Bash Magazine's future

This explanatory note came in from BASH this morning. I'm very sorry to see the print edition go, as I much prefer paper, but given the economy I understand completely:

So begins the next incarnation of BASH Magazine. We've put seven issues featuring exclusively comic content onto the streets of Washington, D.C. in a big way, approximately 20,000 copies of each. We've grown our pool of artists and brought a unique form of comic storytelling to thousands of people who would have never been exposed to it. Producing and distributing BASH Magazine in this way is a helluva lot of fun and, we believe, worthwhile. But, it has not been sustainable. As a niche magazine fighting for print advertising dollars in a recession, let us say simply, "Yikes." That said, we're ready to usher in the next age of BASH Magazine.

Beginning in March, we will stop monthly printing of the free comic paper. Our website, www.bashmagazine.com - which has heretofore redistributed the paper content with a few extras - will become the focus of our time and efforts. We will continue to showcase unique comic storytelling from a variety of artists. Additionally, this freedom will allow us to provide more content to a growing audience. Our artists, our readers, and us - we love to see comics on a printed page. As such, we haven't closed the door on printing: keep an eye out for special printed collections in the future. But, as of now, BASH Magazine Online will be our focus. A whole new website is in the works. We'll keep you posted on its progress and launch date.

Until then, we remain...

The BASH Magazine Editorial Team

David Hagen exhibit coming to Arlington in March

I've fallen behind on checking out David's blog, but he posted the information on his exhibit recently. Here's the main info, but click through the link to check out the type of artwork he'll be displaying: The show will be from the beginning of March through the end of April with a reception on Friday, March 27 from 6pm to 9pm. All invited. Refreshments served! Century21 gallery space, 1711 Wilson Blvd., Arlington, VA 22209.

David, at this moment, I am wearing a sweatshirt with your ComicsDC logo art on it. Bring the original along and I'll buy that from you.

Cavna on comics polls

Nice article, with some journalism as opposed to just opinions, here - "Are Too Many Newspaper Comic Polls a Sham?" By Michael Cavna, Washington Post's Comic Riffs blog February 6, 2009.

New conservative webcomic apparently launches in Manassas

Here's the PR:

ConservativeHQ.com Launches "Conservatives' Answer to Doonesbury"


MANASSAS, Va., Feb. 6 /PRNewswire-USNewswire/ -- ConservativeHQ.com is launching a new daily comic strip that is the conservatives' answer to political comics like "Doonesbury" and the strip-turned-animated-cartoon "The Boondocks."

"Liberal comedians and cartoonists have expressed great anguish at the rise of Barack Obama to the presidency, because having a perfect president makes it impossible to make fun of Washington," says Richard Viguerie, chairman of ConservativeHQ.com. "'The Gentleman from Lickskillet' is conservatives' response."

"The strip is for people who can't help but laugh at the politicians in Washington," says Viguerie.

"The Gentleman from Lickskillet" is the first conservative comic strip to interweave humor and satire with continuing storylines and a large cast of characters. The strip runs daily, Monday through Saturday. A Sunday version is set to launch next month.

The strip stars Randall Dill, a member of Congress; his family, including his wife (an assistant district attorney) and their young daughter; his congressional staff; his friends and constituents back home; and the politicians, bureaucrats, and politically-correct people that they encounter in the course of their adventures.

The strip, which appears at ConservativeHQ.com, began unofficially three weeks ago with a sequence satirizing the inauguration of the new President. The current week, with a link to the complete archive, can be found at http://conservativehq.com/lickskillet/.

The strip's creators are Steven J. Allen, a journalist and longtime Washington insider, and cartoonist Kevin Tuma.

Allen was raised on a chicken farm -- like his main character -- in the Appalachian foothills of Alabama. A former newspaper reporter and radio news director, Allen served as senior editor of Conservative Digest magazine, as vice president of a think tank on Washington's K Street, and as press secretary to a U.S. Senator. His commentaries have appeared in such publications as Newsday and The New York Times. He has a Juris Doctorate from Cumberland School of Law and a PhD from George Mason University.

Tuma is an editorial cartoonist and comic book artist from Texas. He penciled such comic book series as Tales of the Green Hornet, The Twilight Zone, and Dan Turner, Hollywood Detective, and was a regular contributor to Cracked magazine. His political cartoons have appeared on the CNS News Web site and in such publications as The American Conservative and the Cato Institute journal Regulation.

For material for the strip, Allen and Tuma say they will scour canonical sources such as the American Recovery and Reinvestment Act, the Blagojevich transcripts, the written works of Caroline Kennedy, and the Army Field Manual section on interrogation. "This will be the most accurate, thoroughly researched comic strip ever to feature time-traveling historians and Dutch-speaking cows," the cartoonists promised.

For more information on "The Gentleman from Lickskillet," contact Allen & Tuma at editor@lickskillet.org.

NOTE TO EDITORS: Richard A. Viguerie pioneered political direct mail and has been called "one of the creators of the modern conservative movement" (The Nation magazine) and one of the "conservatives of the century" (The Washington Times).

CONTACT:
Bob Sturm
(703) 396-6974
(703) 307-8176 (After 6 PM Eastern & on weekends)
Cynthia Chambliss
(703) 930-5148
rav@conservativesbetrayed.com


SOURCE ConservativeHQ.com

Smithsonian exhibit has accompanying webcomic

The Smithsonian's National Museum of Natural History has opened a new exhibit on a skeleton from southern Maryland and put up a webcomic - "The Secret in the Cellar: a written in bone forensic mystery from colonial America."

Printable pdfs of the whole comic and all of the accompanying material are provided as well - a very nice feature.

Post reviews Coraline

3-D 'Coraline' Lacks the Human Dimension
Technical Gem Fails to Engage Viewer's Emotions
By Desson Thomson
Special to The Washington Post
Friday, February 6, 2009; C04

QUICK REVIEWS FOR COMICS DUE 02-11-09

QUICK REVIEWS FOR COMICS DUE 02-11-09
By John Judy

ACTION COMICS #874 by James Robinson and Pablo Raimondi. Mon-El may be getting out of the Phantom Zone early! Fingers crossed! BTW, can someone explain how it is that Mon-El can spend 1,000 years in the P-Zone and not come out as the DCU’s most gigantic, super-powered head-case? Think about spending 1,000 years stuck in what is essentially Limbo. How do you not come out the other end making the Joker look like an accountant? Just sayin’…

ALL-STAR SUPERMAN, VOL. 2 HC by Grant Morrison and Frank Quitely. Collecting issues 7-12 of the series in which somebody made Morrison tell a story. See the last son of Krypton in classic Silver-Age style battling Bizarro, Zibarro and eating at S’Barro! Okay, I made that last one up, but this is still Good Comics. Recommended.

AMAZING SPIDER-MAN #586 by Marc Guggenheim and John Romita Jr. In which we finally get to stop referring to Menace as a “he.” Maybe more of a “S/He?” Oh, these modern comics…

BATMAN #686 by Neil Gaiman and Andy Kubert. Neil takes a swing at the Dark Knight. Part one of two. Must have.

FLAMING CARROT LIMITED EDITION, VOL. 1 HC written, drawn and published by Bob Burden. This edition, limited to 850 signed and numbered copies, collects the earliest CARROT comics from the 1980s. Add to that ten pages of all-new material and a forward by Dave Sim and you have just the thing for, well, yourself probably because who else deserves a treasure like this?

INCOGNITO #2 by Ed Brubaker and Sean Phillips. Meet the Black Death. He wants to kill a lot of people and he’s used to getting what he wants. From the team that gave us CRIMINAL. Highly recommended.

MASQUERADE #1 of 4 by Phil Hester and Carlos Paul. Another Golden-Age public domain revival overseen by Alex Ross. This one features the pistol-packin’ femme fatale who looks kinda like The Shadow in drag.

SCALPED #25 by Jason Aaron and R.M. Guera. Part one of an all-new story arc in which a newcomer arrives at the Prairie Rose reservation. Because with Dash Bad Horse hooked on crack and Red Crow beating Mr. Brass damn near to death, things needed shaking up. Highly, highly recommended. Not for kids.

THOR #600 by J. Michael Straczynski, Stan Lee and Olivier Coipel. No, you didn’t miss 500-plus issues. Marvel just decided to go back to the original numbering for the series in order to make Robert Overstreet cry. And yes, Smilin’ Stan does indeed contribute some new material for this special anniversary issue. Gotta look!

WALKING DEAD #58 by Robert Kirkman and Charles Adlard. After last issue’s horror, it appears Mr. Kirkman is even more determined to turn all his fans into emotional basket cases. NOT. FOR. KIDS. (And maybe not for anyone with kids.)

WOLVERINE: MANIFEST DESTINY #4 of 4 by Jason Aaron and Stephen Segovia. The Sons of the Tiger reunite and Logan has to make a “dark decision.” That’s always good for some twisted amusement. And Jason Aaron writes Wolverine better than anyone in recent memory. Recommended.

WONDERFUL WIZARD OF OZ #3 of 8 by Eric Shanower and Skottie Young. Featuring all the stuff they left out of the movie. This series has been getting raves from fans both young and old. It is da Baum! (I’m sorry…)

www.johnjudy.net

Spider-Man Obama comic still ridiculous over-popular and over-priced

See "Spider-Man, Obama comic a hot sell at Bowie comic book store: Web-slinging superhero prevents villain from disrupting inauguration," by Andrea Noble | Staff Writer, Maryland Gazette February 5 2009.

So this store was selling the first printing for $40. That'll have a good effect on the customers who bought it for that when they're told in 6 months that it's worth a dollar, won't it?

Cul de Sac rattling around longer than you expected?

Alan Gardner says today's the fifth anniversary for the strip - counting its Sunday-only Post publication. Given that Richard's done more strips in the last 12 months than the preceeding 48 ones, this kind of seems like a dog's years anniversary or something.

KAL online exhibit

E-transom news from Kal:

I would like to invite you to visit a unique new Kal exhibition. The Show takes place entirely ONLINE at the virtual Forward Thinking Museum. The FTM is an online venture of Joy of Giving Something, Inc. (JGS), a not-for-profit philanthropic corporation dedicated to encouraging aesthetic reflection about present realities and future possibilities.

Visit the show here: http://www.forwardthinkingmuseum.com/index.php?gallery=141

The Forward Thinking museum houses multiple floors of artist’s works (primarily photograhers). The Kal exhibition currently contains 18 cartoons that will be changed and updated on a monthly basis. The exhibition will expand in the future to include animation. Admission is free!

February 6: Oscar animated shorts in town

See "The Oscars' Brief Lives: Nominated Short Films," By Arion Berger, Express February 5, 2009 for information on the films shown tomorrow at E Street Cinema, 555 11th St. NW, live action, 12:50 &5:20 p.m.; animated, 3:10 & 7:45 p.m.; 202-452-7672. (Metro Center)

Play based on romance comics opens

My Comic Valentine is the play - here's the Post story about it - "Romance Ripped From The Comics," By Raymond M. Lane, Washington Post, Friday, February 6, 2009; Page WE41.

And here's the play's info: My Comic Valentine: A Comic Book for the Stage Fort Fringe 610 L St. NW. 443-803-1163. http://www.banishedproductions.org/productions.html. Wednesday through Feb. 15. $15, pay-what-you-can preview Wednesday.

Coraline reviews begin appearing in DC papers

I liked the book which my daughter hasn't read yet, my daughter likes the graphic novel which I haven't read yet, and we'll see where we stand on the movie.

Monsters, Ink: The 3-D Movie 'Coraline' uses scare tactics children know well.
Written by Express contributor Chris Klimek
Express (February 5): E6.

Adventures in Blunderland: Coraline's heroine gets duped by fantasy; Pink Panther 2 is as bumbling as its protagonist.
By Tricia Olszewski
Washington City Paper Feb. 5 - 11, 2009.

Frame by Frame
A visual wonder, Coraline is narratively sluggish
by Randy Shulman
Metro Weekly February 5, 2009.

and there's a shorter version of this in the hardcopy Onion (which has another truly great headline about Dick Cheney in a dunk tank):
Henry Selick
by Tasha Robinson, February 3, 200

OT: On Spiegelman's Maus and ... hmmm .... what works there...?

My friend Rusty Witek, who's written a book or two about Art Spiegelman sent me an email yesterday with the subject line "If you ever"

. . .find yourself writing anything—anything at all—on Art Spiegelman’s best-known work, do NOT title it “Of Mice and [Something].” Please.

So, just to be sure, I asked him if he meant something like this:

OF 'MAUS' AND MAN: Two decades after his Holocaust memoir gained him a Pulitzer Prize and comics cultural acceptance, Art Spiegelman still struggles and strives to break the medium wide open, By Kiel Phegley, 2/3/2009.

To which he responded:

Very much so. And like this:

Of Maus and More

Of Mice and Memory

Of Maus and Memory

Of Mice and Vermin

Of Mice and Mimesis

Of Maus and Men

Of Mice and Menschen (this one also worked in “Comics Come of Age” in the title.)

Of Men and Mice

Of Mice and Supermen

Of Mice and Jews

These are almost all from peer-reviewed journals—don’t even think about the reviews and feature articles.

So yeah, like that.

That makes “The Maus That Roared” seem charmingly inventive. And after a certain point it means one of two disturbing things: either they aren’t reading the critical literature on Maus before submitting their own stuff, or they know it and use the title anyway. And either way an editor lets them do it.

You've been warned.

G. Weingarten's chat - opinions on Sally Forth

From Tuesday, February 3rd's chat:

Baltimore, Md.: Re the divorce of comics from the real world: I may be overly sensitive, having spent my working life in advertising, PR and marketing, but the re[ce]nt plot development in Sally Forth has me blind, or least nearsighted, with rage. For those not regular readers, Sally was moved from being co-manager of her company's HR Dept. to being marketing manager. What?!?! No wonder American business is in such trouble -- people with no previous demonstrable experience in a pretty complex line of work are suddenly put in charge of it.

Seriously, does the guy now drawing strip know nothing about how the real world works? I swear a couple of years ago there was a storyline about HR being unprofitable. If it were profitable, that would be a miracle.

Gene Weingarten: Wow. Well, I admit this line of thinking had not occurred to me. I like the storyline, as a storyline; the dysfunctional marketers are funny.

March 21: Animated Environmental Film Features

National Geographic is showing two films - at noon, Spirit of the Forest with film maker Lucas Mackey of Spain in attendance.

At 2pm, Wall-E with Burt Berry, Shading Art Director for Wall-E.

Both are $5 tickets at http://www.nglive.org or 202-857-7700.

OT: Ooh, Bloom County collected

Here's another PR that came through today - and this one's another totally cool collection, too. IDW and Dean Mullaney are doing fantastic jobs with their Library of American Comics. I've bought them all including vol. 6 of Dick Tracy today. We're in another golden age of comic strip reprints - buy them now!

BLOOM COUNTY LIBRARY TO COLLECT ENTIRE RUN OF CLASSIC AMERICAN COMIC STRIP

(San Diego, February 6, 2009) IDW Publishing is pleased to announce the forthcoming release of The Bloom County Library. Beginning in October 2009, each of the five volumes will collect nearly two years worth of daily and Sunday strips, in chronological order. This will be the very first time that many of these comic strips have been collected, and the first time in a beautifully designed, hardcover format. The books will be part of IDW’s Library of American Comics imprint, and designed by Eisner Award-winner Dean Mullaney.

"Fans have pestered me for years,” said Berkeley Breathed, “for this ultimate Bloom County collection in that polite, respectful badgering way that only fans can manage. Thank God I can now tell them something better than just 'please remove your tent from my lawn.' I can say, 'It's coming!"

Berkeley Breathed’s Bloom County is one of the most popular and critically acclaimed newspaper strips of modern times. Premiering on December 8th, 1980 — a month after the election of Ronald Reagan as President — the strip brought to the comics pages a unique amalgam of contemporary politics and fantasy, all told with hilarious humor and wit.

The beloved and quirky denizens of Bloom County include Opus, Steve Dallas, Bill the Cat, Milo Bloom, Michael Binkley, and Cutter John. Breathed was awarded the Pulitzer Prize for Editorial Cartooning in 1987 for his work on Bloom County. The strip was published in an astounding 1200 newspapers.

The phenomenon that was Bloom County spawned a merchandizing bonanza, as well as two spin-off strips, Outland and Opus. The first paperback collection of the strip, Loose Tails, sold over one million copies. Bloom County paperbacks cumulatively sold over six million copies. At the height of the strip’s popularity, Breathed walked away on August 6th, 1989.

IDW Publishing Special Projects Editor Scott Dunbier conceived the series. “I’m absolutely thrilled to be editing the Bloom County Library,” said Dunbier. “This is a series that I can’t wait to hold in my hands.”

The Bloom County Library will also contain a series of “Context Pages” sprinkled throughout the volumes. These pages will provide perspective for the reader, presenting a variety of real-life events and personalities that were contemporary at the time of original publication.

About IDW Publishing

IDW is an award-winning publisher of comic books, graphic novels and trade paperbacks, based in San Diego, California. As a leader in the horror, action, and sci-fi genres, IDW publishes some of the most successful and popular titles in the industry including: television's #1 prime time series CBS’ CSI: Crime Scene Investigation; Paramount's Star Trek; Fox's Angel; Hasbro's The Transformers, and the BBC's Doctor Who. IDW’s original horror series, 30 Days of Night, was launched as a major motion picture in October 2007 by Sony Pictures and was the #1 film in its first week of release. In April 2008, IDW released Michael Recycle, the first title from its new children’s book imprint, Worthwhile Books. More information about the company can be found at http://www.idwpublishing.com.

(this is the image IDW sent out, but it's also the cover of the original Bloom County collection and I'm not sure if it represents what the book will look like)

OT: Preliminary PR for The Best of Simon & Kirby

I was talking to Titan Books' US rep about their new Watchmen books (the Dave Gibbons' Watching the Watchmen is out already and is very interesting) when she mentioned a Simon & Kirby book. I was curious and she shot me the info. This should be good; I've seen much of these stories before, but I really like the idea of this book especially Evanier's essays and being able to see work for multiple companies in one place.

First is the PR on the whole series, and it's followed by specifics on the first volume due in May.

THE OFFICIAL SIMON AND KIRBY
Titan to Collect the Works of Two Comic Book Legends

Titan Books Signs Exclusive Agreement to Publish Works by Comics’ Greatest Creative Team, with Full Involvement of Living Legend Joe Simon and the Jack Kirby Estate

Titan Books has expanded its publishing agreement with comic book pioneer Joe Simon, co-creator of Captain America, to launch The Official Simon and Kirby Library beginning in 2009. In addition to the previously announced volumes The Best of Simon and Kirby and The Simon and Kirby Superheroes, the library will include volumes collecting the greatest horror, detective, and romance stories ever produced by the legendary Dream Team of comics.

Joe Simon and Jack Kirby first joined forces on the superhero character Blue Bolt in 1940, and later that year created the seminal hero Captain America (soon to be featured in a major motion picture by Marvel Studios). “When Jack and I created Captain America, it sent a shock across the nation even before America had entered World War II,” Simon noted. “But that was only the beginning, and we followed it up with titles like Boy Commandos and Young Romance. They weren’t superhero books, but each one sold millions of copies.”

Beginning in summer 2009 with The Best of Simon and Kirby, Titan Books will release full-color hardcover editions featuring some of the greatest stories ever told in the graphic medium, painstakingly restored by Simon and Kirby historian Harry Mendryk. Simon himself will oversee the process, and will offer original insights and secrets from behind the scenes.

The volume will feature the team’s most famous characters, including Fighting American, Stuntman, and The Fly, as well as genre adventures from such legendary titles as Black Magic, Justice Traps the Guilty, and the industry’s first romance title, Young Romance. Through the generous support of Marvel Comics and DC Comics, The Best of Simon and Kirby will include stories featuring Captain America, The Vision, Sandman, and The Boy Commandos.

“It’s simply astonishing, the materials Joe has kept over the years,” Titan owner and publisher Nick Landau said. “It shows uncanny foresight that he retained so many rights, and preserved those wonderful stories so that today’s readers will be able to enjoy some of the finest comics ever produced.” Details on the contents and format of the books are still being determined, as Landau added, “We want to come up with editions that are as perfect as they can be.”

Simon will attend the February 2009 New York ComicCon to celebrate the launch of The Official Simon and Kirby Library, and will sign exclusive limited edition lithographs. Titan plans to release two books a year, and these will be the only editions authorized by both Joe Simon and the estate of Jack Kirby. In addition to The Official Simon and Kirby Library, Titan will publish the autobiography of Joe Simon in 2010.

Titan Books is a leading publisher of licensed entertainment. The UK’s top publisher of graphic novels and World renowned for television and film companions, including Tim Burton’s Sweeney Todd, Frank Miller and Will Eisner’s The Spirit, Watching the Watchmen by Dave Gibbons, plus the official Watchmen and Terminator: Salvation movie tie-ins. Titan Books also publishes a series of high-end art books, and biographies such as the New York Times bestselling My Boring-Ass Life: The Uncomfortably Candid Diary of Kevin Smith.


-----

THE BEST OF SIMON AND KIRBY (ISBN-13: 978-1845769314, May 2009, 240 pages, 9” x 12¼”, $39.95).

THE BEST OF SIMON AND KIRBY is the first volume in the official Simon and Kirby Library, the only editions authorized by Joe Simon and the estate of Jack Kirby. This oversized, deluxe hardcover will be 9” x 12-1/4”, and in addition to the content that was previously announced, it will feature:

· Two stories from the team’s years at Timely Comics: “Captain America and the Riddle of the Red Skull” (from Captain America Comics #1, March 1941) and “The Vision” (from Marvel Mystery Comics #14, December 1940)

· Two stories from their move to DC Comics: Sandman in “The Villain from Valhalla” (from Adventure Comics #75, June 1942) and “Satan Wears a Swastika” (from Boy Commandos #1, Winter 1942)

· All-new, profusely illustrated essays by Mark Evanier, author of Kirby: The King of Comics, introducing each section of the book

DC Comics and Marvel Comics generously provided their support to Joe Simon in making these adventures available. The Joe Simon-Jack Kirby stories in this book feature the team’s groundbreaking work in superheroes, science fiction, war and adventure, romance, crime drama, westerns, horror, and humor. They have all been painstakingly restored by Simon and Kirby historian Harry Mendryk.

The dust jacket will feature quotes by Michael Chabon, Stan Lee, Will Eisner, Harlan Ellison, and Mark Evanier. Underneath the dust jacket the book cover itself will feature a huge reproduction of the double-page spread from Stuntman #2, and in his introduction Simon himself discusses the secrets behind that spread.

New International Journal of Comic Art blog

It's not as scintillating as some posts here, but there's a list of the book reviews coming up in the Spring issue in this new blog I've started.

Afro Samurai reviewed online in Express

"A Cut Above: 'Afro Samurai: Resurrection'," by Express contributor Roxana Hadadi, Express February 3, 2009.