International Ink: Smallbug Comics, the Avengers and Bone book reviews

It's been months since I've had the time to post any reviews, but some new material has arrived in the mail recently and it's prodded me to start again. I'll try to work my way backwards too, even if it's only a brief mention of the book and my thoughts on it. - Mike Rhode*


Charles Brubaker's minicomics, Smallbug Comics #2 (December 2014) and #5 (March 2015) remind me of the heyday of Harvey Comics. His characters Koko the Witch and her younger brother Jodo would easily fit into Casper the Ghost's world. In #2 Jodo accidentally acquires the Wizard King's crown and proceeds to enjoy all the attention he gets -- until the crown is reported stolen. In #5, Koko and Jodo take an 'enchanted' yet still horrible train ride for a break on their annual day off. Both stories rely heavily on physical humor and sight gags. Brubaker's storytelling is competent -- you can tell what's happening, and the words and text work together (this isn't always true of comics, even from full-time professionals).

Ask a Cat consists of 1-page cartoons from an advice column answered by a cat. They didn't do much for me, but a colleague at lunch laughed out loud at "What should I make for dinner?" and "Meow, meow, meow, meow. Meow?" The appeal of this zine probably depends on your interest in cats on the internet.

I think these minis would be good for teens, especially those interested in DIY comics. Brubaker's websites are www.bakertoons.com and bakertoons.tumblr.com Brubaker also writes on the history of animation at Cartoon Research.

Jeff Smith's Bone: Out from Boneville Tribute Edition (Scholastic Graphix, $15) is a very pretty version of the beginning of the almost classic graphic novel. An insensitive or suspicious reviewer may believe that this edition is an answer to the age-old question of "how to sell yet another version of the book to people who already have it?" I personally have the original comic books, Smith's b&w reprints, Smith's one-volume b&w reprint, and the Scholastic editions with Steve Hamaker's excellent coloring. This 'tribute edition' is for Scholastic's 10th anniversary of publishing the story; the comic books themselves began in the early 1990s. And what's the tribute one may wonder? In addition to a "brand-new illustrated poem by Jeff Smith!" one also gets "minicomics and artwork inspired by Bone, created by 16 bestselling, award-winning artists." The poem features the Rat Creatures and much of the artwork is from Scholastic's stable of cartoonists turned children's book authors. For the record, the sixteen are Kate Beaton, Jeffrey Brown, James Burks, Frank Cammuso, Nathan Fox, Jimmy Gownley, Kazu Kibuishi, Mike Maihack, Scott Morse, Jake Parker, Dav Pilkey, Greg Ruth, Dan Santat, Raina Telgemeier, Doug TenNapel and Craig Thompson. Snark about multiple editions aside, Bone is one of the great comics for youngsters, and this version is a good introduction to the series.



Marvel: The Avengers Vault (Thunder Bay Press, $35) is by noted comic book writer Peter David (who, according to the Grand Comics Database, never actually wrote the Avengers). As a wee lad, my favorite superhero team was the Avengers. I'd been given a copy of Avengers #8, introducing Kang the Conqueror, by a cousin, and I spent the next 25 years buying their comics. I can't really relate to the Avengers-centric Marvel Universe of today, but the movies are well-done and probably a good part of the reason this book exists. And honestly, the kid reading Avengers #8 would have loved this book. The 'Vault' part of the title is "ten collectible pullouts: a Thor poster, concept art for Iron Man, Captain America's Sentinels of Liberty membership card, original art by Jack Kirby, and more - perfect for the superfan's bedroom wall." The text of the book is quick summaries of the histories of the Avengers and its most famous members Captain America, Iron Man, Thor and the Hulk. David does a good job of summarizing almost 50 years of comic book backstory for each chapter, including the major supporting characters, and highlighting Marvel's post-Civil War history. Chapter 6 is a brief look at animated television adaptations, and then there's an appendix of Avengers members which splits into teams such as The Illuminati, the New Avengers, and the Mighty Avengers. It's too much for this aging fan's brain, but a tween who likes comics or the movies should love this book.

*'International Ink' is what Jonathan Fischer, my first editor at the City Paper, titled the column whenever I did book reviews.

International Ink: Tommysaurus Rex

Doug Tennapels' newly-expanded and colored graphic novel Tommysaurus Rex (Scholastic) is, as you might expect from the title, an odd animal. First published in 2004, this story of a boy and his dinosaur is aimed at children, but is really all-ages.

Ely's dog Tommy (and best friend of course) is killed by page 10 setting a rather dour tone for a book's beginning. His parents dispatch Ely to his grandfather's farm for the summer in hopes that he'll get over the death. When he arrives, his grandfather has a toy Tyrannosaurus Rex as well as a lot of farm chores for him. At the end of his first day, Ely is confronted by Randy, a local bully, who chases him into a cave and smears 'dog poop' on him. That night his grandfather hears about it, and while the two are talking about the morality of trying to make someone at poop, Grandpa's leg cramps. "It's just my trick ankle. It fires up everytime something good is about to happen. That or it's gout."

Guess which it is? That night, Ely hears a roaring through his open window and follows the sound back to the cave. Tennapel's tale takes a hard turn towards fantasy by having a small tyrannosaur hatching in the cave. It imprints on Ely, and the next morning Grandpa becomes the first person to ever say, "A dinosaur is eating my cow." Damage around town soon follows, but Grandpa and Ely convince the mayor that they can train the dinosaur and it will become a tourist attraction. As he trains it, Ely eventually comes to believe the dinosaur is Tommy reincarnated. The story meanders along through the dinosaur's training, a guest appearance by animator Ray Harryhausen, a kitty rescue, and further trouble with Randy until it reaches an unlikely, but emotional climax.

(an uncorrected proof was provided by the publisher for this review)

International Ink extra: Gettysburg: The Graphic History

The Battle of Gettysburg, a turning point in the Civil War, took place 150 years ago today. Gettysburg: The Graphic History by Wayne Vansant (Zenith Press, 2013, $20) is a graphic history of the story of the battle. Robert E. Lee of the Confederate Army had led his troops north to Pennsylvania, hoping to both shock the North and reprovision his armies with food and clothing captured from Union states. The Union, or Federal troops, under the newly appointed Major General George Meade, intercepted them near the small town of Gettysburg in southern Pennsylvania. Although Lee did not want to fight a pitched engagement, his cavalry scouts under JEB Stuart had wandered south towards Washington and didn't warn him away from the Union (or Federal) troops. Once some of his troops were committed, Lee decided to fight, hoping to punch a whole in the Union line of defenders. For three days, the two sides fought with thousands of men until the Union broke a last chance charge by General George Pickett. On July 4th, the Confederates retreated, and Meade didn't follow them in spite of President Lincoln's urgings.

The story is so big and complex that it doesn't fit well into 96 pages. Vansant does a competent job of explaining the preparations before the battle, the three days of the battle and the aftermath, including the full text of Lincoln's Gettysburg Address which dedicated the Union cemetery. He's obviously used reference photographs, and his artwork makes the famous people recognizable, if a bit stiff. He approaches the story chronologically, and one can get an idea of how the battle unfolded, but the book remains rather dry. Given his young adult audience, Vansant draws a minimum of bloodshed. When he writes, "Down below, General Hood's left arm was shattered by a shell burst," he draws Hood and his horse blinded and pushed to one side by the explosion and only colors them with a golden wash. I do not think most readers would actually want any more graphic detail than that, but Vansant's decision does sap some of the essence out of the story. His need to jump from one small segment of the battle to the next, unavoidable as it may be, has the same effect.

The story appears to be factually correct, although some items such as drawing Confederate General Lewis Armistead advancing with his hat speared on his sword aren't explained. Perhaps he thought sharpshooters would aim for his hat? A final round of proof-reading would have avoided mistakes such as "Choked with emotion because he did not want to make this attack, Longstreet nearly nodded." (p. 81) Presumably 'merely' is meant, not 'nearly' since a near nod is not much of a military command.

In conclusion, this book is most likely to appeal to a boy who already has an interest in the Civil War or military history, and is a perfectly reasonable starting place for someone looking at the vast amount of Gettysburg literature.

Still coming next - Tommysaurus Rex.

International Ink extra: The She-Hulk Diaries

Along with Rogue Touch, The She-Hulk Diaries by Marta Acosta (Hyperion, $15) is Marvel Comics' latest experiment in reaching a new audience. The books are superhero romance novels. As a superhero fan, I'm perhaps 1/2 of the audience they're aiming at; I'm certainly not a woman who reads romance novels. Nevertheless, I enjoyed this novel.

I'm not currently keeping up with Marvel's ever-expanding Avengers line, so I'm not sure how the book fits into continuity. In Acosta's story, Jennifer Walters and her alter-ego She-Hulk (annoyingly aka Shulky) have a Jekyll and Hyde relationship with one personality displacing the other rather than the comic book's original version of She-Hulk as a more confident, less uptight and fun-loving version of Jennifer. John Byrne even had She-Hulk practicing law (which is referenced in this novel, but not in a believable fashion). Like Byrne, Acosta has a light humorous hand with the character, and refreshingly doesn't take superheroism too seriously.

As with Hyde, She-Hulk is a released Id and has been tossed out of Avengers Mansion for being too destructive and disruptive. Jennifer, narrating the story via her diary, is living in a borrowed apartment and looking for a new life - a new job, a new apartment and a new boyfriend. Her secret identity as She-Hulk is making all of these objectives difficult.

In coincidences that could only happen in a comic book, or a romance novel, Jennifer gets a job at a law firm that is suing over failing artificial organ transplants, and her former lover Ellis Tesla is the son of the firm;s owner, engaged to its hot-shot lead attorney AND being sued by the firm in the organ case. Tesla is a former musician whose most famous song "Flesh-Eating Bacteria Girl" is about Jennifer, although she continually denies it. Acosta keeps a lot of balls in the air as Jennifer works all of these things out, as well as random attacks by a minor league supervillains, while trying to keep a lid on She-Hulk.

The story is full of lines such as "In order to get Ellis out of my head, which is already crowded by Shulky sprawling all over the place, I decided to participate in something outside my comfort zone" (which is a Game of Thrones party at a bar). After a few minutes of reading, one gets used to them and begins looking forward to the next escapade. This novel won't be for everyone, but if you're a fan of strong female superhero characters, give it a try.

Next up: Tommysaurus Rex by Doug Tennapel

International Ink extra: Zits: Chillax

For several years, I've written International Ink, an infrequent column on the City Paper's website, with reviews of comics-related books. I plan on continuing it, but I've fallen way behind on reading the books I'm being sent or have bought, so I'll be posting single book reviews here over the summer. When I get caught-up, I'll try to get back to the multi-book columns in the CP.

First up is Zits: Chillax (Harper, $9.99) by Jerry Scott and Jim Borgman. It's an illustrated novel, a form that's made a popular comeback in the comics world with the success of Wimpy Kid. The genre is old though - I've got a copy of Skippy by Percy Crosby from 1929 sitting next to my computer as I type this. Borgman's illustrations are integral to the story, as the text quits and let the picture carry the story at times.

I had no idea that a Zits young adult novel was coming out, and was rather surprised to get a copy. For any fan of the strip, it's definitely worth  reading. Since the press release says the comic is in 1,700 papers, that's probably a  respectable number of people. The novel features all the main characters and reads much like a comic strip continuity. Strip star Jeremy and his best friend Hector have tickets to a Gingivitis concert. The band "has a reputationf or some pretty insane stage behavior. Sure, there has been the occasional wardrobe slippage, virgin sacrifice, and live animal ingestion, but it's not like these guys use that to get attention. They are first and foremost musicians." In between ignoring homework about Richard Nixon and Watergate, the two boys need to figure out how to get permission to go to the concert. When they find out that their garage band's guitar-player Tim sold them his tickets because his mother has cancer (a revelation done solely as a splash page illustration), they decide to go to concert and  buy something memorable there for Tim (with a bit of prodding from Jeremy's girlfriend Sara).

The novel slips into slapstick when they get to the concert, but even with the cancer subtext it's a light fun read. Borgman's cartoons definitely add to the story, and while Scott's language is probably not that of a real teen, he has a way with a phrase. If you or your children enjoy a drawing with an accompanying sentence such as "There's something beautiful about causing somebody to spew a mouthful of soda just by saying something hilarious (unless, you know, you're in the row in front of that person)"  give this novel a try. A second  book, Shredded, is previewed at the end. I'll be looking for it.

Next up - another comics-related novel: She-Hulk Diaries, a romance story.

Comic book reviews on City Paper

International Ink: France, Canada, England, New York, and New Haven
Posted by Mike Rhode on Jan. 5, 2011

http://www.washingtoncitypaper.com/blogs/artsdesk/books/2011/01/05/international-ink-france-canada-england-new-york-and-new-haven/

 

PR: Fantom Comics Holiday Recommendations

We're just abouta week from Christmas and there's still plenty of time to do right by your favorite comics fan. So, put down The Chia Pet 'cause Fantom Comics is here to help with a handy-dandy list of recommendations for the comics fan or anyone looking for something new and exciting!   If you're a fan of The Walking Dead comic and TV series (Image Comics), you may like:   Chew Vol. 1 through 3 (Image Comics):   Vice cop Tony Chu lives in a world where, after a global epidemic of avian flu, all poultry is illegal. Chu also has a secret; he's a "cibopath," a person who gets psychic impressions from the things he eats. While investigating an illegal chicken smuggling operation, he tastes a bowl of chicken soup, finding himself on the trail of a serial killer.   If you're a fan of the current Batman series of movies, you may like:   Batman: Year One (DC Comics)   The skill of leaping from rooftop to rooftop while dodging bullets isn't something you learn overnight. No, there's a definite learning curve. This book explores the forging of a man into a hero. Batman: Year One is what many believe to be Batman: The Dark Knight Returns and Sin City writer/artist Frank Miller's stronger Batman work.   If you're a fan of Breaking Bad, you may like:   Scalped Vol. 1 through 6 (Vertigo):   Bearing nunchucks and an attitude, Dashiell Bad Horse returns to the Prairie Rose Reservation he left fifteen years ago. A lot's changed in the years, he's been gone, meth labs litter the area adding more misery to the already crushing poverty. Soon, a 97 million dollar casino will open on this land, headed up by Lincoln Red Crow, a man from Dash's past who'll also play a major hand in his future. With brilliant characterization and sharp dialogue, Scalped is simply of the best books being printed today. If you're a fan of TV's Mad Men, you may like:   Richard Stark's Parker series by Darwyn Cooke (IDW Publishing):   Parker is neither hero nor villain. He knows exactly who he is. He's a thief, simply out for his next dollar. What makes him the character so interesting is that when it's all said and done, you'll respect the character's honesty. Adapting author Richard Stark's singular character is master storyteller Darwyn Cooke of DC: The New Frontier fame. Art-wise, Cooke builds a world reminiscent of the time in which Mad Men is set while maintaining the stylistic flourishes comics fans have come to appreciate within his work. Look for both The Hunter and the newly released, The Outfit.   If you're a fan of James Bond and The Jason Bourne series of books and movies, you may like:   Queen and Country Definitive Editions One through Four (Oni Press):   Tara Chace is an operative within The British Secret Service. The work is rarely glamorous and rarely involves traveling to exotic locations, sipping martinis. When the assignment does come, it usually involves being sent to some far off place with the express knowledge that you may be being sent off to die and knowing that if you live, you may need to drink to forget the things you've done. You'll never see the espionage thriller in the same way after reading this.   If you're a fan of Calvin and Hobbes, you may like:   Tiny Titans (DC Comics):   Full of good, simple fun and drawn in an art style accessible to young and old, The Tiny Titans are the child sidekicks of some of superherodom's most famous heroes. Robin, Superboy, a couple of Wonder Girls, a Kid Flash and few super-pets, among others, hang out in a clubhouse while keeping the world safe for whimsy.   If you're a fan of the Iron Man movie and comics series, you may like:   Secret Avengers (Marvel Comics):     Following the events of the Siege mini-series, Steve Rogers, the former Captain America, realizes a need for a more pro-active team of Avengers; one that takes the fight directly to any potential threat. Featuring Avengers mainstays such as Black Widow while utilizing mission specific and insanely clever additions such as Shang Chi, The Master of Kung Fu, Secret Avengers is what happens when childhood fave G.I. Joe meets the storied Avengers franchise.   If you like True Blood book and TV series, you may like:   American Vampire Volume One, co-written by Stephen King (Vertigo Comics):   Skinner Sweet is sick. Sick of aristocratic vampires trying to run the world. Sick of the romanticizing of what he is. Sick of vampires who seek the light. Skinner Sweet is an outlaw and vampire turned during the height of The Wild West. Skinner Sweet does not sparkle. Under the stellar writing of Stephen King and Scott Snyder, he shines.   If you're a fan of political thrillers, you may like:   Ex Machina Vol. 1 through 10 (DC/Wildstorm)   Following his actions during a pivotal moment in American history, Mitchell Hundred has become the first superhero ever to be elected Mayor of New York. Operating in real time, Ex Machina follows this man through his four years in office. One of comics' best series, Ex Machina opens with a first chapter that will leave you absolutely stunned and a final chapter that will leave you speechless If you're a fan of the Harry Potter series of books, you may like:   The Books Of Magic (DC/Vertigo)   Tim Hunter, a bespectacled, young British orphan is taken on a tutorial through The Books of Magic by some of the world's greatest magicians. Will he reject or embrace his destiny to become the world's greatest magician? Released in 1990, a full seven years before the first Harry Potter novel, The Books Of Magic is written by Sandman and American Gods author Neil Gaiman.   If you're a fan of the recent Green Lantern trailer, you may like:   Green Lantern (DC Comics)   Hal Jordan is a test pilot, ne'er do well and possessor of the most powerful weapon in the universe, the Green Lantern Power Ring, a ring fueled by the only thing he has in spades: willpower. The only thing that can stop Hal Jordan is the one thing he's never known: fear. When the two meet, a battle of truly universal importance will take place and a legend will be born. To get your best look at just who Hal Jordan is; the trade paperback collections of Green Lantern: Secret Origin and Green Lantern: Rebirth are both highly recommended.   These and many other fine titles are in stock and ready to make a day. As always, feel free to come down and see us and we'll be more than happy to help out.   Best! Union Station - 50 Massachusetts Avenue NE | Washington, DC 20002 | 202-216-9478 www.fantomcomics.com

Weldon's Christmas book recommendations

$683 of great reading!

The Nerds' Noel: Ten Great Gifts for the Picky Comics Lovers on Your List

by Glen Weldon

December 15, 2010

http://www.npr.org/blogs/monkeysee/2010/12/15/132050957/the-nerds-noel-ten-great-gifts-for-the-picky-comics-lovers-on-your-list

Comic art book reviews now at City Paper

International Ink: Think Holiday Thoughts

Posted by Mike Rhode on Dec. 7, 2010

http://www.washingtoncitypaper.com/blogs/artsdesk/books/2010/12/07/international-ink-think-holiday-thoughts/

 

I'd be interested in hearing anyone's opinions about these, or any other books they'd recommend at the tail end of 2010.

Xavier Xerexes reviews 2 books

Two All Ages Comics: Guinea PI and Adventures in Cartooning

Zadzooks reviews comics

Zadzooks: Ghostopolis, Age of Reptiles, Doctor Solar: Man of the Atom; Welcome to some warped new worlds
By Joseph Szadkowski
The Washington Times Saturday, August 21, 2010

Comic Book reviews column up at City Paper

International Ink: Brody's Ghost, Wolverine, Usagi Yojimbo

Posted by Mike Rhode on Aug. 3, 2010 at 2:54 pm

http://www.washingtoncitypaper.com/blogs/artsdesk/books/2010/08/03/international-ink-brodys-ghost-book-wolverine-usagi-yojimbo/

Weldon's book reviews and recommendations

Five Great Books They Won't Talk About At Comic-Con, by Glen Weldon, July 21, 2010.

Shutter Island comic review at City Paper site

Shutter Island, Version 2.0: The Graphic Novel by Christian De Metter
Posted by Mike Rhode on Feb. 23, 2010.

Greek graphic biography Logicomix reviewed in Post

Big ideas, bright colors
Dan Kois
Washington Post Sunday, November 15, 2009

LOGICOMIX
An Epic Search for Truth
By Apostolos Doxiadis, Christos H. Papadimitriou, Alecos Papadatos and Annie Di Donna
Bloomsbury. 347 pp. Paperback, $22.95

I've got it, but haven't read it yet.

4 things I enjoyed reading yesterday

Dungeon The Early Years Vol. 1: The Night Shift by Blain, Sfar and Trondheim.
This is a shared universe by a bunch of French creators. Some time ago, Bart Beaty attempted to explain how it all worked in the Comics Journal, but since most of the comics hadn't been published in English yet that was tough reading. Suffice to say that a castle with a dungeon is built in this book, and in later books it becomes the center of magical adventures, although eventually one of the workers in it takes over the world as a dark ruler. These are all fun, mostly oddly-drawn (to American eyes) and well worth checking out.

Mustard #4.
There's an excellent interview with Alan Moore in this small UK magazine, and online you can get 2 paper doll cutouts of Moore. The mailing cost to the US was reasonable and the whole package cost about $6 through Paypal.

Illustration 26.
I get this regularly at Big Planet, but this issue had a Shadow pulp cover by Graves Gladney which made it a guaranteed sale. As a youngster, I was fascinated by pulp heroes who clearly were the forerunners of superheroes, and the Shadow was my favorite. In addition to the article about Gladney, who painted over 250 of the Shadow pulp covers, there are pieces on the American Academy of Art (which had cartooning classes) and Nan Pollard (a children's book illustrator who did licensed cartoon material such as Disney and Harvey Comics). The writing is slightly amateurish, but the other production values are first-rate.

Johnny Hiro by Fred Chao, Adhouse Books.
I've gotten to know Chris Pitzer, publisher of Adhouse, slightly over the years at SPX and have come to appreciate the quality of his books and now I just buy them automatically. Johnny Hiro is an amusing collection of short stories, set in Manhattan. Hiro is forced by circumstances to live up to his name, and Chao puts him in odd, manga-influenced difficulties. In the first story, a Godzilla-like monster attempts to take revenge on his Japanese-born girlfriend. In later stories, Hiro's work at a Japanese seafood restaurant puts cleaver-wielding chefs on his trail as he attempts to lose them on a drive through Manhattan. The art is good, Chao breaks the 4th wall when necessary, and I'm looking forward to more of his work.

Watchmen: Portraits book review

Enos, Clay. Watchmen: Portraits. London: Titan Books, 2009.
192 pages, $50.00 (hc)
ISBN-10: 1848560699, ISBN-13: 978-1848560697

Portraits is the oddest of the three books that Titan published as companions to the movie, but it also has the highest production values and is physically the largest of the three. Clay Enos was the official still photographer, but also decided to shoot sets of portraits of both the actors in costume and the people working on the film. He shot in black and white, and used harsh lighting and a white backdrop, so every pore and hair can be seen. This gives the images a curious effect as though Richard Avedon decided to photograph superheroes. This is added to by the juxtapositions of the crew members and actors – “2nd Assistant Camera” is followed by “1940s Store Owner” who is followed in turn by “Captain Axis” all in hyper-detailed photographs. In his foreword Snyder says, “Not only do these pages immortalize individual cast and crewmembers, but they also celebrate in particular the exceptional work of our talented costume, hair and make-up departments. But beyond even that, the photos of the actors in costume capture something more. What at first glance simply might appear to be an extra dressed up as a general for a day, reveals on closer study the decades of a career spent in uniform.” Snyder’s point is somewhat undermined by the lack of identification of everyone, including him, by name. They are only identified by position. However, Enos decided to follow his muse, and a book and traveling photograph exhibit have resulted. I am not sure who this book will appeal to, but I appreciate the fact that Enos thought outside of the job he was hired for to create it.

Watchmen: The Art of the Film book review

Aperlo, Peter. Watchmen: The Art of the Film. London: Titan Books, 2009.
256 pages, $40 (hc).
ISBN-10: 1848560680, ISBN-13: 978-1848560680

Unsurprisingly, The Art of the Film complements and somewhat overlaps The Film Companion. It focuses more on the film’s design and special effects. Of special interest to comic book readers is concept art by Adam Hughes, David Finch and John Cassaday, prop art by James Jean and new art by Dave Gibbons and colorist John Higgins including three pages drawn as a new alternative ending to the comic book, and thus the movie.

The only word to describe this movie, and this resulting book is ‘lush.’ An ad for The Veidt Method (Page 13) quotes comic books’ one-time ubiquitous Charles Atlas self-improvement ads. Dozens of prop newspapers hang in a hallway, with decades spanned in their headlines, waiting for approval to use in the movie. Production manager Alex McDowell explained part of the rationale for such detail, “This film is interesting because environments really have to represent the characters iconically, because you are in this very complex, fluid time stream back and forth. You need something to ground you when you cut back to something that’s 1970 or ’77 or ’85.” (p.28-29) The small black & white television shown in the original Nite Owl’s apartment on p. 39 is actually the same model that this reviewer had in his bedroom as a teenager.

The Introduction chapter gives the basic rationale behind the design and look of the movie. Concept Art has the initial redesigns of characters, the storyboards and the new ending by Gibbons and Snyder. Several pages focus on James Jean’s painting of Silk Spectre I’s World War II propaganda poster. Jean painted her in both Norman Rockwell and Vargas’ styles. Production Art focuses more on how a scene is actually laid out and what it will look like – an example is the cemetery for the Comedian’s funeral which is shown as a painting and a set of elevation drawings. This leads naturally into the Sets chapter, which again shows design artwork and stills from the finished movie; here a good example is Dr. Manhattan’s apartment or Adrian Veidt’s office.

Props drills down into more detailed pieces especially, and unsurprisingly, weapons although it also includes the newspapers seen waiting for approval in the Introduction, Rorschach’s diary, Watchmen action figures from Veidt’s office (sculpted for the film by Neville Page, but the viewer can now own a set as a result of the movie, as reality and fiction intertwine). Moore and Gibbon’s original story had a secondary story running through it – a knock-off of an EC pirate horror comic called The Black Freighter. Interleaving that into the movie would have been impossible, so Snyder created an animated direct-to-video version which went on sale before The Watchmen opened. A few pages show artwork from the ‘comic book’ and the resulting animation.

The Owlship, a flying version of Batman’s Batmobile, gets a chapter to itself, as do Costumes. Both are filled with production artwork and the final results. The book ends with a look at the multiple poster campaigns designed for the movie. Like The Film Companion, this book is well-done and should appeal to those interested in more information than the movie alone could provide.

Watchmen: The Film Companion book review

Aperlo, Peter. Watchmen: The Official Film Companion. London: Titan Books.
176 pages, $19.95 (pb), $29.95 (hc)
ISBN-10: 1848560672 (pb), ISBN-13: 978-1848560673 (pb), ISBN-10: 1848561598 (hc), ISBN-13: 978-1848561595.

Watchmen, a movie that I thought would never be made due to its absolute need for familiarity with comic book superhero tropes, is generating merchandising and spinoffs just like the original comic books did over two decades ago. The movie audiences’ familiarity with DC Comics characters such as Superman and Batman apparently carried over to acceptance of the Watchmen characters which Alan Moore and Dave Gibbons had based on Charlton Comics’ superhero knockoffs of the DC heroes.

Titan Books has put out some handsome volumes on the making of the movie. To long-time American readers, Titan was best known for repackaging DC and Marvel comics for the British market, frequently collecting material like Neal Adams’ Batman in black and white. More recently, they have been the source for reprints of British works including comic strips like the excellent James Bond series. Now, as it publishes high quality books about the making of movies based on comics, the company has moved into a market held by Chronicle Books and Hyperion. This business decision was probably partly motivated by the success of books such as “The Art of (Our New Animated Movie)” which now accompany every new animation release.

The Official Film Companion is a lovely book. It is largely a photography book with a small amount of text, as these books tend to be. The printing is of excellent quality, and is far higher than earlier books of this type such as those that came out for the first Batman series. The book is divided into seven chapters: Pre-Production, World of Watchmen, The Characters, Production, Post-Production, Making Manhattan and Conclusion.

Pre-Production features some interesting artwork by other comic book artists, but is mostly devoted to background material such as set and prop designs. World of the Watchmen demonstrates the inherent difficulty of a book like this – the ‘history’ of the Watchmen’s world is written straightly and shown in photographs. Then director Zach Snyder is quoted. “What does [being a superhero] do to you?” Snyder asks … “Does it make you crazy? Does it make you a recluse? Does it make you lose touch with humanity?” (p. 38). The book then continues on describing the formation of the Minuteman team in the 1940s. The Characters, a chapter describing each one in some detail, has the same problem differentiating between the character’s reality and the actor’s reality. The next three chapters examine how the movie was actually made, especially the special effects. The chapter on Dr. Manhattan has many pictures of the motion-capture suit, and decisively settles the issue of how much of Billy Crudup’s anatomy is actually shown on the screen: none, except for his face.

Overall, this is a very well-produced, typical example of this type of book. If you are interested in knowing more about the film, or if you like looking at cool photos of props or special effects, you’ll find something of interest in the book.

Soon to come - reviews of The Art of the Film and Portraits.

Thanks to Katharine Carroll of Titan Books for providing review copies. A revised copy of this review will run in the Fall 2009 International Journal of Comic Art.

Book review: Who Can Save Us Now?: Brand-New Superheroes and Their Amazing (Short) Stories

This book came over the transom a few months ago, and I'm just catching up to reviewing it. This review should also appear in print in the International Journal of Comic Art's 11:1 issue in the late Spring.




Owen King and John McNally, editors. Who Can Save Us Now?: Brand-New Superheroes and Their Amazing (Short) Stories. Free Press, 2008. 432 pages. $16.00. ISBN-10: 1416566449; ISBN-13: 978-1416566441.

Superhero novels have been published off and on since George Lowther’s 1942 novel The Adventures of Superman. Most times these books are based directly on existing comic book superheroes, frequently due to a media tie-in, as in the novel and the radio show in which Lowther wrote for both. The 1960s saw Batman novels due to the television show, and Marvel Comics had a series of novels based on their superheroes in the 1970s. In recent years, many of these types of books, frequently labeled ‘media tie-in’ have been produced, but this book hearkens back to a different trend. In the 1970s, some superhero novels such as Robert Mayers’ 1977 Superfolks attempted to be ‘serious fiction.’ This trend continued with infrequent novels such as 1994’s What They Did to Princess Paragon by Robert Rodi until the recent success of Michael Chabon and Jonathan Lethem inspired new attempts.

Of the twenty-two stories in the book, six have previously appeared, and of that six, three of them were in the Virginia Quarterly Review. Although the author notes at the end list each one’s favorite superhero, judging from their answers, it appears that few of them are serious superhero comic book readers and none are comic book writers. This lack of familiarity with the genre can lead to some awkward or uninteresting writing at times.

The book starts off strongly with Stephanie Harrell’s “Girl Reporter,” a strong take on an alternative Superman – Lois Lane type of relationship, told from the reporter’s point of view. “The Quick Stop 5®” by Sam Weller is a good example of a story that would not work well in a comic book, but partly because Weller mocks the genre. The characters gain their powers in a typical freak accident, but the powers are not necessarily ones that would be desired. Prophylactic Girl, with rubber powers, also has a condom tip on her head while Dip is a walking wad of chewing tobacco in the mold of Swamp Thing or Man-Thing. The story is a satire, and is amusing though. John McNally’s “Remains of the Night” is another satire in which the narrator appears to work for a hero named the Silverfish – one can only go in one direction with a premise like that although McNally’s writing is competent. “The Pentecostal Home for Flying Children” by Will Clarke takes the premise of the X-Men, mutant children in a special school, and turns it on its side. Clarke wrote, “Unfortunately, the Redbird didn’t possess the necessary might to be a major-league superhero. In the world of superpowers, flight was pretty much table stakes. … So the Redbird was relegated to working in the superhero farm leagues. … However as the years passed, it became apparent that the Redbird had moved to Shreveport for less-than-savory reasons. Turns out the Redbird came to our town not just for the easy work, but for our chronically bored housewives, our prodigal daughters, and our all-too-easily seduced Baptist Ladies Prayer Circle.” (p. 110) The children of his liaisons end up becoming a problem for the whole town.

Another story that alters a typical superhero tale is “Mr. Big Deal” by Sean Doolittle, in which a police officer’s superpower is that he can disable other peoples powers permanently. His father, a superhero called The Hard Bargain, never felt comfortable around him because his son could take away his powers at any time, but now the father lies in a coma in a hospital bed because “For Four decades, in the service of the common good, he absorbed gunshots, stabbings, conflagrations, falls from great heights, and the kind of damage that would spread a natural over a country mile like so much fertilizer. And then, finally, little by little, my father’s jungle of internal scar tissue began to strangle his won organs, shutting him down one function at a time.” (p. 298) The story ends with a twist that O. Henry might have tried.

Some of the stories, especially the shortest ones do not work quite as well, but the collection as a whole is worth reading especially if you have an interest in the superhero genre. I am not sure if this type of fiction is sustainable in the long run, but one might as well enjoy it while it appears. The book is capably illustrated throughout by Chris Burnham who has worked for Image Comics. The cover photograph and design is well done too.