Harbor

John Malloy has written in about his first solo exhibition at National Harbor in Maryland, south of DC.

Here's the PR:

Art Whino Announces: One Out Of A Hundred - The Art of John Malloy

"One Out of a Hundred" centers around John Malloy's personal series of mixed-media works that explore drug side effects as a metaphor for consumer and media-driven culture's long-term effects on the human spirit. The originals for each piece include pen & ink, oil paint, and other media, and will be exhibited along with large-format, limited edition signed prints of the series. Limited edition prints of Malloy's comics "Queasy" [Image Comics], "Channel One", and rock-interview comics for the award-winning Lemon Magazine will also be on display, in addition to illustrations for the band Minus The Bear, I Heart Comix, and other magazines and publications. Over 40 Limited Edition Prints and over 50 Works of Original Art, including illustration, fine art, and comics will be on display in the exhibit and for sale.

Saturday, February 21st, from 6pm – Midnight

Location:
173 Waterfront St.
National Harbor, MD 20745
Music by Rank and File

Show end date: March 12th

The event is FREE and open to the public.

John Malloy:
ImageBorn in rural northern Pennsylvania to a cemetery caretaker and a coal-miner's daughter, John Malloy began drawing at very young age. He later earned a background in painting with one of the world's most eminent trompe l'oeil artists, and has since been self taught in fine art, illustration, comics, and design. His first graphic novel, "Amnesia" [2001] combined pen & ink, painted, and digital media, and he is presently working on two new graphic novels, as well as an autobiographical comic for Image Comics' PopGun Anthology titled, "Queasy"

David Hagen exhibit coming to Arlington in March

I've fallen behind on checking out David's blog, but he posted the information on his exhibit recently. Here's the main info, but click through the link to check out the type of artwork he'll be displaying: The show will be from the beginning of March through the end of April with a reception on Friday, March 27 from 6pm to 9pm. All invited. Refreshments served! Century21 gallery space, 1711 Wilson Blvd., Arlington, VA 22209.

David, at this moment, I am wearing a sweatshirt with your ComicsDC logo art on it. Bring the original along and I'll buy that from you.