ComicsDC

A new interactive exhibit -- "Emotions at Play with Pixar's Inside Out" -- opened last weekend at the National Children's Museum in downtown DC.

In case you're not familiar with the museum, it's had a somewhat nomadic life. The museum first opened in 1979 on H Street NW. In 2004-2009, it was a "museum without walls." In 2009-2015, it operated at National Harbor, Maryland. It opened at its current location in the Ronald Reagan Building on February 24, 2020 just before COVID hit, after which it was forced to close for 18 months. It's been reopened to the public since September 2, 2021.

I had never been to the museum in any of its locations before. My only interaction had been way back in 1988 when animation god Chuck Jones was going to be there for a gala event. I was 31 then and had no idea what a gala was. I called their office to ask about tickets and the person said "This is a black tie event." I said, "That's okay. I can buy a black tie." She responded with, "I don't think you know what a black tie event is..." She was right. I wrote to Chuck saying I had wanted to see him but couldn't afford a black tie. Unsolicited, he sent me a sketch -- "For Bruce -- Bugs Bunny in black tie -- which you may borrow for future events."

When the opportunity to see this new exhibit came up, I was happy to check it out.

The "Emotions at Play with Pixar's Inside Out" exhibit was developed by Children’s Museum of Pittsburgh in collaboration with Pixar Animation Studios. It features a diverse number of parts oriented around the Pixar film, "Inside Out."

In case you somehow missed the 2015 film, it focuses on the "little voices inside your head" as the central character, Riley, tries to adjust to the cacophony of emotions that result from her family being relocated. In Riley's case, there are five emotions -- Joy, Sadness, Anger, Fear and Disgust -- trying to navigate Riley's long term memories and bring her back to functioning.

The film was the seventh-highest-grossing film of 2015 and won an Oscar for Best Animated Feature. A sequel, "Inside Out 2," is scheduled to be released in 2024.

The exhibit features a number of independent components. Emotions, and the characters and its color palette -- yellow=joy, blue=sadness, red=anger, purple=fear, green=disgust -- tie all of them together.

From my experience, it seemed like the crowd favorite was "Emotions in Motion." You turn a dial to select your current emotion, put a large white ball into a hole whose color now reflects your chosen emotion, and turn the crank which advances the ball. The ball retains that color, separate from the other 100-ish balls in the system, until it makes it all the way through the serpentine circuit.

As a computer nerd, I loved that exhibit plus several other techie exhibits.
* "Memory Sphere": You write down a memory on a colored sheet of paper (five colors of course). When you put that sheet into a slot, the sensors recognize the color and change a glowing ball into that color. I never wrote anything down but was impressed at how the paper-reader-ball interacted.
* "Range of Emotions": You sit in a chair and look at a mirror. As you change your facial expression, a hidden camera reads your face and guesses what emotion(s) it's showing. Five differently-colored tubes below the mirror indicate what emotional mix it's detecting.

I also enjoyed "Imagination Land" which has spinners where you watch various bits spin around in their patterns. It wasn't at all high-tech, but I found the sights and sounds of it mesmerizing.

As an animation geek, I enjoyed "Designing the Mind World" which had reproductions of some of the 20,000+ drawings and paintings created during the visual development of "Inside Out."

I wasn't personally excited by the other areas but that's just personal taste -- kids and adults were playing at all of them:
* "Control Panel" -- A sound console where you're asked to create sounds that reflect emotions. This one was quite popular.
* "Dream Productions" -- A mini-stage area to create and act out skits with stick characters and stick props
* "Emotion Mirrors" -- Five mirrors which change as you come near them.
* "Train of Thought" -- You maneuver your ball (train) down a slat, trying to keep the ball from falling off.
* "Managing Our Emotions Maze" -- a console maze where people are encouraged to work together to get their ball in the desired emotional basket.
* "Emotion Blocks" -- A section with emotion-shaped blocks where you try to balance them on a crescent-shaped rocking piece.

In most cases, working with someone improves the experience so teamwork and parent-child cooperation is a plus. People can also do them solo if desired.

All signage was in both English and Spanish and in most cases the languages were given equal billing. Typically, one side of a sign was in English, the other Spanish.

The exhibit is really well built and battle tested. It debuted at the Children's Museum of Pittsburgh (Fall 2021) then moved to the Museum of Science in Boston (Spring 2022), DiscoveryCube in Los Angeles (Summer 2022), and it's here in DC until January 8, 2023.

The exhibit is included with the regular National Children's Museum entry fee. Their website is https://nationalchildrensmuseum.org/ More photographs can be seen here.

Comics Research Bibliography citations update, 9/24-25/22

Is the print newspaper comics page in trouble?

By Michael Cavna

September 24, 2022

https://www.washingtonpost.com/comics/2022/09/24/dilbert-scott-adams-lee-enterprises-newspapers/

Mary Kincaid – RIP [Contes Francais comic strip]

D. D. Degg

September 23, 2022

https://www.dailycartoonist.com/index.php/2022/09/23/mary-kincaid-rip/

Mary E. Kincaid 1923 - 2022

Published by Ann Arbor News from Sep. 20 to Sep. 25, 2022.

https://obits.mlive.com/us/obituaries/annarbor/name/mary-kincaid-obituary?id=36555376#_ga=2.201942866.2143866366.1663866174-854798347.1632946476

BORN

Salem Media Signs Todd Schowalter as Editoonist

Posted by D. D. Degg

September 23, 2022

https://www.dailycartoonist.com/index.php/2022/09/23/salem-media-signs-todd-schowalter-as-editoonist/

Standardized tests are not indicative of potential [ "Frank and Ernest" letter]

Andrew Ryu

Washington Post September 24 2022 : A15

https://www.washingtonpost.com/opinions/2022/09/23/reader-critiques-too-much-queen-elizabeth-coverage/

Big kudos to the 'big lie' essay [Brodner letter]

Bob Latham

Washington Post September 24 2022 : A15

https://www.washingtonpost.com/opinions/2022/09/23/reader-critiques-too-much-queen-elizabeth-coverage/

This educational comic strip will be missed ["Flashbacks" letter]

Miranda Skelly Delmerico

Washington Post September 24 2022 : A15

https://www.washingtonpost.com/opinions/2022/09/23/reader-critiques-too-much-queen-elizabeth-coverage/

Spirited Away at 20: How Hayao Miyazaki's masterpiece united animation lovers worldwide

Hattie Lindert

AV Club September 24 2022

https://www.avclub.com/spirited-away-20th-anniversary-u-s-release-miyazaki-1849552277

Rob Liefeld Takes On The Thorny Topic Of… Rob Liefeld

September 23, 2022

by Rich Johnston

https://bleedingcool.com/comics/rob-liefeld-takes-on-the-thorny-topic-of-rob-liefeld/

Comic Book Retailers React to Dark Horse Going Exclusive With PRH

September 23, 2022

by Rich Johnston

https://bleedingcool.com/comics/comic-book-retailers-react-to-dark-horse-going-exclusive-with-prh/

DC Comics Brings Back Foil Multi-Level Embossed Variant For 90s Rewind

September 23, 2022

by Rich Johnston

https://bleedingcool.com/comics/dc-comics-brings-back-foil-multi-level-embossed-variant-for-90s-rewind/

McCay Smolderen, Thierry and Jean-Philippe Bramanti London: Titan Books 2018

Mickey Mouse: Zombie Coffee Loisel, Regis Seattle: Fantagraphics 2022

September 7, 2022

Alex Ross Brings the Fantastic Four Back to Basics in 'Full Circle' Graphic Novel

Speaking to Marvel.com, Alex Ross unpacks 'Fantastic Four: Full Circle,' his approach to the Negative Zone, his Pop Era colors, and more.

by Meagan Damore

https://www.marvel.com/articles/comics/fantastic-four-full-circle-graphic-novel-alex-ross-interview

Why Fantastic Four: Full Circle Is a Marvel Epic 25 Years in the Making

Ross reflects on his new graphic novel and how he would like to see the FF introduced into the MCU.

By Mike Avila

Sep 6, 2022

https://www.ign.com/articles/fantastic-four-full-circle-graphic-novel-alex-ross-interview-mcu

Quick Reviews returns: Dirty Pictures, Fantastic Four, Mickey Mouse, Space Boy, McCay, Aimee de Jongh, and Orner's Smahtguy

by Mike Rhode

ComicsDC blog September 25, 2022

https://comicsdc.blogspot.com/2022/09/quick-reviews-returns-dirty-pictures.html

Todd McFarlane On Negotiating With DC Comics Over Spawn/Batman

September 24, 2022

by Rich Johnston

https://bleedingcool.com/comics/todd-mcfarlane-on-negotiating-with-dc-comics-over-spawn-batman/

"It's Really Freeing": Matthew Rosenberg on Launching Ashcan Press on Substack

By David Harper

September 20, 2022

https://sktchd.com/interview/matthew-rosenberg-on-substack/

Emerald City Comic Con 2022: What's Your Go To Karaoke Song?

Sep 14, 2022

SKTCHD

https://www.youtube.com/watch?v=JLUZ8XBgrG0

Interview: Florentino Flórez Takes on the Unknown in 'Lovecraft Unknown: Kadath'

Interview by Troy-Jeffrey Allen

Sep 19, 2022

https://previewsworld.com/Article/264222-Interview-Florentino-Fl%C3%B3rez-Takes-on-the-Unknown-in-Lovecraft-Unknown-Kadath

Bart Beaty et Benjamin Woo, « From Mass Medium to Niche Medium: Advertising in American Comic Books, 1934–2014 », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 avril 2021, consulté le 25 septembre 2022. URL : http://journals.openedition.org/comicalites/6468 ; DOI : https://doi.org/10.4000/comicalites.6468

https://journals.openedition.org/comicalites/6468

Kévin Le Bruchec, « Sur le rapport singulier à l'objet-livre des éditeurs alternatifs : le cas de The Hoochie Coochie », Comicalités [En ligne], Bande dessinée et culture matérielle, mis en ligne le 01 février 2022, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/6993 ; DOI : https://doi.org/10.4000/comicalites.6993

Sylvain Aquatias, « Les manifestations générationnelles de la passion bédéphilique : un traitement secondaire de l'enquête de 2011 sur le lectorat de bande dessinée », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 février 2022, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/6760 ; DOI : https://doi.org/10.4000/comicalites.6760

Nicolas Labarre, « « Et zut pour ces quelques fleurs ! ». Entretien avec Jean-Pierre Mercier sur la bédéphilie », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 février 2022, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/6806 ; DOI : https://doi.org/10.4000/comicalites.6806

Olivier Stucky, « Repenser l'album à l'ère du multimédia (1995-1998) : reconfigurer la bande-dessinée pour le CD-ROM », Comicalités [En ligne], Bande dessinée et culture matérielle, mis en ligne le 15 février 2022, consulté le 25 septembre 2022. URL : http://journals.openedition.org/comicalites/7041 ; DOI : https://doi.org/10.4000/comicalites.7041

Thierry Groensteen, « Une catégorie ambiguë : le « spécialiste » », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 avril 2021, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/5338 ; DOI : https://doi.org/10.4000/comicalites.5338

Isabelle Licari-Guillaume, « "What is it with these Brits?": British culture and the "British Invasion" narrative seen through letter columns », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 avril 2021, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/5585 ; DOI : https://doi.org/10.4000/comicalites.5585

Maaheen Ahmed, « Loving Comics in Neil the Horse Comics and Stories », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 avril 2021, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/6300 ; DOI : https://doi.org/10.4000/comicalites.6300

Romain Becker, « Telling The Killing Joke: How Editorial Intent Co-constructs a Comic », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 avril 2021, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/5754 ; DOI : https://doi.org/10.4000/comicalites.5754

Jessica Kohn, « Approche bédéphile ou approche professionnelle : comment définir le métier de dessinateur de bande dessinée ? », Comicalités [En ligne], Histoire et influence des pratiques bédéphiliques, mis en ligne le 01 avril 2021, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/6203 ; DOI : https://doi.org/10.4000/comicalites.6203

Benoît Preteseille, "La bédéphilie comme aiguillon créatif : les années 1960 en France", Comicalités [Online], History and influence of bedephilia, Online since 01 April 2021, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/5909; DOI: https://doi.org/10.4000/comicalites.5909

Jan Baetens, « Bande dessinée, formats, hors-champ : l'enseignement des blow books », Comicalités [En ligne], Bande dessinée et culture matérielle, mis en ligne le 11 avril 2021, consulté le 26 septembre 2022. URL : http://journals.openedition.org/comicalites/4996 ; DOI : https://doi.org/10.4000/comicalites.4996

Jean-Paul Gabilliet and Nicolas Labarre, "Bédéphiles et fans : un amour structurant", Comicalités [Online], History and influence of bedephilia, Online since 01 April 2021, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/5139; DOI: https://doi.org/10.4000/comicalites.5139

Nicolas Labarre, "Selling Horror: the early Warren comics magazines", Comicalités [Online], Bande dessinée et culture matérielle, Online since 01 March 2021, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/4793; DOI: https://doi.org/10.4000/comicalites.4793

Christophe Meunier, "Échange de passe et lutte de places dans Max Winson de Jérémie Moreau", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 02 December 2017, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2327; DOI: https://doi.org/10.4000/comicalites.2327

Denis Jallat and Yann Descamps, "Borders with Reality : the Playground and Fence in Branner's Bicot", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 10 November 2018, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3109; DOI: https://doi.org/10.4000/comicalites.3109

Antoine Marsac, "Des sportifs embarqués dans l'aventure en canoë", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 02 December 2017, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2389; DOI: https://doi.org/10.4000/comicalites.2389

Kilian Mousset and Jean-Nicolas Renaud, "La sportivité des techniques corporelles d'un héros éminemment moderne : Rahan", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 02 December 2017, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2276; DOI: https://doi.org/10.4000/comicalites.2276

Patrick Legros, "Les Pieds Nickelés et la petite reine", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 02 December 2017, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2313; DOI: https://doi.org/10.4000/comicalites.2313

Laurent Grün, Vincent Marie and Michel Thiébaut, "De la violence au sport, du sport à la violence : une approche graphique chez Baru", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 02 December 2017, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2345; DOI: https://doi.org/10.4000/comicalites.2345

Michel Matly, "Bande dessinée et transmission du sens", Comicalités [Online], Histoire et bande dessinée : territoires et récits, Online since 24 September 2015, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2065; DOI: https://doi.org/10.4000/comicalites.2065

Zoé Vangindertael, "La représentation muséale de l'auteur de bande dessinée : enjeux d'une dialectique entre l'artiste et l'artisan", Comicalités [Online], Représenter l'auteur de bandes dessinées, Online since 06 April 2019, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3431; DOI: https://doi.org/10.4000/comicalites.3431

Sylvie Dardaillon and Christophe Meunier, "La série Paul de Michel Rabagliati : récits d'espaces et de temps", Comicalités [Online], Représenter l'auteur de bandes dessinées, Online since 17 April 2013, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1566; DOI: https://doi.org/10.4000/comicalites.1566

Nicolas Rouvière, "Les figures paradoxales de l'Auteur dans Astérix", Comicalités [Online], Représenter l'auteur de bandes dessinées, Online since 09 December 2014, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2092; DOI: https://doi.org/10.4000/comicalites.2092

Tatiana Blanco Cordón, "L'image de la femme dans les cómics femeninos des années 1960-1970 en Espagne : conflit identitaire ou schizophrénie de genre", Comicalités [Online], Graphic culture within time and space, Online since 12 August 2013, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1569; DOI: https://doi.org/10.4000/comicalites.1569

Sofiane Taouchichet, "Représentations auctoriales dans Excel Saga : figures, enjeux et métafiction", Comicalités [Online], Représenter l'auteur de bandes dessinées, Online since 13 April 2019, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3359; DOI: https://doi.org/10.4000/comicalites.3359

Camille Roelens, "Figure d'autorité, maître et disciple(s) : Hugo Pratt par Milo Manara", Comicalités [Online], Représenter l'auteur de bandes dessinées, Online since 01 April 2019, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3307; DOI: https://doi.org/10.4000/comicalites.3307

Benoît Crucifix, "Mémoire de la bande dessinée dans Au travail d'Olivier Josso Hamel", Comicalités [Online], Comics : an art without memory?, Online since 29 November 2017, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2415; DOI: https://doi.org/10.4000/comicalites.2415

Benjamin Caraco, "Devenir auteur de bande dessinée. Le cas des anciens élèves de l'atelier d'illustration de Strasbourg", Comicalités [Online], Graphic culture : media issues, Online since 12 December 2020, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/4646; DOI: https://doi.org/10.4000/comicalites.4646

Benjamin Caraco, "La communication éditoriale : un outil de légitimation. Le cas de L'Association", Comicalités [Online], Graphic culture : media issues, Online since 28 September 2013, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1707; DOI: https://doi.org/10.4000/comicalites.1707

Laurent Gerbier, "Le trait et la lettre. Apologie subjective du lettrage manuel", Comicalités [Online], Graphic culture : media issues, Online since 27 September 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1202; DOI: https://doi.org/10.4000/comicalites.1202

Nicolas Labarre, "Two Flashes. Entertainment, Adaptation : Flash Gordon as comic strip and serial", Comicalités [Online], Graphic culture : media issues, Online since 19 May 2011, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/249; DOI: https://doi.org/10.4000/comicalites.249

Xavier Guilbert, "La légitimation en devenir de la bande dessinée", Comicalités [Online], Graphic culture : media issues, Online since 17 May 2011, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/181; DOI: https://doi.org/10.4000/comicalites.181

Sylvain Aquatias, "Genre et légitimité dans l'édition de bande dessinée – partie 1", Comicalités [Online], Graphic culture : creation and representations, Online since 10 November 2018, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2639; DOI: https://doi.org/10.4000/comicalites.2639

Sylvain Aquatias, "Genre et légitimité dans l'édition de bande dessinée – partie 2", Comicalités [Online], Graphic culture : creation and representations, Online since 10 November 2018, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2677; DOI: https://doi.org/10.4000/comicalites.2677

Isabelle Antonutti, "Fumetto et fascisme : la naissance de la bande dessinée italienne", Comicalités [Online], Graphic culture within time and space, Online since 04 March 2013, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1306; DOI: https://doi.org/10.4000/comicalites.1306

Thierry Crépin, "L'adaptation des bandes dessinées américaines et italiennes en France dans les années 1930 et 1940", Comicalités [Online], Graphic culture within time and space, Online since 13 February 2013, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1366; DOI: https://doi.org/10.4000/comicalites.1366

Jean-Philippe Martin, "La théorie du 0 %. Petite étude critique de la critique en bande dessinée", Comicalités [Online], Graphic culture within time and space, Online since 10 February 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/827; DOI: https://doi.org/10.4000/comicalites.827

Côme Martin, "La première lecture de livre : de la manipulation matérielle de la page comme expérience unique", Comicalités [Online], Bande dessinée et culture matérielle, Online since 27 December 2019, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3744; DOI: https://doi.org/10.4000/comicalites.3744

Agatha Mohring, "Mise en abyme de la matérialité de la bande dessinée dans Mensajes de Mariano Casas", Comicalités [Online], Bande dessinée et culture matérielle, Online since 21 December 2019, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3776; DOI: https://doi.org/10.4000/comicalites.3776

Bounthavy Suvilay, "Parcours de lecture dans Dragon Ball Z Dokkan Battle", Comicalités [Online], Bande dessinée et culture matérielle, Online since 11 January 2020, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3876; DOI: https://doi.org/10.4000/comicalites.3876

Jean-Mathieu Méon, "Fragmenter, matérialiser.", Comicalités [Online], Bande dessinée et culture matérielle, Online since 21 December 2019, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3711; DOI: https://doi.org/10.4000/comicalites.3711

Bounthavy Suvilay, "Entretien avec Nicole Rousmaniere, curatrice de l'exposition « The Citi Exhibition Manga マンガ »", Comicalités [Online], Bande dessinée et culture matérielle, Online since 21 December 2019, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3722; DOI: https://doi.org/10.4000/comicalites.3722

Élise Awaïda Carton and Stéphane Carpentier, "Monde sportif et univers des super-héros de bandes dessinées", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 10 November 2018, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3127; DOI: https://doi.org/10.4000/comicalites.3127

Philippe Willems, "Rhétorique texte/image, minimalisme et jeux de perspective : l'héritage de Cham", Comicalités [Online], Histoire et bande dessinée : territoires et récits, Online since 18 April 2014, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1964; DOI: https://doi.org/10.4000/comicalites.1964

Frédéric Paques, "La bande dessinée en Belgique francophone au XIXe siècle", Comicalités [Online], Histoire et bande dessinée : territoires et récits, Online since 10 February 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/716; DOI: https://doi.org/10.4000/comicalites.716

Pascal Lefèvre, "The construction of national and foreign identities in French and Belgian postwar comics (1939-1970)", Comicalités [Online], Histoire et bande dessinée : territoires et récits, Online since 11 May 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/875; DOI: https://doi.org/10.4000/comicalites.875

Valérie Morisson, "Histoire, histoires… Blood Upon the Rose de Gerry Hunt et Louis Riel. A Comic Strip Biography de Chester Brown", Comicalités [Online], Histoire et bande dessinée : territoires et récits, Online since 10 October 2011, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/603; DOI: https://doi.org/10.4000/comicalites.603

Catherine Mao, "L'artiste de bande dessinée et son miroir : l'autoportrait détourné", Comicalités [Online], Représenter l'auteur de bandes dessinées, Online since 28 September 2013, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1702; DOI: https://doi.org/10.4000/comicalites.1702

Hélène Martinelli, "Représenter l'auteur dans le livre auto-illustré au début du XXe siècle : Jean Bruller, Josef Váchal, Bruno Schulz et Alfred Kubin", Comicalités [Online], Représenter l'auteur de bandes dessinées, Online since 28 September 2013, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1680; DOI: https://doi.org/10.4000/comicalites.1680

Erwin Dejasse, "Sacralisation et légitimation. Les hors-textes de la revue L'Éprouvette : fragments d'une Histoire discriminante", Comicalités [Online], Comics : an art without memory?, Online since 27 September 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1093; DOI: https://doi.org/10.4000/comicalites.1093

Julien Baudry, "Saint-Ogan et les grands enfants : la place de l'œuvre d'Alain Saint-Ogan dans le discours historique de la SOCERLID", Comicalités [Online], Comics : an art without memory?, Online since 10 February 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/578; DOI: https://doi.org/10.4000/comicalites.578

Xavier Guilbert, "Le manga et son histoire vus de France : entre idées reçues et approximations", Comicalités [Online], Comics : an art without memory?, Online since 10 February 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/733; DOI: https://doi.org/10.4000/comicalites.733

Christophe Dony, "The rewriting ethos of the Vertigo imprint: critical perspectives on memory-making and canon formation in the American comics field", Comicalités [Online], Comics : an art without memory?, Online since 18 April 2014, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/1918; DOI: https://doi.org/10.4000/comicalites.1918

Frank-Michel Gorgeard, "Le classique en bande dessinée", Comicalités [Online], Comics : an art without memory?, Online since 06 July 2011, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/296; DOI: https://doi.org/10.4000/comicalites.296

Thierry Crépin, "Le Grand Prix de l'image française, une existence éphémère", Comicalités [Online], Comics : an art without memory?, Online since 16 May 2011, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/217; DOI: https://doi.org/10.4000/comicalites.217

Sylvain Lesage, "L'impossible seconde vie ? Le poids des standards éditoriaux et la résistance de la bande dessinée franco-belge au format de poche", Comicalités [Online], Comics : an art without memory?, Online since 16 May 2011, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/221; DOI: https://doi.org/10.4000/comicalites.221

Harry Morgan, "Y'a-t-il un canon des littératures dessinées ?", Comicalités [Online], Comics : an art without memory?, Online since 05 October 2011, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/620; DOI: https://doi.org/10.4000/comicalites.620

Pascal Robert, "Professeure Moustache contre les médias", Comicalités [Online], Graphic culture : creation and representations, Online since 02 September 2015, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/2111; DOI: https://doi.org/10.4000/comicalites.2111

Marine Lopata, "Le journal humoristique El Papus (1973-1986). Contre-culture et transgression pendant la transition démocratique espagnole", Comicalités [Online], Graphic culture : creation and representations, Online since 11 May 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/988; DOI: https://doi.org/10.4000/comicalites.988

Roger Sabin, "Wokker. Notes on a Surrealist comic strip", Comicalités [Online], Graphic culture : creation and representations, Online since 11 May 2012, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/918; DOI: https://doi.org/10.4000/comicalites.918

Frédéric Ducarme, "Are nekketsu shōnen manga sports manga?", Comicalités [Online], Bande dessinée et sport : stylisation, émancipation, contestation d'un univers normé ?, Online since 17 November 2018, connection on 26 September 2022. URL: http://journals.openedition.org/comicalites/3194; DOI: https://doi.org/10.4000/comicalites.3194

Tuesday, September 27, 2022

Comics Research Bibliography citations update, 9/26/22

Monday, September 26, 2022

Andrew Aydin at Fantom Comics photos

Emotions at Play with Pixar's Inside Out exhibit review

Comics Research Bibliography citations update, 9/24-25/22

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