E-transom news from Kal:
I would like to invite you to visit a unique new Kal exhibition. The Show takes place entirely ONLINE at the virtual Forward Thinking Museum. The FTM is an online venture of Joy of Giving Something, Inc. (JGS), a not-for-profit philanthropic corporation dedicated to encouraging aesthetic reflection about present realities and future possibilities.
Visit the show here: http://www.forwardthinkingmuseum.com/index.php?gallery=141
The Forward Thinking museum houses multiple floors of artist’s works (primarily photograhers). The Kal exhibition currently contains 18 cartoons that will be changed and updated on a monthly basis. The exhibition will expand in the future to include animation. Admission is free!
Showing posts with label exhibit. Show all posts
Showing posts with label exhibit. Show all posts
Thursday, February 05, 2009
Saturday, January 31, 2009
Comic Art Indigene exhibit coming to Washington
Curator Tony Chavarria sent me a note yesterday regarding the Comic Art Indigene exhibit that had been out west:
During its production, we had interest in the show as a traveling exhibition so we designed it to serve in that function. Its first stop will be at the National Museum of the American Indian in Washington DC this March. The opening will be on March 6th and unfortunately that is all the information I have at the moment. Regrettably there is no information on NMAI's website either although this should change as the date comes closer.
When I have more details I will send them on and hope you might have a chance to see the exhibition.
So, this is the first comics exhibit for 2009 that I know of (Herblock should be at LoC later in the year) - I'll be sure to check it out. If anyone wants to do a group visit, chime in on the comments.
During its production, we had interest in the show as a traveling exhibition so we designed it to serve in that function. Its first stop will be at the National Museum of the American Indian in Washington DC this March. The opening will be on March 6th and unfortunately that is all the information I have at the moment. Regrettably there is no information on NMAI's website either although this should change as the date comes closer.
When I have more details I will send them on and hope you might have a chance to see the exhibition.
So, this is the first comics exhibit for 2009 that I know of (Herblock should be at LoC later in the year) - I'll be sure to check it out. If anyone wants to do a group visit, chime in on the comments.
Tuesday, January 27, 2009
Cartoon mascot exhibit at Johns Hopkins library
Reproduced in full, from Johns Hopkins' website:
New exhibit at MSE Library captures birth of the Blue Jay
JHU Gazette, January 26 2009
Grauer's Blue Jay: A Hopkins Tradition, an exhibit of Blue Jay memorabilia from journalist, author and editorial cartoonist Neil A. Grauer, opens at the MSE Library on Wednesday, Jan. 28, and runs through May 25.
Since the 1920s, the mascot of The Johns Hopkins University has been the feisty Blue Jay — sporting black-and-blue plumage to match the school's athletic colors.
For more than 40 years, the most popular portrayal of that mascot has been the cartoon Blue Jay created in 1966 by Grauer during his student years as a cartoonist for the university's student newspaper, The Johns Hopkins News-Letter.
The exhibit is drawn from the Grauer Blue Jay Collection, a 1996 gift from Grauer to the Sheridan Libraries of more than 50 items. On display are his original sketch of the Blue Jay, drawn on the back of a 3x5 index card; numerous other original drawings; and lacrosse caps, T-shirts, posters, cups, an umbrella and a travel bag, all printed with the Blue Jay logo.
Several items from Grauer's personal collection are also exhibited, including a pair of Nike limited edition sneakers created for members of the 2007 NCAA Division I Men's Lacrosse championship team.
Grauer has drawn the Blue Jay for numerous JHU athletic teams, the Alumni Association and the Pep Band, and still draws the Blue Jay on request. A 1969 graduate of the School of Arts and Sciences, he is now a senior writer in the Editorial Services Division of the Johns Hopkins Medicine Office of Marketing and Communications.
The exhibit is located on M-Level of the Eisenhower Library and may be viewed whenever the library is open.
New exhibit at MSE Library captures birth of the Blue Jay
JHU Gazette, January 26 2009
Grauer's Blue Jay: A Hopkins Tradition, an exhibit of Blue Jay memorabilia from journalist, author and editorial cartoonist Neil A. Grauer, opens at the MSE Library on Wednesday, Jan. 28, and runs through May 25.
Since the 1920s, the mascot of The Johns Hopkins University has been the feisty Blue Jay — sporting black-and-blue plumage to match the school's athletic colors.
For more than 40 years, the most popular portrayal of that mascot has been the cartoon Blue Jay created in 1966 by Grauer during his student years as a cartoonist for the university's student newspaper, The Johns Hopkins News-Letter.
The exhibit is drawn from the Grauer Blue Jay Collection, a 1996 gift from Grauer to the Sheridan Libraries of more than 50 items. On display are his original sketch of the Blue Jay, drawn on the back of a 3x5 index card; numerous other original drawings; and lacrosse caps, T-shirts, posters, cups, an umbrella and a travel bag, all printed with the Blue Jay logo.
Several items from Grauer's personal collection are also exhibited, including a pair of Nike limited edition sneakers created for members of the 2007 NCAA Division I Men's Lacrosse championship team.
Grauer has drawn the Blue Jay for numerous JHU athletic teams, the Alumni Association and the Pep Band, and still draws the Blue Jay on request. A 1969 graduate of the School of Arts and Sciences, he is now a senior writer in the Editorial Services Division of the Johns Hopkins Medicine Office of Marketing and Communications.
The exhibit is located on M-Level of the Eisenhower Library and may be viewed whenever the library is open.
Wednesday, January 21, 2009
Dame Darcy exhibit reviewed in Examiner
Surprisingly (to me at least), Dame Darcy's exhibit is reviewed quite positively in today's Examiner - "There’s nothing like Dame Darcy," By Chris Klimek, Washington Examiner 1/21/09.
Sunday, January 18, 2009
Baltimore's Closed Caption Comics in NYC
Baltimore's Closed Caption Comics has a show at a gallery in New York City through early February.
Thursday, January 15, 2009
March 5: Book of Esther comic art exhibit
Sayeth Edward Gunts in the Baltimore Sun:
5. Biblical art: From March 5 to July 26, the Jewish Museum of Maryland (jewishmuseummd.org), 15 Lloyd St.,will present Drawing on Tradition: The Book of Esther as Graphic Novel. It's a retelling of the Book of Esther in comic-strip form by artist J.T. Waldman.
5. Biblical art: From March 5 to July 26, the Jewish Museum of Maryland (jewishmuseummd.org), 15 Lloyd St.,will present Drawing on Tradition: The Book of Esther as Graphic Novel. It's a retelling of the Book of Esther in comic-strip form by artist J.T. Waldman.
Saturday, January 10, 2009
Dame Darcy exhibit in DC
The Post reported yesterday that Dame Darcy was in town for exhibit opening, and I missed it. The exhibit continues though: Also at the gallery is "Gasoline," featuring works by Dame Darcy, creator of the comic "Meat Cake." The show features work from Darcy's "Gasoline" graphic novel. The shows open tonight with a reception that includes a performance. (After the opening, an after-party is slated for Comet Ping Pong). Free. 7-10 p.m. (Dame Darcy will perform music at 9). The show runs through Feb. 7. Civilian Art Projects, 406 Seventh St. NW. 202-347-0022 or http://www.civilianartprojects.com.
Thursday, January 08, 2009
Warren Craghead exhibit in Charlottesville
Gallery owner Rob Jones sent in the following PR about his Warren Craghead show in Charlottesville:
The Dot and The Line
Drawings by Warren Craghead and Brian Mallman
Migration: A Gallery
Charlottesville, Virginia
www.MigrationGallery.com
This show's opening is past, but it will remain up until the end of January.
Here are a couple of reviews:
http://artpark.typepad.com/artblog/2008/12/drawings-by-warren-craghead-and-brian-mallman.html
http://artpark.typepad.com/artblog/2009/01/the-dot-and-the-line.html (- this link leads to a post with a free downloadable Craghead book - Mike).
Rob Jones
www.artPark.typepad.com
fresh air art blogging
The Dot and The Line
Drawings by Warren Craghead and Brian Mallman
Migration: A Gallery
Charlottesville, Virginia
www.MigrationGallery.com
This show's opening is past, but it will remain up until the end of January.
Here are a couple of reviews:
http://artpark.typepad.com/artblog/2008/12/drawings-by-warren-craghead-and-brian-mallman.html
http://artpark.typepad.com/artblog/2009/01/the-dot-and-the-line.html (- this link leads to a post with a free downloadable Craghead book - Mike).
Rob Jones
www.artPark.typepad.com
fresh air art blogging
Wednesday, December 31, 2008
2006 Disneyland: The First 50 Years exhibit
A small exhibit was at the Smithsonian's National Museum of American Art in 2006, in conjunction with the donation of some artifacts from the theme park. I'm ambivalent about these exhibits (or postage stamps) that help advertise an ongoing concern, but there's no denying that Disney(land) is part of American popular culture.
2006 Smithsonian lunchbox exhibit
In 2006 the Smithsonian's National Museum of American History had an exhibit of lunchboxes, many of which featured comic and cartoon characters, outside of its cafeteria. I've loaded the pictures on my Flickr site, but here's a few to whet your appetite.
Tom Corbett, Space Cadet - a tv show, but soon a Dell comic book too.
How many Peanuts lunchboxes have there been?
It looks like late-period Caniff, but Steve Canyon is still cool.
Walter Lantz's Woody Woodpecker is essentially forgotten now, but was big in its day.
More pics at the flickr link above...
Tom Corbett, Space Cadet - a tv show, but soon a Dell comic book too.
How many Peanuts lunchboxes have there been?
It looks like late-period Caniff, but Steve Canyon is still cool.
Walter Lantz's Woody Woodpecker is essentially forgotten now, but was big in its day.
More pics at the flickr link above...
Sunday, December 07, 2008
Crumb exhibit is excellent. But...
(Photos by Aaron Igler, from the ICA website)We drove up today, had excellent cheesesteaks (is that one word?) at University City's Abner's Cheesesteaks, and then walked around the UPenn campus to the Institute of Contemporary Art for the last day of the R. Crumb's Underground exhibit. They didn't allow us to take pictures, but there's some on their website. The exhibit was originally curated by Todd Hignite and "coordinated at the ICA by Associate Curator Jenelle Porter."
The exhibit, which closed today, was fantastic... or at least the artwork was. The exhibit proper I was less happy with. Pieces were arranged in orders that weren't apparent - neither historical, nor by purpose, nor by media. Judging from the 4-page handout, which says, "Rather than a chronological retrospective, this career-spanning exhibition is organized around specific underlying themes and ideologies" which it then lists as 'Young Crumb,' 'Crumb Draws Crumb,' 'Counterculture,' 'Collaboration,' and 'Old-Time Tunes.' However none of the sections of art in the two cavernous rooms were labeled with these headings, nor were the brief descriptive paragraphs on the section in the brochure included in the actual exhibit. The pieces, except for those published in comic books, were frequently only labeled with the title and media so one could not necessarily place them in context. I happened to recognize two of his New Yorker strips done with his wife Aline, but many other viewers less familiar with his work wouldn't have known where "Fashion Week in New York" and "Cheering Global Villagism" were done for, facts that are relevant in terms of the lessening of some of Crumb's more scatalogical tendencies in the two strips. Interestingly, the artwork was uncolored which was something of a surprise to me as it appears in color in the magazine - my companion and I wondered if Crumb supervised the coloring or if it was done on a computer without him. Crumb's color New Yorker cover of Eustace Tilley as a young punk was included in the show, again without its publication information.
Entrance to exhibitIn spite of these cavils, the exhibit was filled with fantastic pieces, many loaned by Eric Sack. Included were napkins from restaurants that Crumb drew on, which have been the subject of several of his recent books, an Oog & Blik comics publisher's folder he drew a self-portrait on, the back cover of Zap Comix 0, "Early Jazz Greats" watercolor on paper paintings for a card set, his Patton strip which was also in the Masters of American Comics exhibit, Little Wonder Hot Book (1969) - a minicomic with Spain and S. Clay Wilson, original Mr. Natural pages from 1968-1969, the metal printing plate from Zap Comix 0, "Angel Food McSpade" and "Meatball" strips from Zap, and pages of jam comix and posters. A small case of published versions of his art included Zap Comix 1, 0 and 2, Help, Gothic Blimpworks, an American Greeting Card "Season's Greetings" from 1965, and 3 specimens of the unpublished comic he created with his brothers (as seen in the Crumb film).
More art highlights included a complete Fritz the Cat story from 1965, a 1987 Christmas card by Crumb, his wife and daughter, a CBNDI Belgian comics museum poster original and a sketchbook circa the 1960s. One wall had original artwork for comic book covers including Arcade #3 with a pasted-in Zippy by Bill Griffith and the book, R. Crumb's Head Comix. Crumb's work was generally only slightly larger than the published version and he seems to usually work 1 1/2x up. His style evolved somewhat during the 1960s, but by the end of the decade he'd settled into essentially the same one that he uses today although it's obvious that he takes more time and effort on his art now. Much of the material in the show came from a fine art gallery that presumably sells the artwork for him.
The exhibit was a fantastic overview of Crumb's career, even if sadly lacking in information on him. This trend towards treating comics artists solely as fine artists seriously misinterprets the essentially commercial component of comic book publishing, even in the undergrounds that Crumb worked in. However, anyone who likes his work would be well-advised to see the next site it travels to. The exhibit, as stated, was accompanied at the ICA by a four-page brochure and a poster was available for purchase.
Monday, December 01, 2008
Dec 4: Illustrator exhibit opens in Rockville
Casey Shaw of USA Weekend reminded me that this exhibit is opening:
-VisArts at Rockville Exhibition: "TURNING THE PAGE: the fine art behind illustrations" and "THE ART OF THE BOOK" December 4, 2008-February 21, 2009
OPENING RECEPTION: Thursday, December 4, 6:30-8:30pm
115 Gibbs Street #300
Rockville, Maryland 20850
http://www.visartscenter.org/exhibitions.html
I'm not sure if the opening is open to the public, so check first. This is a really nice space and I'm sure the exhibit will be good.
-VisArts at Rockville Exhibition: "TURNING THE PAGE: the fine art behind illustrations" and "THE ART OF THE BOOK" December 4, 2008-February 21, 2009
OPENING RECEPTION: Thursday, December 4, 6:30-8:30pm
115 Gibbs Street #300
Rockville, Maryland 20850
http://www.visartscenter.org/exhibitions.html
I'm not sure if the opening is open to the public, so check first. This is a really nice space and I'm sure the exhibit will be good.
Monday, October 20, 2008
Oct 23: Politics, etcetera… by Sid Chafetz political woodblock exhibit opens
Stanford in Washington Art Gallery Presents
Politics, etcetera… by Sid Chafetz
WASHINGTON, D.C. – The Stanford in Washington Art Gallery is proud to host the new exhibition Politics etcetera... by acclaimed international artist Sid Chafetz. This retrospective includes a variety of portraits, scenes, and political lithographs that comment on national and global events while speaking to the human condition.
Chafetz is considered to be one of the world’s greatest living woodblock artists and has stated that his work utilizes, “…satire to stab at pomposity – whether in my own field of academe or in our political world.” Author and independent curator Allon Schoener remarked that Chafetz’s work, “provokes our social, political, and moral awareness, and forces us to recognize the boundaries of individual responsibility and personal culpability.”
Sid Chafetz began his artistic studies in 1940 at the Rhode Island School of Design (RISD). He was drafted into the army his sophomore year and survived combat in the Battle of the Bulge. Chafetz returned to the United States after World War II, graduated from RISD, and continued with his education in France at the American School at Fontainebleau, the Academy Julian, and with the artist Fernand Leger. Chafetz has been exhibited regularly since 1947 in national and international shows and is currently the emeritus professor of art at Ohio State University where he launched the printmaking program in 1959. His work can be found in private and public collections including the Library of Congress, the Museum of Modern Art, the Cleveland Museum of Art, the Dahlem Museum in Berlin, and the Columbus Museum of Art.
The Stanford in Washington Art Gallery
2655 Connecticut Avenue, NW; Washington, DC 20008
Metro: Red Line to Woodley Park-Zoo/Adams Morgan.
Hours: 9:00 – 7:00 Monday through Friday, 12:00-6:00 Saturday and Sunday
Exhibit runs from October 23, 2008, until January 31, 2009.
Admission is free.
Call 202-332-6235 for more information.
Politics, etcetera… by Sid Chafetz
WASHINGTON, D.C. – The Stanford in Washington Art Gallery is proud to host the new exhibition Politics etcetera... by acclaimed international artist Sid Chafetz. This retrospective includes a variety of portraits, scenes, and political lithographs that comment on national and global events while speaking to the human condition.
Chafetz is considered to be one of the world’s greatest living woodblock artists and has stated that his work utilizes, “…satire to stab at pomposity – whether in my own field of academe or in our political world.” Author and independent curator Allon Schoener remarked that Chafetz’s work, “provokes our social, political, and moral awareness, and forces us to recognize the boundaries of individual responsibility and personal culpability.”
Sid Chafetz began his artistic studies in 1940 at the Rhode Island School of Design (RISD). He was drafted into the army his sophomore year and survived combat in the Battle of the Bulge. Chafetz returned to the United States after World War II, graduated from RISD, and continued with his education in France at the American School at Fontainebleau, the Academy Julian, and with the artist Fernand Leger. Chafetz has been exhibited regularly since 1947 in national and international shows and is currently the emeritus professor of art at Ohio State University where he launched the printmaking program in 1959. His work can be found in private and public collections including the Library of Congress, the Museum of Modern Art, the Cleveland Museum of Art, the Dahlem Museum in Berlin, and the Columbus Museum of Art.
The Stanford in Washington Art Gallery
2655 Connecticut Avenue, NW; Washington, DC 20008
Metro: Red Line to Woodley Park-Zoo/Adams Morgan.
Hours: 9:00 – 7:00 Monday through Friday, 12:00-6:00 Saturday and Sunday
Exhibit runs from October 23, 2008, until January 31, 2009.
Admission is free.
Call 202-332-6235 for more information.
Saturday, October 11, 2008
Oct 17: Cartoons You Can Believe In and The Cartoons You Deserve by R.J. Matson
thanks to Martha Kennedy for the tip!
SUSAN CALLOWAY FINE ARTS
1643 Wisconsin Avenue N.W. Washington D.C. 20007
Tel (202) 965-4601 Fax (202) 338-1660
www.callowayart.com gallery@callowayart.com
PRESS RELEASE
Preferred Publication Date: October 17, 2008
Contact: Naomi Cayne
WHAT: Cartoons You Can Believe In and The Cartoons You Deserve by R.J. Matson
WHEN: Friday, October 17th through Saturday, October 31st
Opening Reception - Friday, October 17th 6 - 8:30pm
WHERE: Susan Calloway Fine Arts
About the Artist
R.J. MATSON, the editorial cartoonist at the St. Louis Post-Dispatch, The New York Observer, and Roll Call, presents satire in its most aesthetic form. With a finger on the economic and political pulse of the nation, Matson creates cartoons that espouse a bipartisan commentary on current events. As he puts it, “I just try to react to the news and get it right. I don’t care so much about telling the world how I feel, just trying to get the smartest, funniest take on what's happening.” Just in time for the presidential election, Susan Calloway Fine Arts will feature recent political cartoons both in their hand-drawn, black and white original forms as well as colorized versions that have gone to press.
R.J. Matson was born in Chicago in 1963, and was raised in Belgium and Minnesota. He received his B.A. from Columbia University in 1985. Along with the aforementioned papers, Matson’s cartoons and illustrations have also appeared in The New Yorker, The Nation, MAD Magazine, City Limits, The Daily News, The Washington Post, Capital Style, and Rolling Stone. One of Matson’s cartoons was selected as number one on Time Magazine’s “Top 10 Editorial Cartoons” of 2007 list. He lives in St. Louis with his wife and three children.
Susan Calloway Fine Arts specializes in contemporary art by local, regional, and international artists, antique American and European oil paintings, and a carefully chosen selection of 17th-19th century prints. The gallery also specializes in conservation framing using archival-quality materials and techniques, and traditional French mat decoration.
Gallery Hours: Tuesday - Saturday 11-5, Sunday - Monday by appointment.
SUSAN CALLOWAY FINE ARTS
1643 Wisconsin Avenue N.W. Washington D.C. 20007
Tel (202) 965-4601 Fax (202) 338-1660
www.callowayart.com gallery@callowayart.com
PRESS RELEASE
Preferred Publication Date: October 17, 2008
Contact: Naomi Cayne
WHAT: Cartoons You Can Believe In and The Cartoons You Deserve by R.J. Matson
WHEN: Friday, October 17th through Saturday, October 31st
Opening Reception - Friday, October 17th 6 - 8:30pm
WHERE: Susan Calloway Fine Arts
About the Artist
R.J. MATSON, the editorial cartoonist at the St. Louis Post-Dispatch, The New York Observer, and Roll Call, presents satire in its most aesthetic form. With a finger on the economic and political pulse of the nation, Matson creates cartoons that espouse a bipartisan commentary on current events. As he puts it, “I just try to react to the news and get it right. I don’t care so much about telling the world how I feel, just trying to get the smartest, funniest take on what's happening.” Just in time for the presidential election, Susan Calloway Fine Arts will feature recent political cartoons both in their hand-drawn, black and white original forms as well as colorized versions that have gone to press.
R.J. Matson was born in Chicago in 1963, and was raised in Belgium and Minnesota. He received his B.A. from Columbia University in 1985. Along with the aforementioned papers, Matson’s cartoons and illustrations have also appeared in The New Yorker, The Nation, MAD Magazine, City Limits, The Daily News, The Washington Post, Capital Style, and Rolling Stone. One of Matson’s cartoons was selected as number one on Time Magazine’s “Top 10 Editorial Cartoons” of 2007 list. He lives in St. Louis with his wife and three children.
Susan Calloway Fine Arts specializes in contemporary art by local, regional, and international artists, antique American and European oil paintings, and a carefully chosen selection of 17th-19th century prints. The gallery also specializes in conservation framing using archival-quality materials and techniques, and traditional French mat decoration.
Gallery Hours: Tuesday - Saturday 11-5, Sunday - Monday by appointment.
Friday, October 10, 2008
OT: Out of Sequence: Underrepresented Voices in American Comics
This exhibit is by a couple of friends of mine, Damian Duffy and John Jennings.
Out of Sequence: Underrepresented Voices in American Comics
Krannert Art Museum, 500 East Peabody Drive
University of Illinois, Champaign-Urbana
October 24, 2008-January 4, 2009
What is comics?
Out of Sequence is an exploration of that question. It is a declaration of the diversity of sequential art in the United States, diversity of creators, content and form. It is a broad survey of women, small press, minority, independent, gay & lesbian, self-published, mini, underground, web and/or gallery comics creators.
What is comics? There is no one answer. Here are many.
Out of Sequence Events List
Thurs. Oct. 23: 6-8pm, Krannert Art Museum
Out of Sequence exhibition opening reception, featuring a talk by gallery comics creator Mark Staff Brandl and music by DJ Delayney
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=10/23/2008&eventId=92824
Fri-Sat, Oct. 24-25: 10am-4pm, Link Gallery
The Next Panel Illinois Small Press Comics Expo
Small press comics artists, including several from the art show, will be selling their work. Mama's Boyz creator Jerry Craft will also be offering a family oriented workshop on creating comics on Saturday afternoon.
http://comicspace.com/nextpanel
Thurs. Oct. 30: 5:30pm, Krannert Art Museum
Gallery Conversation with Damian Duffy and John Jennings, co-curators and creators of The Hole: Consumer Culture (2008).
Sat. Nov. 8: 1-4pm, Krannert Art Museum Auditorium
"Emerging Out of Sequence: Examining the Past and Charting the Future of American Comics" Gallery conversation with Nancy Goldstein, author of Jackie Ormes:: The First African American Woman Cartoonist (2008), Andrei Molotiu, abstract comics creator and curator; Trina Robbins, comics creator and herstorian, and Ashley A Woods, independent comics creator. Moderated by co-curators Damian Duffy and John Jennings
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=11/8/2008&eventId=930
Fri. Nov. 14, 7-11pm: Artzilla
Comics Film Series in conjunction with Out of Sequence exhibition, Multimedia Hip Hop Set featuring images by John Jennings
Out of Sequence: Underrepresented Voices in American Comics
Krannert Art Museum, 500 East Peabody Drive
University of Illinois, Champaign-Urbana
October 24, 2008-January 4, 2009
What is comics?
Out of Sequence is an exploration of that question. It is a declaration of the diversity of sequential art in the United States, diversity of creators, content and form. It is a broad survey of women, small press, minority, independent, gay & lesbian, self-published, mini, underground, web and/or gallery comics creators.
What is comics? There is no one answer. Here are many.
Out of Sequence Events List
Thurs. Oct. 23: 6-8pm, Krannert Art Museum
Out of Sequence exhibition opening reception, featuring a talk by gallery comics creator Mark Staff Brandl and music by DJ Delayney
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=10/23/2008&eventId=92824
Fri-Sat, Oct. 24-25: 10am-4pm, Link Gallery
The Next Panel Illinois Small Press Comics Expo
Small press comics artists, including several from the art show, will be selling their work. Mama's Boyz creator Jerry Craft will also be offering a family oriented workshop on creating comics on Saturday afternoon.
http://comicspace.com/nextpanel
Thurs. Oct. 30: 5:30pm, Krannert Art Museum
Gallery Conversation with Damian Duffy and John Jennings, co-curators and creators of The Hole: Consumer Culture (2008).
Sat. Nov. 8: 1-4pm, Krannert Art Museum Auditorium
"Emerging Out of Sequence: Examining the Past and Charting the Future of American Comics" Gallery conversation with Nancy Goldstein, author of Jackie Ormes:: The First African American Woman Cartoonist (2008), Andrei Molotiu, abstract comics creator and curator; Trina Robbins, comics creator and herstorian, and Ashley A Woods, independent comics creator. Moderated by co-curators Damian Duffy and John Jennings
http://illinois.edu/calendar/Calendar?ACTION=VIEW_EVENT&calId=449&skinId=578&DATE=11/8/2008&eventId=930
Fri. Nov. 14, 7-11pm: Artzilla
Comics Film Series in conjunction with Out of Sequence exhibition, Multimedia Hip Hop Set featuring images by John Jennings
Monday, October 06, 2008
VisArts call for children's book art
And another from Casey Shaw about an upcoming exhibit that's issued a call for children's book illustration:
"TURNING THE PAGE," A unique exhibit featuring original artwork from illustrators of children's books.
The artwork will be displayed next to a copy of the book in which it appeared, and both will be offered for sale.
NOTE: Original art (or if digital, a high-quality signed print) must be available for sale.
There is no entry or hanging fee, but the Gallery will retain a portion of the proceeds.
WHERE: The new VisArts Center Gallery in downtown Rockville, MD
WHEN: Thursday December 4, 2008 - February 21, 2009
GALLERY HOURS: Monday - Friday: 10:00am - 5:00pm. Closed Saturday.
The Gallery is open two Sundays per month from 1:00 pm to 5:00 pm for openings and coffee talks.
JUROR: Harriet Lesser, Director of Exhibitions.
http://www.visartscenter.org
CALENDAR:
Tuesday, October 14, 2008 - Deadline for entry - receipt (no later than 5:00pm)
Friday, October 17, 2008 - Notification of decision and agreement
Monday, December 1, 2008 - Deliver accepted artwork to VisArts: 155 Gibbs Street, Rockville, MD 20850
Thursday December 4, 2008 - Opening Reception: 6:30pm - 8:30pm
Harriet Lesser
Director of Exhibitions
VisArts at Rockville
155 Gibbs Street, #300
Rockville, MD 20850
"TURNING THE PAGE," A unique exhibit featuring original artwork from illustrators of children's books.
The artwork will be displayed next to a copy of the book in which it appeared, and both will be offered for sale.
NOTE: Original art (or if digital, a high-quality signed print) must be available for sale.
There is no entry or hanging fee, but the Gallery will retain a portion of the proceeds.
WHERE: The new VisArts Center Gallery in downtown Rockville, MD
WHEN: Thursday December 4, 2008 - February 21, 2009
GALLERY HOURS: Monday - Friday: 10:00am - 5:00pm. Closed Saturday.
The Gallery is open two Sundays per month from 1:00 pm to 5:00 pm for openings and coffee talks.
JUROR: Harriet Lesser, Director of Exhibitions.
http://www.visartscenter.org
CALENDAR:
Tuesday, October 14, 2008 - Deadline for entry - receipt (no later than 5:00pm)
Friday, October 17, 2008 - Notification of decision and agreement
Monday, December 1, 2008 - Deliver accepted artwork to VisArts: 155 Gibbs Street, Rockville, MD 20850
Thursday December 4, 2008 - Opening Reception: 6:30pm - 8:30pm
Harriet Lesser
Director of Exhibitions
VisArts at Rockville
155 Gibbs Street, #300
Rockville, MD 20850
Hanoch Piven caricature exhibit in DC
Thanks to Casey Shaw of USA Weekend for the tip about this show at the Sixth & I St, NW synagogue!
What Candidates are Really Made of & Other Famous Faces
Sunday, September 21 - Monday, November 13
Sunday, September 21, 11:00 a.m. to 1:00 p.m. (Children's Workshop)
Sunday, September 21, 3:00 p.m. (Opening)
Israeli artist Hanoch Piven creates evocative pop portraits of celebrities and notable politicians using found objects such as bubble gum, light bulbs and electrical wire. In the spirit of the upcoming elections, the exhibition will feature two original commissioned pieces of the presidential candidates. Find out what McCain and Obama are REALLY made of! Other portraits will include musicians, entertainers and U.S. and Israeli politicians.
Several of Piven's portraits are on permanent collection at the Library of Congress. His most recent project is the creation of the Hafatzim Mitlotsetsim TV program, which airs on the Israeli children's channel, Hop. Piven has also published five children's books, one of which Time Magazine named one of the best 10 children's books of the year. Piven is a regular contributor to Haaretz and his work has appeared in major publications throughout the world, including the New York Times, Newsweek, Rolling Stone and Time Magazine in the United States. He won the gold medal from the Society of Illustrators and the silver medal from the Society of Publication Designers for his designs.
Viewing hours are Monday - Thursday and the first Sunday of the month from 12 noon - 3:00 p.m., or call 202/408-3100 to schedule an appointment.
In addition to the exhibit opening, there will also be a workshop for children on Sunday, September 21. The exhibit opening is free and the cost of the children's workshop is $6 per child. R.S.V.P. for these events to Sonia Rosen here or call 202/408-3100.
What Candidates are Really Made of & Other Famous Faces
Sunday, September 21 - Monday, November 13
Sunday, September 21, 11:00 a.m. to 1:00 p.m. (Children's Workshop)
Sunday, September 21, 3:00 p.m. (Opening)
Israeli artist Hanoch Piven creates evocative pop portraits of celebrities and notable politicians using found objects such as bubble gum, light bulbs and electrical wire. In the spirit of the upcoming elections, the exhibition will feature two original commissioned pieces of the presidential candidates. Find out what McCain and Obama are REALLY made of! Other portraits will include musicians, entertainers and U.S. and Israeli politicians.
Several of Piven's portraits are on permanent collection at the Library of Congress. His most recent project is the creation of the Hafatzim Mitlotsetsim TV program, which airs on the Israeli children's channel, Hop. Piven has also published five children's books, one of which Time Magazine named one of the best 10 children's books of the year. Piven is a regular contributor to Haaretz and his work has appeared in major publications throughout the world, including the New York Times, Newsweek, Rolling Stone and Time Magazine in the United States. He won the gold medal from the Society of Illustrators and the silver medal from the Society of Publication Designers for his designs.
Viewing hours are Monday - Thursday and the first Sunday of the month from 12 noon - 3:00 p.m., or call 202/408-3100 to schedule an appointment.
In addition to the exhibit opening, there will also be a workshop for children on Sunday, September 21. The exhibit opening is free and the cost of the children's workshop is $6 per child. R.S.V.P. for these events to Sonia Rosen here or call 202/408-3100.
Sunday, September 14, 2008
Jim Henson exhibit at Smithsonian
I've been lax on posting about this, even though DC blogger and work buddy Master Ibid recommended it to me. I've never really considered Henson a cartoonist, but the show opens with gag and strip cartoons he did. Also when you look at some of the early concept sketches for his puppets, he appears to have been influenced by Searle. You can get details and a podcast on the Smithsonian's traveling exhibits site. The exhibit is up through October 5th and is in the Ripley center under the Haupt garden, behind the Castle.
Saturday, September 06, 2008
Our Man Thompson in San Francisco exhibit
Richard donated a piece to this Totoro Forest Project exhibit which will support anime great Miyazaki's love for forests - "Local artists join to save forest in Japan," Beth Hughes, San Francisco Chronicle Staff Writer, Friday, September 5, 2008. See his blog for more details.
Tuesday, September 02, 2008
OT: Deitch exhibit in NYC
Here's a posting for Bill K, who's handling the programming for SPX as well. This should be an excellent exhibit:
For immediate release
CONTACT: Bill Kartalopoulos
kartalopoulos@gmail.com
Major Retrospective of Work by Legendary Underground Cartoonist Kim Deitch Opens at MoCCA on September 9
• Exhibition dates: September 9 – December 5, 2008
• Opening Reception: September 12, 2008, 6 – 9 pm
The Museum of Comic and Cartoon Art (MoCCA) is pleased to announce a major retrospective of work by underground cartoonist and graphic novelist Kim Deitch (b. 1944), opening September 9th and running through December 5th, 2008.
Kim Deitch: A Retrospective will display original comics pages and other work covering the artist's entire career to date, beginning with full-page comic strips drawn for the East Village Other in the sixties up to recent graphic novels including The Boulevard of Broken Dreams, Alias the Cat, Shadowland, and Deitch's Pictorama. The exhibit will also feature rarely seen work including elaborate preparatory
drawings, hand-colored originals, animation cel set-ups and lithographs.
Kim Deitch was born in Los Angeles in 1944, the eldest son of Oscar-wining animator Gene Deitch (Tom Terrific, Munro). Deitch studied at the Pratt Institute, traveled with the Norwegian Merchant Marines and worked at a mental institution before joining the burgeoning underground press in 1967. As an early contributor to the East Village Other and the editor of Gothic Blimp Works, Kim Deitch was a charter member of the underground comix scene that exploded with the 1968 publication of Robert Crumb's Zap #1. Forty years later, he stands alongside Crumb, Bill Griffith, Aline Kominsky-Crumb, and Art Spiegelman as one the most notable and prolific artists to emerge from that milieu. In addition to his comic books and graphic novels, Deitch's work has appeared in venues including RAW, Weirdo, Arcade, Details, the L.A. Weekly, McSweeney's, Nickelodeon Magazine, and The New Yorker.
"Kim Deitch's career spans the entire post-war history of avant-garde comics, from the underground to the literary mainstream," said exhibit curator Bill Kartalopoulos. "Deitch brilliantly weaves vast intergenerational narratives that enfold a deep history of American popular entertainment. Distinctions between fiction and reality blur in his meta-fictional world just as real madness bleeds into the visions and schemes of the artists, entertainers, and hustlers who populate his stories. The result is a rich narrative tapestry as compelling and as breathtaking as Deitch's densely layered, tightly woven, and intricately detailed black and white comics pages."
Deitch's body of work stretches outward from comics to embrace a spectrum of visual-narrative modes, including extra-textual single images and illustrated prose modeled after Victorian illustrated fiction. His most recent book is Deitch's Pictorama, a collection of illustrated fiction produced in collaboration with brothers Seth and Simon Deitch. The exhibit includes several examples of Deitch's
career-long experimentation with text/image modes.
MoCCA will publish an original poster and 1" button featuring the "Sunshine Girl" character who stars both in Deitch's earliest and most recent work. The Museum will also host a series of talks and events related to the exhibit.
MoCCA is located at 594 Broadway, Suite 401, between Houston and Prince. New York, NY 10012
Phone: 212 254-3511
MoCCA is open to the public Monday through Saturday from 12 – 5 pm, Sundays 12 – 3 pm.
Suggested Donation: $5
The opening reception is free and open to the public.
For more information please visit: http://www.moccany.org
For immediate release
CONTACT: Bill Kartalopoulos
kartalopoulos@gmail.com
Major Retrospective of Work by Legendary Underground Cartoonist Kim Deitch Opens at MoCCA on September 9
• Exhibition dates: September 9 – December 5, 2008
• Opening Reception: September 12, 2008, 6 – 9 pm
The Museum of Comic and Cartoon Art (MoCCA) is pleased to announce a major retrospective of work by underground cartoonist and graphic novelist Kim Deitch (b. 1944), opening September 9th and running through December 5th, 2008.
Kim Deitch: A Retrospective will display original comics pages and other work covering the artist's entire career to date, beginning with full-page comic strips drawn for the East Village Other in the sixties up to recent graphic novels including The Boulevard of Broken Dreams, Alias the Cat, Shadowland, and Deitch's Pictorama. The exhibit will also feature rarely seen work including elaborate preparatory
drawings, hand-colored originals, animation cel set-ups and lithographs.
Kim Deitch was born in Los Angeles in 1944, the eldest son of Oscar-wining animator Gene Deitch (Tom Terrific, Munro). Deitch studied at the Pratt Institute, traveled with the Norwegian Merchant Marines and worked at a mental institution before joining the burgeoning underground press in 1967. As an early contributor to the East Village Other and the editor of Gothic Blimp Works, Kim Deitch was a charter member of the underground comix scene that exploded with the 1968 publication of Robert Crumb's Zap #1. Forty years later, he stands alongside Crumb, Bill Griffith, Aline Kominsky-Crumb, and Art Spiegelman as one the most notable and prolific artists to emerge from that milieu. In addition to his comic books and graphic novels, Deitch's work has appeared in venues including RAW, Weirdo, Arcade, Details, the L.A. Weekly, McSweeney's, Nickelodeon Magazine, and The New Yorker.
"Kim Deitch's career spans the entire post-war history of avant-garde comics, from the underground to the literary mainstream," said exhibit curator Bill Kartalopoulos. "Deitch brilliantly weaves vast intergenerational narratives that enfold a deep history of American popular entertainment. Distinctions between fiction and reality blur in his meta-fictional world just as real madness bleeds into the visions and schemes of the artists, entertainers, and hustlers who populate his stories. The result is a rich narrative tapestry as compelling and as breathtaking as Deitch's densely layered, tightly woven, and intricately detailed black and white comics pages."
Deitch's body of work stretches outward from comics to embrace a spectrum of visual-narrative modes, including extra-textual single images and illustrated prose modeled after Victorian illustrated fiction. His most recent book is Deitch's Pictorama, a collection of illustrated fiction produced in collaboration with brothers Seth and Simon Deitch. The exhibit includes several examples of Deitch's
career-long experimentation with text/image modes.
MoCCA will publish an original poster and 1" button featuring the "Sunshine Girl" character who stars both in Deitch's earliest and most recent work. The Museum will also host a series of talks and events related to the exhibit.
MoCCA is located at 594 Broadway, Suite 401, between Houston and Prince. New York, NY 10012
Phone: 212 254-3511
MoCCA is open to the public Monday through Saturday from 12 – 5 pm, Sundays 12 – 3 pm.
Suggested Donation: $5
The opening reception is free and open to the public.
For more information please visit: http://www.moccany.org
Subscribe to:
Posts (Atom)