Columbian caricaturist exhibit opens downtown tomorrow

Bruce Guthrie has passed along this information which looks neat. I can't find much at the OAS's website though.


The Inter-American Commission of Women (CIM), the Art Museum of the Americas and the Permanent Mission of Colombia to the Organization of American States (OAS), cordially invite you to the inauguration of an exhibition of caricatures by five Colombian artists:

"Mujeres en su Tinta"

Opening Tuesday, October 19, 2010 at 3 p.m.
OAS Main Building - Marcus Garvey Hall
17th Street and Constitution Ave, NW
On view until Friday, October 29th

Mark Zaid's comic book lawyer exhibit profiled in Times

Read the article here -
Superheroes in Court at Yale Show
By JOHN SCHWARTZ
September 15, 2010
-and watch for an upcoming interview with Mark.

"Superheroes in Court: Lawyers, Law and Comic Books" exhibit done by local collector/lawyer

Local lawyer and big-time comic book collector Mark Zaid has got an exhibit of legal-related comic book covers up in a Yale law library. That's a neat idea for a theme. Here's 3 links about the show that Mark sent me:
 

http://artsbeat.blogs.nytimes.com/2010/09/03/graphic-books-best-sellers-throwing-the-book-at-them/

http://advocatesstudio.com/2010/09/03/art-imitating-law-comic-style/

http://www.abajournal.com/news/article/holy_smokes_batman_law_in_comics_featured_in_new_exhibit/?from=widget

Former cartoonist Shayne Stratyner exhibits in Frederick, MD

Life’s a journey not a traffic jam
By Lauren LaRocca
Frederick News-Post September 02, 2010

DC Conspiracy exhibit at DC's Martin Luther King Library

Andrew Cohen just wrote in to tell us about an upcoming exhibit.

Just wanted to let you know about an event I'm putting together with the DC Conspiracy, called Comic Book Boom, at the Martin Luther King Jr. Memorial Library.

Basically, it's meant to show off some of the comic art that the DCC does in the city, and to put a spotlight on comics more generally. It will consist of an exhibit of comic book art, a comic book reading area, and a couple of how-to workshops for making comics.

There will be more than 20 framed pieces of comic book art that people in the DCC have drawn; spinning racks and shelves filled with books put out by the group and DCC members; and workshops on July 31 and August 21, led by Conspirators.

The facebook page is at http://www.facebook.com/home.php?#!/event.php?eid=133445306667199&ref=mf

And the details of the show...

Martin Luther King Jr. Memorial Library
901 G Street, NW
2nd Floor, West lobby
July 12 - August 27

Post and Times on Norman Rockwell exhibit

I'm of two minds about Rockwell, but I think if you approach him as a consummate illustrator, as Solomon does, you can enjoy his work more than if you worry about putting him into an artistic pantheon at the moment.

Norman Rockwell exhibit opens at the Smithsonian American Art Museum, By Blake Gopnik, Washington Post Sunday, July 4, 2010; E01. There are 86 comments now on this one mostly bashing Gopnik.


America, Illustrated, By DEBORAH SOLOMON, New York Times July 4, 2010

July 12: Comic Book Boom! exhibit

Comic Book Boom!
Start Time:
Monday, July 12, 2010 at 9:00am
End Time:
Friday, August 27, 2010 at 5:00pm
Location:
Martin Luther King, JR. Memorial Library
Street:
901 G Street, NW
City/Town:
Washington, DC

COMIC BOOK BOOM! The D.C. Conspiracy's high-flyin' summer celebration of local comics, presented at the Martin Luther King Jr. Memorial Library.

July 12 - August 27, features an exhibit of original comic art and comic book reading room, showcasing the talents of local D.C. cartoonists.

July 31 and August 21, 1:00 pm - 3:00 pm, bring you workshops to teach you how to make your own comics, led by conspirators Matt Dembicki and Evan Keeling.

Martin Luther King Jr. Memorial Library
901 G Street, NW
2nd Floor, West Lobby

Library of Congress animation exhibit reviewed at City Paper

Library of Congress' "Molto Animato!" Exhibit Is Hardly Vivace

Posted by Mike Rhode on Mar. 10, 2010

http://www.washingtoncitypaper.com/blogs/artsdesk/visual-arts/2010/03/10/library-of-congress-molto-animato-exhibit-is-hardly-vivace/#more-19988

Herblock! speedtour post up on City Paper blog

How to Zip through "Herblock!" in 10 Minutes, Make that Meeting on the Hill

Posted by Mike Rhode on Feb. 1, 2010, at 11:50 am

Herblock! exhibit review

Another one for the International J of Comic Art that you're getting to see first...

Herblock! Sara Duke, Martha Kennedy and Cynthia Wayne. Washington, DC: Library of Congress, October 13, 2009-May 1, 2010.

By the terms of Herbert “Herblock” Block’s will, the Library of Congress must mount an exhibit of his work every three years. In spite of Block’s staggering 72-year long professional career and four Pulitzer Prizes, this reviewer begins to feel a bit jaded. Fortunately, this is an excellent exhibition that is well worth seeing and is accompanied by an excellent companion book, Herblock by Haynes Johnson and Harry Katz (New York, Norton, 2009) that also has a cd of 18,000 of Block’s cartoons (produced by Warren Bernard). The occasion for the large scale of these events was Herblock’s 100th birthday.

The exhibit is in a new gallery, created recently from a reading room, and to get to it, one has to walk through a recreation of Thomas Jefferson’s library – a highlight for any book lover. The curators (who are my friends) cleverly chose 82 original drawings that have not bee on display before. These are out of the 14,460 cartoons and 250,000 roughs he left to the library. They also added the twelve books of his cartoons that Block published in his lifetime. These copies, unlike the ones originally added to the Library, have their dustjackets because they are a recent donation to the Prints and Photographs division from the Herb Block Foundation.

The exhibit opens with a précis of who Block was and includes some of his iconic images such as the footsteps leading from the Watergate break-in to Nixon’s White House. “The Approaching Perils” covers his early years. One can see Block’s early typical Midwestern cartoonist style using pen and ink – a style that is unrecognizable to us as Herblock. This style soon gives way to his familiar use of heavy crayon or graphite lines. Some notable works were “Winged Victory” (1938) in which he quoted the sculpture from Samothrace, and “What ‘Peace Now’ Would Mean” (1940) in which he showed Hitler armed with a machine gun and sitting on the globe.

Other sections were “Psychopathic Ward” on the Depression, fascism and World War II, “White is Black, Black is White, Night is Day—“ on the Cold War, “Naughty, Naughty” on McCarthyism, “Everything’s [Not] Okay” on the 1960s, “Here He Comes Now” on Richard Nixon, “It Gets Into Everything” on the 1970s and terrorism, “Joy to the World” on Ronald Reagan, “Closing Years, Contrasting Styles of Leadership” on Clinton and the elder George Bush, and “Classic Cartoons by a Master” to catch anything that might have been missed.

One could easily select favorite drawings from each section – my notebook is full of notations such as “Man’s Reach” (1968) in which he drew, apropos of Apollo 8, a white hand with its finger and thumb meeting to encircle the moon on top of a black layer covering most of the paper. By the end of his life, and thus the end of the exhibit, Block’s ability was slipping somewhat and the images are covered with Avery labels and ink redrawings. “Creationism or Evolution – That’s Up to the States” has Bush’s head reworked and pasted on, but the final image in print would have looked fine.

During the press tour Harry Katz noted that in the future “you’re not going to see cartoons on the wall – newspapers are changing” and “With Herblock missing, we need to get the voice of the cartoonist out there and revitalizing the art form” – two sentiments that most readers of IJOCA (and this blog!) can agree with and hope for the best.

The Real Story of Superheroes exhbit review

I've submitted this for the spring issue of the International Journal of Comic Art, but will share it with my readers here first.

The Real Story of the Superheroes: Photographs by Dulce Pinzón. Washington, DC: Joan Hisaoka Healing Arts Gallery, November 4-28, 2009.

Photographer Dulce Pinzón clothed Mexicans working in New York City in Halloween superhero costumes loosely related to their jobs, and photographed them doing that work. Thirteen large images were displayed. Pinzón’s biographical data sheet noted, “As a young Mexican artist living in the US, Dulce soon found new inspiration for her photography in feelings of nostalgia, questions of identity, and political and cultural frustrations. … ‘The Real Story of the Superheroes’ comes full circle to introduce the Mexican immigrant in New York in a satirical documentary style featuring ordinary men and women in their work environment donning superhero garb, thus raising questions of both our definition of heroism and our ignorance of and indifference to the workforce that fuels our ever-consuming economy.” While one should generally read press release material with ones critical faculties engaged, I actually agree strongly with the second sentence. The images do not quite stand by themselves, but with captions that explain whom the people and what their occupations are, one is easily led to musing about socio-economics and superheroes.

Some photographs were disturbing: an image of a young man in a Robin costume standing at night on a city street illuminated by a peepshow sign and a police car is labeled, “Robin. Ernesto Mendez from Mexico City works as a male prostitute in Times Square New York. He sends 200 dollars a week.” Other images are less disturbing, but still thought-provoking. “Elasticman [actually Mr. Fantastic of the Fantastic Four – ed.]. Sergio Garcia from the State of Mexico works as a waiter in New York. He sends 350 a week.” The photograph shows him in costume reaching across a diner to present a plate to a seated woman. A cook is shown as the Human Torch, Batman is a taxi driver, Spider-man is a professional window cleaner, Acuaman (sic, Aquaman) works in a fishmarket and the Hulk loads trucks for a greengrocer.

Pinzón had a clever conceit, took thoughtful photographs and the exhibit was well worth seeing. The images were for sale in several sizes and prices ranging from US$1250-$2500.

The Real Story of the Superheroes photo exhibit CLOSING TODAY

I just got back from seeing The Real Story of the Superheroes photo exhibit and I'd recommend you rush into the Joan Hisaoka Healing Arts Gallery on U St, NW at 16th St. and check it out. Photographer Dulce Pinzon clothed Mexicans working in New York City in Halloween superhero costumes loosely related to their jobs, and photographed them doing that work. 13 large images are displayed. It's a clever conceit and worth seeing. It's open until 3 pm today, the last day of the show.

"Herblock!" Opens Oct. 13

Library of Congress
101 Independence Avenue SE
Washington DC   20540

September 17, 2009

Public contact: Sara Duke (202) 707-3630, sduk@loc.gov
                          Martha Kennedy (202) 707-9115, mkenn@loc.gov

"Herblock!"
New Exhibition at Library of Congress Opens Oct. 13

He was a fearless crusader who condemned corruption and exposed injustice, inequality and immorality.  Artfully and effectively wielding his pen, he influenced public opinion and jarred the lives of many elected officials.  He was Herblock, the master of editorial cartooning.

The Library of Congress will celebrate the 100th anniversary of the birth of Herbert L. Block, widely known as Herblock, with an exhibition that looks at his entire 72-year career, which began in 1929 under President Herbert Hoover and concluded in 2001 during the presidency of George W. Bush.

"Herblock!" opens on Tuesday, Oct. 13, the birthday of the four-time Pulitzer Prize-winning cartoonist, and runs through Saturday, May 1, 2010.  The exhibition is free and open to the public from 8:30 a.m. to 4:30 p.m., Monday through Saturday (closed Thanksgiving, Christmas and New Year's Day), in the second-floor South Gallery of the Thomas Jefferson Building, 10 First St. S.E., Washington, D.C.

A companion book, "HERBLOCK: The Life and Works of the Great Political Cartoonist" has been published by the Library of Congress and the Herb Block Foundation, in association with W.W. Norton & Co.  Written by Haynes Johnson and Harry L. Katz, the 304-page hardcover book features a DVD that contains more than 18,000 cartoons.  (The authors will discuss the book from noon to 2 p.m. on Thursday, Oct. 15, in the Library's James Madison Building, 101 Independence Ave. S.E., Washington, D.C.)  Arranged chronologically, the book illustrates the influence of history on Block's work as well as his influence on historical events as they unfolded.

The exhibition is organized similarly, with a chronological layout.  The sections include: Herblock's early years, under the title "The Approaching Perils"; the rise of fascism and World War II, "Psychopathic Ward"; the Cold War, "White is Black, Black is White, Night is Day—"; McCarthyism, "Naughty, Naughty"; the 1960s, "Everything's [Not] Okay"; Richard Nixon, "Here He Comes Now"; the 70s and terrorism, "It Gets Into Everything"; Ronald Reagan, "Joy to the World"; Bill Clinton and George W. Bush, "Closing Years, Contrasting Styles of Leadership"; and some special pieces, "Classic Cartoons by a Master."

The 82 original drawings in this exhibition are new to the walls of the Library—they have never been previously displayed.  The cartoons have been selected from the Library's Herb Block Collection, with a few iconic drawings loaned from the Washington Post collection.  In 2002, the foundation donated Block's archive to the Library, and the collection includes more than 14,000 finished cartoons, in addition to preliminary sketches, files and manuscripts.  The Library mounted displays of Herblock's work in 2000, 2003 and 2006.

Born in Chicago on Oct. 13, 1909, Block began his career as a professional cartoonist in 1929, working for the Chicago Daily News and the Newspaper Enterprise Association Service.  In 1946, he joined the Washington Post, where he remained for 55 years until his death in Washington, D.C., on Oct. 7, 2001.  Block won Pulitzer Prizes in 1942, 1954 and 1979.  He shared a fourth Pulitzer with Washington Post colleagues for coverage of the Watergate scandal in 1973.

To view the Herblock collection on the Library of Congress Prints and Photographs Online Catalog, visit http://lcweb2.loc.gov/pp/hlbhtml/hlbabt.html.

Founded in 1800, the Library of Congress is the nation's oldest federal cultural institution.  The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions.  Many of the Library's rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.

# # #

PR09-169
9/17/09
ISSN: 0731-3527
 

Matt Wuerker art in California exhibit

For information, see "The Tattoon Show, Friday, Aug 28 12:00p, at Eclectix Gallery, El Cerrito, CA" - tattoos may be involved. Matt?

Hello Kitty exhibit reviewed in Post

Hello Kitty wanders into fine art masterpieces in the exhibit reviewed in "Leslie Holt at Curator's Office," By Jessica Dawson, Special to The Washington Post, Friday, July 17, 2009.

Geppi's Museum launching major Carl Barks exhibit

See "GEM Launches Carl Barks Retrospective" for details of the exhibit which will run from July 17 until September 8, 2009, and focuses on Barks' post-retirement paintings.

David Hagen visits his exhibit tomorrow night...

...and you can too!

The show will be from the beginning of March through the end of April with a reception on Friday, March 27 from 6pm to 9pm. All invited. Refreshments served! Century21 gallery space, 1711 Wilson Blvd., Arlington, VA 22209.

I'll be there tomorrow, fairly close to 6. And I hear a cartoonist known as RT will be making an appearance.

Comic Art Indigene artist interview

See "Q&A: Comic Artist Jolene Nenibah Yazzie," By Megan Gambino, Smithsonian's Around the Mall blog March 16, 2009.

Another Comic Art Indigene review by a local

See "We Love Arts: Comic Art Indigene," By Jenn Larsen, March 10th, 2009.

Comic Art Indigene reviewed at Comicsgirl blog

I'm guessing Comicsgirl is local since she popped into Comic Art Indigene on the first day it was open and wrote up her impressions. She also linked to Marcus Amerman, a bead artist who had two (both commissioned, according to the curator) pieces in the show - this George Perez's Wonder Woman bracelet and a Jae Lee's Batman belt buckle.

I'll be writing a full review of this show sometime soon...