by Mike Rhode
Early next month, DC will have the rare treat of two Slovenian cartoonists visiting to
sign their Animal Noir graphic novel and
open an exhibit of comic art at the Embassy of Slovenia. Last week, we
interviewed Izar Lunaček.Today, we chat with
Nejc Juren, the co-author of
Animal Noir.
What type of comic work or cartooning do you do?
I write scripts. I'm so bad at drawing that I never dared to hope I could do any work in comics. However, I've always loved comics, and since I consider myself more of a storyteller then a writer, I jumped at the chance when Izar suggested we tell some stories together in comic book form. I truly believe comics are one of the best storytelling mediums. The possibilities here are endless.
How do you do it? Traditional pen and ink, computer or a combination?
I try to adapt to the process of the illustrator. If he needs a panel by panel script, I try to write it that way, but I prefer the process to be more loose. I tell the illustrator the broad story and then I let his visual ideas guide and shape the script. With Izar, the process was just incredible. When we did
Animal Noir we spent a couple of months just world-building. We really went into the foundation of the world those animals created. Then we created the long arc of the story (which has yet to be told and I guarantee is really epic) and only then all the small arcs, the first of which came out last year from IDW.
When (within a decade is fine) and where were you born?
I was born in 1982. Slovenia was a part of Yugoslavia and a socialist country. Yugoslavia dissolved when I was 8 years old and I grew up watching a lot of American television.
Where do you live now?
I live in Ljubljana, our nation's capital.
What is your training and/or education in cartooning?
I always got the worst marks in drawing. But I also always got the worst mark in music and now I make ends meet by writing comic scripts and running a semi-popular swing band. As for formal education, I finished law school.
Who are your influences?
René Goscinny, Allan Moore, Joan Sfar, Christophe Blain.
If you could, what in your career would you do-over or change?
I don't think I'd change anything. I kinda take it like this: it takes around 20 years to become a good storyteller. So that's a really long journey. And the more you meander, the more you get lost and side-tracked, the more walls you hit, all that should - by this theory - just add to your journey. That's why I'm trying to cherish all the wrong turns I take.
What work are you best-known for?
In comics, it's
Animal Noir. However, in Slovenia I'm more known as a musician. This is my band,
Počeni Škafi, if you want to check us out. I write all the lyrics and most of the music. In English, it means The Cracking Buckets. Our original singer's surname was Škafar, which means the bucket maker.We have an album on Spotify and all the other streaming sites, but a good sample is here:
https://youtu.be/WM5yLKnJwl0
What work are you most proud of?
You'd make me choose among my children? Okay,
check this video out. It's the first thing Izar and I did together.
Dive is a short comic that was done as a music video for Fed Horses, a band I also write lyrics for. I'm really happy the way it turned out but I don't think the Youtube algorithm likes it too much.
What would you like to do or work on in the future?
Izar and I are working on a comic called
Thursday Girl that I think will be great. We're hoping to find a publisher soon so we can get our claws into it. I'm also preparing a collection of short stories that's going to get released next year.
What do you do when you're in a rut or have writer's block?
I stop and let my brain solve it on it's own. I have a constant writer's block and usually resolves it self around deadlines. Or I find that a long walk or a long shower really helps.
What do you think will be the future of your field?
Who knows? But stories will always be important. And if by some chance the world gets overrun by amazing storytellers and will have no use for me, I'll just go back into law.
What conventions do you attend?
I usually go to the Angouleme festival in France. It's super nice.
Have you visited DC before?
Yes. I visited in 98. I was an international student at the Governor's school of South Carolina and we make a field trip.
If so, favorite thing? Least favorite? If not, what do you want to do?
I remember putting my finger into
Einstein's nose.
If you've visited, what monument or museum do you like?
I guess the answer is again
Einstein. I'm not into the big phallic monuments. I did enjoy the Air & Space Museum.
What can you tell us about your book that you're signing at Big Planet Comics?
One of
Goodreads reviewers called it: so intensely overthought that it's hard to tell if it's good or just totally insane. I guess that's my work.
Did Animal Noir when we appear in the United States, or did it appear in your country first? How did you guys bring it to the attention of IDW? Did you do the English script yourselves?
Animal Noir came out in the US first. Some publishing houses in Slovenia liked it, but none wanted to risk the investment. The Slovenian comics market is very small. Our original plan was to find a publisher in France and the first few pages were drawn in a little larger format. When IDW showed interest, we adapted it to the floppy format and we re-wrote the script to fit it into 20-page episodes.
Izar met Ted Adams at the comics festival in Barcelona, pitched him the story and showed him a few pages. Ted liked it so much, he also took on the editing duties. It was surreal for us.
Yeah, we wrote
Animal Noir in English. When in came out in Slovenia 6 months later, we needed to translate it into our mother tongue. Moreover, when we did the world-building we named everything in English with some reckless abandon, so we put ourselves in some tight spots when we needed to translate those names into Slovenian.
Do you have a website or blog?
No. But you can follow me on Instagram.
As Izar Lunaček noted on our blog last week:
The first days of November will see a double hit of Slovenian comics descend on Washington DC. On Thursday November 1st at 7PM, Nejc Juren and Izar Lunaček will swing by Big Planet Comics on
U St., NW to talk about and sign their book Animal Noir, a comic
thriller about a giraffe detective in a world of lion politicians and
hippo mobsters that came out with IDW last year, and on the 2nd the
same guys will open an exhibition on the vivid history of their own country's comics scene at the Slovenian embassy on California Street. Admission to both events is free and food and drinks might be served. Come on, come all, it'll be wonderfully fun!
