Showing posts with label UPCOMING EVENT. Show all posts
Showing posts with label UPCOMING EVENT. Show all posts
Friday, October 18, 2013
Oct 21-22: Brian Biggs booksignings
Cartoonist turned children's book illustrator Brian Biggs will be at Hooray for Kids in Alexandria on Monday afternoon Oct 21 at 4 pm, and at Politics and Prose on Tuesday Oct 22 at 10:30 am. Here's the trailer he's made for his new book, Everything Goes: By Sea. I'm sure he'd be glad to sign your copy of Dear Julia too.
Wednesday, October 16, 2013
Oct 21: FIVE FANTASTIC CARTOON ILLUSTRATORS panel discussion
... also in Alexandria that day is Brian Biggs at Hooray for Kids bookstore. I think it will be possible to do both events.
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Tuesday, October 15, 2013
Thoughts on Superheroes: A Never Ending Battle part 3 (airing tonight)
Thanks to WETA, I've gotten an advance look at the new 3-part documentary Superheroes: A Never-Ending Battle directed by Michael Kantor who co-wrote it with Laurence Maslon.
Part 3, “A Hero Can Be Anyone” (1978-Present), is largely about how superheroes have moved from being entertainment for children to being popular culture for adults. It opens with highlights from the Avengers movie, noting that it was the third highest grossing movie of all time. The San Diego Comic-Con is visited next, showing plenty of quick interviews with adult cosplayers rather than comic book fans.
The documentary then steps back to the 1970s and the lack of trust in government due to Richard Nixon. In this telling, the release of Superman: The Movie in 1978 inspired people, especially with its tagline "You'll believe a man can fly." Several comic book writers point out that Christopher Reeves' great dual performance as Clark Kent and Superman, and the use of romantic situations were the thing that made the movie work more than the special effects. Superman: The Movie also led to a campaign to compensate and credit Siegel and Shuster for their creation, and Kantor covers this in some detail.
Meanwhile comic book sales continued to drop (and as noted in my second review, the creation of the direct market is not mentioned here either). Marvel pulled one of the early stunts by having Spider-Man get married, although former Marvel Editor-in-Chief Joe Quesada notes that once you've started time passing, when does it end? Should Spider-Man grow old? It's not mentioned in the film, but Quesada believes not, and retconned Spider-Man's marriage out of existence with a literal deal with the devil.
Frank Miller's tour-de force Batman: The Dark Knight Returns (1986) is the next highlight, and is held up as the first adult superhero comic book. Comic book and television writer J. Michael Straczynski called the comic book about an aging Batman "the most seminal work in the field today" and I agree. Mark Waid then notes that 1986 saw another seminal work, Alan Moore and Dave Gibbon's Watchmen. Watchmen took the opposite approach to B:TDKR, and looked at the issues of vigilante justice and fascism inherent in superheroes.
Marvel's new X-Men pre-dated these two comics, but are introduced next. The multicultural and multiracial cast is held up as a model in which anyone could find a character or situation to relate to. Gay comics artist Phil Jiminez explicitly states the comic was "a most amazing metaphor for young gay people." The similar success of Marv Wolfman and George Perez's New Teen Titans is not mentioned at all however.
The film segues into the reworking of Spider-Man by artist Todd McFarlane and the subsequent formation of Image Comics by hotshot young enegade artists. McFarlane's interview segments are among the most entertaining in this segment. The Death of Superman is then examined as another highlight drawing media attention, but also as beginning of the bursting of the collectible bubble as people bought multiple copies as investments.
Kantor argues that the "grim and gritty era was ending" by this point, which I disagree with, and the film says that 9-11 ended that type of comic story which began in Dark Knight Returns fifteen years earlier. Marvel's 9-11 comic book is shown (although DC's is not), and then the Civil War story line is featured. This long and wide story put superheroes led by Captain America and Iron Man on opposite sides of a government-sponsored initiative to keep track of superheroes. DC's Batman movies directed by Christopher Nolan are also cited as a response to America's post-9-11 angst - convincingly I believe.
The film then circles back to fun and 'sexy' movies such as Spider-Man. Zach Snyder states that such movies are keeping superheroes alive when comic books can't, and Grant Morrison claims that videogames will be the future. The film ends optimistically of course - it's about superheroes.
All 3 parts of the documentary air locally on WETA at 8 pm tonight. Previews and outtakes can be seen on Youtube.
Images courtesy of Grand Comics Database.
Part 3, “A Hero Can Be Anyone” (1978-Present), is largely about how superheroes have moved from being entertainment for children to being popular culture for adults. It opens with highlights from the Avengers movie, noting that it was the third highest grossing movie of all time. The San Diego Comic-Con is visited next, showing plenty of quick interviews with adult cosplayers rather than comic book fans.
The documentary then steps back to the 1970s and the lack of trust in government due to Richard Nixon. In this telling, the release of Superman: The Movie in 1978 inspired people, especially with its tagline "You'll believe a man can fly." Several comic book writers point out that Christopher Reeves' great dual performance as Clark Kent and Superman, and the use of romantic situations were the thing that made the movie work more than the special effects. Superman: The Movie also led to a campaign to compensate and credit Siegel and Shuster for their creation, and Kantor covers this in some detail.
Meanwhile comic book sales continued to drop (and as noted in my second review, the creation of the direct market is not mentioned here either). Marvel pulled one of the early stunts by having Spider-Man get married, although former Marvel Editor-in-Chief Joe Quesada notes that once you've started time passing, when does it end? Should Spider-Man grow old? It's not mentioned in the film, but Quesada believes not, and retconned Spider-Man's marriage out of existence with a literal deal with the devil.
Frank Miller's tour-de force Batman: The Dark Knight Returns (1986) is the next highlight, and is held up as the first adult superhero comic book. Comic book and television writer J. Michael Straczynski called the comic book about an aging Batman "the most seminal work in the field today" and I agree. Mark Waid then notes that 1986 saw another seminal work, Alan Moore and Dave Gibbon's Watchmen. Watchmen took the opposite approach to B:TDKR, and looked at the issues of vigilante justice and fascism inherent in superheroes.
Marvel's new X-Men pre-dated these two comics, but are introduced next. The multicultural and multiracial cast is held up as a model in which anyone could find a character or situation to relate to. Gay comics artist Phil Jiminez explicitly states the comic was "a most amazing metaphor for young gay people." The similar success of Marv Wolfman and George Perez's New Teen Titans is not mentioned at all however.
The film segues into the reworking of Spider-Man by artist Todd McFarlane and the subsequent formation of Image Comics by hotshot young enegade artists. McFarlane's interview segments are among the most entertaining in this segment. The Death of Superman is then examined as another highlight drawing media attention, but also as beginning of the bursting of the collectible bubble as people bought multiple copies as investments.
Kantor argues that the "grim and gritty era was ending" by this point, which I disagree with, and the film says that 9-11 ended that type of comic story which began in Dark Knight Returns fifteen years earlier. Marvel's 9-11 comic book is shown (although DC's is not), and then the Civil War story line is featured. This long and wide story put superheroes led by Captain America and Iron Man on opposite sides of a government-sponsored initiative to keep track of superheroes. DC's Batman movies directed by Christopher Nolan are also cited as a response to America's post-9-11 angst - convincingly I believe.
The film then circles back to fun and 'sexy' movies such as Spider-Man. Zach Snyder states that such movies are keeping superheroes alive when comic books can't, and Grant Morrison claims that videogames will be the future. The film ends optimistically of course - it's about superheroes.
All 3 parts of the documentary air locally on WETA at 8 pm tonight. Previews and outtakes can be seen on Youtube.
Images courtesy of Grand Comics Database.
Monday, October 14, 2013
Thoughts on Superheroes: A Never Ending Battle part 2
Thanks to WETA, I've gotten an advance look at the new 3-part documentary Superheroes: A Never-Ending Battle directed by Michael Kantor who co-wrote it with Laurence Maslon.
“Great Power, Great Responsibility” covers 1959-1977, two time periods termed by fans as the Silver and Bronze ages. The Silver Age is considered starting when DC reintroduces its Golden Age heroes such as the Flash and Green Lantern in new, science-fiction themed identities. The Bronze Age begins roughly by Jack Kirby's leaving Marvel for DC, and Stan Lee stopping writing in favor of promotion. The merging of the two periods is somewhat uneven.
Fewer key creators appear in this segment, and include Stan Lee, Neal Adams, Denny O'Neil, Len Wein, and Gerry Conway.
Jarringly, Marvel's early 1960s books are discussed before the DC comics that made them possible. Received wisdom is that the Fantastic Four was conceived as a response to DC's success with the Justice League of America. Whether that's true or not, DC certainly reinvented the superhero before Marvel did. Instead the film opens with Marvel, switches back in time to DC and then jumps forward to 1966's camp Batman tv show. Marvel universe co-creators Jack Kirby and Steve Ditko are also given short-shrift.
From there, while noting DC's comic books withering on the vine when the show is cancelled, director Michael Kantor moves on to socially relevant comics such as Marvel's introduction of the African prince the Black Panther. Unfortunately, more credit may be given to introducing characters including Luke Cage, Hero for Hire and the Panther than is deserved. But Bill Foster's commentary, as a black man reading comics, is at this point and is fun to watch, and I'll defer to his viewpoint.
Comics slowly-growing social relevance is tracked via the use of an issue of Spider-Man to warn against drugs, even though the Comic Code Authority wouldn't approve it. DC followed that up with an issue of Green Lantern / Green Arrow by Denny O'Neil and Neal Adams that had Arrow's superhero sidekick Speedy as a heroin addict. The section on GL/GA is among the best in this segment, and includes some old film footage of the creators talking about the series at the time. Another good section is Jim Steranko's take on how he reinvigorated Nick Fury, Agent of S.H.I.E.L.D. DC's attempt to depower and do something similar with Wonder Woman is held up as a triumph of feminism, but the comic books sold miserably at the time. Her successful television show (1976-1979), and commentary by Linda Carter round this section out.
Kantor then moves achronologically again, and switches to a "backlash" against sunny and optimistic superheroes while the real streets of New York are mean and gritty. The death of Spider-Man's girlfriend Gwen Stacy (1973) and the introduction of the Punisher (1974) are held up as examples. The Punisher gets more cultural significance than he deserves - as the film points out, characters such as Dirty Harry had already been successful in movies. Comic books were just following a trend, as usual. The character didn't really take off until the late 1970s when Frank Miller reworked him in Daredevil, and then he truly boomed during the 1980s grim-and-gritty years. Issues from the same year have Spider-Man driving a Spidey-mobile and fighting a hopping villain called the Kangeroo.
The change from newsstand sales to direct market sales in comic book stores occurred in this time period, and is arguably the most important factor in sustaining superheroes, but I don't believe it was mentioned. Overall this episode probably tries to cover too much time in a period when comic books changed a lot. I still enjoyed the show, especially the creator interviews.
All 3 parts of the documentary air locally on WETA at 8 pm on October 15th.
Images courtesy of Grand Comics Database.
“Great Power, Great Responsibility” covers 1959-1977, two time periods termed by fans as the Silver and Bronze ages. The Silver Age is considered starting when DC reintroduces its Golden Age heroes such as the Flash and Green Lantern in new, science-fiction themed identities. The Bronze Age begins roughly by Jack Kirby's leaving Marvel for DC, and Stan Lee stopping writing in favor of promotion. The merging of the two periods is somewhat uneven.
Fewer key creators appear in this segment, and include Stan Lee, Neal Adams, Denny O'Neil, Len Wein, and Gerry Conway.
Jarringly, Marvel's early 1960s books are discussed before the DC comics that made them possible. Received wisdom is that the Fantastic Four was conceived as a response to DC's success with the Justice League of America. Whether that's true or not, DC certainly reinvented the superhero before Marvel did. Instead the film opens with Marvel, switches back in time to DC and then jumps forward to 1966's camp Batman tv show. Marvel universe co-creators Jack Kirby and Steve Ditko are also given short-shrift.
From there, while noting DC's comic books withering on the vine when the show is cancelled, director Michael Kantor moves on to socially relevant comics such as Marvel's introduction of the African prince the Black Panther. Unfortunately, more credit may be given to introducing characters including Luke Cage, Hero for Hire and the Panther than is deserved. But Bill Foster's commentary, as a black man reading comics, is at this point and is fun to watch, and I'll defer to his viewpoint.
Comics slowly-growing social relevance is tracked via the use of an issue of Spider-Man to warn against drugs, even though the Comic Code Authority wouldn't approve it. DC followed that up with an issue of Green Lantern / Green Arrow by Denny O'Neil and Neal Adams that had Arrow's superhero sidekick Speedy as a heroin addict. The section on GL/GA is among the best in this segment, and includes some old film footage of the creators talking about the series at the time. Another good section is Jim Steranko's take on how he reinvigorated Nick Fury, Agent of S.H.I.E.L.D. DC's attempt to depower and do something similar with Wonder Woman is held up as a triumph of feminism, but the comic books sold miserably at the time. Her successful television show (1976-1979), and commentary by Linda Carter round this section out.
Kantor then moves achronologically again, and switches to a "backlash" against sunny and optimistic superheroes while the real streets of New York are mean and gritty. The death of Spider-Man's girlfriend Gwen Stacy (1973) and the introduction of the Punisher (1974) are held up as examples. The Punisher gets more cultural significance than he deserves - as the film points out, characters such as Dirty Harry had already been successful in movies. Comic books were just following a trend, as usual. The character didn't really take off until the late 1970s when Frank Miller reworked him in Daredevil, and then he truly boomed during the 1980s grim-and-gritty years. Issues from the same year have Spider-Man driving a Spidey-mobile and fighting a hopping villain called the Kangeroo.
The change from newsstand sales to direct market sales in comic book stores occurred in this time period, and is arguably the most important factor in sustaining superheroes, but I don't believe it was mentioned. Overall this episode probably tries to cover too much time in a period when comic books changed a lot. I still enjoyed the show, especially the creator interviews.
All 3 parts of the documentary air locally on WETA at 8 pm on October 15th.
Images courtesy of Grand Comics Database.
Tuesday, October 08, 2013
Oct 21-22: Brian Biggs at local bookstores
Cartoonist turned children's book illustrator Brian Biggs will be at Hooray for Kids in Alexandria on Monday afternoon Oct 21 at 4 pm, and at Politics and Prose on Tuesday Oct 22 at 10:30 am.
Saturday, October 05, 2013
Oct 6: Capicons convention
The Capicons convention is on Oct 6 from 10-3 at the Dun Loring Fire Hall off Gallows Road.
Tuesday, September 17, 2013
Tonight: Gene Yang at Cleveland Park Library
Note the change in venue.
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Contact Us 5015 Connecticut Avenue NW www.politics-prose.com e-mail: books@politics-prose.com |
His publisher announced that he's a finalist for a National Book Award:
GENE LUEN YANG’S BOXERS & SAINTS MAKES THE NATIONAL BOOK AWARD LONGLIST
The National Book Awards announced their Longlist in the category of Young People’s Literature this morning, including Gene Luen Yang’s graphic novel diptych about the Boxer Rebellion, Boxers & Saints.
Boxers & Saints is the only graphic novel to make the list. This follows Yang’s American Born Chinese, the first graphic novel ever to be a finalist for the National Book Awards.
Boxers & Saints has received critical praise from across the industry: “Read this, and come away shaking,” says Newbery Honor-winning author Gary Schmidt, while Dave Eggers calls the book “masterful.” The Guardian says it is “remarkable,” while The LA Times calls it “at once humorous and heartbreaking” and The Washington Post describes it as “epic.”
Boxers & Saints is one of the most ambitious graphic novels First Second has ever published. It offers a penetrating insight into not only one of the most controversial episodes of modern Chinese history, but into the very core of our human nature, tackling the difficult subjects of nationalism, faith, and coming-of-age. Gene Luen Yang is rightly called a master of the comics form, and he brings all his formidable talents to bear in this astonishing new work.
In two volumes, Boxers & Saints tells two parallel stories. The first is of Little Bao, a Chinese peasant boy whose village is abused and plundered by Westerners claiming the role of missionaries. Little Bao, inspired by visions of the Chinese gods, joins a violent uprising against the Western interlopers. Against all odds, their grass-roots rebellion is successful. But in the second volume, Yang lays out the opposite side of the conflict. A girl whose village has no place for her is taken in by Christian missionaries and finds, for the first time, a home with them. As the Boxer Rebellion gains momentum, Vibiana must decide whether to abandon her Christian friends or to commit herself fully to Christianity.
Gene Yang began drawing comic books in the fifth grade. He was an established figure in the independent comics scene when he published his first book with First Second, American Born Chinese, which is now in print in over ten languages. ABC's instant critical and commercial success, along with its status as a National Book Award finalist and winner of the Printz Award, catapulted Yang into stardom as a brilliant writer for teens and young adults.
Here’s a link to the full list of nominees: http://www.nationalbook.org/ nba2013.html#.UjcMh39Cxc-
Friday, September 13, 2013
Sept 13 at noon: Heidi MacDonald at Library of Congress
This is from Georgia Higley, in the Library's Serials Division:
Should you be in the DC area for the 2013 Small Press Expo, consider
visiting the Library of Congress a day earlier for a talk on Friday,
September 13:
Heidi MacDonald, creator of The Beat, a daily news blog about comics,
and former editor at DC Comics, will discuss "After Watchmen and Maus:
Exploring the Graphic Novel" at the second annual SPX talk sponsored
by the Serial & Government Publications Division.
We will also display some of our recently acquired SPX mini-comics
and selected works by Heidi MacDonald.
Please join us on Friday, September 13, at noon in the West Dining
Room, located on the 6th floor of the Madison Building, Library of
Congress, 101 Independence Ave, SE, Washington, DC.
The program is free and open to the public.
Should you be in the DC area for the 2013 Small Press Expo, consider
visiting the Library of Congress a day earlier for a talk on Friday,
September 13:
Heidi MacDonald, creator of The Beat, a daily news blog about comics,
and former editor at DC Comics, will discuss "After Watchmen and Maus:
Exploring the Graphic Novel" at the second annual SPX talk sponsored
by the Serial & Government Publications Division.
We will also display some of our recently acquired SPX mini-comics
and selected works by Heidi MacDonald.
Please join us on Friday, September 13, at noon in the West Dining
Room, located on the 6th floor of the Madison Building, Library of
Congress, 101 Independence Ave, SE, Washington, DC.
The program is free and open to the public.
Wednesday, September 04, 2013
Lecture by Heidi MacDonald on Friday, September 13 at the Library of Congress
This is from Georgia Higley, in the Library's Serials Division:
Should you be in the DC area for the 2013 Small Press Expo, consider
visiting the Library of Congress a day earlier for a talk on Friday,
September 13:
Heidi MacDonald, creator of The Beat, a daily news blog about comics,
and former editor at DC Comics, will discuss "After Watchmen and Maus:
Exploring the Graphic Novel" at the second annual SPX talk sponsored
by the Serial & Government Publications Division.
We will also display some of our recently acquired SPX mini-comics
and selected works by Heidi MacDonald.
Please join us on Friday, September 13, at noon in the West Dining
Room, located on the 6th floor of the Madison Building, Library of
Congress, 101 Independence Ave, SE, Washington, DC.
The program is free and open to the public.
Should you be in the DC area for the 2013 Small Press Expo, consider
visiting the Library of Congress a day earlier for a talk on Friday,
September 13:
Heidi MacDonald, creator of The Beat, a daily news blog about comics,
and former editor at DC Comics, will discuss "After Watchmen and Maus:
Exploring the Graphic Novel" at the second annual SPX talk sponsored
by the Serial & Government Publications Division.
We will also display some of our recently acquired SPX mini-comics
and selected works by Heidi MacDonald.
Please join us on Friday, September 13, at noon in the West Dining
Room, located on the 6th floor of the Madison Building, Library of
Congress, 101 Independence Ave, SE, Washington, DC.
The program is free and open to the public.
Tuesday, September 03, 2013
DC Public Library as the 2013 Recipient of the SPX Graphic Novel Gift Program
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Monday, September 02, 2013
Neal Adams - Beyond Comics Frederick - Thursday, Sept. 5
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Beyond Comics | Gaithersburg Square | 536 North Frederick Avenue | Gaithersburg | MD | 20878 |
Thursday, August 29, 2013
Team Cul de Sac fundraiser at Baltimore Comic-Con
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Baltimore Comic-Con 2013 Panel Schedule
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