"Illustrator survives, thrives in Baltimore" by Adam Bednar, The Jeffersonian (April 10, 2007).
I didn't realize he was in Baltimore now - he's one of Top Shelf's stable, and they're having a big sale now.
Here's the sale info: Hey Comics Fans,
To celebrate Top Shelf's 10th Anniversary in publishing, and also to announce (and prepare for) our 2007-2008 publishing line, for the next ten days -- from Monday April 9th thru Wednesday April 18th -- Top Shelf is having its biggest web sale ever. When you visit the site, you'll find over 125 graphic novels and comics on sale, with fifty titles marked down to just $3 (!), twenty-five titles marked down to just $1 (!), and a slew of other key titles just slashed! All we ask is that you hit a $30 minimum on sale and/or non-sale items (before shipping). It's a great opportunity to
load up on all those graphic novels you've wanted to try, but just never got around to picking up. Get 'em while supplies last!
To go directly to the list of items on sale, just click here:
http://www.topshelfcomix.com/catalog.php?section=specialdeals
But here are a few sample sale items:
-- $3 Books: The Mirror of Love, The King, Tricked, Bighead, and more!
-- $1 Books: The Surrogates #1 and more!
-- Slashed Prices: Lost Girls, From Hell, Blankets, Owly Plush, and more!
**We now accept PayPal (as well as Visa, MasterCard, Amex, and Discover).
All secure.**
Please note that this sale is GOOD for "direct market" retailers as well, and comic book shops will get their wholesale discount on top of these sale prices. Certain minimums apply, so retailers please email us for details.
http://www.topshelfcomix.com
Tuesday, April 10, 2007
Weingarten on Johnny Hart's death
Gene Weingarten, as a noted comics aficionado was asked about Hart's death during his "Post Magazine: Too Busy to Stop and Hear the Music" (washingtonpost.com, April 9, 2007; 1:00 PM)
Fairfax, VA: For four months you leave us, and now you think you can just walk in here like nothing happened? At least offer us a poop joke and some words about Johnny Hart.
Gene Weingarten: I tried to write an appreciation of Johnny for today's paper, but failed. It was coming out nasty, and that was bad.
Johnny Hart was one of the greatest cartoonists who ever lived. "B.C." during the first few years of the strip was breathtakingly brilliant; really, if you're too young to remember (everyone but me is) go on ebay and buy a few of his very early collections, from before about 1963.
One of my favorites:
Peter, the smart one, declares he is going to travel across the earth dragging a forked stick in the sand, to prove that two parallel lines never meet. He starts out toward the right of the page. In the next several panels, you see him dragging that forked stick through desert and tundra and jungle, with parallel lines following him the whole way. Finally, he returns to his friends from the left of the panel, obviously having completely circumnavigated the globe. They all look down. The two forks of the stick have been abraded down into a single nub. The parallel lines have met.
Another one: The cavement discover this lumpy creature and decide they have to name it. Peter says: "Well, let's name it for its most obvious characteristic. What is it?" And Thor answers: "It eats ants." So they decide to name it an "eatanter."
Another one: They decide to name that muscle in the chest that pumps blood. Peter decides to call it a "Hart." And B.C. yells at him: "Bootlicker!"
Hart was a genius. Then he got weird and scared, and it made him selfish and intolerant and preachy. I hope he's in heaven, because it was REALLY important to him to get there. It warped his priorities.
Fairfax, VA: For four months you leave us, and now you think you can just walk in here like nothing happened? At least offer us a poop joke and some words about Johnny Hart.
Gene Weingarten: I tried to write an appreciation of Johnny for today's paper, but failed. It was coming out nasty, and that was bad.
Johnny Hart was one of the greatest cartoonists who ever lived. "B.C." during the first few years of the strip was breathtakingly brilliant; really, if you're too young to remember (everyone but me is) go on ebay and buy a few of his very early collections, from before about 1963.
One of my favorites:
Peter, the smart one, declares he is going to travel across the earth dragging a forked stick in the sand, to prove that two parallel lines never meet. He starts out toward the right of the page. In the next several panels, you see him dragging that forked stick through desert and tundra and jungle, with parallel lines following him the whole way. Finally, he returns to his friends from the left of the panel, obviously having completely circumnavigated the globe. They all look down. The two forks of the stick have been abraded down into a single nub. The parallel lines have met.
Another one: The cavement discover this lumpy creature and decide they have to name it. Peter says: "Well, let's name it for its most obvious characteristic. What is it?" And Thor answers: "It eats ants." So they decide to name it an "eatanter."
Another one: They decide to name that muscle in the chest that pumps blood. Peter decides to call it a "Hart." And B.C. yells at him: "Bootlicker!"
Hart was a genius. Then he got weird and scared, and it made him selfish and intolerant and preachy. I hope he's in heaven, because it was REALLY important to him to get there. It warped his priorities.
Steinberg exhibit reviewed in Monday's Post
I missed these two articles in my post last night. I still have a little more to say on the exhibit, and I'll get it, and more relevantly a bunch of pictures, up someday.
"Saul Steinberg: Brilliance in the Common Touch" by Paul Richard, Special to The Washington Post, Monday, April 9, 2007; C01
"21st Century Consort: Steinberg's Wit as Music" by Stephen Brookes, Washington Post Monday, April 9, 2007; C05
"Saul Steinberg: Brilliance in the Common Touch" by Paul Richard, Special to The Washington Post, Monday, April 9, 2007; C01
"21st Century Consort: Steinberg's Wit as Music" by Stephen Brookes, Washington Post Monday, April 9, 2007; C05
Monday, April 09, 2007
April 11: Bryan Talbot at Big Planet Comics in Bethesda
Bryan Talbot's signing his new book, Alice in Sunderland at Big Planet Comics on Wednesday at 6 pm. In the meantime, you can read this interview with him by Swamp Thing artist Steve Bissette.
April 10: WILLIAM HOGARTH'S ART Repost
March 28, 2007
Public contact: Martha Kennedy (202) 707-9115
SWANN FELLOW TO LECTURE ON WILLIAM HOGARTH
AND THE ART OF GESTURE AT LIBRARY OF CONGRESS, APRIL 10
Swann Foundation Fellow Hope Saska will explore the connection between the popular graphic satire of William Hogarth, whose art presented amusing yet cautionary tales of human behavior, and the staging of theatrical productions in the 18th century, in a lecture at the Library of Congress on April 10.
Saska will present the lecture, titled “Of Attitude and Action: William Hogarth and the Art of Gesture,” at noon on Tuesday, April 10, in Dining Room A on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, D.C.
Saska’s illustrated presentation is based on research conducted at the Library of Congress during her fellowship awarded by the Swann Foundation for Caricature and Cartoon. The Library administers the Swann Foundation. The lecture, sponsored by the foundation and the Library’s Prints and Photographs Division, is free and open to the public; no reservations are required.
Hogarth (1697-1764), the versatile English painter and satirist often called “the father of English caricature,” became well known for his paintings of “modern moral subjects,” also published as print series. At a time when actors were urged to study the fine arts particularly paintings of historical subjects and ancient sculpture for samples of gesture and expression to enliven the characters they portrayed on stage, Hogarth turned to theatrical metaphor to describe his two-dimensional “performances” on canvas and the engraved page.
In her lecture, Saska will argue that the practices in staging a theatrical production are analogous to the artistic process of creating two-dimensional scenes in visual art. As such, the motions the artist makes with his hand and arm to draw on the page or to inscribe a copper plate are synonymous with the gestures a performer makes in front of an audience.
Investigating Hogarth’s analogy between theatrical performance and art making, Saska’s lecture will focus on key passages of Hogarth’s 1753 treatise, “The Analysis of Beauty,” and on his engravings, especially the second illustrative plate to the text, often referred to as “The Country Dance.” She will argue that Hogarth’s theatric metaphor allowed artists, especially those working with graphic media, to envision their processes of art-making as a new category of performance.
Saska is a Ph.D. candidate in the Department of History of Art and Architecture at Brown University, where she also completed her master’s degree in the field. Her dissertation, titled “Staging the Page: Graphic Satire in Eighteenth Century England,” examines shared aspects of theatrical performance and graphic satire and caricature in 18th century London.
In addition to being one of three Swann Fellows for 2006-2007, Saska is a curatorial assistant at the David Winton Bell Gallery in the List Art Center of Brown University.
This presentation is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The foundation customarily awards one fellowship annually (with a stipend of $15,000) to assist scholarly research and writing projects in the field of caricature and cartoon. More information about the fellowship is available through the Swann Foundation’s Web site: www.loc.gov/rr/print/swann/swannhome or by e-mailing swann@loc.gov.
# # #
PR07-64
3/28/07
ISSN: 0731-3527
Public contact: Martha Kennedy (202) 707-9115
SWANN FELLOW TO LECTURE ON WILLIAM HOGARTH
AND THE ART OF GESTURE AT LIBRARY OF CONGRESS, APRIL 10
Swann Foundation Fellow Hope Saska will explore the connection between the popular graphic satire of William Hogarth, whose art presented amusing yet cautionary tales of human behavior, and the staging of theatrical productions in the 18th century, in a lecture at the Library of Congress on April 10.
Saska will present the lecture, titled “Of Attitude and Action: William Hogarth and the Art of Gesture,” at noon on Tuesday, April 10, in Dining Room A on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, D.C.
Saska’s illustrated presentation is based on research conducted at the Library of Congress during her fellowship awarded by the Swann Foundation for Caricature and Cartoon. The Library administers the Swann Foundation. The lecture, sponsored by the foundation and the Library’s Prints and Photographs Division, is free and open to the public; no reservations are required.
Hogarth (1697-1764), the versatile English painter and satirist often called “the father of English caricature,” became well known for his paintings of “modern moral subjects,” also published as print series. At a time when actors were urged to study the fine arts particularly paintings of historical subjects and ancient sculpture for samples of gesture and expression to enliven the characters they portrayed on stage, Hogarth turned to theatrical metaphor to describe his two-dimensional “performances” on canvas and the engraved page.
In her lecture, Saska will argue that the practices in staging a theatrical production are analogous to the artistic process of creating two-dimensional scenes in visual art. As such, the motions the artist makes with his hand and arm to draw on the page or to inscribe a copper plate are synonymous with the gestures a performer makes in front of an audience.
Investigating Hogarth’s analogy between theatrical performance and art making, Saska’s lecture will focus on key passages of Hogarth’s 1753 treatise, “The Analysis of Beauty,” and on his engravings, especially the second illustrative plate to the text, often referred to as “The Country Dance.” She will argue that Hogarth’s theatric metaphor allowed artists, especially those working with graphic media, to envision their processes of art-making as a new category of performance.
Saska is a Ph.D. candidate in the Department of History of Art and Architecture at Brown University, where she also completed her master’s degree in the field. Her dissertation, titled “Staging the Page: Graphic Satire in Eighteenth Century England,” examines shared aspects of theatrical performance and graphic satire and caricature in 18th century London.
In addition to being one of three Swann Fellows for 2006-2007, Saska is a curatorial assistant at the David Winton Bell Gallery in the List Art Center of Brown University.
This presentation is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The foundation customarily awards one fellowship annually (with a stipend of $15,000) to assist scholarly research and writing projects in the field of caricature and cartoon. More information about the fellowship is available through the Swann Foundation’s Web site: www.loc.gov/rr/print/swann/swannhome or by e-mailing swann@loc.gov.
# # #
PR07-64
3/28/07
ISSN: 0731-3527
Quick hits from today's Post
Zippy is another tribute strip to comics editor Jay Kennedy, like Mallard Filmore was a few days ago.
Johnny Hart's obituary is unique to the Post: "'B.C.' and 'Wizard of Id' Cartoonist Johnny Hart, 76" by Adam Bernstein, Washington Post Staff Writer, Monday, April 9, 2007; B05;
and the paper's notice that Iranian's may not like 300: "Iranian Community Offended by Film's Take on Ancient Battle" by Pamela Constable, Washington Post Staff Writer, Monday, April 9, 2007; B01
Johnny Hart's obituary is unique to the Post: "'B.C.' and 'Wizard of Id' Cartoonist Johnny Hart, 76" by Adam Bernstein, Washington Post Staff Writer, Monday, April 9, 2007; B05;
and the paper's notice that Iranian's may not like 300: "Iranian Community Offended by Film's Take on Ancient Battle" by Pamela Constable, Washington Post Staff Writer, Monday, April 9, 2007; B01
Sunday, April 08, 2007
Prickly City 'get-well' strip for Mrs. Edwards
Scott Stantis, whose conservative strip Prickly City runs in the Post, did a touching "feel better" Saturday strip for Presidential candidate John Edward's wife, whose cancer has recently returned.
April 19: Zippy's Bill Griffith speaks in Baltimore
Dave Astor reports that Bill Griffith will be speaking at Johns Hopkins. A google search will probably reveal the fine details.
Friday, April 06, 2007
April 15: Capital Associates comic convention
Thanks to Randy T for the tip.
http://www.capicons.com/
10-3 at the Dunn Loring Volunteer Fire Department, $3 entry
Venue info:
Dunn Loring Volunteer Fire Department
2148 Gallows Road
Dunn Loring, VA 22027
Tel: 1-703-893-1340
The Dunn Loring Volunteer Fire Department is only about a five minute drive (1.5 miles) from the Tysons DoubleTree Hotel.
Directions through Mapquest
Or...
Take I-495 (DC/Capital Beltway),
to Exit 47A (Rt 7 West)
Go ½ mile, Left on Gallows Rd
1 mile to 2148 Gallows Rd
http://www.capicons.com/
10-3 at the Dunn Loring Volunteer Fire Department, $3 entry
Venue info:
Dunn Loring Volunteer Fire Department
2148 Gallows Road
Dunn Loring, VA 22027
Tel: 1-703-893-1340
The Dunn Loring Volunteer Fire Department is only about a five minute drive (1.5 miles) from the Tysons DoubleTree Hotel.
Directions through Mapquest
Or...
Take I-495 (DC/Capital Beltway),
to Exit 47A (Rt 7 West)
Go ½ mile, Left on Gallows Rd
1 mile to 2148 Gallows Rd
Thursday, April 05, 2007
'INTERPLANETARY JOURNAL OF COMIC ART: A Festschrift in Honor of John Lent' is now available.
April 5, 2007 – INTERPLANETARY JOURNAL OF COMIC ART: A Festschrift in Honor of John Lent is now available.
Editor's note - The first issue of the new InterPlanetary Journal of Comic Art (or IPJOCA as we call it around the virtual office) is now available. We are proud to invite you to the 43rd indispensable academic organ published by JOHN LENT MULTIMEDIA ENTERPRISES. All are personally hand-edited by our founder and publisher JOHN LENT, and we remind you that any suggestions of forced labor or involuntary servitude were completely dismissed in Temple University grad students v. JOHN LENT FAMILY CONGLOMERATE. This issue is slightly late, and we apologize for that. Editor JOHN LENT was traveling widely with stops on Pluto, Venus, Charon, Deimos and Phobos, Antarctica, Cyprus, Monte Carlo and the French Riviera, interviewing aging cartoonists and presenting learned discourses on the history of comic art. LENT's presentation on Pluto, "Which came first? The planet or the dog?" was particularly well-received and will appear in a future issue of IPJOCA. IPJOCA is a proud successor to the Colonial Journal of Comic Art, the Union Journal of Comic Art, the Confederate Journal of Comic Art, and the Imperial Journal of Comic Art, as well as the continuing flagship International Journal of Comic Art.
Actually, IPJOCA is a work of satire and parody, published on the occasion of John's seventieth birthday in 2006, give or take a few months. Since 1960, John has published, taught, and lectured widely on comic art, and since 1999 has been the publisher and editor-in-chief of the academic International Journal of Comic Art. In March of this year, John served on the Pulitzer Prize Nominating Juries in Journalism. John has published over 70 books and 800 articles on comic art, mass communication and Asian studies.
John's colleagues in the comic world have come together to create a tribute book, and to present it to him on April 6th at the Popular Culture Association meeting in Boston. The fully-illustrated book features a front cover by cartoonist Nick Thorkelson, and a back cover by Ralph Steadman as well as 100 pages of witty articles.
To order your copy for $10, go to http://www.lulu.com/content/679026; to subscribe to the International Journal of Comic Art, go to
http://www.ijoca.com and follow the instructions.
Table of Contents
Lent Knows – cover by Nick Thorkelson
Seqart Scholarship across the United Planets: A Brief Survey - Josty Ketew (Randy Duncan)
ICAF Times – comic strip by Roger Sabin & C. Hill
"Domus inferna Sancti Guthlaci": A Rediscovery of the twelfth-century narrative of "The Saint and the Money Pit" - K. A. Laity
ICAF Round-table: 'The Contribution of John Lent' - Rogerius Sabinis
Give It Up For Lent! – cartoons by E.C. Lockett, from ideas by Sabin & Rhode
The Exegesis of John Lent's Exegesis: A Postmodest Explalicinalysis of John Lent's Comicological Scholarship - Dr. Solomon Davidoff
Cartooning on Venus: A Problematic Field - Michael Rhode
Cheroots of the Gods: Ancient Contact with Talking Animals from the Stars - Er'q Vondan Iken (Steve Thompson)
Letters - Fusami Ogi
From the X-JOCA Family Archives - K.A. Laity
Men's Comics are from Mars, Women's Comics are from Venus: A Visual Exploration - M.O.D.O.C.A. (Barbara Postema)
A Dozen True Facts about Fredric Wertham That I Will Only Reveal For John Lent - Bart Beaty
Japanese Comic Art History's Mystery Bearded Figure - Ronarudo Suchuwaato (Ron Stewart)
Battle of the Titans: The Great National Geographic - New Yorker Cartoon Rivalry - Cathy Hunter and Michael Rhode
Out of this World (…and back again…) – autobiographical comix by Craig Fischer
Animated Yoga - Cathy Hunter
News - Fantagraphics Books Searches for Saints - Ana Merino
Obituaries - Therian Blackenshort, Theban political cartoonist - Mark C. Rogers
Faded Star Column - Rad Signal by Weary'in Ellis -Michael Rhode
Book Reviews
Leonardo da Vinci, The da Vinci Codex - Trina Robbins
Purty Pitchers All In A Row: A Review of The Interplanetary Comic Art Bibliographies of JOHN LENT Comprehensive Companion Series - Dr. Solomon Davidoff
Martianorum Mangorum Universalis Historia - Marcus Titus Pellitterius (Marco Pellitteri)
Exhibition and Media Reviews
The McDuck Collection: World's Greatest Collection of Rarities, Duckburg Museum - Michael Rhode
Disney Planet Amusement Facility, the dwarf planet formerly known as Pluto, Sol system - Gene Kannenberg, Jr.
Corrections - Leonard Rifas
Anticipatory Errata - Charles Hatfield
Comic Art Bibliography - New Resources in the Field - Michael Rhode
So Who is JOHN LENT really? - Xu Ying
Contributors' Self-Serving Biographic Blurbs
The Serious Art of Laughter – back cover by Ralph Steadman
The 'Return Ted Rall to the City Paper' campaign status
Well, they ran my letter in today's paper, but didn't put Rall back in.
Rall in This Together
Washington City Paper (April 6, 2007): 6
I'm a regular reader of the Washington City Paper, especially for your arts coverage and the comics. I'm sorry to see that you appear to have dropped Ted Rall who is one of the hardest-hitting editorial cartoonists around these days. Please reconsider this decision and bring him back - you could easily drop the two new strips, neither of which is competent nor interesting.
Mike Rhode
Arlington, VA
The bit about the two new strips was a bit harsh and I told them they could drop it when they wrote to me to confirm I was me, but obviously they decided to go with it. They did drop one of them in this week's redesign of the paper, but have kept Thingpart by Joe Sayers.
Rall in This Together
Washington City Paper (April 6, 2007): 6
I'm a regular reader of the Washington City Paper, especially for your arts coverage and the comics. I'm sorry to see that you appear to have dropped Ted Rall who is one of the hardest-hitting editorial cartoonists around these days. Please reconsider this decision and bring him back - you could easily drop the two new strips, neither of which is competent nor interesting.
Mike Rhode
Arlington, VA
The bit about the two new strips was a bit harsh and I told them they could drop it when they wrote to me to confirm I was me, but obviously they decided to go with it. They did drop one of them in this week's redesign of the paper, but have kept Thingpart by Joe Sayers.
Onion arrives in DC - new strips for us
The satirical weekly newspaper The Onion arrived in their green boxes in DC today. The paper seems to run regular reviews of comic books although there weren't any in today's issue. However, we do get some more comic strips in town, some of which I haven't seen before.
*Red Meat by Max Cannon - already running in the City Paper;
*Cathy - no longer in the Post, and this version is in Spanish;
*Postage Stamp Funnies by Shannon Wheeler - small panel by the Too Much Coffee Man creator;
*The Leftersons by Colin T. Hayes - seems to be political;
*Wondermark by David Malki - clip art, but of a higher level than Rees' Get Your War On. Online at http://wondermark.com;
*The Spats by Pickering - a King Features syndicated gag strip.
Also there's a political cartoon by Kelly, credited to the Onion Syndicate.
*Red Meat by Max Cannon - already running in the City Paper;
*Cathy - no longer in the Post, and this version is in Spanish;
*Postage Stamp Funnies by Shannon Wheeler - small panel by the Too Much Coffee Man creator;
*The Leftersons by Colin T. Hayes - seems to be political;
*Wondermark by David Malki - clip art, but of a higher level than Rees' Get Your War On. Online at http://wondermark.com;
*The Spats by Pickering - a King Features syndicated gag strip.
Also there's a political cartoon by Kelly, credited to the Onion Syndicate.
April 6-8, Reistertown, MD: Cards, Comics, & Collectibles sale
The postcard I received says Gold & Silver 30% off, Modern Back issues 70%, Toys and statues 50%, new comics 20%, hardcovers and trades 50% and on Sunday, 80% off Modern Back issues. Tempting.
They're at 100 A Chartley Drive, Reisterstown, MD 410-526-7410
They're at 100 A Chartley Drive, Reisterstown, MD 410-526-7410
Wednesday, April 04, 2007
Coming Soon: Geppi's Entertainment Museum, Gib Crockett tumblers and the Herblock award ceremony
As well as the Interplanetary Journal of Comic Art's debut, and more on Steinberg's short tenure at the Smithsonian. But they'll have to wait a day as I'm too tired to post due to the 4 am thunderstorm wakeup call.
Tuesday, April 03, 2007
Homeland security out of control in Baldo? UPDATED
(Originally posted on 4/2/07)
Was anyone else suprised by yesterday's strip in which Homeland Security's ICE thugs busted in and dragged off Tia Carmen? I was waiting to see what happened today, but the strip's continuing its storyline of Carmen meeting a nice gentleman. Interestingly, the artist morphed from the usual cartoony style to a more realistic style for these strips.
But back to the deportation - so did the strips run out of order? Obviously this Sunday strip isn't a humorous parody.
--UPDATE Dave Astor points out that this was an April Fool's joke. Well, they got me, as Master Ibid pointed in the comments (that I'm just seeing now after completing this post. Sigh). Here's the cartoonists' explanation from their website at Baldocomics.com (on their blog, there's a lot of comments, pro and con after their post):
Tuesday, April 3, 2007
A message from Hector & Carlos
WOW!! What an incredible reaction! There are way too many letters to post, but below are some of the more interesting responses we've gotten to Sunday's strip showing TÃa Carmen being deported. Here's the deal. Our April 1 strip was an April Fool's strip (duh). Considering how much people love TÃa Carmen, we thought it would be interesting to have her "deported" in dramatic fashion -- something we would never do in the strip, but something that makes a powerful statement. Admittedly, we took lots of creative license for dramatic effect (it is a comic strip after all). But that's all we did. Now, obviously, the strip hit a nerve with LOTS of people, both pro and anti immigrant. The issue itself is no joke and we don't take it lightly. It's a serious matter and we hope we got people to thinking about it. Some readers even see Carmen as a symbol of the immigration issue and demanded a T-shirt. We're happy to oblige and have set up a little store here.
Free Tia Carmen!
But we're gonna move on now. We think our point has been made -- even if it was unconventially delivered. Our familia played out their skit and we now return to our regularly scheduled programming. Bueno? Bueno!
Was anyone else suprised by yesterday's strip in which Homeland Security's ICE thugs busted in and dragged off Tia Carmen? I was waiting to see what happened today, but the strip's continuing its storyline of Carmen meeting a nice gentleman. Interestingly, the artist morphed from the usual cartoony style to a more realistic style for these strips.
But back to the deportation - so did the strips run out of order? Obviously this Sunday strip isn't a humorous parody.
--UPDATE Dave Astor points out that this was an April Fool's joke. Well, they got me, as Master Ibid pointed in the comments (that I'm just seeing now after completing this post. Sigh). Here's the cartoonists' explanation from their website at Baldocomics.com (on their blog, there's a lot of comments, pro and con after their post):
Tuesday, April 3, 2007
A message from Hector & Carlos
WOW!! What an incredible reaction! There are way too many letters to post, but below are some of the more interesting responses we've gotten to Sunday's strip showing TÃa Carmen being deported. Here's the deal. Our April 1 strip was an April Fool's strip (duh). Considering how much people love TÃa Carmen, we thought it would be interesting to have her "deported" in dramatic fashion -- something we would never do in the strip, but something that makes a powerful statement. Admittedly, we took lots of creative license for dramatic effect (it is a comic strip after all). But that's all we did. Now, obviously, the strip hit a nerve with LOTS of people, both pro and anti immigrant. The issue itself is no joke and we don't take it lightly. It's a serious matter and we hope we got people to thinking about it. Some readers even see Carmen as a symbol of the immigration issue and demanded a T-shirt. We're happy to oblige and have set up a little store here.
Free Tia Carmen!
But we're gonna move on now. We think our point has been made -- even if it was unconventially delivered. Our familia played out their skit and we now return to our regularly scheduled programming. Bueno? Bueno!
Saul Steinberg: Illuminations quick review
This exhibit is great. Go see it at the Smithsonian American Art Museum when it opens.
Too quick? Yeah, I think so too. In the newly-renovated and renamed SAAM, three large galleries are devoted to the exhibit which was curated by Joel Smith for Vassar College. The exhibit has over 100 drawings, paintings, sketches, masks, and wooden sculpture-type objects, as well as some sketches unique to the Smithsonian. The exhibit follows Steinberg's career from the 1930s until the 1990s. As you can see below, he was capable of a variety of styles of illustration and cartooning.
"Techniques at a Party (1953) copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY.
By being arranged chronologically, Smith and SAAM curator Joann Moser let us see the development of Steinberg as a cartoonist and an artist as he moves from style to style and experiments with techniques. Steinberg, born in Romania in 1914 trained as an architect in Italy in the 1930s, but also became known as a cartoonist there. He moved to the US in 1942, and became part of the New York art scene as well as a professional cartoonist. His anti-Axis cartoons for PM magazine, although not in the show, were particularly good.
During this time, he developed his graceful and playful line that one thinks of as particularly 'Steinbergian,' assuming one thinks that way. To the left, a good example is "Underground," (1946) copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY.
Steinberg also did a lot of commercial illustration and advertising work at this time, doing Christmas cards for MOMA and then Hallmark as well as magazine ads. He also became firmly part of the New Yorker stable..jpg)
Eventually his 1975 "View of the World from 9th Avenue" would probably become the most widely known cover the magazine ever had. Copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY.
One thing that becomes obvious in this exhibit is Steinberg's sense of experimentation. As well as cartooning, he tried photography drawing the famous image of a woman on a bath tub and then shooting it, but also drawing directly on photographs. He did collages, and odd things, like the "Female Mask" below..jpg)
"Female Mask" (1959-1965) copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY
Out of context, the Mask series seems strange and odd. When you see them after years of his experimentation with paper and collage and lines, they make a perfect playful sense. In the 1980s, he moved into making illusions and illustrations with wood. The exhibit opens with "Library," a fake desk with fake books. I didn't really appreciate Steinberg going into this exhibit, but I left with a great fondness for his work.
Pieces like "Wyoming" (1969) above demonstrated his love of graphic imagery and whimsical sense of humor. Those of us who only knew his later work, which was sketchier and more stylized, especially the posthumous publishing the New Yorker is doing now, owe it to themselves to see the livelier artworks. Copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY.
The exhibit is on April 6-June 24th, from 11:30-7 daily. Additional events include:
April 7 - On stage with 21st Century Consort, 4 pm lecture, 5 pm concert - there's a charge.
April 15 - Curator Joel Smith at 3 pm.
May 12 - Cartoonist Matt Diffee at 3 pm (he's a good speaker.)
June 2 - Improv Troupe Now This! at 3 pm.
June 3 - New Yorker cartoon editor Bob Mankoff at 3 pm (get that Complete New Yorker Cartoons signed).
June 9 - Improv Troupe Now This! at 3 pm.
And there's a big honking catalogue for $65 that I haven't cracked yet.
Go see this show. Let me know what you think.
Too quick? Yeah, I think so too. In the newly-renovated and renamed SAAM, three large galleries are devoted to the exhibit which was curated by Joel Smith for Vassar College. The exhibit has over 100 drawings, paintings, sketches, masks, and wooden sculpture-type objects, as well as some sketches unique to the Smithsonian. The exhibit follows Steinberg's career from the 1930s until the 1990s. As you can see below, he was capable of a variety of styles of illustration and cartooning.
"Techniques at a Party (1953) copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY.By being arranged chronologically, Smith and SAAM curator Joann Moser let us see the development of Steinberg as a cartoonist and an artist as he moves from style to style and experiments with techniques. Steinberg, born in Romania in 1914 trained as an architect in Italy in the 1930s, but also became known as a cartoonist there. He moved to the US in 1942, and became part of the New York art scene as well as a professional cartoonist. His anti-Axis cartoons for PM magazine, although not in the show, were particularly good.
During this time, he developed his graceful and playful line that one thinks of as particularly 'Steinbergian,' assuming one thinks that way. To the left, a good example is "Underground," (1946) copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY.Steinberg also did a lot of commercial illustration and advertising work at this time, doing Christmas cards for MOMA and then Hallmark as well as magazine ads. He also became firmly part of the New Yorker stable.
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Eventually his 1975 "View of the World from 9th Avenue" would probably become the most widely known cover the magazine ever had. Copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY. One thing that becomes obvious in this exhibit is Steinberg's sense of experimentation. As well as cartooning, he tried photography drawing the famous image of a woman on a bath tub and then shooting it, but also drawing directly on photographs. He did collages, and odd things, like the "Female Mask" below.
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"Female Mask" (1959-1965) copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY
Out of context, the Mask series seems strange and odd. When you see them after years of his experimentation with paper and collage and lines, they make a perfect playful sense. In the 1980s, he moved into making illusions and illustrations with wood. The exhibit opens with "Library," a fake desk with fake books. I didn't really appreciate Steinberg going into this exhibit, but I left with a great fondness for his work.
Pieces like "Wyoming" (1969) above demonstrated his love of graphic imagery and whimsical sense of humor. Those of us who only knew his later work, which was sketchier and more stylized, especially the posthumous publishing the New Yorker is doing now, owe it to themselves to see the livelier artworks. Copyright the Saul Steinberg Foundation / Artists Rights Society (ARS), NY.The exhibit is on April 6-June 24th, from 11:30-7 daily. Additional events include:
April 7 - On stage with 21st Century Consort, 4 pm lecture, 5 pm concert - there's a charge.
April 15 - Curator Joel Smith at 3 pm.
May 12 - Cartoonist Matt Diffee at 3 pm (he's a good speaker.)
June 2 - Improv Troupe Now This! at 3 pm.
June 3 - New Yorker cartoon editor Bob Mankoff at 3 pm (get that Complete New Yorker Cartoons signed).
June 9 - Improv Troupe Now This! at 3 pm.
And there's a big honking catalogue for $65 that I haven't cracked yet.
Go see this show. Let me know what you think.
Express on Rick Veitch
Local comics journalist Scott Rosenberg's got an online-only article about Rich Veitch's new series Army@Love.
The April 2nd Politico on Jib-Jab
The Politico is DC's newest free paper, at least for two more days when the Onion appears. I picked up a copy today, and enjoyed Matt Wuerker's political cartoon and column-heading caricatures. "A Jab at JibJab: YouTube has stolen satirical video site's thunder" by Ryan Grim argues that JibJab isn't as funny as it used to be. I loved This Land is Your Land and some of their other works, but not the animation that preceeded that short run of brilliance, so I'd say give 'em some time.
Monday, April 02, 2007
Read today's Mallard Fillmore
A headline I never thought I'd write. However, today's Mallard Fillmore by Bruce Tinsley, run locally on page 2 of the Washington Times, is a touching tribute to Jay Kennedy, the recently deceased King Features editor.
Stagger Lee graphic novel signing report
I'm late with this report , and I apologize. The signing for the Stagger Lee graphic novel was at Big Planet Comics in Bethesda on Wednesday, April 28, 2007. It started at 2:00 pm, unfortunately after the lunchtime new comics rush. Writer Derek McCulloch (the guy with the hat) and artist Shepherd Hendrix (the guy without the hat) were making an East Coast tour on their own dime, and had appeared on XM radio the day before, and were due at Barnes and Nobles in NYC the day after, followed by a college appearance before returning to California. More details can be found on McCulloch's blog.
Things were slow when I arrived so I talked to them for a bit, and found out a few points of interest. McCulloch had the idea for the book, and showed the script to his old friend Hendrix at a party and Hendrix agreed to illustrate it. The book was about half-drawn when they pitched it to Image. They had been planning on self-publishing, but went with Image for its larger reach and abilities.
The book's been out for about a year and is a bit of a cross-over title, bringing out more music fans than superhero fans. I can attest to this because the 2nd customer had heard the radio show and drove down from Baltimore to buy 3 copies.
McCulloch wrote a full script and Hendrix drew from that. Hendrix had a couple of pieces of the original artwork with him as well as pieces from a couple of fantasy series that he's working on - some very nice stuff. The comic was a bit of a hobby for both of them until Image accepted it and then it became a job and had to be done much faster.
Well, that's all I can recall at the moment - I'll add anything I think of in later. I bought my copy and I encourage you all to give it a try. I imagine Joel's got extra signed copies at Big Planet because Image doubled the shipment he had requested. For more information, don't forget Scott Rosenberg's article - Cruel Old Stagolee Gets Graphic: The legendary tale of Stagger Lee gets a graphic treatment.
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