Fwd: Interview: Lena Atanassova on LoveLove’s inclusive vision and bringing UNNIE, I LIKE YOU! to print

 

Once one of the United States' largest manga publishers, TOKYOPOP has been credited by Publishers Weekly columnist Deb Aoki with driving "The Manga Revolution" of the early 2000s, publishing, at its peak, as many as 500 titles of licensed manga and origi… Read on blog or Reader The Beat Read on blog or Reader Interview: Lena Atanassova on LoveLove's inclusive vision and bringing UNNIE, I LIKE YOU! to print [Tokyopop] By Ollie Kaplan on 11/05/2025 https://www.comicsbeat.com/interview-tokyopop-lovelove-lena-atanassova-diversity/  Once one of the United States' largest manga publishers, TOKYOPOP has been credited by Publishers Weekly columnist Deb Aoki with driving "The Manga Revolution" of the early 2000s, publishing, at its peak, as many as 500 titles of licensed manga and original comics a year for Western audiences. While the publisher has faced its fair share of difficulties over the years (e.g., shuttering most of its North American operations in the mid-aughts), in its current iteration, TOKYOPOP has undertaken a thoughtful transformation—strengthening its editorial direction, expanding its carefully-curated catalog of diverse titles, and reaffirming its commitment to inclusive storytelling—that's been warmly received by fans, making it one of PW's fast-growing independent publishers in both 2022 and 2023. In an era where storytelling continues to evolve across cultures and identities, TOKYOPOP stands at the forefront of bringing diverse, global narratives to readers everywhere. Under the direction of Lena Atanassova, editor-in-chief since September 2024, the publisher stands out for its continued commitment to expanding its catalog of diverse and inclusive titles, reflecting the richness of contemporary audiences. Among its latest initiatives is the 2020 launch of LoveLove, a romance imprint that celebrates love stories in all their forms—across genders, orientations, and backgrounds. Lena Atanassova headshot. Courtesy of TOKYOPOP. The Beat spoke with Atanassova about LoveLove, what differentiates the imprint's editorial philosophy, what it means to champion diversity through the lens of romance, and how the imprint continues to evolve in response to shifting reader demographics. Additionally, Atanassova exclusively shares that TOKYOPOP is collaborating with WEBTOON and WEBTOON Originals creator Jeongussi to release Unnie, I Like You!, a slice-of-life GL romance about two destined lovers, which will be LoveLove's first-ever full-color print edition of a GL WEBTOON adaptation. This interview was edited slightly for clarity. OLLIE KAPLAN: Can you tell our readers more about the LoveLove imprint? What differentiates the imprint? LENA ATANASSOVA: LoveLove is our romance imprint, and at its heart (pun a little intended), it's all about inclusivity and equal celebration of all kinds of love. It was born of our desire to publish romance stories in every form, all under the same imprint — queer, straight, and everything in between — because love is love, and everyone deserves to see themselves represented in the stories they read. When we first conceived of the brand, we noticed something interesting — and honestly, a little frustrating — about how bookstores categorized romance. "Romance" almost always meant straight romance, while queer love stories were often shelved separately as a kind of "special interest" category. That division didn't reflect reality or how people love or even consume romance content, so we wanted to change that. That's how LoveLove was born. We wanted to create a space where all kinds of love stories could live side by side without being boxed in. Since we launched the imprint in 2020, I've been really happy to see more publishers and bookstores adopt a more inclusive approach, where romance is simply romance, regardless of who's at the center of the story. I'm proud that we were among the first to push for that shift. What makes LoveLove special is that as an imprint, it brings together so many voices with stories from Japan, Korea, Spain, France, the U.S., and more, with subgenres that range from sweet romcoms to deeper emotional journeys. It's very much part of TOKYOPOP's larger mission of "manga for everyone," and I think that ethos really comes through in the imprint. LoveLove logo. Courtesy of TOKYOPOP. KAPLAN: What are your duties or areas of responsibility as Editor-in-Chief? ATANASSOVA: As Editor-in-Chief, I oversee our incredible editorial team, a group of passionate, creative people who truly love what they do. Every single one of them is a genuine fan of manga and comics, which makes such a difference. Their enthusiasm shines through in the care and thought they bring to every project, and it really shows in the final books we publish. I handle the publishing schedules and catalog planning, essentially setting the roadmap for each season, while the team manages day-to-day production. I also curate and acquire the content we publish (with the help of our wonderful licensing team), from our LoveLove and main TOKYOPOP lines to the co-productions we create with partners like Disney, Mattel, or Ubisoft (to name just a few). Overall, I'm always looking for unique titles that bring something fresh and meaningful to readers. It's a role that blends organization and creativity in an interesting way, and I feel genuinely privileged to do it. I also get to collaborate on special editions and exclusive covers for retail partners like Kinokuniya, which is always fun. More than anything, I see myself as the keeper of our content — making sure every book reflects our "manga for everyone" mission and meets the high quality our fans deserve. KAPLAN: How does LoveLove approach inclusivity—such as queer representation, international creators, and characters with different body types and identities in romance stories? ATANASSOVA: Because most of our titles are licensed, there are always some limitations to what we can publish. It really depends on what's available to license, what kinds of stories creators are making, and, of course, simple discovery — there's so much content out there, and we're still a relatively small team doing our best to find as many gems as we can. That said, inclusivity is at the heart of what LoveLove is and the whole reason we launched the imprint. We want to represent as many different kinds of people, love stories, and experiences as possible. It's an ongoing, ever-growing mission for us. I'm constantly talking with our current and potential licensing partners about the kinds of titles we're looking for — ones that highlight underrepresented authors, characters, or themes — and encouraging them to bring us stories that reflect that diversity. We're also mindful of how we localize the titles we publish. Sensitivity and respect are really important to us, whether that's in translation choices, cover design, or how we present and market a book. We want international audiences to experience these stories in a way that stays true to the creator's intent while feeling authentic and accessible to readers everywhere. Of course, we love hearing from fans. Since there's so much incredible content being made, reader recommendations help us discover works we might not have otherwise. The more people share what they'd love to see, the better chance we have of bringing those stories to a wider audience. KAPLAN: How do you define your target audience? ATANASSOVA: Our target audience is really anyone who enjoys a good romance story. Within that, we offer a wide range of subgenres: there's romantasy, slice-of-life, sci-fi and even horror; we have BL, GL, and straight romance. Whether it's sweet and fluffy or full of drama, or even exploring some more toxic relationships, we really try to offer a little bit of everything. From a sales data standpoint, our core readership tends to be women in their 20s and 30s, but I never want to narrow the scope of who LoveLove is for. It's truly meant for everyone. That's why we work hard to include as many different kinds of stories under the imprint as we can, representing a mix of different romance niches, subgenres and tropes. We also make sure our titles cover a broad range of age ratings so there's something for both teen and adult readers. We take content warnings seriously because we want everyone to feel informed and comfortable when picking up one of our books, so there will always be an age rating and content warnings on the back of every LoveLove book. At the end of the day, my hope is simply that anyone interested in reading romance can find a LoveLove story that connects with them in some way. Cover of 18+ title, The Gardener's Favorite Poisonous Flower by Rirako Kabashima. Courtesy of TOKYOPOP. KAPLAN: At one of your panels, someone asked if LoveLove will publish more mature content. Can readers expect more of those stories in the future? ATANASSOVA: We do publish a variety of mature titles, and as always, we include clear content warnings so readers know what to expect. In recent years, we've been steadily expanding our 18+ offerings across subgenres. Whenever possible, I also request uncensored artwork from our licensors. In some regions, the original art has to be censored, but if a creator has an uncensored version available, I love being able to give them the chance to have their work published in its original form. So yes — readers who enjoy more mature, high-spice-rating romance can definitely look forward to seeing even more variety from LoveLove in the future. KAPLAN: Same question as 1b, but with trans stories. ATANASSOVA: This is actually a good example of some of the challenges we face as a publisher that primarily works with licensed content. I'm always actively looking for trans stories, and they would be absolutely at home in the LoveLove lineup. Unfortunately, these stories are still underrepresented worldwide, particularly in the markets we license from, such as Japan. That said, we're always open to reader suggestions, and I truly mean that. I would love to publish more trans romance, genderqueer romance, and stories that explore a wider range of gender identities and expressions — as well as to work with creators who identify as trans themselves. The good news is that with the rise of webtoons and digital self-publishing, we're starting to see a broader range of stories emerging. That's really exciting, and we'll continue doing our best to discover and champion those voices wherever we can. KAPLAN: At AX 2025, you reiterated your commitment to the LoveLove imprint and the idea that "love is love." Why is the mission of LoveLove so important, especially when love in all forms is currently under attack, especially politically? ATANASSOVA: We're living through a very reactive time politically, both here in the U.S. and in many other parts of the world. Every day, there are people fighting so hard for queer rights, trans rights, and the simple ability to exist as themselves. I want to make it very clear that TOKYOPOP supports that fight. We believe in freedom of expression and in everyone's right to live authentically. Our team includes queer people, myself among them. I'm bi and married to a woman, so this mission is also deeply personal to me. On top of the attacks on queer and trans rights and the silencing of "nonconforming" voices, there's the alarming rise in book bans and the politicization of what people are "allowed" to read. On the one hand, it's a frightening and disorienting time, but I believe it's also one that calls on all of us to stand firm in our values. Maybe we are "just" a manga and comics publisher, but stories matter, representation matters, and access and availability of content matters. If we can bring even a small spark of joy into the world or help someone feel seen through the stories we publish, then I think we're doing something worthwhile. Let's Eat Together, Aki and Haru, Volume 1, by Makoto Taji. Courtesy of TOKYOPOP. KAPLAN: I'm very impressed with your commitment to diverse storytelling, which seems to resonate with manga readers I've met at your LoveLove panels. Have you had any fan interactions that have reconfirmed your commitment to diverse stories? What have you learned from those interactions? ATANASSOVA: I'm always so moved when fans come up to me after panels to share their experiences — whether it's talking about their favorite TOKYOPOP titles or telling me they've been reading our books since they were kids and feel like the company has grown up alongside them. It's incredibly humbling and such an honor to know that something we've published has brought them joy, or that we've licensed a series they've been hoping to see in English. I also love hearing what kinds of tropes or stories fans want to see more of in LoveLove — those conversations are always fun and inspiring. I don't want to give myself too much credit, because the heart of it all belongs to the creators who make these stories, but my mission is to bring as many of them as possible to readers and to live up to their trust and enthusiasm. Fans often ask about seeing more representation: trans stories, romances featuring disabled protagonists, stories that show love in less conventional ways, such as polyamory. Every time I have those conversations, I feel reenergized and even more committed to expanding what we publish. I bring that feedback directly to our licensing partners and share just how eager and passionate readers are about these stories. It's a great reminder of why inclusivity matters and how much it means to people to see themselves in the pages of a manga. KAPLAN: You've spoken about how TOKYOPOP accepts readers' suggestions regarding what they want to read. How can our readers submit their suggestions? Do you personally review these suggestions—and what suggestions (or even book pitch) stand out to you? ATANASSOVA: Readers can send us their suggestions through our contact page (https://tokyopop.com/pages/contact-us) or on social media. Those messages are passed along to me, and I review them to see if they're a good fit for our catalog, whether that's LoveLove or another TOKYOPOP imprint. If something looks promising, I work with our licensing team to reach out to the original creator or publisher. Licensing can be complex, but if a title feels right for us, we'll always try. Due to the challenges of selling long series in print, we do tend to favor shorter manga; readership and purchasing drops off over time, and our retail and distribution partners can better support shorter series for their full runs. I also personally review book pitches. Right now, we're mainly considering fully developed projects, and if it's an ongoing work, I like to see the full story outline, including estimated series length and how it ends. What really makes a pitch stand out to me is passion and clarity of vision. We've worked directly with creators before, including webtoon artists bringing their work to print, so it's definitely possible when the right project comes along. I'm always excited to find those projects where the creator's vision and heart really shine through. Cover of Monster and Ghost, Volume 1 (Hardcover Edition) by Himemiko. Courtesy of TOKYOPOP. KAPLAN: Is there a particular LoveLove title that you are proud of? ATANASSOVA: A recent release I'm particularly excited about is Monster and Ghost, created by Himemiko, which we're publishing as a hardcover, a first for manga in our LoveLove line. There's been so much excitement from fans around this title, and we were honored to partner with Kinokuniya on a beautiful exclusive cover and shikishi board. The hardcover edition even features gold foil detailing. Our team — from editors and localization specialists to graphic designers — put so much care into making it a truly gorgeous, collectible book. On a more personal note, I'll always have a soft spot for the slice-of-life GL series Futaribeya, written and illustrated by Yukiko. It was the first GL title we ever published, even before LoveLove officially existed, and it's one that I worked on closely myself. The story feels realistic and relatable, about two girls who start as roommates in school and slowly become something more. I really identified with the characters and saw a lot of parallels with my own life and experiences. It was also the first manga I'd read that featured a bi woman, which meant a lot to me personally. KAPLAN: Since TOKYOPOP publishes both Japanese and Western creators, what are your expectations for authenticity and cultural respect in love stories inspired by Japanese genres? How do you manage creator concerns regarding the safety of telling these stories? ATANASSOVA: I like to take a nuanced approach to localization. Our goal is always to make each book accessible to English-speaking readers while staying true to the author's intent and preserving cultural nuance. For example, we'll often include translation notes for holidays, festivals, or other cultural references that might not be familiar to a casual reader. The same care applies when we're working with creators from other parts of the world as well. We always try to collaborate with translators who have a deep understanding of the culture behind the story and encourage them to add helpful context where needed. Each book goes through a team process — translators, copy editors, and editors all working together to ensure that the translation is accurate, natural, and reads beautifully in English. Sometimes, the author will also share notes or specific requests on how they'd like something translated, and we're happy to accommodate that. At TOKYOPOP, we really value collaboration, and our process reflects that. Having multiple people review a book helps us maintain quality, catch small errors, and ensure the final product honors both the creator's vision and the reader's experience. Cover of ALIEN STAGE: The Art Book. Courtesy of TOKYOPOP. KAPLAN: Can you tease any upcoming projects that you are particularly excited about? ATANASSOVA: This one's a little LoveLove-adjacent since it's not technically part of the imprint, but I have to give a shoutout to our upcoming ALIEN STAGE: The Art Book, created by Team Forma+9. I'm especially excited about the deluxe edition, which will include special U.S.-only extras like a poster and — my personal favorite — shiny holographic gilded edges. It's going to be such a visually striking collector's piece, and I can't wait for fans to see it. On the LoveLove side, I'm really looking forward to Walking in Your Tracks by Tatsumi Kifuu, a new BL series launching in spring 2026. It's a heartfelt story about human connection and overcoming life's challenges with kindness. It also centers a disabled protagonist — a first for LoveLove — and that representation is something audiences have been really eager to see. And this one hasn't been officially announced yet, so I suppose this is me kind of announcing it... But I'm thrilled about our first full-color GL webtoon print release, Unnie, I Like You! It's a lighthearted, slice-of-life romance between two women who are very different from one another, yet share a past life as fated lovers. We're so excited to partner with WEBTOON and creator Jeongussi to bring this charming story to print for the first time. KAPLAN: Is there anything else you want to add? ATANASSOVA: Honestly, I'm just happy and honored to be in this position where I get to do something I've loved since I was a kid. I grew up reading TOKYOPOP books, and I feel genuinely privileged to now be part of the company and the industry that first sparked my love for manga. It's an interesting and exciting time for LoveLove and for TOKYOPOP as a whole. As the manga landscape keeps evolving, it feels wonderful to be part of that change. And against the backdrop of everything happening in the world, I just hope creativity and connection can serve as a bright light for someone, even if it's through a single story that makes them feel seen or brings a moment of joy. Community is so important, especially in our increasingly fragmented world, and it has always been my hope, since its inception, that LoveLove can be the type of brand that helps foster the kind of genuine connection that brings people together through shared stories and experiences. Thank you so much for your time and interest in what we've been up to with LoveLove. It means a lot to be able to share what I (and the amazing team at TOKYOPOP) are so passionate about! TOKYOPOP's manga, light novels and branded merchandise can be purchased at the publisher's online store and in bookstores across the United States and Canada. Those exclusively interested in LoveLove titles can purchase them here. Comment

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Richard Thompson "Cul de Sac" Sunday on Heritage Auctions

A classic, but too rich for my blood

Richard Thompson Cul de Sac Sunday Comic Strip Original Art dated 4-6-08 (Universal Press Syndicate)

Current Bid:

$1,100

w/ Buyer's Premium (BP) : $1,375.00

Status: No Reserve

Time Left:  17 days

https://comics.ha.com/itm/original-comic-art/comic-strip-art/richard-thompson-cul-de-sac-sunday-comic-strip-original-art-dated-4-6-08-universal-press-syndicate-2008-/a/7438-97165.s?ic4=OtherResults-SampleItem-022817&tab=SearchResults-120115#

Two cartoonist videos from George Mason University

You'll need to sign up to view these. Kayla E spoke there last week, and her video should post in the next week or so.

Visual Voices with Nora Krug

George Mason University's School of Art and Mason Exhibitions September 26, 2024; https://masonartsamplified.gmu.edu/view/visual-voices-nora-krug

George Mason University's School of Art and Mason Exhibitions present Visual Voices with Nora Krug, recorded in front of a live audience at Harris Theater on George Mason University's Fairfax campus on September 26, 2024; Visual Voices is a professional lecture series, curated with faculty guidance from George Mason's School of Art and coordinated by Mason Exhibitions. Speakers are chosen to represent leading and emerging talented practitioners. Nora Krug is a German-American author and illustrator whose drawings and visual narratives have appeared in newspapers, magazines and anthologies internationally. In September 2023, Krug published Diaries of War: Two Visual Accounts from Ukraine and Russia.

Visiting Filmmakers Series: Heather Lanza Masterclass [aka Masterclass with Heather Lanza, Co-Producer The Wild Robot

Mel Jones (mod.)

George Mason University's School of Art and Mason Exhibitions September 9, 2025 

https://vfs.gmu.edu/articles/22745

https://masonartsamplified.gmu.edu/view/vfs-heather-lanza

Heather Lanza shares insights from her career in animation production, covering the producer's role and leadership in production management. With credits at Disney and DreamWorks on films like Bolt, Tangled, The Boss Baby, and Puss in Boots: The Last Wish, Heather brings deep industry experience. The Masterclass is hosted by Mel Jones, a producer, director, and writer known for Dear White People, Burning Sands, and Really Love. Presented by the Visiting Filmmakers Series and supported by Mason's arts and humanities departments, this event offers a unique look into professional storytelling and animation.

Surf's Up! by Daniel Boris

 

Tonight: Jim Rugg at Third Eye Annapolis from 7-8

THIS NOVEMBER, CELEBRATE THE RETURN OF ONE OF IMAGE COMICS BIGGEST LEGACIES WITH OUR...   YOUNGBLOOD #1  LAUNCH SIGNING  with THIRD EYE EXCLUSIVE cover artist & comics superstar JIM RUGG

🗓CLICK HERE FOR FULL EVENT INFO

Dick Cheney: The Phantom Menace by Daniel Boris

 

Comics Research Bibliography citations update, 11/4/2025

Interview: Batman animated creatives reflect on past projects and tease what's to come
Taimur Dar on 11/04/2025 https://www.comicsbeat.com/interview-nycc-25-batman-animated/

The Beat Digest 11/04/25: Second 100 NIGHTS OF HERO trailer drops
Christopher Chiu-Tabet on 11/04/2025 https://www.comicsbeat.com/digest-110425/

Adams, Rachel. 2025. Drawing Inclusions: A Comic about Comics, Disability Studies, and Public Humanities. Public Humanities 1 (October 23):e144. Online at https://doi.org/10.1017/pub.2025.32 and https://www.cambridge.org/core/journals/public-humanities/article/drawing-inclusions-a-comic-about-comics-disability-studies-and-public-humanities/C0568DAAE305A5A09FBA38AC831D91A9

  *D'Alessandro, Anthony. 2025. Chloé Zhao & Nicolas Gonda Launch Kodansha Studios To Create Live-Action Adaptations From Manga Library. Deadline (November 3): https://deadline.com/2025/11/chloe-zhao-manga-kodansha-studios-1236605962/

  *Holt. 2025. Kodansha and Oscar-Winning Director Chloé Zhao Launch Kodansha Studios: A New Creative Bridge Between East and West. Seeokyo (November 4): https://jkinews.wordpress.com/2025/11/04/kodansha-and-oscar-winning-director-chloe-zhao-launch-kodansha-studios-a-new-creative-bridge-between-east-and-west/

  *MacDonald, Heidi. 2025. Chloe Zhao and Nicolas Gonda launch Kodansha Studios. The Beat (November 4): https://www.comicsbeat.com/chloe-zhao-and-nicolas-gonda-launch-kodansha-studios/

TOP 50 COMICS - OCTOBER 2025: Sales Rankings Based on Comic Store POS Data
  ICv2  November 3, 2025  
https://icv2.com/articles/markets/view/60942/top-50-comics-october-2025

COMIC RETAILER CHARGED WITH FELONY For Allegedly Giving Away Comic at Halloween Event
 Milton Griepp on November 3, 2025  
https://icv2.com/articles/news/view/60944/comic-retailer-charged-felony

VIZ MEDIA DATA BREACH - REPORT: Business Information Compromised
 Milton Griepp on November 3, 2025
https://icv2.com/articles/news/view/60943/viz-media-data-breach-report

Reviews: Brain Damage
Leonard Pierce | November 4, 2025
https://www.tcj.com/reviews/brain-damage/

Brain Damage
Shintaro Kago (Zack Davisson, translator)
Fantagraphics

Government creates national Comic Book Prize
By TPN/Lusa
Portugal News November 3 2025
https://www.theportugalnews.com/news/2025-11-02/government-creates-national-comic-book-prize/909562

Clay Jones from Claytoonz  Nov 4, 2025
  Election Day 2025: How some right-wing cartoonists are looking at today's elections
https://claytoonz.substack.com/p/election-day-2025n Day 2025

Degrazia, Leah. 2025. Scott Adams, Dilbert Creator, Shares Prostate Cancer Diagnosis. E! News (May 19): https://www.eonline.com/news/1417751/scott-adams-dilbert-creator-diagnosed-with-prostate-cancer

Morrow, Brendan. 2025. 'Dilbert' creator Scott Adams says he's dying from same kind of cancer that Joe Biden has. USA Today (May 19): https://www.usatoday.com/story/entertainment/celebrities/2025/05/19/scott-adams-joe-biden-cancer-dilbert-comic/83728060007/

Norman, Greg. 2025. 'Dilbert' creator Scott Adams reveals prostate cancer diagnosis, predicts he has only months to live. Fox News (May 19): https://www.foxnews.com/us/dilbert-creator-scott-adams-reveals-prostate-cancer-diagnosis-predicts-only-months-live

Whisnant, Gabe. 2025. Scott Adams, 'Dilbert' Creator, Says He Has Same Prostate Cancer as Biden.  Newsweek (May 19): https://www.newsweek.com/scott-adams-dilbert-prostate-cancer-joe-biden-trump-2074226

Warren, Nick. 2025. Tommy In Tome? Link's Collected Cartoons: The Reader's very own Tommy Link set to release a book of Tommy In Toon. Erie Reader (May 19): https://www.eriereader.com/article/tommy-in-tome-links-collected-cartoons

Elshani, Besarte. 2025. Graphic novel – a weapon in war and extraordinary times [Albania's GranFest; "In the Trenches of Ukraine - War Diary 2022-2025"; Ruslan Pikhota (Albania); Enrique Flores (Spain)]. KOHA (May 18): https://www.koha.net/en/shtojca-kulture/romani-grafik-arme-ne-lufte-e-kohe-te-jashtezakonshme

Saari, Ashly. 2025. Author and illustrator Jarrett J. Krosoczka tells Jaffrey-Rindge students about his journey from rejection to success. Monadnock Ledger-Transcript (May 21): https://ledgertranscript.com/2025/05/21/author-visits-jaffrey-rindge-students-61164133/

Corscadden, Jane. 2025. Young writers from Northern Ireland and Caribbean team up for graphic novel [Fighting Words NI]. Belfast Live (May 18): https://www.belfastlive.co.uk/news/northern-ireland/young-writers-northern-ireland-caribbean-31658733

Romney, Stephen. 2025. Vintage comics stolen from West Valley comic store. Fox13 (May 17): https://www.fox13now.com/news/local-news/northern-utah/vintage-comics-stolen-from-west-valley-comic-store

Jones, Abigail. 2025. Comic books worth $70k stolen from West Valley City comics store. New4Utah (May 16): https://www.abc4.com/news/wasatch-front/comic-books-worth-70k-stolen-from-west-valley-city-comics-store/
Tiglao, Rigoberto. 2025. MT cartoonists have been spreading fake news [Philippines; Manila Times; editorial cartoons]. Rigoberto Tiglao (May 19): https://rigobertotiglao.com/2025/05/19/mt-cartoonists-have-been-spreading-fake-news/

Op‑Ed: An Open Letter About Power Pulp Comics [distribution]
By Jamie Jones,  on 11/04/2025 https://www.comicsbeat.com/op-ed-an-open-letter-about-power-pulp-comics/

Digital comics service InkyPen to launch on Steam on November 18, 2025
Heidi MacDonald on 11/04/2025 https://www.comicsbeat.com/digital-comics-service-inkypen-to-launch-on-steam-on-november-18-2025/

Davidson, Dan. 2025. Cole Pauls champions Indigenous themes in his art during Dawson City presentation. Yukon News (May 17): https://www.yukon-news.com/arts/cole-pauls-champions-indigenous-themes-in-his-art-during-dawson-city-presentation-8005496

Gray, Arielle. 2025. Remembering artist Rob Stull, whose work spanned canvases and comics. WBUR (May 20): https://www.wbur.org/news/2025/05/20/artist-rob-stull-remembrance

MY LITTLE PONY trots off to BOOM! Studios
Christopher Chiu-Tabet on 11/04/2025 https://www.comicsbeat.com/mlp-boom/

Fitzgerald, Ali. 2025. Depression-Era Dolls for Trump-Tariff-Era Children [in print as Depression-Era Dolls]. New Yorker (May 26): 6. https://www.newyorker.com/magazine/2025/05/26/depression-era-dolls-for-trump-tariff-era-children

INTERVIEW: Inside ©alifornia, Inc.: Creators Arthur N. Ebuen and Dave Law on Building a Corporate Dystopia!
Diego Higuera on 11/04/2025 https://www.comicsbeat.com/interview-inside-alifornia-inc-creators-arthur-n-ebuen-and-dave-law-on-building-a-corporate-dystopia/

Tivo Rodriguez's Comics Now On Sale In Paris, France… Or Are They?
  03 Nov 2025  
by Rich Johnston
 https://bleedingcool.com/comics/tivo-rodriguezs-comics-now-on-sale-in-paris-france-or-are-they/

Lucca Comics & Games, The Morning After The Weekend Before
  03 Nov 2025  
by Rich Johnston
  https://bleedingcool.com/comics/lucca-comics-games-the-morning-after-the-weekend-before/

Insights from the Tokyo Int'l Film Festival Animation Symposium
  Kambole Campbell
November 3, 2025  https://www.animationmagazine.net/2025/11/insights-from-the-tokyo-intl-film-festival-animation-symposium/

'Little Amélie or the Character of Rain' Directors Discuss Their Hand-Crafted Vision of Childhood (NEW TRAILER)
 Jennifer Wolfe
November 3, 2025
https://www.animationmagazine.net/2025/11/little-amelie-or-the-character-of-rain-directors-discuss-their-hand-crafted-vision-of-childhood-new-trailer/
This article was written for the
December '25 issue of Animation Magazine (No. 354).

The Daily Heller: The New Yorker's Witty Women [Liza Donnelly]
By Steven Heller
November 2 2025
 The Daily Heller
https://www.printmag.com/daily-heller/the-daily-heller-new-yorker-witty-women/

Inkpulp Podcast #263 | Joe Madureira!
 Nov 3, 2025 INKPULP PODCAST
https://www.youtube.com/watch?v=n7eaSZA4kU8

  J Alex Morrissey from TRADECRAFT Nov 4, 2025  
  EPISODE 251 JOHN WORKMAN: Comic Book Writer, Artist, Letterer, Editor
 https://jalexmorrissey.substack.com/p/episode-251-john-workman

The Essential Peanuts & Beyond: A Conversation with Mark Evanier
Bronze And Modern Gods
  Nov 3, 2025  https://www.youtube.com/watch?v=Vngl1_RM4YE

The Anime Business - Jerry Beck on Akira, Streamline Pictures and Anime in Theaters
AnimEigo  Oct 22, 2025  https://www.youtube.com/watch?v=BHg9UMc1fBA

John Farrelly – RIP
 D. D. Degg
November 4, 2025
https://www.dailycartoonist.com/index.php/2025/11/04/john-farrelly-rip/

Your drawings will live on': Tributes as NI author and cartoonist dies [John Farrelly]
Clodagh Traynor
Sun 2 Nov 2025  
https://www.belfasttelegraph.co.uk/news/northern-ireland/your-drawings-will-live-on-tributes-as-ni-author-and-cartoonist-dies/a1131745086.html

The death has occurred of John FARRELLY
 https://www.funeraltimes.com/johnfarrelly821253107

  *Cowen, Dave. 2025. A.D.: New Orleans After The Deluge - Q&A with Author Josh Neufeld.
SerioComics (74, August 29): https://seriocomics.substack.com/p/ad-new-orleans-after-the-deluge-seriocomics

  *Smith, Larry. 2025. New Orleans, 20 Years After the Deluge: Honoring the Big Easy and a look back at one of the most meaningful projects in my life as writer, journalist, and story seeker [Josh Neufeld]. Say Less by Larry Smith & The Six-Word Memoir Project (August 29): https://sixwordmemoirs.substack.com/p/new-orleans-20-years-after-the-deluge

  *Hurka-Robles, Ana and Pete Lepage. 2007. The Making of A.D, a New Orleans Webcomic [Josh Neufeld]. PulpSecret (August 22): https://www.youtube.com/watch?v=j9E1bkpK_6U

  *Magee, Bruce R. and Kerr McGee. 2025. Josh Neufeld, Part 1-2. Louisiana Anthology Podcast (640 & 641; August 22 & 29): https://louisianaanthology.blogspot.com/2025/08/640-josh-neufeld-part-1.html & https://archive.org/details/640-josh-neufeld-part-1 and
https://louisianaanthology.blogspot.com/2025/08/641-josh-neufeld-part-2.html & https://archive.org/details/641-josh-neufeld-part-2

Comics Research Bibliography citations update, 5/17-18/2025 (UPDATED)

Most of the citations from this weekend were not sent correctly to the blog, so here they are.

Charles Strouse, composer of 'Bye Bye Birdie' and 'Annie,' dies at 96
Elise Viebeck
May 15, 2025
https://www.washingtonpost.com/obituaries/2025/05/15/charles-strouse-dead/

Pope Sam XIV [Michael Ramirez letter]
Clara M. Lovett,
Washington Post May 17 2025: A13
https://www.washingtonpost.com/opinions/2025/05/16/pope-leo-american-alcatraz-jane-gardam/

It's unfunny because it's true [Prickly City letter]
Anne Schwartz,
Washington Post May 17 2025: A13
https://www.washingtonpost.com/opinions/2025/05/16/pope-leo-american-alcatraz-jane-gardam/

Lewis Pullman of 'Thunderbolts*' Has Become Hollywood's Go-To Bob
Sarah Bahr
A version of this article appears in print on May 16, 2025, Section C, Page 6 of the New York edition with the headline: He's a Superhero For the Vulnerable.
https://www.nytimes.com/2025/05/10/movies/lewis-pullman-thunderbolts.html

Conversations with Todd McFarlane
Edited by Jake Zawlacki
University Press of Mississippi
2024

Mutants, Androids, and Aliens
On Being Human in the Marvel Cinematic Universe
By James A. Tyner
2025
University Press of Mississippi
https://www.upress.state.ms.us/Books/M/Mutants-Androids-and-Aliens

Conversations with Rick Veitch
Edited by Brannon Costello
University Press of Mississippi
https://www.upress.state.ms.us/Books/C/Conversations-with-Rick-Veitch
July 2025

Moebius
By Nicolas Labarre
University Press of Mississippi
2025
https://www.upress.state.ms.us/Books/M/Moebius

Barry Blitt's "Soft Landing"
Only a "stupid person" would turn down a free plane, Donald Trump says.
By Françoise Mouly
May 16, 2025
https://www.newyorker.com/culture/cover-story/cover-story-2025-05-26

Midlands school libraries remove children's book over LGBTQ+ relationship [ "I Am Billie Jean King" by author Brad Meltzer]
 Bristow Marchant
May 14, 2025
https://www.thestate.com/news/local/education/article306330911.html

Jackson 'Butch' Guice - A 200 Image Career Retrospective!
Rubén DaCollector and Brian Peck,
Rubén DaCollector May 11, 2025
https://www.youtube.com/watch?v=KH9TPGGZyuY

Words, Images, & Worlds with Sara Kenney [Acid Box]
Jason DeHart
May 17, 2025
https://www.youtube.com/watch?v=lONPxw8oidA

Words, Images, & Worlds: Richard Ashley Hamilton Returns!
Jason DeHart
May 17, 2025
https://www.youtube.com/watch?v=5vV_q0LSRVs

A Macanudo animated TV series is in the works
EXCLUSIVE: King Features Syndicate will rep this Mercury Filmworks/Sun Creature co-pro based on a 23-year-old Argentinian comic strip that's been published in 60 languages.
By Sadhana Bharanidharan
May 16, 2025
https://kidscreen.com/2025/05/16/a-macanudo-animated-tv-series-is-in-the-works/

Eric McConnell
Art of Eric McConnell website
https://www.artofericmcconnell.com/

OBITUARY Eric Charles McConnell May 24, 1972 – May 12, 2025
McEwen Funeral Service-Derita Chapel
https://www.dignitymemorial.com/obituaries/charlotte-nc/eric-mcconnell-12379027

An hour-by-hour countdown of your emotions on an international flight [in print as A cartoonist's take on the emotional journey that is a 10-hour flight]
 Gemma Correll
Washington Post May 18, 202: F6.
online at https://www.washingtonpost.com/travel/2025/05/16/international-flight-emotions-comic/
free to read link: https://wapo.st/44K103s

When timelines cross
Watching my daughter with her grandfather brings age into sharp focus.
Michelle Kondrich
Washington Post May 18, 202: FA18.
online at https://www.washingtonpost.com/opinions/interactive/2025/when-timelines-cross/
free to read link: https://wapo.st/4mmdwMP

War unfiltered: Steve Cuzor brings 'The Red Badge of Courage' to life in new graphic novel
How the artist transformed Stephen Crane's classic war novel into a stark, emotionally charged graphic novel.
David Brooke
May 13, 2025
https://aiptcomics.com/2025/05/13/steve-cuzor-the-red-badge-of-courage-qa/

2025 Eisner Award nominees announced
Patrick Ross
May 15, 2025
https://aiptcomics.com/2025/05/15/2025-eisner-award-nominees-announced/

'Mickey Mouse and the Amazing Lost Ocean' is an instant eco-punk classic
Colin Moon
May 14, 2025
https://aiptcomics.com/2025/05/14/walt-disneys-mickey-mouse-and-the-amazing-lost-ocean-review/

As Ad Populum Buys Diamond, Layoffs Hit In Sales, Services And Support
Rich Johnston
  17 May 2025
https://bleedingcool.com/comics/ad-populum-buys-diamond-layoffs-sales-services-support/

Diamond Book Distributors Confirms Those Laid Off And Those Not
17 May 2025
  Rich Johnston
 https://bleedingcool.com/comics/diamond-book-distributors-confirms-those-laid-off-and-those-not/

Early Disney Imagineering maps show the 'lost lands' of Disneyland, new book reveals
By Todd Martens
May 13, 2025
https://www.latimes.com/travel/story/2025-05-13/lost-lands-of-disneyland-new-book-happiest-place-on-earth

He worked with Walt Disney to shape Disneyland. Now at 93, boy, does he have stories
By Todd Martens
Photography by
David Fouts
April 25, 2025  https://www.latimes.com/travel/story/2025-04-25/bob-gurr-disneyland-imagineer-documentary-tour

Disneyland's new water show: 'Inside Out's' 'Be happy' message irks, while the Muppets charm
By Todd Martens
May 15, 2025
https://www.latimes.com/travel/story/2025-05-15/disneyland-70th-world-of-color-inside-out-muppets

Calvin and Hobbes Press Kit rarity has Bill Watterson fans a-tizzy
John Freeman on May 16, 2025
https://downthetubes.net/calvin-and-hobbes-press-kit-rarity-has-bill-watterson-fans-a-tizzy/

Waiting to Inhale [memoir, mental illness]
Steve Cook from Secret Oranges, May 18, 2025
https://secretoranges.substack.com/p/waiting-to-inhale

Interview with Alya Sometimes Hides Her Feelings in Russian Creator Sunsunsun
MrAJCosplay, May 12th 2025
https://www.animenewsnetwork.com/feature/2025-05-12/interview-with-alya-sometimes-hides-her-feelings-in-russian-creator-sunsunsun/.222209?cmid=ab0eea94-791e-43f3-b0c2-e75eabd2fb39

Trump ZOO! Political Cartoonists Draw Trump as Animals! 130 Cartoons!
Daryl Cagle, Adam Zyglis, Bill Day, and Dave Whamond
 Caglecast 68 May 18, 2025  https://www.youtube.com/watch?v=9u4GcfQ-cZU

From Spoiled Brats to Sketchpads — Local Bulldog Stars in New Book of Tail-Wagging Truths [Jason Chatfield]
by Dashiell Allen
May 13 2025
https://w42st.com/post/from-spoiled-brats-to-sketchpads-local-bulldog-stars-in-new-book-of-tail-wagging-truths/

How Tove Jansson used her Moomins comic strip to critique the financial and creative pressures of being an artist
Elina Druker
The Conversation UK.May 15, 2025
https://theconversation.com/how-tove-jansson-used-her-moomins-comic-strip-to-critique-the-financial-and-creative-pressures-of-being-an-artist-256287

How Tove Jansson's Moomins illustrations taught us to imagine, resist and belong
  The Conversation UK. May 8, 2025
Amelia Huw Morgan
https://theconversation.com/how-tove-janssons-moomins-illustrations-taught-us-to-imagine-resist-and-belong-254631

Tove Jansson's Moomin books explore the power of adventure and transformation
The Conversation UK April 25, 2025
Sue Walsh
https://theconversation.com/tove-janssons-moomin-books-explore-the-power-of-adventure-and-transformation-245969

With Moominmamma, Tove Jansson created a hero who wields a handbag instead of a sword
  The Conversation UK. April 30, 2025
Isabel Joely Black
https://theconversation.com/with-moominmamma-tove-jansson-created-a-hero-who-wields-a-handbag-instead-of-a-sword-255332

Tove Jansson: lessons in life from her beloved Moomin characters
Barbara Tesio-Ryan
The Conversation UK. May 6, 2025
https://theconversation.com/tove-jansson-lessons-in-life-from-her-beloved-moomin-characters-255280

Comics Research Bibliography citations update, 11/3/2025

North Carolina retailer arrested after giving out comics for Halloween
Heidi MacDonald on 11/03/2025 https://www.comicsbeat.com/north-carolina-retailer-arrested-after-giving-out-comics-for-halloween/

Comics Crowdfunding Round-Up: SWAT KATS, NEO WONDERLAND, ENHANCED, and two more projects you'll love!
Diego Higuera on 11/03/2025 https://www.comicsbeat.com/comics-crowdfunding-round-up-swat-kats-neo-wonderland-enhanced-journey-to-the-quest/

SOUTHERN BASTARDS pilot ordered by Hulu
Christopher Chiu-Tabet on 11/03/2025 https://www.comicsbeat.com/southern-bastards-hulu/

The Dungeon Crawler Carl graphic novel is about to make $2.3 million [crowdfunding]
Heidi MacDonald on 11/03/2025  https://www.comicsbeat.com/the-dungeon-crawler-carl-graphic-novel-is-about-to-make-2-3-million/

Most Valuable Comic? Highest Graded Superman #1 CGC 9.0 Hits Auction
Found in a Northern California attic, the highest graded CGC 9.0 copy of Superman #1 should contend for the record of highest price ever paid for a comic book.
  02 Nov 2025  
by Mark Seifert
https://bleedingcool.com/comics/most-valuable-comic-highest-graded-superman-1-cgc-9-0-hits-auction/

NEWLY FOUND CGC 9.0 COPY OF 'SUPERMAN' #1 TO AUCTION
ICv2 Gets the Inside Scoop from Heritage Auctions and CGC
 Brigid Alverson on November 1, 2025
https://icv2.com/articles/news/view/60924/newly-found-cgc-9-0-copy-superman-1-auction

Trump says he will help 'Dilbert' creator Scott Adams obtain cancer treatment
 Kristina Cooke
Reuters November 2, 2025
https://www.reuters.com/world/us/trump-says-he-will-help-dilbert-creator-scott-adams-obtain-cancer-treatment-2025-11-03/

Scott Adams Asks Trump for Help in Fighting His Cancer, and Gets It
 D. D. Degg  
 November 2, 2025
https://www.dailycartoonist.com/index.php/2025/11/02/scott-adams-asks-trump-for-help-in-fight-against-his-cancer/

Cartoonists Drawn to Clay Jones
 D. D. Degg  
November 3, 2025  
https://www.dailycartoonist.com/index.php/2025/11/03/cartoonists-drawn-to-clay-jones/

Commentary: ABSOLUTE BATMAN ANNUAL #1 is the catharsis I needed
E.B. Hutchins on 11/03/2025 https://www.comicsbeat.com/commentary-absolute-batman-annual-1-is-the-catharsis-i-needed/
The Liam Sharp Treasury 2025.
I'm Collectible Art
https://www.imcollectibleart.com/product/liaim-sharp-2025-treasury-artbook/5CIIVL4F2JX7JLQZ5S7S2MXB

Encore: The Art of Liam Sharp ["Silver" edition; black and white art]
I'm Collectible Art
https://www.imcollectibleart.com/product/liaim-sharp-encore-silver-artbook/ILAPX62MQ2H5CTR2WX7QAVDR

Encore: The Art of Liam Sharp ["Gold" edition].
I'm Collectible Art
https://www.imcollectibleart.com/product/liaim-sharp-encore-gold-artbook/LQRW7TIUYUJJLBJSX2SB4ODW

Pollard, Rebecca. 2025. Portarlington illustrator launches graphic novel about Antarctic explorer [" Tom Crean: Irish Antarctic Hero"; Dave Butler; Ireland]. Laois Nationalist (May 15): https://www.laois-nationalist.ie/whatson/portarlington-illustrator-launches-graphic-novel-about-antarctic-explorer_arid-58057.html

Interview: Jonathan Chance treats readers with NEVER BY NIGHT horror anthology
Javier Perez on 11/03/2025 https://www.comicsbeat.com/interview-jonathan-chance-treats-readers-with-never-by-night-horror-anthology/

Mariko Tamaki is killing it: 'We're constantly pushing back against someone trying to tell us our reality is wrong.'
Gina Gagliano | November 3, 2025
https://www.tcj.com/mariko-tamaki-is-killing-it-were-constantly-pushing-back-against-someone-trying-to-tell-us-our-reality-is-wrong/

Turning Grief Into Art With Unusual Wit
In "The Ephemerata," the veteran graphic novelist Carol Tyler explores the nature of loss.
By Sam Thielman
Nov. 1, 2025
https://www.nytimes.com/2025/11/01/books/review/the-ephemerata-carol-tyler.html

THE EPHEMERATA: Shaping the Exquisite Nature of Grief, by Carol Tyler, Fantagraphics

The Prince Valiant Sunday Page Montage Sources
D. D. Degg  
October 26, 2025  https://www.dailycartoonist.com/index.php/2025/10/25/the-prince-valiant-sunday-page-montage-sources/

Prince Valiant Montage Sources 2
D. D. Degg                          
November 2, 2025  
https://www.dailycartoonist.com/index.php/2025/11/02/prince-valiant-montage-sources-2/

30+ Public TV Stations Picks up 'Jeremy and Jazzy' Holiday Specials from Vérité Films [Canada]
  Mercedes Milligan
October 31, 2025
 https://www.animationmagazine.net/2025/10/30-public-tv-stations-picks-up-jeremy-and-jazzy-holiday-specials-from-verite-films/

TIFFCOM: Japan's Anime Industry Expanded 15 Percent to $25 Billion in 2024
The record annual results for Japan's booming anime industry were achieved even before the recent historic success of 'Demon Slayer: Infinity Castle.'
Patrick Brzeski
November 2, 2025
https://www.hollywoodreporter.com/movies/movie-news/japan-anime-industry-value-2024-1236416358/

AJA Reports Record Year for Japanese Anime; Issues GenAI Statement
 Animation Magazine
October 31, 2025
 https://www.animationmagazine.net/2025/10/aja-reports-record-year-for-japanese-anime-issues-genai-statement/

Haunted by Goya: 'The Quinta's Ghost's' Director and Producer Discuss Their Award-Winning Short (Exclusive Clip) [Spain]
Ramin Zahed
October 31, 2025
https://www.animationmagazine.net/2025/10/haunted-by-goya-the-quintas-ghosts-director-and-producer-discuss-their-award-winning-short-exclusive-clip/

Director Guillaume Dousse Brings His A-Game to Netflix's Acclaimed Series 'Splinter Cell: Deathwatch'
Ramin Zahed
November 1, 2025
 https://www.animationmagazine.net/2025/11/director-guillaume-dousse-brings-his-a-game-to-netflixs-acclaimed-series-splinter-cell-deathwatch/

Swimming with Courage: Acclaimed Director Florence Miailhe Discusses Her Award-Winning Short 'Papillon' [France].
 Ramin Zahed
November 2, 2025
 https://www.animationmagazine.net/2025/11/acclaimed-director-florence-miailhe-discusses-the-creation-journey-of-her-award-winning-short-papillon-butteflyn/

Scrooge McDuck comic creator Don Rosa confirms 2026 European tour
John Freeman on November 2, 2025
https://downthetubes.net/scrooge-mcduck-comic-creator-don-rosa-confirms-2026-european-tour/

2000AD's first French outing unearthed? [in "Sunny Sun"].
John Freeman on November 3, 2025
https://downthetubes.net/2000ads-first-french-outing-unearthed/

In Memoriam: Author, illustrator and comic artist John Farrelly [Ireland]
Peter Duncan on November 2, 2025
https://downthetubes.net/in-memoriam-author-illustrator-and-comic-artist-john-farrelly/

Unknown. 1924. [Frank Beck Marries]. Editor and Publisher 57 (5; June 28): 27. Online at https://archive.org/details/sim_editor-publisher_1924-06-28_57_5/page/n31/mode/2up

Unknown. 1924. ["Winsor McCay has resigned from the Hearst organization to accept a position with the New York Herald Tribune Syndicate, reviving in weekly full page color his famous 'Little Nemo' comic…]. Editor and Publisher 57 (5; June 28): 27. Online at https://archive.org/details/sim_editor-publisher_1924-06-28_57_5/page/n31/mode/2up

New York Herald and Tribune Syndicate. 1924. Winsor McCay, Creator of "Little Nemo," Joins the New York Herald and Tribune Syndicate [advertisement]. Editor and Publisher 57 (5; June 28): 20, 21. Online at https://archive.org/details/sim_editor-publisher_1924-06-28_57_5/page/20/mode/2up

Unknown. 1924. ["Herb Roth, cartoon genius of the New York Sunday world, creator of a thousand drolleries in pen and ink sketch, has the world's finest collection of Howard Pyle's illustrations."]. Editor and Publisher 57 (5; June 28): 19. Online at https://archive.org/details/sim_editor-publisher_1924-06-28_57_5/page/18/mode/2up

Unknown. 1924. ["Milt Gross, who draws 'Banana Oil,' a comic strip, for the New York World Syndicate, has started a contest offering a prize for the best Banana Oil joke."]. Editor and Publisher 57 (4: June 21): 262. Online at https://archive.org/details/sim_editor-publisher_1924-06-21_57_4/page/262/mode/2up

Unknown. 1924. ["Mr. Crosby, the creator of the famous series appearing in Life, was enacting in pantomime, for the benefit of the are (sic) editor, the next of his drawings of Skippy…"]. Editor and Publisher 57 (2; June 7): 10. Online at https://archive.org/details/sim_editor-publisher_1924-06-07_57_2/page/10/mode/2up

Unknown. 1924. ["Gene Carr, who is drawing the new comic strip and Sunday Page 'The Baxter Beasleys' … is a native New Yorker."]. Editor and Publisher 57 (4; June 21): 260. Online at https://archive.org/details/sim_editor-publisher_1924-06-21_57_4/page/260/mode/2up

Unknown. 1924. ["R.M. (Bob) Brinkerhoff, cartoonist for the New York World Syndicate, creator of 'Little Mary Mix-up,' has taken his comic character on a 4 months trip abroad sailing from New York, June 3 on the S.S. Republic."]. Editor and Publisher 57 (2; June 7): 30. Online at https://archive.org/details/sim_editor-publisher_1924-06-07_57_2/page/30/mode/2up

Unknown. 1924. ["Walt Munson, cartoonist, is drawing a daily two-column comic under the caption 'Time to Crab' for the Des Moines Register and Tribune Newspaper Syndicate."]. Editor and Publisher 57 (2; June 7): 30. Online at https://archive.org/details/sim_editor-publisher_1924-06-07_57_2/page/30/mode/2up

Unknown. 1924. ["Bob Satterfield, cartoonist for the Publishers' Autocaster Service, New York, will cover the political conventions for his syndicate, drawing cartoons of political leaders from the convention floor."]. Editor and Publisher 57 (2; June7): 30. Online at https://archive.org/details/sim_editor-publisher_1924-06-07_57_2/page/30/mode/2up

Unknown. 1924. ["George McManus… was the guest of the Lancaster (Pa.) News-Journal, May 28."]. Editor and Publisher 57 (2; June 7): 30: https://archive.org/details/sim_editor-publisher_1924-06-07_57_2/page/30/mode/2up

Editorial Cartooning talk from 2008 - Wuerker, KAL, & Thompson

Talking to Matt tonight, he brought up this event, so I'm resharing the photos.

Art of Political Cartooning in an Election Year

Matt Wuerker, KAL and Richard Thompson at the Writer's Center, Bethesda, MD, October 25, 2008.

https://www.flickr.com/photos/42072348@N00/albums/72157608392352602/

Boundary Issues by Daniel Boris

 

WaPo drops Free for All letters page

After at least 33 years, The Washington Post appears to have dropped its Free for All letters page that ran on Saturdays. I think they've been gone for a month now, but that needs to be confirmed.

 This is of interest to us because it was the major source for letters about the comic strips and editorial cartoons that the Post runs.

As the paper continues its right turn it appears to have less interest in anything that may be considered humorous criticism, even though it's editorial page editor comes from England where that type of humor is more prevalent. 

KAL lectures in DC

KAL is starting with the history of political cartooning.