Showing posts with label Michael de Adder. Show all posts
Showing posts with label Michael de Adder. Show all posts

Saturday, August 24, 2024

Two DMV-adjacent cartoonists win Reuben awards


MICHAEL DE ADDER
Editorial

The Canadian former WaPo contract editorial cartoonist, presumably for work he did at the Post, since he was forced out around February.

NICK GALIFIANAKIS
Magazine/Newspaper Illustration

The WaPo advice column illustrator, formerly of the area, now reported to be in Greece.

Friday, March 22, 2024

Michael de Adder on his Washington Post tenure

In the 2024 Kesterton Lecture with Michael de Adder, at the Carleton School of Journalism and Communications, he discusses his time with the Post. This is the first time I've heard a reason for him leaving the WaPo, and he chalks it up to the editorial page editor's death.

[Starting at 1:01]

 When I was hired by The Washington Post, I was hired to take over Tom tole's job. Now the most celebrated cartoonist in one of the most celebrated cartoonists in the world used to work for the Washington Post, a guy named Herblock. He changed cartooning. He was one of the people who modernized cartooning and made cartooning what it is today. The funny thing is  this was the era of Ben Bradley and Watergate and when they were going to replace Block, they announced that they were going to give Tom Toles the job. Tom Toles is an excellent cartoonist. He's nothing like Herblock but that's a good thing. I was there on the day that it was announced he was taking over and Ben Bradley said this to him in front of a whole room of cartoonists, "You have big shoes to fill." What a terrible [thing to say]. It is true he had big shoes to fill, but don't say that in a room full of cartoonists.

He did great though. I thought he was one of the best, but a year later they hired Ann Telnaes to also work online and I thought they produced some of the best cartoons in America. Not the best in Canada -- we're really good cartoonists here.

So when Tom Toles decided to retire, and he retired the day after Trump lost which I thought was a classy thing to do, I told my manager that I wanted to show interest in getting that job. I didn't expect to get it, and I got it, and it was great at first. I think I started off a little slow.

Fred Hiatt, the guy that hired me, in 2022 at Thanksgiving he had a heart attack and died. It was a massive heart attack and I think he died something like within two weeks.I always felt like I only had one person on my side at the [Post]. I probably had 10 people on my side at the Washington Post but I really only felt like I had one person. Now it happened to be the main person so he's the person you want to have on your side, but when he died, I knew that it's possible that my career with them was going to end. The new guy came in and I do believe that he had a mission to make things a little more conservative and and I don't know if that came from the boss or if it came from or where it came from -- all I know is that the first conversation I had with him, all he talked about was all the cartoonists he liked and he didn't mention me. That doesn't bode well, but anyways you know these things happen. The paper wanted to go further right and I'm clearly not on the right.

At 1:12 when being questioned about being fired four times, he returns to the point, saying it wasn't about the money:

[At] The Washington Post, it was purely point of view. In fact they were paying
me twice what they should have for one cartoon, just to keep me there so that they could quietly let me out the door.

Friday, February 09, 2024

Michael de Adder on former WaPo job at X/Twitter

Don't have much to say. I took the job because I was supposed to be the main cartoonist. Now I find myself without a job. And that's all I have to say. I'd like to get a job at another newspaper. Ha like it's easy. But I have a plan I want to try first. Something different. Coming soon I guess.

Sunday, November 06, 2022

That darn de Adder and Popeye - letters on comics reveal the Post's biases

More like Pop-eyes

Jonathan Sanford, Daniel B. Johnston

This weekend the Post ran a 2-page full-size Steve Martin / Harry Bliss cartoon in the Book World and a full-page Dabin Han strip in the Travel section - proving that some of the paper's editors get the idea that comics still attract readers.
 

Friday, March 26, 2021

Michael de Adder, Canadian political cartoonist, joins The Post

de Adder was fired from his last position* one of his major customers for being too hard on Trump. It doesn't appear that he'll be moving to DC, as Toles did, nor will he have as many days as Tom.

Michael de Adder joins Washington Post Opinions as a political cartoonist

WashPost PR Blog March 26, 2021
 
*Corrected.
 
See
 

Cavna, Michael. 2019.

This Trump critic’s cartoon went viral on social media. Within hours, he no longer had a contract [Michael de Adder, Canada].

Washington Post (June 30): https://www.washingtonpost.com/arts-entertainment/2019/06/30/viral-trump-critic-canadian-cartoonist-loses-his-freelance-contract-with-publisher-brunswick-news/

 

Degg, D.D. 2019.

Brunswick News Inc. Cancels Michael de Adder – Updated.

Daily Cartoonist (June 29): http://www.dailycartoonist.com/index.php/2019/06/29/brunswick-news-inc-cancels-michael-de-adder/


Wednesday, March 04, 2020

PR: 2020 Herblock Prize & Lecture awarded to Michael de Adder; Matt Lubchansky is finalist


For Immediate Release

WASHINGTON, DC, Wednesday March 4, 2020 – Michael de Adder is the 2020 Herblock Prize winner for editorial cartooning.

Michael de Adder has won numerous awards for his work including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian cartoonists 2014 Townsend Award. He has been nominated for four National Newspaper Awards and was shortlisted by the National Cartoonists Society for the Reuben Award in Editorial Cartoon category.

Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario. After freelancing for a few years, he landed his first full time cartooning job at the Halifax Daily News. 

After the Daily News folded in 2008, de Adder became the full-time freelance cartoonist at New Brunswick Publishing. He was let go in 2019 for his political views with one of these being his cartoons depicting U.S. President Donald Trump's boarder policies. Currently, de Adder works for Counterpoint, a United States based newsletter that celebrates a diverse field of cartoonists from different political perspectives as well as the Toronto Star and the Halifax Chronicle Herald.

He has over a million readers per day and is considered the most read cartoonist in Canada.  He is a past president of the Association of Canadian Editorial Cartoonists and spent five years on the board of the Cartoonists Rights Network.

The Herblock Prize is awarded annually by The Herb Block Foundation for "distinguished examples of editorial cartooning that exemplify the courageous independent standard set by Herblock." The winner receives a $15,000 after-tax cash prize and a sterling silver Tiffany trophy. Michael de Adder will receive the Prize on April 6th in a ceremony held at the Library of Congress. Jose Andres, chef and founder of World Central Kitchen (WCK) a non-profit devoted to providing meals in the wake of natural disasters, will deliver the annual Herblock Lecture at the awards ceremony.

This year's judges were Dan Perkins, pen name Tom Tomorrow, creator of the weekly political cartoon "This Modern World" and winner of the 2013 Herblock Prize; Michael Rhode, archivist and author, commentator on comics for the Washington City Paper and creator of the ComicsDC blog; and Eric Shansby, American cartoonist and children's book illustrator whose work appeared most prominently in The Washington Post.

The judges noted "There were many strong submissions in this moment of political crisis in America. The judges ultimately chose Michael de Adder for his elegant yet concise draftsmanship and his ability to distill complex issues into impactful visual statements. De Adder, who recently lost his job due to criticism of the American president, embodies Herblock's standard of courageous independence, as defined in the award."

The Herblock finalist for 2020 is Matt Lubchansky who will receive a $5,000 after-tax cash prize. The judges said "Matt Lubchansky is an up-and-coming artist whose work exemplifies the cadence and structure of a new generation. Their work was distinguished by a wide diversity of subject matter and a cleverly askew sense of humor."



Sarah Alex
Executive Director
The Herb Block Foundation
1730 M Street, NW Suite #1020
Washington, DC 20036
(w) 202-223-8801