AAEC report with DC cartoonists quotes

A good article on the state of editorial cartooning can be found in "Trying Times In Toontown" by Randy Barrett, National Journal, Monday, July 2, 2007. Barrett talks to Tom Toles and Ann Telnaes on the local front, and many of the same points (and cartoons) were made in last night's Cartoonapalooza.

Post censors Tom the Dancing Bug - AAEC breaking news

At tonight's Cartoonapalooza session, Reuben Bolling said the Post won't be running this week's Tom the Dancing Bug strip on Dick Cheney. It's not online yet, but enjoy last week's excellent King George strip, a clipping of which I got signed by Bolling tonight. Bolling showed the censored strip which was of Cheney killing his aides when they brought bad news. The Post has a pattern of censoring comics more than other pieces as I reviewed here a few months ago.

Links, more description of the event and fuzzy pictures to follow.

Washington DC gets a Kwik-E-Mart!

Well, Bladensburg really. Still, it's close, but it's Maryland?! Does that mean that Springfield, VA is not the home of the Simpsons? Surely the 495/95/395 mixing bowl Beltway merge was designed by Homerians.

The Washington Post has the story too. There's a picture in the print version.

Richard's Poor Almanack on the transformation of Dick Cheney UPDATED

My wife, not a comics aficionado, really really liked this Saturday's panel on Dick Cheney's embodiment of the Heisenberg uncertaintity princle - he's not part of the Executive Branch, not part of the Legislative Branch, so what is he? She liked it so much I'm making photocopies so she can hang one up and mail one to her father.

It's not online yet (sigh - does the Post think you're going to run out and buy a 2-day old paper?) but you can see last week's Beach Houses.

Richard Thompson stalkers will be able to find him (and me) at tomorrow night's Cartoonapalooza.

July 4th update - it's online now. At the Cartoonpalooza event, many people were complementing Richard on this strip. Also this week, Doonesbury's been running strips on Cheney and the 4th branch, as did yesterday's Candorville.

Public Service Announcement on New Comic Book Day

Thursday July 5th is new comic book day this week. However, Big Planet is still having a 20% off sale on Wednesday.

Does anyone besides me fondly remember Friday as new comic day? I much preferred getting them on Friday evening and then staying up late reading them in bed. Who can do that on a Wednesday?

Belle Yang in Post's Book World

Stringer Rick B. reports that there's a two-page full color strip by Belle Yang in Sunday's Post Book World. He's one of those types who gets his Sunday inserts on Saturday. "Her cartooning style is nice and the coloring is rather pleasant," says Rick.

Here's the article about her, and the accompanying comic strip.

Local cartoonists finalists in Platinum comic book contest

Jon and Dave Milstein of Falls Church have had their comic book selected among 50 finalists in Platinum Studios’ Comic Book Challenge - see "Comic Book Guys Try to Knock Judges 'Dead' in Competition" by Jeff Dooley, Falls Church VA News-Press Thursday, 28 June 2007.

Good luck, gentlemen!

Library of Congress and SWANN FOUNDATION ANNOUNCES TWO FELLOWS FOR 2007 2008

LIBRARY OF CONGRESS
101 Independence Avenue SE
Washington DC 20540
Phone: (202) 707-2905
Fax: (202) 707-9199
Email: pao@loc.gov

June 29, 2007

Press contact: Donna Urschel (202) 707-1639, durschel@loc.gov
Public contact: Martha Kennedy (202) 707-9115, mkenn@loc.gov

SWANN FOUNDATION ANNOUNCES TWO FELLOWS FOR 2007 2008

The Caroline and Erwin Swann Foundation for Caricature and Cartoon, administered by the Library of Congress, has selected Ellen Berg and Prudence Peiffer to receive Swann Foundation fellowships for 2007-2008.

Berg completed her doctorate in American history at the University of California, Berkeley, in 2004 and is currently a postdoctoral fellow at the Rothermere American Art Institute at the University of Oxford. She will receive fellowship support for her research project “Where Have You Gone, Miss Columbia: American Identity and Uncle Sam’s Forgotten Partner.” Berg will draw on her training in social history and skills in art history as she explores how depictions of Columbia and Uncle Sam developed, the ensuing disappearance of Columbia, and how this came to represent a major shift in American nationalism and identity. The Library’s collections of original caricature drawings and prints contain many relevant examples.

Peiffer, a doctoral candidate in art history at Harvard University, was awarded a fellowship that will support her work on her dissertation "Routine Extremism: Ad Reinhardt and Modern Art." Reinhardt (1913-1967) used the term “routine extremism” to refer to a code of living that would unite aesthetic ritual and everyday routine, as well as political responsibility and artistic detachment. Peiffer asserts that no aspect of Reinhardt’s art was more central to this concept than his numerous cartoon collages, which were published over four decades in such periodicals as P.M., The New Masses and ArtNews. Peiffer will study cartoons by Reinhardt’s contemporaries, including works by Miguel Covarrubias (1903-1957), whose influence on Reinhardt merits more research and development. The Library’s collections include exemplary holdings of Covarrubias’ original work, as well as original drawings by other cartoonists who also published their work in the same periodicals as Reinhardt during the same period.

This year the foundation’s advisory board awarded two fellowships, at $7,500 each, instead of one (usually with a stipend of $15,000), owing to an unusually large number of strong applications.

As Swann fellows, Berg and Peiffer will be required to make use of the Library’s collections and be in residence for at least two weeks during the award period. Each fellow also will deliver a public lecture on her work in progress during the award period.

New York advertising executive Erwin Swann (1906 1973) established the Swann Foundation for Caricature and Cartoon in 1967. An avid collector, Swann assembled a large group of original drawings by more than 500 artists, spanning two centuries, which his estate bequeathed to the Library of Congress in the 1970s. Swann’s original purpose was to build a collection of original drawings by significant creators of humorous and satiric art and to encourage the study of original cartoon and caricature drawings as works of art. The foundation’s support of research and academic publication is carried out in part through a program of fellowships.

# # #

PR07-142
6/29/07
ISSN: 0731-3527

July 3: Cartoonapalooza repost

Ok, Richard Thompson and I have bought our tickets. Anyone else?

You can buy tickets here and I don't think the AAEC will mind if I reproduce their blurb:

Cartoonapalooza: Fireworks in Pen and Ink!

Cartoonapalooza! Meet prize-winning political cartoonists from across the country as they discuss their most controversial cartoons.
Date: Tuesday, July 3rd, 2007
Time: 6:30 PM
Location: Renaissance Mayflower Hotel
1127 Connecticut Avenue NW
Washington DC 20036
Phone: 202-232-5300
Ticket Price: $25 in advance/$35 at door

Why did Tom Toles of The Washington Post get dressed down by the Joint Chiefs of Staff? How did Ted Rall invoke the wrath of a legion of 9/11 widows? Why did a Mercedes-Benz dealership in Atlanta take out a half-page ad to apologize for a Mike Luckovich cartoon? Meet ten of the nation's best political cartoonists as they discuss their most controversial cartoons. Cartoonapalooza, the kick-off event for the 50th anniversary convention of the Association of American Editorial Cartoonists (AAEC), is a rare opportunity for the public to meet prize-winning political cartoonists from across the country as they discuss their most controversial cartoons. Join Tom Toles, Ted Rall, Mike Peters, Mike Luckovich, Rob Rogers and five other brilliant, ground-breaking editorial artists as they talk politics, the election, Bush and beyond. The public is invited to a cocktail reception before the panel discussion to meet the artists. Door prizes at the reception will include signed original cartoons and books. The proceeds from this event will go to support Newspapers In Education's "Cartoons for the Classroom" program, a non-profit program that provides editorial cartoon-related lesson plans for teachers. Cartoonapalooza is the must-attend event of the year for all political buffs and cartoon aficionados!
Featured Cartoonists:

* Ted Rall, Universal Press Syndicate
* Tom Toles, Washington Post
* Mike Luckovich, Atlanta Journal Constitution
* Mike Peters, Dayton Daily News
* Rob Rogers, Pittsburgh Post-Gazette
* Jack Ohman, The Oregonian
* Ruben Bolling, Tom the Dancing Bug
* Ann Telnaes, Cartoonists and Writers Syndicate
* Keith Knight, The K-Chronicles
* Mark Fiore, Animated Political Cartoonist

This should be a lot of fun. I've heard 2/3 of the speakers and they've all been interesting. Keith Knight and Ted Rall are particularly... what's that word... articulate? Nah, I think it was opinionated. But I would imagine all the speakers are since you probably can't be an editorial cartoonist otherwise.

The whole conference schedule and registration info can be found here.

David Macaulay interview on Express site.

He's not exactly a cartoonist, although judging from this drawing of topiary presidental monuments, he could be. "Ink and Mortar: David Macaulay"
by Express contributor Glenn Dixon, Express at 12:27 AM on June 29, 2007

Photo courtesy National Building Museum

DC comics writer John Daniels interviews Septagon Studios head

You can read it at "Interview with Nick Defina" by John L. Daniels, Jr., Comiccritique.com, 2007-06-27.

The interview is about the new studio's new comic book, Scorn.

July 7: Cartoonists with Attitude in DC

Cartoonists with Attitude arrive in DC

This coming week is a good time to remember the foundations of this country especially the freedoms of the Bill of Rights and the first Amendment.

Their local publicist Warren B states, "All these people are primo political cartoonists, even if they are Sons and Daughters Of The Terrorists Who Undermine The Foundations The Founding Fathers Fought For" and he's absolutely right. I'll be there even though I live in the suburbs. That's how much I want to see this.

What - DC: Slideshow w/ Ted Rall, Keith Knight, Ruben Bolling, Stephanie McMillan, Mikhaela Reid, Masheka Wood, Jen Sorensen, Matt Bors, Brian McFadden, Ben Smith and August Pollak! @ Borders 18th & L Streets NW Washington, DC 20006 • 202.466.4999.

When - Sat Jul 7 2pm - Sat Jul 7 3:30pm

Ever wonder what Nick Galifianakis looks like?

Nah, me either. But for the curious, he drew himself for yesterday's (June 27) Ask Caroline column in the Post's style section.

...and I got to a scanner so here's the pic.

Chemtoons

My friend Warren, a collector of fine cartoon books, just wrote in, "Now, the New Yorker has put out cartoon compendiums on dogs, cats, lawyers, technology, baseball and art, amongst others. But how in the world could they have overlooked chemists? Back in 1955, someone beat them to the punch! Attached are scans of possibly the only book of cartoons dedicated to chemistry. George Lichty, Don Flowers, Alan Dunn and a plethora of cartoonists from the magazines of the day like Collier's all have their say about our under appreciated Mixers of Molecules."





Personally, I think Bob Mankoff will cover ever topic possible, but in the meantime, enjoy this sample of one more example from Warren's secret history of comic art.

Today's new acquisition - Jo Fischer's From Nine to Five

While attempting to find something else entirely, I ran across this piece of original comic art - so I bought it.



The strips is From Nine to Five by Jo Fischer from December 4, 1950. According to Allan Holtz's Stripper's Guide it ran from June 17, 1946 until sometime in 1971. For our younger readers, as the bookstore's note on the back helpfully read, "The applied toning film is usually called Zipatone." Also the gag might not be obvious anymore. Once upon a time, before sexual harassment training, there was a whole genre of gag cartoons about bosses seducing (or preying on, depending on your viewpoint) one's (definitely female) secretary. One can see the New Yorker's Cartoon Bank for more examples, I'm sure. (Oh, yeah, that works.) So, getting back to this cartoon, the secretary is turning tables by implying that she'd like to be hit on by the boss. Ahhh, the good old days.

And speaking of John Lent and the International Journal of Comic Art

John Lent in his room devoted to world cartooning especially that of Asia.

This is the complete text of a book review that I have in the current issue, 9:1, Spring 2007.

John Lent’s Comic Art Bibliographies – An Appreciation

Comic Art of Europe Through 2000: An International Bibliography. Praeger Publishers, 2003, 1089 pages in two volumes. ISBN-10: 0275982203.

Comic Art in Africa, Asia, Australia, and Latin America through 2000: An International Bibliography. Praeger Publishers, 2004, 722 pages. ISBN-10: 0313312109.

Comic Art of the United States through 2000, Animation and Cartoons: An International Bibliography. Praeger Publishers, 2005, 624 pages. ISBN-10: 0313312133.

Comic Books and Comic Strips in the United States through 2005: An International Bibliography. Praeger Publishers, 2006, 356 pages. ISBN-10: 0313338833.

Cartoonists, Works, and Characters in the United States through 2005: An International Bibliography. Praeger Publishers, 2006, 568 pages. ISBN-10: 0313312125.

I can’t write a disinterested review of John’s bibliographic achievement – in my small way, I’ve attempted to create a bibliography on comics as well, and have cooperated with John on both his and my projects, as well as in the pages of this Journal, and he’s mentioned me in the introductions to these volumes. If I had paid more attention at the Georgetown Manga Conference (now claimed as the first International Comic Arts Forum nee Festival) when John announced his project, my co-author John Bullough and I would never have started our online Comics Research Bibliography. In the 1990s, John published four volumes of citations. From 2004-2006, he added six more volumes, bringing the 10-volume total to 85,106 citations, arranged in by continent, country, media and subject order. This work is even more astonishing when you consider that he began it before computers were widely available, especially in libraries, and to this day he neither types nor uses a computer directly himself.

Lent’s work may be comparable to that of John Shaw Billings and the creation of the Index Catalogue of the Surgeon General’s Library in the nineteenth century. Like Billings did with medicine, Lent has attempted to capture every citation relevant to his subject. Billings’ work set the standard for what became the National Library of Medicine and its collections; perhaps an ambitious librarian may attempt the task of getting all the articles cited by John gathered in one place. It would be a marvel of a research library. John has also included ephemera in these pages – the fugitive material like conference papers and Convention booklets and exhibit brochures that may be helpful, but can be very hard to find, let alone know they exist.

John’s bibliographies may eventually be eclipsed by online bibliographies – he predicts as much in the introductions to the last volumes -- but there was no internet when he started. John’s tireless work in the field has led to amazing statistics like these:

All told, the ten volumes include 85,106 citations covering 144 countries. The United States accounted for 42,232 entries, broken down by comic books and comic strips, 25,416; and animation, gag, magazine, and political cartoons, 16,816. There were 26,172 sources on comic art of 41 European countries, 12,002 on 28 Asian countries, 2,306 on Central and South America’s 17 countries; 1,118 on Canada; 790 on Africa (28 countries), 688 on Australia and Oceania (six islands); 409 on Middle East (11 countries), and 466 on 11 Caribbean territories. In the first four bibliographies, 29,105 citations appeared; the number increased to 56,001 in the most recent six books. (Comic Books and Comic Strips, p. vii-viii)

These numbers may be equaled eventually, but the groundbreaking nature of John’s achievement obviously cannot. In addition to the numbers, John provided intellectual organization to the subject. His project is carefully broken down into discrete projects to manage the data. For example, in the 2006 Comic Books and Comic Strips through 2005 volume, one can drill down to a subject like “Sidekicks” this way – Comic Books – Content, Form – Genres and Types – Sidekicks to find “Shining a Spotlight on Sidekicks” from the Comics Buyer’s Guide in 2000.

As with any project of this size, errors creep in and John would have benefited from another pair of eyes reading the manuscript. A small section in Comic Books and Comic Strips in the United States through 2005, under Comic Books - Media, Popular Culture Connections – Radio (p. 267) has seven entries in it. Two of these have nothing to do with radio. An article on Archie Comics' 1960s imprint Radio Comics is misfiled here, as is an article on DC's Sandman Mystery Theatre comic book. Surprisingly enough, the other five entries are actually on radio which has not had a major cross-influence with comic books for four decades. The citation on Radio: An Illustrated Guide could also, and perhaps more appropriately, have been filed under 'Jessica Abel' since she did the comic book. These three entries also point to Lent’s relative lack of knowledge about American comic books as opposed to comic art in the rest of the world. I do not believe that he has indexed Wizard, the American superhero-loving magazine at all either.

A pair of extra eyes such as myself, or Gene Kannenberg, Jr. (Comics Scholarship Annotated Bibliographies at ComicsResearch.org) or Randy Scott (The Reading Room Index : an Index to the Holdings of the Michigan State University Libraries Comic Art Collection) would have caught Green Lantern’s alter-ego Hal Jordan being cited as a cartoonist, or misspelling Alison Bechdel’s name as Becktel and putting her under Comic Book Creators, which until the publication of 2006's Fun Home, she was not, having instead done the Dykes to Watch Out For comic strip for over a decade. I could probably continue to find mistakes like this, but what’s the point? The real point is that John was doing these bibliographies when no one else was, with the possible exception of the late Jerry Bails' Who’s Who of American Comic Books database which dates back to the 1960s as well. John still maintains a wider scope than any other similar project, including those of institutions devoted to comic art. As Gene Kannenberg, Jr. recently wrote to me, “these books point out to us stupid monolingual Americans that there's a whole world out there - and, hell, look at all the comics they have, and all that's been written about them! Granted, that might have been more of a boon to his first editions than to the newest bunch (given how the growth of the Internet has shrunk the globe a bit), but it's still a monumental specific achievement: a concrete manifestation of John's evangelical zeal in learning about the whole world and sharing that world with his country's scholars.”

As John turned seventy this past year he has maintained a busy schedule that would break a lesser man, including teaching at Temple University and two Chinese universities, editing Asian Cinema and this Journal. As a result, some lack of proper indexing and cross-referencing resulted. Any comics scholar who buys his own copy of a relevant volume (and those of us serious about studying the art form should) might be advised to take a pencil and annotate the volumes with cross-referencing linking, for example, cartoonist Harvey Pekar to his publications American Splendor and Our Cancer Year. However, I firmly believe that no single individual (and not Google or its like either) will ever compile as wide-ranging and comprehensive set of bibliographies, in spite of easier access due to the internet. Perhaps we’ll see a large project, run as a cooperative like the Grand Comic Book Database – Pete Coogan at least has proposed one for indexing of articles on comics – but if so, we’ll be standing on the shoulders of John Lent.

Michael Rhode

International Journal of Comic Art's biggest issue ever available now

Here's 4 scans of the table of contents of the new Spring vol 9, #1, 755-page, $30/2 issues academic journal. This issue concentrates on Kibyoshi manga and Australian cartooning, but also has articles on Eisner, Africa, Ghost in the Shell anime, Belgian comics, Indonesian Comics, Lalo Alcaraz's La Cucaracha, a queer reading of the X-Men and a really excellent exhibit reviews section. Click on the images for a readable version.





How can you go wrong? Order today.

An individual subscription for one year (two issues) is US$30; institutions, $40.
Back Issues are available at same rates.

Payment must be made by check or international money order in U.S. dollars
payable to John A. Lent/IJOCA.

Subscriptions should be sent to

John A. Lent,
669 Ferne Blvd.,
Drexel Hill, PA 19026
USA.

Paul Levitz interview on Kirby on Express website

Scott Rosenberg keeps cranking out the articles - see Mister Miracle: Jack Kirby's Fourth World.

July 4th Big Planet 21st anniversary sale

"We're legal!" - gotta love that. I don't want to even imagine how much I've spent in 21 years. I'm the original box 45 subscriber.

obligatory Richard Thompson mention

Well, Richard wasn't in yesterday's Post Health section so I guess his plan for taking over the Post is going a little more slowly than I expected. However, he did have a caricature in the July 2nd New Yorker, the one with the nice Staake Statue of Liberty cover.