Showing posts with label Secret History of Comics. Show all posts
Showing posts with label Secret History of Comics. Show all posts

Friday, February 20, 2009

History Repeats Itself, in the Secret History of Comics

Warren Bernard writes in with another bit of the Secret History of Comics:

Well, no question that all of us capitalists have taken it on the chin recently. To show how things do not change and for your enjoyment, (Well, OK, as much as one can enjoy seeing their life savings evaporate into thin air), here is a cartoon about the stock market from Puck Magazine in 1884.

WallStreet1884
'The Wall Street Hellgate' by F. Graetz, Puck, 1884.

Note the electrical/telegraph wires in the crown of the "Siren", as she plays her harp of speculation.

Replace the strings labeled "Western Union", "Erie" and "Pacific" (all railroad companies, the growth stock of the day) with "CDOs", "Mortgage Backed Securities" and "Ethanol" and Voila!! Instant 21st Century political cartoon!!

But my favorite part of the cartoon are the foot pedals on the harp. They are named, appropriately enough, "Puts" and "Calls".

We have not changed much in 125 years and I dunno about you, but I surely feel as if I just crashed on those rocks.

Wednesday, January 14, 2009

Fabulous Furry Freak Brothers 1971 film - more on the lost short

Freak brothers
Joel Pollack's original art for the movie poster. Thanks to Joel for letting me use it (and then giving it to me!)

I spoke with one of the men behind the movie The Fabulous Furry Freak Brothers Acquire a Groupie (USA: Reel Meat, ca 1971) tonight after Joel Pollack passed along his contact information. Joel Jacobson called and we talked about his role in creating the short film. The amateur live action short was originally approved by Shelton, although his permission was later revoked. The filmmakers were Bill Pace and Celia Symborski, aided to a large extent by Joel Jacobson who did much of the actual production work. The actors were Jeff Wolfe as Fat Freddy, Tom Scott as Freewheelin' Frank, and Dave Eisner as Phineas.

Mr. Jacobson told me how he got involved in the project.

“I was producing films, actually freelancing. I ended up making education films, but I was doing freelance editing and camera work. I owned everything, all my lights, and sound gear, and I had an editing room in my house. I had a whole bunch of stuff so I could work with an assistant if I needed to.”

“As a kid, I remember seeing the entire Captain Marvel series in Atlanta, GA around 1942 at the neighborhood theater. That was the serial I saw every single chapter of. The Janus Theater showed the entire Batman serial end to end all the way through around 1965.”

“Prior to 1971, in 1969 I did a thing on the Counter-Inauguration with the Yippies demonstrating against the real inauguration of Nixon. That was shown at the Circle Theater, although I didn’t make any money on it. Sometime in the 1970s I started producing stuff.”

He wanted to help Pace and Symbarski because he thought he’d give them the help that he would have liked to have gotten as a young filmmaker. He essentially shot the film for them, using his equipment including sound equipment, lights and a Steenbeck film editing machine. They shot the film in Takoma Park, MD, “where Bill and Cel worked at Maggie’s Farm, a head shop, as well as being students at the University of Maryland, so a lot of the props probably came from there.” This wasn’t an official school project for them though. Eventually he realized that he was doing a lot of the work for them, which to him meant they wouldn’t mature as filmmakers, so he stopped doing so much (which appears to have led to some tensions).

“The show itself didn’t really follow the comic strip faithfully.” Instead of the Princess and the pea ending of the comic strip, “We ended up with the guys taking a toke on a bong. What I did was, I shot the guy and then I shot the scene without the guy, and then I had vibrating thing like a jew’s-harp make a sound, and then the guy vanishes to the bwoooiiing sound when taking a bong hit… It drew a really big laugh.”

Eventually they had to scratch out “Fabulous Furry Freak Bros.” on the release print after Gilbert Shelton objected. The movie was shown to the public though. It was shown at Biograph Theater by Alan Rubin, one of the theater owners.

“They used to have something called Expose Yourself where people would bring films to show. Bill and Cel showed up on Alan’s night and asked if they could show it, and Al said yes and showed it that night. They thought they’d have to go through a procedure, but Al just set up a 16mm projector and showed it right then.” It was shown several times.

Neither he nor Joel Pollack know what happened to Bill Pace. Mr. Jacobson noted that Bill Pace always “carried a wine skin with him and always had a buzz.” Celia Symbarski died after a motorcycle accident. Neither man knows if any copies of the film survive.

Another entry for the Secret History of Comics. If anyone knows of the whereabouts of the film, please contact us!

[1/27/2020: Symbarski corrected to Symborski, per Joel Pollack].

Sunday, December 07, 2008

Fabulous Furry Freak Brothers movie? UPDATED

Did you know there was a Fabulous Furry Freak Brothers movie? According to Joel Pollack of Big Planet Comics, Gilbert Shelton's underground comic was adapted into a live action short, The Fabulous Furry Freak Brothers Acquire a Groupie. This was around 1971 by a DC-area filmmaker whose company was Reel Meat. Joel did the promo art and showed it to me today. The filmmakers were Bill Pace and Celia Symbarski aided by Joel Jacobson. The actors were Jeff Wolfe as Fat Freddy, Tom Scott as Freewheelin' Frank, and Dave Eisner as Phineas. Bill Pace would be the only one likely to own a copy, Joel thinks. The movie disappeared when Shelton pulled his approval of the license.

Saturday, July 05, 2008

Nate Beeler featured in American University's magazine

I found this magazine in the library's sale section today:


Which led to finding this link to American University's alumni magazine for you gentle readers - "Drawn to Washington: Editorial cartoonist for the Washington Examiner, Nate Beeler '02 has a ringside seat for D.C.'s political circus," by Adrienne Frank, American (Spring 2008): 26-27. I don't know why he doesn't tell me about these things - maybe it's the new baby. By the way, the Examiner started running his work in color this past week.

Bought at the same library - three Story magazines, just for R.O. Blechman's covers:

If you haven't read Blechman's graphic novels, such as The Juggler of Our Lady, step away from this website and hunt them up through a used bookseller NOW.

Friday, July 04, 2008

Secret History of Comics includes Crumb, courtesy of Warren Bernard

Warren writes in with a modern piece:

I went last month to Stripdagen, the biennial comics show in Haarlem, The Netherlands. Found myself at the booth which does the printing for lithos and prints by Chris Ware and Joost Swarte. While poking around their amazing collection of prints, I struck up a conversation with one of the people running the booth. In the middle of the conversation the guy stops and asks, "Are you a Robert Crumb fan?". After saying yes, he handed me the flyer you now see.

It's for a concert in Paris and I was real lucky to get this. I am sure thousands were printed, but how many will actually make it to America?

So, regardless if it's Crumb or Gluyas Williams for Texaco or Charles Schulz for Metropolitan Life, there is a ton of commercial art by great and famous cartoonists that needs to be revealed by SHOC.

Sunday, April 27, 2008

Comics in strange places

Today was the Folger Shakespeare Library's celebration of Big Will's birthday (which was actually last Wednesday). The Library opened their reading rooms to the public so I took a look and found this chair (or throne as the case may be):
100_5209

The image of Shakespeare is purported to be by or "attributed to" William Hogarth.

100_5212

Comics, comics, everywhere...

Saturday, April 12, 2008

OT: Underground comics mag find part two - A Secret History of Comics Special

As you can see in the comments for part one, Steve Rowe notes that these were an attempt to sponge off National Lampoon's readership and were definitely ground-level, available in newsstands. However, due to the cartoonists involved, I'll keep calling them underground. Here's the 2nd issue with cartoonists I have, Apple Pie July 1975. The two issues from 1976 didn't have cartoonists in them. All four are going to Michigan State University's Comic Art Collection this spring, should one need to see them for research. Or a laugh.



Another Terry Austin editorial cartoon.


An ad for the mag by Howard Chaykin using some of his usual tropes of the time.


Two one-pages by Justin Green.



Michael Kaluta draws Buster Brown!



Two pages of pirate violence from S. Clay Wilson.



Four pages of vegetarian activism from Kim Deitch.




Friday, April 11, 2008

OT: Underground comics mag find part one - A Secret History of Comics Special

I picked up a couple of underground magazines - well they were probably ground-level for the time - that are going to be passed along to MSU's Comic Art Collection soon. Before I do that, here's some of the more famous underground cartoonists from Apple Pie May 1975.



Neal Adams art on this.


Terry Austin, the great inker, apparently did editorial cartoons too.


A couple of one-pagers by Justin Green.





Paul Kirchner did the surrealist strip The Bus for alternative weekly newspapers, until I seem to remember that he came into money - Ninja Turtle money maybe?



And a three-page strip by Kirchner:





Friday, April 04, 2008

Kliban on pot, not cats, or A Secret History of Comics post

This is from the well-known Cat cartoonist, the late B. Kliban.

Kliban - 1976-01

It appeared in Apple Pie, January 1976.

Comics action in Cosmo 1957

Day ad Cosmo1957-04
Robert Day ad for Bell Telephone from Cosmopolitan, April 1957, in which they kindly define 'ubiquitous' for the reader.

Boy, public telephones certainly aren't 'ubiquitous' now, are they? In fact, this ad is incomprehensible to anyone under 20, isn't it?

Florida cartoonists1 - Cosmo1957-04
Florida Cartoonists Poke Fun at Their State, p. 1, Cosmopolitan, April 1957. Featuring Lowell Hoppes and Charles E. Sharman.

Florida cartoonists2 - Cosmo1957-04
Florida Cartoonists Poke Fun at Their State, p. 2, Cosmopolitan, April 1957. Featuring Martin Filchock and Bandell Linn.

Monday, March 24, 2008

92 years yesterday ... the SHOC of McCay!

Another Secret History of Comics entry by Warren Bernard:

92 years ago this past Sunday, March 23, 1916, the members of The Albany Legislative Correspondents Association got together for their annual dinner. Not unlike the Gridiron Club, it was a boys night out to rib and celebrate the then occupants of the New York State Legislature and the sitting Governor, Charles Whitman.

The program for this event features a Winsor McCay drawing that to my knowledge, has not been reprinted before. This dinner and its associated program was done for over 60 years, and each year political cartoonists did both the covers and in some years, up to a half dozen specialty pieces for the inside text.

How many more did Mccay do? For what other obscure organization did he do such material? The former I do not know the answer to, the latter, one day soon this question will be at least partially answered.

So stay tuned to the SHOC...

Warren

I had to reduce the image dpi from 300 to 150 to get a reasonable size to post - if anyone wants the supersize original, click here.

Saturday, March 22, 2008

A comic strip?

Brian, a friend at work saw this in an antique store in New Orleans and took this picture for me.

After mulling it over for a week and talking to two other historians of medicine who write on comics, I called up and ordered it. I haven't printed it yet, but flopping and inverting the picture lets you see it:


So it's a printing block for a fundraising ad campaign for the March of Dimes to conquer polio. Pretty neat especially the iron lung in the center. I'm going to try to ink it and print it, and we'll see what results I get. Perhaps we can make prints as write-in prizes!

Wednesday, March 19, 2008

Another Batchelor VD poster


This one wasn't in the National Museum of Health and Medicine's collection, so when I spotted it on ebay I bought it. I scanned it yesterday and added the e-version to the Museum's collection; since we don't have an acquisitions budget to buy things, there's no conflict of interest. I'll probably donate it someday, but at the moment I'm enjoying ownership.

Monday, March 10, 2008

C.D. Batchelor's anti-VD campaign


C.D. Batchelor was a Pulitzer Prize winning editorial cartoonist whose career lasted for almost 50 years in New York. One can see similarities in the 1937 Pulitzer winning cartoon and the anti-venereal disease cartoons reproduced below from the collections of the National Museum of Health and Medicine.

Reeve79101-67
"Warning: these enemies are still lurking around. Syphilis.
Gonorrhea." Cartoon by C..D. Batchelor of the New York Daily News for the American Social Hygiene Association, 1790 Broadway, New York, N.Y. (Reeve79101-67)

Reeve79101-62
"Two girls I know want to meet you in the worst way." C.D. Batchelor, American Social Hygiene Association. (Reeve79101-62)

Reeve79101-52
"The glory of manhood is strength. Keep clean for the heritage of the cleanly is strength." Cartoon by C..D. Batchelor of the New York Daily News for the American Social Hygiene Association, 1790 Broadway, New York, N.Y. (Reeve79101-52)

Reeve79101-11
"Boys your sweetheart, your wife or your parents may never know it if you contract a venereal disease - but I'll know it and I'll suffer from it." Cartoon by C.D. Batchelor of the New York Daily News for the American Social Hygiene Association, 1790 Broadway, New York, N.Y. (Reeve79101-11)

Reeve79101-16
"Enemy agent. U.S. War Effort. Venereal Disease." Cartoon by C.D. Batchelor of the New York Daily News for the American Social Hygiene Association, 1790 Broadway, New York, N.Y. (Reeve79101-16)

Reeve79101-31
"'My boy was wounded in the African landing.' 'Mine was wounded in this country by a street walker.'" Cartoon by C..D. Batchelor of the New York Daily News for the American Social Hygiene Association, 1790 Broadway, New York, N.Y. (Reeve79101-31)

Note the difference in quality between Batchelor's original above, and the Army's copy below:

Reeve74964-6
"My boy was wounded in the African landing. Mine was wounded in this country by a street walker." World War 2. "Cartoon by C.C. Batchelor of the New York Daily News for the American Social Hygene Asociation, 1790 Broadway, New York, N.Y. Reproduced by Div. S.S.C. for distribution by Surgeon 3rd Armored Div." (Reeve74964-6.jpg)

Collections of his papers are in Witchita State University's Library in THE CARTOON COLLECTION OF C. D. BATCHELOR, MS 90-16 and C. D. Batchelor Papers - An inventory of his papers at Syracuse University.

Saturday, February 02, 2008

SHOC: Ads from Liberty Magazine

A few scans of Liberty Magazine wandered my way lately, so I pulled some comics material out of them. First we have 3 comic strip ads of Ol' Judge Robbins for Prince Albert tobacco. The artist changes, but I can't tell who any of them are.

Liberty Magazine November 11, 1936

Liberty Magazine October 2, 1937

Liberty Magazine June 10, 1939. This issue has an unfortunate editorial about how there will be no war in Europe in 1939. Whoops.

This ad agency obviously thought Ripley had a good idea, so why not borrow it?
Liberty Magazine November 14, 1936

And this ad is the one that made me decide to put these up for the Secret History of Comics - Fontaine Fox's long-running Toonerville Folks / Trolley (1911-1955) advertising laxatives.
Liberty Magazine, Jun 10, 1939