Meet a Local Comic Book Artist: A Chat with Sean Damien Hill

by Mike Rhode

On September 16, 2023, comic book artist Sean Damien Hill was signing his new X-Men collection at Fantom Comics. He chatted with a small crowd for about an hour, discussing the business of comics, his influences, and how he worked. I thoroughly enjoyed it and bought the Bishop comic, as well as the DC Blood Syndicate collection that he had work in. Hill said he works a full time job, is a father, and does his comic work late in the evening. He also talked about being influenced by bodybuilders when it came to drawing superheroes. I appreciate him taking the time to answer our usual questions.

What type of comic work or cartooning do you do?

I think I can describe it as super hero and fantasy illustration. At least those are my biggest influences in my work.

How do you do it? Traditional pen and ink, computer or a combination?

I’ve gone back forth on digital and traditional, depending on  the project I’m doing. But right now I’m experimenting with doing digital thumbnails, printing it on Bristol board and going traditional from there.

When (within a decade is fine) and where were you born?

I was born and raised in Washington DC. Petworth is actually my old neighborhood.

Why are you in Washington now?  What neighborhood or area do you live in?

Nowadays I live in Alexandria Virginia. I’ve been there for about 8 years now. I like it here though it is a bit quieter lol.

What is your training and/or education in cartooning?

Well I had a mentor I met in elementary school, his name is Kofi Tyus and he is an artist that taught classes around the city back then. He also did a lot of cartooning for independent publications around the city at the time, along with doing them for his own greeting card business.  He was teaching a comics and cartooning class when my school art teacher introduced me to him because she knew I was hugely into comics. He helped us make our own comic that he actually printed and would  help us sell them to our friends, families or neighbors.

Who are your influences?

That is an pretty big list but from very young I used to read through my mom's books and two of my favorite were Stephen King's The Stand with art from Bernie Wrightson and Milton’s Paradise Lost with all the amazing artwork from Gustave Dore. My grandfather and mom were into comics and they introduced me to a lot of books at the time. Artist like Will Eisner and Jim Lee stick out, though I’m sure not many link those two names together as an influence too often. Right now artists like Mshindo Kuumba, Ivan Reis, a dozen others really have a big influence on me.

If you could, what in your career would you do-over or change? Or rather, how are you hoping your career will develop?

Looking back I think I would have made my own book first before doing any freelance stuff, and tell my own stories. Freelancing can be fun, as it does allow you to add your voice to an already-made world and [you can enjoy] seeing how it looks with you playing around in that world. But making my own thing has always been on my mind. One of these days I gotta do it.

What work are you best-known for?

I think for right now it might be for Bishop War College for Marvel Comics.  

What work are you most proud of?

It’s between three books that I still feel pretty proud of: The Hated with David Walker; Dark History of Okemus with TJ Sterling and Isnana the Were-spider: Drums of the Ogunm with Greg Elyse.

Those are all Indy titles though.

What would you like to do or work on in the future?

I hope to continue to do a lot more black-centric characters in the indies and continue to work for Marvel and DC. I’d love to do some X-men stuff again and for DC I’d love a shot at a Bat family character. Hopefully I get myself together and do my own thing too.

What do you do when you're in a rut or have writer's block?

I don’t want to say I never have a block, but sometimes I wonder if it’s just me being too hard on myself about what I should produce. I firmly believe in every artist there’s 100 bad drawings and you gotta get through them to get the good ones. So I kinda just take it easy on myself, go ahead and work through all my trash ideas and play with them until I get something that works.

What do you think will be the future of your field?

It’s gonna be interesting for sure, right now  I’m seeing a small influx of Indy creators being picked by Marvel and DC more and more. And a lot of more established creators going into business for themselves. This tends to happen in comics a lot but it looks like we’re having another small wave  happening now. I think crowd funding for Indy comics will continue to scale up; it’s starting to look like the best business model Indy comics has ever had. In the past the success of an Indy publisher would be to push themselves until they can  mimic the business and distribution model of established publishers, but it’s got its own way now to build and sell to an audience and overall I think that’s great for comics.

What local cons do you attend? The Small Press Expo, Awesome Con, or others? Any comments about attending them?

So I am absolutely terrible at attending cons. But I have been sneaking into Blerdcon over in Alexandria in recent years to sign books with creators I’ve worked with there like TJ over at Rae comics and Isnana the Were-spider with Greg Elyse. I haven’t been to Awesome con in awhile and I’d love to see Baltimore Comic Con again.

What comic books do you read regularly or recommend? Do you have a local store?

I’m usually buying a lot more Indy stuff lately, I think the most recent think I got was a book called Crescent City Monsters from Dreamfury Comics. I’m also looking to get the collected edition of Fall of X too pretty soon. Sadly I don’t get as much time to read as much as I used too.

What's your favorite thing about DC?

I think DC has the benefits of a small town, but in a metropolitan city. I’ve had friends I’ve known here since I was a kid and I would still run into them sometimes now, even though we’ve both moved in different places of the city probably several times over. There’s a strong sense of community here if you willing to invest in it. Plus we have THE best looking city flag in the nation.

Least favorite?

The Metro, it tough when you slogan is “getting back to good” it’s like your openly advertising your bad.

What monument or museum do you like to take visitors to?

For me it’s either the Lincoln Memorial or the Washington Monument, I’ve always love the monument. My wife and I had our engagement photos there.

How about a favorite local restaurant?

I think everyone in DC should experience Ben’s Chilli Bowl at least once, even if you're visiting but I don’t have an absolutely favorite place though.

Do you have a website or blog?

Yes, my website is www.seandamienhill.com [ed note: some original art from Bishop is for sale on his site]

 

Sean Damien Hill talks about his "Black Power" exhibit

by Mike Rhode

Sean Damien Hill's drawings of African-American superheroes opened this week at the University of the District of Columbia's Gallery 42 (my cell phone pictures are here). The exhibit is open from February 13-28 and solely features Sean's drawings of notable black superheroes. I interviewed Sean just a year ago, and he graciously again answered questions about his new exhibit. (Photographs of the opening reception are by Bruce Guthrie)

Where did the idea of the show come from?

About a year ago Daniel Venne, head of the Art Dept. at UDC had the idea of doing a comic book themed show for Black History Month. We had known each other for some time and he was growing more and more familiar with my work, and he knew I did freelance comic work also.

Is this your first solo exhibit?

Yes it is. I’ve seldom done any art shows in the past. When I did, it was always with a buddy of mine, and I only had include one to three works or something like that. Doing this one was incredible but the anxiousness of it being MY SHOW was crazy. I’m an introvert by nature so I’m never craving that much attention so being the center of it for an art show was wild.

How many pieces are in the show?

About 20 pieces or so.

Sean Anderson from Route 3, courtesy of Sean Hill

How did you find or decide on the characters to draw?

A lot of these characters are some I’ve already been familiar with. All the DC and Marvel comics characters were creations I’ve enjoyed in the past and that aren’t being used to much right now. My favorite from DC Comics is of course Icon from the old Milestone Comics studio (published by DC) in the 90’s and of course Green Lantern John Stewart. Indy characters I included are Dreadlocks from Urbanstyle comics, Vigelance from creator Sean Mack. Anakulapo from Mshindo Kuumba, and of course Sean Anderson from Route 3 from Robert Jeffrey (and me).. I really wanted choose some heroes that are not too well known so it could also be an educational experience.

How did you draw them? Digitally, traditionally, or a combination?

The 20 drawings were done traditionally with Pentel brush pens, Copic fine liners on 500 series 11x17 and 16x20 Bristol board. The three colored prints are digital illustrations from the clip studio paint program I use all the time for most of my published work.

What's the difference between drawing digitally and drawing with pen and ink?

For me, it's always more comfortable drawing traditionally, as there is a certain amount fluidity to it. Drawing decisions are made a lot quicker even if I’m building on a lot of rough sketching and ground work to get things going. On paper, I have a better sense of how I’m going to use the space because it’s not something I can change with a zoom key. Overall for me, that’s the down side of drawing digitally, as paper size becomes so relative it’s hard to figure out ( at least for me who draws too many lines to begin with) where to focus more of my attention.

DC / Milestone Comics' Icon

Some of the drawings are done in blue pencil and then inked, can you discuss why you do that?

Traditionally blue pencil was used by artist to avoid the extra process of erasing pencils after inking. It save time because back then most printing was based on photography and cameras couldn’t pick up such a light blue. Now the digital age has caught up to all that, so now it’s more of a preference to better see your final line work over top the initial blue pencil sketch. It’s sort of become ingrained in the culture of comic illustration and digital comic drawing programs like Clip Studio Paint even have an option to turn your linework blue. Even traditional inkers print out pencils in blue nowadays so their line work is a lot clearer.

There are three color pieces in the show, where they done completely digitally?

Yes the color prints are completely digital. I have process videos on my YouTube channel of my digitally drawing two of them: https://youtu.be/sETbPU93TP0 and https://youtu.be/bWEtIVz3XjA

Val Zod, courtesy of Sean Hill

I noticed the art in the show is for sale. Is there a market for original art drawings? Does this affect the convenience of doing material digitally at sometimes?

Yes, there is definitely a market for traditional comic art. Sometimes a lot of artists who draw pages traditionally will sell the originals after the books published. It’s a major incentive to stick to traditional which is probably why half the artists in comics still do.

Which are your favorite pieces in the show?

I have three. One is Val Zod, an African-American Superman. It has to do with the fact I drew him as though he’s contemplating something; narrative is huge when doing any illustration and if you can portray that, it tells something about the subject. The others are Sean Anderson from Route 3. And Icon, my drawing is literally a man with the weight of the world on his shoulders.

Yasuke (photo by Rhode)

Can you tell us more about your superhero character?

Yasuke is my love letter to all those Hitori Hanzo, Mifune and Highlander movies I watched as a kid. He is based on the real Yasuke who was an African slave made a samurai during Ido-period Japan. In my story he is an immortal cursed to make amends for serving an evil emperor. His journey is about moral questioning and if there is an objective right or wrong. Through that journey he discovers the reason for his curse.

Did you grow up on superhero comics? If so who are your favorite characters? Favorite creators?

I was raised around comics like Avengers, Teen Titans, Legion of Super-Heroes, with plenty of Batman and Superman too. My mom and grandpa would read them all the time. Grandpa actually introduced books like Will Eisner's the Spirit and Dick Tracy to me, and Mom loved the the Avengers and Teen Titans.

My favorite heroes have always been Batman, Icon, and Magneto (even though he was a villain).

Who or what would you like to work on from one of the major publishers?

If I had a chance, I’d love to do Luke Cage or Black Panther, and Batman of course, but even to have a shot at Superman because it would be fun drawing that giant square jaw and boy-scout smile.

Introductory exhibit text (photo by Rhode)

What are your thoughts about African-American representation in the comic books? 

Well of course I’m all for it. Our media reflects our world and our beliefs. If we have different types of heroes in our media, it’s only because we believe different types of people can have a great potential, and even reach that potential. But if we only see one type of people in that role throughout our media, it’s then widely believed, at least on a subliminal level that only that particular kind of people have that potential. And that sends a sign that the rest shouldn’t bother.

On there other hand, I do think diversity in comics is a bit larger than what people credit, where some are just looking in the wrong place. I really believe if the audience gave more attention to Indy titles they might find the type of diverse storytelling we all need. It’s getting easier to self-publish nowadays and people have a lot of stories to tell.

Marvel's retconned first Captain America

Typically when someone says they want diversity in comics, it’s really a lot of the time just wanting the big two (DC and Marvel) to deliver it, but those companies have heroes that had been created and gained a lot of footing during a time where diversity was not on the table. Now to be fair, those companies have tried to diversify their heroes, but it’s often nothing original and usually a repackaging of something they already have. To me that’s not true diversity, because it can both hurt the fandom that loves that particular hero and also tells the audience being catered to that they aren’t worth investing in a new hero for.

Do you think the race of the writer/ artist should be under consideration when it comes to drawing an African-American character?

I won’t say who should be hired for what, but I think we have a responsibility help create a culture of diverse creators behind comics. Right now it’s still widely white males on the credits of most mainstream titles. I’m not saying a white writer couldn’t do a great Cyborg story because Marv Wolfman did and white creators are responsible for Black Panther, Luke Cage, Spawn, Misty Knight ... a lot of those characters [in this exhibit]. But we should create a culture in comics where the creators are diverse just like the world we live in.

DC Comics' Vixen

The Black Panther movie obviously has the issue of black superheroes on everyone's mind right now; are you interested in seeing the movie?

I am, and I’m very interested to see how it’s going to effect our medium afterwards. I know it won’t make book sales jump and stay steady, because none of the movies have been able to increase comic readership for the long term. But it’s definitely going to have an influence on how diverse stories can be told. Ultimately though, it;s up to us to determine what impact this really has, but so far it’s really hopeful.