
You can see 7 of the auction items at Heritage's website.
Ali Ferzat, Cartoonist
By Matt Wuerker Wednesday, Apr. 18, 2012
http://www.time.com/time/specials/packages/article/0,28804,2111975_2111976_2111941,00.html
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Embassy of Japan | 1150 18th St., NW | Suite 100 | Washington | DC | 20036 |
Apr 26 2012 7:30 pm
Comic books often reflect the time in which they are created. Since the Cold War, spies have been hot, and the world of comics has had a great assortment of espionage volumes. National security lawyer and comic collector/dealer Mark S. Zaid has assembled a rich array of comics that address spies and espionage. He'll showcase some of the coolest and rarest volumes in his collection while he describes how spy comics mirrored the intelligence issues of the time period in which they were published—some purporting to reveal true spy cases. He'll also share tales of how comics may have been used as intelligence tools and to push social agendas involving war, race, and sex. Then there is the story of the famous superhero who teamed up with actual spies to strike a blow for justice and equality in the United States. Award-winning author Rick Bowers shares the story behind his new book Superman vs. the Ku Klux Klan: The True Story of How the Iconic Superhero Battled the Men of Hate. Bowers reveals how the producers of The Adventures of Superman radio show took on the resurgent Ku Klux Klan in 1946, teaming up with infiltrators within the secret society to produce a ground-breaking, 16-part radio drama in which the Man of Steel conquered the hooded hate mongers.
Call 202.654.0932 to register.
"This feels fantastic, to state the obvious," said Wuerker, a finalist for the award in 2009 and 2010. "This is a dream come true."
He added, "I've been cartooning for some 30 years ago, and up until a few years ago, I didn't think anything like this was vaguely possible" until he became a founding staff member at Politico.
"I credit the people aboard the good ship Politico," he said. "I would really like to give credit to the glorious orchestra constructed around me."
"I work with old media — pen and ink on watercolor paper and watercolor — same as a cartoonist in the mid-1800s," Mr. Wuerker said in a telephone interview.
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